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Xylouris White - The Forest in Me [LP]

Xylouris White - The Forest in Me [LP]

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Format: LP
Catalogue No.:Ā DC867
Barcode:Ā 0781484086710
Release Date: 14 Apr 2023
Genre: Folk

ļ‚· Once the listener has set the needle down on the record and heard for themselvesĀ the intimacies and impressionism, abstraction and unfiltered emotion found in ā€˜TheĀ Forest In Me’, Xylouris White’s fifth album release (and first since 2019’s ā€˜The Sisypheans’), one may wonder what was the mood of the room in which this music came to be. Only three people can say for sure, and even then...
ļ‚· Guy Picciotto: ā€œIn late 2019, we had begun taking steps to working on new material. In a haphazard fashion, Jim and I started tracking drums in my basement, cuttingĀ them up into shapes with no set landing in mind. Some of it we sent to Giorgos inĀ Crete - he responded with his lyra and his lute. Without intention we had initiated aĀ process that would soon become more ruthlessly mandated by the world events that separated and isolated us to three corners of the globe in the following year.ā€
ļ‚· Giorgos Xylouris: ā€œEvery harmonic is a fallen tree trunk that I climb over. I’m stepping in muddy waters in the woods or coming to a clearing - that is part of the journey IĀ take whether I am playing music with an audience or recording alone. It’s a journeyĀ around the forest of my inner self. That’s how I see it.ā€
ļ‚· Jim White: ā€œI ended up in the pandemic in rural Australia on care duty and then back in Melbourne alone in a house with an imminent, ultimately very long lockdown.ā€
ļ‚· Giorgos: ā€œThe past several years created a very particular situation that none of us had ever lived through, in such seclusion in our homes and within ourselves. In theĀ isolation I found other wrinkles/folds in my inner being. That helped create this music,Ā as did the unusual way we went about recording.ā€
ļ‚· Jim: ā€œThe night before the curfew I acquired some mics from a studio and bought anĀ interface. And learnt to record. And tracked. George tracked in Crete. Guy, in NewĀ York, helped assemble the structures and find combinations.ā€
ļ‚· Giorgos: ā€œSo every note, every phrase, every instrument came from in and around our inner forests.ā€
ļ‚· Guy: ā€œOn previous projects our customary way of working was to be in one room all together; an inward facing triangle of instant communication leading to marathonĀ sessions from which we would build an archive from which to sculpt the records,Ā finding the binding lines that connected the statements we were trying to make.ā€
ļ‚· Giorgos: ā€œUsing whatever instruments I had with me in the studio at home, in the silence I discovered things I hadn’t had the peace to uncover previously. I saw thatĀ music isn’t static, moving only in its usual ways within the parameters of itsĀ centrifugal force–it can move a long way further in other directions.ā€
ļ‚· Guy: ā€œWith this record we still had that stash to draw from but now we were also adding material composed from this enforced new geometry; this different, widerĀ triangle where we each assumed different roles than we had previously with writing,Ā engineering, arranging all mixed up like finger paints.ā€
ļ‚· Giorgos: ā€œWhile we were recording, I noticed that the music had a certain solitude about it, both from the title and from inside. That led us to find more music from within that we had not yet discovered.ā€
ļ‚· Jim: ā€œThe idea emerged, naturally nourished and nourishing a record with none of ourĀ usual angles and themes, no verbal language, no angst nor sudden dynamics, aĀ more subtle structure. And we found ā€˜The Forest In Me’.

Tracklisting
Second Sister
Latin White
Seeing the Everyday
Missing Heart
Tails of Time
Night Club
Forest In Me
Red Wine
Underworld
Witnessed by Angels
Memories and Souvenirs
Long Doll

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