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Onemind Presents Onemind

The Green Child - Shimmering Basset [CD]

Upset The Rhythm

  • £9.90
Genre: Experimental Pop/Electronic
Format: CD
Catalogue No.: UTR136CD 
B/C: 828887113121
Release Date: 26th February 2021

Available on CD for the first time, coupled with the group's debut album too...

A classy new album of Stereolab-esque pop from The Green Child.



"sounds like it was born from the ocean, too, with gentle waves of synthesizers washing against a beach of guitars and Raven's siren song voice floating atop. Everything feels just a little off center, giving the album a surreal vibe that is equal parts dreamstate and wistful melancholia."

Shimmering Basset is a clever, mysterious, engaging pop album. You should climb under its covers awhile. 8.5/10 Backseat Mafia

Throwing the fantasy dreampop of Strawberry Switchblade into a stainless steel vortex with Siouxsie’s offshoot The Creatures, and perhaps a whiff of Altered Images. RAVEN SINGS THE BLUES

Electronic Sound - Bob Fischer - out now
Shindig - Chris Twomey - out now
Uncut Magazine - Stephen Dalton - out now

still chasing the Record Collector confirmed review...

Digital Press

The Arts Desk - https://www.theartsdesk.com/new-music/theartsdesk-vinyl-61-amy-winehouse-krust-mot%C3%B6rhead-extrawelt-sade-chase-and-status-and
Backseat Mafia - Chris Sawle - https://www.backseatmafia.com/album-review-the-green-child-shimmering-basset-curious-and-mysterious-psych-synth-pop-second/
Freq - Joe Wiffen - http://freq.org.uk/reviews/the-green-child-shimmering-basset/
Joyzine - https://joyzineuk.wordpress.com/2020/10/25/album-review-the-green-child-shimmering-basset/
Monolith Cocktail - Dom Lawson - https://monolithcocktail.com/2020/09/02/our-daily-bread-396-agent-bla-feral-wheel-floodlights-ludwig-dreistern-lou-terry/
Next To The Aisle - https://nexttotheaisle.blogspot.com/2020/10/the-green-child-simmering-basset.html
NME News piece - https://www.nme.com/en_au/news/music/the-green-child-release-new-album-shimmering-basset-2786829
Pennyblack Music - http://www.pennyblackmusic.co.uk/MagSitePages/Review/11630/R/Green-Child-CD-Shimmering-Basset
Silent Radio - https://www.silentradio.co.uk/10/22/album-review-the-green-child-shimmering-basset/
Whisperin & Hollerin - http://www.whisperinandhollerin.com/reviews/review.asp?id=15294

BC6Music - Marc Riley said he has programmed ' Fashion Light’ for the show going out next Wednesday 7th October

BBC6Music - Stuart Maconie said he really likes it and has forwarded to his producer and will play something from it over the coming weeks

BBC6Music Tom Ravenscroft will start his show tonight - Friday 18th September with album track ’Tony Bandana’…

BBC6Music Recommends - Tom Ravenscroft played ‘Low Desk; Hight Shelf’ on 16th September

National Print Press

Record Collector
Shindig - Chris Twomey
Uncut Magazine

It makes quite the intoxicating introduction to the vibrant, dreamlike world The Green Child has created on this record, which has quickly become one of my favorites of 2020.



Limited 180g black Re-vinyl.
Sleeve: Recycled board sleeve, with plant-based ink.
Artwork by Anna Savage.

STREAM: https://soundcloud.com/upset-the-rhythm/sets/the-green-child-shimmering/s-Bb5cFIGzMDc
''reverse engineering dreampop''


THE GREEN CHILD is the once long-distance, now based in the same house recording project of Raven Mahon (furniture maker and former member of Grass Widow) and Mikey Young (recording engineer and band member of Total Control, Eddy Current Suppression Ring).
The duo draw their spectral pop sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and vintage drum machines underpin most of The Green Child’s upbeat yet decidedly uncanny songs. Raven's calmly scenic and measured vocal flits like a will-o'-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie electronic concoctions.

With the advent of Raven moving from California to live with Mikey in Australia, The Green Child was reborn in the basement studio of their beachy, house on stilts in the seaside town of Rye, just an hour south of Melbourne on the Mornington Peninsula. This change of circumstances for the duo resulted in the band’s new album ’Shimmering Basset’ sounding more assured and auspicious than their self-titled debut of 2018. With ideas permitted the time to grow and develop close at hand, the group were able to realise the whole record as a body of work, tying together themes, meeting challenges. Raven explains further, “it feels more cohesive because over the year or so in which we wrote these songs I started to feel a desire to take the lyric writing part more seriously… my head is rooted in this new place now and that’s settled into the songwriting.” The songs collected on ‘Shimmering Basset’ are concerned with life after relocation and deal with distance and staying connected. ‘Shimmering Basset’ also concerns itself with the subjects of transport, escape, the centering of home, humanity in the performative news arena and the idea of time being a beast, animate and hungry.

‘Fashion Light’ conjures up a brilliance from the first few sparks of the album, spinning dizzy dots of synth melody into a classy slice of avant-pop. Rolling live drums (courtesy of Shaun Gionis throughout the album) and tuneful iridescence pan back and forth as Raven coolly intones “dark console, flashing lights, rigid stance, it’s alright to go on and on this way.” ‘Low Desk: High Shelf’ follows in likewise sprightly mode. Glancing synths criss-cross, worthy of OMD, echoing off the straight-up beat, allowing Raven’s collected vocal to stitch its haunted path: “see the face and feel your body sway, in voluntary walk, intoxicating view, take it home, a photograph, a file final form, a token for the shelf or wait…”

A floating kick drum sets off the shivery flurries of sound on ‘Witness’, featuring bristling electronic percussion from James Vinciguerra. ‘The Installation’ is a song about interacting with the dimensions of a new environment. Blossoming basslines and saxophone blushes sweep through its relaxed atmosphere. ‘Tony Bandana’ makes a break for it as a rock song with Arron Mawson lending his bass skills to the foray. Bestilled pauses and swirling breaks of beatpop psych however certainly shake up first impressions. Mikey even joins Raven singing plaintively here for a dip among the sawtooth waves.

The Green Child acknowledge an interesting array of musical cues from New Musik via Sade to Hot Chocolate, the latter most keenly felt on the slinky groove behind ‘Dreamcom’, a song about relying on memory as an anchor for intimacy. Clockwork sequencing, drawbar organ amid bouncing guitar spirals and a lightness of vocal touch make for a potent potion. The duo even cover ‘Resurrection’ by Canadian 60’s popsmith Andy Kim later on the record, turning his orchestral ‘hymn of searching’ into a grandiose tower of overlapping drones, languid vocal reverb and strummed chords. Meanwhile, ‘Health Farm’ is awash with questing keyboard melodies, its notes speeding into each other like Boards Of Canada with the legato ramped up.

‘Double Lines’ draws this fascinating album to an end, seeping into the room like an apparition. It slowly gathers itself into pools of notes and a rubbery bassline, letting Raven’s voice ebb and flow like a half-remembered desire book-ended in ambience. The Green Child have really climbed a ladder with ‘Shimmering Basset’, delivering a robust album of compelling melody, expanded vision and melancholic grandeur. These are songs that fully inhabit themselves, unfurling into a redolent dreamscape, subtly handled with poise and finesse. It’s an elegant album of electronic invention and wistful musing, a daydream in a new home, as alive as time.

01. Fashion Light
02. Low Desk: High Shelf
03. Dreamcom
04. Tony Bandana
05. Health Farm
06. Witness
07. Smart Clothes
08. The Installation
09. Resurrection
10. Double Lines

More From This Artist: The Green Child

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