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SOWETO KINCH & LONDON SYMPHONY ORCHESTRA & LEE REY - SOWETO KINCH: WHITE JUJU [Red & Yellow Vinyl] (RSD 2023)
SOWETO KINCH & LONDON SYMPHONY ORCHESTRA & LEE REY - SOWETO KINCH: WHITE JUJU [Red & Yellow Vinyl] (RSD 2023)
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Format:Â red & yellow vinyl
Catalogue No.:Â LSO5110-LP
Barcode:Â 0822231511014
Release Date: May 2023
Genre:Â Hip Hop/R&B
ï· Recorded live at the Barbican during last yearâs London Jazz Festival, 'White Jujuâ is award-winning British saxophonist and rapper Soweto Kinchâs powerful new work for jazz quartet and symphony orchestra, written in response to lockdown, BLM, British history and the culture wars.
ï· The album melds Kinchâs distinct approach to jazz and hip hop with classical musicâit draws broad inspiration from European folklore, the African Diaspora and divisive national myths to create a uniquely contemporary tone poem.
ï· In many ways, 2020 gave us all the opportunity to see our lives from a fresh perspective. From appreciating the natural world, to reassessing our work life balance and de-cluttering our homes, the nation began an overwhelming cleanse. A summer of racialised police violence, the murder of Sarah Everard and discussions around âessentialâ workers meant the nation was beginning to draw causal links between, racism, misogyny, class and environmental degradation. This reassessment, contrasted starkly with government mismanagement, disinformation and a noisy and disorientating culture warâall provided rich inspiration for Kinchâs work, White Juju.
ï· Towards the end of the first lockdown, Kinch visited Liverpool, Salford, Hull and Cardiff with a small group of musicians and dancers, staging a socially distanced version of The Black Peril as an online festival. As he walked the streets, then denuded of pedestrians, he was immediately struck by imperial emblems, flags and statues in these British port citiesâinnumerable mock Elgin marbles, Queen Victoria statues, Union jacks and military monuments that, in the previous bustle of city life, went relatively unnoticed.
ï· âIt fascinates me how weâre all acquainted with an unspoken architectural and symbolic language of powerâ says Kinch. âHow do these monuments or myths affect how we see ourselves as a nation? Naming the piece White Juju deliberately inverted ideas of the âsavageâ or primitive. Perhaps the bizarre fetishes and obsessions of a cult religion are more visible in modern Britain than third world countries.â
ï· A big facet of Kinchâs music is the presence of humour, and through White Juju he invites listeners to join him in poking fun at these hypocrisies as he confronts awkward truths about a nation, but also to feel the catharsis of being truly freed from a spell.
ï· The vinyl iteration of the album includes two coloured vinyl discs, one red and one yellow.
ï· The striking cover artwork is by the Artist and Illustrator, Sophie Bass, who designed the cover of Sowetoâs last album, âThe Black Perilâ. The gatefold cover includes detailed notes from Soweto Kinch about the work.
Tracklisting
Side A
White Juju, Intro Audience & Chaos (Live)
White Juju, I. Dawn (Live)
White Juju, II. The Old Normal (Live)
Side B
White Juju, III. March of the Unicorns (Live)
White Juju, Snarling Beast (Live)
White Juju, IV. Beneath the Myth (Live)
White Juju, V. Curated Chaos (Live)
White Juju, The Cycle of Violence (Live)
Side C
White Juju, VI.
Sanctuary (Live)
White Juju, VII. The Natural Order (Live)
White Juju, Sunlit Uplands (Live)
White Juju, VIII. Tall Tales of Yesteryore (Live)
Side D
White Juju, Idiots (Live)
White Juju, IX. Eternal (Live)
White Juju, Casting Out (Live)
White Juju, X. Clarity (Live)
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