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Ian Helliwell - Tape Leaders: A Compendium Of Early British Electronic Music Composers

Velocity Press

  • £25.18

Format: Book
Catalogue No.: 9781913231125
Barcode: 9781913231125
Release Date: 15 Oct 2021
Genre: Techno

Hardback: 224 pages
Product Dimensions: 22.7 cm x 17.7 cm x 1 cm

An A-Z compendium featuring over 100 composers active with tape and electronics in the analogue era.
Containing information never previously uncovered, it shines a fresh light on many sound experimenters unacknowledged in the history of British electronic music.
First published by Sound On Sound Magazine in 2016, this is the first time it’s been available outside their shop.
Deluxe coffee table hardback book in full colour on 130 gsm matt art paper.

Tape Leaders: A Compendium Of Early British Electronic Music Composers is a richly illustrated A-Z compendium featuring over 100 composers active with tape and electronics in the analogue era. Containing information never previously uncovered, it shines a fresh light on many sound experimenters unacknowledged in the history of British electronic music.

With an individual entry for each composer, it covers everyone from famous names like William Burroughs, Brian Eno and Joe Meek to the ultra-obscure such as Roy Cooper, Donald Henshilwood and Edgar Vetter. There are sections for EMS and the BBC Radiophonic Workshop and amateurs, groups and ensembles that experimented with electronics, including The Beatles, Hawkwind and White Noise.

“Until now, the Radiophonic Workshop has somewhat eclipsed other players in British early electronic music history. The extent of this is laid bare in the revelatory book Tape Leaders - a landmark survey by the composer, film-maker, instrument-builder and researcher Ian Helliwell, who has uncovered hitherto unacknowledged independent electronic music composers.” Fortean Times

“For anyone with an interest in the early years of electronic music, Ian Helliwell’s book takes the reader on an enthralling tour of the pioneering British contributors to this genre.” Sound On Sound

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