{"title":"Week 43 2026","description":null,"products":[{"product_id":"human-being-drama1-missing-the-box-ep","title":"HUMAN BEING\/DRAMA1\/MISSING - The Box EP","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCat: KMJOS04\u003cbr\u003eRel: 10 Aug 2018\u003cbr\u003eGenre: Drum \u0026amp; Bass \/ Jungle\u003c\/p\u003e\n\u003cp\u003eBack in stock: 23 Oct 2026\u003c\/p\u003e\n\u003cp\u003ea1. Human Being - The Box Opened\u003cbr\u003ea2. Drama1 - The Last Box\u003cbr\u003eb1. Missing - The Box Reopens\u003cbr\u003eb2. 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Heavy Sound\u003cbr\u003ea2. No One Plays The Game w\/ Duval Timothy\u003cbr\u003eb1. Phantom Jazz\u003cbr\u003eb2. Musa at Erbil\u003cbr\u003ec1. Hypnotoxic Laser\u003cbr\u003ec2. Whiplashed w\/ Mark Cisneros\u003cbr\u003ed1. Remnants w\/ Lucinda Chua \u0026amp; Duval Timothy\u003cbr\u003ed2. When The Sleeper Wakes\u003c\/p\u003e\n\u003cp\u003eSeven years after the haunting resonance of Voids, electronic pioneer Martyn returns to the album format with Music For Existing. Arriving on 15 May 2026, the record is more than a collection of tracks; it is a profound exploration of what it means to remain devoted to a craft in an era of relentless noise.\u003c\/p\u003e\n\u003cp\u003eThe album’s announcement is heralded by the lead single \"Heavy Sound.\" The track serves as the perfect bridge between Martyn’s past and present - a masterclass in tension and release that previews the album’s dialogue between the producer, the musicians, and the audience. We live inside a culture that has prioritised and monetised restlessness. The modern apparatus runs on the continuous production of \"next,\" driven by algorithms that value novelty over depth.\u003c\/p\u003e\n\u003cp\u003eMusic For Existing serves as a love letter to the communal act of making music - something that is both healing and inherently defiant. For Martyn, a musician often finds solace in musical conversation with others; in the moment we press record, we simply exist together. This record is an invitation to build human infrastructure around what we love, leaning into the fluid nature of community and seeing exactly where the music takes us when we choose to listen.\u003c\/p\u003e\n\u003cp\u003eThe album is a sprawling, \"off-the-grid\" tapestry that echoes Martyn’s profound appreciation for jazz - free, instinctive, and bursting in every sonic direction. 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But frontman Harry Muskee never embraced that label. Raised on broadcasts from The Voice of America, he possessed a deeper understanding of the blues than most of his contemporaries. Muskee didn't want to sing 'songs,' as he called them, he wanted to sing the blues, raw and unfltered, in the tradition of Howlin' Wolf, John Lee Hooker and Muddy Waters. Their debut single \"Stumble \u0026amp; Fall\" was recorded in the Bavohuis, a simple gym hall in Amsterdam, with Addy Kleingeld, known from De Vrolijke Mijnwerkers, as producer. But the debut album Desolation marked a turning point, recorded at the Phonogram Studios in Hilversum with renowned blues producer Tony Vos, it captured the band exactly as Muskee intended. The resulting album became a jewel of Dutch music history. Never before had the Netherlands heard a blues singer who poured his emotions into a recording with such conviction and authenticity. Muskee even outshone his British peers. Eric Burdon (The Animals), Paul Jones (Manfred Mann), Mick Jagger (The Rolling Stones) and Van Morrison (Them). At the Grand Gala du Disque, Muskee received an Edison Award for Desolation, handed to him by cabaret artist Wim Sonneveld, whose lukewarm speech couldn't diminish the signifcance of the moment. Sixty years later, the legacy of this groundbreaking album still resonates, an essential document of European blues and a defning moment in the story of Cuby + Blizzards. This 60th anniversary edition of Desolation is now available as an expanded 2LP-set including the original 1966 album plus ffteen bonus tracks. The gatefold version features songs \"Things I Remember\", \"Stumble \u0026amp; Fall\", \"L.S.D. 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With a dedicated global fanbase and a reputation as one of Mexico’s most forward-thinking artists, she has become a leading voice in a new wave of Latin music that is both emotionally raw and sonically adventurous.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRRRomeo is Girl Ultra’s most ambitious and transformative project to date. Co-produced\u003cbr\u003ealongside the legendary funk duo Chromeo, the album was recorded between Mexico City and Los Angeles and draws inspiration from synth-pop, house, darkwave, indie rock, city-pop, and analog funk. 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The band arouses passions and emotions, taking listeners on a journey within a tender, comforting bubble. Their debut album No Rush established them as one of the most compelling emerging acts in alternative music, resonating with a growing global audience. With millions of monthly listeners and a sold-out debut North American tour, the band are rapidly building momentum - particularly in the US, where their audience continues to expand. With new music on the horizon, Tokyo Tea Room are entering a defining new chapter, evolving their sound while staying rooted in the emotional depth that defines their work.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Hypnotised  \u003cbr\u003eA2. Eyes Off You  \u003cbr\u003eA3. Leave You  \u003cbr\u003eA4. All Night  \u003cbr\u003eA5. Feeling High  \u003c\/p\u003e\n\u003cp\u003eB1. Always in the Sun  \u003cbr\u003eB2. You're Mine  \u003cbr\u003eB3. Temporary Love  \u003cbr\u003eB4. Last Time  \u003cbr\u003eB5. 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For songwriter and guitarist Aaron Duff, North Shields high on England’s north east coast, shaped by fishing, shipbuilding, and the sea, is not just a backdrop but a source. Everything flows from it: the imagery, the politics, the particular stoicism of people who absorb more than their share and keep moving anyway.\u003c\/p\u003e\n\u003cp\u003e‘The Great Shakedown’, their third album, is where that source runs deepest. Featuring bold brass arrangements alongside choir and church bells recorded live at the 17th-century Christ Church in North Shields, the album is Hector Gannet’s most ambitious and most searching work. The brass is a constant throughout: driving the Dexys-style urgency of the title track, lounging through the jazz-tinged Big White Telephone, surging euphorically through singles The Mother Tongue and Seven Signs.\u003c\/p\u003e\n\u003cp\u003eThe singles capture something essential about the album, euphoric on the surface, quietly devastating underneath. Beneath its propulsive brass lies an examination of stoicism as both armour and wound, of shared language used to avoid saying the very things that need to be said. It’s a quality that runs through the whole record, which looks at human history and art, the ordinary and the extraordinary, the actions of those in power and the communities who live with the consequences. It is both communal and euphoric - a powerful rallying cry for people at a time when we need it most.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eThe Great Shakedown\u003cbr\u003eLet It Pour\u003cbr\u003eSeven Signs\u003cbr\u003eBoat in The Bottle\u003cbr\u003eFull Circle\u003cbr\u003eBig White Telephone\u003cbr\u003eThe Mother Tongue\u003cbr\u003eThe Jetty's End\u003cbr\u003eA Stitch in The Fold\u003cbr\u003eNo Money, No Time (The Great Reprise)\u003c\/p\u003e","brand":"Guga Records","offers":[{"title":"Default Title","offer_id":47225028018332,"sku":"HG6CD","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_a9b91a9f-ab3a-44b7-9e1d-604114d82f65.jpg?v=1784199066"},{"product_id":"oingo-boingo-farewell-live-from-the-universal-amphitheatre-halloween-1995-2cd","title":"Oingo Boingo - Farewell: Live From The Universal Amphitheatre  Halloween 1995 [2CD]","description":"\u003cp\u003eCat. no: MOCCD14654\u003cbr\u003eFormat: CDBX\u003cbr\u003eBarcode: 0602488536684\u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA spectacular farewell performance packed with energy, theatricality, and musical brilliance, \"Farewell: Live From The Universal Amphitheatre Halloween 1995\" captures Oingo Boingo during their legendary fnal concert on Halloween night 1995\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLed by Danny Elfman, the band delivers an explosive live set flled with ska rhythms, new wave, rock, funk, and the unmistakable eccentric energy that made Oingo Boingo one of the most unique bands of the 1980s and 1990s. Featuring fan favorites and extended live performances, this 2CD album perfectly documents the atmosphere and intensity of the band's emotional goodbye show. \"Farewell: Live From The Universal Amphitheatre Halloween 1995\" stands as an essential live recording for longtime fans and alternative rock collectors alike.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e* Legendary fnal Oingo Boingo concert recording \u003cbr\u003e* Recorded live on Halloween night 1995 \u003cbr\u003e* Led by Danny Elfman \u003cbr\u003e* Blend of new wave, ska, rock, and funk \u003cbr\u003e* Features energetic extended live performances \u003cbr\u003e* Essential release for alternative and new wave fans\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracks: Insanity \/ Little Girls \/ Cinderella Undercover \/ Controller \/ Burn Me Up \/ Insects \/ No One Lives Forever \/ Hey! \/ Reptiles and Samurai \/ Water \/ I Am the Walrus \/ Piggies \/ We Close Our Eyes \/ Mary \/ Can't See (Useless) \/ Helpless \/ I'm So Bad \/ Change \/ Stay \/ Who Do You Want to Be \/ On The Outside \/ Wild Sex (In The Working Class) \/ Dead Man's Party \/ Nasty Habits \/ Clowns Of Death \/ Ain't This The Life \/ Whole Day Off \/ Grey Matter \/ No Spill Blood \/ Only A Lad\u003c\/p\u003e","brand":"Music On CD","offers":[{"title":"Default Title","offer_id":47255996792988,"sku":"MOCCD14654","price":23.73,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_5b54cfaa-a0ee-4f85-950c-027d83388d88.webp?v=1784808676"},{"product_id":"brigitte-fontaine-comme-a-la-radio-cd","title":"Brigitte Fontaine - Comme à la Radio [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: WWSCD118\u003cbr\u003eBarcode: 3700604786276\u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Pop \/ French \/ Jazz\u003c\/p\u003e\n\u003cp\u003eBrigitte fontaine's landmark 1970 masterpiece, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago.\u003cbr\u003eReissued here in a deluxe 2-LP edition, newly remastered from the original tapes, it includes the original album, a second LP of rare bonus material, and a 24-page booklet featuring contributions by wadada Leo Smith, andy beta, benoît mouchart, and Benjamin barouh.\u003cbr\u003eThis deluxe 2-LP edition pairs the original album with a second LP of rare bonus material, Comme à la Radio: On Air, featuring previously unreleased ORTF live recordings and additional studio rarities.\u003c\/p\u003e\n\u003cp\u003eWewantsounds is delighted to reissue Brigitte Fontaine’s landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem (who sadly died last June), Wadada Leo Smith and the Art Ensemble of Chicago. This deluxe 2-LP edition pairs the original album with a second LP of rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The booklet also includes complete lyrics and a selection of rare archival photographs by Jean-Pierre Leloir and Philippe Gras. The reissue is announced alongside its companion, the deluxe 2-LP set Comme à la Radio \"On Air\", featuring previously unreleased ORTF live recordings and additional studio rarities.\u003c\/p\u003e\n\u003cp\u003eWewantsounds pursues its Brigitte Fontaine reissue program with Comme à la Radio, originally released in 1970 on Pierre Barouh’s cult Saravah label, fusing Fontaine’s radical lyricism with Areski Belkacem’s minimalist compositions and the fearless improvisations of the Art Ensemble of Chicago + Wadada Leo Smith. Its title track has since become a cult classic in jazz and groove circles.\u003cbr\u003eThe album has been newly remastered from the original tapes and is reissued in a deluxe 2-LP edition featuring 11 bonus tracks. The first LP presents the original album in restored clarity, while the second gathers rare non-album singles, English-language takes, alternate versions and previously unreleased instrumental recordings showcasing the Art Ensemble's artistry, including the elusive English version of Comme à la Radio, and a striking early version of L’été L’été.\u003cbr\u003eAlso included is a 24-page bilingual booklet featuring rare archival photographs by cult photographers Jean-Pierre Leloir and Philippe Gras, complete lyrics, and contributions by Andy Beta, Wadada Leo Smith, Benoît Mouchart and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The reissue is announced alongside its companion Comme à la Radio \"On Air\", a deluxe 2-LP set presenting previously unreleased ORTF live recordings and additional studio rarities.\u003cbr\u003eComme à la Radio stands as a visionary landmark of French music and a defining statement in Brigitte Fontaine’s career. This expanded edition confirms its enduring influence more than fifty years after its original release.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eLP1 Original 1970 Album\u003cbr\u003eSide A:\u003cbr\u003e1. Comme À La Radio [8.03]\u003cbr\u003e2. Tanka II [2.04]\u003cbr\u003e3. Le Brouillard [3.24]\u003cbr\u003e4. J'ai 26 Ans [3.04]\u003cbr\u003eSide B:\u003cbr\u003e1. L'été L'été [3.56]\u003cbr\u003e2. Encore [1.34]\u003cbr\u003e3. Léo [3.50]\u003cbr\u003e4. Les Petits Chevaux [0.43]\u003cbr\u003e5. Tanka I [1.45]\u003cbr\u003e6. Lettre À Monsieur Le Chef De Gare De La Tour De Carol [6.04]\u003cbr\u003eLP2: Non LP singles, Alt. and Inst. Versions\u003cbr\u003eSide C:\u003cbr\u003e1. Comme À La Radio – English Version [8.08]\u003cbr\u003e2. J’ai 26 Ans – English Version [3.56]\u003cbr\u003e3. Le Goudron – 7’’ Single [4.12]\u003cbr\u003e4. Le Noir C'est Mieux Choisi – 7\" Single [5.03]\u003cbr\u003eSide D:\u003cbr\u003e1. Les Beaux Animaux – 7’’ Single [3.16]\u003cbr\u003e2. L'été L'été – Early version [4.38]\u003cbr\u003e3. L'été L'eté – Instrumental Version [4.23]\u003cbr\u003e4. Tanka I – Instrumental Version [1.47]\u003cbr\u003e5. Tanka II – Instrumental Version with Flute [1.40]\u003cbr\u003e6. Le Brouillard – Instrumental Version [3.57]\u003cbr\u003e7. Lettre À Monsieur Le Chef De Gare – A Cappella English Version [2.46]\u003c\/p\u003e","brand":"WEWANTSOUNDS","offers":[{"title":"Default Title","offer_id":47263004688540,"sku":"WWSCD118","price":19.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/WWSLP118front2000-rs_26bf2102-c65f-4f10-a4d9-8a02f9af856e.jpg?v=1784892009"},{"product_id":"brigitte-fontaine-comme-a-la-radio-2lp","title":"Brigitte Fontaine - Comme à la Radio [2LP]","description":"\u003cp\u003eFormat: 2 x LP, w\/ 24page booklet\u003cbr\u003eCatalogue No.: WWSLP118\u003cbr\u003eBarcode: 3700604786269\u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Pop \/ French \/ Jazz\u003c\/p\u003e\n\u003cp\u003eBrigitte fontaine's landmark 1970 masterpiece, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago.\u003cbr\u003eReissued here in a deluxe 2-LP edition, newly remastered from the original tapes, it includes the original album, a second LP of rare bonus material, and a 24-page booklet featuring contributions by wadada Leo Smith, andy beta, benoît mouchart, and Benjamin barouh.\u003cbr\u003eThis deluxe 2-LP edition pairs the original album with a second LP of rare bonus material, Comme à la Radio: On Air, featuring previously unreleased ORTF live recordings and additional studio rarities.\u003c\/p\u003e\n\u003cp\u003eWewantsounds is delighted to reissue Brigitte Fontaine’s landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem (who sadly died last June), Wadada Leo Smith and the Art Ensemble of Chicago. This deluxe 2-LP edition pairs the original album with a second LP of rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The booklet also includes complete lyrics and a selection of rare archival photographs by Jean-Pierre Leloir and Philippe Gras. The reissue is announced alongside its companion, the deluxe 2-LP set Comme à la Radio \"On Air\", featuring previously unreleased ORTF live recordings and additional studio rarities.\u003c\/p\u003e\n\u003cp\u003eWewantsounds pursues its Brigitte Fontaine reissue program with Comme à la Radio, originally released in 1970 on Pierre Barouh’s cult Saravah label, fusing Fontaine’s radical lyricism with Areski Belkacem’s minimalist compositions and the fearless improvisations of the Art Ensemble of Chicago + Wadada Leo Smith. Its title track has since become a cult classic in jazz and groove circles.\u003cbr\u003eThe album has been newly remastered from the original tapes and is reissued in a deluxe 2-LP edition featuring 11 bonus tracks. The first LP presents the original album in restored clarity, while the second gathers rare non-album singles, English-language takes, alternate versions and previously unreleased instrumental recordings showcasing the Art Ensemble's artistry, including the elusive English version of Comme à la Radio, and a striking early version of L’été L’été.\u003cbr\u003eAlso included is a 24-page bilingual booklet featuring rare archival photographs by cult photographers Jean-Pierre Leloir and Philippe Gras, complete lyrics, and contributions by Andy Beta, Wadada Leo Smith, Benoît Mouchart and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The reissue is announced alongside its companion Comme à la Radio \"On Air\", a deluxe 2-LP set presenting previously unreleased ORTF live recordings and additional studio rarities.\u003cbr\u003eComme à la Radio stands as a visionary landmark of French music and a defining statement in Brigitte Fontaine’s career. This expanded edition confirms its enduring influence more than fifty years after its original release.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eLP1 Original 1970 Album\u003cbr\u003eSide A:\u003cbr\u003e1. Comme À La Radio [8.03]\u003cbr\u003e2. Tanka II [2.04]\u003cbr\u003e3. Le Brouillard [3.24]\u003cbr\u003e4. J'ai 26 Ans [3.04]\u003cbr\u003eSide B:\u003cbr\u003e1. L'été L'été [3.56]\u003cbr\u003e2. Encore [1.34]\u003cbr\u003e3. Léo [3.50]\u003cbr\u003e4. Les Petits Chevaux [0.43]\u003cbr\u003e5. Tanka I [1.45]\u003cbr\u003e6. Lettre À Monsieur Le Chef De Gare De La Tour De Carol [6.04]\u003cbr\u003eLP2: Non LP singles, Alt. and Inst. Versions\u003cbr\u003eSide C:\u003cbr\u003e1. Comme À La Radio – English Version [8.08]\u003cbr\u003e2. J’ai 26 Ans – English Version [3.56]\u003cbr\u003e3. Le Goudron – 7’’ Single [4.12]\u003cbr\u003e4. Le Noir C'est Mieux Choisi – 7\" Single [5.03]\u003cbr\u003eSide D:\u003cbr\u003e1. Les Beaux Animaux – 7’’ Single [3.16]\u003cbr\u003e2. L'été L'été – Early version [4.38]\u003cbr\u003e3. L'été L'eté – Instrumental Version [4.23]\u003cbr\u003e4. Tanka I – Instrumental Version [1.47]\u003cbr\u003e5. Tanka II – Instrumental Version with Flute [1.40]\u003cbr\u003e6. Le Brouillard – Instrumental Version [3.57]\u003cbr\u003e7. Lettre À Monsieur Le Chef De Gare – A Cappella English Version [2.46]\u003c\/p\u003e","brand":"WEWANTSOUNDS","offers":[{"title":"Default Title","offer_id":47263004721308,"sku":"WWSLP118","price":44.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/WWSLP118LPhoriz.jpg?v=1784891964"},{"product_id":"de-la-soul-stakes-is-high-30th-anniversary-cd2","title":"De La Soul - Stakes Is High (30th Anniversary) [CD2]","description":"\u003cp\u003eCat. no: RMM10352\u003cbr\u003eFormat: CD CD x 2 in a hard cover book with a 12 page booklet\u003cbr\u003eBarcode: 016998079287\u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Rap\/Hip Hop\u003c\/p\u003e\n\u003cp\u003eDe La Soul's Stakes Is High captures the group at a crucial turning point: older, sharper, and completely locked in\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in 1996, the album marked their fourth full- length and their f rst without Prince Paul, opening the door to a tougher, more stripped-back sound led in part by a young J Dilla on the title track. That lead single became one of De La's signature statements, peaking at No. 53 on Billboard's Hot R\u0026amp;B\/Hip-Hop Songs chart, while the album reached No. 4 on the Billboard Top R\u0026amp;B\/Hip-Hop Albums chart. But numbers only tell part of the story -- Stakes Is High remains such a vital listen because it hears De La Soul confronting the mid-'90s head-on, with wit, frustration, and a deep sense of artistic conf dence. From \"The Bizness\" to \"Itzsoweezee (HOT),\" the album balances soulful production and clear-eyed commentary in a way that still feels fresh decades later. It's one of those records that may not have shouted the loudest on arrival, but its inf uence and reputation have only grown with time. In celebration of the 30th anniversary, this CD set includes the original album, Instrumentals, and bonus material.\u003c\/p\u003e\n\u003cp\u003eDisc 1\u003cbr\u003e1. INTRO\u003cbr\u003e2. SUPA EMCEES\u003cbr\u003e3. THE BIZNESS (FEAT. COMMON)\u003cbr\u003e4. 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BABY, BABY, BABY, BABY, OOH BABY (INSTRUMENTAL EDIT)\u003cbr\u003e10. LONG ISLAND DEGREES (INSTRUMENTAL EDIT)\u003cbr\u003e11. BETTA LISTEN (INSTRUMENTAL EDIT)\u003cbr\u003e12. ITZSOWEEZEE (HOT) [INSTRUMENTAL EDIT]\u003cbr\u003e13. 4 MORE (INSTRUMENTAL EDIT)\u003cbr\u003e14. BIG BROTHER BEAT (INSTRUMENTAL EDIT)\u003cbr\u003e15. DOWN SYNDROME (INSTRUMENTAL EDIE)\u003cbr\u003e16. PONY RIDE (INSTRUMENTAL EDIT)\u003cbr\u003e17. STAKES IS HIGH (INSTRUMENTAL)\u003cbr\u003e18. SUNSHINE (INSTRUMENTAL EDIT)\u003cbr\u003e19. CHANEL NO. FEVER\u003cbr\u003e20. I CAN'T CALL IT\u003cbr\u003e21. ITZSOWEEZEE (HOT) [DE LA SOUL REMIX] {FEAT. YANKEE B.}\u003cbr\u003e22. STAKES IS HIGH (J DILLA REMIX) [FEAT. MOS DEF AND TRUTH ENCOLA]\u003cbr\u003e23. STAKES IS HIGH (J DILLA ALTERNATE REMIX)\u003c\/p\u003e","brand":"Chrysalis Records","offers":[{"title":"Default Title","offer_id":47305607741596,"sku":"RMM10352","price":19.74,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_17_54e88c17-2272-4e40-b6b7-d17946e8a45b.jpg?v=1785683549"},{"product_id":"de-la-soul-stakes-is-high-30th-anniversary-lpbx4","title":"De La Soul - Stakes Is High (30th Anniversary) [LPBX4]","description":"\u003cp\u003eCat. no: RMM10351\u003cbr\u003eFormat: LPBX 4xLP, book, spoked B\u0026amp;W vinyl print of Dave\u003cbr\u003eBarcode: 016998079270\u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Rap\/Hip Hop\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDe La Soul's Stakes Is High captures the group at a crucial turning point: older, sharper, and completely locked in\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in 1996, the album marked their fourth full- length and their f rst without Prince Paul, opening the door to a tougher, more stripped-back sound led in part by a young J Dilla on the title track. That lead single became one of De La's signature statements, peaking at No. 53 on Billboard's Hot R\u0026amp;B\/Hip-Hop Songs chart, while the album reached No. 4 on the Billboard Top R\u0026amp;B\/Hip-Hop Albums chart. But numbers only tell part of the story -- Stakes Is High remains such a vital listen because it hears De La Soul confronting the mid-'90s head-on, with wit, frustration, and a deep sense of artistic conf dence. From \"The Bizness\" to \"Itzsoweezee (HOT),\" the album balances soulful production and clear-eyed commentary in a way that still feels fresh decades later. It's one of those records that may not have shouted the loudest on arrival, but its inf uence and reputation have only grown with time. In celebration of the 30th anniversary, this CD set includes the original album, Instrumentals, and bonus material.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ea side\u003cbr\u003eA1. INTRO\u003cbr\u003eA2. SUPA EMCEES\u003cbr\u003eA3. THE BIZNESS (FEAT. 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They were playing poorly attended gigs every week and the response from the small audiences ranged from throwing shoes at the band to chasing them out of the car park and trying to punch their car. They were working extremely hard but making no progress. They'd both attended singing lessons every week since the band's inception but still hadn't reached the standard they'd hoped for when it came to harmonies or (in Acaster's case) basic pitch. In the end, they had to accept The Wow! Scenario was an acquired taste - or at least it would be if they could fully execute the ideas they had in their heads. Which they could not.\u003c\/p\u003e\n\u003cp\u003eEven though they'd decided to give up, they approached the recording sessions with a new found enthusiasm. Other people's opinions no longer mattered to them, they were recording this for themselves, with Chris - someone who liked them so much he'd contacted them on MySpace and practically begged to record their songs. They spent a month sleeping in the studio, recording jazzy guitars and freewheeling drums, singing flatly, and periodically visiting the airport to make field recordings. In January 2008, Hamilton mixed all the songs, delivered the album, then the band split up and kept all of it to themselves.\u003c\/p\u003e\n\u003cp\u003eTen years later, in January 2018, The Wow! Scenario returned to the studio. They'd independently revisited the album and loved all of it except for the vocals. The plan was to delete the vocals, re- record the vocal melodies on saxophone, clarinet and fiddle, then possibly release the project as an instrumental album. Mark Brown and Guy Fletcher recorded their parts beautifully, Hamilton mixed the entire album for the second time in ten years, then Wicks and Acaster listened back to everything and agreed that while the instrumentals had been elevated, the songs still sounded incomplete. They needed vocals after all, apparently. Ha. Ha. 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Claud Mintz fights with this question all the time. Not polite little tiffs, either: Big, dragout, existential wars, the kind that might push you to eventually change the tenor of your whole life. The 10 songs on their rich and resplendent third album Me and the Music find the 27-year-old Brooklyn-based singer-songwriter-producer grappling with that question and coming up, triumphantly, with something close to an answer: Things can be heavy, but that doesn’t mean you can’t have fun.\u003c\/p\u003e\n\u003cp\u003eThings can be heavy, but that beer in your hand isn’t—why not hold it aloft for a moment, sing along with the friends surrounding you, forget your troubles for the length of a perfect indie-pop song? Me and the Music is Claud’s first album in three years, since 2023’s acclaimed Supermodels. Both Supermodels and 2021’s Super Monster, were largely inspired by “this one situationship” that, they realised sometime during the writing of Me and the Music, “really wasn’t ever anything.” Supermodels was such a serious record, and\u003c\/p\u003e\n\u003cp\u003eI just sulked in feelings for so long,” says Claud. “There’s a difference between being sincere with life and taking life too seriously.” Coming to that realization changed everything: On Me and the Music’s title track, they sing that “this is the last song I let you ruin,” and they meant it. Once Claud wrote that song—at the famed Electric Lady Studios with their friends Hank Heaven and Annie DiRusso—they began to feel totally unburdened. “It released a lot of regret that I was carrying with me, and it allowed me to be like… this is so fun,” they say. “Making music is so fun.” Me and the Music’s MO, then, is songs that capture the knottiness of growing up and existing in the world that don’t lose a sense of playfulness or fun. It’s a quintessential slice-of-life record, touching on new romance and inside jokes and Gap commercials and the band America and the place America, and treating all those things with care and consideration.\u003c\/p\u003e\n\u003cp\u003eMe and the Music lead single “She Doesn’t Love Me” is, in many ways, the core of the album—a light-feeling song about what it’s like to be queer and trans in America in the 2020s. (It is a strident, driving anthem that doesn’t shy away from pain—and still makes you want to, as Claud sings on the track, put your “beers in the air.”) When Claud wrote the song with Heaven and DiRusso, they felt firmly that it should be a yacht rock song; the demo ended up “lo-fi and indie” anyway. Me and the Music was produced by Claud and John Congleton (Alvvays, St. Vincent) and represents a full-circle moment for Claud, who finally felt, with this record, that they were a confident enough producer to assume a co-producer role (and have since gone on to produce a string of viral singles by Romy Mars). Collaboration is, of course, an essential part of Claud’s work—who are we without our friends? In addition to Claud, they’re one-quarter of Shelly, a band they founded with Clairo, Noa Getzug and Josh Mehling. Me and the Music sees Claud reuniting with their longtime collaborator Dan Nigro (Olivia Rodrigo, Chappell Roan) on “The Legend.” It explores the feeling of being deeply in love with someone who doesn’t want to be seen with you, says Claud: “It’s sort of about a shitty relationship, and wanting to flaunt love, but not being able to do that,” they say. But, if Me and the Music has a true love song, it’s “I Owe You,” a dream-pop road song that’s devotional and rich. It captures the spirit of Me and the Music as a whole: Taking things day by day, taking stock of what’s around you, and embracing the beautiful things when they arrive. That doesn’t feel so heavy.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1) Gay Witchcraft\u003cbr\u003e2) Just Kidding\u003cbr\u003e3) The Legend\u003cbr\u003e4) She Doesn't Love Me\u003cbr\u003e5) The Reach\u003cbr\u003eSIDE B\u003cbr\u003e6) Spells and Fortune Tellers\u003cbr\u003e7) I Owe You\u003cbr\u003e8) I’m Too Sensitive\u003cbr\u003e9) Me and the Music\u003cbr\u003e10) Let’s End on a Good Note\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":47396000661660,"sku":"SAD029LP-C1","price":25.84,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/claud.meandthemusic.lp.mock.c1.SAD029clearcobalt.greybg.jpg?v=1786547334"},{"product_id":"claud-me-and-the-music-cd","title":"Claud - Me and the Music [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SAD029CD\u003cbr\u003eBarcode: 0617308058895\u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eClaud returns with new album Me and the Music recorded at the famed Electric Lady Studios, produced by Claud and John Congleton (Alvvays, St. Vincent)\u003cbr\u003eThe new album will be available on limited edition Clear Cobalt Vinyl\u003cbr\u003ePrecious supporters include the likes of NME, Crack Magazine, THEM, the Line of Best Fit \u0026amp; Vogue.\u003cbr\u003eThey have shared the stage with Bleachers multiple times and provided backing vocals on the track \"Tiny Moves\" from the Bleachers' 2024 self-titled album and they have performed together on television, notably on Late Night with Seth Meyers.\u003cbr\u003eClaud has also supported Phoebe Bridgers, boygenius, Le Tigre \u0026amp; The Marías\u003cbr\u003eCollaboration is a key part of Claud’s work, they make up one-quarter of Shelly, a band they founded with Clairo, Noa Getzug and Josh Mehling and they have featured on tracks with Paramore, Cautious Clay and ODESZA\u003cbr\u003eThey have over 192k monthly Spotify listeners, and their catalogue has amassed over 60 million Spotify streams across multiple standout tracks including \"Soft Spot\" (19M+ streams), \"Wish You Were Gay\" (18M+ streams) and \"If I Were You\" (13M+ streams)\u003cbr\u003ePack Shot Pack Shot\u003c\/p\u003e\n\u003cp\u003eDoes everything have to feel so heavy all the time? Claud Mintz fights with this question all the time. Not polite little tiffs, either: Big, dragout, existential wars, the kind that might push you to eventually change the tenor of your whole life. The 10 songs on their rich and resplendent third album Me and the Music find the 27-year-old Brooklyn-based singer-songwriter-producer grappling with that question and coming up, triumphantly, with something close to an answer: Things can be heavy, but that doesn’t mean you can’t have fun.\u003c\/p\u003e\n\u003cp\u003eThings can be heavy, but that beer in your hand isn’t—why not hold it aloft for a moment, sing along with the friends surrounding you, forget your troubles for the length of a perfect indie-pop song? Me and the Music is Claud’s first album in three years, since 2023’s acclaimed Supermodels. Both Supermodels and 2021’s Super Monster, were largely inspired by “this one situationship” that, they realised sometime during the writing of Me and the Music, “really wasn’t ever anything.” Supermodels was such a serious record, and\u003c\/p\u003e\n\u003cp\u003eI just sulked in feelings for so long,” says Claud. “There’s a difference between being sincere with life and taking life too seriously.” Coming to that realization changed everything: On Me and the Music’s title track, they sing that “this is the last song I let you ruin,” and they meant it. Once Claud wrote that song—at the famed Electric Lady Studios with their friends Hank Heaven and Annie DiRusso—they began to feel totally unburdened. “It released a lot of regret that I was carrying with me, and it allowed me to be like… this is so fun,” they say. “Making music is so fun.” Me and the Music’s MO, then, is songs that capture the knottiness of growing up and existing in the world that don’t lose a sense of playfulness or fun. It’s a quintessential slice-of-life record, touching on new romance and inside jokes and Gap commercials and the band America and the place America, and treating all those things with care and consideration.\u003c\/p\u003e\n\u003cp\u003eMe and the Music lead single “She Doesn’t Love Me” is, in many ways, the core of the album—a light-feeling song about what it’s like to be queer and trans in America in the 2020s. (It is a strident, driving anthem that doesn’t shy away from pain—and still makes you want to, as Claud sings on the track, put your “beers in the air.”) When Claud wrote the song with Heaven and DiRusso, they felt firmly that it should be a yacht rock song; the demo ended up “lo-fi and indie” anyway. Me and the Music was produced by Claud and John Congleton (Alvvays, St. Vincent) and represents a full-circle moment for Claud, who finally felt, with this record, that they were a confident enough producer to assume a co-producer role (and have since gone on to produce a string of viral singles by Romy Mars). Collaboration is, of course, an essential part of Claud’s work—who are we without our friends? In addition to Claud, they’re one-quarter of Shelly, a band they founded with Clairo, Noa Getzug and Josh Mehling. Me and the Music sees Claud reuniting with their longtime collaborator Dan Nigro (Olivia Rodrigo, Chappell Roan) on “The Legend.” It explores the feeling of being deeply in love with someone who doesn’t want to be seen with you, says Claud: “It’s sort of about a shitty relationship, and wanting to flaunt love, but not being able to do that,” they say. But, if Me and the Music has a true love song, it’s “I Owe You,” a dream-pop road song that’s devotional and rich. It captures the spirit of Me and the Music as a whole: Taking things day by day, taking stock of what’s around you, and embracing the beautiful things when they arrive. 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Among the genre’s pinnacle works is Elysium’s lone album Glisten, which arrived on compact disc under the Dewdrops Records banner in 1995. Come for the lush and atmospheric cooings of Jenny Adams, stay for the clean-tone precision of Rodney Rodriguez. 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Sndtrak has also released acclaimed instrumental albums on House Shoes’ label Street Corner Music and 9th Wonder’s Jamla Records.\u003cbr\u003eLA features guest appearances by Volume 10, Thurz, MED, Iman Omari, Trizz, ICECOLDBISHOP, Cashus King, and more.\u003c\/p\u003e\n\u003cp\u003e“The concept of this album is to pay homage to where I grew up, reintroducing the sounds of my upbringing in a unique way. It’s an idea I had for a while that fell into the right hands with Sndtrak, he is so talented and blessed me with absolute heat! Shout out to all the hometown heroes who hopped on the project and made it a truly special piece.\" - Blu\u003c\/p\u003e\n\u003cp\u003eWhile West Coast hip-hop is often reduced to a narrowset of sounds and styles, the reality of California rap has always been far more expansive. Nowhere is that more evident than in Los Angeles, where the iconic G-Funk legacy exists alongside a thriving independent scene pushing hip-hop in new directions. Few artists embody this intersection as naturally as Blu. Long inspired by the signature sounds of his hometown while rooted in the lyricism and soul of L.A.'s underground, the acclaimed emcee effortlessly bridges these worlds.\u003cbr\u003eHis new project LA is a sharp distillation of that artistic identity, paying homage to classic West Coast sonics while painting a layered portrait of life in the City of Angels. To bring that vision to life, Blu linked with Oakland producer Sndtrak, a member of 9th Wonder's Soul Council production collective known for his work with Larry June, Rapsody, and Smif-N-Wessun.\u003cbr\u003eReimagining vintage West Coast grooves through a fresh lens, Sndtrak provides the ideal backdrop for Blu's sharp writing and grounded storytelling. Featuring Volume 10, Thurz, MED, Iman Omari, Trizz, ICECOLDBISHOP, and more, LA highlights the creative evolution in one of hip-hop's most vital cities.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. L.A. (feat. 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Rooted in the twin foundations of modern dance music—Detroit and Chicago—while schooled in the sweaty basements of Manchester’s fêted club scene, his music feels both original and familiar, timeless yet unplaceable.  \u003c\/p\u003e\n\u003cp\u003eWeaving together a hypnotic narrative that feels both archival and futuristic, Cause \u0026amp; Effect Vol. 1 brings together some of Blood's rare and hard to find bangers from a variety of his early sold out projects. The collection mixes the pulse of Chicago with the grit and cosmic dreams of Detroit, while never losing sight of the North of England’s sophisticated late-night sleaze. Blood’s dance-floor eclecticism and raw, infectious mutant beats drive a soulful, jazz-louche energy into every track. The result is a collection of atmospheric grooves that weave together hypnotic rhythm and smoky texture, blurring house, techno, broken beat, and jazz-soaked electronics into a heady trip. Cause \u0026amp; Effect Vol. 1 maps out the restless evolution of Blood’s sound, a testament to his instinct for rhythm, atmosphere and dance-floor alchemy. House for the heart, techno for the mind, both built for the body. It’s in the Blood. \u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Asid  \u003cbr\u003e2. That Night  \u003cbr\u003e3. Suspender  \u003cbr\u003e4. Gmt  \u003cbr\u003e5. Edamamde  \u003cbr\u003e6. Lip Biter (Extended Version)  \u003cbr\u003e7. Love Locked Feat. Samizdat (Extended Version)  \u003cbr\u003e8. Boozekrewz  \u003cbr\u003e9. Lukowtmo  \u003cbr\u003e10. Kapppppow  \u003cbr\u003e11. Fullength  \u003cbr\u003e12. 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The music expresses musical themes with a cinematic landscape of moods and feelings that evoke emotion without the listener having watched the film for which the music was composed, pushing boundaries that dictate a unique perspective to their music.\u003cbr\u003e \u003cbr\u003eTRACKLIST:\u003cbr\u003e \u003cbr\u003e1.          Inside Voice\u003cbr\u003e2.          Outside Voice\u003cbr\u003e3.          Frog Technique\u003cbr\u003e4.          Knuckle Sandwich\u003cbr\u003e5.          I Love What You’ve Done With The Place\u003cbr\u003e6.          Get Well Soon\u003cbr\u003e7.          Rupture and Repair\u003cbr\u003e8.          The Reno\u003cbr\u003e9.          Tadpoles\u003cbr\u003e10.        Leg Day\u003cbr\u003e11.        Where The Crows Fly Backwards\u003cbr\u003e12.        Omnipresence\u003cbr\u003e13.        Frogs In A Pond\u003cbr\u003e\u003c\/p\u003e","brand":"CONCORD","offers":[{"title":"Default Title","offer_id":47435357520028,"sku":"7280680","price":29.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SurpriseChef_FrogsInAPond_LPMock_StandardBlack.png?v=1787158260"},{"product_id":"az-doe-or-die-cd","title":"AZ - DOE OR DIE [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: \u003cspan\u003eMOCCD14665 \u003c\/span\u003e\u003cbr\u003eBarcode: 602488540858\u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Rap\u003c\/p\u003e\n\u003cp\u003eStep into the smooth yet hard-hitting world of AZ with \"Doe or Die\", a classic debut that blends lyrical fnesse with timeless hip-hop beats\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing standout tracks like \"Sugar Hill,\" \"Rather Unique,\" and \"Mo Money, Mo Murder (Homicide),\" this album delivers sharp storytelling, slick production, and laid-back East Coast vibes. A must- have for fans of 90s hip- hop, \"Doe or Die\" remains a defning release flled with style, authenticity, and unforgettable fow.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e* Classic 90s hip-hop debut from AZ\u003cbr\u003e* Features the iconic hit \"Sugar Hill\"\u003cbr\u003e* Includes tracks like \"Rather Unique\" and \"Mo Money, Mo Murder (Homicide)\"\u003cbr\u003e* Cult classic in hip-hop history\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracks: Intro \/ Uncut Raw \/ Gimme Your's \/ Ho Happy Jackie \/ Rather Unique \/ I Feel For You \/ Sugar Hill \/ Mo Money, Mo Murder \"Homicide\" \/ Doe Or Die \/ We Can't Win \/ \u003cbr\u003eYour World Don't Stop \/ Sugar Hill (Remix\u003c\/p\u003e","brand":"Music On CD","offers":[{"title":"Default Title","offer_id":47436436701340,"sku":"MOCCD14665","price":13.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_cfb051c6-5835-4c83-97ba-5cbeb35ae215.jpg?v=1787174845"},{"product_id":"frank-stallone-frank-stallone-cd","title":"FRANK STALLONE - FRANK STALLONE [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: MOCCD14666\u003cbr\u003eBarcode: 602488540834\u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Pop\u003c\/p\u003e\n\u003cp\u003eBring a touch of 80s fair and timeless pop-rock into your collection with this classic album by Frank Stallone\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing the iconic hit \"Far From Over,\" a worldwide chart success from the \"Staying Alive\" soundtrack. This album blends catchy melodies, upbeat rhythms, and heartfelt ballads. From the energetic opener \"Runnin'\" to the romantic \"Love Is Like A Light\" and the feel- good groove of \"She's So Popular\", every track showcases Stallone's distinctive voice and songwriting charm.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e* Classic 80s pop-rock album by Frank Stallone\u003cbr\u003e* Includes the worldwide hit \"Far From Over\" (from \"Staying Alive\")\u003cbr\u003e* Strong, distinctive vocals by Frank Stallone\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracks: Runnin' \/ Music Is Magic \/ Love Is Like A Light \/ Darlin' \/ If We Ever Get Back \/ Far From Over \/ She's So Popular \/ Once More Never Again \/ I Do Believe In You \/ Fly Together\u003c\/p\u003e","brand":"Music on CD","offers":[{"title":"Default Title","offer_id":47436436734108,"sku":"MOCCD14666","price":13.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_0a7b9c6c-a3a5-4819-90e5-4c3c6a60a5eb.jpg?v=1787174615"},{"product_id":"lamb-of-god-sacrament-20th-anniversary-purple-marble-lp","title":"Lamb of God - Sacrament (20th Anniversary) [Purple Marble LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 19958477691\u003cbr\u003eBarcode: 0199584776910\u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Metal\u003c\/p\u003e\n\u003cp\u003eSacrament returns on Blackened Purple vinyl to celebrate its 20th anniversary. 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A dizzying display of lyrical dexterity and forward-thinking production, Organized Konfusion helped lay the foundation for what would become underground hip-hop, with intricate wordplay and cerebral rhyme structures. Both Pharoahe Monch and Prince Po shine throughout the album, revealing\u003cbr\u003ethe immense talent that would later establish Monch as one of hip-hop's most revered voices and spark Po's collaborations with producers like Danger Mouse, Madlib, Large Professor, Oh No, and more. From playful nostalgia to sharp social commentary to surreal linguistic explorations, the duo navigates chaotic drum breaks with dense rhyme patterns, vivid imagery, and ever-shifting narratives. After decades of limited availability and unofficial bootlegs, this is the first official vinyl reissue of Organized Konfusion since its1991 release. Featuring three rare bonus tracks, this 35th anniversary edition is available on 2LP and CD, giving a long overdue spotlight to one of hip-hop's most important albums.\u003c\/p\u003e\n\u003cp\u003e“Organized is taking hip-hop to new levels. Those who like to hear progressive and innovative styles need to get with it.” - The Source (1991)\u003cbr\u003e“Holds a substantial place in the hearts of the hip-hop faithful. An album that was powerful, complete, and innovative beyond imagination, it still remains a true diamond in the field of hip-hop classics.” - XXL\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Fudge Funk\u003cbr\u003e2. Fudge Pudge (feat. O.C.)\u003cbr\u003e3. Walk Into The Sun\u003cbr\u003e4. Releasing Hypnotical Gases\u003cbr\u003e5. Audience Pleasers\u003cbr\u003e6. Jiminez Criqueta\u003cbr\u003e7. Prisoners Of War\u003cbr\u003e8. The Rough Side Of Town\u003cbr\u003e9. Organized Konfusion\u003cbr\u003e10. P.S. 48\u003cbr\u003e11. Roosevelt Franklin\u003cbr\u003e12. Who Stole My Last Piece Of Chicken? (Remix)\u003cbr\u003e13. Open Your Eyes\u003cbr\u003e14. Intro\u003cbr\u003e15. Who Stole My Last Piece of Chicken?\u003cbr\u003e16. O.K. Mood Swing (Bonus)\u003cbr\u003e17. Walk Into The Sun (Remix) (Bonus)\u003cbr\u003e18. Fudge Pudge (Remix) (Bonus)\u003c\/p\u003e","brand":"Nature Sounds","offers":[{"title":"Default Title","offer_id":47469247234204,"sku":"NSD268CD","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/OrganizedKonfusion-OrganizedKonfusion_091743bb-d5ed-45b3-aa32-a71d3c8e2cbb.jpg?v=1787662754"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/week-43-2026.oembed","provider":"Horizons Music","version":"1.0","type":"link"}