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This Australian born folk legend recorded his own songs and a handful of covers – mostly solo acoustic, occasionally accompanied by bass, concertina, and fiddle. 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The series touched on all the genres Madlib digs, and that’s just about any genre you can consider from Jazz to Rock, Soul to Disco, myriad African musics, Brazilian and Reggae. On the 11th installment in series Madlib returned to his hip hop roots with Low Budget High-Fi Music. Featuring a run-down of regular Madlib collaborators who provide the Beat Konducta’s foil, it also included a hint of what was meant to come on the never-realized second Jaylib album, with a previously unreleased J Dilla collaboration. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1. The Loop Digga: Sounds Of The Studio - Prelude A2. The Professionals - Madlib \u0026amp; Oh No: Hold Up A3. The Loop Digga: Handmade Hustle (Instrumental) A4. The Professionals: Start Sumthin' - 93033 (feat. Roc C) A5. Guilty Simpson: Thoughs Of An Old Flame A6. The Loop Digga: Minze - Come Closer A7. Madlib: Louder - Blast Your Radio Theme B1. The Loop Digga: The Ride - Nightcoastin' (Instrumental) B2. 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Mixes alongside the classic 12” Original include the full length\u003cbr\u003eAndrew Weatherall Mix, reissued here for the first time since 1992. Andrew Weatherall (1963-2020) was one of the key DJs on the acid house dance scene and this mix is one of his most highly regarded works next to Happy Mondays, New Order and Bjork. 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The lyrics resonate with core values of compassion, resilience, and community—themes rarely explored within a classroom setting or seen in today's fragmented society. By prioritising conviction over commercial success, the Dublin artist's outspokenness may invite controversy. Yet beneath the fervor lies a profound desire for positive social change at home in Ireland, and beyond.\u003c\/p\u003e\n\u003cp\u003eMeryl Streek returned to Darkland Studios in Dublin to fine-tune the recordings previously made in a shed at the back of his ma's garden. Here he continued the genre-blurring nature of his earlier work, enticing listeners toward dissonant landscapes and hypnotic rhythms. Gentle piano tones collide with abrasive synths, creating a striking tension between beauty and noise. Streek tempers his rage when appropriate, integrating atmospheric textures and pop sensibilities into his ever-expanding sonic collage.\u003c\/p\u003e\n\u003cp\u003eAs is tradition with any Meryl Streek record, ‘Stories They Don’t Teach You At School’ unearths many uncomfortable truths. ‘Rotten Fruit’ examines media manipulation and the numbing proliferation of misinformation, all soundtracked by synth-punk. With gliding keys and a crunchy bassline, ‘Council Estates’ critiques systemic government failures affecting the working class. ‘Kelly’ is a slice of electronica that details an ongoing criminal investigation, currently classified as a “Contested Cause of Death”. The indie pop of 'The Chancer' brings much-needed attention to landlord politicians. 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Created with Karate Boogaloo’s patented ‘Lovely Recording Technique’ these recordings let you know that everyone’s a VIP when you’re listening to KB.‘ Access’ was the one word maxim philosophically guiding The Old Kar-Boo’s this innings. If a tune became convoluted, to the bin it went. Only those that could be hummed by any\u003cbr\u003eand all were kept. This sieve was on hand throughout the whole process, arrangements and forms were kept watertight, bells and whistles to a minimum. If 2024’s ‘Hold Your Horses’ was an epic, ‘Access All Areas’ is a haiku. The band’s tried and true recording process was dutifully respected save for one wonderful addition, the magnificent ‘Sound Recordings’ helmed by its proprietor and engineer extraordinaire Alex Bennet. Steering the 4 track Ampex 440 off road when required and making sure the vibes were constantly correct, Alex is a bonafide Booger.\u003c\/p\u003e\n\u003cp\u003eAlthough it feels only a moment, the clock tells us it’s been nearly 20 years since Kay’s Bees first tried to play the songs of their musical heroes, The Meters, Booker T \u0026amp; The MG’s, and The JB’s to name but a few. Since then The Famous Flying Karate Boogaloo Brothers have put one foot in front of the other and distilled their own sound, one that respectfully acknowledges the history of instrumental Funk \u0026amp; Soul music, and reflects the time they’ve spent crafting their distinctive sound.\u003c\/p\u003e\n\u003cp\u003eAs bright as each member shines individually, it is a special event when all four planets in the Booger System align. ‘Access All Areas’ is one such eclipse, it is an artistic expression of equal measure by each member and it casts a shadow unique to the occasion. Every second of music was composed and produced with all hands on deck, mixing was handled by Henry Jenkins, artwork by Hudson Whitlock and Callum Riley, and Darvid Thor did things you’d have to see to believe. Music is a team sport and there’s no I in Funk. Coming out on the two greatest record labels in the galaxy ‘Colemine Records’ from Loveland, USA, and College of Knowledge from Coburg, Australia, please listen to Karate Boogaloo’s new album ‘Access All Areas’.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Butterfly\u003cbr\u003e2. Hooks, Lines, and Sinker\u003cbr\u003e3. Tremendous Fantastic\u003cbr\u003e4. Wet Day Timetable\u003cbr\u003e5. Head First\u003cbr\u003e6. Small Business\u003cbr\u003e7. Booger’s Bounce Of Joy\u003cbr\u003e8. Ballroom Blitz\u003cbr\u003e9. AAA\u003cbr\u003e10. Down Home\u003cbr\u003e11. 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Created with Karate Boogaloo’s patented ‘Lovely Recording Technique’ these recordings let you know that everyone’s a VIP when you’re listening to KB.‘ Access’ was the one word maxim philosophically guiding The Old Kar-Boo’s this innings. If a tune became convoluted, to the bin it went. Only those that could be hummed by any\u003cbr\u003eand all were kept. This sieve was on hand throughout the whole process, arrangements and forms were kept watertight, bells and whistles to a minimum. If 2024’s ‘Hold Your Horses’ was an epic, ‘Access All Areas’ is a haiku. The band’s tried and true recording process was dutifully respected save for one wonderful addition, the magnificent ‘Sound Recordings’ helmed by its proprietor and engineer extraordinaire Alex Bennet. Steering the 4 track Ampex 440 off road when required and making sure the vibes were constantly correct, Alex is a bonafide Booger.\u003c\/p\u003e\n\u003cp\u003eAlthough it feels only a moment, the clock tells us it’s been nearly 20 years since Kay’s Bees first tried to play the songs of their musical heroes, The Meters, Booker T \u0026amp; The MG’s, and The JB’s to name but a few. Since then The Famous Flying Karate Boogaloo Brothers have put one foot in front of the other and distilled their own sound, one that respectfully acknowledges the history of instrumental Funk \u0026amp; Soul music, and reflects the time they’ve spent crafting their distinctive sound.\u003c\/p\u003e\n\u003cp\u003eAs bright as each member shines individually, it is a special event when all four planets in the Booger System align. ‘Access All Areas’ is one such eclipse, it is an artistic expression of equal measure by each member and it casts a shadow unique to the occasion. Every second of music was composed and produced with all hands on deck, mixing was handled by Henry Jenkins, artwork by Hudson Whitlock and Callum Riley, and Darvid Thor did things you’d have to see to believe. Music is a team sport and there’s no I in Funk. Coming out on the two greatest record labels in the galaxy ‘Colemine Records’ from Loveland, USA, and College of Knowledge from Coburg, Australia, please listen to Karate Boogaloo’s new album ‘Access All Areas’.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Butterfly\u003cbr\u003e2. Hooks, Lines, and Sinker\u003cbr\u003e3. Tremendous Fantastic\u003cbr\u003e4. Wet Day Timetable\u003cbr\u003e5. Head First\u003cbr\u003e6. Small Business\u003cbr\u003e7. Booger’s Bounce Of Joy\u003cbr\u003e8. Ballroom Blitz\u003cbr\u003e9. AAA\u003cbr\u003e10. Down Home\u003cbr\u003e11. 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Created with Karate Boogaloo’s patented ‘Lovely Recording Technique’ these recordings let you know that everyone’s a VIP when you’re listening to KB.‘ Access’ was the one word maxim philosophically guiding The Old Kar-Boo’s this innings. If a tune became convoluted, to the bin it went. Only those that could be hummed by any\u003cbr\u003eand all were kept. This sieve was on hand throughout the whole process, arrangements and forms were kept watertight, bells and whistles to a minimum. If 2024’s ‘Hold Your Horses’ was an epic, ‘Access All Areas’ is a haiku. The band’s tried and true recording process was dutifully respected save for one wonderful addition, the magnificent ‘Sound Recordings’ helmed by its proprietor and engineer extraordinaire Alex Bennet. Steering the 4 track Ampex 440 off road when required and making sure the vibes were constantly correct, Alex is a bonafide Booger.\u003c\/p\u003e\n\u003cp\u003eAlthough it feels only a moment, the clock tells us it’s been nearly 20 years since Kay’s Bees first tried to play the songs of their musical heroes, The Meters, Booker T \u0026amp; The MG’s, and The JB’s to name but a few. Since then The Famous Flying Karate Boogaloo Brothers have put one foot in front of the other and distilled their own sound, one that respectfully acknowledges the history of instrumental Funk \u0026amp; Soul music, and reflects the time they’ve spent crafting their distinctive sound.\u003c\/p\u003e\n\u003cp\u003eAs bright as each member shines individually, it is a special event when all four planets in the Booger System align. ‘Access All Areas’ is one such eclipse, it is an artistic expression of equal measure by each member and it casts a shadow unique to the occasion. Every second of music was composed and produced with all hands on deck, mixing was handled by Henry Jenkins, artwork by Hudson Whitlock and Callum Riley, and Darvid Thor did things you’d have to see to believe. Music is a team sport and there’s no I in Funk. Coming out on the two greatest record labels in the galaxy ‘Colemine Records’ from Loveland, USA, and College of Knowledge from Coburg, Australia, please listen to Karate Boogaloo’s new album ‘Access All Areas’.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Butterfly\u003cbr\u003e2. Hooks, Lines, and Sinker\u003cbr\u003e3. Tremendous Fantastic\u003cbr\u003e4. Wet Day Timetable\u003cbr\u003e5. Head First\u003cbr\u003e6. Small Business\u003cbr\u003e7. Booger’s Bounce Of Joy\u003cbr\u003e8. Ballroom Blitz\u003cbr\u003e9. AAA\u003cbr\u003e10. Down Home\u003cbr\u003e11. 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The impact the band has had on today’s rock devotees and aficionados was immensely apparent with the announcement of their 2025 tour: sold-out shows, venue upgrades, and ovations before the band had even played a single note. And all this after half a decade away from the stage.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the wake of this triumphant tour, the band received a stream of festival offers and entered the studio with renowned producer Ethan Johns (Kings of Leon, Laura Marling), cultivating an album of all-new material: ‘New Promise Land Incorporated’.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e‘New Promise Land Incorporated’ deftly marks the new era for the band, rejoicing the reconnection of five musical soulmates and bringing what fans crave the most to record: an explosion of raw soul and a live-to-record energy so palpable that it feels as though you’re right in the studio.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe record is a celebration of the power that this British outfit bring to the stage: be it masterfully creating a rock’n’roll rush so electric that you feel it pulsing through to the tips of your hairs (as in the psychedelic-tinged “Shadows”) or writing with poignant beauty that brings pin-drop serenity to the most chaotic of minds (see the tender charm of “Mongrels” and the lyrically stunning “Saving Grace”).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAnd with a 21-date tour to follow soon after the album’s release, the rousing spirit of ‘New Promise Land Incorporated’ is set to resound far and wide.\u003c\/p\u003e\n\u003cp\u003e1. Shadows\u003cbr\u003e2. Eat You Alive\u003cbr\u003e3. Silverlight Blues\u003cbr\u003e4. Love Kicks\u003cbr\u003e5. Scars\u003cbr\u003e6. Mongrels\u003cbr\u003e7. Hometown Kings \u0026amp;amp; Queens\u003cbr\u003e8. Always Been Love\u003cbr\u003e9. Saving Grace\u003cbr\u003e10. Let It All Out\u003c\/p\u003e","brand":"Earache Records","offers":[{"title":"Default Title","offer_id":47137247068316,"sku":"MOSH742","price":13.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TTM_NewPromiseLandIncorporated_Digisleeve_Mockup_1.jpg?v=1782855612"},{"product_id":"the-temperance-movement-new-promise-land-incorporated-lp","title":"The Temperance Movement - New Promise Land Incorporated [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MOSH742LP\u003cbr\u003eBarcode: 5055006574227\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eThe Temperance Movement paved the way for a huge rock revival storming the scene in the modern era. The impact the band has had on today’s rock devotees and aficionados was immensely apparent with the announcement of their 2025 tour: sold-out shows, venue upgrades, and ovations before the band had even played a single note. And all this after half a decade away from the stage.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the wake of this triumphant tour, the band received a stream of festival offers and entered the studio with renowned producer Ethan Johns (Kings of Leon, Laura Marling), cultivating an album of all-new material: ‘New Promise Land Incorporated’.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e‘New Promise Land Incorporated’ deftly marks the new era for the band, rejoicing the reconnection of five musical soulmates and bringing what fans crave the most to record: an explosion of raw soul and a live-to-record energy so palpable that it feels as though you’re right in the studio.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe record is a celebration of the power that this British outfit bring to the stage: be it masterfully creating a rock’n’roll rush so electric that you feel it pulsing through to the tips of your hairs (as in the psychedelic-tinged “Shadows”) or writing with poignant beauty that brings pin-drop serenity to the most chaotic of minds (see the tender charm of “Mongrels” and the lyrically stunning “Saving Grace”).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAnd with a 21-date tour to follow soon after the album’s release, the rousing spirit of ‘New Promise Land Incorporated’ is set to resound far and wide.\u003c\/p\u003e\n\u003cp\u003eSIDE A:\u003cbr\u003eShadows\u003cbr\u003eEat You Alive\u003cbr\u003eSilverlight Blues\u003cbr\u003eLove Kicks\u003cbr\u003eScars\u003cbr\u003eMongrels\u003cbr\u003eSIDE B:\u003cbr\u003eHometown Kings \u0026amp;amp; Queens\u003cbr\u003eAlways Been Love\u003cbr\u003eSaving Grace\u003cbr\u003eLet It All Out\u003c\/p\u003e","brand":"Earache Records","offers":[{"title":"Default Title","offer_id":47137247133852,"sku":"MOSH742LP","price":29.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TTM_NewPromiseLandIncorporated_BlackVinyl_Mockup_2.jpg?v=1782855606"},{"product_id":"the-temperance-movement-new-promise-land-incorporated-clear-lp","title":"The Temperance Movement - New Promise Land Incorporated [Clear LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MOSH742LPI\u003cbr\u003eBarcode: 5055006574234\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eThe Temperance Movement paved the way for a huge rock revival storming the scene in the modern era. 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Paid digital ads to run through campaign.\u003cbr\u003eMichi, Mndsgn \u0026amp; Knxwledge just played 2 x Stones Throw 30TH Anniversary shows in Tokyo \u0026amp; Osaka, with plans for Michi to tour more in the coming year.\u003cbr\u003eConfirmed \u0026amp; run press including Pitchfork, The Most Radicalist, CLASH \u0026amp; more. Radio play on BBC Radio 1, Jazz FM, KEXP, KCRW \u0026amp; more.\u003cbr\u003e• Previous press\/radio coverage for Dirty Talk from NPR, Dazed, Wonderland, All Music, Talkhouse, METAL, The Fader, KEXP, KCRW, BBC 6 Music, Radio Nova, NTS, Radio X \u0026amp; more.\u003cbr\u003eDirty Talk singles were added to several DSP playlists across Spotify, Apple, Amazon.\u003cbr\u003eFor fans of Erika de Casier, Rosie Lowe, Yaya Bey, Yazmin Lacey, Kali Uchis, Kelela, ELIZA.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;B singer and songwriter Michi’s debut album Dirty Talk is a nostalgic trip through the ups and downs of love – “an excellent debut from a confident vibes conjurer” (Hearing Things).\u003c\/p\u003e\n\u003cp\u003eNow, Michi teams up with Stones Throw label mates Knxwledge and Mndsgn for Dirty Talk: Sunshine Hotline Mixes – remixes of Dirty Talk tracks, plus two brand-new covers.\u003c\/p\u003e\n\u003cp\u003eKnxwledge has remixed four tracks, while Mndsgn has remixed two and joins Michi for covers of “Emotions” by the Bee Gees \/ Destiny’s Child and “Are You Lonesome?” by The Feminine Complex.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eA1 If You Want Me (Knxwledge RMX)\u003cbr\u003eA2 There's No Heaven (Knxwledge RMX)\u003cbr\u003eA3 Memmy (Recuerdo) ft. 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The first time one hears Syd Matters’ captivating voice is one of them. From “End \u0026amp; Start Again”, his first single in 2003, Jonathan Morali’s warm, soulful vocals and timeless melodies revealed an artist in a league of his own. Success in France and abroad was immediate and has never waned. Four albums followed between 2004 and 2011, along with a host of unforgettable songs: “Black \u0026amp; White Eyes”, “Obstacles”, “To All Of You” or “I Might Float” left their mark on an entire generation, racking up nearly 200 million streams and 100,000 physical sales. Drawing equally from the songwriting of the 60s, the creativity of the 70s and the modern synthetic era, Syd Matters has developed a unique musical universe, building a loyal and ever-growing audience over the years. On stage, accompanied by his band, audiences recall intense concerts where the artist and his musicians deliver performances that were at once epic and intimate. Lush and spectacular on stage, their music never lost its center of gravity, gaining even in depth. Syd Matters toured France and Europe (England, Germany, Scandinavia...) for nearly ten years, as well as in the United States and Latin America. In 2011, the tour for his album Brother Ocean culminated in Paris at the mythical venue l’Olympia. Jonathan Morali then took a step back from the spotlight but remained just as prolific, writing for film, theater, radio, and television and collaborating over the years with directors such Éric Rochant, Rémi Chayé, Thomas Litli, Patrick Mille, and Mélanie Laurent to name but a few. When scoring for films, the musician gives free rein to his desires and intuitions. He works with the very fabric of sounds and their underlying emotions, as if freed from the constraints imposed by the song format. Between 2015 and 2019, he also composed the soundtracks for the remarkable video games Life Is Strange and Life Is Strange 2, which were massive global hits. Several Syd Matters tracks appeared in the game, and the success was such that it revived the band’s career, introducing their music to a new audience. After an extended hiatus, Syd Matters will make a major comeback with a new album - their fifth - set for release in September 2026 on Créature - also home to Flora Fishbach and Chassol. They will then tour France and Europe, returning to the legendary stage of the Olympia on November 17, 2026, where they will perform their new songs. And others that we know by heart and haven’t forgotten. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Armaggedon Time  \u003cbr\u003eA2. Choking On Anger  \u003cbr\u003eA3. Easy  \u003cbr\u003eA4. Memorize The Positions  \u003cbr\u003eA5. Many Years In The Making  \u003cbr\u003eA6. The Devil  \u003c\/p\u003e\n\u003cp\u003eB1. 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From “End \u0026amp; Start Again”, his first single in 2003, Jonathan Morali’s warm, soulful vocals and timeless melodies revealed an artist in a league of his own. Success in France and abroad was immediate and has never waned. Four albums followed between 2004 and 2011, along with a host of unforgettable songs: “Black \u0026amp; White Eyes”, “Obstacles”, “To All Of You” or “I Might Float” left their mark on an entire generation, racking up nearly 200 million streams and 100,000 physical sales. Drawing equally from the songwriting of the 60s, the creativity of the 70s and the modern synthetic era, Syd Matters has developed a unique musical universe, building a loyal and ever-growing audience over the years. On stage, accompanied by his band, audiences recall intense concerts where the artist and his musicians deliver performances that were at once epic and intimate. Lush and spectacular on stage, their music never lost its center of gravity, gaining even in depth. Syd Matters toured France and Europe (England, Germany, Scandinavia...) for nearly ten years, as well as in the United States and Latin America. In 2011, the tour for his album Brother Ocean culminated in Paris at the mythical venue l’Olympia. Jonathan Morali then took a step back from the spotlight but remained just as prolific, writing for film, theater, radio, and television and collaborating over the years with directors such Éric Rochant, Rémi Chayé, Thomas Litli, Patrick Mille, and Mélanie Laurent to name but a few. When scoring for films, the musician gives free rein to his desires and intuitions. He works with the very fabric of sounds and their underlying emotions, as if freed from the constraints imposed by the song format. Between 2015 and 2019, he also composed the soundtracks for the remarkable video games Life Is Strange and Life Is Strange 2, which were massive global hits. Several Syd Matters tracks appeared in the game, and the success was such that it revived the band’s career, introducing their music to a new audience. After an extended hiatus, Syd Matters will make a major comeback with a new album - their fifth - set for release in September 2026 on Créature - also home to Flora Fishbach and Chassol. They will then tour France and Europe, returning to the legendary stage of the Olympia on November 17, 2026, where they will perform their new songs. And others that we know by heart and haven’t forgotten. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Armaggedon Time  \u003cbr\u003eA2. Choking On Anger  \u003cbr\u003eA3. Easy  \u003cbr\u003eA4. Memorize The Positions  \u003cbr\u003eA5. Many Years In The Making  \u003cbr\u003eA6. The Devil  \u003c\/p\u003e\n\u003cp\u003eB1. In The Darkness  \u003cbr\u003eB2. Ténèbres  \u003cbr\u003eB3. The Holy Ghost  \u003cbr\u003eB4. Tongues  \u003cbr\u003eB5. 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From “End \u0026amp; Start Again”, his first single in 2003, Jonathan Morali’s warm, soulful vocals and timeless melodies revealed an artist in a league of his own. Success in France and abroad was immediate and has never waned. Four albums followed between 2004 and 2011, along with a host of unforgettable songs: “Black \u0026amp; White Eyes”, “Obstacles”, “To All Of You” or “I Might Float” left their mark on an entire generation, racking up nearly 200 million streams and 100,000 physical sales. Drawing equally from the songwriting of the 60s, the creativity of the 70s and the modern synthetic era, Syd Matters has developed a unique musical universe, building a loyal and ever-growing audience over the years. On stage, accompanied by his band, audiences recall intense concerts where the artist and his musicians deliver performances that were at once epic and intimate. Lush and spectacular on stage, their music never lost its center of gravity, gaining even in depth. Syd Matters toured France and Europe (England, Germany, Scandinavia...) for nearly ten years, as well as in the United States and Latin America. In 2011, the tour for his album Brother Ocean culminated in Paris at the mythical venue l’Olympia. Jonathan Morali then took a step back from the spotlight but remained just as prolific, writing for film, theater, radio, and television and collaborating over the years with directors such Éric Rochant, Rémi Chayé, Thomas Litli, Patrick Mille, and Mélanie Laurent to name but a few. When scoring for films, the musician gives free rein to his desires and intuitions. He works with the very fabric of sounds and their underlying emotions, as if freed from the constraints imposed by the song format. Between 2015 and 2019, he also composed the soundtracks for the remarkable video games Life Is Strange and Life Is Strange 2, which were massive global hits. Several Syd Matters tracks appeared in the game, and the success was such that it revived the band’s career, introducing their music to a new audience. After an extended hiatus, Syd Matters will make a major comeback with a new album - their fifth - set for release in September 2026 on Créature - also home to Flora Fishbach and Chassol. They will then tour France and Europe, returning to the legendary stage of the Olympia on November 17, 2026, where they will perform their new songs. And others that we know by heart and haven’t forgotten. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Armaggedon Time  \u003cbr\u003eA2. Choking On Anger  \u003cbr\u003eA3. Easy  \u003cbr\u003eA4. Memorize The Positions  \u003cbr\u003eA5. Many Years In The Making  \u003cbr\u003eA6. The Devil  \u003c\/p\u003e\n\u003cp\u003eB1. In The Darkness  \u003cbr\u003eB2. Ténèbres  \u003cbr\u003eB3. The Holy Ghost  \u003cbr\u003eB4. Tongues  \u003cbr\u003eB5. Nuclear \u003c\/p\u003e","brand":"Third Side Records","offers":[{"title":"Default Title","offer_id":47155843072156,"sku":"CRTR003LPLTD","price":33.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_e635ae7d-0294-40b1-84e3-30922f0966c9.jpg?v=1783188167"},{"product_id":"viagezero-viagezero-lp","title":"viagezero - viagezero [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BJR126LP\u003cbr\u003eBarcode: 7640159730460\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Electronica\/ Trip Hop\u003c\/p\u003e\n\u003cp\u003eviragezero was born on a cold Sunday evening in December, on the way home from a Chris Cohen concert at Geneva’s Face Z festival. In the winter night emerged the desire to create a new collective space, nourished by the long drifting journeys of kosmische musik.\u003c\/p\u003e\n\u003cp\u003eInitially conceived as a parallel playground bringing together the duo Citron Citron, former members of L’Éclair and musicians from Magic \u0026amp; Naked, the project quickly developed its own gravity. This self-titled debut album sketches a world both familiar and distorted, where everyday landscapes slowly slip into stranger territories.\u003c\/p\u003e\n\u003cp\u003eDriven by nervous synths, hazy guitars, shifting electronic textures and rhythms drawing from 1990s trip hop and abstract hip hop, viragezero builds a suspended and immersive music. A music guided as much by sensation as by structure, where repetition becomes a moving force and tensions evolve without ever fully resolving.\u003c\/p\u003e\n\u003cp\u003eAt the centre of the album are Zoé Sjollema’s lyrics, drawn from fragments of dreams collected over several years. Her instinctive writing blurs the boundaries between reality and imagination, tracing recurring themes of solitude, wandering, exhaustion. and disconnection. Rather than telling stories, the songs unfold as emotional states, inhabited by shifting landscapes, distorted memories and fleeting impressions.\u003c\/p\u003e\n\u003cp\u003eSomewhere between dream pop, electronica, IDM and spectral songwriting, viragezero delivers a dense and instinctive debut album. A nocturnal and hypnotic record that transforms fragments of reality into constantly shifting sonic matter.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Balcon 05:41\u003cbr\u003e2 Rien ne vient 03:21\u003cbr\u003e3 Ticket fantôme 04:27\u003cbr\u003e4 Ex elf 04:26\u003cbr\u003e5 Labyrinthe 05:09\u003cbr\u003e6 Larmes de feu 03:29\u003cbr\u003e7 Tracasse 04:40\u003cbr\u003e8 Dans les ruines 04:41\u003c\/p\u003e","brand":"Bongo Joe Records","offers":[{"title":"Default Title","offer_id":47158978019484,"sku":"BJR126LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_2471cb3a-c758-4fac-be36-0e7960ddd808.jpg?v=1783273894"},{"product_id":"viagezero-viagezero-cd","title":"viagezero - viagezero [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: BJR126CD\u003cbr\u003eBarcode: 7640159730477\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Electronica\/ Trip Hop\u003c\/p\u003e\n\u003cp\u003eviragezero was born on a cold Sunday evening in December, on the way home from a Chris Cohen concert at Geneva’s Face Z festival. In the winter night emerged the desire to create a new collective space, nourished by the long drifting journeys of kosmische musik.\u003c\/p\u003e\n\u003cp\u003eInitially conceived as a parallel playground bringing together the duo Citron Citron, former members of L’Éclair and musicians from Magic \u0026amp; Naked, the project quickly developed its own gravity. This self-titled debut album sketches a world both familiar and distorted, where everyday landscapes slowly slip into stranger territories.\u003c\/p\u003e\n\u003cp\u003eDriven by nervous synths, hazy guitars, shifting electronic textures and rhythms drawing from 1990s trip hop and abstract hip hop, viragezero builds a suspended and immersive music. A music guided as much by sensation as by structure, where repetition becomes a moving force and tensions evolve without ever fully resolving.\u003c\/p\u003e\n\u003cp\u003eAt the centre of the album are Zoé Sjollema’s lyrics, drawn from fragments of dreams collected over several years. Her instinctive writing blurs the boundaries between reality and imagination, tracing recurring themes of solitude, wandering, exhaustion. and disconnection. Rather than telling stories, the songs unfold as emotional states, inhabited by shifting landscapes, distorted memories and fleeting impressions.\u003c\/p\u003e\n\u003cp\u003eSomewhere between dream pop, electronica, IDM and spectral songwriting, viragezero delivers a dense and instinctive debut album. A nocturnal and hypnotic record that transforms fragments of reality into constantly shifting sonic matter.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Balcon 05:41\u003cbr\u003e2 Rien ne vient 03:21\u003cbr\u003e3 Ticket fantôme 04:27\u003cbr\u003e4 Ex elf 04:26\u003cbr\u003e5 Labyrinthe 05:09\u003cbr\u003e6 Larmes de feu 03:29\u003cbr\u003e7 Tracasse 04:40\u003cbr\u003e8 Dans les ruines 04:41\u003c\/p\u003e","brand":"Bongo Joe Records","offers":[{"title":"Default Title","offer_id":47158978347164,"sku":"BJR126CD","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_54a8e674-9a81-47a1-917d-477c055b384f.jpg?v=1783273875"},{"product_id":"storefront-church-blue-movie-colour-lp","title":"Storefront Church - Blue Movie [Colour LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: OIL7X\u003cbr\u003eBarcode: 5053760154914\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eTwelve hard lessons from the City of Angels. \u003c\/p\u003e\n\u003cp\u003eAt times like Bowie swapping battle stories with Fever Ray, while Suicide swoons at Prince. Depeche Mode picking winners for an 80s John Hughes soundtrack?  I dunno, maybe picture Tom Waits' best stab at Handel's Messiah..? \u003c\/p\u003e\n\u003cp\u003eYou know. DIY epics. Batcave reverb. Moog heartbeat. Alone in the spotlight, singing at gunpoint. One hand on your knee, the other in your pocket. You gotta make the choice. One last dance or another bout of basement drama? \u003c\/p\u003e\n\u003cp\u003eThe true confessions of a false prophet - but not necessarily Lukas Frank’s. Although he played and sung, produced and mixed everything here himself at home in LA, so who ya gonna believe?\u003c\/p\u003e\n\u003cp\u003eNot one to repeat himself, Lukas has ditched Ink \u0026amp; Oil’s lush orchestrations to seek out a more intimate, electronic palette; jagged edges, beautiful surges and harsh truths. Lukas puts it this way:\u003c\/p\u003e\n\u003cp\u003eIf there’s a through line with my records it’s that they all somehow relate to movies. If my last record was my most extravagant and aspirational, Blue Movie is my cheapest and most pathetic. Ink \u0026amp; Oil was made in earnest in studios with live strings and friends, this one was birthed alone in a windowless shed with fake instruments and synths; my worst impulses on display. At its best, this record aspires towards cinema in the way that the last porn theater in Los Angeles (the Tiki) aspires towards it.\u003c\/p\u003e\n\u003cp\u003eThis intense raging against the dying of the light has seen Perfume Genius, Lauren Auder, Last Dinner Party, Diiv and The Horrors at his last few shows. Florence Welch confessed she gets goosebumps from Lukas’ music.\u003c\/p\u003e\n\u003cp\u003eAnd they aren’t the only ones.\u003c\/p\u003e\n\u003cp\u003eHis songs grace the soundtracks of Department Q and The Queens Gambit and he’s made something wild for the new Tony Gilroy movie starring Pedro Pascal, in which he makes a small appearance.\u003c\/p\u003e\n\u003cp\u003eStorefront Church just debuted his incendiary soundtrack to P Staff’s Canicula installation at Venice’s Bienalle Arts Festival. 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If my last record was my most extravagant and aspirational, Blue Movie is my cheapest and most pathetic. Ink \u0026amp; Oil was made in earnest in studios with live strings and friends, this one was birthed alone in a windowless shed with fake instruments and synths; my worst impulses on display. At its best, this record aspires towards cinema in the way that the last porn theater in Los Angeles (the Tiki) aspires towards it.\u003c\/p\u003e\n\u003cp\u003eThis intense raging against the dying of the light has seen Perfume Genius, Lauren Auder, Last Dinner Party, Diiv and The Horrors at his last few shows. Florence Welch confessed she gets goosebumps from Lukas’ music.\u003c\/p\u003e\n\u003cp\u003eAnd they aren’t the only ones.\u003c\/p\u003e\n\u003cp\u003eHis songs grace the soundtracks of Department Q and The Queens Gambit and he’s made something wild for the new Tony Gilroy movie starring Pedro Pascal, in which he makes a small appearance.\u003c\/p\u003e\n\u003cp\u003eStorefront Church just debuted his incendiary soundtrack to P Staff’s Canicula installation at Venice’s Bienalle Arts Festival. 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The charred remains of Cameron’s life fragmented and reassembled into 9 synthetic rock songs detailing his world’s deep confusion and regret.\u003cbr\u003e \u003cbr\u003eHe continues to find pieces of his own reflection in the shattered characters he creates and embodies. The promised Messiah. Agamemnon’s appetite for war. Mel Gibson’s ransom note. Humanity’s Pro-War destiny. A cold war breakup. These are songs of protest against life itself. This is the world our fathers feared and here is its soundtrack.\u003cbr\u003e \u003cbr\u003eTracklisting:\u003cbr\u003eSide A\u003cbr\u003e1.      No Soldier\u003cbr\u003e2.      Statue Down\u003cbr\u003e3.      Stand-in Man\u003cbr\u003e4.      Testoterone in Blue\u003cbr\u003e5.      Jesus Never Had No Porno\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1.      Ricochet\u003cbr\u003e2.      No Guns, Come Alone\u003cbr\u003e3.      Red Hook Rain\u003cbr\u003e4.      Violent Man\u003c\/p\u003e","brand":"Diggers Factory","offers":[{"title":"Default Title","offer_id":47166739153052,"sku":"ACLTS001","price":25.84,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3760434487699-2.jpg?v=1783427585"},{"product_id":"the-smashing-times-come-along-with-me-cd","title":"The Smashing Times - Come Along With Me [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: KLP326CD\u003cbr\u003eBarcode: 0789856132621\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Alternative \/ Indie Rock \/ Pop\u003c\/p\u003e\n\u003cp\u003eAll songs written by Thee Jasmine Monk ASCAP\u003cbr\u003eJasmine, Alex and Ole played on this recording.\u003cbr\u003e“The singles were recorded around the time of Come Along With Me by Alex and Jas but never made it into the band's rotation before we started working on Summer Inside.” Layout by Ole Johnson\u003cbr\u003eOriginally released on Cassette December 2019\u003cbr\u003eMastered by Fred Thomas.\u003c\/p\u003e\n\u003cp\u003e“Well knock me down with a feather.... Here tis' in your lucky mitts lies the primordial cassette canoodlings that emanated up from some far flung Baltimore basement by those most surely now, near mythical, Smashing Times.\u003cbr\u003eStately field recordings that seemingly straddle the void between a burgeoning subterranean folk rock renaissance, yet briefly encounter shimmering diy jangle popisms of this old curmudgeons youthquake, without a hint of revisionism ritual, or something trendy (like a emotional complex)\u003cbr\u003eThe quintet in question perambulate thru 15 (?) dizzying tracks of whimsical art-pop prowess, conjuring up a labyrinth of gear fabness, defying cultural tedium, that you'll be smashed blocked before teatime and soon to bed.\u003cbr\u003eSo get the picture and lend an ear to the Smashing Times.”\u003cbr\u003e-Sam Knee (Scene In Between)\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Shade, the Changing Man\u003cbr\u003e2. Romani Coats\u003cbr\u003e3. The Lemon King\u003cbr\u003e4. The Ladder\u003cbr\u003e5. Please Come Along With Me\u003cbr\u003e6. With a Louder Voice\u003cbr\u003e7. Listen\u003cbr\u003e8, Edward Gorey Stories\u003cbr\u003e9. Come Along With Me\u003cbr\u003e10. Noboru's Eyes\u003cbr\u003e11. It Comes and Goes\u003c\/p\u003e","brand":"K Records","offers":[{"title":"Default Title","offer_id":47173507285148,"sku":"KLP326CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TheSmashingTimes-Comealongwithme.jpg?v=1783532246"},{"product_id":"the-smashing-times-come-along-with-me-lp","title":"The Smashing Times - Come Along With Me [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: KLP326LP\u003cbr\u003eBarcode: 0789856132614\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Alternative \/ Indie Rock \/ Pop\u003c\/p\u003e\n\u003cp\u003eAll songs written by Thee Jasmine Monk ASCAP\u003cbr\u003eJasmine, Alex and Ole played on this recording.\u003cbr\u003e“The singles were recorded around the time of Come Along With Me by Alex and Jas but never made it into the band's rotation before we started working on Summer Inside.” Layout by Ole Johnson\u003cbr\u003eOriginally released on Cassette December 2019\u003cbr\u003eMastered by Fred Thomas.\u003c\/p\u003e\n\u003cp\u003e“Well knock me down with a feather.... Here tis' in your lucky mitts lies the primordial cassette canoodlings that emanated up from some far flung Baltimore basement by those most surely now, near mythical, Smashing Times.\u003cbr\u003eStately field recordings that seemingly straddle the void between a burgeoning subterranean folk rock renaissance, yet briefly encounter shimmering diy jangle popisms of this old curmudgeons youthquake, without a hint of revisionism ritual, or something trendy (like a emotional complex)\u003cbr\u003eThe quintet in question perambulate thru 15 (?) dizzying tracks of whimsical art-pop prowess, conjuring up a labyrinth of gear fabness, defying cultural tedium, that you'll be smashed blocked before teatime and soon to bed.\u003cbr\u003eSo get the picture and lend an ear to the Smashing Times.”\u003cbr\u003e-Sam Knee (Scene In Between)\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Shade, the Changing Man\u003cbr\u003e2. Romani Coats\u003cbr\u003e3. The Lemon King\u003cbr\u003e4. 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It Comes and Goes\u003c\/p\u003e","brand":"K Records","offers":[{"title":"Default Title","offer_id":47173511282844,"sku":"KLP326LP","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TheSmashingTimes-Comealongwithme_faa84a37-f933-4d55-93e0-57e89e86da72.jpg?v=1783532250"},{"product_id":"haai-digitise-cd","title":"HAAi - DIGITiSE [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CDSTUMM529\u003cbr\u003eBarcode: 5400863212148\u003cbr\u003eRelease Date: 09 Octt 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003ePackaged in eco card pack\u003cbr\u003eIncludes 8 page booklet\u003c\/p\u003e\n\u003cp\u003eDIGITiSE picks up where HAAi's 2025 album HUMANiSE left off, dropping us squarely on the dance floor with 10-tracks that sonically spread across multiple lanes, inspired by HAAi’s all- night-long DJ sets.\u003c\/p\u003e\n\u003cp\u003eDIGITiSE continues to examine what it means to be human in an increasingly digital world: the relentless pace of AI and technology, the divisions it creates, and the toll it takes, offering up an antidote to that: community. 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Skybreak and Cantoalegre)\u003c\/p\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":47198698832028,"sku":"CDSTUMM529","price":12.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HAAi_Digitise_CD_Front_transparent.png?v=1783867631"},{"product_id":"haai-digitise-yellow-lp","title":"HAAi - DIGITiSE [Yellow LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: STUMM529\u003cbr\u003eBarcode: 5400863212131\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003eIncludes poster insert\u003cbr\u003eReversible sleeve\u003c\/p\u003e\n\u003cp\u003eDIGITiSE picks up where HAAi's 2025 album HUMANiSE left off, dropping us squarely on the dance floor with 10-tracks that sonically spread across multiple lanes, inspired by HAAi’s all- night-long DJ sets.\u003c\/p\u003e\n\u003cp\u003eDIGITiSE continues to examine what it means to be human in an increasingly digital world: the relentless pace of AI and technology, the divisions it creates, and the toll it takes, offering up an antidote to that: community. To gather people in a room or on a dancefloor, to feel unity and belonging, is something HAAi has fiercely championed. DIGITiSE opens itself fully to that spirit.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe album brings the London-based, Australian-born producer, songwriter and DJ together with new collaborators Echonomist, Skybreak, and Cantoalegre (a children's choir from Medellín, Colombia) alongside artists HAAi has collaborated with previously – Pat Alvarez, ILA, James Messiah and Kaiden Ford.\u003c\/p\u003e\n\u003cp\u003eDIGITiSE holds the hand of HUMANiSE and walks it to the club.\u003c\/p\u003e\n\u003cp\u003e1 RE-HUMANiSE (feat. Kaiden Ford and Ila)\u003cbr\u003e2 Printerlude\u003cbr\u003e3 Ignition (feat. Echonomist)\u003cbr\u003e4 Depth Perception\u003cbr\u003e5 DIGITiSE (feat. Pat Alvarez)\u003cbr\u003e6 Technology\u003cbr\u003e7 HUMANiSE Radio\u003cbr\u003e8 THANK U\u003cbr\u003e9 I Wanna Feel Like Someone (feat. James Messiah)\u003cbr\u003e10 Walking Walls (feat. Skybreak and Cantoalegre)\u003c\/p\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":47198698864796,"sku":"STUMM529","price":27.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HAAi_LP_V4_updated.png?v=1783867711"},{"product_id":"nofx-wolves-in-wolves-clothing-highlighter-yellow-lp","title":"NOFX - Wolves in Wolves Clothing [Highlighter Yellow LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FAT361-1\u003cbr\u003eBarcode: 0751097036112\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Punk\/Hardcore\u003c\/p\u003e\n\u003cp\u003eReleased in 2006, NOFX’s tenth studio album, Wolves in Wolves' Clothing, is a blistering blend of aggressive political satire and melodic skate punk. Capturing the sociopolitical anxiety of the second Bush presidency, frontman Fat Mike sharpens his pen to target organized religion, corporate greed, and blind patriotism. Fan favorites like \"Seeing Double at the Triple Rock\" and \"Leaving Jesusland\" showcase their signature fast tempos, tight harmonies, and dark humor. \u003cbr\u003e• 20th anniversary pressing of Wolves In Wolves’ Clothing, produced by Bill Stevenson at Blasting Room\u003cbr\u003e• NOFX's critically-acclaimed tenth studio album, songs that go good with a drink!\u003cbr\u003e• Originally charted at #46 on Billboard 200 and Top 40 in 8+ territories worldwide\u003cbr\u003e• Features hit singles \"Seeing Double At The Triple Rock\", \"USA-Holes\" and \"Leaving Jesusland\"\u003cbr\u003e• NOFX has sold over 10 million records worldwide and Final Shows sold over 400,000 tickets\u003cbr\u003e• Punk Rock Museum currently featuring NOFX retrospective exhibit chronicling the bands' 40 year history\u003cbr\u003e• NOFX documentary now screening globally with band attending screenings. \u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. 60%\u003cbr\u003e2. USA-Holes\u003cbr\u003e3. Seeing Double At The Triple Rock\u003cbr\u003e4. We March To The \u003cbr\u003eBeat Of Indifferent Drum\u003cbr\u003e5. The Marxist Brothers\u003cbr\u003e6. The Man I Killed\u003cbr\u003e7. Benny Got BlowedUp\u003cbr\u003e8. Leaving Jesusland\u003cbr\u003e9. Getting High On \u003cbr\u003eThe Down Low\u003cbr\u003e10. Cool And UnsualPunishment\u003cbr\u003e11. Wolves In Wolves' Clothing\u003cbr\u003e12. Cantado enEspañol\u003cbr\u003e13. 100 Times Fuckeder\u003cbr\u003e14. Instant Crassic\u003cbr\u003e15. You Will Lose Faith\u003cbr\u003e16. One Celled Creature\u003cbr\u003e17. Doornails\u003cbr\u003e18. 60% (reprise)\u003c\/p\u003e","brand":"Fat Wreck Chords","offers":[{"title":"Default Title","offer_id":47217895538844,"sku":"FAT361-1","price":29.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_86654d37-3df9-4d35-9f08-9350e4556f99.webp?v=1784136916"},{"product_id":"cabaret-voltaire-code-2026-remaster-3cd","title":"Cabaret Voltaire - Code (2026 Remaster) [3CD]","description":"\u003cp\u003eFormat: 3 x CD\u003cbr\u003eCatalogue No.: CABS27CD\u003cbr\u003eBarcode: 5400863195069\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003e3CD - Includes 2 bonus discs featuring remastered remixes from the time  and previously unreleased remixes \u003c\/p\u003e\n\u003cp\u003eSheffield electronic pioneers Cabaret Voltaire's most commercially successful album, CODE, is back, and long overdue after years out of print.\u003c\/p\u003e\n\u003cp\u003eReleased in 1987, the eighth studio album from the band has been remastered from the original tapes by Denis Blackham, who has mastered or remastered every Cabaret Voltaire album for over 20 years, and is released on Mute, restoring the original artwork. Co-produced with dub mastermind Adrian Sherwood, it marked a bold shift toward synth-pop and mechanistic funk,  the last Cabaret Voltaire album made with a major budget while remaining defiantly credible, featuring charting singles 'Don't Argue' and 'Here to Go'.\u003c\/p\u003e\n\u003cp\u003eThe album's title speaks to a preoccupation that felt urgent at the time and has only grown more resonant since: the creeping integration of technology, computers and programming into every corner of human life. For Cabaret Voltaire, CODE meant control, not just in regards to music-making, but also in terms of social and economic control against a backdrop of excess.\u003c\/p\u003e\n\u003cp\u003eRecorded at the band's own Western Works studio in Sheffield, with Sherwood joining for pre-production before the sessions moved to Red Bus in London to mix, the album captures a band at the height of their commercial and creative powers. This reissue was begun in 2019 with Richard H. Kirk, before his untimely death and completed using his notes, in consultation with Stephen Malinder and Richard's estate, a fitting tribute to his legacy.\u003c\/p\u003e\n\u003cp\u003eDISC 1\u003cbr\u003e1 Don't Argue\u003cbr\u003e2 Sex, Money, Freaks\u003cbr\u003e3 Thank You America\u003cbr\u003e4 Here To Go\u003cbr\u003e5 Trouble (Won't Stop)\u003cbr\u003e6 White Car\u003cbr\u003e7 No One Here\u003cbr\u003e8 Life Slips By\u003cbr\u003e9 Code\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDISC 2\u003cbr\u003e1 Hey Hey\u003cbr\u003e2 Thank You America (John Robie Dub Mix)\u003cbr\u003e3 Don't Argue (Hate and Destroy Mix)\u003cbr\u003e4 Here To Go (Eleven Eleven Mix)\u003cbr\u003e5 Sex, Money, Freaks (Kevorkian 12\" Mix)\u003cbr\u003e6 Code (12\" Mix)\u003cbr\u003e7 Thank You America (Dub Single Mix)\u003cbr\u003e8 Don’t Argue – Who’s Arguing\u003cbr\u003e9 Here To Go (Extended Mix)\u003cbr\u003e10 Thank You America (Short Single Mix)\u003cbr\u003e11 Don't Argue (7\u0026amp;quot; Version)\u003cbr\u003e12 Here To Go (Single Version)\u003c\/p\u003e\n\u003cp\u003eDISC 3\u003cbr\u003e1 Don't Argue (John Robie Extended Version)\u003cbr\u003e2 Here To Go (Kevorkian Extended Mix)\u003cbr\u003e3 Thank You, America (Kevorkian Bonus Beats)\u003cbr\u003e4 Sex, Money, Freaks (Kevorkian Dub)\u003cbr\u003e5 Thank You, America (Alternate Mix)\u003cbr\u003e6 Don't Argue (Dance Dub)\u003cbr\u003e7 Here To Go (Adrian Sherwood Live Drum Jacknife Remix)\u003cbr\u003e8 Thank You America (Alternate Mix 2)\u003cbr\u003e9 Don't Argue (Dance)\u003cbr\u003e10 Here To Go (Space Dub)\u003cbr\u003e11 Don't Argue (Single Mix)\u003cbr\u003e12 Here To Go (Little Dub)\u003c\/p\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":47247473016988,"sku":"CABS27CD","price":15.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CabaretVoltaire_CODEremastered_1080_4cf5ef76-9181-462a-8482-5c403cd41eaa.jpg?v=1784670034"},{"product_id":"cabaret-voltaire-code-2026-remaster-green-black-marble-vinyl","title":"Cabaret Voltaire - Code (2026 Remaster) [Green\/Black marble vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: CABS27\u003cbr\u003eBarcode: 5400863195052\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003eGreen\/Black marble vinyl + 2 page insert with new sleeve notes\u003c\/p\u003e\n\u003cp\u003eSheffield electronic pioneers Cabaret Voltaire's most commercially successful album, CODE, is back, and long overdue after years out of print.\u003c\/p\u003e\n\u003cp\u003eReleased in 1987, the eighth studio album from the band has been remastered from the original tapes by Denis Blackham, who has mastered or remastered every Cabaret Voltaire album for over 20 years, and is released on Mute, restoring the original artwork. 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Blake says that the title is meant to mock those memes that urge people to “dare to dream,” which to him are “kind of ridiculous... I don’t think the world works that way.”\u003c\/p\u003e\n\u003cp\u003eTeenage Fanclub’s 13th album is full of songs that are calmly resolute, taking stock of the fraught state of the world without succumbing to despair. Blake’s warm, organ washed midtempo ballad “Day In The Sun” and Raymond McGinley’s “Over And Over” both speak to how everyone can find a renewed sense of purpose by opening their hearts. “We can still be cheerful and optimistic in the face of things not being great,” McGinley says. “My parents’ generation lived in Glasgow when there were bombs falling out of the sky. And here we are, however many years later. Things change.” Blake and McGinley are joined on Do Not Dare To Dream by their bandmates Euros Childs (keyboards and vocals), Francis Macdonald (drums) and David McGowan (bass). This quintet has played together long enough now that neither of Teenage Fanclub’s principal songwriters and guitarists feel the need to fuss over their songs or work up arrangements before they enter the studio. They’d rather wait for the rest of the group’s input.\u003c\/p\u003e\n\u003cp\u003eThe initial sessions took place over 14 days at Black Bay Studio, in the township of Kirkibost, on the Scottish Outer Hebrides island of Great Bernera. Teenage Fanclub likes to take advantage of what a studio has available to use, and at Black Bay the band found a Domus church organ (prominently heard on many songs, including “Over And Over”) and a lot of different synthesizers. Euros Childs on keys brings a lot of sonic colour on this record, from the ’70s sound of the Solina String Ensemble on “Tomorrow People” to the Mellotron flutes on McGinley’s gently reflective “Take Time”, and across every other song. Add to that the musicality of David McGowan’s counterpoint melodies on bass and Francis Macdonald playing so freely and expressively on the drums and you can hear how it all adds up to the confident collective identity of the band that McGinley was talking about.\u003c\/p\u003e\n\u003cp\u003eAs longtime fans are likely aware, Teenage Fanclub record each album in a new place so that they can let its unique atmosphere influence the music. Great Bernera is their most remote recording location yet, which helped the band focus on the work but also put them in a place of awe, surrounded as they were by the crashing sea and ancient ruins. Blake recalls “not too far from the studio, on the adjacent island of Lewis, there’s an ancient monument called the Callanish Stones, which is older than Stonehenge. The whole area is kind of magical.” McGinley expands, “it’s a place where they had a lot of Neolithic monuments. Later on it was a Viking area. And on our time off, we’d go see these things which are like, I don’t know, 5000 years old. Some of us went for a walk every morning, ‘round over the hills and stuff. I think all that plays into the feeling on the record, being in this kind of timeless landscape with connections to unknown civilizations from a long, long time ago. All those things that make you feel small, but in a good way.”\u003c\/p\u003e\n\u003cp\u003eThe result is a collection of songs suffused with the proper perspective of musicians who have been around for a while, recorded in a place that has been around even longer. As Blake puts it, “I think what happens is you just move from one thing into the next and before you know it, 30 years have passed. McGinley adds: “Yeah, it’s been a while since we started doing this thing we do, but to us it feels like no time at all. In the place where we made the record people would have been singing thousands of years ago. Life is short, but music is eternal.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1. There Was You\u003cbr\u003e2. Tomorrow People\u003cbr\u003e3. Over And Over\u003cbr\u003e4. Be With You Tonight\u003cbr\u003e5. The Same Air\u003cbr\u003eSIDE B\u003cbr\u003e6. I Do Not Dare To Dream\u003cbr\u003e7. Take Time\u003cbr\u003e8. Day In The Sun\u003cbr\u003e9. Somewhere To Land\u003cbr\u003e10. Young And Wise\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":47255719248028,"sku":"MRG892CS-C1","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TeenageFanclub-DoNotDareToDream.jpg?v=1784802513"},{"product_id":"teenage-fanclub-do-not-dare-to-dream-cd","title":"Teenage Fanclub - Do Not Dare To Dream [CD]","description":"\u003cp\u003e\u003cspan\u003eFormat: CD\u003cbr\u003eCatalogue No.: MRG892CD\u003cbr\u003eBarcode: 0673855089225\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTeenage Fanclub’s Do Not Dare To Dream takes its name from Norman Blake’s “I Do Not Dare To Dream,” an infectious anthemic song driven by ringing acoustic guitars, joined at the end by duelling electric guitars that wrap around each other like a reassuring hug. Blake says that the title is meant to mock those memes that urge people to “dare to dream,” which to him are “kind of ridiculous... I don’t think the world works that way.”\u003c\/p\u003e\n\u003cp\u003eTeenage Fanclub’s 13th album is full of songs that are calmly resolute, taking stock of the fraught state of the world without succumbing to despair. Blake’s warm, organ washed midtempo ballad “Day In The Sun” and Raymond McGinley’s “Over And Over” both speak to how everyone can find a renewed sense of purpose by opening their hearts. “We can still be cheerful and optimistic in the face of things not being great,” McGinley says. “My parents’ generation lived in Glasgow when there were bombs falling out of the sky. And here we are, however many years later. Things change.” Blake and McGinley are joined on Do Not Dare To Dream by their bandmates Euros Childs (keyboards and vocals), Francis Macdonald (drums) and David McGowan (bass). This quintet has played together long enough now that neither of Teenage Fanclub’s principal songwriters and guitarists feel the need to fuss over their songs or work up arrangements before they enter the studio. They’d rather wait for the rest of the group’s input.\u003c\/p\u003e\n\u003cp\u003eThe initial sessions took place over 14 days at Black Bay Studio, in the township of Kirkibost, on the Scottish Outer Hebrides island of Great Bernera. Teenage Fanclub likes to take advantage of what a studio has available to use, and at Black Bay the band found a Domus church organ (prominently heard on many songs, including “Over And Over”) and a lot of different synthesizers. Euros Childs on keys brings a lot of sonic colour on this record, from the ’70s sound of the Solina String Ensemble on “Tomorrow People” to the Mellotron flutes on McGinley’s gently reflective “Take Time”, and across every other song. Add to that the musicality of David McGowan’s counterpoint melodies on bass and Francis Macdonald playing so freely and expressively on the drums and you can hear how it all adds up to the confident collective identity of the band that McGinley was talking about.\u003c\/p\u003e\n\u003cp\u003eAs longtime fans are likely aware, Teenage Fanclub record each album in a new place so that they can let its unique atmosphere influence the music. Great Bernera is their most remote recording location yet, which helped the band focus on the work but also put them in a place of awe, surrounded as they were by the crashing sea and ancient ruins. Blake recalls “not too far from the studio, on the adjacent island of Lewis, there’s an ancient monument called the Callanish Stones, which is older than Stonehenge. The whole area is kind of magical.” McGinley expands, “it’s a place where they had a lot of Neolithic monuments. Later on it was a Viking area. And on our time off, we’d go see these things which are like, I don’t know, 5000 years old. Some of us went for a walk every morning, ‘round over the hills and stuff. I think all that plays into the feeling on the record, being in this kind of timeless landscape with connections to unknown civilizations from a long, long time ago. All those things that make you feel small, but in a good way.”\u003c\/p\u003e\n\u003cp\u003eThe result is a collection of songs suffused with the proper perspective of musicians who have been around for a while, recorded in a place that has been around even longer. As Blake puts it, “I think what happens is you just move from one thing into the next and before you know it, 30 years have passed. McGinley adds: “Yeah, it’s been a while since we started doing this thing we do, but to us it feels like no time at all. In the place where we made the record people would have been singing thousands of years ago. Life is short, but music is eternal.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1. There Was You\u003cbr\u003e2. Tomorrow People\u003cbr\u003e3. Over And Over\u003cbr\u003e4. Be With You Tonight\u003cbr\u003e5. The Same Air\u003cbr\u003eSIDE B\u003cbr\u003e6. I Do Not Dare To Dream\u003cbr\u003e7. Take Time\u003cbr\u003e8. Day In The Sun\u003cbr\u003e9. Somewhere To Land\u003cbr\u003e10. Young And Wise\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":47255721902236,"sku":"MRG892CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TeenageFanclub-DoNotDareToDream_11417c30-a01b-4d9f-bde4-7a9b7e2fb81d.jpg?v=1784802515"},{"product_id":"teenage-fanclub-do-not-dare-to-dream-lp","title":"Teenage Fanclub - Do Not Dare To Dream [LP]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRG892LP\u003cbr\u003eBarcode: 0673855089218\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTeenage Fanclub’s Do Not Dare To Dream takes its name from Norman Blake’s “I Do Not Dare To Dream,” an infectious anthemic song driven by ringing acoustic guitars, joined at the end by duelling electric guitars that wrap around each other like a reassuring hug. Blake says that the title is meant to mock those memes that urge people to “dare to dream,” which to him are “kind of ridiculous... I don’t think the world works that way.”\u003c\/p\u003e\n\u003cp\u003eTeenage Fanclub’s 13th album is full of songs that are calmly resolute, taking stock of the fraught state of the world without succumbing to despair. Blake’s warm, organ washed midtempo ballad “Day In The Sun” and Raymond McGinley’s “Over And Over” both speak to how everyone can find a renewed sense of purpose by opening their hearts. “We can still be cheerful and optimistic in the face of things not being great,” McGinley says. “My parents’ generation lived in Glasgow when there were bombs falling out of the sky. And here we are, however many years later. Things change.” Blake and McGinley are joined on Do Not Dare To Dream by their bandmates Euros Childs (keyboards and vocals), Francis Macdonald (drums) and David McGowan (bass). This quintet has played together long enough now that neither of Teenage Fanclub’s principal songwriters and guitarists feel the need to fuss over their songs or work up arrangements before they enter the studio. They’d rather wait for the rest of the group’s input.\u003c\/p\u003e\n\u003cp\u003eThe initial sessions took place over 14 days at Black Bay Studio, in the township of Kirkibost, on the Scottish Outer Hebrides island of Great Bernera. Teenage Fanclub likes to take advantage of what a studio has available to use, and at Black Bay the band found a Domus church organ (prominently heard on many songs, including “Over And Over”) and a lot of different synthesizers. Euros Childs on keys brings a lot of sonic colour on this record, from the ’70s sound of the Solina String Ensemble on “Tomorrow People” to the Mellotron flutes on McGinley’s gently reflective “Take Time”, and across every other song. Add to that the musicality of David McGowan’s counterpoint melodies on bass and Francis Macdonald playing so freely and expressively on the drums and you can hear how it all adds up to the confident collective identity of the band that McGinley was talking about.\u003c\/p\u003e\n\u003cp\u003eAs longtime fans are likely aware, Teenage Fanclub record each album in a new place so that they can let its unique atmosphere influence the music. Great Bernera is their most remote recording location yet, which helped the band focus on the work but also put them in a place of awe, surrounded as they were by the crashing sea and ancient ruins. Blake recalls “not too far from the studio, on the adjacent island of Lewis, there’s an ancient monument called the Callanish Stones, which is older than Stonehenge. The whole area is kind of magical.” McGinley expands, “it’s a place where they had a lot of Neolithic monuments. Later on it was a Viking area. And on our time off, we’d go see these things which are like, I don’t know, 5000 years old. Some of us went for a walk every morning, ‘round over the hills and stuff. I think all that plays into the feeling on the record, being in this kind of timeless landscape with connections to unknown civilizations from a long, long time ago. All those things that make you feel small, but in a good way.”\u003c\/p\u003e\n\u003cp\u003eThe result is a collection of songs suffused with the proper perspective of musicians who have been around for a while, recorded in a place that has been around even longer. As Blake puts it, “I think what happens is you just move from one thing into the next and before you know it, 30 years have passed. McGinley adds: “Yeah, it’s been a while since we started doing this thing we do, but to us it feels like no time at all. In the place where we made the record people would have been singing thousands of years ago. Life is short, but music is eternal.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1. There Was You\u003cbr\u003e2. Tomorrow People\u003cbr\u003e3. Over And Over\u003cbr\u003e4. Be With You Tonight\u003cbr\u003e5. The Same Air\u003cbr\u003eSIDE B\u003cbr\u003e6. I Do Not Dare To Dream\u003cbr\u003e7. Take Time\u003cbr\u003e8. Day In The Sun\u003cbr\u003e9. Somewhere To Land\u003cbr\u003e10. Young And Wise\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":47255722000540,"sku":"MRG892LP","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TeenageFanclub-DoNotDareToDream_08bbc1ed-74b8-47d5-8df1-db6a49b0a6b9.jpg?v=1784802518"},{"product_id":"teenage-fanclub-do-not-dare-to-dream-opaque-orange-vinyl","title":"Teenage Fanclub - Do Not Dare To Dream [Opaque Orange vinyl]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRG892LP-C1\u003cbr\u003eBarcode: 0673855089201\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTeenage Fanclub’s Do Not Dare To Dream takes its name from Norman Blake’s “I Do Not Dare To Dream,” an infectious anthemic song driven by ringing acoustic guitars, joined at the end by duelling electric guitars that wrap around each other like a reassuring hug. Blake says that the title is meant to mock those memes that urge people to “dare to dream,” which to him are “kind of ridiculous... I don’t think the world works that way.”\u003c\/p\u003e\n\u003cp\u003eTeenage Fanclub’s 13th album is full of songs that are calmly resolute, taking stock of the fraught state of the world without succumbing to despair. Blake’s warm, organ washed midtempo ballad “Day In The Sun” and Raymond McGinley’s “Over And Over” both speak to how everyone can find a renewed sense of purpose by opening their hearts. “We can still be cheerful and optimistic in the face of things not being great,” McGinley says. “My parents’ generation lived in Glasgow when there were bombs falling out of the sky. And here we are, however many years later. Things change.” Blake and McGinley are joined on Do Not Dare To Dream by their bandmates Euros Childs (keyboards and vocals), Francis Macdonald (drums) and David McGowan (bass). This quintet has played together long enough now that neither of Teenage Fanclub’s principal songwriters and guitarists feel the need to fuss over their songs or work up arrangements before they enter the studio. They’d rather wait for the rest of the group’s input.\u003c\/p\u003e\n\u003cp\u003eThe initial sessions took place over 14 days at Black Bay Studio, in the township of Kirkibost, on the Scottish Outer Hebrides island of Great Bernera. Teenage Fanclub likes to take advantage of what a studio has available to use, and at Black Bay the band found a Domus church organ (prominently heard on many songs, including “Over And Over”) and a lot of different synthesizers. Euros Childs on keys brings a lot of sonic colour on this record, from the ’70s sound of the Solina String Ensemble on “Tomorrow People” to the Mellotron flutes on McGinley’s gently reflective “Take Time”, and across every other song. Add to that the musicality of David McGowan’s counterpoint melodies on bass and Francis Macdonald playing so freely and expressively on the drums and you can hear how it all adds up to the confident collective identity of the band that McGinley was talking about.\u003c\/p\u003e\n\u003cp\u003eAs longtime fans are likely aware, Teenage Fanclub record each album in a new place so that they can let its unique atmosphere influence the music. Great Bernera is their most remote recording location yet, which helped the band focus on the work but also put them in a place of awe, surrounded as they were by the crashing sea and ancient ruins. Blake recalls “not too far from the studio, on the adjacent island of Lewis, there’s an ancient monument called the Callanish Stones, which is older than Stonehenge. The whole area is kind of magical.” McGinley expands, “it’s a place where they had a lot of Neolithic monuments. Later on it was a Viking area. And on our time off, we’d go see these things which are like, I don’t know, 5000 years old. Some of us went for a walk every morning, ‘round over the hills and stuff. I think all that plays into the feeling on the record, being in this kind of timeless landscape with connections to unknown civilizations from a long, long time ago. All those things that make you feel small, but in a good way.”\u003c\/p\u003e\n\u003cp\u003eThe result is a collection of songs suffused with the proper perspective of musicians who have been around for a while, recorded in a place that has been around even longer. As Blake puts it, “I think what happens is you just move from one thing into the next and before you know it, 30 years have passed. McGinley adds: “Yeah, it’s been a while since we started doing this thing we do, but to us it feels like no time at all. In the place where we made the record people would have been singing thousands of years ago. Life is short, but music is eternal.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1. There Was You\u003cbr\u003e2. Tomorrow People\u003cbr\u003e3. Over And Over\u003cbr\u003e4. Be With You Tonight\u003cbr\u003e5. The Same Air\u003cbr\u003eSIDE B\u003cbr\u003e6. I Do Not Dare To Dream\u003cbr\u003e7. Take Time\u003cbr\u003e8. Day In The Sun\u003cbr\u003e9. Somewhere To Land\u003cbr\u003e10. Young And Wise\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":47255722033308,"sku":"MRG892LP-C1","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TeenageFanclub-DoNotDareToDream_e629fbfe-e0f8-4e43-9ad4-32a71966f41f.jpg?v=1784802520"},{"product_id":"orbit-culture-death-above-life-deluxe-edition-2cd","title":"Orbit Culture - Death Above Life (Deluxe Edition) [2CD]","description":"\u003cp\u003eFormat: 2CD\u003cbr\u003eCatalogue No.: 19958456512\u003cbr\u003eBarcode: 0199584565125\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Metal\u003c\/p\u003e\n\u003cp\u003eFew bands in heavy music have seen a similar, stellar rise in the past year as ORBIT CULTURE. The Swedish quartet’s “Death Above Life” is not merely a statement of how far the band has come, but it is the sound of metal in the most modern sense. ”This record represents change, a new beginning,” says ORBIT CULTURE guitarist, vocalist and songwriter, Niklas Karlsson. Produced by the band and mixed by Buster Odeholm (Humanity’s Last Breath, Vildhjarta, Thrown), “Death Above Life” is a statement for metal: its present and future. It’s also a crucial next step for ORBIT CULTURE as they continue to define themselves and metal, as a whole.\u003cbr\u003eAside from their DIY ethos and their uncompromising, disturbing dark-on-dark visuals Karlsson credits his love for soundtracks and cinematic soundscapes for fleshing out ORBIT CULTURE’s sound and vision. Composers including Hans Zimmer (Dune, Interstellar) and Howard Shore (Lord of the Rings) have become a huge influence on the band. “So much more than any metal being written today,” Niklas states. “Every one of us would rather listen to the ‘Inception’ soundtrack. It’s timeless. When I get stuck writing, those tools and inspiration are there, whether it is cellos or pianos which add texture. We write very easy riffs and structures, so turning to someone like Hans Zimmer leads us to taking the ending of a songs like ‘Inferna’ and making the final chorus bigger and more cinematic.” The “Death Above Life (Deluxe Edition)” is further exploring the cinematic idea adding two previously unreleased tracks as well as their Japanese bonus track “Nuclear God” and a very special version of the heartbreaking closing track: “The Path I Walk feat. Tina Guo”. Both physical editions, the Ltd. Deluxe transp. sea blue-golden yellow splattered 2LP Artbook and the Ltd. 2CD Mediabook will come with extended 40 pages booklets that are looking back on the past 1,5 years and are allowing for intimate behind-the-scenes.\u003c\/p\u003e\n\u003cp\u003eCD1\u003cbr\u003e1. Inferna 00:06:45\u003cbr\u003e2. Bloodhound 00:05:04\u003cbr\u003e3. Inside The Waves 00:04:39\u003cbr\u003e4. The Tales Of War 00:05:10\u003cbr\u003e5. Hydra 00:04:49\u003cbr\u003e6. Nerve 00:05:54\u003cbr\u003e7. Death Above Life 00:05:31\u003cbr\u003e8. The Storm 00:04:16\u003cbr\u003e9. Neural Collapse 00:06:21\u003cbr\u003e10. The Path I Walk 00:04:55\u003cbr\u003eCD2\u003cbr\u003e1. Nuclear God 00:05:09 (previously only available on Japan pressing)\u003cbr\u003e2. Spiral Head tba (previously unreleased)\u003cbr\u003e3. The Form Not Meant To Be tba (previously unreleased)\u003cbr\u003e4. The Path I Walk feat. Tina Guo tba (previously unreleased new version)\u003c\/p\u003e","brand":"Century Media","offers":[{"title":"Default Title","offer_id":47263720341660,"sku":"19958456512","price":20.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_c0d4b476-b190-41ba-82ae-95d75f658057.jpg?v=1784905028"},{"product_id":"orbit-culture-death-above-life-deluxe-edition-transp-sea-blue-golden-yellow-splattered-2lp","title":"Orbit Culture - Death Above Life (Deluxe Edition) [Transp. Sea Blue-Golden Yellow Splattered 2LP]","description":"\u003cp\u003eFormat: Transp. Sea Blue-Golden Yellow Splattered 2LP\u003cbr\u003eCatalogue No.: 19958456501\u003cbr\u003eBarcode: 0199584565019\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Metal\u003c\/p\u003e\n\u003cp\u003eLtd. Deluxe transp. sea blue-golden yellow splattered 2LP Artbook\u003cbr\u003eCoffee table hardcover book, comes with 40 pages booklet, 2x 140g vinyl and 4 bonus tracks\u003c\/p\u003e\n\u003cp\u003eFew bands in heavy music have seen a similar, stellar rise in the past year as ORBIT CULTURE. The Swedish quartet’s “Death Above Life” is not merely a statement of how far the band has come, but it is the sound of metal in the most modern sense. ”This record represents change, a new beginning,” says ORBIT CULTURE guitarist, vocalist and songwriter, Niklas Karlsson. Produced by the band and mixed by Buster Odeholm (Humanity’s Last Breath, Vildhjarta, Thrown), “Death Above Life” is a statement for metal: its present and future. It’s also a crucial next step for ORBIT CULTURE as they continue to define themselves and metal, as a whole.\u003cbr\u003eAside from their DIY ethos and their uncompromising, disturbing dark-on-dark visuals Karlsson credits his love for soundtracks and cinematic soundscapes for fleshing out ORBIT CULTURE’s sound and vision. Composers including Hans Zimmer (Dune, Interstellar) and Howard Shore (Lord of the Rings) have become a huge influence on the band. “So much more than any metal being written today,” Niklas states. “Every one of us would rather listen to the ‘Inception’ soundtrack. It’s timeless. When I get stuck writing, those tools and inspiration are there, whether it is cellos or pianos which add texture. We write very easy riffs and structures, so turning to someone like Hans Zimmer leads us to taking the ending of a songs like ‘Inferna’ and making the final chorus bigger and more cinematic.” The “Death Above Life (Deluxe Edition)” is further exploring the cinematic idea adding two previously unreleased tracks as well as their Japanese bonus track “Nuclear God” and a very special version of the heartbreaking closing track: “The Path I Walk feat. Tina Guo”. Both physical editions, the Ltd. Deluxe transp. sea blue-golden yellow splattered 2LP Artbook and the Ltd. 2CD Mediabook will come with extended 40 pages booklets that are looking back on the past 1,5 years and are allowing for intimate behind-the-scenes.\u003c\/p\u003e\n\u003cp\u003eA1 Inferna 00:06:45\u003cbr\u003eA2 Bloodhound 00:05:04\u003cbr\u003eA3 Inside The Waves 00:04:39\u003cbr\u003eA4 The Tales Of War 00:05:10\u003cbr\u003eB1 Hydra 00:04:49\u003cbr\u003eB2 Nerve 00:05:54\u003cbr\u003eB3 Death Above Life 00:05:31\u003cbr\u003eB4 The Storm 00:04:16\u003cbr\u003eC1 Neural Collapse 00:06:21\u003cbr\u003eC2 The Path I Walk 00:04:55\u003cbr\u003eC3 Nuclear God 00:05:09 (previously only available on Japan pressing)\u003cbr\u003eD1 Spiral Head tba (previously unreleased)\u003cbr\u003eD2 The Form Not Meant To Be tba (previously unreleased)\u003cbr\u003eD3 The Path I Walk feat. Tina Guo tba (previously unreleased new version)\u003c\/p\u003e","brand":"Century Media","offers":[{"title":"Default Title","offer_id":47263721521308,"sku":"19958456501","price":78.03,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LOWRES_OrbitCulture_DeathAboveLifeDeluxeEdition_19958456501_2LP_Artbook_Mock.jpg?v=1784905032"},{"product_id":"david-bedford-early-works-cd","title":"David Bedford - Early Works [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: GSGZ247CD\u003cbr\u003eBarcode: 5056083206759\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Progressive\u003c\/p\u003e\n\u003cp\u003eDavid Bedford (1937–2011) was an English composer born on August 4, 1937, in Hendon, London, into a notably musical family. His grandmother, Liza Lehmann, was a respected Edwardian-era composer and songwriter, while his mother, Lesley Duff, was a soprano who performed with the English Opera Group and participated in several Benjamin Britten premieres. His father, Leslie Bedford, worked as an engineer in the aerospace sector, but the household emphasised music from an early age. Bedford himself began composing at just seven years old. After attending Lancing College, where he received early musical instruction from teachers including Christopher Headington, he pursued formal studies at the Royal Academy of Music under the guidance of Lennox Berkeley. He later expanded his horizons with studies in Venice under the avant-garde Italian composer Luigi Nono, experiences that shaped his innovative approach, blending modernist techniques with expressive, often poetic elements.\u003c\/p\u003e\n\u003cp\u003eIn his early career during the 1960s, Bedford established himself as a distinctive voice in contemporary British music through experimental yet accessible works that frequently drew on literature and unconventional instrumentation. One landmark piece from this period is Music for Albion Moonlight (1965), a setting for soprano and a small ensemble including flute, piano, melodica, and percussion, based on texts by Kenneth Patchen. The work showcases Bedford's interest in atmospheric, surreal imagery and his skill in creating vivid sonic landscapes that enhance the poetry's dreamlike quality, reflecting influences from his studies with Nono while maintaining a lyrical British sensibility.\u003c\/p\u003e\n\u003cp\u003eAnother notable early choral work is Two Poems for Chorus on Words of Kenneth Patchen (1966), which sets two of the American poet's evocative pieces, \"O Now the Drenched Land Wakes\" and \"The Great Birds\", for unaccompanied choir. These settings highlight Bedford's sensitive handling of text, employing textural contrasts, cluster harmonies, and dynamic shifts to evoke nature's awakening and majestic imagery. Composed during a fertile period of experimentation, these pieces exemplify his early fusion of avant-garde choral writing with a poetic, almost pastoral expressiveness, helping to define his reputation before his later forays into popular music collaborations and educational roles.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003e1. O Now the Drenched Land Awakes\u003cbr\u003e2. The Great Birds\u003cbr\u003e3. The Tentacles of the Dark Nebula (feat. Peter Pears on vocals) \u003cbr\u003e4. The Garden of Love (Kevin Ayers and The Whole World feat. Robert Wyatt, Lol Coxhill and Mike Oldfield)\u003cbr\u003e5. So It Ends\u003cbr\u003e6. If We Are to Know Where We Live\u003cbr\u003e7. Lament for the Making of a Song\u003cbr\u003e8. Fall of the Evening Song \u003c\/p\u003e","brand":"Greyscale","offers":[{"title":"Default Title","offer_id":47264245645468,"sku":"GSGZ247CD","price":14.61,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/8_905e63a4-726f-40e7-a431-a3ef552c1421.webp?v=1784920698"},{"product_id":"holy-tongue-basilikum","title":"Holy Tongue - Basilikum","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: WHYT106LP\u003cbr\u003eBarcode: 0191400680616\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Alternative \/ Experimental\u003c\/p\u003e\n\u003cp\u003eValentina Magaletti (Moin), Al Wootton and Susumu Mukai (Vanishing Twin) create expansive rhythmic music that moves freely through dub, trance, free improvisation and cinematic psychedelia. For Basilikum, the trio recorded a series of improvisations in the Swiss Alps and London. Built on the foundation of vintage drum machines and instinctive interplay, they created compositions where no stylistic borders apply.\u003c\/p\u003e\n\u003cp\u003eDub techniques meet ritual percussion, hypnotic pulse and vast Popol Vuh-esque landscapes. Drawing equally from popular music, experimental traditions and spontaneous interaction, the trio treats playing, recording, editing and transformation as part of the same creative act. Sounds emerge, dissolve and reappear in new forms, creating a music that is both deeply physical and endlessly open.\u003c\/p\u003e\n\u003cp\u003eWith no fixed boundaries and no allegiance to genre, their work embraces movement, texture and collective energy. The result is immersive, transportive music that shifts between meditation and propulsion, intimacy and scale, always evolving in the moment.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. I’ve stood in this room for a long time before\u003cbr\u003e2. Coca\u003cbr\u003e3. Orange 28\u003cbr\u003e4. Bloom in D Minor\u003cbr\u003e5. Vuoto 25\u003cbr\u003e6. ROSEROOT\u003cbr\u003e7. Single~Eyed\u003cbr\u003e8. Nature\u003c\/p\u003e","brand":"AD 93","offers":[{"title":"Default Title","offer_id":47279262728348,"sku":"WHYT106LP","price":25.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HolyTongue-Basilikum.jpg?v=1785321980"},{"product_id":"greta-van-fleet-palace-for-the-people-cd","title":"Greta Van Fleet - Palace For The People [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: 6118366\u003cbr\u003eBarcode: 0881061183662\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eGreta Van Fleet’s new album, Palace for the People, available as a standard CD.\u003c\/p\u003e\n\u003cp\u003ePalace for the People is out October 9th, 2026.\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":47286492758172,"sku":"6118366","price":13.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FRONTDISC_9145ca83-ad39-41c6-86bc-2358a14bccaf.jpg?v=1785403589"},{"product_id":"greta-van-fleet-palace-for-the-people-lp","title":"Greta Van Fleet - Palace For The People [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 6108136\u003cbr\u003eBarcode: 0881061081364\u003cbr\u003eRelease Date: 09 Oct 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eGreta Van Fleet’s new album, Palace for the People, is available as an exclusive, limited edition first pressing Oracle Variant vinyl, with a smokey quartz marble finish. 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