{"title":"Week 39 2026","description":null,"products":[{"product_id":"witch-introduction-private-press-version","title":"Witch - Introduction (Private Press Version)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: NA5200LP\u003cbr\u003eBarcode: 0659457520014\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: International\u003c\/p\u003e\n\u003cp\u003e“Electrified by a diet of James Brown, the Stones and Deep Purple, WITCH were the stadium-filling kings of 70' Zamrock.\" ****MOJO. Archival reissue of the private-press, first issue of the album that launched Zamrock movement in 1972. Completely different recordings of the songs from the better-known Zambia Music Parlour album. Originally pressed in a run of just a few hundred copies and sold by the band at their live shows, this is the first ever reissue of this garage-rock masterpiece.\u003c\/p\u003e\n\u003cp\u003eA1. Introduction A2. Home Town (Instrumental) A3. You Better Know A4. Feeling High A5. 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Inspired by the pair’s shared love of choral music, it began as an experiment to explore playing with the voice in more creative ways, using layered vocals as an instrument following piano harmony, arrangement and sampling.\u003c\/p\u003e\n\u003cp\u003eThe project started in London with the title track and became a story about a world in which we hide our true ‘colours’ in order to fit in. A mother tells her son that he needs to fit in to survive before realising that she is following the same tropes passed on to her as a child. Following this realisation, she encourages her son to protect his dreams and not to listen to anybody telling him he can’t be whatever he chooses.\u003c\/p\u003e\n\u003cp\u003eRosie joined Duval for a week in Freetown in February 2020 where they wrote the rest of the project, bringing friends Daniel Koroma, Kandeh Bangura, Valentine Coker, Chino Greene and Tom Herbert in for musical contributions.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. 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In the 4 years after The Clipse dropped their sophomore classic Lord Willin’ the duo was able to build a legacy that had fans hungry for new material. After the smoke cleared and they hit the studio the Virginia brothers recorded the confidently mature sophomore effort, Hell Hath No Fury. Best known for their unconventional radio smash “Grindin’,” Clipse are no strangers to taking risks with the boundary-pushing Neptunes, who return as trusted co-pilots for Hell Hath No Fury. As always the duo is right at home over The Neptunes crafted beats which perfectly embrace Pusha’s inventive drug-game metaphors and Malice’s soul-baring confessionals. From the bouncy lead single “Mr. Me Too” and the Slim Thug assisted “Wamp Wamp” to the oddly haunting \"Keys Open Doors\" to \"Momma I'm Sorry\", Hell Hath No Fury represents some of the duo’s best work. On the hypnotic “Keys Open Doors,” over the eerie mix of screwed-up angelic voices, chimes and congas, the brothers run circles around the competition, while the spine-tingling boom-bap of “Ride Around Shining” sets the stage for Pusha’s hilarious boasts. Whether rhyming over distorted, lo-fi guitar plucks (“Dirty Money”) or overblown 808s (“Trill”), the brothers come with colorful references and inventive word play that easily places them in a lyrical class of their own. Get On Down now proudly issues this Neptunes produced favorite on LP for the first time ever with the first run on white vinyl.\u003c\/p\u003e\n\u003cp\u003eSIDE A 1. We Got It For Cheap (Intro) 2. Momma I’m So Sorry 3. Mr. Me Too (feat. Pharrell Williams) 4. Wamp Wamp (What It Do) (feat. Slim Thug) 5. Ride Around Shining (feat. AB-Liva of the Re-Up Gang) 6. Dirty Money SIDE B 1. Hello New World 2. Keys Open Doors 3. Ain’t Cha (feat. Re-Up Gang) 4. Trill 5. Chinese New Year (feat. Re-Up Gang) 6. Nightmares (feat. 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The visionary artist and master of electronic sound, presents his first own release after 2018's global club hit \"Pick Up\".\u003c\/p\u003e\n\u003cp\u003e\"Candidasa\" and \"Wespennest\" are the result of DJ Kozes inspiring stay in a secluded Benedictine monastery on the enchanting island of Sulawesi. Amidst this idyllic setting, he found the perfect environment to unleash his musical vision. He composed all of the music of \"Candidasa\" while lying on his stomach, in an act of deepest devotion and self-reflection. In doing so, he fed exclusively on so-called heroin kebabs to immerse himself in a trance-like state of creative flow. The result is a soundscape of unimagined depth and beauty that enchants the senses and transports listeners to another dimension by massively increasing the frequency of flicker fusion.\u003c\/p\u003e\n\u003cp\u003eOn \"Wespennest” the wonderful Sophia Kennedy takes the stage and breathes a new dimension into the music with her impactful lyrics and vocals. 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Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.\u003c\/p\u003e\n\u003cp\u003eTracks: A1 I Need Her A2 Bendita Illusion A3 Una Traicion A4 Amor Perdido B1 Juliana B2 Phoenix B3 La Bendicion B4 La Realidad.\u003c\/p\u003e","brand":"Now-Again Records","offers":[{"title":"Default Title","offer_id":43090006245532,"sku":"NA5233LP","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CANDIDOYSUMOVIMENTOPalosDeFuegoLP.jpg?v=1707848798"},{"product_id":"joe-bataan-drug-story","title":"Joe Bataan - Drug Story","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: NA5235LP\u003cbr\u003eBarcode: 0659457523558\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Funk \u0026amp; Soul\u003c\/p\u003e\n\u003cp\u003eNow-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. The series concludes with Drug Story - Rare and unreleased material from Joe Bataan and his Ghetto Records vaults, including an entire side of Bataan’s never before issued Latin Funk that spans the gamut from Salsa to Soul. Drug Story was inspired by true events and ranks highest among Bataan’s finest achievements as the poet laureate of El Barrio. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.\u003c\/p\u003e\n\u003cp\u003eA1 Joe Bataan - Drug Story A2 Joe Bataan - Latin Soul Square Dance A3 Joe Bataan - (Goodbye Adios) Roberto Clemente B1 Eddie Lebron - My Vows To You B2 Eddie Lebron - Sigue Tu Vida B3 The Edwards Generation - Someone Like You B4 The Edwards Generation - School Is In B5 One'Sy Mack - Never Listen To Your Heart B6 One'Sy Mack - A Part Of A Fool\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Drug Story\" src=\"https:\/\/www.youtube.com\/embed\/fCRCbrlwwfY\" height=\"367\" width=\"912\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Now-Again Records","offers":[{"title":"Default Title","offer_id":43187789791388,"sku":"NA5235LP","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/JOEBATAANDrugStoryLP.jpg?v=1710177507"},{"product_id":"x-ray-spex-germfree-adolescents","title":"X-Ray Spex - Germfree Adolescents","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SECLP301\u003cbr\u003eBarcode: 5036436159925  \u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Rock  Punk  \u003c\/p\u003e\n\u003cp\u003eThis Limited-Edition re-issue of Germfree Adolescents is pressed on black vinyl - Incl 12\" insert poster of album cover + sleeve notes by Stephanie Phillips.\u003c\/p\u003e\n\u003cp\u003eX-Ray Spex was a British punk rock band that emerged in the late 1970s, known for their distinctive sound, socially conscious lyrics, and the dynamic frontwoman Poly Styrene - The band was active during the first wave of punk rock and played a significant role in the punk movement.\u003cbr\u003eLead vocalist and songwriter Poly Styrene was known for her unique vocal style and often cited as an influential figure in the punk scene.\u003c\/p\u003e\n\u003cp\u003eOther band members on 'Germfree Adolescents are Jak Airport: Guitarist \/ Paul Dean: Bassist \/ Rudi Thompson: Sax \/ B P Hurding: Drummer.\u003c\/p\u003e\n\u003cp\u003eX-Ray Spex released their debut album, \"Germfree Adolescents,\" in 1978, featuring the title track, \"Germfree Adolescents.\" The album is considered a classic of the punk era.\u003c\/p\u003e\n\u003cp\u003ePoly Styrene's lyrics often addressed social and consumerist issues, and her unconventional fashion sense and energetic stage presence added to the band's overall identity.\u003c\/p\u003e\n\u003cp\u003eWhile X-Ray Spex had a relatively short-lived career, disbanding in 1979, they left a lasting impact on the punk scene, and their music continues to be celebrated for its originality and influence. Poly Styrene sadly passed away in 2011, but her contributions to punk rock remain influential.\u003c\/p\u003e\n\u003cp\u003eThis Limited-Edition re-issue of Germfree Adolescents is pressed on Black 180-gram vinyl. Incl. 12\" insert poster of album cover + sleeve notes by Stephanie Phillips.\u003c\/p\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. Art-I-Ficial\u003cbr\u003e2. Obsessed With You\u003cbr\u003e3. Warrior In Woolworths\u003cbr\u003e4. Let's Submerge\u003cbr\u003e5. I Can't Do Anything\u003cbr\u003e6. Identity\u003cbr\u003eSide 2\u003cbr\u003e1. Genetic Engineering\u003cbr\u003e2. I Live Off You\u003cbr\u003e3. I Am A Poseur\u003cbr\u003e4. Germ Free Adolescents\u003cbr\u003e5. Plastic Bag\u003cbr\u003e6. 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Release Me\u003cbr\u003ea2. All You Gotta Do\u003cbr\u003eb1. Overstayed\u003cbr\u003eb2. Zodiac\u003c\/p\u003e\n\u003cp\u003eSymmetry is proud to announce the arrival of Solid State Vol. 1 - a special vinyl release from Break. Due to popular demand, we’ve compiled four standout tracks, including some fan favourites that until now were only available digitally.\u003c\/p\u003e\n\u003cp\u003eThe EP brings together a serious collection: Release Me, which hit number 1 on Beatport; Overstayed, Symmetry’s highest selling tune on Bandcamp; alongside two more heavyweight cuts, All You Gotta Do and Zodiac.\u003c\/p\u003e\n\u003cp\u003ePressed and presented in physical form, Solid State Vol. 1 is both a collector’s piece and a must-have for DJs - and this time it’s something you can hold in your hands.\u003c\/p\u003e","brand":"Symmetry Recordings","offers":[{"title":"Default Title","offer_id":45607936098460,"sku":"SYMM070","price":15.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_9a02d5bb-113c-42cc-9ca4-36eee67d60c9.jpg?v=1763642324"},{"product_id":"split-dogs-nice-n-rough-gold-disc-vinyl-edition","title":"Split Dogs - Nice N' Rough (\"Gold disc\" vinyl edition)","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003cbr\u003eCatalogue No.: VENN089C2\u003cbr\u003eBarcode: 5056321698988\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Rock \/ Punk, Garage Rock, Rock n Roll\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ee Station House is a recording studio based in a repurposed Victorian police station in Leeds. Garage rock band Split Dogs quickly discovered it also boasts one of the country's finest VHS collections. Fueled with classics like 'Heavy Metal', 'Nightmare on Elm Street', and a Tina Turner live tape, the Bristol based four-piece went to work capturing their sophomore album, 'Nice N' Rough', with producer Jonah Falco (High Vis, Rifle, and drummer of Canadian punks Fucked Up) and engineer James Atkinson (formerly of seminal hardcore band Voorhees).\u003c\/p\u003e\n\u003cp\u003eThe result is thirteen thumping tracks featuring lightning-fast guitar licks, raspy hooks and cues from greats like Plasmatics, New York Dolls, Motörhead and The Stooges. Front-person Harry Martinez delivers a larger-than-life, undeniable rock 'n' roll performance, injecting the band's reputable live energy straight into the vocal booth.\u003c\/p\u003e\n\u003cp\u003eDespite the glam rock glimmer, the music possesses depth and soul that can easily be missed. Album opener 'Be Somebody' reminds the listener to shine in whatever they do, 'Speed Demon' highlights the importance of tuning out the noise that can plague mental health, while the Danzig-esque 'Suffer' tackles the lasting shadow of parental abuse. Overall the message is clear: go out there and live your life how you want to. 'Nice N' Rough' is playful yet pure, steeped in honesty and the soundtrack to all your future best days.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Be Somebody\u003cbr\u003e2. Born Too Loose\u003cbr\u003e3. Breaker\u003cbr\u003e4. Get The Look\u003cbr\u003e5. Speed Demon\u003cbr\u003e6. Leave It Alone\u003cbr\u003e7. Shake Sum Action\u003cbr\u003e8. Rock 'N' Roll Business\u003cbr\u003e9. Mamma Said\u003cbr\u003e10. Suffer\u003cbr\u003e11. I Wanna\u003cbr\u003e12. Dirty Denim\u003cbr\u003e13. 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Fueled with classics like 'Heavy Metal', 'Nightmare on Elm Street', and a Tina Turner live tape, the Bristol based four-piece went to work capturing their sophomore album, 'Nice N' Rough', with producer Jonah Falco (High Vis, Rifle, and drummer of Canadian punks Fucked Up) and engineer James Atkinson (formerly of seminal hardcore band Voorhees).\u003c\/p\u003e\n\u003cp\u003eThe result is thirteen thumping tracks featuring lightning-fast guitar licks, raspy hooks and cues from greats like Plasmatics, New York Dolls, Motörhead and The Stooges. Front-person Harry Martinez delivers a larger-than-life, undeniable rock 'n' roll performance, injecting the band's reputable live energy straight into the vocal booth.\u003c\/p\u003e\n\u003cp\u003eDespite the glam rock glimmer, the music possesses depth and soul that can easily be missed. 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On the B side, there is a hip hop version built from samples of the A side, featuring Rel McCoy, an MC from the United States.\u003c\/p\u003e","brand":"Gatzara Records","offers":[{"title":"Default Title","offer_id":46763642192028,"sku":"GTZR004","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_12_b1d11833-54e0-406b-a295-a98d7301c84d.jpg?v=1777372265"},{"product_id":"destin-conrad-whimsy-translucent-emerald-gold-a-side-b-side-vinyl","title":"Destin Conrad - wHIMSY! 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By prioritizing space and improvisation over rigid structures, Destin positions himself as a maestro of emotion, navigating the messy, beautiful stages of a relationship with a newfound sense of vulnerability.\u003c\/p\u003e\n\u003cp\u003eThe project’s brilliance lies in its seamless fusion of traditional jazz foundations with contemporary soul storytelling. This synergy is immediate on the opening track \"wHIP,\" where Keyon Harrold’s trumpet engages in a sultry call-and-response with Destin’s vocals, a dynamic that carries through to the Terrace Martin-assisted \"wASH U AWAY.\" Between these high-level collaborations, the album breathes through intentional moments of reflection, such as the spoken-word beauty of \"GLORY a poem by Bay Davis\" and the atmospheric \"AMBRÈ’S INTERLUDE BUT JAZZ,\" ensuring the listener remains fully immersed in the record’s cinematic, noir-tinged atmosphere.\u003c\/p\u003e\n\u003cp\u003eThe guest list on wHIMSY! further solidifies its status as a high-art collective effort, featuring contributions that push Destin into new creative pockets. From the vocal interplay with Vanisha Gould on \"BOREDOM\" and \"A Lonely Detective\" to the harmonic mastery of James Fauntleroy and Astyn Turr on \"The W,\" the album is populated by musical architects who understand the \"whimsical\" vision. Closing with the raw honesty of \"HARD!\" and the high-energy closure of \"LALALALA,\" DESTIN CONRAD proves he is more than an R\u0026amp;B singer—he is a world-builder who can romanticize the mundane until it feels like a classic film. \u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. wHIP (feat. Keyon Harrold)\u003cbr\u003eA2\/2. GLORY a poem by Bay Davis\u003cbr\u003eA3\/3. wASH U AWAY (feat. Terrace Martin)\u003cbr\u003eA4\/4. LOVE!\u003cbr\u003eA5\/5. BED STUY\u003cbr\u003eA6\/6. A Lonely Detective (feat. Vanisha Gould)\u003cbr\u003eA7\/7. BOREDOM (feat. Vanisha Gould)\u003cbr\u003eA8\/8. AMBRÈ'S INTERLUDE BUT JAZZ (feat. Ambré)\u003cbr\u003eA9\/9. Drifting (feat. Keyon Harrold)\u003cbr\u003eB1\/10. The W (feat. James Fauntleroy \u0026amp; Astyn Turr)\u003cbr\u003eB2\/11. HARD!\u003cbr\u003eB3\/12. (MORE)LOVE (feat. Jean Deaux)\u003cbr\u003eB4\/13. DIAMOND GOLD\u003cbr\u003eB5\/14. NOTHING IS REAL (feat. Terrace Martin)\u003cbr\u003eB6\/15. 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Recorded at Angelic Studios — where the band made their debut album — Stray Dogs reconnects the Southend five-piece with their DIY roots. The album was written in unison over a dedicated 5-month period, resulting in the band creating their most liberating and cohesive work to date. Featuring the euphoric new single ‘Evolution’, the 12 track album explores themes of communit\u003cimg\u003ey, belonging and shared experience.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Kcs-4EZSUW0?list=RDKcs-4EZSUW0\" title=\"Nothing But Thieves - Evolution (Official Audio)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RCA","offers":[{"title":"Default Title","offer_id":46963588956316,"sku":"19958453511","price":31.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/NBT-Vinyl-IndiesRose-Album.png?v=1787732718"},{"product_id":"nothing-but-thieves-stray-dogs-lp","title":"Nothing But Thieves - Stray Dogs [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 19958453491\u003cbr\u003eBarcode: 0199584534916\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eCelebrating over a decade as one of the UK’s most important rock bands, Nothing But Thieves return with their fifth studio album, Stray Dogs, released on 25th September via RCA Records. 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From Thelonius Monk to Igor Stravinsky, pianists Julian Joseph and Marcelo Bratke initiate a series of imaginative exchanges between the pre-established structures of classical music and the improvisation of jazz. The ‘imaginary line’ is the line that divides these two apparently antagonistic worlds, but which in this case becomes a line of communication, bringing the worlds of jazz and classical closer together and allowing us to see the music as a unit.\u003c\/p\u003e\n\u003cp\u003eIn duet if one can achieve expression on any true level through creative synergy then the collaboration can exist. The Imaginary Line speaks to remind us of the oneness of music and seeks to remove the boundaries created over time either as a need to hold on to tradition or as a reflection of an inability to change or adapt. Marcelo has very bravely taken on the challenge of Jazz with its many unique requirements and has put his trust in me to direct his vast training and considerable musical talent to create the feeling of Jazz. I also have put my faith in him for the Classical side of this project which was born out of a mutual admiration between the two of us and early discussions about doing a Gershwin recording.\u003c\/p\u003e\n\u003cp\u003eIt was an obvious choice - the music of Gershwin - because I had performed all the various piano and orchestra works and it is often the most chosen path for collaboration between Jazz and Classical disciplines. But the philosophies engendered by true exposure to both musics left the prospect of a much bigger statement and the question: can we communicate within each other’s respective disciplines?\u003c\/p\u003e\n\u003cp\u003eMarcelo already had the idea and most of the repertoire before approaching me about fleshing it out and to consult on the appropriate material, so we discussed and changed various pieces and set about pulling the concept into the realms of reality. The result is a realisation of the principles of ‘The Imaginary Line’ finding parallels between composers from each idiom and unifying them in a statement about 20th Century music and its commonality by revealing the expansive quality of our musical choices and how that limitless influence spreads beyond neat categorisation. \u003cbr\u003eGershwin’s ‘Preludes’ draw their influence quite blatantly from jazz and we parallel that with the hypnotic elegy of Duke Ellington’s ‘Single petal of a rose’ the comparison of these two giants and contemporaries is overwhelmingly obvious.Milhaud’s ‘Scaramouche’ is strong in its Latin\/Brazilian flair with great balance between piano’s which is reflected in the approach to Chick Corea’s ‘Armondo’s rhumba’.Poulenc’s ‘Sonata for two pianos’ with its strong identifiable impressionist feeling coupled with an intoxicating groove mirrors the captivating Bill Evans classic ‘Waltz for Debby’.Stravinsky’s ‘Pieces for two pianos’ display rhythmic and harmonic complexity within simplicity and an excitable energy and danger, qualities that are hallmarks of Thelonious Monk’s ‘Off minor’. \u003c\/p\u003e\n\u003cp\u003eIn seeking to remove the divide and challenge the pre-eminence of categorisation we have come closer to accepting that music-making in both disciplines come from the same spiritual source. Our aim is to bring to life music beyond the realm of confined expectation that exists as its own entity free from divisions and open to connection through dialogue.                                                                                  \u003c\/p\u003e\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\u003cp\u003eGeorge Gershwin – Three Preludes for Two Pianos\u003cbr\u003e1. Prelude 1\u003cbr\u003e2. Prelude 2\u003cbr\u003e3. Prelude 3\u003cbr\u003eDarius Milhaud – Scaramouche for Two Pianos\u003cbr\u003e4. Vif\u003cbr\u003e5. Modere\u003cbr\u003e6. Braziliare\u003cbr\u003eFrances Poulenc – Sonata for Two Pianos\u003cbr\u003e7. Prelude\u003cbr\u003e8. Rustique\u003cbr\u003e9. Finale\u003cbr\u003eIgor Stavinsky – 5 Pieces for Two Pianos \u003cbr\u003e10. Andante\u003cbr\u003e11. Espanola\u003cbr\u003e12. Balalaika\u003cbr\u003e13. Napolitana\u003cbr\u003e14. Galop\u003cbr\u003eThelonius Monk\u003cbr\u003e15. Off Minor\u003cbr\u003eBill Evans\u003cbr\u003e16. Waltz for Debby\u003cbr\u003eChick Corea\u003cbr\u003e17. Armando’s Rhumba\u003cbr\u003eDuke Ellington\u003cbr\u003e18. Single Petal of a Rose\u003c\/p\u003e","brand":"Rivetation Records","offers":[{"title":"Default Title","offer_id":47037216293020,"sku":"RIV–006CD","price":13.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/RIV006CD.jpg?v=1780942362"},{"product_id":"julia-jacklin-the-gem-cassette","title":"Julia Jacklin - The Gem [Cassette]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: 4AD0942MC\u003cbr\u003eBarcode: 0191400094246\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe fourth studio album from Julia Jacklin, The Gem, will be released on 25 September and marks the Australian musician’s debut release on 4AD.\u003c\/p\u003e\n\u003cp\u003eThe Gem was produced by Jacklin and Robert Muinos and recorded entirely in Melbourne. First single \"Get Away From Me (I Think I’ll Love You Soon)’\"is a bold and fun nod to eighties jangle rock and to the Melbourne sound she fell in love with.\u003c\/p\u003e\n\u003cp\u003eABOUT THE GEM:\u003cbr\u003e“I want to love and be loved, but I also want to be free. The tension between those two things has been the central question of my life,” says Jacklin. It’s also the theme that underpins The Gem.\u003c\/p\u003e\n\u003cp\u003eWhen Jacklin first moved to Melbourne from Sydney in 2017, she discovered a little bar on a back street in Collingwood, where bands pushed dining tables to the side and set up in a corner on the floor. She didn’t know anyone in town but knew she wanted to make the city her home, so she started hanging out there, forcing herself out of her comfort zone. The pub was named The Gem.\u003c\/p\u003e\n\u003cp\u003eFast forward eight years and Jacklin, with three celebrated solo records under her belt – Don’t Let The Kids Win (2016), Crushing (2019), and PRE PLEASURE (2022) – was looking to make a fourth. With time on her hands – she was out of contract with her record label, was searching for a manager – she decided to make the record at home in Melbourne, something she’d never done before.\u003c\/p\u003e\n\u003cp\u003eShe called up an old drinking buddy Robert Muinos, owner of Rat Shack studios, which is located above The Gem, and brought in friends Jacob Diamond (guitar), Mimi Gilbert (bass), and Jess Elwood (drums). Recording happened in close quarters, in converted hotel room accommodation upstairs at the pub. As it was a residential bar, they couldn’t record late into the night for fear of bothering the neighbour and sound bleed was a glorious constraint: foot traffic to the hairdresser and the tattoo parlour next door, loud music from the bands and the kitchen crew downstairs. If anyone needed a break from the sessions, they would venture downstairs and watch a band playing. Jacklin and the band even played two unannounced shows there to try out the songs before recording them.\u003c\/p\u003e\n\u003cp\u003eThey thought they’d smash out the record in two weeks, like she’d always done, but that wasn’t the case. In fact, it took nearly a year of tinkering to arrive at something Jacklin could get behind. “The Gem felt like a metaphor for the whole process, because a lot of it did feel like digging. I felt like I was doing it almost in the dark, just trusting I was going to find something.” It conjures images of excavation, of reinvention, of trusting your instincts and surrounding yourself with the people and things that make life worthwhile. It’s a soaring document of the songwriter’s journey back to herself.\u003c\/p\u003e\n\u003cp\u003eThe band got matching tattoos on the last day of The Gem sessions: a neat little circle to represent an opal – Jacklin’s favourite gemstone. Fittingly, one of the bartenders at The Gem did it. “It did really feel like we’d done something special together. And I think as a group, it felt important to commemorate it. I’m glad we all have these little gems on us.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Brand New\u003cbr\u003e2. God Sometimes\u003cbr\u003e3. If I Had The Hand Of God\u003cbr\u003e4. The Hardest Thing\u003cbr\u003e5. Angel Vision\u003cbr\u003e6. Real Life\u003cbr\u003e7. Get Away From Me (I Think I'll Love You Soon)\u003cbr\u003e8. You Turned On The Tap\u003cbr\u003e9. Walk On Me\u003cbr\u003e10. I Wish\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":47069834870940,"sku":"4AD0942MC","price":11.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Julia_Jacklin_-_The_Gem_825b3a06-4ef6-4d0d-957d-b9be5854773b.jpg?v=1781530316"},{"product_id":"julia-jacklin-the-gem-cd","title":"Julia Jacklin - The Gem [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: 4AD0942CD\u003cbr\u003eBarcode: 0191400094222\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe fourth studio album from Julia Jacklin, The Gem, will be released on 25 September and marks the Australian musician’s debut release on 4AD.\u003c\/p\u003e\n\u003cp\u003eThe Gem was produced by Jacklin and Robert Muinos and recorded entirely in Melbourne. First single \"Get Away From Me (I Think I’ll Love You Soon)’\"is a bold and fun nod to eighties jangle rock and to the Melbourne sound she fell in love with.\u003c\/p\u003e\n\u003cp\u003eABOUT THE GEM:\u003cbr\u003e“I want to love and be loved, but I also want to be free. The tension between those two things has been the central question of my life,” says Jacklin. It’s also the theme that underpins The Gem.\u003c\/p\u003e\n\u003cp\u003eWhen Jacklin first moved to Melbourne from Sydney in 2017, she discovered a little bar on a back street in Collingwood, where bands pushed dining tables to the side and set up in a corner on the floor. She didn’t know anyone in town but knew she wanted to make the city her home, so she started hanging out there, forcing herself out of her comfort zone. The pub was named The Gem.\u003c\/p\u003e\n\u003cp\u003eFast forward eight years and Jacklin, with three celebrated solo records under her belt – Don’t Let The Kids Win (2016), Crushing (2019), and PRE PLEASURE (2022) – was looking to make a fourth. With time on her hands – she was out of contract with her record label, was searching for a manager – she decided to make the record at home in Melbourne, something she’d never done before.\u003c\/p\u003e\n\u003cp\u003eShe called up an old drinking buddy Robert Muinos, owner of Rat Shack studios, which is located above The Gem, and brought in friends Jacob Diamond (guitar), Mimi Gilbert (bass), and Jess Elwood (drums). Recording happened in close quarters, in converted hotel room accommodation upstairs at the pub. As it was a residential bar, they couldn’t record late into the night for fear of bothering the neighbour and sound bleed was a glorious constraint: foot traffic to the hairdresser and the tattoo parlour next door, loud music from the bands and the kitchen crew downstairs. If anyone needed a break from the sessions, they would venture downstairs and watch a band playing. Jacklin and the band even played two unannounced shows there to try out the songs before recording them.\u003c\/p\u003e\n\u003cp\u003eThey thought they’d smash out the record in two weeks, like she’d always done, but that wasn’t the case. In fact, it took nearly a year of tinkering to arrive at something Jacklin could get behind. “The Gem felt like a metaphor for the whole process, because a lot of it did feel like digging. I felt like I was doing it almost in the dark, just trusting I was going to find something.” It conjures images of excavation, of reinvention, of trusting your instincts and surrounding yourself with the people and things that make life worthwhile. It’s a soaring document of the songwriter’s journey back to herself.\u003c\/p\u003e\n\u003cp\u003eThe band got matching tattoos on the last day of The Gem sessions: a neat little circle to represent an opal – Jacklin’s favourite gemstone. Fittingly, one of the bartenders at The Gem did it. “It did really feel like we’d done something special together. And I think as a group, it felt important to commemorate it. I’m glad we all have these little gems on us.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Brand New\u003cbr\u003e2. God Sometimes\u003cbr\u003e3. If I Had The Hand Of God\u003cbr\u003e4. The Hardest Thing\u003cbr\u003e5. Angel Vision\u003cbr\u003e6. Real Life\u003cbr\u003e7. Get Away From Me (I Think I'll Love You Soon)\u003cbr\u003e8. You Turned On The Tap\u003cbr\u003e9. Walk On Me\u003cbr\u003e10. I Wish\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":47069834903708,"sku":"4AD0942CD","price":11.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_128198f9-ca28-46e5-89cc-e4883b3d006b.png?v=1781530584"},{"product_id":"julia-jacklin-the-gem-lp","title":"Julia Jacklin - The Gem [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 4AD0942LP\u003cbr\u003eBarcode: 0191400094215\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe fourth studio album from Julia Jacklin, The Gem, will be released on 25 September and marks the Australian musician’s debut release on 4AD.\u003c\/p\u003e\n\u003cp\u003eThe Gem was produced by Jacklin and Robert Muinos and recorded entirely in Melbourne. First single \"Get Away From Me (I Think I’ll Love You Soon)’\"is a bold and fun nod to eighties jangle rock and to the Melbourne sound she fell in love with.\u003c\/p\u003e\n\u003cp\u003eABOUT THE GEM:\u003cbr\u003e“I want to love and be loved, but I also want to be free. The tension between those two things has been the central question of my life,” says Jacklin. It’s also the theme that underpins The Gem.\u003c\/p\u003e\n\u003cp\u003eWhen Jacklin first moved to Melbourne from Sydney in 2017, she discovered a little bar on a back street in Collingwood, where bands pushed dining tables to the side and set up in a corner on the floor. She didn’t know anyone in town but knew she wanted to make the city her home, so she started hanging out there, forcing herself out of her comfort zone. The pub was named The Gem.\u003c\/p\u003e\n\u003cp\u003eFast forward eight years and Jacklin, with three celebrated solo records under her belt – Don’t Let The Kids Win (2016), Crushing (2019), and PRE PLEASURE (2022) – was looking to make a fourth. With time on her hands – she was out of contract with her record label, was searching for a manager – she decided to make the record at home in Melbourne, something she’d never done before.\u003c\/p\u003e\n\u003cp\u003eShe called up an old drinking buddy Robert Muinos, owner of Rat Shack studios, which is located above The Gem, and brought in friends Jacob Diamond (guitar), Mimi Gilbert (bass), and Jess Elwood (drums). Recording happened in close quarters, in converted hotel room accommodation upstairs at the pub. As it was a residential bar, they couldn’t record late into the night for fear of bothering the neighbour and sound bleed was a glorious constraint: foot traffic to the hairdresser and the tattoo parlour next door, loud music from the bands and the kitchen crew downstairs. If anyone needed a break from the sessions, they would venture downstairs and watch a band playing. Jacklin and the band even played two unannounced shows there to try out the songs before recording them.\u003c\/p\u003e\n\u003cp\u003eThey thought they’d smash out the record in two weeks, like she’d always done, but that wasn’t the case. In fact, it took nearly a year of tinkering to arrive at something Jacklin could get behind. “The Gem felt like a metaphor for the whole process, because a lot of it did feel like digging. I felt like I was doing it almost in the dark, just trusting I was going to find something.” It conjures images of excavation, of reinvention, of trusting your instincts and surrounding yourself with the people and things that make life worthwhile. It’s a soaring document of the songwriter’s journey back to herself.\u003c\/p\u003e\n\u003cp\u003eThe band got matching tattoos on the last day of The Gem sessions: a neat little circle to represent an opal – Jacklin’s favourite gemstone. Fittingly, one of the bartenders at The Gem did it. “It did really feel like we’d done something special together. And I think as a group, it felt important to commemorate it. I’m glad we all have these little gems on us.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Brand New\u003cbr\u003e2. God Sometimes\u003cbr\u003e3. If I Had The Hand Of God\u003cbr\u003e4. The Hardest Thing\u003cbr\u003e5. Angel Vision\u003cbr\u003e6. Real Life\u003cbr\u003e7. Get Away From Me (I Think I'll Love You Soon)\u003cbr\u003e8. You Turned On The Tap\u003cbr\u003e9. Walk On Me\u003cbr\u003e10. I Wish\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":47069834969244,"sku":"4AD0942LP","price":28.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/bl_42d07953-b8a1-4fe8-9742-7e91a7d3773c.png?v=1781530581"},{"product_id":"julia-jacklin-the-gem-turquoise-vinyl","title":"Julia Jacklin - The Gem [Turquoise Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 4AD0942LPE\u003cbr\u003eBarcode: 0191400094208\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eThe fourth studio album from Julia Jacklin, The Gem, will be released on 25 September and marks the Australian musician’s debut release on 4AD.\u003c\/p\u003e\n\u003cp\u003eThe Gem was produced by Jacklin and Robert Muinos and recorded entirely in Melbourne. First single \"Get Away From Me (I Think I’ll Love You Soon)’\"is a bold and fun nod to eighties jangle rock and to the Melbourne sound she fell in love with.\u003c\/p\u003e\n\u003cp\u003eABOUT THE GEM:\u003cbr\u003e“I want to love and be loved, but I also want to be free. The tension between those two things has been the central question of my life,” says Jacklin. It’s also the theme that underpins The Gem.\u003c\/p\u003e\n\u003cp\u003eWhen Jacklin first moved to Melbourne from Sydney in 2017, she discovered a little bar on a back street in Collingwood, where bands pushed dining tables to the side and set up in a corner on the floor. She didn’t know anyone in town but knew she wanted to make the city her home, so she started hanging out there, forcing herself out of her comfort zone. The pub was named The Gem.\u003c\/p\u003e\n\u003cp\u003eFast forward eight years and Jacklin, with three celebrated solo records under her belt – Don’t Let The Kids Win (2016), Crushing (2019), and PRE PLEASURE (2022) – was looking to make a fourth. With time on her hands – she was out of contract with her record label, was searching for a manager – she decided to make the record at home in Melbourne, something she’d never done before.\u003c\/p\u003e\n\u003cp\u003eShe called up an old drinking buddy Robert Muinos, owner of Rat Shack studios, which is located above The Gem, and brought in friends Jacob Diamond (guitar), Mimi Gilbert (bass), and Jess Elwood (drums). Recording happened in close quarters, in converted hotel room accommodation upstairs at the pub. As it was a residential bar, they couldn’t record late into the night for fear of bothering the neighbour and sound bleed was a glorious constraint: foot traffic to the hairdresser and the tattoo parlour next door, loud music from the bands and the kitchen crew downstairs. If anyone needed a break from the sessions, they would venture downstairs and watch a band playing. Jacklin and the band even played two unannounced shows there to try out the songs before recording them.\u003c\/p\u003e\n\u003cp\u003eThey thought they’d smash out the record in two weeks, like she’d always done, but that wasn’t the case. In fact, it took nearly a year of tinkering to arrive at something Jacklin could get behind. “The Gem felt like a metaphor for the whole process, because a lot of it did feel like digging. I felt like I was doing it almost in the dark, just trusting I was going to find something.” It conjures images of excavation, of reinvention, of trusting your instincts and surrounding yourself with the people and things that make life worthwhile. It’s a soaring document of the songwriter’s journey back to herself.\u003c\/p\u003e\n\u003cp\u003eThe band got matching tattoos on the last day of The Gem sessions: a neat little circle to represent an opal – Jacklin’s favourite gemstone. Fittingly, one of the bartenders at The Gem did it. “It did really feel like we’d done something special together. And I think as a group, it felt important to commemorate it. I’m glad we all have these little gems on us.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Brand New\u003cbr\u003e2. God Sometimes\u003cbr\u003e3. If I Had The Hand Of God\u003cbr\u003e4. The Hardest Thing\u003cbr\u003e5. Angel Vision\u003cbr\u003e6. Real Life\u003cbr\u003e7. Get Away From Me (I Think I'll Love You Soon)\u003cbr\u003e8. You Turned On The Tap\u003cbr\u003e9. Walk On Me\u003cbr\u003e10. I Wish\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":47069835002012,"sku":"4AD0942LPE","price":28.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/blue_e9bd71e6-4e05-450d-8013-07f761119c33.png?v=1781530578"},{"product_id":"the-prodigy-no-tourists-2lp","title":"The Prodigy - No Tourists [2LP] (ONE PER PERSON)","description":"\u003cp\u003e\u003cspan style=\"color: #e12323;\"\u003e\u003cstrong\u003eONE PER PERSON - 3 LEFT\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: 538426291\u003cbr\u003eBarcode: 4050538426298\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: \u003c\/span\u003eBreakbeat\u003c\/p\u003e\n\u003cp\u003eBlack LIMITED EDITION\u003c\/p\u003e\n\u003cp\u003e2LP black 180g vinyl re-issue.\u003cbr\u003eNo Tourists: written, produced and mixed by Liam Howlett in his studio in London’s Kings Cross, though this is – Liam notes – “very much a band album”. Maxim and Keef Flint are very much present and correct, each supplying their legendary vocal skills on this, the Essex machine’s seventh studio record. Yes, there are one or two collaborators, but fundamentally this is the sound of the central Prodigy three, bringing their riotous sound to audiences old and new, almost three decades since they changed the face and sound of electronic music with epochal album ‘The Fat Of The Land’.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. Need Some1\u003cbr\u003e2. Light Up The Sky\u003cbr\u003e3. We Live Forever\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1. No Tourists\u003cbr\u003e2. Fight Fire With Fire (feat. Ho99o9)\u003c\/p\u003e\n\u003cp\u003eSide C\u003cbr\u003e1. Timebomb Zone\u003cbr\u003e2. Champions Of London\u003c\/p\u003e\n\u003cp\u003eSide D \u003cbr\u003e1. Boom Boom Tap\u003cbr\u003e2. Resonate\u003cbr\u003e3. 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Across its songs, Benny reflects on fatherhood, family life, and the everyday moments of adulthood.\u003c\/p\u003e\n\u003cp\u003eLong celebrated as one of the most distinctive voices in modern pop, Benny Sings continues to showcase the warmth, craftsmanship, and effortless charm that define his work.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. You Love Me\u003cbr\u003e2. Do No Harm (ft. Baby Rose)\u003cbr\u003e3. Homerun\u003cbr\u003e4. 22 Durnham Dew\u003cbr\u003e5. Pull Yourself Together\u003cbr\u003eSide B\u003cbr\u003e1. Syllable Salad\u003cbr\u003e2. Be Myself (ft. Tune-Yards \u0026amp; Ana Tijoux)\u003cbr\u003e3. Parachute\u003cbr\u003e4. Castle\u003cbr\u003e5. Real Person (ft. 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Festivals, clubs, bars and living rooms have been craving for more warmth and soul in electronic music and you know we’re here for it.\u003cbr\u003eIt’s only been a few months since we celebrated the 100th release on Heist with our ‘House of House’ compilation; a 19-track embodiment of everything we love about house music where label heads Dam Swindle teamed up with Detroit legend DJ Minx on their track ‘Back to the old school’. \u003c\/p\u003e\n\u003cp\u003eNow, landing just in time for summer, the Amsterdam duo deliver a new EP filled with dancefloor energy across 5 original cuts and vocals courtesy of BritishBengali rapper Surya Sen.\u003c\/p\u003e\n\u003cp\u003eThe title track ‘Call me’ is a stabby and string-heavy peak time jam, where chopped female vocals and offbeat cowbells deliver a simply irresistible groove. ‘5 to 9’ features the vocals of London rapper Surya Sen whose deep voice add an instant vibe to Dam Swindle’s deep and Detroit’esque production. This track sits somewhere between gritty dark rooms and sweaty dancefloors.\u003c\/p\u003e\n\u003cp\u003eDefinitely not the stuff for your 9 to 5, but with plenty of funk for your after-work pleasures. The track comes in 2 versions; the vocal mix and a longer club-dub with some cleverly chopped vocals that comes in handy for the DJ sets.\u003c\/p\u003e\n\u003cp\u003eThe B1 is saved for ‘I like it’. A track full of old school Swindle swing, Rhodes chords, a dash of electronics and soulful vocals chops for good measure. The EP closer is ‘A house track’; a song dedicated to the old school New York house sound and an affirmation that great house music doesn’t have to be complicated. It\u003cbr\u003ejust needs to groove.\u003c\/p\u003e\n\u003cp\u003eThis one has been road-tested all year and is now ready for your listening and playing pleasure. As always, share the music and play it loud!\u003cbr\u003eYours, Heist HQ.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1 Call me\u003cbr\u003eA2 5 to 9 feat. Surya Sen\u003cbr\u003eB1 I like it\u003cbr\u003eB2 A house track\u003cbr\u003eB3 5 to 9 feat. 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This record features collaborations with Alexis Taylor (Hot Chip) Angus Andrew (Liars) and Nicholas Allbrook (Pond) \u003c\/p\u003e\n\u003cp\u003ePolyrhythmic and pleasure-focused, 'Deleter' sees Brian Borcherdt, Graham Walsh, Matt Schulz, and Matt “Punchy” McQuaid utilises their signature sound  - seamlessly fusing the gauzy drive of krautrock and deep house’s dreamy ineffability, expertly blending purring motorik percussion with the sort of fuggy synthetic fizz and tang they are renowned for.\u003c\/p\u003e\n\u003cp\u003eFrom the thrusting minimalism of opener ‘Luxe’ through to the triumphant chug of closing track ‘Ruby’, via club-ready rollocker ‘Free Gloss’ and the cosmic clatter of ‘San Sebastian’, Deleter is a record that joins the Holy Fuck dots within their widescreen, technicolour, crescendo- heavy sound. The first single was A listed on Radio 6. \u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1) Luxe (ft Alexis Taylor) 2) Deleters (ft Angus Andrew) 3) Endless 4) Free Gloss (ft Nicholas Allbrook) 5) Moment 6) Near Mint 7) No Error 8) San Sebastian 9) Ruby  \u003c\/p\u003e","brand":"Holy F","offers":[{"title":"Default Title","offer_id":47127018274972,"sku":"HF001LPC","price":20.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HF001LPC_29946728-2e67-4120-91a2-93ec59a5f637.jpg?v=1782766711"},{"product_id":"bullion-nearly-cd","title":"Bullion - Nearly [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: GI478CD\u003cbr\u003eBarcode: 0804297847825\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Electronic \/ Pop\u003c\/p\u003e\n\u003cp\u003eJenkins is a frequent producer and collaborator of Carly Rae Jepsen, including 2022’s The Loneliest Time, was the executive producer of Avalon Emerson \u0026amp; The Charm’s 2023 and 2026 LPs and has also done production work for The xx’s Oliver Sim, Westerman, Nilüfer Yanya, Joviale, Ben Howard, and Orlando Weeks.\u003cbr\u003eBullion’s last LP in 2024 saw praise from Pitchfork (8.0): “The UK singer-songwriter and producer’s vision of pop is spare yet sumptuous. His new album features Panda Bear and Carly Rae Jepsen, but the real draw is the mellow, déjà vu quality of the music.”\u003c\/p\u003e\n\u003cp\u003eNearly finds Bullion embracing the beauty of imperfection. After years spent helping define the sound of contemporary avant-pop as a cult producer (Avalon\u003cbr\u003eEmerson, Carly Rae Jepsen, Westerman, Ben Howard, and Oliver Sim of the XX),\u003cbr\u003eNathan Jenkins emerges from behind the board to deliver his most distilled album yet - a collection of starry-eyed, timeless electronic pop songs about change, desire, responsibility, and creativity as an irresistible force. It's a celebration of songwriting and craftsmanship from an artist whose distinct vision of pop has always found complexity in restraint.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e01. Very Few Inspirations\u003cbr\u003e02. Roo\u003cbr\u003e03. Francis Ford (ft. L Devine)\u003cbr\u003e04. Ok Parsley\u003cbr\u003e05. Young Shiver\u003cbr\u003e06. 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His new album features Panda Bear and Carly Rae Jepsen, but the real draw is the mellow, déjà vu quality of the music.”\u003c\/p\u003e\n\u003cp\u003eNearly finds Bullion embracing the beauty of imperfection. After years spent helping define the sound of contemporary avant-pop as a cult producer (Avalon\u003cbr\u003eEmerson, Carly Rae Jepsen, Westerman, Ben Howard, and Oliver Sim of the XX),\u003cbr\u003eNathan Jenkins emerges from behind the board to deliver his most distilled album yet - a collection of starry-eyed, timeless electronic pop songs about change, desire, responsibility, and creativity as an irresistible force. It's a celebration of songwriting and craftsmanship from an artist whose distinct vision of pop has always found complexity in restraint.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e01. Very Few Inspirations\u003cbr\u003e02. Roo\u003cbr\u003e03. Francis Ford (ft. L Devine)\u003cbr\u003e04. Ok Parsley\u003cbr\u003e05. Young Shiver\u003cbr\u003e06. Forget Performer\u003cbr\u003e07. The Arm of Cinderella (ft. L Devine)\u003cbr\u003e08. Applegene\u003cbr\u003e09. I’m Not Hooligan\u003cbr\u003e10. 101 Damnations\u003c\/p\u003e","brand":"Ghostly International","offers":[{"title":"Default Title","offer_id":47135167021212,"sku":"GI478LP-C1","price":33.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/GI478lp-c1_Packshot_3309.jpg?v=1782830083"},{"product_id":"rowena-wise-bad-things-feel-good-lp","title":"Rowena Wise - Bad Things Feel Good [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BLR6LP\u003cbr\u003eBarcode: 5053760154280\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eRowena Wise is a Naarm\/Melbourne-based singer-songwriter whose work balances beauty and mess with rare emotional precision. Hailed as a “lyrical assassin” by the Australian triple j community, Wise writes songs that feel like intimate conversations — ruminations on love, alienation, longing, and selfhood delivered with quiet courage and disarming honesty. Drawing from the storytelling lineage of ’60s folk while grounded in indie rock, garage pop, and alt-folk, she finds truth in fiction and humanity in contradiction.\u003cbr\u003e \u003cbr\u003eRaised in the surf town of Margaret River, Western Australia, Wise was immersed in music from the outset. Her father, a luthier, built her guitars by hand, and her mother — a Chicago-born folk musician — instilled a deep reverence for songcraft and storytelling. After touring as part of a family band in her youth, she moved to Melbourne at 18 to forge her own artistic path.\u003cbr\u003e \u003cbr\u003eSince emerging in 2018 with her debut single “Diary,” Wise has amassed over 9.2 million streams and earned airplay across triple j, Double J, and Unearthed. Subsequent releases, including “Fked Up Over You” and “To Pretend,” cemented her as one of Australia’s most compelling new voices in indie music, while her collaboration “No Cure for Love” with Didirri further showcased her gift for raw, intimate songwriting.\u003cbr\u003e \u003cbr\u003eIn May 2024, she released her debut album, Senseless Acts of Beauty, described by CLASH Magazine as “carefully etched indie folk.” The coming-of-age record, exploring loss, alienation, and the slow rebuilding of self, was shortlisted for the 2024 Australian Music Prize, with producer Rob Muinos (Julia Jacklin, Didirri) later nominated for the 2025 AIR Independent Producer of the Year for his work on the project.\u003cbr\u003e \u003cbr\u003eSince its release, Wise has toured extensively across Australia, the UK, Europe, the USA, and Canada, bringing her candid power and vulnerability to international audiences. As a live performer, Wise commands the stage with understated intensity. Soaring melodies intertwine with purposeful guitar work, her poetic lyricism anchoring each performance. She has supported artists including The Paper Kites, Medium Build, Didirri, Ball Park Music, Holy Holy, Bernard Fanning, and Paul Dempsey, and has appeared at festivals such as The Great Escape, SXSW, Queenscliff Music Festival, and Party in the Paddock.\u003cbr\u003e \u003cbr\u003eAmid a relentless touring schedule, Wise wrote and recorded her highly anticipated sophomore album, Bad Things Feel Good — a tender, point-blank meditation on transformation and what it means to be flesh and blood. Where Senseless Acts of Beauty explored heartbreak and rebuilding, this new record inhabits the uncomfortable in-between: the knowing and unknowing, harm and pleasure, tenderness and damage coexisting in the same breath.\u003cbr\u003e \u003cbr\u003eProduced again by Rob Muinos (Julia Jacklin, Didirri) and recorded live over three days at Ratshack Studios in Collingwood with Richard Bradbeer (bass) and Jess Ellwood (drums), Bad Things Feel Good favours restraint and intimacy. The live-band production allows Wise’s vocal performances to soar and crumble in real time, holding space rather than demanding attention. The result is powerful, tender storytelling that feels less like spectacle and more like permission — an invitation into something deeply personal.\u003cbr\u003e \u003cbr\u003eWritten through years marked by mental health struggles, heartbreak, and shifts in core identity, Bad Things Feel Good is not a confession but an honest reckoning with growth’s uneasy terrain. Exploring romantic, familial, and communal intimacy, inherited patterns, moral vertigo, and the seduction of self-betrayal, the album resists neat redemption arcs in favour of embracing contradiction. It acknowledges imperfect parents, fraught lovers, and shedding selves, questioning whether growth must always arrive through suffering and whether love can exist without possession or sacrifice.\u003cbr\u003e \u003cbr\u003eHere, unlearning is as powerful as knowing, vulnerability becomes strength, and pain finds its place within a larger picture. Wise stands at the threshold between who she was and who she might become, inviting listeners to sit in that uneasy space where desire, love, and truth collide — and to make peace with the mess rather than smoothing it into something tidy.\u003cbr\u003e \u003cbr\u003eWith a devoted and growing fanbase, critical acclaim, and an unwavering commitment to emotional truth, Rowena Wise continues to carve out a space uniquely her own — where storytelling is both mirror and map, and where being human, in all its contradiction, is enough.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Home In This World\u003cbr\u003e2. More Horizon\u003cbr\u003e3. Blood Ties\u003cbr\u003e4. No Angel\u003cbr\u003e5. Sum Of Two\u003cbr\u003e6. Diamond In The Rough\u003cbr\u003e7. The Anchor\u003cbr\u003e8. Unlearning Of Love\u003cbr\u003e9. Bad Things Feel Good\u003cbr\u003e10. Days Ahead\u003c\/p\u003e","brand":"Beloved Records","offers":[{"title":"Default Title","offer_id":47142152143004,"sku":"BLR6LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/bl_cb43f93a-1ff7-46ca-8bbb-489f6aebf115.webp?v=1782916800"},{"product_id":"rowena-wise-bad-things-feel-good-blue-coloured-vinyl","title":"Rowena Wise - Bad Things Feel Good [blue coloured vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BLR6LP1\u003cbr\u003eBarcode: 5053760154297\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eRowena Wise is a Naarm\/Melbourne-based singer-songwriter whose work balances beauty and mess with rare emotional precision. Hailed as a “lyrical assassin” by the Australian triple j community, Wise writes songs that feel like intimate conversations — ruminations on love, alienation, longing, and selfhood delivered with quiet courage and disarming honesty. Drawing from the storytelling lineage of ’60s folk while grounded in indie rock, garage pop, and alt-folk, she finds truth in fiction and humanity in contradiction.\u003cbr\u003e \u003cbr\u003eRaised in the surf town of Margaret River, Western Australia, Wise was immersed in music from the outset. Her father, a luthier, built her guitars by hand, and her mother — a Chicago-born folk musician — instilled a deep reverence for songcraft and storytelling. After touring as part of a family band in her youth, she moved to Melbourne at 18 to forge her own artistic path.\u003cbr\u003e \u003cbr\u003eSince emerging in 2018 with her debut single “Diary,” Wise has amassed over 9.2 million streams and earned airplay across triple j, Double J, and Unearthed. Subsequent releases, including “Fked Up Over You” and “To Pretend,” cemented her as one of Australia’s most compelling new voices in indie music, while her collaboration “No Cure for Love” with Didirri further showcased her gift for raw, intimate songwriting.\u003cbr\u003e \u003cbr\u003eIn May 2024, she released her debut album, Senseless Acts of Beauty, described by CLASH Magazine as “carefully etched indie folk.” The coming-of-age record, exploring loss, alienation, and the slow rebuilding of self, was shortlisted for the 2024 Australian Music Prize, with producer Rob Muinos (Julia Jacklin, Didirri) later nominated for the 2025 AIR Independent Producer of the Year for his work on the project.\u003cbr\u003e \u003cbr\u003eSince its release, Wise has toured extensively across Australia, the UK, Europe, the USA, and Canada, bringing her candid power and vulnerability to international audiences. As a live performer, Wise commands the stage with understated intensity. Soaring melodies intertwine with purposeful guitar work, her poetic lyricism anchoring each performance. She has supported artists including The Paper Kites, Medium Build, Didirri, Ball Park Music, Holy Holy, Bernard Fanning, and Paul Dempsey, and has appeared at festivals such as The Great Escape, SXSW, Queenscliff Music Festival, and Party in the Paddock.\u003cbr\u003e \u003cbr\u003eAmid a relentless touring schedule, Wise wrote and recorded her highly anticipated sophomore album, Bad Things Feel Good — a tender, point-blank meditation on transformation and what it means to be flesh and blood. Where Senseless Acts of Beauty explored heartbreak and rebuilding, this new record inhabits the uncomfortable in-between: the knowing and unknowing, harm and pleasure, tenderness and damage coexisting in the same breath.\u003cbr\u003e \u003cbr\u003eProduced again by Rob Muinos (Julia Jacklin, Didirri) and recorded live over three days at Ratshack Studios in Collingwood with Richard Bradbeer (bass) and Jess Ellwood (drums), Bad Things Feel Good favours restraint and intimacy. The live-band production allows Wise’s vocal performances to soar and crumble in real time, holding space rather than demanding attention. The result is powerful, tender storytelling that feels less like spectacle and more like permission — an invitation into something deeply personal.\u003cbr\u003e \u003cbr\u003eWritten through years marked by mental health struggles, heartbreak, and shifts in core identity, Bad Things Feel Good is not a confession but an honest reckoning with growth’s uneasy terrain. Exploring romantic, familial, and communal intimacy, inherited patterns, moral vertigo, and the seduction of self-betrayal, the album resists neat redemption arcs in favour of embracing contradiction. It acknowledges imperfect parents, fraught lovers, and shedding selves, questioning whether growth must always arrive through suffering and whether love can exist without possession or sacrifice.\u003cbr\u003e \u003cbr\u003eHere, unlearning is as powerful as knowing, vulnerability becomes strength, and pain finds its place within a larger picture. Wise stands at the threshold between who she was and who she might become, inviting listeners to sit in that uneasy space where desire, love, and truth collide — and to make peace with the mess rather than smoothing it into something tidy.\u003cbr\u003e \u003cbr\u003eWith a devoted and growing fanbase, critical acclaim, and an unwavering commitment to emotional truth, Rowena Wise continues to carve out a space uniquely her own — where storytelling is both mirror and map, and where being human, in all its contradiction, is enough.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Home In This World\u003cbr\u003e2. More Horizon\u003cbr\u003e3. Blood Ties\u003cbr\u003e4. No Angel\u003cbr\u003e5. Sum Of Two\u003cbr\u003e6. Diamond In The Rough\u003cbr\u003e7. The Anchor\u003cbr\u003e8. Unlearning Of Love\u003cbr\u003e9. Bad Things Feel Good\u003cbr\u003e10. Days Ahead\u003c\/p\u003e","brand":"Beloved Records","offers":[{"title":"Default Title","offer_id":47142152241308,"sku":"BLR6LP1","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_9679d762-5e2e-4685-bb92-0fdb3b89d303.webp?v=1782916803"},{"product_id":"space-afrika-quiet-storm-cd","title":"Space Afrika - Quiet Storm [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DAIS232CD\u003cbr\u003eBarcode: 0683950558991\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Experimental\u003c\/p\u003e\n\u003cp\u003eSpace Afrika, the Manchester\/Berlin-based duo of Joshua Tarelle Reid and Joshua Inyang, make raw, intensely detailed, visceral music with shades of ambient, trip-hop, techno, and modern classical, drawing spacious urban dubscapes from the contours of their city. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm expands on their sound and scale as a sprawling, collaborative vision shaped with profound patience and intention, embedding their own coming-of-age story within a moving suite of cathartic abstraction. Songs allude to spirituality and the human condition, the tension between boldness and softness, ambition and persistent inner demons. \u003c\/p\u003e\n\u003cp\u003eSpeaking to the multidisciplinary nature of the project is the involvement of celebrated artist Glenn Ligon, whose work deals with Black identity and queerness. A central inspiration at the onset of recording, Ligon offered his work Figure #30 (2009) for the cover artwork, and following the completion of recording, he agreed to provide the project's name—an unprecedented gesture from the pioneering artist. \u003c\/p\u003e\n\u003cp\u003eListening to the final sequence, Ligon thought of \"Quiet Storm,\" the 1970s radio format known for smooth, late-night programming with themes of life and love. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm brings the listener through various scenes, interludes, and arcs, marked by a sense that its movement is fluid and its characters are fleeting. Into-the-mirror monologues grapple with the existential and the immediate: survival, autonomy, purpose. \u003c\/p\u003e\n\u003cp\u003eThe album opens with the explosive, string-backed “Vanity,” featuring Grammy Award winner Axelle Fanyo. At first fixated on the crevices of a quiet room, “Vanity” unfurls under Fanyo's expressive soprano, traversing a wide emotional spectrum from sublime contemplation to poignant, heart-piercing pain. \u003c\/p\u003e\n\u003cp\u003eThroughout the record, words spoken and sung are placed sparingly to powerful effect. “2MLN”'s beauty and catharsis is a collective slow march, featuring British-Nigerian artist Tony Njoku, with guitar and lead bass by Gabriel Evans, London's PIKE on drums, and Copenhagen's GB on keys and strings. \u003c\/p\u003e\n\u003cp\u003eHeavy yet hopeful, Joshua Tarelle Reid and Joshua Inyang remind you of their journey so far. An appropriately cryptic and transportive outro for their open-ended opus, Quiet Storm is a landmark level-up: self-produced, self-funded, and manifested out of sheer drive and conviction. \u003c\/p\u003e\n\u003cp\u003eThrough bent time and low-lit haze, undoubtedly, Space Afrika has arrived. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eVSIDE A \u003cbr\u003eVanity (ft. Axelle Fanyo) \u003cbr\u003eCrying Never Had a Voice ~ (ft. Vanessa Bedoret) \u003cbr\u003eFrom the Heart of Knowing (ft. Alto Aria) \u003cbr\u003eBallad for A'G' (ft. RXK Nephew, Klein) \u003cbr\u003eBlack and Gold \u003c\/p\u003e\n\u003cp\u003eSIDE B \u003cbr\u003eH00D Ambient Validation (ft. Any1) \u003cbr\u003e2MLN (ft. Tony Njoku) \u003cbr\u003eWe Live. Joy \u003cbr\u003ePretty Gospel (ft. Kiala Ogawa) \u003cbr\u003eIf This Is Hell (ft. Deuén Regards) \u003c\/p\u003e","brand":"Dais Records","offers":[{"title":"Default Title","offer_id":47155771900060,"sku":"DAIS232CD","price":12.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_06b0db6e-9a57-42b8-8a8f-2cbd4359237b.jpg?v=1783182448"},{"product_id":"space-afrika-quiet-storm-blue-ripple-coloured-vinyl","title":"Space Afrika - Quiet Storm [blue ripple coloured vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAIS232LP1\u003cbr\u003eBarcode: 0683950558960\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Experimental\u003c\/p\u003e\n\u003cp\u003estandard weight, blue ripple coloured vinyl\u003c\/p\u003e\n\u003cp\u003eSpace Afrika, the Manchester\/Berlin-based duo of Joshua Tarelle Reid and Joshua Inyang, make raw, intensely detailed, visceral music with shades of ambient, trip-hop, techno, and modern classical, drawing spacious urban dubscapes from the contours of their city. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm expands on their sound and scale as a sprawling, collaborative vision shaped with profound patience and intention, embedding their own coming-of-age story within a moving suite of cathartic abstraction. Songs allude to spirituality and the human condition, the tension between boldness and softness, ambition and persistent inner demons. \u003c\/p\u003e\n\u003cp\u003eSpeaking to the multidisciplinary nature of the project is the involvement of celebrated artist Glenn Ligon, whose work deals with Black identity and queerness. A central inspiration at the onset of recording, Ligon offered his work Figure #30 (2009) for the cover artwork, and following the completion of recording, he agreed to provide the project's name—an unprecedented gesture from the pioneering artist. \u003c\/p\u003e\n\u003cp\u003eListening to the final sequence, Ligon thought of \"Quiet Storm,\" the 1970s radio format known for smooth, late-night programming with themes of life and love. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm brings the listener through various scenes, interludes, and arcs, marked by a sense that its movement is fluid and its characters are fleeting. Into-the-mirror monologues grapple with the existential and the immediate: survival, autonomy, purpose. \u003c\/p\u003e\n\u003cp\u003eThe album opens with the explosive, string-backed “Vanity,” featuring Grammy Award winner Axelle Fanyo. At first fixated on the crevices of a quiet room, “Vanity” unfurls under Fanyo's expressive soprano, traversing a wide emotional spectrum from sublime contemplation to poignant, heart-piercing pain. \u003c\/p\u003e\n\u003cp\u003eThroughout the record, words spoken and sung are placed sparingly to powerful effect. “2MLN”'s beauty and catharsis is a collective slow march, featuring British-Nigerian artist Tony Njoku, with guitar and lead bass by Gabriel Evans, London's PIKE on drums, and Copenhagen's GB on keys and strings. \u003c\/p\u003e\n\u003cp\u003eHeavy yet hopeful, Joshua Tarelle Reid and Joshua Inyang remind you of their journey so far. An appropriately cryptic and transportive outro for their open-ended opus, Quiet Storm is a landmark level-up: self-produced, self-funded, and manifested out of sheer drive and conviction. \u003c\/p\u003e\n\u003cp\u003eThrough bent time and low-lit haze, undoubtedly, Space Afrika has arrived. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eVSIDE A \u003cbr\u003eVanity (ft. Axelle Fanyo) \u003cbr\u003eCrying Never Had a Voice ~ (ft. Vanessa Bedoret) \u003cbr\u003eFrom the Heart of Knowing (ft. Alto Aria) \u003cbr\u003eBallad for A'G' (ft. RXK Nephew, Klein) \u003cbr\u003eBlack and Gold \u003c\/p\u003e\n\u003cp\u003eSIDE B \u003cbr\u003eH00D Ambient Validation (ft. Any1) \u003cbr\u003e2MLN (ft. Tony Njoku) \u003cbr\u003eWe Live. Joy \u003cbr\u003ePretty Gospel (ft. Kiala Ogawa) \u003cbr\u003eIf This Is Hell (ft. Deuén Regards) \u003c\/p\u003e","brand":"Dais Records","offers":[{"title":"Default Title","offer_id":47155772293276,"sku":"DAIS232LP1","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/col_dfff04a8-4d2a-42f5-907c-dba8bb1f7391.jpg?v=1783182437"},{"product_id":"space-afrika-quiet-storm-black-vinyl","title":"Space Afrika - Quiet Storm [black vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAIS232LP\u003cbr\u003eBarcode: 0683950558984\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Experimental\u003c\/p\u003e\n\u003cp\u003eSpace Afrika, the Manchester\/Berlin-based duo of Joshua Tarelle Reid and Joshua Inyang, make raw, intensely detailed, visceral music with shades of ambient, trip-hop, techno, and modern classical, drawing spacious urban dubscapes from the contours of their city. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm expands on their sound and scale as a sprawling, collaborative vision shaped with profound patience and intention, embedding their own coming-of-age story within a moving suite of cathartic abstraction. Songs allude to spirituality and the human condition, the tension between boldness and softness, ambition and persistent inner demons. \u003c\/p\u003e\n\u003cp\u003eSpeaking to the multidisciplinary nature of the project is the involvement of celebrated artist Glenn Ligon, whose work deals with Black identity and queerness. A central inspiration at the onset of recording, Ligon offered his work Figure #30 (2009) for the cover artwork, and following the completion of recording, he agreed to provide the project's name—an unprecedented gesture from the pioneering artist. \u003c\/p\u003e\n\u003cp\u003eListening to the final sequence, Ligon thought of \"Quiet Storm,\" the 1970s radio format known for smooth, late-night programming with themes of life and love. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm brings the listener through various scenes, interludes, and arcs, marked by a sense that its movement is fluid and its characters are fleeting. Into-the-mirror monologues grapple with the existential and the immediate: survival, autonomy, purpose. \u003c\/p\u003e\n\u003cp\u003eThe album opens with the explosive, string-backed “Vanity,” featuring Grammy Award winner Axelle Fanyo. At first fixated on the crevices of a quiet room, “Vanity” unfurls under Fanyo's expressive soprano, traversing a wide emotional spectrum from sublime contemplation to poignant, heart-piercing pain. \u003c\/p\u003e\n\u003cp\u003eThroughout the record, words spoken and sung are placed sparingly to powerful effect. “2MLN”'s beauty and catharsis is a collective slow march, featuring British-Nigerian artist Tony Njoku, with guitar and lead bass by Gabriel Evans, London's PIKE on drums, and Copenhagen's GB on keys and strings. \u003c\/p\u003e\n\u003cp\u003eHeavy yet hopeful, Joshua Tarelle Reid and Joshua Inyang remind you of their journey so far. An appropriately cryptic and transportive outro for their open-ended opus, Quiet Storm is a landmark level-up: self-produced, self-funded, and manifested out of sheer drive and conviction. \u003c\/p\u003e\n\u003cp\u003eThrough bent time and low-lit haze, undoubtedly, Space Afrika has arrived. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eVSIDE A \u003cbr\u003eVanity (ft. Axelle Fanyo) \u003cbr\u003eCrying Never Had a Voice ~ (ft. Vanessa Bedoret) \u003cbr\u003eFrom the Heart of Knowing (ft. Alto Aria) \u003cbr\u003eBallad for A'G' (ft. RXK Nephew, Klein) \u003cbr\u003eBlack and Gold \u003c\/p\u003e\n\u003cp\u003eSIDE B \u003cbr\u003eH00D Ambient Validation (ft. Any1) \u003cbr\u003e2MLN (ft. Tony Njoku) \u003cbr\u003eWe Live. Joy \u003cbr\u003ePretty Gospel (ft. Kiala Ogawa) \u003cbr\u003eIf This Is Hell (ft. 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