{"title":"Week 37 2026","description":null,"products":[{"product_id":"shadow-boxing-31-recordings-vinyl","title":"Nasty Habits - Shadow Boxing","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: 31RS004\u003cbr\u003eRelease Date: 24 Apr 2026 \u003cbr\u003eGenre: Drum n Bass\u003c\/p\u003e\n\u003cp\u003eRepress: 11 Sep 2026\u003c\/p\u003e\n\u003cp\u003eTracklisting \u003cbr\u003eA1 Nasty Habits - Shadow Boxing (Om Unit remix)\u003cbr\u003eB1 Nasty Habits - Shadow Boxing\u003c\/p\u003e","brand":"31 records","offers":[{"title":"Default Title","offer_id":20025565904955,"sku":"31RS004","price":15.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/31rs004-1367_add9b85d-8db3-47b4-9bec-00fa8b8e71bd.jpg?v=1776684162"},{"product_id":"youandewan-cola-beach","title":"YOUANDEWAN - Cola Beach","description":"\u003cp\u003eFormat: 12\"  Vinyl\u003cbr\u003eCat: PURESHORES-001\u003cbr\u003eBarcode: 4062548015881\u003cbr\u003eRelease Date: April 2021\u003cbr\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003eRepress: 11 Sep 2026\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA Cola Beach \u003cbr\u003eB Dolphin Splash Keyboards\u003c\/p\u003e","brand":"Pure Shores","offers":[{"title":"Default Title","offer_id":39614157947036,"sku":"PURESHORES-001","price":17.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/pureshores-001.jpg?v=1698078645"},{"product_id":"coeo-piano-workout-import","title":"Coeo - Piano Workout","description":"\u003cp\u003eFormat: 12\" Vinyl \u003cbr\u003eCat No: TOYT114\u003cbr\u003eBarcode: 0880655511416\u003cbr\u003eRelease Date: 11 Dec 2026\u003cbr\u003eGenre: House \/ Breaks \/ Techno\u003c\/p\u003e\n\u003cp\u003e* 2026 Repress\u003c\/p\u003e\n\u003cp\u003e* COEO are back on Toy Tonics! 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Beautiful record. 9\/10\u003cbr\u003eTerence Fixmer [CLR]: 'Some nice atmospheres in the EP. interesting vibes.' 9\/10\u003cbr\u003eSamuli Kemppi [Ostgut Ton]: 'I really love this release.' 10\/10\u003cbr\u003eJuho Kahilainen [Prologue]: 'Incredible release. I'm in love with every track. Big up Luigi Tozzi and Hypnus.' 10\/10\u003cbr\u003eDeepbass [Informa Records]: 'Yet again some amazing stuff from Tozzy, so happy to be part of this release, love all originals and of course Claudios beautiful version' 10\/10\u003cbr\u003eNess [Dynamic Reflection]: 'Don't need to say anything on this one! ;)' 10\/10\u003cbr\u003eNima Khak [Suara]: 'Deep and tasty as I have come to expect from the Hypnus posse! Hard to pick a favorite on the first listening but most of it sounds great! Thanks!' 9\/10\u003cbr\u003eVictor Matinez \/ Error Etica [Rising Label]: 'Love this Stuff .. full support' 9\/10\u003cbr\u003eArnaud le Texier [Affin]: 'Really great release with great remixes! 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Then throw in some beautiful oddities from Leonard Nimoy, Pizzicato Five and Mort Garson. Next, mix in some Lounge-Mod moments from Dave Pike and Jack Trombey, KPM library classics from Alan Hawkshaw and Keith Mansfield, and finish with some brilliant modern-day exponents of the Exotica sound Los Bitchos, Ixtaheule and the Percussive Funk Moog party sounds of The Bongolian. The result is a fun and crazy ride through the world of Lounge Music which will bring a smile to your face and a spring to your step. So raise a cocktail glass to ‘Lounge Psychédélique (The Best of Lounge \u0026amp; Exotica 1954-2022) – a sheer joy from start to finish!\u003cbr\u003e\u003cbr\u003e‘Lounge Psychédélique’ isn’t meant to be a ‘crate diggers’ album or a compilation of obscure, hard-to-find tracks to outdo your mates. Instead, it is intended to celebrate the Lounge scene and, hopefully, the perfect introduction to this fantastic and beautiful music for any newcomers out there. 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Posters, flyers, ticket stubs badges tour programmes and record sleeves. Items we gathered, begged and stole were carried home after sweaty nights in clubs and pubs. Tape and blu tack in hand we tried to find a place to add our new additions.\u003c\/p\u003e\n\u003cp\u003eI always thought it would be great to show the Punk Rock items of what I call ‘the class of ‘76’ groups I had gathered over the years in a bedroom setting. Each room could have a different theme. Blondie, Buzzcocks, The Clash, The Damned, Generation X, The Jam, Ramones, Sex Pistols, Siouxsie and The Banshees, The Stranglers, and maybe a mixed Punk Room with all the above and some smaller bands to fill out the story. \u003c\/p\u003e\n\u003cp\u003eMaybe I could then put all that in a book to show the beauty of it all. So I did and here it is. 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From touring the world with their friends Paramore to headlining a sold out Crystal Palace Park, performing songs from their seminal debut Silent Alarm through to the constant reinvention of their more recent work, before returning to Reading \u0026amp; Leeds last year to enormous crowds.\u003cbr\u003e \u003cbr\u003eNow, propelled by this renewed energy and buoyed by their biggest year of touring in two decades, Bloc Party are ready to release their next album; a narrative work examining a year-long relationship in intimate and often brutal detail, realised in the studio with the legendary Trevor Horn.\u003cbr\u003e \u003cbr\u003eKele, Russell, Louise \u0026amp; Harry continue to stake their claim on people’s affections with a co-headline UK \u0026amp; Europe arena tour with Interpol this autumn as well as a run of massive outdoor shows in the US with Muse.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide A\u003cbr\u003e1. 22.01.22 \u003cbr\u003e2. Coming On Strong\u003cbr\u003e3. Love Bombs\u003cbr\u003e4. Pigwig \u003cbr\u003e5. Lagoon Blue \u003cbr\u003e6. Muscleworks \u003cbr\u003e7. Clark Kent \u003cbr\u003eSide B\u003cbr\u003e8. Worst Birthday Ever \u003cbr\u003e9. Not Your Problem \u003cbr\u003e10. Now We Can't Be Friends \u003cbr\u003e11. Rotherhithe \u003cbr\u003e12. Stories \u003cbr\u003e13. Moving On\u003cbr\u003e14. 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His five-decade legacy continues to grow and attract new fans, and has been cited by an acclaimed list of artists, including Mac DeMarco, Cameron Winter, Ginger Root, Vampire Weekend, and Harry Styles. Shaped by mid-century American music, Hosono's work now reverberates back through a new generation of Western artists—a remarkable circular exchange.\u003cbr\u003eYours Sincerely, his 23rd studio album and first collection of new music in over seven years, finds Hosono ever-pushing his exploratory songcraft: “I am now 78 years old, but from here on, I feel a growing curiosity toward the unknown\u003cbr\u003emusic that my new self will create, while also embracing the music of my former self—as if I now carry two musical worlds within me.” Across arrangements that span tender psych-folk and bubbling avant pop, Hosono contemplates the concept of a maternal force that envelops the Earth, “humanity’s understanding of the unconditional love possessed by those who give us life,” he says. Songs tap into a collective current, engaging the “deeply buried instincts—maternal compassion and mercy, things we rarely engage with in our daily lives.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Note of Mothership\u003cbr\u003e2. Sincerely\u003cbr\u003e3. Ayurveda\u003cbr\u003e4. M for Mandala\u003cbr\u003e5. Rojiura (Walking Vibration)\u003cbr\u003e6. Happy Holiday\u003cbr\u003e7. To A Wild Rose\u003cbr\u003e8. Humming \"Dream Of Love\"\u003cbr\u003e9. Figlio Perdute\u003cbr\u003e10. 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His five-decade legacy continues to grow and attract new fans, and has been cited by an acclaimed list of artists, including Mac DeMarco, Cameron Winter, Ginger Root, Vampire Weekend, and Harry Styles. Shaped by mid-century American music, Hosono's work now reverberates back through a new generation of Western artists—a remarkable circular exchange.\u003cbr\u003eYours Sincerely, his 23rd studio album and first collection of new music in over seven years, finds Hosono ever-pushing his exploratory songcraft: “I am now 78 years old, but from here on, I feel a growing curiosity toward the unknown\u003cbr\u003emusic that my new self will create, while also embracing the music of my former self—as if I now carry two musical worlds within me.” Across arrangements that span tender psych-folk and bubbling avant pop, Hosono contemplates the concept of a maternal force that envelops the Earth, “humanity’s understanding of the unconditional love possessed by those who give us life,” he says. 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His five-decade legacy continues to grow and attract new fans, and has been cited by an acclaimed list of artists, including Mac DeMarco, Cameron Winter, Ginger Root, Vampire Weekend, and Harry Styles. Shaped by mid-century American music, Hosono's work now reverberates back through a new generation of Western artists—a remarkable circular exchange.\u003cbr\u003eYours Sincerely, his 23rd studio album and first collection of new music in over seven years, finds Hosono ever-pushing his exploratory songcraft: “I am now 78 years old, but from here on, I feel a growing curiosity toward the unknown\u003cbr\u003emusic that my new self will create, while also embracing the music of my former self—as if I now carry two musical worlds within me.” Across arrangements that span tender psych-folk and bubbling avant pop, Hosono contemplates the concept of a maternal force that envelops the Earth, “humanity’s understanding of the unconditional love possessed by those who give us life,” he says. 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Bardo Thödol, released as an LP, draws on The Tibetan Book of the Dead not so much as an explicit narrative framework but as a conceptual resonance: a passage, a suspension between states.\u003c\/p\u003e\n\u003cp\u003eWhere Inside Richard Serra Sculptures and The Wheel of Mani foregrounded a relatively defined dialectic between Vian’s environmental restraint and Masami Akita’s impulsive, textural excess, that friction here appears to dissolve in favour of a more homogeneous mass. Noise, far from its most abrasive edge, is reconfigured as a continuous field — dense yet permeable.\u003c\/p\u003e\n\u003cp\u003eWithin this flow, melodic structures emerge without assertion, surfacing almost incidentally as by-products of the accumulation of frequencies itself. The result is less a reconciliation of languages than a blurring of\u003cbr\u003etheir boundaries: a space in which intensity is internalised and the radical gesture folds into a more sustained, contemplative mode of listening.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1. Bardo Thödol phase I \/ 17:27 min B1. Bardo Thödol phase II \/ 16:56 min\u003c\/p\u003e","brand":"Modern Obscure Music","offers":[{"title":"Default Title","offer_id":46910269882524,"sku":"MOM073","price":30.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MOM073.jpg?v=1779214863"},{"product_id":"don-laka-stages-i-wanna-be-myself","title":"Don Laka - Stages \/ I Wanna Be Myself","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: RBSSS12\u003cbr\u003eBarcode: 4070209020501\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003eSome tracks don’t need fixing. They just need a bit more room. South African composer and keyboard wizard Don Laka has been quietly sitting in DJ bags for years, especially with people who like their synth music warm, slightly mysterious, and impossible to date properly. Somewhere between jazz funk, township pulse and studio electronics, but really just its own thing.\u003c\/p\u003e\n\u003cp\u003eStages was an obvious candidate for extension. Prins Thomas what he does best here: opens the arrangement, lets the synth lines breathe, stretches the groove until it starts floating a little higher off the ground. Nothing forced, nothing added for the sake of it. Just more of a very good thing. I Wanna Be Myself gets a gentle nudge from Gerd Janson. The idea was simple: keep the personality, and give DJs a version that lands naturally in a modern set without losing the original charm. 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We are all blessed to have him in our lives. What would Music World be without him? We do not want to know. More good news: he’s coming to tour Europe to promote this record. Summer in the city, on the beach, in the countryside on a dance floor near you. Bless.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1) Loop of Trust (07:02 min) A2) Direction (07:09 min) B1) Time (05:33min) B2) Razor (06:40 min) B3) Telephone Terror (04:00)\u003c\/p\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":46950506561692,"sku":"PP122","price":15.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PP122.jpg?v=1779472752"},{"product_id":"formal-sppeedwear-punch-card-lp","title":"Formal Sppeedwear - Punch Card [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MELO150LP \u003cbr\u003eBarcode: 5060168046697\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: New Wave\/Post-Punk\/Mutant Disco\u003c\/p\u003e\n\u003cp\u003eStoke-On-Trent’s most tuned-in and turned-out trio are releasing debut album Punch Card, which might be the avant-pop record of the year.\u003c\/p\u003e\n\u003cp\u003eFor Fans Of: Devo, Talking Heads, XTC, Neu!\u003cbr\u003e\"A slinking, unctuous energy shot of new wave and mutant disco\" - DIY\u003c\/p\u003e\n\u003cp\u003eBlack vinyl, die cut sleeve on printed manila board, printed inner, and DL code.\u003cbr\u003e \u003cbr\u003eDriven by a desire for sonic collage and bolstered by lateral thinking, ‘Punch Card’ is a crafty lesson in how, with touches of masterful manipulation, the collision of opposing forces can cause sparks to fly and an irrepressible need to dance. “Our aim is to undermine anything leaning too far one way or the other. We shoot for homogeneity - if it sounds good and its component parts can't be pulled out, we’ve matched the job description,” they say of finding balance in their desire to ‘pull the rug’ musically whenever listeners least expect it.\u003cbr\u003eMuch like the typo in their name, now proudly worn by the band as a badge of honour, the result is an album of happy accidents that truly embody their audiences’ visceral knee-jerk reactions. The cut-out windows of an eighties protocomputer punch card that line the sleeve offer a portal into Formal Sppeedwear’s universe.\u003cbr\u003eAfter signing with melodic in 2023, the trio’s now sold out 2024 debut EP - a self-titled, self-produced 12” sample of elastic bass arrangements, leaping guitar motifs and sparse, un-assuming percussive work - picked up notable fans at BBC 6 Music and helped to secure shows around the country with the likes of Fat Dog, Preoccupations, Warmduscher and Divorce. A legion of listeners grew, barraging Instagram DMs curious to unearth the mystery behind their idiosyncratic, off-kilter lyrics – usually a product of Beck’s phonetically-associated wordplay.\u003cbr\u003eProlific in their output, the band diligently produced Punch Card themselves with mastering from Paul D. Millar (Slug Bug). Led by a preference for sonic variety, they even discarded three tracks not belonging on the record; not because they didn’t fit - but because they did. Through their boomerang voice notes and a sense of telepathy that only college friends bonded by Neu! and Yellow Magic Orchestra could possess, they explain; “There’s definitely a subconscious level to what we do but it’s always driven by what works sonically. The real challenge becomes how to recreate it live.”\u003cbr\u003eBlame those tracks which formed quickly when raw ideas and lyrics flowed from jam sessions in their Tremolo rehearsal room. Jagged, punchy ‘Indecent’ was largely improvised by the trio as a single recorded live take, and ‘The Ballad of DCB’ (avid bookworms in Stoke may have an inkling as to the meaning behind its acronym) was wrangled from a spritely brink of uncertainty after twilight tinkering powered a plethora of jangling guitar lines. Live staple ‘Wait (Hatchet Gets a New Hide) serves as collage of ideas and melodies harking back to the early days of Sppeedwear, completed on a Tascam 488 cassette recorder.\u003cbr\u003eBut, between joyfully jarring twists and turns, it is a rare moment of wistfulness which offers the biggest hint to the album’s wider Punch Card themes. A turning point in the recording process, finale ‘Friedrich Backs Up Nothing’ shimmers with strange atmospheres and sound-manipulated cellos; lyrically considering how history might react to the world today.\u003cbr\u003eFormal Sppeedwear may look and sound something like pop, but Punch Card emerges through collision, constraint, and chance - much like the stamped out geometry that inspired its artwork.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Hit ‘n’ Run 2. Who Needs Spain Ball? 3. Indecent 4. Knutmo 1-5 5. Aardvark x2 6. A Concise History 7. Fleas\u003cbr\u003e8. Wait (Hatchet Gets A New Hide) 9. The Ballad Of DCB 10. New Brother 11. Appointment 12. Friedrich Backs Up Nothing\u003c\/p\u003e","brand":"Melodic","offers":[{"title":"Default Title","offer_id":46964393246876,"sku":"MELO150LP","price":22.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MELO150LP.jpg?v=1779817776"},{"product_id":"formal-sppeedwear-punch-card-cd","title":"Formal Sppeedwear - Punch Card [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: MELO150CD\u003cbr\u003eBarcode: 5060168046703\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: New Wave\/Post-Punk\/Mutant Disco\u003c\/p\u003e\n\u003cp\u003eStoke-On-Trent’s most tuned-in and turned-out trio are releasing debut album Punch Card, which might be the avant-pop record of the year.\u003c\/p\u003e\n\u003cp\u003eFor Fans Of: Devo, Talking Heads, XTC, Neu!\u003cbr\u003e\"A slinking, unctuous energy shot of new wave and mutant disco\" - DIY\u003c\/p\u003e\n\u003cp\u003eBlack vinyl, die cut sleeve on printed manila board, printed inner, and DL code.\u003cbr\u003e \u003cbr\u003eDriven by a desire for sonic collage and bolstered by lateral thinking, ‘Punch Card’ is a crafty lesson in how, with touches of masterful manipulation, the collision of opposing forces can cause sparks to fly and an irrepressible need to dance. “Our aim is to undermine anything leaning too far one way or the other. We shoot for homogeneity - if it sounds good and its component parts can't be pulled out, we’ve matched the job description,” they say of finding balance in their desire to ‘pull the rug’ musically whenever listeners least expect it.\u003cbr\u003eMuch like the typo in their name, now proudly worn by the band as a badge of honour, the result is an album of happy accidents that truly embody their audiences’ visceral knee-jerk reactions. The cut-out windows of an eighties protocomputer punch card that line the sleeve offer a portal into Formal Sppeedwear’s universe.\u003cbr\u003eAfter signing with melodic in 2023, the trio’s now sold out 2024 debut EP - a self-titled, self-produced 12” sample of elastic bass arrangements, leaping guitar motifs and sparse, un-assuming percussive work - picked up notable fans at BBC 6 Music and helped to secure shows around the country with the likes of Fat Dog, Preoccupations, Warmduscher and Divorce. A legion of listeners grew, barraging Instagram DMs curious to unearth the mystery behind their idiosyncratic, off-kilter lyrics – usually a product of Beck’s phonetically-associated wordplay.\u003cbr\u003eProlific in their output, the band diligently produced Punch Card themselves with mastering from Paul D. Millar (Slug Bug). Led by a preference for sonic variety, they even discarded three tracks not belonging on the record; not because they didn’t fit - but because they did. Through their boomerang voice notes and a sense of telepathy that only college friends bonded by Neu! and Yellow Magic Orchestra could possess, they explain; “There’s definitely a subconscious level to what we do but it’s always driven by what works sonically. The real challenge becomes how to recreate it live.”\u003cbr\u003eBlame those tracks which formed quickly when raw ideas and lyrics flowed from jam sessions in their Tremolo rehearsal room. Jagged, punchy ‘Indecent’ was largely improvised by the trio as a single recorded live take, and ‘The Ballad of DCB’ (avid bookworms in Stoke may have an inkling as to the meaning behind its acronym) was wrangled from a spritely brink of uncertainty after twilight tinkering powered a plethora of jangling guitar lines. Live staple ‘Wait (Hatchet Gets a New Hide) serves as collage of ideas and melodies harking back to the early days of Sppeedwear, completed on a Tascam 488 cassette recorder.\u003cbr\u003eBut, between joyfully jarring twists and turns, it is a rare moment of wistfulness which offers the biggest hint to the album’s wider Punch Card themes. A turning point in the recording process, finale ‘Friedrich Backs Up Nothing’ shimmers with strange atmospheres and sound-manipulated cellos; lyrically considering how history might react to the world today.\u003cbr\u003eFormal Sppeedwear may look and sound something like pop, but Punch Card emerges through collision, constraint, and chance - much like the stamped out geometry that inspired its artwork.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Hit ‘n’ Run 2. Who Needs Spain Ball? 3. Indecent 4. Knutmo 1-5 5. Aardvark x2 6. A Concise History 7. Fleas\u003cbr\u003e8. Wait (Hatchet Gets A New Hide) 9. The Ballad Of DCB 10. New Brother 11. Appointment 12. Friedrich Backs Up Nothing\u003c\/p\u003e","brand":"Melodic","offers":[{"title":"Default Title","offer_id":46964393443484,"sku":"MELO150CD","price":11.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MELO150CD.jpg?v=1779817783"},{"product_id":"ezra-collective-here-because-of-hope-transparent-ocean-blue","title":"Ezra Collective - Here Because of Hope [Transparent Ocean Blue]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PTSN3069-3\u003cbr\u003eBarcode: 720841306931\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003e‘Here Because of Hope’ 2LP housed in a gatefold sleeve with printed inners, pressed on transparent ocean blue colour vinyl\u003c\/p\u003e\n\u003cp\u003eEzra Collective's Here Because Of Hope is the most ambitious and personal record of their career - conceived as a body of work split into three spiritual and geographical movements, the album traces the movement of Black people across continents and decades, from the music of Africa to the rhythms of the Caribbean, and home to the streets of London. Formed in the youth clubs of London, Mercury Prize and BRIT Award-winners Femi Koleoso, TJ Koleoso, Joe Armon-Jones, James Mollison and Ife Ogunjobi have now spent over a decade making jazz joyful, urgent and undeniable. On Here Because Of Hope, they push that vision further than ever, asking a simple but profound question: why does so much Black music born out of pain sound so joyful? Their answer is hope: the belief, carried across generations and oceans, that something better is possible. Anchored by collaborations with Pa Salieu, Lila Iké, Leona Lewis, and reaching across the full breadth of the global African diaspora (including America, where those same African and Caribbean roots gave birth to jazz itself) Here Because Of Hope is a record of remarkable warmth, ambition and humanity, and the sound of Britain's most vital band at the peak of their powers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:  \u003cbr\u003eSIDE A\u003cbr\u003e1. Part 1 (read by Letitia Wright) \u003cbr\u003e2. Blow Your Trumpet\u003cbr\u003e3. Sweet Echo\u003cbr\u003e4. Don’t Worry\u003cbr\u003e5. Only Love feat. Pa Salieu\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6. Someday\u003cbr\u003e7. Part 2 (read by Letitia Wright) \u003cbr\u003e8. Birdie Sings\u003cbr\u003e9. The Last Stand\u003c\/p\u003e\n\u003cp\u003eSIDE C\u003cbr\u003e10. Well Organised feat. Lila Iké\u003cbr\u003e11. El Corazón\u003cbr\u003e12. Bunny on the Rise\u003c\/p\u003e\n\u003cp\u003eSIDE D\u003cbr\u003e13. Part 3 (read by Letitia Wright) \u003cbr\u003e14. All I Need feat. Leona Lewis\u003cbr\u003e15. Jubilee Feeling\u003cbr\u003e16. Black Flag\u003cbr\u003e17. Most High feat. Libianca\u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":46973079978140,"sku":"PTSN3069-3","price":27.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FRONTCOVER_4.jpg?v=1779909386"},{"product_id":"ezra-collective-here-because-of-hope-translucent-white","title":"Ezra Collective - Here Because of Hope [Translucent White]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PTSN3069-5\u003cbr\u003eBarcode: 720841306955\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eIndie exclusive ‘Here Because of Hope’ 2LP housed in a gatefold sleeve with printed inners, pressed on translucent white vinyl \u003c\/p\u003e\n\u003cp\u003eEzra Collective's Here Because Of Hope is the most ambitious and personal record of their career - conceived as a body of work split into three spiritual and geographical movements, the album traces the movement of Black people across continents and decades, from the music of Africa to the rhythms of the Caribbean, and home to the streets of London. Formed in the youth clubs of London, Mercury Prize and BRIT Award-winners Femi Koleoso, TJ Koleoso, Joe Armon-Jones, James Mollison and Ife Ogunjobi have now spent over a decade making jazz joyful, urgent and undeniable. On Here Because Of Hope, they push that vision further than ever, asking a simple but profound question: why does so much Black music born out of pain sound so joyful? Their answer is hope: the belief, carried across generations and oceans, that something better is possible. Anchored by collaborations with Pa Salieu, Lila Iké, Leona Lewis, and reaching across the full breadth of the global African diaspora (including America, where those same African and Caribbean roots gave birth to jazz itself) Here Because Of Hope is a record of remarkable warmth, ambition and humanity, and the sound of Britain's most vital band at the peak of their powers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:  \u003cbr\u003eSIDE A\u003cbr\u003e1. Part 1 (read by Letitia Wright) \u003cbr\u003e2. Blow Your Trumpet\u003cbr\u003e3. Sweet Echo\u003cbr\u003e4. Don’t Worry\u003cbr\u003e5. Only Love feat. Pa Salieu\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6. Someday\u003cbr\u003e7. Part 2 (read by Letitia Wright) \u003cbr\u003e8. Birdie Sings\u003cbr\u003e9. The Last Stand\u003c\/p\u003e\n\u003cp\u003eSIDE C\u003cbr\u003e10. Well Organised feat. Lila Iké\u003cbr\u003e11. El Corazón\u003cbr\u003e12. Bunny on the Rise\u003c\/p\u003e\n\u003cp\u003eSIDE D\u003cbr\u003e13. Part 3 (read by Letitia Wright) \u003cbr\u003e14. All I Need feat. Leona Lewis\u003cbr\u003e15. Jubilee Feeling\u003cbr\u003e16. Black Flag\u003cbr\u003e17. Most High feat. Libianca\u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":46973080010908,"sku":"PTSN3069-5","price":29.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FRONTCOVER_3.jpg?v=1779909393"},{"product_id":"ezra-collective-here-because-of-hope-cd","title":"Ezra Collective - Here Because of Hope [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: PTSN3069-2\u003cbr\u003eBarcode: 720841306924\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003e‘Here Because of Hope’ CD housed in a 2-pocket digisleeve with 8pg booklet\u003c\/p\u003e\n\u003cp\u003eEzra Collective's Here Because Of Hope is the most ambitious and personal record of their career - conceived as a body of work split into three spiritual and geographical movements, the album traces the movement of Black people across continents and decades, from the music of Africa to the rhythms of the Caribbean, and home to the streets of London. Formed in the youth clubs of London, Mercury Prize and BRIT Award-winners Femi Koleoso, TJ Koleoso, Joe Armon-Jones, James Mollison and Ife Ogunjobi have now spent over a decade making jazz joyful, urgent and undeniable. On Here Because Of Hope, they push that vision further than ever, asking a simple but profound question: why does so much Black music born out of pain sound so joyful? Their answer is hope: the belief, carried across generations and oceans, that something better is possible. Anchored by collaborations with Pa Salieu, Lila Iké, Leona Lewis, and reaching across the full breadth of the global African diaspora (including America, where those same African and Caribbean roots gave birth to jazz itself) Here Because Of Hope is a record of remarkable warmth, ambition and humanity, and the sound of Britain's most vital band at the peak of their powers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:  \u003cbr\u003e1. Part 1 (read by Letitia Wright) \u003cbr\u003e2. Blow Your Trumpet\u003cbr\u003e3. Sweet Echo\u003cbr\u003e4. Don’t Worry\u003cbr\u003e5. Only Love feat. Pa Salieu\u003c\/p\u003e\n\u003cp\u003e6. Someday\u003cbr\u003e7. Part 2 (read by Letitia Wright) \u003cbr\u003e8. Birdie Sings\u003cbr\u003e9. The Last Stand\u003c\/p\u003e\n\u003cp\u003e10. Well Organised feat. Lila Iké\u003cbr\u003e11. El Corazón\u003cbr\u003e12. Bunny on the Rise\u003c\/p\u003e\n\u003cp\u003e13. Part 3 (read by Letitia Wright) \u003cbr\u003e14. All I Need feat. Leona Lewis\u003cbr\u003e15. Jubilee Feeling\u003cbr\u003e16. Black Flag\u003cbr\u003e17. Most High feat. Libianca\u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":46973080404124,"sku":"PTSN3069-2","price":12.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CDFRONT_1.jpg?v=1779909407"},{"product_id":"chris-liebing-luke-slater-double-split-terence-fixmer-remixes","title":"Chris Liebing, Luke Slater - Double Split (Terence Fixmer Remixes)","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: CLR142V\u003cbr\u003eBarcode: 844216060249\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003e* Terence Fixmer Reimagines Chris Liebing \u0026amp; Luke Slater's 'Double Split' for CLR. Fixmer’s remixes of Liebing\/Slater’s collaboration from the former’s ‘Evolver’ LP release on 31st July. \u003c\/p\u003e\n\u003cp\u003eTerence Fixmer has delivered two remixes of Chris Liebing and Luke Slater’s ‘Double Split’ track, one of a handful of collaborations on Liebing’s first-ever solo LP, ‘Evolver’, which was released in March this year. Having contributed to the LP as a member of The Alte Stuben Modular Ensemble, a super-group featuring Liebing, Daniel Miller, and Pascal Gabriel, Fixmer is a fitting choice to remix ‘Double Split’.\u003c\/p\u003e\n\u003cp\u003eFixmer has been evolving his sound for more than 25 years. From deep and mind-bending to experimental and soulful, he is a visionary who has been hugely prolific, with many standout LPs and EPs on labels such as Mute Records, Novamute, Ostgut Ton, and Planete Rouge Records. \u003c\/p\u003e\n\u003cp\u003eFixmer’s first ‘Double Split’ remix is inspired by the energy of the original, but focused on dubbier, hypnotic vibes. Strident drums and clattering percussion are stark by design, but smoky vocals and eerie synths hang in the air, bringing a bleak human futurism over all-consuming bass. Then comes the Melting Mind rework, which is boiled down to a handful of key elements, not least the original’s penetrating acid line. It's an immersive, late-night dive that locks you in a state of constant motion and unrelenting pressure.  The original from Chris Liebing and Luke Slater, a dark and futuristic roller with automated drums and layers of rusty synths encircled by acidic gurgles, completes the package. \u003c\/p\u003e\n\u003cp\u003eChris Liebing, Luke Slater's 'Double Split' (Terence Fixmer Remixes) is released on CLR on 31st July 2026.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1 Chris Liebing, Luke Slater - Double Split (Terence Fixmer Remix)\u003cbr\u003eA2 Chris Liebing, Luke Slater - Double Split (Terence Fixmer Melting Mind Remix)\u003cbr\u003eB Chris Liebing, Luke Slater - Double Split\u003c\/p\u003e","brand":"CLR","offers":[{"title":"Default Title","offer_id":46996647018652,"sku":"CLR142V","price":17.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CLR142V.jpg?v=1780337611"},{"product_id":"planetary-assault-systems-planetary-people-3lp","title":"Planetary Assault Systems - Planetary People [3LP]","description":"\u003cp\u003eFormat: 3 x LP\u003cbr\u003eCatalogue No.: OSTGUTLP39    \u003cbr\u003eBarcode: 4250101497384\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003eOne of Berghain’s longest-serving residents, Luke Slater has been defining bleepy, polyrhythmic, industrial-strength techno as Planetary Assault Systems since the mid-nineties. P.A.S albums tend to come together in their own time:\u003c\/p\u003e\n\u003cp\u003e“External signals and signs combine until the recipe feels right, both musically and from being ‘out there’,” Slater adds. “10 years since I released Arc Angel on Ostgut Ton, and it’s a fitting pleasure to combine live show ideas and studio work for the new album, served up with raw energy” That patience runs through his whole Ostgut catalogue; since Temporary Suspension brought its machine-tooled weight and alien feeling to the label in 2009, each P.A.S. release on Ostgut Ton has been its own quest for discovery, from The Messenger’s search for sounds not yet present in club music to Arc Angel’s focus on melody to the deep hypnosis of Plantae.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“Into The Night” creates a haunting, dystopic environment of corroded acid saturated in echo, absorbing from the first second. “Labyrinth” breaks into buoyant tribal percussion, modulated chirps trading off over propulsive drums. “Quadrant 10” is clean, delay-drenched techno, buzzing with noise splatters over saturated thuds. “Sermon Of The Light Tides” scrambles metallic bell sequences that distort and evolve throughout, reminiscent of a dial-up modem crossed with a game of Frogger, squelching between percussive bursts and stripped-back kicks. “Brave Cosmo” is tormentingly menacing, eerie synths panning around buried vocal fragments over frantic percussion. “Retina Burn” rolls on fierce, cement-mixer 909 cycles, rave stabs over a ride that locks you in, the whole track stuttering and repeating before stripping back to a bare echoing kick and building itself again.\u003c\/p\u003e\n\u003cp\u003e “Thunder Major” barrels on open hats and reverb-drenched claps ricocheting through twisting wreaths of delay, mesmeric and relentless. “Beton Brut” marches juggernaut percussion stamping through hall reverb so vast you can visualise the room, the darkest and most unrelenting track on the record. “No Ninja” crunches in metallic and immediate, a wiry plucked lead threading through glitch with the bass held low and deep, mixed so precisely you can see every layer stacked in your mind’s eye. “Ha Jam” is danceable techno with plenty of funk and a sophisticated looseness, a vocal laugh bouncing off clanging metal blocks and rave stabs. “Lynx” lowpasses its rave stabs and crystalline beeps, chirpy hats ticking, cold metal repeats, old school and mesmeric. “Generation Slip” closes everything out, ominous and churning, skittering percussion and electrical sparks rattling through steel, a freight train barrelling on into oblivion.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1 Planetary Assault Systems Into the Night 00:04:07\u003cbr\u003eA2 Planetary Assault Systems Labyrinth 00:05:32\u003cbr\u003eB1 Planetary Assault Systems Quadrant 10 00:05:40\u003cbr\u003eB2 Planetary Assault Systems Sermon of the Light Tides 00:06:23\u003cbr\u003eC1 Planetary Assault Systems Brave Cosmo 00:05:50\u003cbr\u003eC2 Planetary Assault Systems Retina Burn 00:06:07\u003cbr\u003eD1 Planetary Assault Systems Thunder Major 00:05:55\u003cbr\u003eD2 Planetary Assault Systems Beton Brut 00:05:37\u003cbr\u003eE1 Planetary Assault Systems No Ninja 00:06:02\u003cbr\u003eE2 Planetary Assault Systems Ha Jam 00:04:44\u003cbr\u003eF1 Planetary Assault Systems Lynx 00:07:25\u003cbr\u003eF2 Planetary Assault Systems Generation Slip 00:05:21\u003c\/p\u003e","brand":"Ostgut Ton","offers":[{"title":"Default Title","offer_id":46997115732124,"sku":"OSTGUTLP39","price":76.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/OSTGUTLP39.jpg?v=1780341551"},{"product_id":"ibibio-sound-machine-chopping-mountain-cd","title":"Ibibio Sound Machine - Chopping Mountain [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: MRG886CD\u003cbr\u003eBarcode: 0673855088624\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eChopping Mountain, the new record by Ibibio Sound Machine is the clearest rendering yet of the London collective’s longstanding mission to promote love, unity, and resistance through music. It is the band’s sixth full-length record, and the first to feature the band’s Max Grunhard as producer since 2019’s Doko Mien. Following their Hot Chip-produced breakthrough Electricity (2022) and the darker, clubbier inflection of the Ross Orton-produced Pull the Rope (2024),\u003cbr\u003eChopping Mountain feels like it was pulled directly from the hearts and experiences of the Eno Williams and Grunhard-led band.\u003c\/p\u003e\n\u003cp\u003eWilliams, as always, is a siren — a once-in-a-generation frontwoman whose call, both to the dancefloor and for a better tomorrow, is impossible to resist. How she does it is a mystery. Take a song like “Return to Sender,” for instance. Inspired by a car accident in which she felt the steering wheel of her vehicle literally jump out of her hands — which she likened to “a spiritual attack by unseen forces” — the track is a sinewy, cathartic rager, a full-body workout and full-throated rejection of evil in multiple tongues, English and her native Ibibio.\u003c\/p\u003e\n\u003cp\u003eShe is, of course, hardly alone at the foot of Chopping Mountain. Ibibio Sound Machine — Grunhard (saxophone, keyboards), Alfred Bannerman (guitar), PK Ambrose (bass, keyboards),Joseph Amoako (drums), Afla Sackey (percussion), Scott Baylis (trumpet, keyboards), and Tony Hayden (trombone, synth) — are supernaturally tight, drawing on their roots and inspirations in highlife, disco, afrobeat, funk, post-punk, and electropop to build towering cathedrals of sound\u003cbr\u003earound her voice.\u003c\/p\u003e\n\u003cp\u003eContinuing on the path they first charted on Pull the Rope, many of Chopping Mountain’s songs started out in jam sessions, locking in on a groove or an instrument or a lyric. “Give Me Peace,” featuring Dele Sosimi of Fela Kuti’s Egypt 80, found its way to bliss once the chant-sung lyrics “Give me peace, give me freedom, give me love with a kiss” tumbled out of Williams’ consciousness. The dub-inflected, breakbeat heavy soul that stirs to life beneath them — an entirely new sound for a band that has mastered blending a seemingly endless array of sounds — came naturally. “It’s about finding calm in a world that is trying to tear us down,” Williams and Grunhard explain. “Once we established that direction, the song seemed to write itself.”\u003c\/p\u003e\n\u003cp\u003eThis is, at its core, the spirit of Chopping Mountain. Against the backdrop of a dispiriting world, Ibibio Sound Machine remain hopeful, seekers of consciousness and connection. On tracks like “Concept of Love,” they are direct and earnest, sculpting an Afro-disco song around Williams’ repeated question of “What is your concept of love?” They have their theory (“When you love someone \/ Let them love you back”) but the song passes the idea from member to member — a thrilling guitar solo from Bannerman, Baylis’ horn stings, vocoders, and precision drumfills — in a way that creates, almost paradoxically, a space in which one can meditate on the answer or move through it. Exploring the concept further on “Love,” they deliver an ethereal slice of highlife.\u003c\/p\u003e\n\u003cp\u003eThis heady brew of disparate styles and points of origin melds and pulls itself apart across the whole of Chopping Mountain, its songs united in that they are the sharpest tools Ibibio Sound Machine can bring to bear in the present moment. They present the struggle for freedom as a communal one, in which even the smallest movement contributes to the end game. As Williams sings in the title track, “When pebble disturbs the water \/ Ripples over yonder \/ Force of a sling shot hits you \/ Chopping mountain rock asunder.” The work of liberation is long and difficult, but it is not without joy — here is an album bursting with it.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Burning in Lagos\u003cbr\u003e2. Chopping Mountain\u003cbr\u003e3. When You Want to Dance\u003cbr\u003e4. Concept of Love\u003cbr\u003eSIDE B\u003cbr\u003e5. Return to Sender\u003cbr\u003e6. Menso\u003cbr\u003e7. Love\u003cbr\u003e8. Kukuru\u003cbr\u003e9. River Don’t Rush\u003cbr\u003eNOTE: CD includes the additional track “Give Me Peace [feat. Dele Sosimi]”\u003c\/p\u003e","brand":"MERGE","offers":[{"title":"Default Title","offer_id":47017361342620,"sku":"MRG886CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/IbibioSoundMachine-ChoppingMountain_16255139-202f-4fd3-956f-1b7798557c42.jpg?v=1780517794"},{"product_id":"ibibio-sound-machine-chopping-mountain-lp","title":"Ibibio Sound Machine - Chopping Mountain [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRG886LP\u003cbr\u003eBarcode: 0673855088617\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eChopping Mountain, the new record by Ibibio Sound Machine is the clearest rendering yet of the London collective’s longstanding mission to promote love, unity, and resistance through music. It is the band’s sixth full-length record, and the first to feature the band’s Max Grunhard as producer since 2019’s Doko Mien. Following their Hot Chip-produced breakthrough Electricity (2022) and the darker, clubbier inflection of the Ross Orton-produced Pull the Rope (2024),\u003cbr\u003eChopping Mountain feels like it was pulled directly from the hearts and experiences of the Eno Williams and Grunhard-led band.\u003c\/p\u003e\n\u003cp\u003eWilliams, as always, is a siren — a once-in-a-generation frontwoman whose call, both to the dancefloor and for a better tomorrow, is impossible to resist. How she does it is a mystery. Take a song like “Return to Sender,” for instance. Inspired by a car accident in which she felt the steering wheel of her vehicle literally jump out of her hands — which she likened to “a spiritual attack by unseen forces” — the track is a sinewy, cathartic rager, a full-body workout and full-throated rejection of evil in multiple tongues, English and her native Ibibio.\u003c\/p\u003e\n\u003cp\u003eShe is, of course, hardly alone at the foot of Chopping Mountain. Ibibio Sound Machine — Grunhard (saxophone, keyboards), Alfred Bannerman (guitar), PK Ambrose (bass, keyboards),Joseph Amoako (drums), Afla Sackey (percussion), Scott Baylis (trumpet, keyboards), and Tony Hayden (trombone, synth) — are supernaturally tight, drawing on their roots and inspirations in highlife, disco, afrobeat, funk, post-punk, and electropop to build towering cathedrals of sound\u003cbr\u003earound her voice.\u003c\/p\u003e\n\u003cp\u003eContinuing on the path they first charted on Pull the Rope, many of Chopping Mountain’s songs started out in jam sessions, locking in on a groove or an instrument or a lyric. “Give Me Peace,” featuring Dele Sosimi of Fela Kuti’s Egypt 80, found its way to bliss once the chant-sung lyrics “Give me peace, give me freedom, give me love with a kiss” tumbled out of Williams’ consciousness. The dub-inflected, breakbeat heavy soul that stirs to life beneath them — an entirely new sound for a band that has mastered blending a seemingly endless array of sounds — came naturally. “It’s about finding calm in a world that is trying to tear us down,” Williams and Grunhard explain. “Once we established that direction, the song seemed to write itself.”\u003c\/p\u003e\n\u003cp\u003eThis is, at its core, the spirit of Chopping Mountain. Against the backdrop of a dispiriting world, Ibibio Sound Machine remain hopeful, seekers of consciousness and connection. On tracks like “Concept of Love,” they are direct and earnest, sculpting an Afro-disco song around Williams’ repeated question of “What is your concept of love?” They have their theory (“When you love someone \/ Let them love you back”) but the song passes the idea from member to member — a thrilling guitar solo from Bannerman, Baylis’ horn stings, vocoders, and precision drumfills — in a way that creates, almost paradoxically, a space in which one can meditate on the answer or move through it. Exploring the concept further on “Love,” they deliver an ethereal slice of highlife.\u003c\/p\u003e\n\u003cp\u003eThis heady brew of disparate styles and points of origin melds and pulls itself apart across the whole of Chopping Mountain, its songs united in that they are the sharpest tools Ibibio Sound Machine can bring to bear in the present moment. They present the struggle for freedom as a communal one, in which even the smallest movement contributes to the end game. As Williams sings in the title track, “When pebble disturbs the water \/ Ripples over yonder \/ Force of a sling shot hits you \/ Chopping mountain rock asunder.” The work of liberation is long and difficult, but it is not without joy — here is an album bursting with it.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Burning in Lagos\u003cbr\u003e2. Chopping Mountain\u003cbr\u003e3. When You Want to Dance\u003cbr\u003e4. Concept of Love\u003cbr\u003eSIDE B\u003cbr\u003e5. Return to Sender\u003cbr\u003e6. Menso\u003cbr\u003e7. Love\u003cbr\u003e8. Kukuru\u003cbr\u003e9. River Don’t Rush\u003cbr\u003eNOTE: CD includes the additional track “Give Me Peace [feat. Dele Sosimi]”\u003c\/p\u003e","brand":"MERGE","offers":[{"title":"Default Title","offer_id":47017363374236,"sku":"MRG886LP","price":27.53,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/IbibioSoundMachine-ChoppingMountain_5ad52360-e2c0-4604-a2cc-aecb6d604d9c.jpg?v=1780517790"},{"product_id":"ibibio-sound-machine-chopping-mountain-green-smoke-peak-vinyl","title":"Ibibio Sound Machine - Chopping Mountain [Green Smoke ‘Peak’ Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MRG886LP-C1\u003cbr\u003eBarcode: 0673855088600\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eChopping Mountain, the new record by Ibibio Sound Machine is the clearest rendering yet of the London collective’s longstanding mission to promote love, unity, and resistance through music. It is the band’s sixth full-length record, and the first to feature the band’s Max Grunhard as producer since 2019’s Doko Mien. Following their Hot Chip-produced breakthrough Electricity (2022) and the darker, clubbier inflection of the Ross Orton-produced Pull the Rope (2024),\u003cbr\u003eChopping Mountain feels like it was pulled directly from the hearts and experiences of the Eno Williams and Grunhard-led band.\u003c\/p\u003e\n\u003cp\u003eWilliams, as always, is a siren — a once-in-a-generation frontwoman whose call, both to the dancefloor and for a better tomorrow, is impossible to resist. How she does it is a mystery. Take a song like “Return to Sender,” for instance. Inspired by a car accident in which she felt the steering wheel of her vehicle literally jump out of her hands — which she likened to “a spiritual attack by unseen forces” — the track is a sinewy, cathartic rager, a full-body workout and full-throated rejection of evil in multiple tongues, English and her native Ibibio.\u003c\/p\u003e\n\u003cp\u003eShe is, of course, hardly alone at the foot of Chopping Mountain. Ibibio Sound Machine — Grunhard (saxophone, keyboards), Alfred Bannerman (guitar), PK Ambrose (bass, keyboards),Joseph Amoako (drums), Afla Sackey (percussion), Scott Baylis (trumpet, keyboards), and Tony Hayden (trombone, synth) — are supernaturally tight, drawing on their roots and inspirations in highlife, disco, afrobeat, funk, post-punk, and electropop to build towering cathedrals of sound\u003cbr\u003earound her voice.\u003c\/p\u003e\n\u003cp\u003eContinuing on the path they first charted on Pull the Rope, many of Chopping Mountain’s songs started out in jam sessions, locking in on a groove or an instrument or a lyric. “Give Me Peace,” featuring Dele Sosimi of Fela Kuti’s Egypt 80, found its way to bliss once the chant-sung lyrics “Give me peace, give me freedom, give me love with a kiss” tumbled out of Williams’ consciousness. The dub-inflected, breakbeat heavy soul that stirs to life beneath them — an entirely new sound for a band that has mastered blending a seemingly endless array of sounds — came naturally. “It’s about finding calm in a world that is trying to tear us down,” Williams and Grunhard explain. “Once we established that direction, the song seemed to write itself.”\u003c\/p\u003e\n\u003cp\u003eThis is, at its core, the spirit of Chopping Mountain. Against the backdrop of a dispiriting world, Ibibio Sound Machine remain hopeful, seekers of consciousness and connection. On tracks like “Concept of Love,” they are direct and earnest, sculpting an Afro-disco song around Williams’ repeated question of “What is your concept of love?” They have their theory (“When you love someone \/ Let them love you back”) but the song passes the idea from member to member — a thrilling guitar solo from Bannerman, Baylis’ horn stings, vocoders, and precision drumfills — in a way that creates, almost paradoxically, a space in which one can meditate on the answer or move through it. Exploring the concept further on “Love,” they deliver an ethereal slice of highlife.\u003c\/p\u003e\n\u003cp\u003eThis heady brew of disparate styles and points of origin melds and pulls itself apart across the whole of Chopping Mountain, its songs united in that they are the sharpest tools Ibibio Sound Machine can bring to bear in the present moment. They present the struggle for freedom as a communal one, in which even the smallest movement contributes to the end game. As Williams sings in the title track, “When pebble disturbs the water \/ Ripples over yonder \/ Force of a sling shot hits you \/ Chopping mountain rock asunder.” The work of liberation is long and difficult, but it is not without joy — here is an album bursting with it.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1. Burning in Lagos\u003cbr\u003e2. Chopping Mountain\u003cbr\u003e3. When You Want to Dance\u003cbr\u003e4. Concept of Love\u003cbr\u003eSIDE B\u003cbr\u003e5. Return to Sender\u003cbr\u003e6. Menso\u003cbr\u003e7. Love\u003cbr\u003e8. Kukuru\u003cbr\u003e9. River Don’t Rush\u003cbr\u003eNOTE: CD includes the additional track “Give Me Peace [feat. Dele Sosimi]”\u003c\/p\u003e","brand":"MERGE","offers":[{"title":"Default Title","offer_id":47017364717724,"sku":"MRG886LP-C1","price":27.53,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/886_ibibiosoundmachine_LP-C1.jpg?v=1780517829"},{"product_id":"the-vendetta-suite-scrabo-electric","title":"The Vendetta Suite - Scrabo Electric","description":"\u003cp\u003eFormat: 12\" Vinyl, Label Branded Sleeve\u003cbr\u003eCatalogue No.: HYR7327\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Electro, Dub, Acid\u003c\/p\u003e\n\u003cp\u003eTracklist :\u003cbr\u003eA1: Original\u003cbr\u003eA2: A dub For Dave\u003cbr\u003eB1: Uprock At Digby’s Disco\u003cbr\u003eB2: Lead Mines Bonus Beats\u003c\/p\u003e\n\u003cp\u003eDJ Support by Massimiliano Pagliara, Fabrizio Mammarella, Ally Tropical, Sofa Elsewhere, Alexander Back, G-ha, Secret Soul Society, Olle Abstract, Logan Fisher, Timmy Stewart, Erki\u003c\/p\u003e\n\u003cp\u003eThe Vendetta Suite continues to show his broad range on Hell Yeah with the Scrabo Electric EP. Youthful memories, mushroom trips, 80s electro, dub and sleazy disco all colour a nostalgic tribute to early beat street culture in his home town of Newtownards.\u003c\/p\u003e\n\u003cp\u003eGary Irwin is a label mainstay with a thirst for weird and unconventional fusions that reframe 70s and 80s references through a contemporary lens.\u003c\/p\u003e\n\u003cp\u003eDrawing on memories of breakdancing, dub reggae, and teenage mischief, he channels the spirit of demolished record shops, discos, and local haunts that shaped his musical identity. From tape-swapping electro compilations and local characters to dub influences and teenage discos, each track reflects a personal chapter rooted in 1980s Northern Irish life.\u003c\/p\u003e\n\u003cp\u003eThe wiggy rhythms of the title cut to the echo-laden 'A Dub For Dave', the punchy 80s drums of 'Uprock At Digby's Disco' and raw, textured funk breaks of 'Lead Mines Bonus Beats' all mean this EP blends cultural memories and musical history with undeniable style.\u003c\/p\u003e","brand":"Hell Yeah Recordings","offers":[{"title":"Default Title","offer_id":47034233061532,"sku":"HYR7327","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/rel_d7b01ffa-169d-475d-83b9-46deec871a72.jpg?v=1780843996"},{"product_id":"various-artists-bondage-games-part-11-5lp-boxset","title":"Various Artists - Bondage Games Part 11 [5LP Boxset]","description":"\u003cp\u003eFormat: 5xLP Box Set      \u003cbr\u003eCatalogue No.: BOND12084BOX \u003cbr\u003eBarcode: 4251804183055\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003e* Ltd. 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Carefully curated across five heavyweight vinyl records, the compilation reflects the musical identity that has defined Bondage-Music since day one: deep, soulful, dub-infused, and emotionally driven house music designed for both intimate listening and late-night dancefloors.\u003c\/p\u003e\n\u003cp\u003eThe anniversary box features exclusive contributions from artists such as Roger Gerressen, Sascha Dive, Mihai Popoviciu, Steve Bug, NTFO, Markus Homm, Tuccillo, Politics Of Dancing, Rhadow, Andre Kronert, and many more — representing different generations and shades of the Bondage-Music sound.\u003c\/p\u003e\n\u003cp\u003ePressed on heavyweight 180g vinyl, each record is housed in an individual printed sleeve and presented inside a specially designed colored collector’s box with refined spot lacquer finish. The visual identity of the anniversary edition was created by Pete Bombart — BM’s longtime Head of Artwork, close friend, and an integral part of the label since its early days. His unmistakable artistic language has become deeply connected to the Bondage-Music universe over the years, building a loyal following that extends far beyond the music itself.\u003c\/p\u003e\n\u003cp\u003eStrictly limited to only 400 hand-numbered copies worldwide, the release also includes an exclusive BM bag, poster, and sticker set created specifically for this anniversary edition. 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