{"title":"Week 36 2026","description":null,"products":[{"product_id":"feral-hara-devata","title":"FERAL - Hara Devata","description":"\u003cp\u003eCATALOGUE NO. HYPNUS008\u003cbr\u003eFORMAT - 12\"\u003cbr\u003eRELEASE DATE 27th Nov 2015\u003cbr\u003eGenres - Techno\u003c\/p\u003e\n\u003cp\u003eRepress: 04 Sep 2026\u003c\/p\u003e\n\u003cp\u003eIn honor of the November full moon.\u003c\/p\u003e\n\u003cp\u003eSupported by\u003cbr\u003eDeepbass, Svreca, Antonio de Angelis, Arnaud le Texier, Exium, Kwartz, Takaaki Itoh, The Noisemaker, Unam Zetineb, Valentin , Oscar Mulero, Eric Cloutier, Acronym, Ben Buitendijk, Dimi Angelis, Juho Kahilainen, Etapp Kyle, Jonas Kopp, Nima Khak, Rasmus Hedlund, Reggy van Oers, Periskop, Antonio Vazquez, BLNDR, Elle, Jana Sleep, Luigi Tozzi, Modvs, Ntogn and more.\u003c\/p\u003e\n\u003cp\u003eTrack Listing\u003cbr\u003eA1. Brahma\u003cbr\u003eA2. Krishna\u003cbr\u003eB1. Vishnu\u003cbr\u003eB2. 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Within months of their meeting on a crowded trolley, they had formed a small ensemble to perform original compositions. In the next three years, madness ensued. Christian finished his degree at the Peabody Conservatory of Music, traveled to Switzerland to study, returned home, then wound up in NYC to attend the Julliard School. Jason didn't finish his degree, moved back to Louisville, began employment as an artist by day, dishwasher by night, and began working with friends in a band that would become Rodan. This insane, all-over-the-world lifestyle led to a barrage of telephone, demo tape, notepaper, sheet music \u0026amp; mail communication. This, combined with sporadic two-week or two-day person-to-person collaborations in whatever city was central enough, became the bizarre process of the music.\u003cbr\u003eDuring this long gestation, Rachel Grimes became involved, first assisting Jason in his brute comprehension of written music, then joining as a pianist \u0026amp; confidant. Soon she was fully entrenched, providing the strange coincidence of possessing the name \"Rachel,\" and an incredible backbone to the project. Several recordings had been finished, some in the studio, hundreds of 8-track cassettes, a few jambox cuts, but the time for a concentrated attempt at an LP seemed far away. Finally, Rachel, Christian, \u0026amp; Jason began assembling musicians who they respected: John, Mark and Barry from the Chicago supergroup The Coctails, Kevin Coultas from Rodan, Bob Weston, and several other string players from various walks of life. The result was a group of semi-vagrants, some reading from sheet music, some rambunctious noisemakers, working from an equally improvisational and tight-assed way. 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Simply obliterating any conception of the Wipers as a mere punk band, Greg Sage released this follow-up to \"Is This Real?\" in 1981 - a sophisticated, overwhelming response to the evil times marked by the turn of the decade. Broken up into six long songs, \"Youth of America\" is a much colder, harrowing experience than the teen angst of their debut. Vocally, Sage comes off as sleep-deprived and forsaken, snarling not only at his own predicament but at the predicament of the entire world. The centerpiece of the album is the title track, a dire ten minutes of paranoia and angst that gave Sage the space to showcase his wildest, darkest playing yet. As bassist Brad Davidson and drummer Brad Naish hold the same hypnotic rhythm for the entire song, the guitar careens and swoops with such a frantic energy it seems as though it's the only thing keeping Sage alive in the maelstrom of sound. It's a fitting commentary that the exacting, post-punk legends Mission of Burma and squalling, noisy thugs The Melvins both saw fit to cover the track. Jackpot Records have kept to the high standards set by our previous reissues (The Wipers' \"Is This Real?\" and the self-titled Beauregarde LP), and \"Youth of America\" is pressed on high-quality vinyl at RTI and packaged in a sturdy, old-fashioned tip-on sleeve. The tracks have been mastered from original tapes by Greg Sage himself, and the cover is identical to the original sleeve as issued in 1981. Deluxe reissue of their second LP, from 1981, Mastered from original tapes by Greg Sage himself, Considered by Kurt Cobain one of the top 50 records ever. Sturdy, old-style heavy duty jacket and high quality vinyl. 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This collaboration marks the first time a Nintendo soundtrack has been commercially released on vinyl outside of Japan. \u003c\/p\u003e\n\u003cp\u003eThis double LP set features heavyweight discs that come in printed inner sleeves, housed in a widespined outer sleeve. All packaging is adorned with archival artwork by the team behind The Legend of Zelda: Breath of the Wild. \u003c\/p\u003e\n\u003cp\u003eThe tracklist includes 34 fan-favourite cues including “Overworld (Day)”, “Great Fairy Fountain” and “Hyrule Castle”, sequenced to take listeners on a whistlestop tour of Hyrule in the final days of the Great Calamity. \u003c\/p\u003e\n\u003cp\u003eThe unforgettable music of The Legend of Zelda: Breath of the Wild introduced bold new musical textures to the series, while embracing classic themes. From the first spine-tingling piano notes of “Main Theme” to the final choral-orchestral stirrings of “Epilogue”, the soundtrack follows the ups and the downs of Link’s epic adventure. Each element of the game enjoys a distinct musical palette, including the iconic minimalist piano of the open world, the alien sounds of Sheikah technology, the tension-filled rhythms of enemy encounters, and the orchestral grandeur of the Divine Beast battles. The composition team comprised Manaka Kataoka, Yasuaki Iwata, and Hajime Wakai. \u003c\/p\u003e\n\u003cp\u003eAlong with this wonderful soundtrack on vinyl, fans can experience the full digital soundtrack for The Legend of Zelda: Breath of the Wild by downloading the Nintendo Music app.*\u003c\/p\u003e\n\u003cp\u003e*Available to download from the Apple App Store and Google Play Store. 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The four members of FRANTX explore the limits of their instruments and new modes of interaction through extended techniques, heterodox amplifications and electronic extensions. FRANTX was born to question our roles as musicians and target the political dimension in which we are supposed to exist in this contemporary context. Music for weird legged dancers, exploring new ways of listening and dreaming.\u003c\/p\u003e\n\u003cp\u003eIDUTYDU is a post-teenage dream from overstimulated brains about escaping real life glitches. Like a sabbath of punk ghosts and hyper pop fairies, saturated voices trying to exorcise the horrors of the world through a rageful vocoder: sometimes naive, sometimes cruel, always raw. \u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003eA01. SORRY I’M FEELING EMOJI \u003cbr\u003eA02. PINGU TRAUMA \u003cbr\u003eA03. LTB \u003cbr\u003eA04. ORGASMIC KITCHEN \u003cbr\u003eA05. BARBIECUE \u003cbr\u003eA06. ANSUM \u003cbr\u003eB07. BARBIECODA \u003cbr\u003eB08. BANANA PHONE BOI \u003cbr\u003eB09. VITTORIA \u003cbr\u003eB10. LIQUIFY \u003cbr\u003eB11. FLY COMMUNICATION\u003c\/p\u003e","brand":"Carton Records","offers":[{"title":"Default Title","offer_id":46488054431900,"sku":"CROIXCROIX40","price":30.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CROIXCROIX40.jpg?v=1772988629"},{"product_id":"zerre-rotting-on-a-golden-throne","title":"ZERRE - Rotting on a Golden Throne","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: DVP367LP\u003cbr\u003eBarcode: 199806754368\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Thrash\u003c\/p\u003e\n\u003cp\u003eDYING VICTIMS PRODUCTIONS is proud to present ZERRE’s highly anticipated second album, Rotting on a Golden Throne, on CD and vinyl LP formats. From the cellars of Würzburg, Germany, ZERRE have been keeping the torch of old-school thrash metal burning while carving their own vicious path. Their sound draws on the razor-sharp aggression of classic Metallica and Exodus and the stomping groove of early Faith No More: no frills, no mercy. Their third full-length, 2024’s Scorched Souls, tore through the scene and earned critical acclaim for its searing riffs and unflinching energy. Now, ZERRE take a decisive step forward with Rotting on a Golden Throne. Darker, more overtly political, and more aggressive than its predecessor, this fourth full-length dives headfirst into the rot of power, corruption, and human decay – a brutal soundtrack for a world teetering on the edge. Onstage, ZERRE embody the chaos of their music: riff-driven assaults, breakneck tempos, and a raw intensity that leaves no room to breathe. On record, while those influences still remain, but the DNA has been splintered into something more unique and definitely more powerful: thrashing, yes, but within a crossover framework that feels titanic. The production is razor-sharp, but with ominous atmosphere to spare; the execution is even sharper, as the drumming especially pulses like a dread locomotive; and vocals spit forth venom, raging against a machine fatted by suffering. As the throne collapses, ZERRE deliver the anthem of its fall. Keep on Rotting on a Golden Throne! \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Intro\u003cbr\u003e2. Concrete Hell\u003cbr\u003e3. Rotting on a Golden Throne\u003cbr\u003e4. Pigs will be Pigs\u003cbr\u003e5. Tin God\u003cbr\u003e6. Deception of the Weak\u003cbr\u003e7. Mental Vacation\u003cbr\u003e8. Killing Taste\u003cbr\u003e9. 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Here, some compositions are built around rhythmic and percussive patterns, creating a multi-layered soundscape. We still find here a rich tapestry of textures and altered timbres, melodic cells where each harmonic resonates with the deep vibration of the bass frequencies.\u003c\/p\u003e\n\u003cp\u003eThe solo writing keeps its power, while also giving way to an improvisational, playful, and mischievous dimension. This new album follows a decidedly more narrative thread. The vibration travels differently, irrigating new channels. Populated with incantations and memories, the seven pieces of Vêtue invite a raw energy, both monumental and intimate. In this new opus, which features a more expressive voice and a double bass playing enriched with many variations, there are themes of rocks and clay, pebbles and a young girl, rabbits and a dry field. A multitude of images, all born from a childhood imagination.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003e01. Les lapins \u003cbr\u003e02. Sec et muette \u003cbr\u003e03. Du sable malin \u003cbr\u003e04. La jeune fille bleue \u003cbr\u003e05. Rocher multiple \u003cbr\u003e06. La maison des dieux \u003cbr\u003e07.        Pauvre glaise\u003c\/p\u003e","brand":"Carton Records","offers":[{"title":"Default Title","offer_id":46564521672860,"sku":"BATON19LP","price":27.02,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BATON19LP.jpg?v=1774200102"},{"product_id":"scaler-endlessly","title":"SCALER - ENDLESSLY","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eACRELP018 \/ ACRELP18\u003c\/span\u003e\u003cbr\u003eBarcode: 5056321696410\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Dance\/ Electronic\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStandard-weight 140g black vinyl housed in a white disco bag and printed slip sleeve. Shrink-wrapped.\u003c\/p\u003e\n\u003cp\u003eDubbed \"Bristol's next national breakthrough\" by The Guardian, SCALER return with a repress of their acclaimed sophomore album Endlessly via Bristol's revered Black Acre. Following its nomination for Best Independent Album at the AIM Independent Music Awards, Endlessly cements the four-piece's reputation as one of the UK's most exciting boundary-pushing acts.\u003cbr\u003eDescribed by DJ Mag as \"a reflection on time spent apart and the power of reconnection through configurations of scorched techno, trip-hop, metal and off-kilter electronica, brushed with a sweaty, basement sheen,\" Endlessly is SCALER's most ambitious and fully realised work to date.\u003cbr\u003eWritten after the isolation of the pandemic, the album marks a conscious shift towards collaboration and collective creativity. As the band explain: \"Endlessly truly feels like our first real album. Unlike our debut, which was made in isolation during Covid lockdowns, this record was shaped by many minds working together to find cohesion between the diverse art and music that inspires us. It's our most expansive, dynamic and fully realised body of work to date—and one we're incredibly proud of.\"\u003cbr\u003eBlending crushing electronics, industrial textures and cinematic songwriting, Endlessly captures SCALER at their most confident, while laying the foundations for the ever-evolving live reinterpretations that have become central to the band's identity.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA Side\u003cbr\u003eA1. quiet when it speaks\u003cbr\u003eA2. Salt\u003cbr\u003eA3. Broken Entry\u003cbr\u003eA4. Mirage\u003cbr\u003eA5. (yearn)\u003c\/p\u003e\n\u003cp\u003eB Side\u003cbr\u003eB1. Evolve\u003cbr\u003eB2. Cold Storage\u003cbr\u003eB3. Sinking In\u003cbr\u003eB4. Salvation\u003cbr\u003eB5. 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Mike initially released his first records, such as \"America's Most Wanted\" and \"Slow It Down,\" independently. In 2008, he finally signed a record deal with Eclecto Groove Records. The title track of his 2009 album \"Pearl River\" won the 2010 Blues Music Award in the \"Song of the Year\" category. His third album with Eclecto Groove, \"Greyhound,\" was nominated for \"Best Blues Rock Album\" at the 2011 Blues Music Awards. In the same year, Mike Zito founded the band Royal Southern Brotherhood (three studio albums, one live album) together with Cyril Neville, a legend from the band The Meters, and Devon Allman. Zito and Devon Allman, the son of Gregg Allman and his first wife Shelley Kay Jefts, knew each other from their time together in St. Louis, where Devon ran a guitar shop in the suburbs and the two jammed together. In 2013, Zito's album Gone to Texas was nominated for a Blues Music Award in the US; his albums Make Blues Not War (2016) and First Class Life (2018) both reached number one on the US Billboard Blues Albums chart. Zito founded the Gulf Coast Records label with Guy Hale. His albums continued to chart and win awards. He formed the Blood Brothers with New York blues rocker Albert Castiglia. The album \"Life Is Hard\" (2024) again reached number one on the charts, and their joint tours continued the success story. In October 2024, Mike Zito performed at the Rockpalast as part of the Crossroads Festival, together with Doug Bykirt (bass, backing vocals) and Matt Johnson (drums, backing vocals). . This is someone who knows what he's singing about when it comes to the abysses and hardships that the world can confront people with.\u003c\/p\u003e\n\u003cp\u003eTracks: Mississippi Nights \/ I'll Make Love To You \/ Blues For The Southside \/ Wasted Time \/ Life Is Hard \/ Don't Bring Me Down \/ Forever My Love \/ Natural Born Lover \/ Dying Day \/ Darkness \/ Back Problems \/ Judgement Day \/ All Last Night \/ Mississippi Nights \/ I'll Make Love To You Anytime \/ Blues For The Southside \/ Wasted Time \/ Life Is Hard \/ Don't Bring Me Down \/ Forever My Love \/ Natural Born Lover \/ Dying Day \/ Darkness \/ Back Problems \/ Judgement Day \/ All Last Night \/ Interview\u003c\/p\u003e","brand":"MIG MUSIC","offers":[{"title":"Default Title","offer_id":46587766014108,"sku":"MIG91062","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_b1eb6223-1009-44da-bf08-d30082f3b098.webp?v=1774534773"},{"product_id":"red-rooms-katana-vinyl-only","title":"Red Rooms - Katana [Vinyl Only]","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: KEY059\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003eRepress: 04 Sep 2026\u003c\/p\u003e\n\u003cp\u003e4 tracks by one of the most solid German techno project at the moment !\u003c\/p\u003e\n\u003cp\u003eTracks\u003cbr\u003eA1 Red Rooms Paralyzed Mind\u003cbr\u003eA2 Red Rooms Dehydration\u003cbr\u003eB1 Red Rooms Oblivion\u003cbr\u003eB2 Red Rooms Lost Signal\u003c\/p\u003e","brand":"KEY Vinyl","offers":[{"title":"Default Title","offer_id":46600622801052,"sku":"KEY059","price":13.01,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KEY059_front.jpg?v=1774800911"},{"product_id":"massive-attack-tom-waits-boots-on-the-ground-mixed-at-random-in-red-white-and-blue","title":"Massive Attack \u0026 Tom Waits - Boots on the Ground [mixed at random in red, white and blue]","description":"\u003cp\u003eFormat: 180g\u003cbr\u003eCatalogue No.: PIASR1700PS\u003cbr\u003eBarcode: 5400863210090\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Balearic\/Downtempo\u003c\/p\u003e\n\u003cp\u003e180g ‘EcoSonic’ records, mixed at random in red, white and blue, housed in a full colour sleeve, with additional screen printing.\u003c\/p\u003e\n\u003cp\u003eMassive Attack and Tom Waits release a new collaboration “Boots on the Ground”, with an exclusive to vinyl B-side provided by Waits – a droll and sardonic spoken word piece entitled “The Fly”.\u003cbr\u003e \u003cbr\u003eAn accompanying film created by Massive Attack (working with US photo artist \"thefinaleye\") will be available via the band’s digital platforms. This evocative, high-intensity montage portrays a momentous American epoch that is yet to be named, and comes in the aftermath of the largest public protests in American history - focused on opposition to ICE raids, the militarisation of domestic forces, and state authoritarianism.\u003cbr\u003e \u003cbr\u003e“Boots on the Ground” is the first Massive Attack music distributed under a Spotify exemption policy. Further releases are scheduled prior and subsequent to the band’s run of live performances, including their forthcoming European tour and summer festival headlines. \u003cbr\u003e \u003cbr\u003eIn keeping with the band's sector leading efforts to reduce carbon emissions across both live activity and recorded output, Massive Attack have partnered with Good Neighbor to produce an ‘EcoSonic’ pressing. Manufactured using 100% recycled PET (rPET) rather than traditional PVC, the record is fully recyclable and produced via an energy-efficient injection moulding process - a significant shift in record manufacturing. Packaging follows the same approach, with sleeves made from 100% recycled, FSC®-certified paper stock and outer slipcases produced from recycled polyethylene.\u003cbr\u003e \u003cbr\u003eA Massive Attack \u0026amp; Tom Waits - Boots on the Ground\u003cbr\u003eB Tom Waits - The Fly\u003c\/p\u003e","brand":"Play It Again Sam","offers":[{"title":"Default Title","offer_id":46689315651740,"sku":"PIASR1700PS","price":36.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/260323_MA_BOOTS_ON_THE_GROUND_PACKSHOT_FINAL_DIGI_01_1.jpg?v=1776424454"},{"product_id":"natalie-imbruglia-algorithm-edition-orange-coloured-vinyl-sparkle-7","title":"Natalie Imbruglia - Algorithm [edition orange coloured vinyl + Sparkle 7\"]","description":"\u003cp\u003eFormat: LP+7\"\u003cbr\u003eCatalogue No.: LGR1LPX\u003cbr\u003eBarcode: 5053760152446\u003cbr\u003eRelease Date: 04 Sep 2026.\u003cbr\u003eGenre: Pop\u003c\/p\u003e\n\u003cp\u003elimited edition orange coloured vinyl for indies’ exclusive with a gatefold sleeve + Sparkle 7” including bonus tracks.\u003c\/p\u003e\n\u003cp\u003eNatalie Imbruglia is known to millions as the star behind the global hit ‘Torn’ which remains one of the defining songs of the nineties. It started a phenomenal run of success which has included two BRIT Awards, three Grammy nominations, a Silver Clef, eight ARIA Awards, seven million sales of her debut album ‘Left of the Middle’, and a #1 for ‘Counting Down The Days’. Recent times have seen her back in the spotlight, having performed alongside Olivia Rodrigo. It’s the perfect time for a new chapter, which starts with the news that she will release her new album ‘Algorithm’ \u003cbr\u003e \u003cbr\u003e‘Algorithm’ finds Natalie Imbruglia in a new era: one of empowerment, freedom and creative fulfillment. The Australian-British pop icon’s first album in five years is a tour de force, a deeply personal record to remind us precisely why we fell in love with her in the first place. It comes as the cultural zeitgeist shifts and pop edges back towards the dancefloor, its direction feeling in tune with the sophisticated pop, disco and house leanings of Robyn.\u003cbr\u003e \u003cbr\u003eNatalie says, “On this record I chose to work with collaborators who also co-produce so from start to finish we were all so invested in every song. I really hope that people get as much joy from listening to this record as we did making it. And that they dance their arses off.\u003cbr\u003e \u003cbr\u003eThis was by far the most fun I’ve ever had making a record. It also happened to coincide with the most challenging time I’ve had with my mental health. This is the beauty of music and artistic expression. You can take something dark and turn it into light.”\u003cbr\u003e \u003cbr\u003eThe single ‘Upside Down’ opens with a flourish of bright synths and energetic percussion, with Natalie’s distinctive lilt floating above. As she reaches the chorus, it grows brighter – kaleidoscopic, shimmering – and we hear her relinquishing control, and ultimately finding clarity in a song which came from a feeling of shame surrounding her mental health.\u003cbr\u003e \u003cbr\u003eShe explains, “The inability to control my emotions, wrestling with fight or flight mode, was awful, and I was reaching this critical point with it. In a way, the song is about how sheer willpower – trying to force your way out of something – doesn’t always work. You need tools, support. So that’s where the song was born from, that fight to maintain a semblance of what some might consider normality.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Debbie\u003cbr\u003e2. Upside Down\u003cbr\u003e3. Catastrophe\u003cbr\u003e4. Algorithm\u003cbr\u003e5. Sounds Like It Feels\u003cbr\u003e6. Jesus On Mars\u003cbr\u003e7. Who Dimmed The Lights\u003cbr\u003e8. End Game\u003cbr\u003e9. Just Drive\u003cbr\u003e10. 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It started a phenomenal run of success which has included two BRIT Awards, three Grammy nominations, a Silver Clef, eight ARIA Awards, seven million sales of her debut album ‘Left of the Middle’, and a #1 for ‘Counting Down The Days’. Recent times have seen her back in the spotlight, having performed alongside Olivia Rodrigo. It’s the perfect time for a new chapter, which starts with the news that she will release her new album ‘Algorithm’ \u003cbr\u003e \u003cbr\u003e‘Algorithm’ finds Natalie Imbruglia in a new era: one of empowerment, freedom and creative fulfillment. The Australian-British pop icon’s first album in five years is a tour de force, a deeply personal record to remind us precisely why we fell in love with her in the first place. 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