{"title":"Universal WK32 2026","description":null,"products":[{"product_id":"ludovico-einaudi-the-summer-portraits-live-cd-a","title":"Ludovico Einaudi - The Summer Portraits Live [CD-A]","description":"\u003cp\u003eFormat: CD-A\u003cbr\u003eCatalogue No.: 5716507\u003cbr\u003eBarcode: 0199957165075\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Modern Classical\u003c\/p\u003e\n\u003cp\u003eLudovico Einaudi returns with 'The Summer Portraits Live’. Recorded live in London at The Royal Albert Hall in 2025, this new collection includes favourites from The Summer Portraits as well as much-loved classics such as 'I Giorni', 'Nuvole Bianche' and 'Experience’.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRose Bay\u003cbr\u003eTo Be Sun\u003cbr\u003ePunta Bianca\u003cbr\u003eEpisode One\u003cbr\u003eSantiago\u003cbr\u003eJay\u003cbr\u003eI Giorni\u003cbr\u003ePathos\u003cbr\u003eMaria Callas\u003cbr\u003eExperience\u003cbr\u003eNuvole Bianche\u003cbr\u003eThe Tower\u003c\/p\u003e","brand":"Decca Records","offers":[{"title":"Default Title","offer_id":46863095627932,"sku":"5716507","price":13.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TheSummerPortraitsLiveCD.jpg?v=1778841766"},{"product_id":"ludovico-einaudi-the-summer-portraits-live-2lp-pink-and-blue","title":"Ludovico Einaudi - The Summer Portraits Live [2LP Pink and Blue]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: 5716510\u003cbr\u003eBarcode: 0199957165105\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Modern Classical\u003c\/p\u003e\n\u003cp\u003eLudovico Einaudi returns with 'The Summer Portraits Live’. 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The incredible 10 track album features the single 'Black Prada Dress’.\u003c\/p\u003e","brand":"POLYDOR","offers":[{"title":"Default Title","offer_id":47003652915356,"sku":"8828217","price":29.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/EllieGoulding-IKnowTooMuch-1LP-ColourVinyl-00602488282178-AllPartners.jpg?v=1780420579"},{"product_id":"staind-break-the-cycle-25th-anniversary-live-cd-digisleeve","title":"Staind - Break The Cycle (25th Anniversary Live) [CD Digisleeve]","description":"\u003cp\u003eFormat: CD Digisleeve\u003cbr\u003eCatalogue No.: 964252542\u003cbr\u003eBarcode: 4099964252545\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eIn celebration of the 25th Anniversary of Staind’s classic album, Break The Cycle, the band will release Break The Cycle 25th Anniversary, featuring the band performing the iconic album in full, live. The performance features every song from the album including classic singles “It’s Been A While”, “Outside” and “Fade”.\u003c\/p\u003e\n\u003cp\u003e1. Open Your Eyes\u003cbr\u003e2.Pressure\u003cbr\u003e3. Fade\u003cbr\u003e4. It’s Been A While\u003cbr\u003e5. Change\u003cbr\u003e6. Can’t Believe\u003cbr\u003e7. Epiphany\u003cbr\u003e8. Suffer\u003cbr\u003e9. Warm Safe Place\u003cbr\u003e10. For You\u003cbr\u003e11. Outside\u003cbr\u003e12. Waste\u003cbr\u003e13. Take It\u003c\/p\u003e","brand":"BMG","offers":[{"title":"Default Title","offer_id":47086613397660,"sku":"964252542","price":13.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/StaindCD_Exploded04.09.26.jpg?v=1781899617"},{"product_id":"staind-break-the-cycle-25th-anniversary-live-black-ice-black-wave","title":"Staind - Break The Cycle (25th Anniversary Live) [Black Ice Black Wave]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 964252571\u003cbr\u003eBarcode: 4099964252576\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eIn celebration of the 25th Anniversary of Staind’s classic album, Break The Cycle, the band will release Break The Cycle 25th Anniversary, featuring the band performing the iconic album in full, live. 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However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at over 8 million copies, outselling any other record in the same genre.\u003c\/p\u003e\n\u003cp\u003eThe acclaim of the original album elevated the artists (including Ibrahim Ferrer, Rubén González, Eliades Ochoa, Compay Segundo and Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, a Tony Award-Winning Broadway Musical and contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder and Executive Produced by Nick Gold for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this album will go down as one of the landmark recordings of the 20th century.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eSide A\u003cbr\u003e1. Chan Chan\u003cbr\u003e2. De Camino a La Vereda\u003cbr\u003e3. El Cuarto de Tula\u003cbr\u003e4. 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Across 14 tracks, Nick Carpenter explores friendship, freedom, addiction, anxiety, love, regret, and the lifelong pursuit of feeling fully alive.\u003cbr\u003e \u003cbr\u003eBlending traces of country, rock, and indie, King of Having Fun is fueled by sharp lyricism and emotional transparency. Part coming-of-age story, part cautionary tale, it ultimately searches for a way back to the simple joys that first taught us how to participate in the world: getting outside, taking chances, calling your friends, and remembering that wonder is something you return to again and again.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e********\u003cbr\u003eBIO\u003c\/p\u003e\n\u003cp\u003eMedium Build’s Nick Carpenter never planned for a career as a singer-songwriter to take him to great heights. But when it did — an ascent made possible on the merits of his razor-sharp and fearlessly reflective tunes, electrifying performances, and acerbic, hilarious wit — he certainly wasn’t prepared to end up so close to the edge.\u003cbr\u003e \u003cbr\u003eNow, on the heels of his breakthrough 2024 album Country, years of relentless touring under increasingly brighter lights and bigger stages, and recovery from the subsequent fallout that often follows fame, comes King of Having Fun, Medium Build’s most cohesive, extroverted, and joyful record yet. An album made not in an isolated bedroom like much of his past work but live in a studio with his closest friends and collaborators, it is fueled by a fresh rock-and-roll energy paired with the artist’s familiar lo-fi-meets-indie-and-country sound yet still driven by the biting lyrical insight and potent self-examination that has endeared Carpenter to throngs of fans worldwide. Sure to bring Medium Build to a whole new level of stardom through its sheer sonic power and songwriting prowess, King of Having Fun is the sound of a fractured soul picking up the pieces out of the darkness of rock-bottom and rediscovering real love — for others, for joy, and for oneself.\u003cbr\u003e \u003cbr\u003eCarpenter, who was raised in an evangelical household in Georgia and learned at an early age how to both perform and to be performative, credits the birth of Medium Build to two significant personal heartbreaks: once as an aspiring Christian at the hands of the Church, and once by the music industry as a member of an indie rock band called, fittingly, Little Moses.\u003cbr\u003e \u003cbr\u003e“Most of my upbringing was spent learning how to perform the act of existence,” he says. “Being a good boy at church or school was how you got ahead, so the church was a place for me to perform this sort of existence to earn praise and perks. But when I found out how fucked up its inner workings are, the church dream died. And my experience in Nashville for music was very similar. So, Medium Build was created to be a place where no one could ever take anything from me. It was born from a kill-all-accessibility perspective: Say the darkest, nastiest thought you're otherwise afraid to say; don't filter — all the shit you weren't allowed to say at church, say it here. I just wanted a place where I could be ugly.”\u003cbr\u003e \u003cbr\u003eHaving tried his hand in a few different Southern music hubs, Carpenter took advantage of an opportunity to restart as far away from home as possible and moved in with his older brother in Anchorage, Alaska, in 2018, where he continued writing stripped-down, angsty, and wry songs under the Medium Build name. Adding guitar and vocals to beats or loops, Carpenter let the raw, emotional texture of his voice shine, and when paired with the evocative, heartrendingly real nature and relatability of his lyrics, a winning formula emerged. Recruiting a production-savvy friend to help him record and engineer, the output retained a strong DIY sensibility while revealing itself clearly capable of reaching a larger audience. Galvanized by that performative religious background, early Medium Build shows were communal, life-affirming affairs, and their spectacle spread via social media and word of mouth. A steady grip of EPs, full-lengths, and singles over the next five years culminated with a slowplay\/Island Records deal, bigger tours, and a move to Nashville in 2023, followed by the 2024 LP Country.\u003cbr\u003e \u003cbr\u003eAll the while, Carpenter, who had been bartending in Anchorage while not playing shows and had a history of drinking-to-excess amid spells of sobriety, was abusing alcohol and partying more and more. That, paired with his deep-seated approval-seeking, social-chameleon tendencies and the perils of the road, was making it difficult for him to maintain his health, interpersonal relationships, and any sense of himself. He was depressed, unfulfilled, and his bipolar disorder was then as-yet undiagnosed and thereby unmedicated. Nick Carpenter’s personal life existed in sharp contrast to the rising star of Medium Build.\u003cbr\u003e \u003cbr\u003e“After the pandemic, my career was starting to go well, I was in a serious relationship, and my home life was chill. It felt like I couldn't do any wrong. Got signed, put out the album in 2024, did all the festivals, the world tour. My cocky drinking started going off the charts, and my lore began to overshadow my existence. I had a full-blown panic attack on stage, ruined a couple shows. That was basically rock-bottom: waking up in a hotel room in Australia, just feeling like I could die. I think I could be done. I played Bonnaroo, played London, met David Gray. I've done everything I thought I could do. This little thing clicked in my head: Nobody would blame you if you wanted to kill yourself now. You’ve put out a record, been successful. You've done all the drugs, had sex with anyone you want. What do you want now? I just wasn't curious about anything anymore. I felt boredom and pressure to continue doing this thing that I wasn't enjoying. I didn't have a firm base in anything, no spiritual grounding. Something had changed. I wanted to die.”\u003cbr\u003e \u003cbr\u003eHe called a meeting with his team and bandmates that was essentially a cry for help. The response was immediate, and Carpenter began to slowly chip away at his path to recovery. He took a break from music, got diagnosed, got meds, got sober, became single, started working on himself…and got better. And, in true Medium Build fashion, he was constantly writing candid, incisive songs about his experience throughout the entire process.\u003cbr\u003e \u003cbr\u003e“It was scary to say something out loud like that,” he says. “I basically spent 2025 in this weird cocoon, licking my wounds, making amends. But there's also the pink cloud of early sobriety and the confidence that comes with that: I'm losing weight. I'm running a fuck-ton of miles. I'm single and I'm feeling good. The suicidal thoughts have gone away and now: Here I am. And so that's when we made the record.”\u003cbr\u003e \u003cbr\u003eAlthough it is without a doubt his brainchild, Carpenter insists he has never done Medium Build alone, and from the start he knew he wanted to make these new songs into a rafters-reaching rock record with his band together in a live room. He booked a studio for two weeks, and assembled his collaborative dream team — Paul Rogers, the musical director; Jimmy Mansfield, the engineer; and Jake LiBassi, the atmospheric moodmaker — to lock in and steer the creative process. They often reverse-engineered from the perspective of playing the songs live in bigger rooms and arenas at the objective forefront, and added upbeat tempos, guitar solos, singalongs, and more with those specific, future rock and roll moments in mind. And yet despite the dark subject matter hanging over much of it all, Carpenter’s lyrics also poke and prod at the gloaming, revealing a newfound maturity and rediscovered zest.\u003cbr\u003e \u003cbr\u003e“You pull a guy out of the noose, squash his bipolar down, give him running and sunshine and the chance to sit at home for awhile…the songs just started falling out. These tunes feel like they were made in a padded room where I could be really honest. A lot of the record’s got tempo, a lot is fun to sing. There’s a playfulness, sonically, and it's a big collaboration, with six or seven people involved on almost every tune.”\u003cbr\u003e \u003cbr\u003eThroughout King of Having Fun, the kitchen sink of Medium Build’s abilities and Carpenter’s chameleon-like skill to succeed in multiple genres is on full display. “Do Something Productive” sets an early tone of anthemic power-pop mixed with modern country sentimentalism, while “Cone Off” apes the latter genre’s sonics while celebrating the singer’s untethered freedom. The title track is a hero’s journey from darkness to light, with nostalgic revelry for simpler times sung through a George-Strait-meets-Andy-Shauf sincerity, and the achingly simple acoustic ditty “Feed the Boys” depicts a young Carpenter in the car with his mom as they enjoy a treat on their way home. “Bird Woman”’s wall of guitars and obscure lyrics (“They’re dark,” Carpenter, who identifies as queer, says: “I'm watching a woman do Tai Chi while talking about a guy not leaving his wife for me”) hearken to Carpenter’s indie-est idols, with offerings made to Pedro the Lion, Alvvays, and Dinosaur Jr, and “Home Depot” is a ’90s pop-country radio jam that tells the story of Steve, a guy who is simply incapable of being emotional without his tools. Carpenter calls “Armor” the heart of the record, with its three verses of headspinning neuroses in the arena-busting style of Harry Styles, Sam Fender, and U2. The album closes with the gorgeous “Thank You Cook” like an end credits number in a film, with brushes melting over an early-Coldplay-esque tone and whisper-soft vocals. A love song to his partner, the musician Annika Bennett (who co-wrote throughout the record and sings background vocals on several songs), the track represents a new gear for Medium Build, one that suggests that all the lows in Carpenter’s past life have served the purpose of helping him to appreciate the highs to come.\u003cbr\u003e \u003cbr\u003e“A lot of my songs come from a sense of discomfort that I then have to frame in criticism,” he says. “I'm great at taking something down or writing about tension in a relationship; I've never been good at writing about how nice a relationship can be. So this record feels like the first time I was able to say, in an artistic way that didn't feel cloying, Thank you for loving me. Obviously, I had to lose it to be able to put it into words. That's really hard to do when you’re in it, but that time and space helps you see. And I now realize I have the power to give myself all the things I need. So I'm back, I'm doing it, and I love it. This album has a genuine love song for my partner and a genuine love song for my mom; there aren’t many knocking someone off their high horse. I guess it's a sign of my growth. It's maybe the best and most important thing I've ever made. I got all my favorite people in a room and we had fun. It’s a celebration of life.”\u003cbr\u003e \u003cbr\u003eAnd, as he sings on the album’s final, powerful moment — When the love I learn from you \/ Becomes the love I give myself… I love myself, I am home \/ I don’t need anything — we, too, can take heart, knowing that Nick Carpenter is planted firmly on solid ground, at last.\u003c\/p\u003e","brand":"Island","offers":[{"title":"Default Title","offer_id":47118930083996,"sku":"6108140","price":14.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MediumBuild_KingOfHavingFun_CD_Packshot_V1_Jake.jpg?v=1782657816"},{"product_id":"medium-build-king-of-having-fun-black-lp","title":"Medium Build - King of Having Fun [BLACK LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 6108135\u003cbr\u003eBarcode: 0881061081357\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Indie Pop\u003c\/p\u003e\n\u003cp\u003eWritten in the heat of summer and recorded live in-studio with close friends and collaborators, King of Having Fun traces the distance between the curious kid riding his bike too far from home and the grown man searching for relief in all the wrong places. Across 14 tracks, Nick Carpenter explores friendship, freedom, addiction, anxiety, love, regret, and the lifelong pursuit of feeling fully alive.\u003cbr\u003e \u003cbr\u003eBlending traces of country, rock, and indie, King of Having Fun is fueled by sharp lyricism and emotional transparency. Part coming-of-age story, part cautionary tale, it ultimately searches for a way back to the simple joys that first taught us how to participate in the world: getting outside, taking chances, calling your friends, and remembering that wonder is something you return to again and again.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e********\u003cbr\u003eBIO\u003c\/p\u003e\n\u003cp\u003eMedium Build’s Nick Carpenter never planned for a career as a singer-songwriter to take him to great heights. But when it did — an ascent made possible on the merits of his razor-sharp and fearlessly reflective tunes, electrifying performances, and acerbic, hilarious wit — he certainly wasn’t prepared to end up so close to the edge.\u003cbr\u003e \u003cbr\u003eNow, on the heels of his breakthrough 2024 album Country, years of relentless touring under increasingly brighter lights and bigger stages, and recovery from the subsequent fallout that often follows fame, comes King of Having Fun, Medium Build’s most cohesive, extroverted, and joyful record yet. An album made not in an isolated bedroom like much of his past work but live in a studio with his closest friends and collaborators, it is fueled by a fresh rock-and-roll energy paired with the artist’s familiar lo-fi-meets-indie-and-country sound yet still driven by the biting lyrical insight and potent self-examination that has endeared Carpenter to throngs of fans worldwide. Sure to bring Medium Build to a whole new level of stardom through its sheer sonic power and songwriting prowess, King of Having Fun is the sound of a fractured soul picking up the pieces out of the darkness of rock-bottom and rediscovering real love — for others, for joy, and for oneself.\u003cbr\u003e \u003cbr\u003eCarpenter, who was raised in an evangelical household in Georgia and learned at an early age how to both perform and to be performative, credits the birth of Medium Build to two significant personal heartbreaks: once as an aspiring Christian at the hands of the Church, and once by the music industry as a member of an indie rock band called, fittingly, Little Moses.\u003cbr\u003e \u003cbr\u003e“Most of my upbringing was spent learning how to perform the act of existence,” he says. “Being a good boy at church or school was how you got ahead, so the church was a place for me to perform this sort of existence to earn praise and perks. But when I found out how fucked up its inner workings are, the church dream died. And my experience in Nashville for music was very similar. So, Medium Build was created to be a place where no one could ever take anything from me. It was born from a kill-all-accessibility perspective: Say the darkest, nastiest thought you're otherwise afraid to say; don't filter — all the shit you weren't allowed to say at church, say it here. I just wanted a place where I could be ugly.”\u003cbr\u003e \u003cbr\u003eHaving tried his hand in a few different Southern music hubs, Carpenter took advantage of an opportunity to restart as far away from home as possible and moved in with his older brother in Anchorage, Alaska, in 2018, where he continued writing stripped-down, angsty, and wry songs under the Medium Build name. Adding guitar and vocals to beats or loops, Carpenter let the raw, emotional texture of his voice shine, and when paired with the evocative, heartrendingly real nature and relatability of his lyrics, a winning formula emerged. Recruiting a production-savvy friend to help him record and engineer, the output retained a strong DIY sensibility while revealing itself clearly capable of reaching a larger audience. Galvanized by that performative religious background, early Medium Build shows were communal, life-affirming affairs, and their spectacle spread via social media and word of mouth. A steady grip of EPs, full-lengths, and singles over the next five years culminated with a slowplay\/Island Records deal, bigger tours, and a move to Nashville in 2023, followed by the 2024 LP Country.\u003cbr\u003e \u003cbr\u003eAll the while, Carpenter, who had been bartending in Anchorage while not playing shows and had a history of drinking-to-excess amid spells of sobriety, was abusing alcohol and partying more and more. That, paired with his deep-seated approval-seeking, social-chameleon tendencies and the perils of the road, was making it difficult for him to maintain his health, interpersonal relationships, and any sense of himself. He was depressed, unfulfilled, and his bipolar disorder was then as-yet undiagnosed and thereby unmedicated. Nick Carpenter’s personal life existed in sharp contrast to the rising star of Medium Build.\u003cbr\u003e \u003cbr\u003e“After the pandemic, my career was starting to go well, I was in a serious relationship, and my home life was chill. It felt like I couldn't do any wrong. Got signed, put out the album in 2024, did all the festivals, the world tour. My cocky drinking started going off the charts, and my lore began to overshadow my existence. I had a full-blown panic attack on stage, ruined a couple shows. That was basically rock-bottom: waking up in a hotel room in Australia, just feeling like I could die. I think I could be done. I played Bonnaroo, played London, met David Gray. I've done everything I thought I could do. This little thing clicked in my head: Nobody would blame you if you wanted to kill yourself now. You’ve put out a record, been successful. You've done all the drugs, had sex with anyone you want. What do you want now? I just wasn't curious about anything anymore. I felt boredom and pressure to continue doing this thing that I wasn't enjoying. I didn't have a firm base in anything, no spiritual grounding. Something had changed. I wanted to die.”\u003cbr\u003e \u003cbr\u003eHe called a meeting with his team and bandmates that was essentially a cry for help. The response was immediate, and Carpenter began to slowly chip away at his path to recovery. He took a break from music, got diagnosed, got meds, got sober, became single, started working on himself…and got better. And, in true Medium Build fashion, he was constantly writing candid, incisive songs about his experience throughout the entire process.\u003cbr\u003e \u003cbr\u003e“It was scary to say something out loud like that,” he says. “I basically spent 2025 in this weird cocoon, licking my wounds, making amends. But there's also the pink cloud of early sobriety and the confidence that comes with that: I'm losing weight. I'm running a fuck-ton of miles. I'm single and I'm feeling good. The suicidal thoughts have gone away and now: Here I am. And so that's when we made the record.”\u003cbr\u003e \u003cbr\u003eAlthough it is without a doubt his brainchild, Carpenter insists he has never done Medium Build alone, and from the start he knew he wanted to make these new songs into a rafters-reaching rock record with his band together in a live room. He booked a studio for two weeks, and assembled his collaborative dream team — Paul Rogers, the musical director; Jimmy Mansfield, the engineer; and Jake LiBassi, the atmospheric moodmaker — to lock in and steer the creative process. They often reverse-engineered from the perspective of playing the songs live in bigger rooms and arenas at the objective forefront, and added upbeat tempos, guitar solos, singalongs, and more with those specific, future rock and roll moments in mind. And yet despite the dark subject matter hanging over much of it all, Carpenter’s lyrics also poke and prod at the gloaming, revealing a newfound maturity and rediscovered zest.\u003cbr\u003e \u003cbr\u003e“You pull a guy out of the noose, squash his bipolar down, give him running and sunshine and the chance to sit at home for awhile…the songs just started falling out. These tunes feel like they were made in a padded room where I could be really honest. A lot of the record’s got tempo, a lot is fun to sing. There’s a playfulness, sonically, and it's a big collaboration, with six or seven people involved on almost every tune.”\u003cbr\u003e \u003cbr\u003eThroughout King of Having Fun, the kitchen sink of Medium Build’s abilities and Carpenter’s chameleon-like skill to succeed in multiple genres is on full display. “Do Something Productive” sets an early tone of anthemic power-pop mixed with modern country sentimentalism, while “Cone Off” apes the latter genre’s sonics while celebrating the singer’s untethered freedom. The title track is a hero’s journey from darkness to light, with nostalgic revelry for simpler times sung through a George-Strait-meets-Andy-Shauf sincerity, and the achingly simple acoustic ditty “Feed the Boys” depicts a young Carpenter in the car with his mom as they enjoy a treat on their way home. “Bird Woman”’s wall of guitars and obscure lyrics (“They’re dark,” Carpenter, who identifies as queer, says: “I'm watching a woman do Tai Chi while talking about a guy not leaving his wife for me”) hearken to Carpenter’s indie-est idols, with offerings made to Pedro the Lion, Alvvays, and Dinosaur Jr, and “Home Depot” is a ’90s pop-country radio jam that tells the story of Steve, a guy who is simply incapable of being emotional without his tools. Carpenter calls “Armor” the heart of the record, with its three verses of headspinning neuroses in the arena-busting style of Harry Styles, Sam Fender, and U2. The album closes with the gorgeous “Thank You Cook” like an end credits number in a film, with brushes melting over an early-Coldplay-esque tone and whisper-soft vocals. A love song to his partner, the musician Annika Bennett (who co-wrote throughout the record and sings background vocals on several songs), the track represents a new gear for Medium Build, one that suggests that all the lows in Carpenter’s past life have served the purpose of helping him to appreciate the highs to come.\u003cbr\u003e \u003cbr\u003e“A lot of my songs come from a sense of discomfort that I then have to frame in criticism,” he says. “I'm great at taking something down or writing about tension in a relationship; I've never been good at writing about how nice a relationship can be. So this record feels like the first time I was able to say, in an artistic way that didn't feel cloying, Thank you for loving me. Obviously, I had to lose it to be able to put it into words. That's really hard to do when you’re in it, but that time and space helps you see. And I now realize I have the power to give myself all the things I need. So I'm back, I'm doing it, and I love it. This album has a genuine love song for my partner and a genuine love song for my mom; there aren’t many knocking someone off their high horse. I guess it's a sign of my growth. It's maybe the best and most important thing I've ever made. I got all my favorite people in a room and we had fun. It’s a celebration of life.”\u003cbr\u003e \u003cbr\u003eAnd, as he sings on the album’s final, powerful moment — When the love I learn from you \/ Becomes the love I give myself… I love myself, I am home \/ I don’t need anything — we, too, can take heart, knowing that Nick Carpenter is planted firmly on solid ground, at last.\u003c\/p\u003e","brand":"Island","offers":[{"title":"Default Title","offer_id":47118939357340,"sku":"6108135","price":33.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MediumBuild_KingOfHavingFun_StandardLP_Packshots_V2a.jpg?v=1782657772"},{"product_id":"charlie-jeer-take-away-my-problems-cd","title":"Charlie Jeer - Take Away My Problems [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: 6103658\u003cbr\u003eBarcode: 00881061036586\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Jazz, House\u003c\/p\u003e\n\u003cp\u003e'Kent-hailing 22-year-old Charlie Jeer is the new stalwart of jazz-house hypnosis. A life-long player of the saxophone with an artistic vision to match his technical credibility, since emerging from the mist in August 2024 with late summer jam “Her Eyes”, the rising star has been on a winning run, dropping singles like “Nobody” and more recently “Sun Is Gone”. The latter's latest cut is a surefire showing of the musician, singer-songwriter and producer’s incandescent charm and innately multi-hyphenate perspective. \u003c\/p\u003e","brand":"INTERSCOPE","offers":[{"title":"Default Title","offer_id":47174880919708,"sku":"6103658","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CharlieJeerCD.png?v=1783541043"},{"product_id":"allen-ginsberg-howl-and-other-poems-eco-mix-green-lp","title":"Allen Ginsberg - Howl and Other Poems [Eco-Mix-Green LP]","description":"\u003cp\u003eFormat: LP, Eco-Mix-Green\u003cbr\u003eCatalogue No.: 7280226\u003cbr\u003eBarcode: 0888072802261\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Spoken Word\u003c\/p\u003e\n\u003cp\u003eReleased to mark the centennial of Allen Ginsberg (1926–1997), this edition of Howl and Other Poems captures the raw urgency and cultural force of a recording that helped define the Beat Generation. Ginsberg’s unmistakable voice brings new intensity to the poem’s fearless rhythms, radical candor, and emotional precision, preserving the energy and defiance that made Howl one of modern American literature’s most influential works. Limited edition on eco-friendly green blend vinyl.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST\u003cbr\u003eSide A\u003cbr\u003eHowl (Live At Shaw Festival, Chicago, IL \/ January 29, 1959)\u003cbr\u003eThe Sunflower Sutra\u003cbr\u003eFootnote to Howl\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eA Supermarket in California\u003cbr\u003eTranscription of Organ Music\u003cbr\u003eAmerica\u003cbr\u003eIn Back of the Real\u003cbr\u003eStrange New Cottage in Berkley\u003cbr\u003eEurope, Europe\u003cbr\u003eKaddish\u003c\/p\u003e\n\u003cp\u003eABOUT ALLEN GINSBERG\u003cbr\u003eAllen Ginsberg (1926–1997) was one of the most influential poets and cultural figures of the 20th century, best known as a leading voice of the Beat Generation. Born in Newark, New Jersey, Ginsberg emerged in the 1950s alongside writers such as Jack Kerouac and William S. Burroughs, helping redefine American literature through spontaneous expression, spiritual inquiry, political dissent, and personal candor.\u003c\/p\u003e\n\u003cp\u003eHis landmark poem Howl and Other Poems, first published in 1956, became a defining work of postwar American poetry. Celebrated for its raw emotional power, long rhythmic lines, and uncompromising critique of modern society, Howl also became the center of a historic obscenity trial that helped expand free speech protections in the United States.\u003c\/p\u003e\n\u003cp\u003eAcross a career spanning four decades, Ginsberg explored themes of identity, sexuality, spirituality, war, and social justice through poetry, performance, photography, and recorded spoken word. Deeply influenced by jazz, Buddhism, and the writings of Walt Whitman and William Blake, he developed a distinctive style that merged lyrical intensity with conversational openness.\u003c\/p\u003e\n\u003cp\u003eGinsberg remained an active public figure throughout his life, advocating for peace, artistic freedom, and human rights. His work continues to shape contemporary poetry, music, and countercultural art, securing his place as one of America’s most enduring literary voices.\u003c\/p\u003e","brand":"CONCORD","offers":[{"title":"Default Title","offer_id":47174902808732,"sku":"7280226","price":33.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Allen_Ginsberg_Howl_And_Other_Poems_Packshot.png?v=1783541330"},{"product_id":"yusuf-cat-stevens-buddha-and-the-chocolate-box-cd","title":"Yusuf \/ Cat Stevens - Buddha and the Chocolate Box [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: 7814355\u003cbr\u003eBarcode: 0602478143557\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Folk, Rock\u003c\/p\u003e\n\u003cp\u003eCat Stevens’ sixth LP on Island Records, Buddha and the Chocolate Box, was released in February 1974, and featured the single “Ready”, as well as fan favorites \"Oh Very Young\" and \"King Of Trees.\" Newly remastered, Buddha and the Chocolate Box is available now on CD.\u003c\/p\u003e\n\u003cp\u003e1. Music (4:19)\u003cbr\u003e2. Oh Very Young (2:33)\u003cbr\u003e3. Sun \/ C79 (4:34)\u003cbr\u003e4. Ghost Town (3:08)\u003cbr\u003e6. Ready (3:14)\u003cbr\u003e7. King Of Trees (5:08)\u003cbr\u003e8. A Bad Penny (3:21)\u003cbr\u003e9. 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Music (4:19)\u003cbr\u003e2. Oh Very Young (2:33)\u003cbr\u003e3. Sun \/ C79 (4:34)\u003cbr\u003e4. Ghost Town (3:08)\u003cbr\u003e5. Jesus (2:11)\u003c\/p\u003e\n\u003cp\u003eSide Two\u003cbr\u003e1. Ready (3:14)\u003cbr\u003e2. King Of Trees (5:08)\u003cbr\u003e3. A Bad Penny (3:21)\u003cbr\u003e4. 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Thelonious Monk joins the festivities on memorable versions of his tunes ‘Misterioso’ and ‘Reflections’.\u003c\/p\u003e\n\u003cp\u003eThis mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on gatefold jacket.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eSide A\u003cbr\u003eWhy Don't I\u003cbr\u003eWail March\u003cbr\u003eMisterioso *\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eReflections *\u003cbr\u003eYou Stepped Out Of A Dream\u003cbr\u003ePoor Butterfly\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":47190225617052,"sku":"5889285","price":38.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SonnyRollins_Vol2_PROD_SHOT.jpg?v=1783682382"},{"product_id":"the-cranberries-live-at-the-london-astoria-ii-1994-cd","title":"The Cranberries - Live At The London Astoria II, 1994 [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: 5781891\u003cbr\u003eBarcode: 0199957818919\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eIn 1994, while on tour promoting their breakthrough debut album Everybody Else Is Doing It, So Why Can't We?, The Cranberries makes a stop at the historic London Astoria II. Now available for the first time is audio form comes a remastered version of that exact show that features performances of the now classic hits \"Linger\" \u0026amp; \"Dreams,\" as well as testing out future songs that would end up on the follow hit album No Need To Argue. Available on CD \u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003ePretty  \u003cbr\u003eDreaming My Dreams \u003cbr\u003eLinger  \u003cbr\u003eRidiculous Thoughts  \u003cbr\u003eDaffodil Lament \u003cbr\u003eHow  \u003cbr\u003eEverything I Said  \u003cbr\u003eNot Sorry  \u003cbr\u003eWaltzing Back  \u003cbr\u003eDreams  \u003cbr\u003eZombie  \u003cbr\u003eLiar  \u003cbr\u003eSo Cold In Ireland  \u003cbr\u003eEmpty  \u003cbr\u003eStill Can’t… \u003c\/p\u003e","brand":"UMR","offers":[{"title":"Default Title","offer_id":47250507595932,"sku":"5781891","price":13.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Cranberries_Astoria_CD_Straight_ProductShot_v1.jpg?v=1784713733"},{"product_id":"the-cranberries-live-at-the-london-astoria-ii-1994-2lp","title":"The Cranberries - Live At The London Astoria II, 1994 [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: 5781892\u003cbr\u003eBarcode: 0199957818926\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eIn 1994, while on tour promoting their breakthrough debut album Everybody Else Is Doing It, So Why Can't We?, The Cranberries makes a stop at the historic London Astoria II. Now available for the first time is audio form comes a remastered version of that exact show that features performances of the now classic hits \"Linger\" \u0026amp; \"Dreams,\" as well as testing out future songs that would end up on the follow hit album No Need To Argue. Available on standard black vinyl. \u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003eLP1  \u003cbr\u003eA1. Pretty  \u003cbr\u003eA2. Dreaming My Dreams \u003cbr\u003eA3. Linger  \u003cbr\u003eA4. Ridiculous Thoughts  \u003cbr\u003eB1. Daffodil Lament \u003cbr\u003eB2. How  \u003cbr\u003eB3. Everything I Said  \u003cbr\u003eB4. Not Sorry  \u003c\/p\u003e\n\u003cp\u003eLP2 \u003cbr\u003eC1. Waltzing Back  \u003cbr\u003eC2. Dreams  \u003cbr\u003eC3. Zombie  \u003cbr\u003eC4. Liar  \u003cbr\u003eD1. So Cold In Ireland  \u003cbr\u003eD2. Empty  \u003cbr\u003eD3. 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Meyer at Emil Berliner Studios. \"Marriner and the St Martin's Academy effervescent performance of Vivaldi's Four Seasons with Alan Loveday as soloist, a superb demonstration record in the opulent acoustic of St John's, Smith Square, with its range of tone-colour and atmosphere.\" — Edward Greenfield, Gramophone\u003c\/p\u003e","brand":"Decca","offers":[{"title":"Default Title","offer_id":47423109136540,"sku":"4871609","price":48.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_87cfbc9e-9534-4df3-b587-5ab507e8cadd.webp?v=1786973953"},{"product_id":"kyung-wha-chung-london-symphony-orchestra-andre-previn-tchaikovsky-sibelius-violin-concertos-pure-analogue-lp","title":"Kyung Wha Chung, London Symphony Orchestra, André Previn - Tchaikovsky \u0026 Sibelius Violin Concertos (Pure Analogue) [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 4871608\u003cbr\u003eBarcode: 28948716081\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: \u003cspan\u003eClassical\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKyung Wha Chung's landmark debut recording of the Tchaikovsky and Sibelius Violin Concertos, made with André Previn and the London Symphony Orchestra in 1970, established her international reputation and remains one of the most admired concerto recordings in the Decca catalogue. Combining virtuosity, refinement and emotional intensity, it continues to be regarded as a benchmark interpretation more than fifty years after its release.\u003cbr\u003eRecorded by Decca at Kingsway Hall, London, in June 1970, the original ¼-inch, two-track stereo tapes have been mastered by Rainer Maillard and cut by Sidney C. Meyer at Emil Berliner Studios.\u003cbr\u003e\"Refinement is the keynote of Miss Chung's approach, and this is matched not only in the finely balanced recording quality but in the accompanying of André Previn, not to mention the playing of the orchestra... It is a deeply satisfying record, and the recording quality is outstandingly faithful.\" — Edward Greenfield, Gramophone\u003c\/p\u003e","brand":"Decca","offers":[{"title":"Default Title","offer_id":47423109333148,"sku":"4871608","price":48.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/5_29a08f36-0df4-4b49-8bfb-bad1ef3b85be.webp?v=1786974069"},{"product_id":"royal-concertgebouw-orchestra-sir-colin-davis-berlioz-symphonie-fantastique-pure-analogue-lp","title":"Royal Concertgebouw Orchestra, Sir Colin Davis - Berlioz: Symphonie fantastique (Pure Analogue) [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 4871607\u003cbr\u003eBarcode: 28948716074\u003cbr\u003eRelease Date: 04 Sep 2026\u003cbr\u003eGenre: Classical\u003c\/p\u003e\n\u003cp\u003eSir Colin Davis's 1974 recording of Berlioz's Symphonie fantastique with the Concertgebouworkest has long been regarded as one of the great Berlioz recordings on disc. Originally recorded in quadraphonic sound for Philips, it remains a benchmark interpretation and one of the defining recordings of Davis's celebrated Berlioz legacy. For this release, Rainer Maillard at Emil Berliner Studios utilised the original four-track quadraphonic master tape to create a new stereo mix sent directly to the cutter head, maintaining a fully analogue signal path throughout. The Philips engineers of the 1970s would similarly have mixed the four front and rear channels before cutting, but this would have resulted in a two-track stereo copy for mastering. Here, the lacquer is cut directly from a live stereo mix of the original quadraphonic master.  \"This is one of the most tantalising records I have had to review... here at last is the version of the Symphonie fantastique we have all been waiting for from our, and the world's, principal Berlioz conductor.\"  — Gramophone \u003c\/p\u003e\n\u003cp\u003eI. Reveries - Passions (Original Version)\u003cbr\u003eIi. Un Bal. Valse (Original Version)\u003cbr\u003eIii. Scene Aux Champs (Original Version)\u003cbr\u003eIv. Marche Au Supplice (Original Version)\u003cbr\u003eV. Songe D'une Nuit De Sabbat (Original Version)\u003c\/p\u003e","brand":"Decca","offers":[{"title":"Default Title","offer_id":47423109595292,"sku":"4871607","price":48.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_d27b5d1d-c6b8-4e16-a40c-72ceab3a4c46.jpg?v=1786974183"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/universal-wk32-2026.oembed","provider":"Horizons Music","version":"1.0","type":"link"}