{"title":"SRD Presell 29MAY26","description":"","products":[{"product_id":"function-existenz-lp","title":"FUNCTION - Existenz [4LP]","description":"\u003cp\u003eFormat: 4 x LP\u003cbr\u003eCatalogue No.: TRESOR315 \u003cbr\u003eBarcode: 666017339719 \u003cbr\u003eRelease Date: 03 Jul 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003e2026 VINYL REPRESS\u003c\/p\u003e\n\u003cp\u003eMixmag Techno Album Of The Month with 10\/10 review: 'A masterful, vulnerable piece of work that deserves full attention'\u003c\/p\u003e\n\u003cp\u003e“Stellar new album from Dave Sumner’s Function - arguably a sequel or sibling work to Sandwell District’s seminal ‘Feed Forward’ classic - marking his first solo LP since 2013, and best in his catalogue.” BOOMKAT.\u003c\/p\u003e\n\u003cp\u003e“It's an absolutely gorgeous, luxurious album, even without the smoke, sweat and sleep deprivation of its natural habitat.” THE ARTS DESK\u003c\/p\u003e\n\u003cp\u003e“ Dave Sumner revisits his New York roots on this surprisingly expansive album...   One of techno's true underground heroes, Function (Dave Sumner) has been DJing and making music for over 25 years. He is a founding member of the Sandwell District collective, Ostgut recording artist and owner of Infrastructure''   - RA\u003c\/p\u003e\n\u003cp\u003eThe American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast a iliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. \u003c\/p\u003e\n\u003cp\u003eMove into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to the late Judy Russell and Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future. \u003cbr\u003eFunction’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills.\u003c\/p\u003e\n\u003cp\u003eFor his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions. \u003c\/p\u003e\n\u003cp\u003e4LP A1 Sagittarius A (Right Ascension)  05:15 A2 Pleasure Discipline 05:57 A3 Ertrinken  05:38 B1 Growth Cycle (featuring Robert Owens) 05:52 B2 Zahlensender 08:04 B3 The Approach 03:27 C1 Nylon Mood 06:26 C2 Alphabet City 05:43 C3 Don't Ask, Don't Tell 06:10 D1 No Entiendes 06:56 D2 Kurzstrecke 06:43 D3 Golden Dawn (featuring Stefanie Parnow) 07:14 E1 Interdimensional Interference 05:58 E2 Distant Paradise  08:05 F1 Be (featuring robert owens) 04:50 F2 Vampir 06:29 G  Downtown 161 11:38\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":30870631383099,"sku":"TRESOR315","price":35.89,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Function_-_Existenz.png?v=1575440238"},{"product_id":"function-existenz","title":"FUNCTION - Existenz [2CD]","description":"\u003cp\u003eFormat: 2 x CD\u003cbr\u003eCatalogue No.: TRESOR315CD \u003cbr\u003eBarcode: 666017339726\u003cbr\u003eRelease Date: 03 Jul 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003eMixmag Techno Album Of The Month with 10\/10 review: 'A masterful, vulnerable piece of work that deserves full attention'\u003c\/p\u003e\n\u003cp\u003e“Stellar new album from Dave Sumner’s Function - arguably a sequel or sibling work to Sandwell District’s seminal ‘Feed Forward’ classic - marking his first solo LP since 2013, and best in his catalogue.” BOOMKAT.\u003c\/p\u003e\n\u003cp\u003e“It's an absolutely gorgeous, luxurious album, even without the smoke, sweat and sleep deprivation of its natural habitat.” THE ARTS DESK\u003c\/p\u003e\n\u003cp\u003e“ Dave Sumner revisits his New York roots on this surprisingly expansive album...   One of techno's true underground heroes, Function (Dave Sumner) has been DJing and making music for over 25 years. He is a founding member of the Sandwell District collective, Ostgut recording artist and owner of Infrastructure''   - RA\u003c\/p\u003e\n\u003cp\u003eThe American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast a iliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. \u003c\/p\u003e\n\u003cp\u003eMove into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to the late Judy Russell and Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future. \u003cbr\u003eFunction’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills.\u003c\/p\u003e\n\u003cp\u003eFor his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions. \u003c\/p\u003e\n\u003cp\u003eCD1 1 sagittarius a (right ascension) 05:15 2 pleasure discipline 05:57 3 ertrinken 05:38 4 growth cycle (featuring robert owens) 05:52 5 zahlensender  08:04 6 the approach   03:27 7 nylon mood  06:26    8 alphabet city  05:43  CD2 1 don't ask, don't tell 06:10 2 no entiendes 06:56 3 kurzstrecke 06:43 4 golden dawn (featuring stefanie parnow)   07:14 5 interdimensional interference  05:58 6 distant paradise    08:05 7 be (featuring robert owens)  04:50 8 vampir  06:29 9 downtown 161 11:38    \u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":34523935932572,"sku":"TRESOR315 CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/CS752296-01A-BIG.jpg?v=1591098553"},{"product_id":"bunny-lee-the-version-master-creation-of-dub-cd","title":"Bunny Lee “The Version Master” - Creation of Dub [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: JRCD040\u003cbr\u003eBarcode: 5060135760694 \u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eKing Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a ‘serious joke’ (more of which later...) they went on to release the first pressings of this new musical genre namely ‘Dub Music’. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard... the Remix \/ Version cuts to an existing vocal tune.\u003cbr\u003e\u003cbr\u003eOsbourne ‘King Tubby’ Ruddock was born in Kingston, Jamaica on 28th January 1941 and grew up in the High Holborn Street area of downtown Kingston. He studied electronics at Kingston’s National Technical College and also on two correspondence courses from the U.S.A... When he had qualified Tubby began repairing radios and other electrical appliances in a shack in the back yard of his mother’s home. His work in the early days included winding transformers and building amplifiers for Kingston’s Sound Systems. Tubby built his first Sound System in 1957 playing jazz and Rhythm \u0026amp; Blues at local weddings and birthday parties. His reputation as a man who knew and understood both electronics and music grew steadily and as the sixties drew to a close. Tubby purchased his own basic two track equipment. He installed this alongside his dub cutting machine, a homemade mixing console and his impressive collection of Jazz albums in the back bedroom of his home at 18 Dromilly Avenue which he christened his music room.\u003cbr\u003e\u003cbr\u003eTubby and Striker were at Treasure Isle Studio’s one day while Ruddy from Spanish Town was working with the engineer Byron Smith....\u003cbr\u003e\u003cbr\u003e“Tubby and myself was talking when Ruddy was cutting some dub but Smithy (engineer) made a mistake through we were talking and forgot to put in the voice. It was two track recording in those days. Ruddy said ‘No Man! Make it stay! and so they cut the rhythm. When I went over to Ruddy’s that Saturday night a dance was in progress and when they played the vocal to the tune... then he said we’re going to play ‘Part Two’. They never called it ‘Version’..and then he played the rhythm track. The song was a catchy song and everybody started to sing along and the deejay started to toast so everything went down well. On Monday morning I went up and I said ‘Tubbs the mistake we made was a serious joke. It mash up Spanish Town! The people went wild. So you have to start to do that now ‘cause when the man put on the ‘Part Two’ everyone start singing this song. It played about twenty times. I said you try Tubbs!’...Well the next Saturday night now when Tubby strung up down the farm U Roy said he’s going to play ‘Part Two’ but Tubby did it different now. He started with the voice then dropped it out and let the rhythm run and then he brought in the voice in the middle and from there Tubby started to get really popular.’’ \u003cbr\u003eBunny ‘Striker’ Lee\u003cbr\u003e\u003cbr\u003eDynamic Sounds upgraded to sixteen track recording in 1972 and Tubby purchased, again with the help of a deal brokered by Bunny Lee. The old four track equipment and the MCI console from their Studio B. The four tracks now gave him far wider scope to work with and he began to create a new musical form where the bass and drum parts were brought up while the faders allowed Tubby to ease the vocal and rhythm in and out of the mix. It was only a matter of time before Tubby’s dub plate experiments began to make it on to vinyl and the first ever long-playing King Tubby releases would feature a collection of his mixes to a selection of Strikers rhythms. So please sit back and enjoy this historic set of sounds, mixed by King Tubby and Mr Prince Phillip Smart and another set of scorcher Bunny Lee rhythms.\u003cbr\u003e\u003cbr\u003eTracklisting\u003cbr\u003e1. Creation of Dub - Creation Rebel \/ Johnny Clarke\u003cbr\u003e2 Swinging Dub - Put It On \/ Johnny Clarke\u003cbr\u003e3. Ten Thousand Tons of Dub -10 To One \/ Johnny Clarke\u003cbr\u003e4. Jamaican Roots Dub - Jamaican Fruits Of African Roots\/Sheila Records\u003cbr\u003e5. A Pressuring Dub - Press Along Natty\/Cornell Campbell\u003cbr\u003e6. An Inspiring Dub - Soul and Inspiration\/Johnny Clarke\u003cbr\u003e7. This Boss of Dub - So Jah Say\/Jackie Edwards\u003cbr\u003e8. A Good Good Dub - No Good Girl \/ Cornell Campbell\u003cbr\u003e9. Dub This Sound - Watch This Sound\/Cornell Campbell\u003cbr\u003e10. A Hard Hard Dub - Get Ready\/Delroy Wilson\u003cbr\u003e11. Rub This Dub - You Must Believe Me\/Delroy Wilson\u003cbr\u003e12. Skanking Dub - You Have Long Long Dreadlocks\/ Linval Thompson\u003cbr\u003e13 Don’t Cut Off Your Dub Locks - Don’t Cut Off Your Dreadlocks\/Linval Thompson\u003cbr\u003e14 Give Me Dub - Give Me Love\/Johnny Clarke\u003cbr\u003e15 Guiding Angel Dub* - You Are My Angel\/Horace Andy\u003cbr\u003e16 Tree Of Life Dub* - That’s Life\/Ronnie Davi\u003cbr\u003e\u003c\/p\u003e","brand":"Jamaican Recordings","offers":[{"title":"Default Title","offer_id":41117829300380,"sku":"JRCD040","price":11.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JRCD040.jpg?v=1634908273"},{"product_id":"bunny-lee-the-version-master-creation-of-dub-lp","title":"Bunny Lee “The Version Master” - Creation of Dub [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: JRLP040\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060135760700\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 10 Jul 2026\u003cbr data-mce-fragment=\"1\"\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKing Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a ‘serious joke’ (more of which later...) they went on to release the first pressings of this new musical genre namely ‘Dub Music’. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard... the Remix \/ Version cuts to an existing vocal tune.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOsbourne ‘King Tubby’ Ruddock was born in Kingston, Jamaica on 28th January 1941 and grew up in the High Holborn Street area of downtown Kingston. He studied electronics at Kingston’s National Technical College and also on two correspondence courses from the U.S.A... When he had qualified Tubby began repairing radios and other electrical appliances in a shack in the back yard of his mother’s home. His work in the early days included winding transformers and building amplifiers for Kingston’s Sound Systems. Tubby built his first Sound System in 1957 playing jazz and Rhythm \u0026amp; Blues at local weddings and birthday parties. His reputation as a man who knew and understood both electronics and music grew steadily and as the sixties drew to a close. Tubby purchased his own basic two track equipment. He installed this alongside his dub cutting machine, a homemade mixing console and his impressive collection of Jazz albums in the back bedroom of his home at 18 Dromilly Avenue which he christened his music room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTubby and Striker were at Treasure Isle Studio’s one day while Ruddy from Spanish Town was working with the engineer Byron Smith....\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Tubby and myself was talking when Ruddy was cutting some dub but Smithy (engineer) made a mistake through we were talking and forgot to put in the voice. It was two track recording in those days. Ruddy said ‘No Man! Make it stay! and so they cut the rhythm. When I went over to Ruddy’s that Saturday night a dance was in progress and when they played the vocal to the tune... then he said we’re going to play ‘Part Two’. They never called it ‘Version’..and then he played the rhythm track. The song was a catchy song and everybody started to sing along and the deejay started to toast so everything went down well. On Monday morning I went up and I said ‘Tubbs the mistake we made was a serious joke. It mash up Spanish Town! The people went wild. So you have to start to do that now ‘cause when the man put on the ‘Part Two’ everyone start singing this song. It played about twenty times. I said you try Tubbs!’...Well the next Saturday night now when Tubby strung up down the farm U Roy said he’s going to play ‘Part Two’ but Tubby did it different now. He started with the voice then dropped it out and let the rhythm run and then he brought in the voice in the middle and from there Tubby started to get really popular.’’\u003cbr data-mce-fragment=\"1\"\u003eBunny ‘Striker’ Lee\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDynamic Sounds upgraded to sixteen track recording in 1972 and Tubby purchased, again with the help of a deal brokered by Bunny Lee. The old four track equipment and the MCI console from their Studio B. The four tracks now gave him far wider scope to work with and he began to create a new musical form where the bass and drum parts were brought up while the faders allowed Tubby to ease the vocal and rhythm in and out of the mix. It was only a matter of time before Tubby’s dub plate experiments began to make it on to vinyl and the first ever long-playing King Tubby releases would feature a collection of his mixes to a selection of Strikers rhythms. So please sit back and enjoy this historic set of sounds, mixed by King Tubby and Mr Prince Phillip Smart and another set of scorcher Bunny Lee rhythms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003e1. Creation of Dub - Creation Rebel \/ Johnny Clarke\u003cbr data-mce-fragment=\"1\"\u003e2 Swinging Dub - Put It On \/ Johnny Clarke\u003cbr data-mce-fragment=\"1\"\u003e3. Ten Thousand Tons of Dub -10 To One \/ Johnny Clarke\u003cbr data-mce-fragment=\"1\"\u003e4. Jamaican Roots Dub - Jamaican Fruits Of African Roots\/Sheila Records\u003cbr data-mce-fragment=\"1\"\u003e5. A Pressuring Dub - Press Along Natty\/Cornell Campbell\u003cbr data-mce-fragment=\"1\"\u003e6. An Inspiring Dub - Soul and Inspiration\/Johnny Clarke\u003cbr data-mce-fragment=\"1\"\u003e7. This Boss of Dub - So Jah Say\/Jackie Edwards\u003cbr data-mce-fragment=\"1\"\u003e8. A Good Good Dub - No Good Girl \/ Cornell Campbell\u003cbr data-mce-fragment=\"1\"\u003e9. Dub This Sound - Watch This Sound\/Cornell Campbell\u003cbr data-mce-fragment=\"1\"\u003e10. A Hard Hard Dub - Get Ready\/Delroy Wilson\u003cbr data-mce-fragment=\"1\"\u003e11. Rub This Dub - You Must Believe Me\/Delroy Wilson\u003cbr data-mce-fragment=\"1\"\u003e12. Skanking Dub - You Have Long Long Dreadlocks\/ Linval Thompson\u003cbr data-mce-fragment=\"1\"\u003e13 Don’t Cut Off Your Dub Locks - Don’t Cut Off Your Dreadlocks\/Linval Thompson\u003cbr data-mce-fragment=\"1\"\u003e14 Give Me Dub - Give Me Love\/Johnny Clarke\u003cbr data-mce-fragment=\"1\"\u003e15 Guiding Angel Dub* - You Are My Angel\/Horace Andy\u003cbr data-mce-fragment=\"1\"\u003e16 Tree Of Life Dub* - That’s Life\/Ronnie Davi\u003c\/p\u003e","brand":"Jamaican Recordings","offers":[{"title":"Default Title","offer_id":41277703520412,"sku":"JRLP040","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JRCD040_24d4ce8e-9284-429f-b8d0-e275678e20d9.jpg?v=1638801930"},{"product_id":"delroy-wilson-dubbing-at-king-tubby-s-lp","title":"Delroy Wilson - Dubbing At King Tubby’s [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JRLP070\u003cbr\u003eBarcode: 5060135762803  \u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eDelroy Wilson’s rich vocal tones always added magic to any song put his way. The ‘Cool Operator’ as he was affectionately named, after a tune he worked on with the legendary Jamaican producer Bunny Lee. A match made in heaven as you will hear on the album where he was put against some of the finest rhythms made in what would be a high point in Reggae’s history, the 1970’s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDelroy Wilson (b.1948 Kingston, Jamaica )began his musical career at the school that was Coxonne Dodd’s Studio One label. His first release at the tender age of thirteen was the Lee Perry produced ‘Joe Liges’. This Ska enhanced tune gave the young singer his first hit and the follow up single ‘Spit In The Sky’ also flew out the record shops doors. Other hits followed including ‘One Two Three’, ‘I Shall Not Remove’ and ‘Look Back Again’ to name but a few. As the sound of reggae turn from Ska to Rocksteady, Delroy Wilson hit with the time defining ‘Dancing Mood’ as well as other classic cuts such as ‘Once Upon A Time’, ‘Rain From The Skies’ and ‘Feel Good All Over’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter a brief stop in 1969, Delroy began working for producer Sonia Pottinger’s Tip Top label, again producing more hits including ‘It Hurts’ and ‘Put Yourself In My Place’. The 1970’s saw Delroy Wilson’s arrival at producer Bunny ‘Striker’ Lee’s door and what would turn into a winning formula, scoring hit after hit. It’s from this great period in Delroy’s career that we have compiled this selection of killer tracks, cut with the drum and bass rhythm kings themselves Sly Dunbar and Robbie Shakespeare. A great dub set mixed at the legendary King Tubby’s studio….\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHope you enjoy the set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eTrack 1 CAN I CHANGE MY DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 2 ONCE UPON A DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 3 WHO DONE DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 4 DANCING DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 5 IF I WERE A DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 6 TRUE BELIEVER IN DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 7 TRAIN IS COMING DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 8 HERE COME THE DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 9 WHO CARES DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 10 MONEY DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 11 SO LONG JENNY DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 12 KEEP ON DUBBING\u003cbr data-mce-fragment=\"1\"\u003eTrack 13 YOU’RE NO DUB*\u003cbr data-mce-fragment=\"1\"\u003eTrack 14 LEAVING DUB*\u003cbr data-mce-fragment=\"1\"\u003eTrack 15 A KING DUB*\u003cbr data-mce-fragment=\"1\"\u003e*CD Bonus Tracks\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Jamaican Recordings","offers":[{"title":"Default Title","offer_id":41719748395164,"sku":"JRLP070","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JRLP070.jpg?v=1656313675"},{"product_id":"delroy-wilson-dubbing-at-king-tubby-s-cd","title":"Delroy Wilson - Dubbing At King Tubby’s [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: JRCD070\u003cbr\u003eBarcode: 5060135762797\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eDelroy Wilson’s rich vocal tones always added magic to any song put his way. The ‘Cool Operator’ as he was affectionately named, after a tune he worked on with the legendary Jamaican producer Bunny Lee. A match made in heaven as you will hear on the album where he was put against some of the finest rhythms made in what would be a high point in Reggae’s history, the 1970’s.\u003cbr\u003e\u003cbr\u003eDelroy Wilson (b.1948 Kingston, Jamaica )began his musical career at the school that was Coxonne Dodd’s Studio One label. His first release at the tender age of thirteen was the Lee Perry produced ‘Joe Liges’. This Ska enhanced tune gave the young singer his first hit and the follow up single ‘Spit In The Sky’ also flew out the record shops doors. Other hits followed including ‘One Two Three’, ‘I Shall Not Remove’ and ‘Look Back Again’ to name but a few. As the sound of reggae turn from Ska to Rocksteady, Delroy Wilson hit with the time defining ‘Dancing Mood’ as well as other classic cuts such as ‘Once Upon A Time’, ‘Rain From The Skies’ and ‘Feel Good All Over’.\u003cbr\u003e\u003cbr\u003eAfter a brief stop in 1969, Delroy began working for producer Sonia Pottinger’s Tip Top label, again producing more hits including ‘It Hurts’ and ‘Put Yourself In My Place’. The 1970’s saw Delroy Wilson’s arrival at producer Bunny ‘Striker’ Lee’s door and what would turn into a winning formula, scoring hit after hit. It’s from this great period in Delroy’s career that we have compiled this selection of killer tracks, cut with the drum and bass rhythm kings themselves Sly Dunbar and Robbie Shakespeare. A great dub set mixed at the legendary King Tubby’s studio….\u003cbr\u003e\u003cbr\u003eHope you enjoy the set.\u003cbr\u003e\u003cbr\u003eTracklisting\u003cbr\u003eTrack 1 CAN I CHANGE MY DUB\u003cbr\u003eTrack 2 ONCE UPON A DUB\u003cbr\u003eTrack 3 WHO DONE DUB\u003cbr\u003eTrack 4 DANCING DUB\u003cbr\u003eTrack 5 IF I WERE A DUB\u003cbr\u003eTrack 6 TRUE BELIEVER IN DUB\u003cbr\u003eTrack 7 TRAIN IS COMING DUB\u003cbr\u003eTrack 8 HERE COME THE DUB\u003cbr\u003eTrack 9 WHO CARES DUB\u003cbr\u003eTrack 10 MONEY DUB\u003cbr\u003eTrack 11 SO LONG JENNY DUB\u003cbr\u003eTrack 12 KEEP ON DUBBING\u003cbr\u003eTrack 13 YOU’RE NO DUB*\u003cbr\u003eTrack 14 LEAVING DUB*\u003cbr\u003eTrack 15 A KING DUB*\u003cbr\u003e*CD Bonus Tracks\u003c\/p\u003e","brand":"Jamaican Recordings","offers":[{"title":"Default Title","offer_id":41719748722844,"sku":"JRCD070","price":11.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JRLP070_57be0e62-da41-47ab-ac01-09c3afd75311.jpg?v=1656313690"},{"product_id":"formal-sppeedwear-punch-card-lp","title":"Formal Sppeedwear - Punch Card [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MELO150LP \u003cbr\u003eBarcode: 5060168046697\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: New Wave\/Post-Punk\/Mutant Disco\u003c\/p\u003e\n\u003cp\u003eStoke-On-Trent’s most tuned-in and turned-out trio are releasing debut album Punch Card, which might be the avant-pop record of the year.\u003c\/p\u003e\n\u003cp\u003eFor Fans Of: Devo, Talking Heads, XTC, Neu!\u003cbr\u003e\"A slinking, unctuous energy shot of new wave and mutant disco\" - DIY\u003c\/p\u003e\n\u003cp\u003eBlack vinyl, die cut sleeve on printed manila board, printed inner, and DL code.\u003cbr\u003e \u003cbr\u003eDriven by a desire for sonic collage and bolstered by lateral thinking, ‘Punch Card’ is a crafty lesson in how, with touches of masterful manipulation, the collision of opposing forces can cause sparks to fly and an irrepressible need to dance. “Our aim is to undermine anything leaning too far one way or the other. We shoot for homogeneity - if it sounds good and its component parts can't be pulled out, we’ve matched the job description,” they say of finding balance in their desire to ‘pull the rug’ musically whenever listeners least expect it.\u003cbr\u003eMuch like the typo in their name, now proudly worn by the band as a badge of honour, the result is an album of happy accidents that truly embody their audiences’ visceral knee-jerk reactions. The cut-out windows of an eighties protocomputer punch card that line the sleeve offer a portal into Formal Sppeedwear’s universe.\u003cbr\u003eAfter signing with melodic in 2023, the trio’s now sold out 2024 debut EP - a self-titled, self-produced 12” sample of elastic bass arrangements, leaping guitar motifs and sparse, un-assuming percussive work - picked up notable fans at BBC 6 Music and helped to secure shows around the country with the likes of Fat Dog, Preoccupations, Warmduscher and Divorce. A legion of listeners grew, barraging Instagram DMs curious to unearth the mystery behind their idiosyncratic, off-kilter lyrics – usually a product of Beck’s phonetically-associated wordplay.\u003cbr\u003eProlific in their output, the band diligently produced Punch Card themselves with mastering from Paul D. Millar (Slug Bug). Led by a preference for sonic variety, they even discarded three tracks not belonging on the record; not because they didn’t fit - but because they did. Through their boomerang voice notes and a sense of telepathy that only college friends bonded by Neu! and Yellow Magic Orchestra could possess, they explain; “There’s definitely a subconscious level to what we do but it’s always driven by what works sonically. The real challenge becomes how to recreate it live.”\u003cbr\u003eBlame those tracks which formed quickly when raw ideas and lyrics flowed from jam sessions in their Tremolo rehearsal room. Jagged, punchy ‘Indecent’ was largely improvised by the trio as a single recorded live take, and ‘The Ballad of DCB’ (avid bookworms in Stoke may have an inkling as to the meaning behind its acronym) was wrangled from a spritely brink of uncertainty after twilight tinkering powered a plethora of jangling guitar lines. Live staple ‘Wait (Hatchet Gets a New Hide) serves as collage of ideas and melodies harking back to the early days of Sppeedwear, completed on a Tascam 488 cassette recorder.\u003cbr\u003eBut, between joyfully jarring twists and turns, it is a rare moment of wistfulness which offers the biggest hint to the album’s wider Punch Card themes. A turning point in the recording process, finale ‘Friedrich Backs Up Nothing’ shimmers with strange atmospheres and sound-manipulated cellos; lyrically considering how history might react to the world today.\u003cbr\u003eFormal Sppeedwear may look and sound something like pop, but Punch Card emerges through collision, constraint, and chance - much like the stamped out geometry that inspired its artwork.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Hit ‘n’ Run 2. Who Needs Spain Ball? 3. Indecent 4. Knutmo 1-5 5. Aardvark x2 6. A Concise History 7. Fleas\u003cbr\u003e8. Wait (Hatchet Gets A New Hide) 9. The Ballad Of DCB 10. New Brother 11. Appointment 12. Friedrich Backs Up Nothing\u003c\/p\u003e","brand":"Melodic","offers":[{"title":"Default Title","offer_id":46964393246876,"sku":"MELO150LP","price":22.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MELO150LP.jpg?v=1779817776"},{"product_id":"formal-sppeedwear-punch-card-cd","title":"Formal Sppeedwear - Punch Card [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: MELO150CD\u003cbr\u003eBarcode: 5060168046703\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: New Wave\/Post-Punk\/Mutant Disco\u003c\/p\u003e\n\u003cp\u003eStoke-On-Trent’s most tuned-in and turned-out trio are releasing debut album Punch Card, which might be the avant-pop record of the year.\u003c\/p\u003e\n\u003cp\u003eFor Fans Of: Devo, Talking Heads, XTC, Neu!\u003cbr\u003e\"A slinking, unctuous energy shot of new wave and mutant disco\" - DIY\u003c\/p\u003e\n\u003cp\u003eBlack vinyl, die cut sleeve on printed manila board, printed inner, and DL code.\u003cbr\u003e \u003cbr\u003eDriven by a desire for sonic collage and bolstered by lateral thinking, ‘Punch Card’ is a crafty lesson in how, with touches of masterful manipulation, the collision of opposing forces can cause sparks to fly and an irrepressible need to dance. “Our aim is to undermine anything leaning too far one way or the other. We shoot for homogeneity - if it sounds good and its component parts can't be pulled out, we’ve matched the job description,” they say of finding balance in their desire to ‘pull the rug’ musically whenever listeners least expect it.\u003cbr\u003eMuch like the typo in their name, now proudly worn by the band as a badge of honour, the result is an album of happy accidents that truly embody their audiences’ visceral knee-jerk reactions. The cut-out windows of an eighties protocomputer punch card that line the sleeve offer a portal into Formal Sppeedwear’s universe.\u003cbr\u003eAfter signing with melodic in 2023, the trio’s now sold out 2024 debut EP - a self-titled, self-produced 12” sample of elastic bass arrangements, leaping guitar motifs and sparse, un-assuming percussive work - picked up notable fans at BBC 6 Music and helped to secure shows around the country with the likes of Fat Dog, Preoccupations, Warmduscher and Divorce. A legion of listeners grew, barraging Instagram DMs curious to unearth the mystery behind their idiosyncratic, off-kilter lyrics – usually a product of Beck’s phonetically-associated wordplay.\u003cbr\u003eProlific in their output, the band diligently produced Punch Card themselves with mastering from Paul D. Millar (Slug Bug). Led by a preference for sonic variety, they even discarded three tracks not belonging on the record; not because they didn’t fit - but because they did. Through their boomerang voice notes and a sense of telepathy that only college friends bonded by Neu! and Yellow Magic Orchestra could possess, they explain; “There’s definitely a subconscious level to what we do but it’s always driven by what works sonically. The real challenge becomes how to recreate it live.”\u003cbr\u003eBlame those tracks which formed quickly when raw ideas and lyrics flowed from jam sessions in their Tremolo rehearsal room. Jagged, punchy ‘Indecent’ was largely improvised by the trio as a single recorded live take, and ‘The Ballad of DCB’ (avid bookworms in Stoke may have an inkling as to the meaning behind its acronym) was wrangled from a spritely brink of uncertainty after twilight tinkering powered a plethora of jangling guitar lines. Live staple ‘Wait (Hatchet Gets a New Hide) serves as collage of ideas and melodies harking back to the early days of Sppeedwear, completed on a Tascam 488 cassette recorder.\u003cbr\u003eBut, between joyfully jarring twists and turns, it is a rare moment of wistfulness which offers the biggest hint to the album’s wider Punch Card themes. A turning point in the recording process, finale ‘Friedrich Backs Up Nothing’ shimmers with strange atmospheres and sound-manipulated cellos; lyrically considering how history might react to the world today.\u003cbr\u003eFormal Sppeedwear may look and sound something like pop, but Punch Card emerges through collision, constraint, and chance - much like the stamped out geometry that inspired its artwork.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Hit ‘n’ Run 2. Who Needs Spain Ball? 3. Indecent 4. Knutmo 1-5 5. Aardvark x2 6. A Concise History 7. Fleas\u003cbr\u003e8. Wait (Hatchet Gets A New Hide) 9. The Ballad Of DCB 10. New Brother 11. Appointment 12. Friedrich Backs Up Nothing\u003c\/p\u003e","brand":"Melodic","offers":[{"title":"Default Title","offer_id":46964393443484,"sku":"MELO150CD","price":11.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MELO150CD.jpg?v=1779817783"},{"product_id":"orquesta-akokan-america-lp","title":"Orquesta Akokán - AMÉRICA! [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAP085LP\u003cbr\u003eBarcode: 823134008519\u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Cuban\/Mambo\/World\u003c\/p\u003e\n\u003cp\u003eRecorded live to tape at Penrose Recorders by Gabriel Roth, AMÉRICA! expands on the classic Mambo sounds that the band has become known for — blending Latin soul, boogaloo and salsa - all while staying true to their Cuban roots. \u003c\/p\u003e\n\u003cp\u003eOn their fourth studio record, the band introduces an all-star line-up of new singers including Mariam Elhajli and Carolina Oliveros (of Combo Chimbita). Elhajli and Oliveros both tap into the raw energy of Celia and La Lupe, but turn the lens toward something more intimate: themes of loss, upheaval, and the weight of the immigrant experience.\u003c\/p\u003e\n\u003cp\u003e- Grammy-nominated for “Best Tropical Latin Album”\u003cbr\u003e- Recorded live to tape at Penrose Recorders by Daptoneʼs Gabriel Roth\u003cbr\u003e- Featuring singers Miriam Elhajli and Carolina Oliveros (of Combo Chimbita)\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING 1. NO ME VOY 2. MAMI QUÉ QUÉ 3. HACE TIEMPO 4. APRENDIZAJE 5. ME TIENES SIN CUIDADO 6. GIRASSOL 7. NADIE ME TOCA IGUAL 8. CHA CHA CHA OOH LA LA\u003c\/p\u003e","brand":"DAPTONE RECORDS","offers":[{"title":"Default Title","offer_id":46971844559004,"sku":"DAP085LP","price":23.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DAP085CD.jpg?v=1779898881"},{"product_id":"orquesta-akokan-america-green-lp","title":"Orquesta Akokán - AMÉRICA! [Green LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAP085LPX\u003cbr\u003eBarcode: 823134108516\u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Cuban\/Mambo\/World\u003c\/p\u003e\n\u003cp\u003etransparent green colour vinyl\u003c\/p\u003e\n\u003cp\u003eRecorded live to tape at Penrose Recorders by Gabriel Roth, AMÉRICA! expands on the classic Mambo sounds that the band has become known for — blending Latin soul, boogaloo and salsa - all while staying true to their Cuban roots. \u003c\/p\u003e\n\u003cp\u003eOn their fourth studio record, the band introduces an all-star line-up of new singers including Mariam Elhajli and Carolina Oliveros (of Combo Chimbita). Elhajli and Oliveros both tap into the raw energy of Celia and La Lupe, but turn the lens toward something more intimate: themes of loss, upheaval, and the weight of the immigrant experience.\u003c\/p\u003e\n\u003cp\u003e- Grammy-nominated for “Best Tropical Latin Album”\u003cbr\u003e- Recorded live to tape at Penrose Recorders by Daptoneʼs Gabriel Roth\u003cbr\u003e- Featuring singers Miriam Elhajli and Carolina Oliveros (of Combo Chimbita)\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING 1. NO ME VOY 2. MAMI QUÉ QUÉ 3. HACE TIEMPO 4. APRENDIZAJE 5. ME TIENES SIN CUIDADO 6. GIRASSOL 7. NADIE ME TOCA IGUAL 8. CHA CHA CHA OOH LA LA\u003c\/p\u003e","brand":"DAPTONE RECORDS","offers":[{"title":"Default Title","offer_id":46971844591772,"sku":"DAP085LPX","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DAP085LPX.jpg?v=1779898904"},{"product_id":"orquesta-akokan-america-cd","title":"Orquesta Akokán - AMÉRICA! [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DAP085CD \u003cbr\u003eBarcode: 823134008526\u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Cuban\/Mambo\/World\u003c\/p\u003e\n\u003cp\u003eRecorded live to tape at Penrose Recorders by Gabriel Roth, AMÉRICA! expands on the classic Mambo sounds that the band has become known for — blending Latin soul, boogaloo and salsa - all while staying true to their Cuban roots. \u003c\/p\u003e\n\u003cp\u003eOn their fourth studio record, the band introduces an all-star line-up of new singers including Mariam Elhajli and Carolina Oliveros (of Combo Chimbita). Elhajli and Oliveros both tap into the raw energy of Celia and La Lupe, but turn the lens toward something more intimate: themes of loss, upheaval, and the weight of the immigrant experience.\u003c\/p\u003e\n\u003cp\u003e- Grammy-nominated for “Best Tropical Latin Album”\u003cbr\u003e- Recorded live to tape at Penrose Recorders by Daptoneʼs Gabriel Roth\u003cbr\u003e- Featuring singers Miriam Elhajli and Carolina Oliveros (of Combo Chimbita)\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING 1. NO ME VOY 2. MAMI QUÉ QUÉ 3. HACE TIEMPO 4. APRENDIZAJE 5. ME TIENES SIN CUIDADO 6. GIRASSOL 7. NADIE ME TOCA IGUAL 8. CHA CHA CHA OOH LA LA\u003c\/p\u003e","brand":"DAPTONE RECORDS","offers":[{"title":"Default Title","offer_id":46971844624540,"sku":"DAP085CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DAP085CD_b944ff0b-8404-4ea8-9d15-538fbf3922fc.jpg?v=1779898883"},{"product_id":"function-aeternum-existenz","title":"Function - Aeternum (Existenz)","description":"\u003cp\u003eFormat: EP\/Mini-LP         \u003cbr\u003eCatalogue No.: TRESOR369\u003cbr\u003eBarcode: 4251804180016\u003cbr\u003eRelease Date: 03 Jul 2026\u003cbr\u003eGenre: Techno\/Electronic\u003c\/p\u003e\n\u003cp\u003eMuch like the fusion resulting in the output of light and heat within a star, the last seven years for Dave Sumner, aka Function, have been defined by immense change and an outpouring of creative energy. What began in late 2016 as a period of burnout from a relentless touring life became a catalyst for the most prolific recording era of his career. At the time, the studio became the only viable escape, a space to transmute exhaustion into a gestalt work.\u003c\/p\u003e\n\u003cp\u003eAeternum (Existenz) serves as the missing element in this creative arc. It acts as the final chapter of a cycle that began with the 2019 album Existenz and moved through Subject f (Transcendence), Awakening from the Illusory Self, and Green EP. Drawing inspiration from the seven stages of alchemy, this mini-album represents a cathartic process; a natural end point of a psychological cycle and the beginning of a new curve.\u003c\/p\u003e\n\u003cp\u003eAcross the six tracks on the mini-LP, recorded 2016-2019, Function builds a unique world, one which underlines his place as one of the luminaries of contemporary techno. Opening track, Ascent, traverses the space between ambient and techno; second track City Of Luz almost fades into itself across its twelve minutes before Transmutation brings around a reawakening with a beat that would not have sounded out of place on an early Rephlex or even a Sähko release. Final track on the 12”, Growth Cycle is fittingly a re-version\/re-vision of a track on the Existenz LP; Robert Owens’ soulful vocal now Stefanie Parnow's floating Siren-like voice with music that feels reborn: fresh, strong and insistent. The digital pack contains two further tracks, the deep electro of November 29, as well as Rubedo, a spacial ambient track that feels like the final glowing red embers of a fire turning to ash as the sun rises to reveal a new, golden dawn.\u003c\/p\u003e\n\u003cp\u003eAeternum (Existenz) is the final chapter of the soundtrack to Function’s spiritual awakening, the closing of a door and the clearing of a path. It’s a sonic manifestation of the Magnum Opus completed, a moment of total integration, where the leaden weight of the journey is finally perfected into the incorruptible gold of the spirit.It is dedicated to John Mendez, aka Silent Servant, Sumner’s dear friend and lifelong collaborator.\u003c\/p\u003e\n\u003cp\u003e1. \/ A1 Ascent 03:332. \/ A2 City Of Luz 12:53 3. \/ B1 Transmutation 04:51 4. \/ B2 Growth Cycle (Hermetic Mix) 07:52 5. \/ DX1 November 29 (Digital Bonus) 06:51 6. \/ DX2 Rubedo (Digital Bonus) 04:11\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":46972015673500,"sku":"TRESOR369","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TRESOR369.jpg?v=1779900640"},{"product_id":"pouya-foreverglades-cd","title":"Pouya - Foreverglades [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ERE1346 \u003cbr\u003eBarcode: 199316607956 \u003cbr\u003eRelease Date: 21 Aug 2026\u003cbr\u003eGenre: Rap\u003c\/p\u003e\n\u003cp\u003eAbout: \u003cbr\u003eWith Foreverglades, Miami’s independent rap cornerstone Pouya delivers a cohesive, highly anticipated body of work that serves as a gritty love letter to the Sunshine State. Moving away from the claustrophobic trap beats that defined the early SoundCloud era, Pouya steps fully into his veteran status by embracing a distinctly rich and organic Southern sonic palette. The album's title plays heavily on the Florida Everglades, signaling a destination that is both a permanent state of mind and a humid, unforgiving landscape where only the strongest survive. Over the course of 12 tracks, the project balances hazy nostalgia with modern underground rap execution, highlighting Pouya's sharp technical growth and deep roots in his hometown culture.\u003c\/p\u003e\n\u003cp\u003eThe production on Foreverglades is remarkably cohesive, leaning into thick basslines, melting instrumentation, and classic Southern rap influences that give the tracks a heavy, atmospheric depth. Behind the boards, the album leans on a talented collective of underground producers—including Alexis Martin, Boohmii, Esthetic Gloom, and Oleg—who construct a soundscape that is both menacingly smooth and psychedelic. Rather than relying on the frantic tempos of his early catalog, the backdrops here allow Pouya to showcase his immense vocal versatility. He flows effortlessly, seamlessly shifting from his signature rapid-fire, triplet-flow delivery to a more grounded, melodic cadence that mirrors the thick humidity of the Florida landscape.\u003c\/p\u003e\n\u003cp\u003eLyrically, Foreverglades is a self-reflective journey that finds Pouya confronting the psychological realities of a decade-long independent career. While his trademark dark humor and raw bravado remain intact, they are balanced by a vulnerable perspective on success, mortal anxieties, and the paranoia that comes with staying independent in a shifting industry. The tracklist is meticulously curated, anchored by atmospheric standouts like \"Found You,\" \"Florida Baby,\" \"In My City,\" and the Rocci-assisted \"Burnt Down.\" By anchoring the project with raw storytelling and a distinct sonic identity, Foreverglades stands as a defining moment in Pouya's discography—a project best experienced with the bass turned all the way up and the windows rolled down. \u003c\/p\u003e\n\u003cp\u003e1xLP, pressed on Whirlpool colored vinyl, includes 12x12 double-sided insert.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. Six (feat. Dead Hippie)\u003cbr\u003eA2\/2. Baby Bone\u003cbr\u003eA3\/3. In My City\u003cbr\u003eA4\/4. Florida Baby\u003cbr\u003eA5\/5. Bloodshot\u003cbr\u003eA6\/6. Rolling Stone\u003cbr\u003eB1\/7. Found You\u003cbr\u003eB2\/8. Teeth\u003cbr\u003eB3\/9. Burnt Down  (feat. Rocci)\u003cbr\u003eB4\/10. Players Only (feat. Chris Travis)\u003cbr\u003eB5\/11. Kysostfu\u003cbr\u003eB6\/12. Vain\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/fQyy160qF0U\" title=\"Pouya - Rolling Stone (Official Music Video)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Pouya \/ EMPIRE","offers":[{"title":"Default Title","offer_id":46994078335132,"sku":"ERE1346","price":11.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1346Mock.jpg?v=1780311224"},{"product_id":"pouya-foreverglades-whirlpool-colored-vinyl","title":"Pouya - Foreverglades [Whirlpool colored vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ERE1347 \u003cbr\u003eBarcode: 199316607970\u003cbr\u003eRelease Date: 21 Aug 2026\u003cbr\u003eGenre: Rap\u003c\/p\u003e\n\u003cp\u003eAbout: \u003cbr\u003eWith Foreverglades, Miami’s independent rap cornerstone Pouya delivers a cohesive, highly anticipated body of work that serves as a gritty love letter to the Sunshine State. Moving away from the claustrophobic trap beats that defined the early SoundCloud era, Pouya steps fully into his veteran status by embracing a distinctly rich and organic Southern sonic palette. The album's title plays heavily on the Florida Everglades, signaling a destination that is both a permanent state of mind and a humid, unforgiving landscape where only the strongest survive. Over the course of 12 tracks, the project balances hazy nostalgia with modern underground rap execution, highlighting Pouya's sharp technical growth and deep roots in his hometown culture.\u003c\/p\u003e\n\u003cp\u003eThe production on Foreverglades is remarkably cohesive, leaning into thick basslines, melting instrumentation, and classic Southern rap influences that give the tracks a heavy, atmospheric depth. Behind the boards, the album leans on a talented collective of underground producers—including Alexis Martin, Boohmii, Esthetic Gloom, and Oleg—who construct a soundscape that is both menacingly smooth and psychedelic. Rather than relying on the frantic tempos of his early catalog, the backdrops here allow Pouya to showcase his immense vocal versatility. He flows effortlessly, seamlessly shifting from his signature rapid-fire, triplet-flow delivery to a more grounded, melodic cadence that mirrors the thick humidity of the Florida landscape.\u003c\/p\u003e\n\u003cp\u003eLyrically, Foreverglades is a self-reflective journey that finds Pouya confronting the psychological realities of a decade-long independent career. While his trademark dark humor and raw bravado remain intact, they are balanced by a vulnerable perspective on success, mortal anxieties, and the paranoia that comes with staying independent in a shifting industry. The tracklist is meticulously curated, anchored by atmospheric standouts like \"Found You,\" \"Florida Baby,\" \"In My City,\" and the Rocci-assisted \"Burnt Down.\" By anchoring the project with raw storytelling and a distinct sonic identity, Foreverglades stands as a defining moment in Pouya's discography—a project best experienced with the bass turned all the way up and the windows rolled down. \u003c\/p\u003e\n\u003cp\u003e1xLP, pressed on Whirlpool colored vinyl, includes 12x12 double-sided insert.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. Six (feat. Dead Hippie)\u003cbr\u003eA2\/2. Baby Bone\u003cbr\u003eA3\/3. In My City\u003cbr\u003eA4\/4. Florida Baby\u003cbr\u003eA5\/5. Bloodshot\u003cbr\u003eA6\/6. Rolling Stone\u003cbr\u003eB1\/7. Found You\u003cbr\u003eB2\/8. Teeth\u003cbr\u003eB3\/9. Burnt Down  (feat. Rocci)\u003cbr\u003eB4\/10. Players Only (feat. Chris Travis)\u003cbr\u003eB5\/11. Kysostfu\u003cbr\u003eB6\/12. Vain\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/fQyy160qF0U\" title=\"Pouya - Rolling Stone (Official Music Video)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Pouya \/ EMPIRE","offers":[{"title":"Default Title","offer_id":46994078597276,"sku":"ERE1347","price":24.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1347Mock.jpg?v=1780311249"},{"product_id":"naibu-caught-me-falling","title":"Naibu - Caught Me Falling","description":"\u003cp\u003eFormat: 12’’ EP\u003cbr\u003eCatalogue No.: MINAT003 \u003cbr\u003eBarcode: 5051142053633\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Jungle \/ Drum n Bass\u003c\/p\u003e\n\u003cp\u003eWidespine Jacket, Black Vinyl   \u003c\/p\u003e\n\u003cp\u003eAbout:\u003cbr\u003eNext up on Minato Music is ‘Caught Me Falling’, a new 4-track EP by Naibu featuring 4 cuts of pure drum n bass that will please fans from all corners. Following up his genre bending solo album ‘Abandon’, Naibu returns to pure 170bpm form with this release, going back to a sound he’s well know for: deep, beautiful, breakbeat driven music. Starting off with ‘Descente’, a deep diving, emotional roller that takes you on a musical journey, followed by ‘Les Profondeurs’, a dark, more intense blend of vintage Reinforced and Soul:R flavours. On the flip side, Naibu revisits one of his older, personal favourites, ‘The Way You Turn’, which gets the 2026 treatment in a simplified, straight to the point rolling version. A club weapon tailored for DJs and an absolute joy in the mix.\u003c\/p\u003e\n\u003cp\u003eTo finish things off, title track ‘Caught Me Falling’ is a more laid back number, featuring original drums from upcoming talent Joe Mandeno. This track is a serious nod to late 90s 4hero, one for the late evenings and early mornings.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. Descente\u003cbr\u003eA2\/2. Les Profondeurs \u003cbr\u003eB1\/3. The Way You Turn (Lower Effort Mix)\u003cbr\u003eB2\/4. Caught Me Falling (ft. Joe Mandeno)\u003c\/p\u003e\n\u003cp\u003eSocials:\u003cbr\u003eSC: 12K followers\u003cbr\u003eSpotify: 26K monthly listeners \/ 12K followers\u003cbr\u003eIG: 2K followers\u003c\/p\u003e","brand":"Minato Music","offers":[{"title":"Default Title","offer_id":46996616708252,"sku":"MINAT003","price":17.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MINAT003.jpg?v=1780336729"},{"product_id":"joseph-ch-b4u-tripidi-ep","title":"JOSEPH (CH) - B4U \u0026 Tripidi EP","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: PAMPA046 \u003cbr\u003eBarcode: 4070209020136 \u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003e* Info:\u003cbr\u003eA duel of fates - \"B4U\" is where clashing swords and bittersweet sounds envelop the strange voices in the back of your head… On the evening of its discovery, Joseph could be found in a dark room, squatting in front of his desk, gripping its sides for dear life. Headphones blaring the cosmic love letter, sent for him to share with you.\u003cbr\u003eBooty-shake-worthy grooves and a seriously JOSEPH-coded bassline give way to a sound that reminds you to stop taking everything so damn seriously. \"Tripidi\" is JOSEPH's auditory instruction manual on how\u003cbr\u003eto swerve when you stub a toe at 4am.\u003c\/p\u003e\n\u003cp\u003e* All Tracks written and produced by Joseph Blandford.\u003cbr\u003eUsed by permission. All rights reserved.\u003cbr\u003eMastering by Hans Frage @ Deinklang\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA: JOSEPH (CH) - B4U (08:00)\u003cbr\u003eB: JOSEPH (CH) - Tripidi (07:28)\u003c\/p\u003e","brand":"Pampa","offers":[{"title":"Default Title","offer_id":46996623163548,"sku":"PAMPA046","price":15.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PAMPA046.jpg?v=1780337201"},{"product_id":"benjamin-frohlich-muv-it","title":"Benjamin Fröhlich - Muv It","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: VINYLPLEASURE01\u003cbr\u003eBarcode: 4070209020280\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003e* Berlin-based producer and DJ Benjamin Fröhlich returns to his own Pleasure Principle imprint with the long-awaited vinyl edition of The Muv It EP -\u003cbr\u003eRooted in dusty, dubby house music and inspired by the open spaces and raw energy of a recent desert trip, the EP channels warmth and groove in equal measure. The title track Muv It sits at the heart of the release - a driving, hypnotic floor-burner that showcases Fröhlich's instinctive feel for rhythm and texture.\u003c\/p\u003e\n\u003cp\u003eAlongside it, Get Up raises the energy further, bringing a higher-octane dancefloor urgency to the EP's middle section. Its dub counterpart Get Dub then strips things back - a spacious, reverb-drenched variation that lets the groove breathe and reveals the track's deeper, more meditative side.\u003c\/p\u003e\n\u003cp\u003eThe vinyl edition comes with an exclusive bonus track: Gruv It – a stripped-down, atmospheric rework of Muv It that trades hands up moments against a hypnotic rolling vibe.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1: Muv It\u003cbr\u003eA2: Gruv It\u003cbr\u003eB1: Get Up\u003cbr\u003eB2: Get Dub\u003c\/p\u003e","brand":"Pleasure Principle","offers":[{"title":"Default Title","offer_id":46996627685532,"sku":"VINYLPLEASURE01","price":15.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/VINYLPLEASURE01.jpg?v=1780337525"},{"product_id":"chris-liebing-luke-slater-double-split-terence-fixmer-remixes","title":"Chris Liebing, Luke Slater - Double Split (Terence Fixmer Remixes)","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: CLR142V\u003cbr\u003eBarcode: 844216060249\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003e* Terence Fixmer Reimagines Chris Liebing \u0026amp; Luke Slater's 'Double Split' for CLR. Fixmer’s remixes of Liebing\/Slater’s collaboration from the former’s ‘Evolver’ LP release on 31st July. \u003c\/p\u003e\n\u003cp\u003eTerence Fixmer has delivered two remixes of Chris Liebing and Luke Slater’s ‘Double Split’ track, one of a handful of collaborations on Liebing’s first-ever solo LP, ‘Evolver’, which was released in March this year. Having contributed to the LP as a member of The Alte Stuben Modular Ensemble, a super-group featuring Liebing, Daniel Miller, and Pascal Gabriel, Fixmer is a fitting choice to remix ‘Double Split’.\u003c\/p\u003e\n\u003cp\u003eFixmer has been evolving his sound for more than 25 years. From deep and mind-bending to experimental and soulful, he is a visionary who has been hugely prolific, with many standout LPs and EPs on labels such as Mute Records, Novamute, Ostgut Ton, and Planete Rouge Records. \u003c\/p\u003e\n\u003cp\u003eFixmer’s first ‘Double Split’ remix is inspired by the energy of the original, but focused on dubbier, hypnotic vibes. Strident drums and clattering percussion are stark by design, but smoky vocals and eerie synths hang in the air, bringing a bleak human futurism over all-consuming bass. Then comes the Melting Mind rework, which is boiled down to a handful of key elements, not least the original’s penetrating acid line. It's an immersive, late-night dive that locks you in a state of constant motion and unrelenting pressure.  The original from Chris Liebing and Luke Slater, a dark and futuristic roller with automated drums and layers of rusty synths encircled by acidic gurgles, completes the package. \u003c\/p\u003e\n\u003cp\u003eChris Liebing, Luke Slater's 'Double Split' (Terence Fixmer Remixes) is released on CLR on 31st July 2026.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1 Chris Liebing, Luke Slater - Double Split (Terence Fixmer Remix)\u003cbr\u003eA2 Chris Liebing, Luke Slater - Double Split (Terence Fixmer Melting Mind Remix)\u003cbr\u003eB Chris Liebing, Luke Slater - Double Split\u003c\/p\u003e","brand":"CLR","offers":[{"title":"Default Title","offer_id":46996647018652,"sku":"CLR142V","price":17.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CLR142V.jpg?v=1780337611"},{"product_id":"carlos-nilmmns-legacy-ep-clear-marbled-vinyl","title":"Carlos Nilmmns - Legacy EP [clear marbled vinyl]","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: ORN056 \u003cbr\u003eBarcode: 4251804127073\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: House\/Techno\u003c\/p\u003e\n\u003cp\u003e* Special Remarks: clear marbled vinyl + stamped sleeve\u003c\/p\u003e\n\u003cp\u003e* Ornaments continues its long-standing journey with Carlos Nilmmns, presenting a new mini-LP that effortlessly fuses sophisticated late-night club grooves with raw emotional depth. Across six expertly crafted tracks, Nilmmns delivers a rich sonic spectrum: from smoke-filled jazzy cuts and deep, hypnotic vibes to uplifting, funky piano house designed for the dancefloor. The emotional centerpiece of the record belongs to two breathtakingly deep, vocal-led songs featuring the beautiful, timeless voices of Genoveva, Keter Darker, and the legendary Karl The Voice - a poignant, soulful tribute that grounds the entire release.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1 - \"Hustlin' Heights\"\u003cbr\u003eA2 - \"Midnight\"\u003cbr\u003eA3 - \"Where Would They Go\" feat. Genoveva\u003cbr\u003eB1 - \"Bahia\"\u003cbr\u003eB2 - \"Peanut Butter And Jelly\" feat. Karl The Voice, Keter Darker\u003cbr\u003eB3 - \"Shades Of Blue\"\u003c\/p\u003e","brand":"Ornaments","offers":[{"title":"Default Title","offer_id":46996650492060,"sku":"ORN056","price":17.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ORN056.jpg?v=1780337732"},{"product_id":"groovedeep-funk-solo","title":"Groovedeep - Funk Solo","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: TURBO249V\u003cbr\u003eBarcode: 4062548131062\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003e* International supergroup Groovedeep is comprised of Toronto’s Ciel and DC’s James Bangura and Jackson Ryland.\u003c\/p\u003e\n\u003cp\u003e* There was a regrettable time in Turbo’s history when our email filters would prevent anything called Groovedeep from reaching our senior A\u0026amp;R braintrust. We felt we needed to shield their sensibilities and sanity from demos by acts like The Rhythm Pilgrims and Loop Addict, but it ended up costing us potential stars like SonicVisions and Beatweaver. Someone had to stand up and say no more.\u003c\/p\u003e\n\u003cp\u003eWith this benighted era behind us, Turbo is proud of itself for presenting you with this pair of decidedly modern bangers from international supergroup Groovedeep, comprised of Toronto’s Ciel and DC’s James Bangura and Jackson Ryland.\u003c\/p\u003e\n\u003cp\u003e“Funk Solo” packs 145 beats into each and every minute of a delirious techno mindbeast, with remixes from icons such as Shed, Batu, and Mark Broom taking the vibe in all the right various directions. Meanwhile, the bottom of the B-side is a “Big Bass Mix\" for those of us who are compelled to slather ourselves in bass-boost ultrasound gel and nestle into the club sub-woofer where the low frequencies massage our kidneys and sacrum and the twinned demons of treble and vision cannot touch us I mean not even close brother.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1 \/ Funk Solo\u003cbr\u003eA2 \/ Funk Solo (Shed Remix)\u003cbr\u003eB1 \/ Funk Solo (Batu Remix)\u003cbr\u003eB2 \/ Funk Solo (Mark Broom Remix)\u003cbr\u003eB3 \/ Funk Solo (Big Bass Mix)\u003c\/p\u003e","brand":"Turbo Recordings","offers":[{"title":"Default Title","offer_id":46996651737244,"sku":"TURBO249V","price":17.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TURBO249V.jpg?v=1780337991"},{"product_id":"mano-le-tough-dj-koze-remcord-jonathan-kaspar-maeve035","title":"Mano le Tough \u0026 DJ Koze, Remcord, Jonathan Kaspar - Maeve035","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: MAEVE035\u003cbr\u003eBarcode: 4070209021188\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Indie Dance\/Melodic Techno\u003c\/p\u003e\n\u003cp\u003e* MAEVE returns with a new chapter led by Mano Le Tough, continuing the label's long-standing vision of releasing timeless, emotionally resonant electronic music.\u003cbr\u003eLeading the way is a special 3-track 12\" featuring a collaboration of Mano Le Tough with DJ Koze, Remcord and Jonathan Kaspar, - the first in a new run of releases scheduled throughout 2026, with further singles and an EP to follow from Maeve artists and new talents.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1: Mano Le Tough \u0026amp; Dj Koze - Real, You Know?!\u003cbr\u003eA2: Remcord - Utopia\u003cbr\u003eB1: Jonathan Kaspar – Aye\u003c\/p\u003e","brand":"Maeve","offers":[{"title":"Default Title","offer_id":46996652490908,"sku":"MAEVE035","price":19.76,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MAEVE035.jpg?v=1780338105"},{"product_id":"joe-davies-wonderful-tempo","title":"Joe Davies - Wonderful Tempo","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: SMALLVILLE76\u003cbr\u003eBarcode: 4070209020730\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003e* Joe Davies back on Smallville, providing his skills to double the magic on the fly!\u003cbr\u003eSoundscapes that will tickle your sweetspots. straight-but-quirky, far-out but still to the point – Joe is a master of his craft. His highly-acclaimed 2023 longplayer „Shields In Full Sunlight“ is still on the plates of oh-so-many heads out there, same for us. We are truly happy to present his latest vision of a cloudy night- all with Wonderful Tempo.\u003c\/p\u003e\n\u003cp\u003eComes with a stunning full cover artwork from Stefan Marx.\u003c\/p\u003e\n\u003cp\u003e* All Tracks written \u0026amp; produced by Joe Davies\u003cbr\u003eAdditional Production on A1 by Ossia\u003cbr\u003eAdditional Production on B1 by Johan Kaseta\u003cbr\u003eMastering \u0026amp; vinyl cut by Helmut Erler at Lathesville\u003cbr\u003eArtwork \u0026amp; Typography by Stefan Marx\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1 Ton, Scheine, Sterben\u003cbr\u003eA2 Born Yesterday\u003cbr\u003eB1 Something on my Mind\u003cbr\u003eB2 Shine Shine\u003c\/p\u003e","brand":"Smallville","offers":[{"title":"Default Title","offer_id":46996655931548,"sku":"SMALLVILLE76","price":16.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SMALLVILLE76.jpg?v=1780338368"},{"product_id":"highscore-breakin-out-girl-so-fine","title":"Highscore - Breakin’ Out \/ Girl So Fine","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: EDGE-044 \u003cbr\u003eBarcode: 4070209021348          \u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Boogie\/Funk\/Disco\u003c\/p\u003e\n\u003cp\u003e* Highscore is one of the newest—and quite sensational—discoveries in funk of the 1980s out of Germany. Two tracks Breakin’ Out and Girls So Fine, both recorded about 40 years ago and shelved ever since, are finally receiving a long-overdue 12\" release.\u003c\/p\u003e\n\u003cp\u003eLabel founder DJ Scientist tells the story of how the tracks were uncovered:\u003c\/p\u003e\n\u003cp\u003e“Several years ago, while researching the Crea label—after we had already licensed ‘You’re Not The One For Me’ by Peter Patzer—I also wanted to find out more about another band on the label: Nuages, who had released the stunning jazz-funk\/fusion album Cumulus.\u003c\/p\u003e\n\u003cp\u003eInterestingly, a Discogs user had uploaded a hand written promo letter from one of the band members along with the LP. In it, drummer Mike Bach mentioned plans for a second album, as well as a single featuring a ‘coloured singer’—which caught my attention. (A note on language: the original letter from 1985 uses the term 'coloured.' We've chosen to quote it directly as a historical document, but want to be clear that this reflects the terminology of the era and not language we would use today.)\u003c\/p\u003e\n\u003cp\u003eDigging deeper, more information was found on Bach’s own website, where a project called ‘High Score’ was mentioned. I immediately got in touch and asked if the recordings from that project still existed. Unfortunately, Bach couldn’t locate any of the material at the time.\u003c\/p\u003e\n\u003cp\u003eYears passed before we reconnected, when we featured ‘Strange Weekend’ by Nuages on our recent yacht rock compilation. I still had the Highscore project in mind and asked again. Once more, Mike had to deny—but he made another effort and reached out to former collaborators. A few weeks later, guitarist and composer Hermann Behrens discovered cassette tapes containing tracks from the Highscore project. I couldn’t wait to hear them…”\u003c\/p\u003e\n\u003cp\u003eTo go back a bit: Nuages were a jazz-rock band from Bremerhaven, originally formed by guitarist Joachim “Fussy” Fuß in 1982. The lineup included Mike Bach (drums and percussion), Klaus Hinners (bass), and Frank Fischer (keyboards). In 1984, John Dillard, a U.S. GI stationed in Germany, joined Nuages for several live performances as a soul singer. \u003c\/p\u003e\n\u003cp\u003eAround 1985\/1986, Dillard and Bach then teamed up with Hermann Behrens with a new focus on electro funk and disco: Highscore was born.\u003c\/p\u003e\n\u003cp\u003eWhen the three demo recordings were finally sent to us, they immediately blew us away. Breakin’ Out stood out as an incredible electro-funk boogie gem—exactly what we had been looking for. What’s more, it didn’t sound like a rough demo at all, Breakin Out was a well-arranged and almost perfectly recorded track, driven by fresh, vibrant synths, drum machines and guitar. The cassette mix wasn’t entirely final, but the remaining details could be refined during mastering.\u003c\/p\u003e\n\u003cp\u003eThe B-side, Girl So Fine, impressed just as much—equally strong and just as captivating as the A-side. Our reaction was immediate: this had to be released without delay!\u003c\/p\u003e\n\u003cp\u003eMost importantly, there are a few more recordings from Highscore. However, these only exist as multi-track studio reels, which currently cannot be transferred. 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The pieces unfold under a logic akin to the cybernetics of Norbert Wiener: feedback systems, flows of information, and voltage control intertwine with the experience of the one who operates them; the synthesizer ceases to be a mere tool and becomes an organism that reacts and communicates. These tracks are inspired by speed, the absurdity of reality, the impossibility of things, imaginaries of dystopia, and protocols of romance, delivered with mechanical frankness and precision. Recorded between 2023 and 2025, the pieces stand out for their FM synthesis basslines and incisive 808 derived percussion; subtractive synthesis, and 90s samplers dragging staccatos and energetic sequences.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003eA1    Axis           \u003cbr\u003eA2    Axis (Instrumental)      \u003cbr\u003eA3    Paroxismo      \u003cbr\u003eB1    Farewell          \u003cbr\u003eB2    Mandoble          \u003cbr\u003eB3    Mandoble (Estado De Bienestar - Proto Dub Remix)      \u003c\/p\u003e","brand":"Solitaty Listener","offers":[{"title":"Default Title","offer_id":46996668973212,"sku":"SL003EP","price":21.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SL003EP.jpg?v=1780338883"},{"product_id":"mat-chiavaroli-ammaro-ep","title":"Mat Chiavaroli - Ammaro EP","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: QUINTESSE101 \u003cbr\u003eBarcode: 4251804189040\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003e* Ready for a hot summer? It will get hot when listening to the new Mat Chiavaroli EP called „Ammaro“!\u003c\/p\u003e\n\u003cp\u003eMat has a long time connection with Quintessentials and released his first ever album „No stranger to madness“ back in 2017. His new sound is more driving and club friendly, ranging form the mediterrainina inspired „Ammaro“ the the UK garage styled „Need“ to the classic deep house tune „We can figure it out“. To top if off, Quintessentials buddie Ralph Session adds a NY influenced remix to heat things up even more! And yes, artwork provided by Mat’s son Divo, a real family affair!\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1: Ammaro\u003cbr\u003eA2: Need\u003cbr\u003eB1: Ammaro (Ralph Session Boogie Down Remix)\u003cbr\u003eB2: We can figure it out\u003c\/p\u003e","brand":"Quintessentials","offers":[{"title":"Default Title","offer_id":46996688830620,"sku":"QUINTESSE101","price":15.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/QUINTESSE101.jpg?v=1780339639"},{"product_id":"il-est-vilaine-surf-rider-mint-green-vinyl","title":"Il Est Vilaine - Surf Rider [mint green vinyl]","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: DIALECT044 \u003cbr\u003eBarcode: 3516628523519\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Electronic\/Electronica\u003c\/p\u003e\n\u003cp\u003e* 2026 Edition : mint green vinyl\u003c\/p\u003e\n\u003cp\u003e* To celebrate the 10th anniversary of the \"Surf Rider\" EP (originally released in 2015 on Lumière Noire), Dialect Recordings publishes a limited vinyl edition featuring an exclusive edit of \"Lies\" by Blackjoy. 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Both cities rise around guardian hills that watch over their people, and if you look closer, even the concrete that forms the backbone of each city traces back to these rugged metropolises.\u003c\/p\u003e\n\u003cp\u003eThe list of coincidences could go on—small, almost conspiratorial links that chance has woven between the two places. Adding another chapter to this unlikely connection is Regal86, who had already crossed the bridge once before to dive into the depths of Colombia’s “city of eternal spring.”\u003c\/p\u003e\n\u003cp\u003eDoble Filo, his first full-length cut to vinyl, now becomes his latest calling card. The eighth release on Discos Nutabe’s catalog arrives with six tracks—six sharp-edged pieces that lay bare Regal86’s sonic marginality.\u003c\/p\u003e\n\u003cp\u003eIt’s a form of exclusion that isn’t imposed but chosen, a deliberate stance to sidestep the demand for exotica that still shapes much of Latin America’s electronic landscape. This is spicy, rough-edged techno—ruleless and unruly—driven by dense, clipped progressions that plunge you into a vortex masquerading as a rayado ritual.\u003cbr\u003eThere’s no overload of concept here, nor any caricature of the extravagant. This album simply delivers music built to tear through any club or dive, without false promises or unnecessary labels. If there’s one thing worth highlighting about Doble Filo as a whole, it’s the way it consistently—and almost implicitly—reasserts its core premise from start to finish: these techno tracks are meant to be played wherever the hell you want.\u003c\/p\u003e\n\u003cp\u003eIn a moment when oddities tend to be rewarded more than usual, Doble Filo doubles down on fundamentals, reclaiming the spirit of early electronic music and carrying it into an era where immediacy seems intent on blurring the honesty of those who shape the sound.\u003cbr\u003eFor Regal86, sonic hustle is the only thing that keeps his spirit steady.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003eA1    Club Joke          \u003cbr\u003eA2    Herida     \u003cbr\u003eA3    Doble Filo     \u003cbr\u003eB1    Wacha          \u003cbr\u003eB2    Duro ft. 10010         \u003cbr\u003eB3    Dame\u003c\/p\u003e","brand":"Discos Nutabe","offers":[{"title":"Default Title","offer_id":46996704886940,"sku":"DNTB008","price":23.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DNTB008.jpg?v=1780340054"},{"product_id":"gold-panda-ton-up-2lp","title":"Gold Panda - TON UP [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: BARN133 \u003cbr\u003eBarcode: 4070209020921\u003cbr\u003eRelease Date: 26 Jun 2026\u003cbr\u003eGenre: Techno\/Minimal\u003c\/p\u003e\n\u003cp\u003eGATEFOLD 2LP.\u003c\/p\u003e\n\u003cp\u003eGold Panda returns with TON UP, a brilliantly stubborn new album for Studio Barnhus: eight rough-hewn dance tracks and two cozy little service-station interludes, all crafted with the robust determination of a\u003cbr\u003eproducer who knows that 140 bpm is not so much a tempo as a way of life.\u003c\/p\u003e\n\u003cp\u003eMade with Derwin Dicker’s unmistakable sampler-bashing touch, the tracks on Ton Up carry the raw knock of old-school hip-hop instrumentals, pushed through pumping house-music machinery and ready to cause absolute trouble on any half-decent sound system.\u003c\/p\u003e\n\u003cp\u003eHere you’ll find zero of that dreaded, over-explained “maturity” usually demanded of beloved electronic artists several albums deep into the game. Instead, Gold Panda just sounds as happily locked in as ever,\u003cbr\u003ecarelessly chasing the physical joys of pressure, swing and repetition. 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NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eLP1 New album.\u003cbr\u003eLP2 Available on vinyl for the first time.\u003cbr\u003eLP3\/4 Debut album on green vinyl.\u003cbr\u003eLP5 Second album on red vinyl.\u003c\/p\u003e\n\u003cp\u003eWhen I recorded the first 2 Trickfinger records, I had recently discovered that you could make electronic music in a room with a bunch of synced machines going at the same time, record it on a CD burner and have a finished track. I've heard this process described as “overdubbing into the air”. It was as exciting to me as my first 4 track was when I was 14. I wasn't trying to be good, or original. I was just excited that music could be made that way; it felt like I was a whole group of musicians playing together… or like I was jamming with ghosts of myself. This has actually been a very common way of making electronic music since the 80s, particularly in the main pioneering genres like Chicago Acid and Detroit Techno, but anyways I didn't figure it out until 2006. In 2007, I started doing it myself, which resulted in what was eventually released as Trickfinger, and Trickfinger II. I was just home from tour and was still in the middle of recording The Empyrean.\u003c\/p\u003e\n\u003cp\u003eA couple of years later I started making music by overdubbing onto a computer, but using the same machines. I tried to make music that didn't sound like anything else. I saw a way of combining Progressive Rock and Synth Pop which nobody had done. And I was combining my songwriting and guitar playing with these old machines in a way which I was sure was unique. I had reached a point where it was more important to do something original than to do something good, whatever “good” means.\u003c\/p\u003e\n\u003cp\u003eSome of this music did not get a proper release, and is compiled here as the vinyl record High Low. I don't think I have ever tried so hard at making music as I did during that period. This in contrast to those two Trickfinger records, where I wasn't trying at all. There’s something to be said for both mental states. When you're in one, the other seems impossible. I was really pushing myself on High Low. Looking back, it was as if I had an audience inside myself, driving me to go beyond my abilities, while at the same time I had a total disregard for any concept of an actual audience. It was one of those periods in life where things come together in a certain way that feels natural at the time, but seems foreign in retrospect. 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P.A.S albums tend to come together in their own time:\u003c\/p\u003e\n\u003cp\u003e“External signals and signs combine until the recipe feels right, both musically and from being ‘out there’,” Slater adds. “10 years since I released Arc Angel on Ostgut Ton, and it’s a fitting pleasure to combine live show ideas and studio work for the new album, served up with raw energy” That patience runs through his whole Ostgut catalogue; since Temporary Suspension brought its machine-tooled weight and alien feeling to the label in 2009, each P.A.S. release on Ostgut Ton has been its own quest for discovery, from The Messenger’s search for sounds not yet present in club music to Arc Angel’s focus on melody to the deep hypnosis of Plantae.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“Into The Night” creates a haunting, dystopic environment of corroded acid saturated in echo, absorbing from the first second. “Labyrinth” breaks into buoyant tribal percussion, modulated chirps trading off over propulsive drums. “Quadrant 10” is clean, delay-drenched techno, buzzing with noise splatters over saturated thuds. “Sermon Of The Light Tides” scrambles metallic bell sequences that distort and evolve throughout, reminiscent of a dial-up modem crossed with a game of Frogger, squelching between percussive bursts and stripped-back kicks. “Brave Cosmo” is tormentingly menacing, eerie synths panning around buried vocal fragments over frantic percussion. “Retina Burn” rolls on fierce, cement-mixer 909 cycles, rave stabs over a ride that locks you in, the whole track stuttering and repeating before stripping back to a bare echoing kick and building itself again.\u003c\/p\u003e\n\u003cp\u003e “Thunder Major” barrels on open hats and reverb-drenched claps ricocheting through twisting wreaths of delay, mesmeric and relentless. “Beton Brut” marches juggernaut percussion stamping through hall reverb so vast you can visualise the room, the darkest and most unrelenting track on the record. “No Ninja” crunches in metallic and immediate, a wiry plucked lead threading through glitch with the bass held low and deep, mixed so precisely you can see every layer stacked in your mind’s eye. “Ha Jam” is danceable techno with plenty of funk and a sophisticated looseness, a vocal laugh bouncing off clanging metal blocks and rave stabs. “Lynx” lowpasses its rave stabs and crystalline beeps, chirpy hats ticking, cold metal repeats, old school and mesmeric. “Generation Slip” closes everything out, ominous and churning, skittering percussion and electrical sparks rattling through steel, a freight train barrelling on into oblivion.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1 Planetary Assault Systems Into the Night 00:04:07\u003cbr\u003eA2 Planetary Assault Systems Labyrinth 00:05:32\u003cbr\u003eB1 Planetary Assault Systems Quadrant 10 00:05:40\u003cbr\u003eB2 Planetary Assault Systems Sermon of the Light Tides 00:06:23\u003cbr\u003eC1 Planetary Assault Systems Brave Cosmo 00:05:50\u003cbr\u003eC2 Planetary Assault Systems Retina Burn 00:06:07\u003cbr\u003eD1 Planetary Assault Systems Thunder Major 00:05:55\u003cbr\u003eD2 Planetary Assault Systems Beton Brut 00:05:37\u003cbr\u003eE1 Planetary Assault Systems No Ninja 00:06:02\u003cbr\u003eE2 Planetary Assault Systems Ha Jam 00:04:44\u003cbr\u003eF1 Planetary Assault Systems Lynx 00:07:25\u003cbr\u003eF2 Planetary Assault Systems Generation Slip 00:05:21\u003c\/p\u003e","brand":"Ostgut Ton","offers":[{"title":"Default Title","offer_id":46997115732124,"sku":"OSTGUTLP39","price":76.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/OSTGUTLP39.jpg?v=1780341551"},{"product_id":"jammin-sam-miller-a-link-to-the-past-tribute-green-vinyl","title":"Jammin’ Sam Miller - A Link To The Past Tribute [Green Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: WRWTFWW106 \u003cbr\u003eBarcode: 4251804188210\u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Video Game\/ Soundtrack\/Ambient\/Electronic\u003c\/p\u003e\n\u003cp\u003eLimited Edition Green Vinyl, Artwork by Pierre Thyss, OBI strip, Sticker Sheet. NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eWRWTFWW Records announces the return of Louisiana-based composer and producer Jammin’ Sam Miller with A Link To The Past Tribute, his homage to the music of Zelda (A Link To The Past). His remake of the classic video game score is available as a limited edition green vinyl LP with artwork and sticker sheet by French illustrator Pierre Thyss, as well as an obi strip.\u003c\/p\u003e\n\u003cp\u003eOriginally composed by the legendary Kōji Kondō, the epic 1991 Zelda soundtrack for the Super Nintendo Entertainment System is one of the most celebrated pieces of video game music ever, a sound that will automatically bring fans to a complete state of pixelized nostalgia bliss.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eJammin' Sam Miller entirely remade the soundtrack from scratch, note by note, without sampling any of the original audio. He recorded his cover versions by finding the original equipment used to create the score, translating the MIDI into a modern studio context, adding his keyboard sounds, and re-mixing and re-mastering the whole soundtrack with modern techniques. The result is a new experience of vintage Zelda music in full HD uncompressed glory and blessed with the beloved Jammin’ Sam Miller touch!\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003eA1. Title A2. Seal of the Seven Maidens A3. Beginning the Journey A4. Time of the Falling Rain A5. Majestic Castle A6. Princess Zelda's Rescue A7. Safety in the Sanctuary A8. Hyrule Field A9. The Goddess Appears A10. Forest of Mystery A11. Kakariko Village A12. Guessing Game House A13. Fortune Teller A14. Soldiers of Kariko Village A15. Dank Dungeons A16. Lost Ancient Ruins B1. Anger of the Guardians B2. Silly Pink Rabbit B3. Priest of the Dark Order B4. Dark Golden Land B5. Black Mist B6. Dungeon of Shadows B7. Meeting the Maidens B8. Prince of Darkness B9. Power of the Gods B10. Epilogue: Beautiful Hyrule B11. Staff Roll\u003c\/p\u003e","brand":"WRWTFWW Records","offers":[{"title":"Default Title","offer_id":46997125300380,"sku":"WRWTFWW106","price":35.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/WRWTFWW106.jpg?v=1780341644"},{"product_id":"charles-a-d-luminous","title":"Charles.A.D. - Luminous","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: AR060 \u003cbr\u003eBarcode: 4069977406969\u003cbr\u003eRelease Date: 26 Jun 2026\u003cbr\u003eGenre: Dub Techno\/Dub House\u003c\/p\u003e\n\u003cp\u003e300 ltd copies ltd Hand numbered, special marbled colours, anti static black inner bag. NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eCharles.A.D. presents Luminous, a new release on Avantroots that further defines his deep and immersive vision of dub techno. \u003c\/p\u003e\n\u003cp\u003eAcross six compositions, the artist creates a hypnotic journey where echoes, atmospheric textures, and minimalist grooves merge into a warm and contemplative sonic experience. With an elegant and detail-oriented approach, Luminous explores the relationship between space, depth, and movement, allowing each piece to evolve slowly through layers of reverb, deep pulses, and emotional landscapes. 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[Orange 7” Vinyl]","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: POETRY-EP-7001 \u003cbr\u003eBarcode: 5060135763916\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Punk Rock\u003c\/p\u003e\n\u003cp\u003eSpecial Packaging:\u003cbr\u003e100 Copies Only,  Orange 7” Vinyl, packaged in Numbered A4 6 Page Lyric Wallet with safety pin fastening\u003c\/p\u003e\n\u003cp\u003eTo celebrate Punk’s 50th year 1976-2026, Mal-One has put together an E.P. of his punk poetry. A limited edition of 100 numbered copies on orange vinyl contained in an art folder, behind a safety pin for good measure. Contained  inside lie the lyrics of these poetic verses. Side one contains `The Ballad of Punk Rock’ in all its 5 minute and 57 second glory. \u003c\/p\u003e\n\u003cp\u003eMal-One telling a brief history of how we got from there to here in all its pomp and circumstance. Side two carries a further 5 Punk Art poems telling us some more punk related stories . 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Ah They Were The Best Of Times (1.37)\u003c\/p\u003e","brand":"Punk Art Records","offers":[{"title":"Default Title","offer_id":46997145551004,"sku":"POETRY-EP-7001","price":20.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/POETRYEP7001.jpg?v=1780343296"},{"product_id":"baba-stiltz-relief-7-vinyl","title":"Baba Stiltz - Relief [7\" Vinyl]","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: PP125 \u003cbr\u003eBarcode: 4070209020877 \u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Alternative\/Electronic\u003c\/p\u003e\n\u003cp\u003e* Baba Stiltz continues to showcase his songwriting capabilities with Relief.\u003cbr\u003eBacked by Ilari Larjosto on drums, Relief sees Stiltz delving deeper into the slacker-country territory explored on his last album, Paid Testimony, though here the sound is more refifined and hi-fifi. The track hints at the indie apathy of decades past while maintaining a distinctly contemporary sensibility.\u003c\/p\u003e\n\u003cp\u003eA dubby yet fractured-sounding bassline and sparse three- chord verse structure intertwine with Theo Stocks’ beautiful lap steel arrangement, while Larjosto’s steady, Moe Tucker- esque drumming keeps the song moving forward.\u003c\/p\u003e\n\u003cp\u003eLyrically, Stiltz navigates pop songwriting tropes with restraint and precision. The repeated refrain of “congratulations” feels both strung-out and melodic, while fragmented, Garielle Lutz- like imagery — “tick tock, wrist watch, clif bar, trunk car, its cargo” — quietly sets the scene. Somehow, the juxtaposition resolves elegantly.\u003c\/p\u003e\n\u003cp\u003eWhen asked about the theme of the song, Stiltz simply responded: “There is relief in acceptance.” With Relief, Stiltz offers another compelling glimpse into his evolving songwriting practice, and perhaps an indication of what is still to come. The release follows a prolifific start to the year for Stiltz, including Blurb 2 with Okay Kaya, co- production, writing and mixing work on Ana Roxanne’s Poem 1, and co-production and mixing on the SY3 EP for Music From Memory.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA-Side\u003cbr\u003eA1: Relief\u003cbr\u003eB-Side\u003cbr\u003eB1: Relief (Instrumental Version)\u003cbr\u003eB2: Relief (Demo Version)\u003c\/p\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":46997154136220,"sku":"PP125","price":14.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PP125.jpg?v=1780343302"},{"product_id":"dupont-pensees-vagabondes-cd","title":"DUPONT - Pensées Vagabondes [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DPNT001CD\u003cbr\u003eBarcode: 3700398741031\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: French Vocal\u003c\/p\u003e\n\u003cp\u003eAt 72, Jean-Claude DUPONT is a “young” artist, having just released his third album. \u003c\/p\u003e\n\u003cp\u003eA Quebec singer-songwriter who has been based in Annecy for twenty years, Dupont delivers with this seven-track album a folk rock of formidable effectiveness — finely crafted guitars, lyrics that whisper yet linger, luminous melodies that take hold and never let go. \u003c\/p\u003e\n\u003cp\u003eRecorded in 2025 at Baboo Studios alongside leading musicians such as Nicolas Fizman and Denis Bénarosch, the album is as uplifting as it is spot-on. \u003cbr\u003eYou dive in without hesitation and come out a little changed.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST :\u003cbr\u003e01.Des kilomètres d’enfer\u003cbr\u003e02.Mehla Mylady\u003cbr\u003e03.En amour avec lui\u003cbr\u003e04.The Beauty and the Fool\u003cbr\u003e05.Le bleu des nuits\u003cbr\u003e06.Ricky and the Boomers\u003cbr\u003e07.Pouvoir savoir\u003c\/p\u003e","brand":"BABOO Records","offers":[{"title":"Default Title","offer_id":46997342486684,"sku":"DPNT001CD","price":15.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DPNT001CD.jpg?v=1780346511"},{"product_id":"various-artists-listen-up-roots-reggae-cd","title":"Various Artists - Listen Up! 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So sit back and enjoy some Roots Reggae straight from the heart of Jamaica…..\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1 Roots Natty Congo - Johnny Clarke\u003cbr\u003e2 Trying Youthman - Barry Brown\u003cbr\u003e3 Natty Dread Inna Greenwich Farm - Cornell Campbell\u003cbr\u003e4 Bad Minded People - Leroy Smart\u003cbr\u003e5 Skylarking  - Horace Andy\u003cbr\u003e6 Twelve Tribes Of Israel - Linval Thompson\u003cbr\u003e7 Better Must Come - Delroy Wilson\u003cbr\u003e8 None Shall Escape The Judgement  -  Johnny Clarke\u003cbr\u003e9 Mr Money Man - Barry Brown\u003cbr\u003e10 Politricks - Cornell Campbell\u003cbr\u003e11 Declaration Of Rights - Johnny Clarke\u003cbr\u003e12 Trying To Wreak Up My Life - Leroy Smart\u003cbr\u003e13 Money Money - Horace Andy\u003cbr\u003e14 Long Dreadlocks - Linval Thompson\u003cbr\u003e15 Peaceful Man - Delroy Wilson*\u003cbr\u003e16 Fight Against Corruption - Cornell Campbell*\u003cbr\u003e¬*CD Bonus Tracks\u003c\/p\u003e","brand":"Kingston Sounds","offers":[{"title":"Default Title","offer_id":47001444614300,"sku":"KSCD035","price":11.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KSCD035.jpg?v=1780346269"},{"product_id":"various-artists-listen-up-roots-reggae-green-vinyl","title":"Various Artists - Listen Up! 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The Aggrovators\u003cbr\u003eTrack 12 MONEY MONEY -Horace Andy\u003cbr\u003eTrack 13 MONEY IN JAMTOWN -Bim Sherman\u003cbr\u003eTrack 14 PEACE AND LOVE IN A GHETTO -Johnny Clarke\u003cbr\u003eTrack 15 NO WICKED IN A ZION –Earth \u0026amp; Stone*\u003cbr\u003eTrack 16(JUST CALL ME) AFRICAN ROOTS -Johnny Clarke*\u003cbr\u003eTrack 17 SMILING ROCKERS -Tommy MC Cook \u0026amp; Bobby Ellis*\u003cbr\u003eTrack 18 THE GODFATHER -I Roy*\u003c\/p\u003e\n\u003cp\u003e*CD BONUS TRACKS\u003c\/p\u003e","brand":"Kingston Sounds","offers":[{"title":"Default Title","offer_id":47001472237724,"sku":"KSCD066","price":11.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KSCD066.jpg?v=1780346283"},{"product_id":"bunny-lee-presents-jamaican-rockers-1975-1979-lp","title":"Bunny Lee Presents - Jamaican Rockers 1975-1979 [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: KSLP066\u003cbr\u003eBarcode: 5060135762292\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Reggae\u003c\/p\u003e\n\u003cp\u003eThe Rockers Sound (aka Steppas) came from the mid 70’s and was created during sessions with The Revolutionaires band at Channel 1.\u003c\/p\u003e\n\u003cp\u003eDrummer Sly Dunbar came up with a new ‘Militant’ style double drumming on the snare drum that seemed to add some credence to the political \/Rasta based lyrics that were so prominent around this time.\u003c\/p\u003e\n\u003cp\u003eSo for this compilation we have pulled together some of the best cuts from this period when producer Bunny Lee was on the top of his game and the sound in town to get on board with was ‘Rockers’...\u003cbr\u003eSo sit back and enjoy another period in Reggae’s history that still sounds as good as when it was created way back when...\u003cbr\u003eEVERYTHING ROCKERS....\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eTrack 1 CONTROL YOUR DAUGHTERS –Cornell Campbell\u003cbr\u003eTrack 2 CHILDREN OF ISRAEL – Dennis Brown\u003cbr\u003eTrack 3 ROCKERS TIME NOW –Johnny Clarke\u003cbr\u003eTrack 4 DEVIL’S THRONE –Junior Delgado\u003cbr\u003eTrack 5 CRISIS TIME –I Roy\u003cbr\u003eTrack 6 I DON’T LIKE IT – Leroy Smart\u003cbr\u003eTrack 7 R.O.C.K (ROCKERS) –Lloyd Chambers\u003cbr\u003eTrack 8 IN GOD WE TRUST -Morwells\u003cbr\u003eTrack 9 NO MAN’S LAND -Cornell Campbell\u003cbr\u003eTrack 10 WHIP THEM JAH -Dennis Brown\u003cbr\u003eTrack 11 CHANNEL 1 CRASH -Jackie Mittoo \u0026amp; 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LP limited to 1,000 copies pressed at Clampdown on Okeechobee Purple Vinyl.  Printed inner sleeve includes full credits, previously unseen photos and images. 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LP limited to 1,000 copies pressed at Clampdown on Okeechobee Purple Vinyl.  Printed inner sleeve includes full credits, previously unseen photos and images. 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Non-Returnable.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFollows her recently released collaborative album with Christina Vantzou, Reflections Vol. 3: Water Poems, via RVNG Intl., as well as her acclaimed solo releases Promenades and Space as an Instrument on Shelter Press.\u003c\/p\u003e\n\u003cp\u003eAtkinson first saw Les Yeux Sans Visage when she was a teenager, around the turn of the century. The film made an impact for its iconic imagery and the way Franju draws on the aesthetics of early filmmaking, from its score that relies on stylistic markers typical of the 1940s or 50s to the decision to shoot in black and white. Even four decades after its first release, it was clear that this was a work that stood outside of the cultural moment that birthed it, speaking through time in ways that were uncanny, but profound.\u003c\/p\u003e\n\u003cp\u003eA quarter-century later, Atkinson was approached by the Belgian cultural center VIERNULVIER to create a new score for Les Yeux Sans Visage for its celebrated Videodroom series, which has seen artists like claire rousay, Mabe Fratti, Lee Renaldo, and many more create new original scores for cult classics and genre cinema. Atkinson's music, with its sublime meditations on space and proximity, its elusive sense of narrative development, mirrors the pacing and mystery at the heart of horror filmmaking. There is a shadow at the heart of her soundtrack to Les Yeux Sans Visage, an ever-shifting wisp and an insinuation of encroaching transfiguration. 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Non-Returnable.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFollows her recently released collaborative album with Christina Vantzou, Reflections Vol. 3: Water Poems, via RVNG Intl., as well as her acclaimed solo releases Promenades and Space as an Instrument on Shelter Press.\u003c\/p\u003e\n\u003cp\u003eAtkinson first saw Les Yeux Sans Visage when she was a teenager, around the turn of the century. The film made an impact for its iconic imagery and the way Franju draws on the aesthetics of early filmmaking, from its score that relies on stylistic markers typical of the 1940s or 50s to the decision to shoot in black and white. Even four decades after its first release, it was clear that this was a work that stood outside of the cultural moment that birthed it, speaking through time in ways that were uncanny, but profound.\u003c\/p\u003e\n\u003cp\u003eA quarter-century later, Atkinson was approached by the Belgian cultural center VIERNULVIER to create a new score for Les Yeux Sans Visage for its celebrated Videodroom series, which has seen artists like claire rousay, Mabe Fratti, Lee Renaldo, and many more create new original scores for cult classics and genre cinema. Atkinson's music, with its sublime meditations on space and proximity, its elusive sense of narrative development, mirrors the pacing and mystery at the heart of horror filmmaking. There is a shadow at the heart of her soundtrack to Les Yeux Sans Visage, an ever-shifting wisp and an insinuation of encroaching transfiguration. Echoing a climactic moment in the film, the music obliquely points to \"the Beyond,\" an impossible place of discovery and revelation.\u003c\/p\u003e\n\u003cp\u003eThis recorded version of the soundtrack is a 34-minute synthesis of the full 90-minute score, presented on LP along with an essay by writer-musician Claire Cronin and drawings by Momo Gordon, together forming a complex reflection on the film's themes. If these sounds move as if the bars of cages are no barrier, they also intimate the freedom and power of those held behind them. Rather than simply mirroring the fear and confinement shown onscreen, Atkinson offers an elusive escape, a beacon for the characters, and the listener, to follow as they reckon with the narrative and move through it.\u003c\/p\u003e\n\u003cp\u003eTracklist LP A1. Félicia Atkinson - \"Les Yeux I\" A2. Félicia Atkinson - \"Les Yeux II\" A3. Félicia Atkinson - \"Les Yeux III\" A4. Félicia Atkinson - \"Les Yeux IV\" A5. Félicia Atkinson - \"Les Yeux V\" A6. Félicia Atkinson - \"Les Yeux VI\" B1. Félicia Atkinson - \"Sans Visage I\" B2. Félicia Atkinson - \"Sans Visage II\" B3. Félicia Atkinson - \"Sans Visage III\" B4. Félicia Atkinson - \"Sans Visage IV\" B5. 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The compositions are longer, the arrangements richer, and the music opens up to new influences ranging from krautrock to post-rock.\u003c\/p\u003e\n\u003cp\u003eTracks like A Pin Drops and Creator (All Kinds of Love) introduce hypnotic, repetitive structures, while others such as Fine Down Here, Sleep It Off and Drive Me Home retain the intimate and melancholic songwriting that defines Daniel Mark Williams’ work.\u003c\/p\u003e\n\u003cp\u003eWith Hello Magpie, Inflatable Dead Horse takes a significant step forward while maintaining the balance between raw energy and melodic depth.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003e01. Morning Light \u003cbr\u003e02. Fine Down Here \u003cbr\u003e03. Milkman \u003cbr\u003e04. Creator (All kinds of Love) \u003cbr\u003e05. These Our Dying Days \u003cbr\u003e06. Hip to Be Dead \u003cbr\u003e07. A Pin Drops \u003cbr\u003e08. Sleep It Off \u003cbr\u003e09. Drive Me Home \u003c\/p\u003e","brand":"We Are Unique! 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The compositions are longer, the arrangements richer, and the music opens up to new influences ranging from krautrock to post-rock.\u003c\/p\u003e\n\u003cp\u003eTracks like A Pin Drops and Creator (All Kinds of Love) introduce hypnotic, repetitive structures, while others such as Fine Down Here, Sleep It Off and Drive Me Home retain the intimate and melancholic songwriting that defines Daniel Mark Williams’ work.\u003c\/p\u003e\n\u003cp\u003eWith Hello Magpie, Inflatable Dead Horse takes a significant step forward while maintaining the balance between raw energy and melodic depth.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003e01. Morning Light \u003cbr\u003e02. Fine Down Here \u003cbr\u003e03. Milkman \u003cbr\u003e04. Creator (All kinds of Love) \u003cbr\u003e05. These Our Dying Days \u003cbr\u003e06. Hip to Be Dead \u003cbr\u003e07. A Pin Drops \u003cbr\u003e08. Sleep It Off \u003cbr\u003e09. Drive Me Home \u003c\/p\u003e","brand":"We Are Unique! 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The album features eleven minimalist, Zen-inspired tracks embellished with Berber and African percussion. The offbeat, poetic and dreamlike songs explore everyday life, social issues and hallucinations.\u003c\/p\u003e\n\u003cp\u003eInspired, poetic, in a word, unmissable: ‘Un Beau Matin’ is one of the finest albums on the French underground scene, produced by Pierre Barouh on his Saravah label\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003e01.Un Beau Matin\u003cbr\u003e03.Le Dragon\u003cbr\u003e04.Liberté\u003cbr\u003e05.Bali\u003cbr\u003e06.80 A\u003cbr\u003e07.Chanson Pour Sa Mère\u003cbr\u003e08.Nous Avons Tant Parle\u003cbr\u003e09.80 A.B.\u003cbr\u003e10.A Chaque Tournant\u003cbr\u003e11.Comme Avant\u003cbr\u003e12.Le Brouillard\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"931\" height=\"524\" src=\"https:\/\/www.youtube.com\/embed\/nK-BbgH3tt4?list=RDnK-BbgH3tt4\" title=\"Areski - Un beau matin (1972)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"SARAVAH Editions","offers":[{"title":"Default Title","offer_id":47001747357852,"sku":"SHL2144CD","price":15.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SHL2144CD.jpg?v=1780346391"},{"product_id":"areski-un-beau-matin-lp","title":"Areski - Un beau matin [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SHL2145LP\u003cbr\u003eBarcode: 3700398740331\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: French Vocal\u003c\/p\u003e\n\u003cp\u003eReissue of the album \"Un beau matin\" by Areski Belkacem, a unique artist and long-time collaborator of Brigitte Fontaine and Jacques Higelin. His first album was released under his own name, originally released in 1971 on the Saravah label.\u003c\/p\u003e\n\u003cp\u003eBrigitte Fontaine’s partner released this album in the same year as the famous *Comme à la radio*, on which the couple collaborated with the Art Ensemble of Chicago. The album features eleven minimalist, Zen-inspired tracks embellished with Berber and African percussion. The offbeat, poetic and dreamlike songs explore everyday life, social issues and hallucinations.\u003c\/p\u003e\n\u003cp\u003eInspired, poetic, in a word, unmissable: ‘Un Beau Matin’ is one of the finest albums on the French underground scene, produced by Pierre Barouh on his Saravah label\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003e01.Un Beau Matin\u003cbr\u003e03.Le Dragon\u003cbr\u003e04.Liberté\u003cbr\u003e05.Bali\u003cbr\u003e06.80 A\u003cbr\u003e07.Chanson Pour Sa Mère\u003cbr\u003e08.Nous Avons Tant Parle\u003cbr\u003e09.80 A.B.\u003cbr\u003e10.A Chaque Tournant\u003cbr\u003e11.Comme Avant\u003cbr\u003e12.Le Brouillard\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"931\" height=\"524\" src=\"https:\/\/www.youtube.com\/embed\/nK-BbgH3tt4?list=RDnK-BbgH3tt4\" title=\"Areski - Un beau matin (1972)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"SARAVAH Editions","offers":[{"title":"Default Title","offer_id":47001760825500,"sku":"SHL2145LP","price":30.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SHL2145LP.jpg?v=1780346395"},{"product_id":"tom-poisson-garcons-cd","title":"Tom Poisson - Garçon(s) [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SUP2611CD\u003cbr\u003eBarcode: 3700398740324 \u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: French Vocal\u003c\/p\u003e\n\u003cp\u003eThe album’s themes are simple and sincere. \u003c\/p\u003e\n\u003cp\u003eSincerity is Tom Poisson’s guiding principle: masculinity, the wrinkles at the corners of the eyes, the 47th President of the United States of America, Alzheimer’s disease, relationships, joy, longing… That’s the gist of it. \u003c\/p\u003e\n\u003cp\u003eIn terms of style, the writing is vivid and poetic rather than overly explicit, but Tom knows how to take us by the hand to help us understand and feel it for ourselves. \u003c\/p\u003e\n\u003cp\u003eTom has created this new album by blending acoustic guitars with synthesizers, but above all by surrounding himself with those he loves and has chosen. \u003c\/p\u003e\n\u003cp\u003eColotis Zoé (Caravane Palace) \u0026amp; Alice Chiaverini (aka Malice) each perform a duet with Tom on the album. Paul Roman provides the delicate arrangements on five tracks. Ludovic Bruni (Le Sacre du Tympan, Piers Facini…) and Denis Piednoir (producer of Tom Poisson’s previous album, Jean-Michel) have each taken on the production of one song. Alexandre Leauthaud (Les Fouteurs de Joie, Francis Cabrel) produces three tracks. \u003c\/p\u003e\n\u003cp\u003eTRACKLIST :\u003cbr\u003e01. A nos rides \u003cbr\u003e02. Garçon0\u003cbr\u003e03. Les petits wagons\u003cbr\u003e04. La nuit d'hier feat. Zoé Colotis\u003cbr\u003e05. N'importe quoi\u003cbr\u003e06. Thelma\u003cbr\u003e07. Sport de combat\u003cbr\u003e08. Chanson furtive\u003cbr\u003e09. Les noyés feat. Malice\u003cbr\u003e10. Les moustiques et les ronces\u003cbr\u003e11. Le train m'emporte\u003cbr\u003e12. 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