{"title":"SRD Presell 21AUG26","description":null,"products":[{"product_id":"cyrus-posatron-and-digby-yakiddin-zodiac-bath-bomb","title":"Cyrus Posatron and Digby Yakiddin - Zodiac Bath Bomb","description":"\u003cp\u003e\u003cspan\u003eFormat: 12\" Vinyl\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue No.: Noid1122\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode: 4251804138949\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRelease Date: 02 Nov 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre: House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist:\u003cbr\u003eA1. Zodiac Bath Bomb\u003cbr\u003eA2. Spark Life\u003cbr\u003eB1. But Why Jeff?\u003cbr\u003eB2. Landfill\u003cbr\u003eB3. I Just Called To Say I Love You\u003cbr\u003e\u003cbr\u003eThe the disco facelift, the arse tuck, some analog liposuction ...Digby Yakiddin and Cyrus Posatron return to the discoteque coalface to grind out .a value pack of random noid selections for all the family to enjoy. Get your chaps on girls and boys, jump on the Noid Bucking Bronco and lets ride !\u003cbr\u003e\u003cbr\u003eStay tuned for more of not the same.\u003c\/span\u003e\u003c\/p\u003e","brand":"Noid","offers":[{"title":"Default Title","offer_id":42158181843100,"sku":"Noid1122","price":14.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Noid1122.jpg?v=1667978080"},{"product_id":"surgeon-shell-wave-2lp","title":"Surgeon - Shell~Wave [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: TRESOR373\u003cbr\u003eBarcode: 4251804184021\u003cbr\u003eRelease Date: 02 May 2025\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003eRepress: 09 Oct 2026\u003c\/p\u003e\n\u003cp\u003e2 x 140g black vinyl, full printed special color sleeve (gold \u0026amp; blue pantone), download card included.\u003c\/p\u003e\n\u003cp\u003eTwo years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.\u003c\/p\u003e\n\u003cp\u003e“To make this project, I had to dig really deep in terms of what my relationship was to techno; I’ve been involved with it for a really long time and there’s a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often get asked “what is techno to you?” but I can’t answer that with words; this album is the answer.” From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the vast, hard yet minimal techno Child is synonymous with.\u003c\/p\u003e\n\u003cp\u003eNeatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects. Further echoes of dub production appear throughout the record as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil’s creation is present, the process and the instruments have changed as Child again switches up his approach to studio work.\u003cbr\u003eThis insistence on trying novel techniques doesn’t preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year’s synthesiser expos. “For me, it’s an interesting experience returning to old techniques again after 30 years. [I’m] always exploring and finding myself back at the beginning. Connecting the present with the past.”\u003c\/p\u003e\n\u003cp\u003eThis philosophy of ‘time travel’ is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.\u003cbr\u003e1. \/ A1 Serpent Void 05:42 2. \/ A2 Soul Fire 06:06  3. \/ B1 Divine Shadow 05:36 4. \/ B2 Forgotten Gods 06:12  5. \/ B3 Dying 03:05 6. \/ C1 Infinite Eye 06:26  7. \/ C2 Triple Threat 06:35  8. \/ D1 Empty Cloud 04:29  9. \/ D2 Fall 04:57\u003cbr\u003e\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":44824967905436,"sku":"TRESOR373","price":30.76,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TRESOR373.jpg?v=1741696528"},{"product_id":"helena-hauff-multiply-your-absurdities","title":"Helena Hauff - Multiply Your Absurdities","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: TRESOR372\u003cbr\u003eBarcode: 4251804182782\u003cbr\u003eRelease Date: 15 Nov 2024\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRepress: 09 Oct 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWith Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.\u003c\/p\u003e\n\u003cp\u003eThe title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops. Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.\u003c\/p\u003e\n\u003cp\u003ePunks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit. It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. Once you're halfway in, there's no turning back; all you can do is keep moving forward.\u003c\/p\u003e\n\u003cp\u003eThe closing track, Humanoid Fruit, transports to an even darker prehistoric landscape. Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind.\u003c\/p\u003e\n\u003cp\u003eOriginally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car\/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the “Tresor 31: Techno, Berlin und die große Freiheit” exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: \"an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'\" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track.\u003c\/p\u003e\n\u003cp\u003eMuch like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.\u003c\/p\u003e\n\u003cp\u003e1. \/ A1 Multiplying My Absurdities 06:22 2. \/ A2 Punks In The Gym 07:12  3. \/ B1  Humanoid Fruit  08:41\u003cbr\u003e\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":44945818878108,"sku":"TRESOR372","price":13.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TRESOR372.jpg?v=1727781971"},{"product_id":"caribou-the-milk-of-human-kindness-1","title":"CARIBOU - The Milk of Human Kindness","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PEF003LP\u003cbr\u003eBarcode: 5051142054333\u003cbr\u003eRelease Date: 20 Nov 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eLimited Edition 2026 Black Vinyl Repress.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Milk of Human Kindness is Dan Snaith's third studio album, originally released in 2005. It marked the first record credited to the Caribou name, after Snaith dropped his previous Manitoba moniker following a threatened lawsuit from Handsome Dick Manitoba of The Dictators. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRather than start from scratch, Snaith folded the two sides of himself together — the icy precision of Start Breaking My Heart and the sun-drenched sprawl of Up in Flames — into something both hypnotic - influenced by French progressive rock and German krautrock of the 1970s - and pastoral. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe record was met with strong critical acclaim, and its singles, \"Yeti\" and \"Barnowl,\" remain fan favorites to this day. Against the backdrop of the legal name change it is simultaneously the end of a chapter while also quietly setting the stage for the run of albums that would follow.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1. Yeti A2. Subotnick A3. A Final Warning A4. Lord Leopard A5. Bees A6. 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Twenty-five years on, it still sounds like an artist finding his voice in real time — rainbow melody, hopscotch percussion, and playground laughter stitched into warm, tactile electronic pop.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReflecting on the record, Snaith said it was the first time something clicked — he'd been making music since his early teens, but this was when he first felt he understood what he wanted his tracks to be. That moment coincided with the chance encounter that changed everything: he met Kieran Hebden (Four Tet) at a UK festival, who helped Dan get this album released — the start of a career that has spanned a quarter century and many albums since.\u003cbr\u003eTracklist:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Dundas, Ontario A2 People Eating Fruit A3 Mammals Vs Reptiles A4 Brandon A5 Children Play Well Together B1 Lemon Yoghourt B2 James' Second Haircut B3 Schedules \u0026amp; Fares B4 Paul's Birthday B5 Happy Ending\u003c\/p\u003e","brand":"People Eating Fruit Records","offers":[{"title":"Default Title","offer_id":47391883198620,"sku":"PEF001LP","price":23.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PEF001LP.jpg?v=1786467382"},{"product_id":"caribou-up-in-flames-1","title":"CARIBOU - Up In Flames","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PEF002LP\u003cbr\u003eBarcode: 5051142054326\u003cbr\u003eRelease Date: 20 Nov 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eLimited Edition 2026 Black Vinyl Repress.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUp in Flames is Dan Snaith's second album, originally released under the Manitoba moniker on March 31, 2003 . \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMade with the same modest home setup as its predecessor, it nonetheless sounds like a different artist entirely — a kaleidoscopic rush of sun-bright melodies, tumbling percussion, and psychedelic pop that traded the hushed intimacy of Start Breaking My Heart for something warmer, bigger, and more joyfully overstuffed, encompassing 1960s psychedelia, Madchaster swagger and shoegaze swoon. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSnaith was later forced to change his artist name after a well-documented lawsuit, and Up in Flames stands as the final album released under the Manitoba name — a high point to go out on. The record was met with widespread critical acclaim, and has since been recognized by Pitchfork as one of the standout albums of the 2000s. It remains, by most accounts, one of Snaith's finest and most beloved records. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1 I've Lived On A Dirt Road All My Life A2 Skunks A3 Hendrix With Ko (featuring Koushik)\u003cbr\u003eA4 Jacknuggeted A5 Why The Long Face B1 Bijoux B2 Twins B3 Kid You'll Move Mountains\u003cbr\u003eB4 Crayon (featuring Koushik) B5 Every Time She Turns Round It's Her Birthday\u003cbr\u003e\u003c\/p\u003e","brand":"People Eating Fruit Records","offers":[{"title":"Default Title","offer_id":47391887032476,"sku":"PEF002LP","price":23.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PEF002LP.jpg?v=1786467391"},{"product_id":"upsetters-upsetters-14-dub-black-board-jungle","title":"UPSETTERS - UPSETTERS 14 DUB Black Board Jungle","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: WE21SRD\u003cbr\u003eBarcode: 4255940803327\u003cbr\u003eRelease Date: 20 Nov 2026\u003cbr\u003eGenre: Reggae\/Dub\u003c\/p\u003e\n\u003cp\u003eComes with an exclusive art print!\u003cbr\u003eLimited to 500 copies! \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the most influential dub albums ever made. The remixing techniques used – radically new for 1973 – helped transform the role of the producer and the engineer to that of creative artists in their own right.\u003cbr\u003e \u003cbr\u003eFirst released in Jamaica in December 1972, Upsetters 14 Dub Black Board Jungle is widely regarded as one of the first full-length dub albums and a true landmark in reggae history. Produced by the visionary Jamaican innovator Lee “Scratch” Perry, it marks the decisive moment when dub evolved from incidental B-sides into a fully realized long-playing art form. At a time when Jamaican sound system culture was flourishing, producers were beginning to strip down popular reggae tracks into instrumental “versions,” emphasizing the bass and drums for sound system deejays to toast over while adding echo and reverb effects to make things more interesting and dynamic. While King Tubby, who was in charge of mixing the tracks, was pioneering the technical foundations of dub, Perry expanded the approach by adding the hypnotic and psychedelic sound effects that made this record so rich in ideas, rendering the album more conceptually bold.\u003cbr\u003e \u003cbr\u003eThe album reworked previously released rhythm tracks by the Upsetters, which were recorded between 1970 and 1972, shortly before Perry opened his own studio – the legendary Black Ark Studio in Kingston. Their tight, groove-driven playing provided a solid backbone for these radical studio manipulations. Using the mixing desk as an instrument, tracks were deconstructed in real time – dropping vocals in and out, isolating drumbeats, pushing bass lines to the front of the mix, and sending fragments of sound spiraling into space through the heavy use of a spring reverb and tape delay effect units. Silence became as important as sound, and the interplay of rhythm and echo created a hypnotic, immersive listening experience.\u003cbr\u003e \u003cbr\u003eUpsetters 14 Dub Black Board Jungle established dub as a genre defined by creative studio intervention. It demonstrated that the remix itself could be the main attraction, influencing generations of reggae producers and resonating far beyond into the techniques and aesthetics of post-punk, electronic music, hip-hop, and ambient sound design. By transforming the studio into a creative laboratory and elevating the “version” to an art form, this foundational album reshaped not only Jamaican music, but the whole of modern music production culture.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\u003cp\u003eA1 Upsetters Black Panta 00:04:40\u003cbr\u003eA2 Upsetters V\/S Panta Rock 00:03:34\u003cbr\u003eA3 Upsetters Khasha Macka 00:03:52\u003cbr\u003eA4 Upsetters Eleplant Rock 00:03:17\u003cbr\u003eA5 Upsetters African Skank 00:03:17\u003cbr\u003eA6 Upsetters Dreamland Skank 00:02:35\u003cbr\u003eA7 Upsetters Jungle Jim 00:02:57\u003cbr\u003eB1 Upsetters Drum Rock 00:03:56\u003cbr\u003eB2 Upsetters Dub Organizer 00:03:25\u003cbr\u003eB3 Upsetters Lovers Skank 00:02:45\u003cbr\u003eB4 Upsetters Mooving Skank 00:02:48\u003cbr\u003eB5 Upsetters Apeman Skank 00:02:30\u003cbr\u003eB6 Upsetters Jungle Fever 00:02:22\u003cbr\u003eB7 Upsetters Kaya Skank 00:03:05\u003c\/p\u003e","brand":"Week-End Records","offers":[{"title":"Default Title","offer_id":47435107762332,"sku":"WE21SRD","price":37.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/WE21SRD.jpg?v=1787152294"},{"product_id":"anderson-paak-cordae-heavy-is-the-crown-lp","title":"Anderson .Paak \u0026 Cordae - Heavy Is The Crown [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ERE1363 \u003cbr\u003eBarcode: 199316719369 \u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Rap\u003c\/p\u003e\n\u003cp\u003eAbout: \u003cbr\u003eNine-time GRAMMY® winner Anderson .Paak and GRAMMY®-nominated rapper Cordae have been operating on the same wavelength for years. What started as pure chemical reaction on 2019’s “RNP” slowly turned into one of hip-hop’s most natural, low-ego partnerships, fueled by back-and-forth gems like “Two Tens” and “Summer Drop” and a series of dynamic TV performances that felt more like two best friends hanging out than a polished routine. On their debut collaborative album, Heavy Is The Crown, that organic bond gets the full-length treatment it’s always deserved.\u003c\/p\u003e\n\u003cp\u003eAt its core, the project is a tightrope walk between serious real-life stakes and uncompromising fun. The title isn't just bravado—it speaks directly to the shared weight both artists carry as the primary providers and anchors for their families. But instead of letting that pressure crush the vibe, .Paak and Cordae lean into each other. Meeting as total equals, .Paak’s elastic, soul-drenched musicality anchors Cordae’s razor-sharp lyricism, allowing both to unpack the heavy reality of success and family responsibility without ever losing their spark.\u003c\/p\u003e\n\u003cp\u003eThat balance is what makes the album tick. To drive the point home, the album art pays homage to the cult comedy Step Brothers—a nod to the silly, irreverent friendship that birthed the music in the first place. Heavy Is The Crown doesn't feel like a forced corporate crossover or a calculated career move. It’s a record about brotherhood, family, and what happens when two masters of their craft step into the studio simply because nobody makes them laugh, rap, or create quite like the other.\u003c\/p\u003e\n\u003cp\u003eSocials: \u003cbr\u003eAnderson .Paak socials\u003cbr\u003eIG: 3.5M followers\u003cbr\u003eFB:773k followers\u003cbr\u003eYT: 903k subs \/ 415.8M+ views\u003cbr\u003eTikTok: 579.7k followers \/ 5.9M likes\u003c\/p\u003e\n\u003cp\u003eCordae socials\u003cbr\u003eTwitter: 420.7k followers\u003cbr\u003eIG: 1.9M followers\u003cbr\u003eFB: 694k followers\u003cbr\u003eYT: 832k subs \/ 302.6M+ views\u003cbr\u003eTikTok: 538.3k followers \/ 7.7M likes\u003c\/p\u003e","brand":"APESHIT \/ Hi Level \/ EMPIRE","offers":[{"title":"Default Title","offer_id":47435314036892,"sku":"ERE1363","price":20.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1363mock.jpg?v=1787156838"},{"product_id":"anderson-paak-cordae-heavy-is-the-crown-cd","title":"Anderson .Paak \u0026 Cordae - Heavy Is The Crown [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ERE1362 \u003cbr\u003eBarcode: 199316735215 \u003cbr\u003eRelease Date: 23 Oct 2026\u003cbr\u003eGenre: Rap\u003c\/p\u003e\n\u003cp\u003eAbout: \u003cbr\u003eNine-time GRAMMY® winner Anderson .Paak and GRAMMY®-nominated rapper Cordae have been operating on the same wavelength for years. 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Meeting as total equals, .Paak’s elastic, soul-drenched musicality anchors Cordae’s razor-sharp lyricism, allowing both to unpack the heavy reality of success and family responsibility without ever losing their spark.\u003c\/p\u003e\n\u003cp\u003eThat balance is what makes the album tick. To drive the point home, the album art pays homage to the cult comedy Step Brothers—a nod to the silly, irreverent friendship that birthed the music in the first place. Heavy Is The Crown doesn't feel like a forced corporate crossover or a calculated career move. 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Spanning decades of sound, these reworks bridge the gap between nostalgic grit and future-facing intensity, proving once again that a strong is often the most effective tool in the bag.\u003c\/p\u003e\n\u003cp\u003eDJ Sneak’s 2009 cut Acido sits perfectly between acid-house and techno-leaning aesthetics—a natural fit for a Hardspace edit that amplifies its jacking, loopy groove. Staying closer to techno's roots is Like A Tim’s warehouse classic Rashness; here, Faki channels the raw, frantic energy of the original, proving how nuanced changes can generate a completely different, captivating energy as he reshapes the track's dynamic impact and tightens the low-end.  \u003c\/p\u003e\n\u003cp\u003eThe B-side takes two contemporary cuts further into the red: the Snuff Crew edit ramps up the intensity, stripping back Where’s The Bad? to a singular, hypnotic loop for peak-time impact. 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Blue Tape Edition\u003cbr\u003e  \u003cbr\u003eThe latest TETZLAFF comeback AUTOMATENHALLE continues with an extraordinary journey on the new longplayer INTERKONTINENTAL!\u003c\/p\u003e\n\u003cp\u003eTracklist: A1\/01 – Langstreckenflug (21:20) B1\/02 – Passkontrolle (7:28) B2\/03 – Interkontinental (6:55) B3\/04 – Firmament (9:00)\u003c\/p\u003e","brand":"Melodien Der Ewigkeit","offers":[{"title":"Default Title","offer_id":47451488157852,"sku":"MELODE4444T","price":12.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MELODE4444C_2ed8500d-72a0-4b0a-be2e-3b4bc3c4bb21.jpg?v=1787350191"},{"product_id":"the-orchids-unholy-soul-cd","title":"The Orchids - Unholy Soul [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: PLEXUS006CD  \u003cbr\u003eBarcode: 5051142054357   \u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Indie Pop\u003c\/p\u003e\n\u003cp\u003e*Limited edition (500) reissue of The Orchids second album – originally released on Sarah Records in 1991-  remastered with the 7” and E.P tracks from the time. Translucent pink*\u003cbr\u003e“The Orchids have a lightness of touch, an autumnal and mellow fruitfulness, a clear-eyed pop nous. Imagine some nexus that takes in Felt, Orange Juice, The Beach Boys and The Go-Betweens”\u003cbr\u003e-Stuart Maconie\u003c\/p\u003e\n\u003cp\u003e“The Orchids can come on like esoteric angels high on Felt and Massive Attack”\u003cbr\u003e– John Mulvey, NME\u003c\/p\u003e\n\u003cp\u003eThe early summer bloom of 1992 felt like it had been pollinated by a lot of sunshine-loving records from the year before, optimistic headrushes that embraced hedonistic bliss or at least a sweeter ride. There was still an element of bedroom wistfulness to singles like Higher Than The Sun, Nothing Can Stop Us and even Paris Angels’ Perfume but there was no denying the appeal that techno, rave and Bleep held, especially when it was microdosed. Bands were more willing to experiment with technology and producers, if not necessarily going for all whistles-blazing club bangers. \u003c\/p\u003e\n\u003cp\u003eThe Orchids, hailing from the suburbs of Glasgow were unlikely to ever emerge from their hood as contenders for a deal on Soma Records (which had begun in 1991 in that city) but they evidently wanted to stretch their boundaries beyond their introverted debut. Unholy Soul is somewhat breezier than Lyceum. It’s still laced with a Scottish melancholy but there’s more breathing space within the production. They’d hinted as much on their 12” ‘Penetration’ EP from 1991 and lovelorn songs such as Waiting For The Storm and Peaches are now spiked by absent-minded cherubs with an ear for the 3.a.m comedown. \u003c\/p\u003e\n\u003cp\u003eAs lead singer James Hackett says today: “Unholy Soul was the first time we had spent more than a couple of days in the studio, doing so after work. 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Returning on not only black audiophile LP, but also CD and digital formats, the celebratory release brings back into circulation a singular record from the same fertile ecosystem that produced Super Furry Animals and has long been established as a vital, if undercelebrated chapter of Welsh music folklore.\u003c\/p\u003e\n\u003cp\u003eAcid Casuals was born in 1994 and remains a loose Cardiff community of musicians, artists and friends, with Furries synths wrangler, Cian Ciarán, former Big Leaves bassist, Kev Tame and musician and actor, Llyr Evans at its original centre. Never conceived as a conventional band, both the collective’s nucleic performers and those with walk-on parts dipped in and out when time allowed. 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His sonic palette began taking shape in Medway, Kent with darker, grittier strains: teenage grunge and metal turned into drum \u0026amp; bass and IDM, following the Brighton club scene to Berlin as Positive Centre, until he made a nest in rural Portugal where Laguna Seca’s bright, expressive range would blossom. \u003c\/p\u003e\n\u003cp\u003eA longstanding friendship with Chris Clark supported Jefford’s most pivotal artistic evolution yet, jumping from a decade of techno dusk to music practically overflowing with life as Laguna Seca debuted on Throttle Records. \u003c\/p\u003e\n\u003cp\u003e“O tempo” can mean “the time” or “the weather” in Portuguese, two intensely changing powers whose many different connotations Jefford reflects in a highly varied tracklist. The breadth of climatic catharsis permeates through textural production and songwriting experiments, down into the very bedrock of the album’s engineering process where Jefford traces the long signal chain of time: the amps, desks, and tapes of Motown, the vinyl mastering studio’s intricacies, the Akai samplers that gave modern hip hop its “ghostly and impressionistic” sound, the software that drives electronic music today. \u003c\/p\u003e\n\u003cp\u003eMuch as 2026’s O Tempo was inspired by vintage tonality, retro aesthetic, and the likes of CAN, Kraftwerk, and Jimi Hendrix, it’s not an exercise in nostalgia; this is music that could have only been made with today’s technological advancements, revelling in anachronisms and collisions between hindsight and present tense. \u003cbr\u003eIt’s tempting to view Jefford’s projects as opposites, but they come from the same sonic values. 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