{"title":"SRD Presell 06MAR26","description":"","products":[{"product_id":"four-tet-beautiful-rewind-lp","title":"Four Tet - Beautiful Rewind LP","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCat No. TEXT025\u003cbr\u003eBarcode: 0666017265810 \u003cbr\u003eRelease Date: 13 Oct 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eRepress: 22 May 2026\u003cbr\u003e\u003cbr\u003eTRACK LISTING\u003cbr\u003e1. Gong (3:15) 2. Parallel Jalebi (3:54) 3. Our Navigation (3:54) 4. Ba Teaches Yoga (3:20) 5. Kool FM (5:09) 6. Crush (2:26) 7. Buchla (4:12) 8. Aerial (5:57) 9. Ever Never (0:32) 10. Unicorn (3:31) 11. Your Body Feels (4:04)\u003c\/p\u003e","brand":"text","offers":[{"title":"Default Title","offer_id":31061577236524,"sku":"TEXT025","price":23.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TEXT025.jpg?v=1689003475"},{"product_id":"juan-atkins-moritz-von-oswald-present-borderland-transport-2lp","title":"Juan Atkins \u0026 Moritz von Oswald present Borderland - Transport [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: TRESOR285\u003cbr\u003eBarcode: 0666017302911\u003cbr\u003eRelease Date: 24 Apr 2026 (repress)\u003cbr\u003eGenre: Techno\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“A studied and disarmingly beautiful crystallisation of more than two decades of techno, produced by two people who have been at its cutting edge since the very beginning.” THE QUIETUS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJuan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ehttp:\/\/www.mixmag.net\/read\/moritz-von-oswald-and-juan-atkins-transport-with-new-album-news\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘Transport’ – the new full length effort of the Borderland collaborative project – brings together a new set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Detroit-Berlin axis triangulates to a third point which, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts. Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every minute.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNB : CD version includes exclusive transitions.(The tracks on the CD version flow into one another with interludes exclusive to the CD format. )\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTRACKLIST:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. Transport 2. Lightyears 3. Odyssey 4. Riod 5. Merkur 6. 2600 7. Zeolites\u003c\/span\u003e\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":43042718089372,"sku":"TRESOR285","price":30.76,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TRESOR285LP_8befe51e-6634-49e8-ad68-92c08d6e2fdb.jpg?v=1706359808"},{"product_id":"jalen-ngonda-doctrine-of-love-lp","title":"Jalen Ngonda - Doctrine Of Love [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAP084LP\u003cbr\u003eBarcode: 823134008410\u003cbr\u003eRelease Date: 05 Jun 2026\u003cbr\u003eGenre: Soul\u003c\/p\u003e\n\u003cp\u003eJalen's Daptone debut album ‘Come Around And Love Me' has a combined 348 million+ streams.\u003cbr\u003eVoted #1 Best Soul Album Of The Year 2023 in Mojo and Record Collector.\u003cbr\u003eStrong BBC R2 and BBC 6 support including multiple A – List additions. \u003cbr\u003eAppeared on TV shows including Graham Norton and Jools Holland.\u003cbr\u003eHas grown from Jazz Cafe to Hammersmith Apollo London headlines since the debut was released.\u003cbr\u003eFestival appearances at Love Supreme, Latitude, Mad Cool Festival and North Sea Jazz confirmed for 2026.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSince the release of his critically acclaimed debut full length, 2023’s Come Around and Love Me, Jalen’s career has undergone a meteoric rise. The track “If You Don’t Want My Love” went viral, garnering 253 million streams to date. Jalen has appeared on a number of major television programmes, including The Graham Norton Show, The Late Show with Stephen Colbert and Later with Jools Holland. He opened for Thee Sacred Souls on their national US tour, and has sold out countless club dates across the globe as a headliner. Now, in 2026, with the embers of his debut still burning brightly, Jalen prepares to release his eagerly awaited sophomore album, Doctrine of Love. \u003c\/p\u003e\n\u003cp\u003eThe hard work and relentless touring behind his debut have fortified his craft. His message: “The doctrine of love holds that every thought and action should be guided first by compassion for others, because love is the highest measure of human worth.” The tracks on the forthcoming album are born from this creed. With his deep knowledge and love of classic soul, Jalen delivers authenticity in abundance. Doctrine of Love blends pop sensibility and soulful melodies with raw grit and groove, expanding on the orchestral arrangements of Come Around and Love Me with flourishes of horns and gospel-kissed backing vocals, creating a highly stylish example of modern soul artistry.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Anyone In Love \u003cbr\u003e2. Doctrine Of Love\u003cbr\u003e3. Mr. Train Conductor\u003cbr\u003e4. Burning Temptation\u003cbr\u003e5. Love Is Gone\u003cbr\u003e6. I Can’t Ever Leave You\u003cbr\u003e7. Hannah, What’s the Matter?\u003cbr\u003e8. Good Good Love\u003cbr\u003e9. Hang It On The Shelf\u003cbr\u003e10. Taken Out Of The Picture\u003c\/p\u003e","brand":"DAPTONE RECORDS","offers":[{"title":"Default Title","offer_id":46457904922780,"sku":"DAP084LP","price":23.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DAP084LP_6eae930b-7a1c-4eb6-8e23-03bc3758b0ba.jpg?v=1772533900"},{"product_id":"jalen-ngonda-doctrine-of-love-clear-vinyl","title":"Jalen Ngonda - Doctrine Of Love [Clear Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAP084LPX\u003cbr\u003eBarcode: 823134108417\u003cbr\u003eRelease Date: 05 Jun 2026\u003cbr\u003eGenre: Soul\u003c\/p\u003e\n\u003cp\u003eJalen's Daptone debut album ‘Come Around And Love Me' has a combined 348 million+ streams.\u003cbr\u003eVoted #1 Best Soul Album Of The Year 2023 in Mojo and Record Collector.\u003cbr\u003eStrong BBC R2 and BBC 6 support including multiple A – List additions. \u003cbr\u003eAppeared on TV shows including Graham Norton and Jools Holland.\u003cbr\u003eHas grown from Jazz Cafe to Hammersmith Apollo London headlines since the debut was released.\u003cbr\u003eFestival appearances at Love Supreme, Latitude, Mad Cool Festival and North Sea Jazz confirmed for 2026.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSince the release of his critically acclaimed debut full length, 2023’s Come Around and Love Me, Jalen’s career has undergone a meteoric rise. The track “If You Don’t Want My Love” went viral, garnering 253 million streams to date. Jalen has appeared on a number of major television programmes, including The Graham Norton Show, The Late Show with Stephen Colbert and Later with Jools Holland. He opened for Thee Sacred Souls on their national US tour, and has sold out countless club dates across the globe as a headliner. Now, in 2026, with the embers of his debut still burning brightly, Jalen prepares to release his eagerly awaited sophomore album, Doctrine of Love. \u003c\/p\u003e\n\u003cp\u003eThe hard work and relentless touring behind his debut have fortified his craft. His message: “The doctrine of love holds that every thought and action should be guided first by compassion for others, because love is the highest measure of human worth.” The tracks on the forthcoming album are born from this creed. With his deep knowledge and love of classic soul, Jalen delivers authenticity in abundance. Doctrine of Love blends pop sensibility and soulful melodies with raw grit and groove, expanding on the orchestral arrangements of Come Around and Love Me with flourishes of horns and gospel-kissed backing vocals, creating a highly stylish example of modern soul artistry.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Anyone In Love \u003cbr\u003e2. Doctrine Of Love\u003cbr\u003e3. Mr. Train Conductor\u003cbr\u003e4. Burning Temptation\u003cbr\u003e5. Love Is Gone\u003cbr\u003e6. I Can’t Ever Leave You\u003cbr\u003e7. Hannah, What’s the Matter?\u003cbr\u003e8. Good Good Love\u003cbr\u003e9. Hang It On The Shelf\u003cbr\u003e10. Taken Out Of The Picture\u003c\/p\u003e","brand":"DAPTONE RECORDS","offers":[{"title":"Default Title","offer_id":46457905381532,"sku":"DAP084LPX","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DAP084LPX.jpg?v=1772533898"},{"product_id":"jalen-ngonda-doctrine-of-love-cd","title":"Jalen Ngonda - Doctrine Of Love [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DAP084CD \u003cbr\u003eBarcode: 823134008427\u003cbr\u003eRelease Date: 05 Jun 2026\u003cbr\u003eGenre: Soul\u003c\/p\u003e\n\u003cp\u003eJalen's Daptone debut album ‘Come Around And Love Me' has a combined 348 million+ streams.\u003cbr\u003eVoted #1 Best Soul Album Of The Year 2023 in Mojo and Record Collector.\u003cbr\u003eStrong BBC R2 and BBC 6 support including multiple A – List additions. \u003cbr\u003eAppeared on TV shows including Graham Norton and Jools Holland.\u003cbr\u003eHas grown from Jazz Cafe to Hammersmith Apollo London headlines since the debut was released.\u003cbr\u003eFestival appearances at Love Supreme, Latitude, Mad Cool Festival and North Sea Jazz confirmed for 2026.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSince the release of his critically acclaimed debut full length, 2023’s Come Around and Love Me, Jalen’s career has undergone a meteoric rise. The track “If You Don’t Want My Love” went viral, garnering 253 million streams to date. Jalen has appeared on a number of major television programmes, including The Graham Norton Show, The Late Show with Stephen Colbert and Later with Jools Holland. He opened for Thee Sacred Souls on their national US tour, and has sold out countless club dates across the globe as a headliner. Now, in 2026, with the embers of his debut still burning brightly, Jalen prepares to release his eagerly awaited sophomore album, Doctrine of Love. \u003c\/p\u003e\n\u003cp\u003eThe hard work and relentless touring behind his debut have fortified his craft. His message: “The doctrine of love holds that every thought and action should be guided first by compassion for others, because love is the highest measure of human worth.” The tracks on the forthcoming album are born from this creed. With his deep knowledge and love of classic soul, Jalen delivers authenticity in abundance. Doctrine of Love blends pop sensibility and soulful melodies with raw grit and groove, expanding on the orchestral arrangements of Come Around and Love Me with flourishes of horns and gospel-kissed backing vocals, creating a highly stylish example of modern soul artistry.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Anyone In Love \u003cbr\u003e2. Doctrine Of Love\u003cbr\u003e3. Mr. Train Conductor\u003cbr\u003e4. Burning Temptation\u003cbr\u003e5. Love Is Gone\u003cbr\u003e6. I Can’t Ever Leave You\u003cbr\u003e7. Hannah, What’s the Matter?\u003cbr\u003e8. Good Good Love\u003cbr\u003e9. Hang It On The Shelf\u003cbr\u003e10. Taken Out Of The Picture\u003c\/p\u003e","brand":"DAPTONE RECORDS","offers":[{"title":"Default Title","offer_id":46457905840284,"sku":"DAP084CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DAP084CD.jpg?v=1772533882"},{"product_id":"gap-mangione-diana-in-the-autumn-wind","title":"Gap Mangione - Diana In The Autumn Wind","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BEWITH200LP \u003cbr\u003eBarcode: 4251804187619\u003cbr\u003eRelease Date: 01 May 2026\u003cbr\u003eGenre: Jazz\/Library\/Breaks\/Funk\u003c\/p\u003e\n\u003cp\u003eGap Mangione's monumentally influential Diana In The Autumn Wind. AKA BEWITH200LP. And, without question, Be With's White Whale.\u003c\/p\u003e\n\u003cp\u003eThey said it could never be done. And with good reason. \u003c\/p\u003e\n\u003cp\u003eWe've spent the past 12 years trying to license this legendary 1968 recording from Gap and, after much work, it's finally here. Remarkably, this is the first ever vinyl reissue of Gap Mangione's Diana In The Autumn Wind, produced with the full and extensive participation of Gap. An exceedingly rare album, it's been coveted by funk, soul, jazz and hip-hop sample fiends for decades. \u003c\/p\u003e\n\u003cp\u003eIt's unarguably *the* most sought after album for J Dilla \/ Madlib sample collectors. It has also been brilliantly sampled by A Tribe Called Quest, Large Professor, Ghostface Killah, Kendrick Lamar and Talib Kweli.\u003c\/p\u003e\n\u003cp\u003eBut this record is so much more than a sample-spotters curio. It's solid gold throughout. Bursting with killer funky-jazz grooves and tracks adorned with warm electric piano, the release is notable for featuring some extremely significant players at the very outset of their careers; Tony Levin, at 21, whose superb playing on both acoustic and electric bass was the harmonic mainstay of the trio and Steve Gadd, at 23, one of the greatest drummers of his generation. \u003c\/p\u003e\n\u003cp\u003eWith acceptable copies of this holy grail changing hands for $400, to call this reissue \"much-needed\" underplays just how vital it is. Gap's story is told in his words alongside rare photos across a sumptuously designed 2-page insert and, to augment this deluxe edition further, its all wrapped up in a beautiful, no-expense-spared luxury tip-on sleeve, as per the original hens-teeth release. And, while we're talking packaging, just take a look at that cover - a work of art in and of itself. \u003c\/p\u003e\n\u003cp\u003eThe tracks are short but complex, with that extraordinary rhythm section backing the beautiful piano, organ and electric piano work of Gap. It's like the best ever library funk breaks record you have never heard - but all your favourite golden age rap producers were all over it, long ago. It's a stunning blend of the vibrant, driving music of the Gap Mangione Trio coupled with the sensitive composition and superb orchestration of Gap's legendary brother, Chuck Mangione, who helmed an amalgam of seemingly disparate elements – rock, big band jazz, solo improvisation and \"classical\" music - into a spectacularly cohesive whole that has aged wonderfully well. As Gap himself notes in the liners, \"with this group I was able to explore and add new and exciting elements from rock, Brazilian and then-current pop music.\" \u003c\/p\u003e\n\u003cp\u003eOpener \"Boy With Toys\" triumphantly swaggers out the gate, all big band horns, flutes and dextrous organ work. The synthesis of everything going on is nothing short of stunning. When one wise YouTube commentator called this tune \"old school superhero music\", Gap agreed. Rap luminaries did, too, amongst them Talib Kweli, who rapped over DJ Scratch's chopped up intro for \"Shock Body\" on his Quality album back in 2002.  \u003c\/p\u003e\n\u003cp\u003eYou've barely recovered from that incredibly affecting opener when you get hit over the head with the exquisite title-track. And now you see how two of the greatest beats of all time emerged from one single track produced nearly 50 years earlier. Unforgettably utilised by Dilla for Slum Village's heartbreakingly good \"Fall In Love\" and then Madlib for his \"Official\" beat for Dilla to rap over, on the Jaylib record. Regardless of the records it went on to spawn, this is just a staggering tune in its own right. Be beguiled by the flutes and the flutter tonguing, the counter-melody from the trombones, the soprano sax solo. All of it. Simply beautiful. \u003c\/p\u003e\n\u003cp\u003eThe questing organ and horn workout \"Long Hair Soulful\" deserves a lot more attention, overshadowed somewhat by the opening two monsters but no less fantastic. It swings, it grooves and Gadd and Levin truly cook. Up next, Gap's wonderfully percussive, mellifluously piano-heavy cover of \"Yesterday\" by some fellas called The Beatles. It's a subtly arresting gem. \"The XIth Commandment\" is damn fine, with thick, gorgeous electric piano and snappy drum work underpinning chaotic soundtracky horns. To close out the side, \"St. Thomas\" showcases the \"fourth\" member of the Gap Mangione Trio, conga drummer Dhui Mandingo. Having performed with the Trio since 1965, Dhui‘s African-based and jazz-latin-influenced style amazed listeners and its way to hear why. \u003c\/p\u003e\n\u003cp\u003eOpening the B-Side, standard \"You're Nobody Till Somebody Loves You\" breezes along in the late-night jazz club fashion before things get super deep with the outstanding and - up to now - un-sampled \"Pond With Swans\". It's simply heavenly, and how its moody, melancholic intro has yet to be pilfered is anybody's guess. It oscillates between gentle, sombre movements and bombastic grooves, equally hypnotic and joyous. The rendition of \"You Are My Sunshine\" is yet another showcase for Gap's virtuoso playing and Gadd's mastery of the pocket. Indeed Gadd's drumming on \"Free Again\" is nothing short of neck-SNAPPING! Ghostface took it for not one but two \"Iron's Theme\" tracks across his seminal Supreme Clientele. It's got that Galt MacDermot \"Coffee Cold\" feel. Suuuuuper cool. The frantic \"Dream On Little Dreamer\" hurtles along and must've surely had the whole room absolutely swinging from the chandeliers back in Rochester in the late 60s. The album closes with the magnificent Graduate Medley, featuring memorable renditions of \"Scarborough Fair\", \"The Sounds of Silence\" and \"Mrs. Robinson\". The warm electric piano lines of the former were sampled by The Ummah (Dilla again!) for Tribe's \"Pad \u0026amp; Pen\" from their reappraised final album, The Love Movement, as well as by Large Professor on his much-loved \"The LP (For My People)\". \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eUnder the watchful eye - and extremely attentive ears - of Gap Mangione himself, the audio for Diana In The Autumn Wind has been carefully remastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. At the prestigious Abbey Road Studios, Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland. The artwork restoration has taken place here at Be With HQ and has that drop-dead gorgeous cover artwork popping like new. Buy on sight!\u003c\/p\u003e\n\u003cp\u003eTracklist:   \u003cbr\u003eA1 Boy With Toys A2 Diana In The Autumn Wind A3 Long Hair Soulful A4 Yesterday A5 The XIth Commandment\u003cbr\u003eA6 St. Thomas\u003c\/p\u003e\n\u003cp\u003eB1 You're Nobody Till Somebody Loves You B2 Pond With Swans B3 You Are My Sunshine B4 Free Again B5 Dream On Little Dreamer B6 Graduate Medley\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":46474361962652,"sku":"BEWITH200LP","price":37.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BEWITH200LP.jpg?v=1772728860"},{"product_id":"cochemea-mitote-b-w-dilo-7-vinyl","title":"COCHEMEA - MITOTE b\/w DILO [7\" Vinyl]","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: DAP1162\u003cbr\u003eBarcode: 823134116214\u003cbr\u003eRelease Date: 17 Apr 2026\u003cbr\u003eGenre: Soul\/Funk\u003c\/p\u003e\n\u003cp\u003eRecorded during an almost 24-hour marathon first-day session for All My Relations, \"Mitote\" emerged from group improvisation and composition, featuring Sunny Jain (Red Baraat) on the dhol. Bosco and the band worked up an arrangement quickly with a heavy backbeat, building the melody on a blues form-embodying the world's nature of ecstasy and struggle. \u003c\/p\u003e\n\u003cp\u003e\"D i l o\" was recorded during the Ancestros Futuros sessions, but was left off the album. The rhythmic framework was composed by Brian Wolfe and arranged by the band. The song features call and response between the percussion and saxophone punctuated by high bell patterns and low bottom drum hits.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSide A – Mitote\u003cbr\u003eSide B – Dilo\u003c\/p\u003e","brand":"Daptone Records","offers":[{"title":"Default Title","offer_id":46481799741596,"sku":"DAP1162","price":9.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DAP1162.jpg?v=1772826996"},{"product_id":"the-gentle-people-the-peel-sessions","title":"The Gentle People - The Peel Sessions","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: WRWTFWW123 \u003cbr\u003eBarcode: 4251804186605\u003cbr\u003eRelease Date: 24 Apr 2026\u003cbr\u003eGenre: Lounge\/Easy Listening \/Chillout\/Downtempo\/Exotica\/Bossa Nova\/Soul\u003c\/p\u003e\n\u003cp\u003eSuper limited edition pink vinyl EP of The Gentle People’s BBC Peel sessions from 1997 – first time on vinyl ever !\u003c\/p\u003e\n\u003cp\u003e* WRWTFWW Records releases THE GENTLE PEOPLE – The Peel Sessions, available on vinyl for the first time ever, in conjunction with the worldwide expanded reissue of the group’s Soundtracks for Living. Lounge\/Chill Out music reborn !\u003c\/p\u003e\n\u003cp\u003eThis is an exclusive 4-song EP recorded in 1997 on BBC’s Peel Sessions, as The Gentle People were doing the rounds for the release of their legendary debut album. These live versions have never seen the light of day before – a must have for all the gentle fans !\u003c\/p\u003e\n\u003cp\u003eWhen The Gentle People first glided into the mid-90s on clouds of strings, sugar and sine waves, they sounded like visitors from another, more glamorous planet. Signed to Richard D. James and Grant Wilson-Claridge’s cult label Rephlex, this multinational “E-Z-Core” lounge unit took the aesthetics of 50s\/60s easy listening and exotica and gently smuggled them into 1990s club culture. \u003c\/p\u003e\n\u003cp\u003eImagine KLF’s Chill Out or Space growing up on French 60\/70s pop, bossa nova, soundtracks, vocal harmony groups, library music and easy listening then slipping out for a late-night date with dub, ambient techno and bubble-bath pop. That’s The Gentle People : music that can score cocktail hour, 4am taxi rides, and daydreams in headphones with the same effortless grace. \u003c\/p\u003e\n\u003cp\u003eThe Gentle People weren’t just a curiosity on a weird label; they became unlikely icons of a whole loungecore moment, gracing TV, compilations and magazine spreads, and proving that tenderness could be as futuristic as any drum machine. \u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1. Soundtrack Of Life\u003cbr\u003eA2. 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You can hear why, straight up, on Speicher 139, as Dessagne’s project Fantastic Twins is finally let loose on\u003cbr\u003eKompakt’s storied series. \u003c\/p\u003e\n\u003cp\u003eThe key words: psychedelic acid trax. “False Index” is  peeled back to core: a fearsome rhythm, with an endlessly helixing synth pattern  twisting around your skull, crinkling like cellophane and warping like burnt plastic, while Dessagne’s Sprechstimme floats above everything – detached but effortlessly  perceptive.\u003cbr\u003e“New Systems” is a new kind of Europe Endless – hypnotic and lush, its deep drones pinpricked by sonar bleep. “Uninhibited” is catchy in a way that only Dessagne can make possible, its vocal tattoo burnt into your mind as it echoes through massive architectures, tones dropping from scaffold and splashing at your feet as glitch-work burrows its way up through the floor, directly into your earholes. 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Every atom of his singular craft is on display as tracks like Third Guitar distill disco tradition, club futurism and hip-hop attitude into cuts only Samo could deliver. Pressed on DJ-friendly 12'' vinyl, complete with a printed love letter from Stockholm underground hero, Nasty Nate.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1. Third Guitar\u003cbr\u003eA2. Third Guitar (Robin Graham remix)\u003cbr\u003eB1. Feel Good (Pedrodollar Edit)\u003cbr\u003eB2. 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Highly recommended for DJ's and House music lovers!\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA-Side\u003cbr\u003eA1 This and That ft Jovonn (Original Mix) – Jerome Sydenham\u003cbr\u003eA2 KHJeromeals (Original Mix) – Kyle Hall, Jerome Sydenham, Fatima Njai\u003c\/p\u003e\n\u003cp\u003eB-Side\u003cbr\u003eB1 Basic 1 (Original Mix) – Jerome Sydenham, Fatima Njai\u003cbr\u003eB2 Kraftminded (Original Mix) – Jerome Sydenham, Theodor Luv, Kyle ORB\u003c\/p\u003e","brand":"Ibadan Sound","offers":[{"title":"Default Title","offer_id":46481817829532,"sku":"IS011-2","price":18.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/IS0112.jpg?v=1772827668"},{"product_id":"tour-maubourg-dreams","title":"Tour Maubourg - Dreams","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: NB024 \u003cbr\u003eBarcode: 3516628517761\u003cbr\u003eRelease Date: 17 Apr 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003e* Tour-Maubourg returns with a new 6-track EP, Dreams, further cementing his place as a key figure in today’s electronic music scene. 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An acronym of its creator’s name, TYGAPAW’s third studio album is a deeply personal collection of music building worlds where Black queer and trans siblings can thrive, while unifying dancefloors worldwide. A proposition that collective wisdom liberates us from the matrix of domination we live within. The album unfolds as the latest chapter in TYGAPAW’s ongoing techno opera opus, continuing to center the voices of Black women, which surface as layered incantations rather than lyrics - powerful, haunting, sensual, activating.\u003c\/p\u003e\n\u003cp\u003eWith the process of creating the album starting in 2023, as TYGAPAW (Dion McKenzie) was in the first year of their transition, the music reflects the intensity of that period, where they were experiencing deplatforming as a response to the shift in their physical appearance: Tracks like ‘M32 Riddim’ and ‘Helicopter hovers over my Crown Heights Apartment’ feature high-paced rhythms intersecting with intense siren-like synths to form demanding compositions echoing a heightened sense of alert. Yet throughout the album, relief comes in the form of TYGAPAW’s vocal features, co-conspirators, and chosen family, whose voices are treated with reverb and echo, a sonic fingerprint that leads back to the pioneers in the legendary studios of TYGAPAW’s native land, Jamaica, an important reminder that the past will always inform the future. It is an album for dancers first and foremost, where joy, defiance, and integration with the natural body coexist, and every drop feels less like a climax than a transformation. Expect a bass that permeates your soul and melodic synthesized sequenced phrases echoing the dancehall eras of TYGAPAW’s youth, reshaped into hypnotic melodies that glow over industrial kicks designed to command attention, reasserting Jamaica's pioneering yet often overlooked contribution to electronic music.\u003c\/p\u003e\n\u003cp\u003eIn the opening track, ‘Can I Live’, Precious Okoyomon’s words feel like the beginning of a ritual; setting the intentions for the rest of the proceedings. As McKenzie puts it, their “work is about regeneration, resetting, getting integrated into nature, and about rebirth. That’s the tone I wanted to set at the outset of the album.” Ms Carrie Stacks continues this thread of support in ‘Don’t Panic’ with heavily processed vocals on top of a beat that takes inspiration from another important ingredient in the antidote to the oppression of isolation: Ballroom culture. “ I feel like I found my queerness in Ballroom, that’s why this track is very important to me.”\u003c\/p\u003e\n\u003cp\u003eEchoes of NYC Black queer nightlife scene also permeate in the energetic drums of ‘Exorcise the Language of Domination’, in which Julianna Huxtable’s spoken performance complements the various movements and tones of the music. “My producer brain thought this was the one that Juliana’s vocals would be best suited for. I hinted: ‘what do you think of this one?’ She just went into her notes and picked some passages to go with the first section of the track. From there, it was a year-long process of development. It required time and space for this thing to evolve, but I think it’s one of the most powerful tracks on the album.” London’s SUUTOO contributes the album’s only musical collaboration on ‘B2B’, a track that emerged from sessions in McKenzie’s New York studio where the real objective was to connect and have fun; a time out from the demands of life outside.\u003c\/p\u003e\n\u003cp\u003eThe album closes out with a double hit of emotion in the form of ‘Effects of Resistance and Black Trans Masculine Experience’. The former features South African scholar Khanyisile Mbongwa drawing connections that exist between Africa and the Black diaspora, whilst looking to the future and calling for a shared sense of community. \u003c\/p\u003e\n\u003cp\u003eThe latter piece, an instrumental version of the piece which featured on the IMMIGRANT E.P. of 2025 is a gentle and deeply affecting end to the record, a place of peace and acceptance.\u003c\/p\u003e\n\u003cp\u003eThis end-of-cycle tone is mirrored in the sleeve photography, which also ties back to IMMIGRANT by finally revealing what was hidden: a portrait of the artist fully self-actualized; a step towards true inner liberation.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTYGAPAW is sonically defiant across this album; bass frequencies feel tactile — less heard than inhabited — infectious lead synth melodies remain with you long after the track ends. An overall sound that leaves asserting an urgent need for connection. 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Available as a limited edition white vinyl 3LP in heavyweight 3-panel gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eWhen The Gentle People first glided into the mid-90s on clouds of strings, sugar and sine waves, they sounded like visitors from another, more glamorous planet. Signed to Richard D. James and Grant Wilson-Claridge’s cult label Rephlex, this multinational “E-Z-Core” lounge unit took the aesthetics of 50s\/60s easy listening and exotica and gently smuggled them into 1990s club culture. \u003c\/p\u003e\n\u003cp\u003eSoundtracks for Living was their defining statement: an album that “takes the lounge scene and runs away with it entirely… blissful and heavenly,” as one contemporary review put it. Imagine KLF’s Chill Out or Space growing up on French 60\/70s pop, bossa nova, soundtracks, vocal harmony groups, library music and easy listening then slipping out for a late-night date with dub, ambient techno and bubble-bath pop. That’s Soundtracks for Living: a record that can score cocktail hour, 4am taxi rides, and daydreams in headphones with the same effortless grace. \u003c\/p\u003e\n\u003cp\u003eThe Gentle People – Dougee Dimensional, Laurie LeMans, Valentine Carnelian and Honeymink – began in early-90s Brixton, throwing dress-up theme parties before taking their audio-visual universe into the studio. For them, music was “a way of life”: soothing to the ear, rich in pop hooks, and pitched somewhere between the playfully idiotic and the hyper-intelligent. Their debut on Rephlex was the single “Journey”, later blessed with a shimmering Aphex Twin remix that pushed their sugar-coated sound even further into outer space. \u003c\/p\u003e\n\u003cp\u003eThis Expanded Edition of Soundtracks for Living finally gives this glambient lounge-pop milestone the treatment it has always deserved. Spread lovingly across 3LP, it features new mastering from the original sources, allowing every harp glissando, string swell and analog squiggle to float in high-fidelity widescreen. 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Originally released in 1988 on Sydney based private press label Freefall, \"Green Chaos\" marks the sole release from Ripley-Marshall.\u003c\/p\u003e\n\u003cp\u003eIn the late 80's Ripley-Marshall lived a Bohemian lifestyle in inner city Sydney; \"surrounded by musicians, actors and artists, there was an amazing creative experimental vibe going on\". While playing in new\u003cbr\u003ewave\/art rock band \"D Face\" she began Green Chaos as a personal project to counteract the creative friction sometimes experienced within a group dynamic, heavily inspired by Arnold Frolows' \"Ambience\" radio show on Australia's Triple J and particularly the music of Tangerine Dream, Harold Budd and Brian Eno.\u003c\/p\u003e\n\u003cp\u003eInitially a solitary endeavour, once she decided to record in a studio Green Chaos morphed into a somewhat collaborative, improvisational project with other musicians invited into the studio to improvise and add their own interpretations and ideas, additional layers and dimensions, resulting in a work that combines a clear influence from the electronic repetition of the Berlin school with a meandering, futuristic lyricism. Although influenced by the long form sonic journeys of artists like Tangerine Dream, Ripley-Marshall's background in art rock and new wave brings a more concise approach, each song a self-contained universe that says only what is necessary in the arrangement.\u003c\/p\u003e\n\u003cp\u003eAfter completing a sound engineering course Ripley-Marshall recorded the album at Sydney's Exeter House Studio over several months alongside studio engineer Andrew Knight, met through a fellow member of D Face. Knight ran Freefall, a private press recording label releasing folk and bluegrass music, which had Green Chaos as its sole ambient release. Ripley-Marshall self distributed the album to local inner city\u003cbr\u003erecord stores and dropped a copy to Triple J, where it became a regular staple of Arnold Frolows' show. \u003c\/p\u003e\n\u003cp\u003eThese days Ripley-Marshall has moved away from music and is predominantly focused on visual art. \"Green Chaos\" stands as the only released product of her musical years, both a personal window into the vibrant experimental art scene of late 1980s Sydney and a deep, timeless anomaly of Australian electronic music.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 Green ChaosmA2 Feathers A3 Bodø B1 Pyramidal Tract B2 Kodiak Sound B3 Under The Sun B4 Ma Bohème\u003c\/p\u003e","brand":"Fresh Hold Releases","offers":[{"title":"Default Title","offer_id":46487586406556,"sku":"FH003","price":27.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FH003.jpg?v=1772980522"},{"product_id":"oonagh-haines-not-not-pretending","title":"Oonagh Haines - Not Not Pretending","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MDT015\u003cbr\u003eBarcode: 3700398740249\u003cbr\u003eRelease Date: 24 Jul 2026\u003cbr\u003eGenre: Electro \/ Downtempo \/ Techno \/ Pop\u003c\/p\u003e\n\u003cp\u003eThrough her compositions, Oonagh Haines explores nocturnal atmospheres where contemporary electronic music, underground aesthetics and deconstructed pop forms intersect.\u003c\/p\u003e\n\u003cp\u003eHer music is built on a play of opposites: a modified voice performs its antipodal double, while avant-garde techno and sentimentalism coexist, carried by a certain nonchalance and a restrained posture that is not without recalling Anika.\u003cbr\u003eNot Not Pretending is her first album. It will be released by moli del tro on 24 April 2026.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003e01. Loaded Gun \u003cbr\u003e02. Perfect Date \u003cbr\u003e03. Kindness \u003cbr\u003e04. Dust \u003cbr\u003e05. Emptiness \u003cbr\u003e06. Vacuum Part 1 \u003cbr\u003e07. 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Their collaborative project, Not The Country You Know, functions less like a standard release and more as a manifesto—a masterclass in the chemistry between a seasoned, introspective lyricist and a producer who possesses an intuitive grasp of the region's pulse. It is an exploration of legacy and adaptation, capturing the tension between where they came from and where the culture is currently headed.\u003c\/p\u003e\n\u003cp\u003eBandplay, long recognized for sculpting the sonic identity of Memphis icons, brings his signature, trunk-rattling 808s to the project, yet he manages to pivot here. The production feels remarkably expansive, masterfully blending the raw, stripped-back aesthetics of classic Tennessee rap with forward-thinking textures that refuse to be confined to a single sub-genre. Complementing this, Starlito operates with his trademark mix of cynical observation and genuine vulnerability. He navigates these beats with the weary grace of an artist who has weathered the music industry's relentless cycles, treating every bar like a necessary piece of a larger, ongoing story.\u003c\/p\u003e\n\u003cp\u003eThe album’s title serves as a direct commentary on these shifting tides. Across the tracklist, the duo investigates the growing disparity between the romanticized South and the cold realities of the streets, alongside the inevitable evolution of the music business itself. There is no frantic chasing of streaming-era trends or algorithmic bait here; instead, the project remains a stubborn, confident assertion of artistic identity. By weaving together Starlito’s \"voice-of-reason\" flow and Bandplay’s evolving, genre-bending sound, Not The Country You Know challenges the listener to abandon their preconceived notions of the region, offering instead a complex, urgent vision of a South that is as haunting as it is vibrant.\u003c\/p\u003e\n\u003cp\u003e2xLP, Gatefold Jacket, Two Single Sided Inserts\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. Not The Country You Know\u003cbr\u003eA2\/2. This Ain't That\u003cbr\u003eA3\/3. Am I Wrong\u003cbr\u003eA4\/4. Comin Right Back\u003cbr\u003eA5\/5. Bad For You\u003cbr\u003eA6\/6. Nasty Player\u003cbr\u003eB1\/7. God Mode\u003cbr\u003eB2\/8. Freddy Tiffany\u003cbr\u003eB3\/9. Is You Cool\u003cbr\u003eB4\/10. How You Wanna Play\u003cbr\u003eB5\/11. No Fun\u003cbr\u003eB6\/12. Ain't Going\u003cbr\u003eC1\/13. Should I\u003cbr\u003eC2\/14. Always Something\u003cbr\u003eC3\/15. Who Am I\u003cbr\u003eC4\/16. Psychology of Revenge\u003cbr\u003eC5\/17. 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The project was originally released in September of last year \u0026amp; is the first installment on his own indie imprint, Alumni Records. The album is entirely produced by the beat making French assassin Keor Meteor \u0026amp; furthermore establishes their connection from Mid City 2 Marseille.\u003c\/p\u003e\n\u003cp\u003eTruly a unique body of work, this personal piece plays like a graphic novel in the form of rhyme, a short film on wax with cinematic word play \u0026amp; story telling fit for a classic film. A 27 minute audio experience, each joint layered into the next, thus creating a collage of moments \u0026amp; life experiences lived by him \u0026amp; his loved ones. It’s like mixing the heralded French film “La Haine” with scenes from “Training Day” \u0026amp; “The Professional” \u0026amp; setting it all in South Central LA.\u003c\/p\u003e\n\u003cp\u003eMore known \u0026amp; recognized for his famed footy themed projects like “Provoleta” \u0026amp; “Choripán” \u0026amp; creating “Death At The Derby”, Cousin Feo laces us with a more traditional sounding rap album, stepping outside the 20 yard box \u0026amp; showcasing the skill set extends beyond his niche artistry and sound. Tap in.\u003c\/p\u003e\n\u003cp\u003eLimited edition of 400 hand-numbered copies.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1. Midcity 2 Marseille\u003cbr\u003eA2. Normandie Beach\u003cbr\u003eA3. Monaco Money\u003cbr\u003eA4. Guillotine Dreams x Bourgeoise Pigs\u003cbr\u003eA5. Vermont Veuve\u003cbr\u003eB1. Paper Mache Players\u003cbr\u003eB2. Louie XVI\u003cbr\u003eB3. Rifles In The Eiffel\u003cbr\u003eB4. Napoleon Nights\u003cbr\u003eB5. 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The album is entirely produced by the beat making French assassin Keor Meteor \u0026amp; furthermore establishes their connection from Mid City 2 Marseille.\u003c\/p\u003e\n\u003cp\u003eTruly a unique body of work, this personal piece plays like a graphic novel in the form of rhyme, a short film on wax with cinematic word play \u0026amp; story telling fit for a classic film. A 27 minute audio experience, each joint layered into the next, thus creating a collage of moments \u0026amp; life experiences lived by him \u0026amp; his loved ones. It’s like mixing the heralded French film “La Haine” with scenes from “Training Day” \u0026amp; “The Professional” \u0026amp; setting it all in South Central LA.\u003c\/p\u003e\n\u003cp\u003eMore known \u0026amp; recognized for his famed footy themed projects like “Provoleta” \u0026amp; “Choripán” \u0026amp; creating “Death At The Derby”, Cousin Feo laces us with a more traditional sounding rap album, stepping outside the 20 yard box \u0026amp; showcasing the skill set extends beyond his niche artistry and sound. Tap in.\u003c\/p\u003e\n\u003cp\u003eLimited edition of 400 hand-numbered copies.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1. Midcity 2 Marseille\u003cbr\u003eA2. Normandie Beach\u003cbr\u003eA3. Monaco Money\u003cbr\u003eA4. Guillotine Dreams x Bourgeoise Pigs\u003cbr\u003eA5. Vermont Veuve\u003cbr\u003eB1. Paper Mache Players\u003cbr\u003eB2. Louie XVI\u003cbr\u003eB3. Rifles In The Eiffel\u003cbr\u003eB4. Napoleon Nights\u003cbr\u003eB5. Champagne Corks\u003c\/p\u003e","brand":"Alumni Records","offers":[{"title":"Default Title","offer_id":46487773282460,"sku":"ALMN-001-WH","price":30.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ALMN001WHMOCKUP.jpg?v=1772986916"},{"product_id":"death-at-the-derby-capitano-blue-vinyl","title":"Death At The Derby - Capitano [Blue Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ALMN-002-COL \u003cbr\u003eBarcode: 0689358916456\u003cbr\u003eRelease Date: 29 May 2026\u003cbr\u003eGenre: Hip-Hop\u003c\/p\u003e\n\u003cp\u003eAfter a three year hiatus, the rap trident known as Death At The Derby is back with another full LP, this time entirely produced by Toronto based producer Finn. An 11 track project, “Capitano” is themed behind some of the games most respected \u0026amp; legendary captains to rock the honorary armband.\u003c\/p\u003e\n\u003cp\u003eInspired by their previous 2020 release “Ballon D’Or”, this latest LP is both the first official drop, yet second installment to their newest series entitled Club \u0026amp; Country. With the third \u0026amp; final season of their celebrates derby series around the way, this record is the next phase in their wave of worldwide work.\u003c\/p\u003e\n\u003cp\u003eCuts provided by their resident DJ, DJ Dubplates, the project is both a rare \u0026amp; raw blend of potent underground production, cultured sound bites, top flight lyricism \u0026amp; love for the beautiful game. Whether El Salvador, Romania, North Ireland or Argentina, the roster is monster. Centered around a tracklist aligned by the player’s actual jersey numbers, this collection of stars shine bright as any constellation.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Démarrage\u003cbr\u003e2. CDG2FCO\u003cbr\u003e3. Catch Me If You Can\u003cbr\u003e4. Sulphitor\u003cbr\u003e5. First Name: Romance\u003cbr\u003e6. Sauvage\u003cbr\u003e7. Les Larmes\u003cbr\u003e8. Cacio \u0026amp; Pepe\u003c\/p\u003e","brand":"Alumni Records","offers":[{"title":"Default Title","offer_id":46487780851868,"sku":"ALMN-002-COL","price":30.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ALMN002COLMOCKUP.jpg?v=1772987429"},{"product_id":"cousin-feo-dre-mendoza-provoleta-5th-anniversary-blue-white-colour-in-colour-vinyl","title":"Cousin Feo \u0026 Dre Mendoza - Provoleta - 5th Anniversary [BLUE \u0026 WHITE COLOUR IN COLOUR VINYL]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ALMN-003-COL \u003cbr\u003eBarcode: 0689358916487\u003cbr\u003eRelease Date: 29 May 2026\u003cbr\u003eGenre: Hip-Hop\u003c\/p\u003e\n\u003cp\u003eIn the culinary arts, it’s easy to overcomplicate the final product. Theme, presentation, texture…they’re important but should work to complement the raison d'etre of any food. At the end of cooking a dish, it should taste good and feed people. Some dishes, like barbeque or provoleta, resist the tendency towards hollow showmanship. One of their expressions can be more or less aesthetic, but the first purpose is to be simple and tasteful. Argentinian provoleta goes so far as to blur the line between ingredient and dish. It relies on the inherent flavor of provolone being heated at the right speed for the perfect amount of time. You can add garlic or chives or red pepper to the slice, but ultimately they serve to bring out an essence that’s already there.\u003c\/p\u003e\n\u003cp\u003eLos Angeles’ Cousin Feo has developed his rapping acumen in the five years since releasing Provoleta, but returning to the project today shows that he always had the penmanship, grit and delivery that christens an emcee worthy of remembrance. Like the bubbles rising up in the appetizer that is the album’s namesake, Feo showed that true profundity is found in the simple gestures.\u003c\/p\u003e\n\u003cp\u003eSince dropping the project in 2019, Cousin Feo has expanded his vision of a world where hip-hop and football, two proletarian art forms, mingle in creative and compelling ways. He has collaborated across multiple continents, chronicled football histories, aided in canonizing legends, kept the flames high in age-old rivalries and constantly forced his audience to search for the last time they heard bars this hard. In anyone else’s hands it would be too great a task.    \u003c\/p\u003e\n\u003cp\u003eThe maturity he showed on Provoleta wasn’t nascent, it was an inherent quality forcing itself to the surface. The songs refract his experience as a working class Angeleno through the archetypes of Argentinian football legends. The kernel that unites the two worlds is hustle. When Feo was coming up, missteps had greater consequences than crashing out in the group stage and street deals had the weight of a Boca-River Plate match.\u003c\/p\u003e\n\u003cp\u003eEach track uses slightly different ingredients to let Feo’s underlying talent shine. “Maradona” feels salvific, fitting for a football legend canonized from the Andes to the Alps and a Los Angeles rapper looking to inspire similar hope in the neighborhoods that raised him. On “Di Stefano” Feo massages the instrumental with the same composure of the late forward, until he pierces through the headphones like one of Di Stefano’s arrows. It’s also refreshing to hear a song celebrating Messi before his meme-ification, focusing on the universal truths contained in his footballing talent instead of using number 10 as a stand-in to make a point in a fruitless argument. And he still finds space to show deference to Batistuta, Kempes and other members of the Argentinian pantheon who’ve been erased from the popular imagination by the national team's contemporary success.\u003c\/p\u003e\n\u003cp\u003eReal ones know that true players, true rappers, and true artists will always stand the attacks of time and consensus. In Provoleta’s first verse, Cousin Feo says he moves with the hand of God. Maybe one day he’ll tell the whole truth and let us know how he was able to wrestle the pen away too. Limited edition of 300 hand-numbered copies.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1. Maradona\u003cbr\u003eA2. DiStefano\u003cbr\u003eA3. Kempes\u003cbr\u003eA4. Sorin \u0026amp; Heinze\u003cbr\u003eB1. Messi\u003cbr\u003eB2. Batistuta\u003cbr\u003eB3. Riquelme\u003cbr\u003eB4. Alvarez (Bonus Track)\u003cbr\u003eB5. 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Apart from a brief alliance with Southern Records and a handful of releases on Static Caravan, Reverb Worship, and Fruits de Mer, they've been fully self-sufficient for their entire 20 year history, cementing their position as perennial alt. folk outsiders. \u003c\/p\u003e\n\u003cp\u003eThe tracklisting here draws heavily from the band's early self-releases and compilation appearances, and also includes a selection of choice cuts from their 3 acclaimed studio albums. The story is brought right up to date with several tracks from the last 12 months, which have seen a prolific return to recording largely inspired by the arrival of new singers Dorothy Chappell and Rebecca Leivers. 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Where that release explored darker and more inward-looking terrain, Nothing Under Heaven opens outward into broader, more expansive soundscapes. Drawing on years spent moving between Glasgow, Berlin, Mexico City and Valencia, Niall Gahagan’s compositions here feel patient and quietly luminous, built from layered electronics, bowed strings and subtle field recordings.\u003c\/p\u003e\n\u003cp\u003eRather than seeking dramatic gestures, the album unfolds slowly, allowing atmosphere and emotion to emerge over time. Working within a crowded and ever-evolving ambient landscape, Yulyseus continues to focus on texture, weight and gradual movement. \u003c\/p\u003e\n\u003cp\u003eAcross eight carefully shaped pieces, Nothing Under Heaven explores how sound can hold both stillness and momentum, inviting attentive listening rather than functioning as simple background music. The opening track, Veillands, sets the tone with a quiet intensity that gently draws the listener inward. 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He describes his vision for the pieces as “multilinear,” rearranging classic radio songbook elements like hooks, choruses, and emotional cues into unfamiliar topographies of “alien country.”\u003c\/p\u003e\n\u003cp\u003eShards of acoustic guitar and pedal steel flicker in long shadows of amplifier hum and airwave static, like the scrambled broadcast of some heartland station along a desert highway. It’s music both rustic and placeless, warped by weather and technology, shimmering like northern lights over the badlands.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSide A\u003cbr\u003e1. Quartzite Stereo Band\u003cbr\u003e2. Taos Hum\u003cbr\u003e3. Tricks of Love\u003cbr\u003e4. Which You Are You\u003cbr\u003e5. Alejandra\u003cbr\u003e6. Sunny Smile Raining  \u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e7. Beauty Mark\u003cbr\u003e8. Turning the Furrow Filling the Earth     \u003cbr\u003e9. Tuesday June\u003cbr\u003e10. Chorus in Green\u003cbr\u003e11. 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Non-Returnable.\u003cbr\u003e- Complete and Re-Mastered 84 Cue Soundtrack\u003cbr\u003e- Heavyweight Gatefold Jackets with Matte Satin Coating\u003cbr\u003e- Die-Cut Back Cover with Clear PVC Window - Printed Inner Sleeve - Art by Ruiz Burgos\u003c\/p\u003e\n\u003cp\u003eWaxwork Records is thrilled to announce the double LP soundtrack release of SALEM’S LOT Original 1979 Television Soundtrack. Directed by TOBE HOOPER (The Texas Chainsaw Massacre, Poltergeist) and adapted from the novel by STEPHEN KING, SALEM’S LOT originally aired as a two-part miniseries on CBS in 1979. Since then, the film has reached cult-classic status and is regarded as one of the greatest vampire films ever made thanks to its creepy atmosphere, gripping story-line, and chilling climax. 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BANANA PHONE BOI \u003cbr\u003eB09. VITTORIA \u003cbr\u003eB10. LIQUIFY \u003cbr\u003eB11. FLY COMMUNICATION\u003c\/p\u003e","brand":"Carton Records","offers":[{"title":"Default Title","offer_id":46488054431900,"sku":"CROIXCROIX40","price":30.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CROIXCROIX40.jpg?v=1772988629"},{"product_id":"the-lanskies-war-machine-cd","title":"The Lanskies - War Machine [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ZRP26001CD\u003cbr\u003eBarcode: 3700398739434\u003cbr\u003eRelease Date: 24 Apr 2026\u003cbr\u003eGenre: Indie \/ Pop\u003c\/p\u003e\n\u003cp\u003eAfter 10 years of silence, The Lanskies are back with a new album and a new line-up. The album “War Machine” will be released on April 17, 2026, on ZRP.\u003cbr\u003eInventors of Hot Wave (as described by Tracks on Arte), The Lanskies are back to set the world on fire. 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