{"title":"SRD Presell 02MAR26","description":"","products":[{"product_id":"young-dolph-key-glock-dum-and-dummer-2-cd","title":"Young Dolph \u0026 Key Glock - Dum and Dummer 2 [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ERE646\u003cbr\u003eBarcode: 194690455483\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Rap\u003c\/p\u003e\n\u003cp\u003eCD – 4-panel digipak\u003c\/p\u003e\n\u003cp\u003eAbout: \u003cbr\u003eThe Memphis rap duo returns with Dum and Dummer 2, the monumental follow up to their highly acclaimed album, Dum and Dummer, which charted #8 on the US Billboard 200. With more of a lighthearted approach than the more serious back-and-forth on the first project, Young Dolph \u0026amp; Key Glock hit their stride as a duo and show the world what Memphis has to offer. With hit songs like “Aspen,” “I’m The Type,” \u0026amp; “Penguins,” the album boasts an impressive 20 song tracklist and feels as effortless as an old friendship.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. Penguins\u003cbr\u003eA2\/2. What u see is what u get\u003cbr\u003eA3\/3. Aspen\u003cbr\u003eA4\/4. In GLOCK we trust\u003cbr\u003eA5\/5. Cheat Code\u003cbr\u003eB1\/6. Coordinate\u003cbr\u003eB2\/7. I'm The Type\u003cbr\u003eB3\/8. Case Closed\u003cbr\u003eB4\/9. I Can Show You\u003cbr\u003eB5\/10. RAIN RAIN\u003cbr\u003eC1\/11. Somethin' Else\u003cbr\u003eC2\/12. Yeeh Yeeh\u003cbr\u003eC3\/13. Buddy Love\u003cbr\u003eC4\/14. Nintendo\u003cbr\u003eC5\/15. Sleep With The Roaches\u003cbr\u003eD1\/16. Move Around\u003cbr\u003eD2\/17. Hashtag\u003cbr\u003eD3\/18. Pot Of Gold\u003cbr\u003eD4\/19. A Goat \u0026amp; A Dolphin\u003cbr\u003eD5\/20. Dummest \u0026amp; the Dummest \u003c\/p\u003e\n\u003cp\u003eSocials: \u003cbr\u003eYoung Dolph\u003cbr\u003eTwitter: 879k followers\u003cbr\u003eIG: 4.2M followers\u003cbr\u003eFB: 1.25M followers\u003cbr\u003eYT: 1.35M subs \/ 1B+ views\u003c\/p\u003e\n\u003cp\u003eKey Glock\u003cbr\u003eTwitter: 603k followers\u003cbr\u003eIG: 2M followers\u003cbr\u003eFB: 266k followers\u003cbr\u003eYT: 535k subs \/ 328M views\u003c\/p\u003e","brand":"Sounds of Crenshaw \/ EMPIRE","offers":[{"title":"Default Title","offer_id":41104015392924,"sku":"ERE646","price":11.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/ERE646_e84aa7f0-0d02-4dba-9897-a2e81f7a05f2.jpg?v=1634675845"},{"product_id":"young-dolph-paper-route-frank-cd-1","title":"Young Dolph - Paper Route Frank [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ERE907\u003cbr\u003eBarcode: 197342048620 \u003cbr\u003e\u003cspan\u003eRelease Date: 03 Apr 2026\u003c\/span\u003e\u003cbr\u003eGenre: Rap\u003c\/p\u003e\n\u003cp\u003e1CD - JEWEL CASE + 20-PAGE BOOKLET\u003cbr\u003e\u003cbr\u003eAbout:\u003cbr\u003ePaper Route Frank is the first posthumous studio album from legendary Memphis, TN figurehead, rapper and mogul, Young Dolph. Gone from us way too soon, the album serves as a testament to the larger than life person and leader that Dolph was, illustrated in tracks such as “Hall of Fame,” “Get Away,” \u0026amp; “Love For The Streets.” At 13 tracks, the album features appearances from PRE labelmates Key Glock, Big Moochie Grape \u0026amp; Snupe Bandz, and taps heavyweight guests in 2 Chainz \u0026amp; longtime collaborator Gucci Mane, who in many ways helped provide the blueprint for Dolph’s own illustrious career. A truly independent foundation in the rap game and unquestionably one of one individual, we may never see another artist like Young Dolph. Long Live Dolph Forever.\u003cbr\u003e\u003cbr\u003eKey Marketing\/Selling:\u003cbr\u003e- Young Dolph is a legendary figure in Hip-Hop and one of, if not the most well known figure in Memphis, TN Hip Hop\u003cbr\u003e- Paper Route Frank is his first posthumous release\u003cbr\u003e- The album received a 7.6 rating from Pitchfork\u003cbr\u003e- Young Dolph has over 5.1M monthly listeners on Spotify\u003cbr\u003e- The album has been streamed over 88M times cumulatively on Spotify since release, as of 5\/11\/23\u003cbr\u003e- Album features include Key Glock, Gucci Mane, 2 Chainz, Big Moochie Grape, \u0026amp; Snupe Bandz.\u003cbr\u003e- Sold over 3,000 digital album downloads in the first week of release!\u003cbr\u003e- Billboard Chart Stats: Top R\u0026amp;B\/Hip-Hop Albums #9, Top Independent\u003cbr\u003eAlbums #3, Top Rap Albums #4, Top Current Album Sales #50, Billboard 200 #25\u003cbr\u003e- Heavy initial DSP playlist cover support from playlists such as: “Out The\u003cbr\u003eMud” (Spotify), #OnRepeat (Apple Music), “Rap Rotation” (Amazon Music), “Trap Rap” (Pandora), “New South” (TIDAL)\u003cbr\u003e- Additional playlist features\/placements: “Rap Caviar” (Spotify), Main Page\u003cbr\u003eBanner \u0026amp; “Best New Music” (Apple Music), “Best of the Week” (Audiomack), \u0026amp;\u003cbr\u003e#1 spot of “New Memphis Rap” (SoundCloud), “Brand New Music” (Amazon\u003cbr\u003eMusic US)\u003cbr\u003e- Spotify supported the release with a Times Square (NYC) billboard\u003cbr\u003e- CD housed in a jewel case with a 20-page photo\/lyric booklet\u003cbr\u003e- LP pressed on Silver Nugget Vinyl and includes 20-page photo\/lyric book\u003cbr\u003e- Merch capsule release planned with CD\/Vinyl rollout\u003cbr\u003e\u003cbr\u003eTracklist:\u003cbr\u003eA1\/1. Love for the Streets\u003cbr\u003eA2\/2. Blind Fold\u003cbr\u003eA3\/3. Woah\u003cbr\u003eA4\/4. Uh Uh\u003cbr\u003eA5\/5. Thats How (Key Glock)\u003cbr\u003eA6\/6. Old Ways\u003cbr\u003eA7\/7. Roster (Feat. Gucci Mane)\u003cbr\u003eB1\/8. Smoke My Weed\u003cbr\u003eB2\/9. Always\u003cbr\u003eB3\/10. Beep Beep (Feat. 2 Chainz)\u003cbr\u003eB4\/11. Hall of Fame\u003cbr\u003eB5\/12. Infatuated With Drugs (Feat. Big Moochie Grape \u0026amp; Snupe Bandz)\u003cbr\u003eB6\/13. Get Away\u003cbr\u003e\u003cbr\u003eSocials:\u003cbr\u003eTwitter: 877.6k followers\u003cbr\u003eIG: 5M followers\u003cbr\u003eFB: 1.6M followers\u003cbr\u003eYT: 2.07M subs \/ 2.2B views\u003c\/p\u003e","brand":"Paper Route EMPIRE","offers":[{"title":"Default Title","offer_id":42561935605916,"sku":"ERE907","price":12.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE907_76e58077-8ba5-48a3-a6aa-c254d102524d.jpg?v=1689006515"},{"product_id":"years-of-denial-suicide-disco-2lp","title":"Years of Denial - Suicide Disco [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: VEYL012X\u003cbr\u003eBarcode: 4251804183512\u003cbr\u003eRelease Date: 19 Jun 2026\u003cbr\u003eGenre: Electro\/Techno\/Experimental\u003c\/p\u003e\n\u003cp\u003e2026 REPRESS\u003c\/p\u003e\n\u003cp\u003e2024 Repress, 2LP (gatefold + download).\u003c\/p\u003e\n\u003cp\u003eWritten and produced in a country house surrounded only by vast, empty landscapes and an endless sky,\u003cbr\u003e‘Suicide Disco’ is the fruit of a 3-year long collaboration and Years of Denial’s debut LP for Veyl.\u003c\/p\u003e\n\u003cp\u003eUrged to escape from crowded cities and information overload, the duo sharpened their sound and working process through isolation and introspection, crafting 11 songs filled to brim with enormous hooks, New Wave nostalgia and razor-sharp production details.\u003c\/p\u003e\n\u003cp\u003eBarkosina’s voice echoes and oscillates against Jerome’s snares, profound and wounded at once. Her expressionist narrative take us to unknown yet familiar places, amplified by dub delays and otherworldly reverbs. Each track tells a story based on the intensity of relationships, a touching and distorted invitation into intimacy and complicity\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 - Endurance A2 - Human You Scare Me A3 - In Pain I Meditate B1 - I'm Still a Pill B2 - Now\/Here B3 - Contradiction C1 - Face to Face C2 - Graveyards D1 - Burning Sun D2 - You Like It When It Hurts D3 - After She Left\u003cbr\u003e\u003c\/p\u003e","brand":"Veyl","offers":[{"title":"Default Title","offer_id":44540244033692,"sku":"VEYL012X","price":33.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/VEYL012X.jpg?v=1729540661"},{"product_id":"jim-ghedi-wasteland-cd","title":"Jim Ghedi - Wasteland [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: BR022CD\u003cbr\u003eBarcode: 5060168045751\u003cbr\u003eRelease Date: 21 Feb 2025\u003cbr\u003eGenre: Folk \/ Traditional Folk \/ Singer-Songwriter\u003c\/p\u003e\n\u003cp\u003e- Third album from Sheffield folk artist blending traditional songs and original compositions to remarkable effect.\u003cbr\u003e- 180gm heavyweight black vinyl \/ download code \/ gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eOn his new album Wasteland, Jim Ghedi has created something huge. Intense, brooding, bold, at times apocalyptic, and remarkably vast. A profoundly bold sonic statement that is some of the most rich, far-reaching and ambitious work that Ghedi has created to date - pushing the boundaries of what folk music can be in 2025.\u003cbr\u003eRecorded over 2 years at Tesla Studios in Sheffield, with David Glover engineering and producing, it also features a wide cast of musicians such as David Grubb (fiddle), Daniel Bridgwood-Hill (fiddle), Neal Heppleston (bass), Joe Danks (drums), Dean Honer from I Monster (synths), Cormac MacDiarmada from Lankum (vocals), Ruth Clinton from Landless (vocals) and Amelia Baker from Cinder Well (vocals). \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWasteland is a record that is unafraid to plunge into the darkness of the modern world and embrace the weirder, edgier and more unnerving moments that come from doing so. It is an album that captures all the enormity of life from the micro to the macro, zooming in on the personal as well reflecting on broader societal issues. \u003cbr\u003e“Wasteland is about the idea of a place once known or familiar that is now broken down and unrecognisable,” says Ghedi. “It’s about exploring the process of watching someone’s surroundings and environment collapse.” And within that you have a lot going on. “It also explores death, personal loss, grief, mental health and how the natural world provides solace and meaning for that loss and how these worlds blur into one another.”\u003c\/p\u003e\n\u003cp\u003eGhedi has always been an artist that in many ways perfectly encompasses folk music in its purest form but he is also someone that frequently pushes the boundaries of that label and no more so is that apparent than on this record. As like previous albums, such as 2018’s A Hymn for Ancient Land and 2021’s In the Furrows of Common Place, Ghedi uses traditional folk songs as a means to explore contemporary issues via modern and experimentally-leaning music. “With the traditional material on this album I wanted to find songs with content that resonated with me,” says Ghedi. “But also that were based roughly around the north of England.” This is a central underlying theme to the album for Ghedi. The feelings of loss, erosion, and degradation are often most pronounced in working class communities and this was something he wanted to weave in. “It was important to voice and choose material that represented or expressed issues that correlated with things going on around me.” \u003c\/p\u003e\n\u003cp\u003eHowever, as remarkable as some of the traditional material is, some of the most arresting work on the album is Ghedi’s entirely original compositions. Lead single ‘Wasteland’ is a stunning piece of work that while rooted in an environment being corrupted and broken – “there’s violence on these hills” Ghedi sorrowfully sings, before claiming this is no longer somewhere that can be called home – it is also a stirringly beautiful composition that soars and glides as it opens up, as sweeping strings swoop and in and out of Ghedi’s twangy electric guitar. \u003c\/p\u003e\n\u003cp\u003eThe decision to incorporate more fuller sounds, such as electric guitar and huge drums, results in a notable shift and evolution in tone for Ghedi. “The lyrical content needed something more band-driven and loud to deliver them,” he explains. “Incorporating the electric guitar in my songwriting was also a big part of opening the sound up, using drop tunings pushed me to use my voice in a wider range, which forced me to use falsetto a lot which I haven’t previously done before. That then opened the sound up and gave me creative ideas for bigger arrangements and to sonically really push things.” \u003c\/p\u003e\n\u003cp\u003eWhat Ghedi has done in creating his masterpiece is construct a remarkable space where deeply intimate and personal feelings coexist with reflections on environment, place and society, while also interweaving historical context via traditional songs. Wasteland is as much of a world to explore and exist in as much as it is an album, with Ghedi carving out his distinctly unique sonic language and voice to explore that singular environment. \u003c\/p\u003e\n\u003cp\u003e1. Old Stones  2. What Will Become of England  3. Newtondale \/ Blue John   4. Wasteland  5. Just A Note 6. Sheaf \u0026amp; Feld  7. Hester 8. The Seasons  9. Wishing Tree  10. Trafford Road Ballad\u003cbr\u003e\u003c\/p\u003e","brand":"Basin Rock","offers":[{"title":"Default Title","offer_id":44657069424796,"sku":"BR022CD","price":11.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_fb5f63ed-cc5d-41c9-92b9-90c886292c17.jpg?v=1734451585"},{"product_id":"jim-ghedi-wasteland-lp","title":"Jim Ghedi - Wasteland [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BR022LP\u003cbr\u003eBarcode: 5060168045768\u003cbr\u003eRelease Date: 21 Feb 2025\u003cbr\u003eGenre: Folk \/ Traditional Folk \/ Singer-Songwriter\u003c\/p\u003e\n\u003cp\u003e- Third album from Sheffield folk artist blending traditional songs and original compositions to remarkable effect.\u003cbr\u003e- 180gm heavyweight black vinyl \/ download code \/ gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eOn his new album Wasteland, Jim Ghedi has created something huge. Intense, brooding, bold, at times apocalyptic, and remarkably vast. A profoundly bold sonic statement that is some of the most rich, far-reaching and ambitious work that Ghedi has created to date - pushing the boundaries of what folk music can be in 2025.\u003cbr\u003eRecorded over 2 years at Tesla Studios in Sheffield, with David Glover engineering and producing, it also features a wide cast of musicians such as David Grubb (fiddle), Daniel Bridgwood-Hill (fiddle), Neal Heppleston (bass), Joe Danks (drums), Dean Honer from I Monster (synths), Cormac MacDiarmada from Lankum (vocals), Ruth Clinton from Landless (vocals) and Amelia Baker from Cinder Well (vocals). \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWasteland is a record that is unafraid to plunge into the darkness of the modern world and embrace the weirder, edgier and more unnerving moments that come from doing so. It is an album that captures all the enormity of life from the micro to the macro, zooming in on the personal as well reflecting on broader societal issues. \u003cbr\u003e“Wasteland is about the idea of a place once known or familiar that is now broken down and unrecognisable,” says Ghedi. “It’s about exploring the process of watching someone’s surroundings and environment collapse.” And within that you have a lot going on. “It also explores death, personal loss, grief, mental health and how the natural world provides solace and meaning for that loss and how these worlds blur into one another.”\u003c\/p\u003e\n\u003cp\u003eGhedi has always been an artist that in many ways perfectly encompasses folk music in its purest form but he is also someone that frequently pushes the boundaries of that label and no more so is that apparent than on this record. As like previous albums, such as 2018’s A Hymn for Ancient Land and 2021’s In the Furrows of Common Place, Ghedi uses traditional folk songs as a means to explore contemporary issues via modern and experimentally-leaning music. “With the traditional material on this album I wanted to find songs with content that resonated with me,” says Ghedi. “But also that were based roughly around the north of England.” This is a central underlying theme to the album for Ghedi. The feelings of loss, erosion, and degradation are often most pronounced in working class communities and this was something he wanted to weave in. “It was important to voice and choose material that represented or expressed issues that correlated with things going on around me.” \u003c\/p\u003e\n\u003cp\u003eHowever, as remarkable as some of the traditional material is, some of the most arresting work on the album is Ghedi’s entirely original compositions. Lead single ‘Wasteland’ is a stunning piece of work that while rooted in an environment being corrupted and broken – “there’s violence on these hills” Ghedi sorrowfully sings, before claiming this is no longer somewhere that can be called home – it is also a stirringly beautiful composition that soars and glides as it opens up, as sweeping strings swoop and in and out of Ghedi’s twangy electric guitar. \u003c\/p\u003e\n\u003cp\u003eThe decision to incorporate more fuller sounds, such as electric guitar and huge drums, results in a notable shift and evolution in tone for Ghedi. “The lyrical content needed something more band-driven and loud to deliver them,” he explains. “Incorporating the electric guitar in my songwriting was also a big part of opening the sound up, using drop tunings pushed me to use my voice in a wider range, which forced me to use falsetto a lot which I haven’t previously done before. That then opened the sound up and gave me creative ideas for bigger arrangements and to sonically really push things.” \u003c\/p\u003e\n\u003cp\u003eWhat Ghedi has done in creating his masterpiece is construct a remarkable space where deeply intimate and personal feelings coexist with reflections on environment, place and society, while also interweaving historical context via traditional songs. Wasteland is as much of a world to explore and exist in as much as it is an album, with Ghedi carving out his distinctly unique sonic language and voice to explore that singular environment. \u003c\/p\u003e\n\u003cp\u003e1. Old Stones  2. What Will Become of England  3. Newtondale \/ Blue John   4. Wasteland  5. Just A Note 6. Sheaf \u0026amp; Feld  7. Hester 8. The Seasons  9. Wishing Tree  10. 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Far from a simple beat-swap, this project is a masterclass in sonic cohesion, blurring the lines between their signature sounds to forge a new, golden-hued identity. Beyond production, the duo step from behind the boards to behind the mic to trade verses throughout the project, adding a personal layer to their creative vision. \u003c\/p\u003e\n\u003cp\u003eGOLDFISH is a deeply immersive listen, perfectly balancing the West Coast muscle and polished, anthemic quality of Hit-Boy's work with the dusty, abstract texture and cinematic suspense that defines The Alchemist's aesthetic.\u003c\/p\u003e\n\u003cp\u003eThe result is a sound that feels both street-tested and museum-worthy. A collaborative manifesto, showcasing the infinite possibilities when two generational talents decide to link up, creating an instant classic in the canon of producer\/MC albums.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1. Doing My Best\u003cbr\u003e2. Business Merger\u003cbr\u003e3. Show Me The Way\u003cbr\u003e4. Mick \u0026amp; Cooley (feat. Conway The Machine)\u003cbr\u003e5. Ask For Me\u003cbr\u003e6. Ricky\u003cbr\u003e7. Groupie Love\u003cbr\u003e8. Celebration Moments (feat. Havoc)\u003cbr\u003e9. Home Improvement\u003cbr\u003e10. Recent Memory\u003cbr\u003e11. Walk In Faith\u003cbr\u003e12. Not Much (feat. Boldy James)\u003cbr\u003e13. Drawing Bridges (feat. Johnathan Hulett)\u003cbr\u003e14. All Gas No Breaks (feat. Jay Worthy \u0026amp; Big Hit)\u003cbr\u003e15. God is Great\u003c\/p\u003e\n\u003cp\u003eSocials: \u003cbr\u003eHit Boy\u003cbr\u003eTwitter: 261k followers\u003cbr\u003eIG: 836k followers\u003cbr\u003eFB: 415k followers\u003cbr\u003eYT: 229k subs \/ 95M+ views\u003c\/p\u003e\n\u003cp\u003eThe Alchemist\u003cbr\u003eTwitter: 542.5k followers\u003cbr\u003eIG: 1.3M followers\u003cbr\u003eFB: 41k followers\u003cbr\u003eYT: 224k subs \/ 56M+ views\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Hit-Boy \u0026amp; The Alchemist - Ricky (Official Video)\" src=\"https:\/\/www.youtube.com\/embed\/1ad4-lcSXoQ\" height=\"477\" width=\"888\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Hit-Boy \u0026amp; The Alchemist - Celebration Moments (feat. 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Far from a simple beat-swap, this project is a masterclass in sonic cohesion, blurring the lines between their signature sounds to forge a new, golden-hued identity. Beyond production, the duo step from behind the boards to behind the mic to trade verses throughout the project, adding a personal layer to their creative vision. \u003c\/p\u003e\n\u003cp\u003eGOLDFISH is a deeply immersive listen, perfectly balancing the West Coast muscle and polished, anthemic quality of Hit-Boy's work with the dusty, abstract texture and cinematic suspense that defines The Alchemist's aesthetic.\u003c\/p\u003e\n\u003cp\u003eThe result is a sound that feels both street-tested and museum-worthy. A collaborative manifesto, showcasing the infinite possibilities when two generational talents decide to link up, creating an instant classic in the canon of producer\/MC albums.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1. Doing My Best\u003cbr\u003e2. Business Merger\u003cbr\u003e3. Show Me The Way\u003cbr\u003e4. Mick \u0026amp; Cooley (feat. Conway The Machine)\u003cbr\u003e5. Ask For Me\u003cbr\u003e6. Ricky\u003cbr\u003e7. Groupie Love\u003cbr\u003e8. Celebration Moments (feat. Havoc)\u003cbr\u003e9. Home Improvement\u003cbr\u003e10. Recent Memory\u003cbr\u003e11. Walk In Faith\u003cbr\u003e12. Not Much (feat. Boldy James)\u003cbr\u003e13. Drawing Bridges (feat. Johnathan Hulett)\u003cbr\u003e14. All Gas No Breaks (feat. Jay Worthy \u0026amp; Big Hit)\u003cbr\u003e15. God is Great\u003c\/p\u003e\n\u003cp\u003eSocials: \u003cbr\u003eHit Boy\u003cbr\u003eTwitter: 261k followers\u003cbr\u003eIG: 836k followers\u003cbr\u003eFB: 415k followers\u003cbr\u003eYT: 229k subs \/ 95M+ views\u003c\/p\u003e\n\u003cp\u003eThe Alchemist\u003cbr\u003eTwitter: 542.5k followers\u003cbr\u003eIG: 1.3M followers\u003cbr\u003eFB: 41k followers\u003cbr\u003eYT: 224k subs \/ 56M+ views\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"888\" height=\"477\" src=\"https:\/\/www.youtube.com\/embed\/1ad4-lcSXoQ\" title=\"Hit-Boy \u0026amp; The Alchemist - Ricky (Official Video)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"888\" height=\"508\" src=\"https:\/\/www.youtube.com\/embed\/1Vi4Z9UAyvc\" title=\"Hit-Boy \u0026amp; The Alchemist - Celebration Moments (feat. 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Far from a simple beat-swap, this project is a masterclass in sonic cohesion, blurring the lines between their signature sounds to forge a new, golden-hued identity. Beyond production, the duo step from behind the boards to behind the mic to trade verses throughout the project, adding a personal layer to their creative vision. \u003c\/p\u003e\n\u003cp\u003eGOLDFISH is a deeply immersive listen, perfectly balancing the West Coast muscle and polished, anthemic quality of Hit-Boy's work with the dusty, abstract texture and cinematic suspense that defines The Alchemist's aesthetic.\u003c\/p\u003e\n\u003cp\u003eThe result is a sound that feels both street-tested and museum-worthy. A collaborative manifesto, showcasing the infinite possibilities when two generational talents decide to link up, creating an instant classic in the canon of producer\/MC albums.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. Doing My Best\u003cbr\u003eA2\/2. Business Merger\u003cbr\u003eA3\/3. 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God is Great\u003c\/p\u003e","brand":"Surf Club Inc. \/ ALC \/ EMPIRE","offers":[{"title":"Default Title","offer_id":46438095487132,"sku":"ERE1218","price":36.01,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1218MOCK.jpg?v=1772212810"},{"product_id":"terrain-scatter-ep","title":"Terrain  - Scatter EP","description":"\u003cp\u003eFormat: 12” EP\u003cbr\u003eCatalogue No.: LIVITY075 \u003cbr\u003eBarcode: 5051142053619\u003cbr\u003eRelease Date: 10 Apr 2026\u003cbr\u003eGenre: Dub Techno \/ Techno \/  UK Techno\u003c\/p\u003e\n\u003cp\u003eVinyl in kraft sleeve\u003c\/p\u003e\n\u003cp\u003eTaut drum science and steely atmospheres are the order of the day as Terrain deliver a moody, stripped-back four-track EP for Livity Sound. The partnership of Forest Drive West and Voytek has so far yielded sharply-focused releases for Delsin's Mantis series and Vargmal, finding the synergy between lean, intricate drum \u0026amp; bass and heads-down, experimental techno. \u003c\/p\u003e\n\u003cp\u003eOn 'Barossa Dub', the pair pitch down to a half-time, dancehall-angled groove to propel a heavily-dubbed soundscape and system-ready bass. 'Nica' maintains the low-slung swagger while steadily ratcheting up the dread. On the flip, 'Scatter' winds the pressure back up with a punchy broken techno workout that teeters on the edge of breakbeat. 'Hive' opts for a brooding, purring techno meditation that thrives on slow release and intricately crafted sound design, capping off a diverse trip through austere club modernism. \u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003ea1: Barossa Dub a2: Nica b1: Scatter b2: Hive\u003c\/p\u003e","brand":"Livity Sound Recordings","offers":[{"title":"Default Title","offer_id":46453245247644,"sku":"LIVITY075","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LIVITY075.jpg?v=1772467787"},{"product_id":"fireground-refreshing-part-2","title":"Fireground - Refreshing Part 2","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: TRESOR386  \u003cbr\u003eBarcode: 4251804189217\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003eOn April 3rd, 2026, Fireground returns to Tresor Records with Refreshing Part 2.\u003c\/p\u003e\n\u003cp\u003eAs with the band’s 2023 release of the same name, Refreshing Part 2 is a decisive and fierce collection of percussive techno that nonetheless travels its path with a heightened level of funkiness.\u003cbr\u003e \u003cbr\u003eThe Italian duo describe the concept behind this collection as being “not about resetting, but about balancing. Refreshing means reconnecting with the present and with the future...focusing on one’s own way in order to prevent the flow from becoming automatic, uncontrolled, and without orientation. It is more a direction than a path.”\u003cbr\u003e \u003cbr\u003eThe four tracks on the 12” are hypnotic dives into a full spectrum of club music: the rhythms and sound design guiding the subconscious into visions of past, present and future intermingled, a reminder that all moments co-exist simultaneously.\u003cbr\u003e \u003cbr\u003eSide A passes from the stripped-down intensity of The Way through to Elisir (Elixir), which manages to pull off a trick of feeling light and floaty while maintaining the power of its predecessor. The flip side opens with the forceful drive of Activate before making way to the percussive elasticity of Family Tree, a track which closes out the EP by recalling, in both name and sound, how that which came before deeply affects the now, though often in ways only subliminally perceived.\u003cbr\u003e \u003cbr\u003eDigital-only track Fixed in Flux continues this concept, and the overall themes of Refreshing Part 2, with further evocations of intent and movement; remaining present in change, without resisting it, yet without dissolving into it.\u003c\/p\u003e\n\u003cp\u003e1. \/ A1 The Way 05:31  2. \/ A2 Elisir 05:03 3. \/ B1 Activate 05:15  4. \/ B2 Family Trees 05:01 5. \/ DX Fixed In Flux (Digital Bonus)\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":46453247738012,"sku":"TRESOR386","price":12.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TRESOR386.jpg?v=1772467992"},{"product_id":"tim-paris-that-boy-remixes-feat-foremost-poets","title":"Tim Paris - That Boy Remixes feat. 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Abe Duque’s remix carries a strangely enchanting relentlessness, a resistance to smoothness – as if the dancefloor were a place where freedom is not claimed, but fought for.\u003c\/p\u003e\n\u003cp\u003eRed Axes do not enter this space; they conjure it. Their sound is raw, repetitive, circular, as if deliberately refusing linearity. House, dub, and acid elements become material for a movement that is more trance than structure. Their remix does not ask where it is going; it asks why one should ever stand still.\u003c\/p\u003e\n\u003cp\u003eAnd then there is Tim Paris. Not at the center, but as a narrator. As someone who knows that the voice is an attitude. “That Boy” is not a pose, but a mirror, ironic, direct, vulnerable. Paris moves between new wave house and club, always aware that identity is never fixed, but formed in the moment.\u003c\/p\u003e\n\u003cp\u003eYet sound alone does not tell the full story: like music, the visual is a space to be shaped, felt, and deciphered. The cover of Tim Paris feat. Foremost Poets – That Boy, created by Konstantin Fürchtegott Kipfmüller, a visual artist at the Hochschule für Gestaltung in Offenbach under Heiner Blum, embodies this principle. Drawing inspiration from the urban environment, Kipfmüller transforms traces of decay, weather, and time into abstract narratives that, like the music of Tim Paris, Roman Flügel, Abe Duque and Red Axes, unfold meaning layer by layer. The result is no mere adornment, but a mirror of the sonic landscape: every line, every surface an echo of the question of what it means to exist – fully, in the moment, in sound.\u003c\/p\u003e\n\u003cp\u003eA1 Tim Paris That Boy feat. Foremost Poets (Roman Flügel Remix) 00:09:10\u003cbr\u003eA2 Tim Paris That Boy feat. Foremost Poets (Abe Duque Remix) 00:05:19\u003cbr\u003eB1 Tim Paris That Boy feat. Foremost Poets (Red Axes Remix) 00:07:10\u003cbr\u003eB2 Tim Paris That Boy feat. Foremost Poets 00:08:51\u003c\/p\u003e","brand":"Live At Robert Johnson","offers":[{"title":"Default Title","offer_id":46453260091548,"sku":"PLAYRJC134","price":24.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PLAYRJC134.jpg?v=1772468314"},{"product_id":"storm-mollison-a-l-t-ep","title":"Storm Mollison - A.L.T. EP","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: HEIST099 \u003cbr\u003eBarcode: 4251804189613\u003cbr\u003eRelease Date: 10 Apr 2026\u003cbr\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003e* Rising star Storm Mollison lands her debut on Heist with an ep blending House \u0026amp; R ‘n B and we’re completely hooked. \u003c\/p\u003e\n\u003cp\u003eThe future is looking bright for Storm Mollison – Heist’s newest. Marked as artist to look out for by Shazam on their fast forward 2026 list, Storm’s got a bright and busy year ahead, after an already big 2025. Last year alone, she featured on Kiki’s hit ‘Getting ready for the party’, featured on a Mixmag London event and a Raw Cuts X Heist ADE party, had her first cover feature on Spotify, multiple radio 1 appearances, released several singles, a full EP on Noir Fever and a Luuk van Dijk remix. \u003c\/p\u003e\n\u003cp\u003eIf that’s not enough to get you excited, we suggest you just listen to her ‘Act like that’ EP on Heist. In Storm’s own words: “it’s the most exciting music I’ve made so far” and we couldn’t agree more. Her EP is a perfect blend of her love for house music and soulful R ‘n B with its 4 tracks smothered in deep chords, smooth vocals and crunchy textures.\u003c\/p\u003e\n\u003cp\u003eEP opener ‘Doing Sumthin’’ has been a staple in Dam Swindle’s sets ever since receiving Storm’s first demo and has never failed to make the crowd bounce from left to right with its quirky and equally cool vocal courtesy of Aaron Pfeiffer. Sometimes, you just need someone to tell you which way to move and before you know it, the whole club is doing it. The beat is chunky, and the sax lick is a nice wink to the old school house that has influences Storm’s sound so much. \u003c\/p\u003e\n\u003cp\u003eAct Like That - the EP’s title track -, is a modern R’ n B song that could have easily been on Rochelle Jordan’s latest album. The lyrics are perfectly delivered by Storm herself and celebrate women who stand up to unreliable men. It could well be the badass soundtrack of womanhood for 2026 delivered in a silky-smooth package that’ll live rent-free in your head for the foreseeable future. \u003c\/p\u003e\n\u003cp\u003eOn the flipside is “Gotta Go’, an undercover dancefloor burner with lush keys and a lean-back groove. The track relies on crisp textures and little frizzles all throughout the track, with a big breakdown for ultimate release. \u003c\/p\u003e\n\u003cp\u003eEp closer ‘Workin’ takes us back into R ‘n B territory, this time in a very danceable form. Storm’s soft vocals lie on top of a steady beat with deep chords and a bassline so sexy It’ll make you get down no matter where you’re hearing this. \u003c\/p\u003e\n\u003cp\u003eIt’s hard to speak about a breakthrough for an artist that has already seen such a rise in the scene, but if we’re talking about her music, this will be the record that people come back to after years and say, “remember when she releases ALT!?”\u003c\/p\u003e\n\u003cp\u003eAs always, enjoy the music and play it loud!\u003c\/p\u003e\n\u003cp\u003eYours, Maarten \u0026amp; Lars\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1  Storm Mollison feat. 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His colourful, emotive sound marries melodic whimsy with warm, cuddly grooves and is underpinned by invention and experimentation in sound design, rhythm and mood. The Studio Barnhus co-founder is an artist who can make you laugh and cry at the same time, as continually shown across more than 20 EPs and four full-length albums on a tasteful array of labels. He strides into 2026 with a first EP for Aus that embodies everything that makes him easy to love and hard to pin down.\u003c\/p\u003e\n\u003cp\u003eFirst up is 'Night Blooming' feat pbeatgirl - a provocative figure in Sweden’s post-pop underground. The sensual late-night lullaby has soft drums and even softer spoken words whispered in your ear. Add in the dreamy synths, and you have perfect house hypnosis. 'Someone Stop Me' slows the tempo but ups the texture with raw, tumbling drum loops, incidental guitar licks and sustained pads that help you zone out and gaze into the distance on a summer's afternoon. \u003c\/p\u003e\n\u003cp\u003e'Svalor Radiosignal (Axel’s Dub)' features Joakim Åhlund, who is currently on tour of Australia with his band Les Big Byrd, and is also a guitarist and lead singer in the Caesars band he founded, as well as being a prolific producer. World-renowned multi-disciplinary artist Jockum Nordström works across painting, sculpture and collage and also features. There's a signature Boman innocence and charming naivety to the melodies here. They leave wispy, painterly trails above the smooth, dubby groove and fill you with warmth and comfort. Closer 'Spooky' journeys later into the night with a more rickety, edgy mood, but beautiful, shape-shifting synths are like a tender hand guiding you into darkness. \u003c\/p\u003e\n\u003cp\u003eThis is Axel Boman at his most intimate and expressive, a quietly powerful EP for heads-down moments and after-hours warmth.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1. Night Blooming feat pbeatgirl\u003cbr\u003eA2. Someone Stop Me\u003cbr\u003eB1. Svalor Radiosignal (Axel’s Dub) feat Joakim Åhlund \u0026amp; Jockum Nordström\u003cbr\u003eB2. 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With the ‘Schema’ EP, he follows his recent ‘Retrospective’ EP for Ben Klock’s Klockworks, as well as previous CLR outings such as the ‘Limelight’ EP (2025), and the ‘Remote 101’ EP (2023), which both kept a spot in the Beatport Techno chart for over two years after release, while winning support from the likes of Carl Cox, Alienata, Dave Clarke, and many more.\u003c\/p\u003e\n\u003cp\u003eShlomi Aber’s ‘Schema’ EP opens with the title track and heads straight into subterranean territory, pairing weighty low-end pressure with tightly controlled tension. Rattling bass foundations are offset by sharp hi-hats and static-laced textures that flicker through the mix, keeping the groove locked and the atmosphere charged.\u003c\/p\u003e\n\u003cp\u003eOn remix duties, James Ruskin, founder of the seminal Blueprint, delivers a shadowy, atmospheric rework. 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Non-Returnable.\u003cbr\u003eRemaster by Beau Thomas (TenSevenEight Mastering, UK).\u003cbr\u003eFirst time on vinyl, since the 2006 CD-only release.\u003cbr\u003eOriginal full-length versions, incl. \"I Feel Space\", one of Lindstrøm's most enduring and recognizable tracks.\u003c\/p\u003e\n\u003cp\u003eOriginally released on CD in 2006, It's A Feedelity Affair marked a formative moment in Hans Peter Lindstrøm's early career, compiling key tracks from his first wave of 12-inch releases between 2003 and 2006. Now, twenty years after the founding of his Feedelity label, the album is presented for the first time as a newly remastered vinyl edition.\u003c\/p\u003e\n\u003cp\u003eUpon its original release, the album received widespread international attention, including a Best New Music rating (8.4) from Pitchfork. The track I Feel Space has since become one of Lindstrøm's most enduring and recognizable works. The album also documents some of his earliest collaborations with Prins Thomas and Christabelle, resulting in tracks such as Boney M Down and Lovesick.\u003c\/p\u003e\n\u003cp\u003eReleased at a time when electronic music was shaped by extended runtimes and physical formats, It's A Feedelity Affair captured a club culture rooted in patience, atmosphere, and spatial awareness rather than immediacy. Its long-form approach remains central to the album's lasting appeal and resonates strongly with today's renewed focus on vinyl and immersive listening experiences. The album stands as a document of an era marked by experimentation, expansive club tracks, and an open-ended vision of electronic music.\u003c\/p\u003e\n\u003cp\u003eLindstrøm relaunched Feedelity in 2024, with the label returning in 2025 alongside his most recent album Sirius Syntoms and the single Cirkl, marking a full-circle moment for the imprint. 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First heard by a national audience at just 17, her voice stood out not for trends or tricks, but for its command, range and unmistakable soul. Deeply influenced by Tina Turner, she sings with grit, restraint and intention-rooted in the tradition of classic American R\u0026amp;B and pop.\u003c\/p\u003e\n\u003cp\u003e“After All the Rain Has Gone” is a heavy, mid-tempo track popping with Memphis-style horns, dripping with Southern Soul and Gospel fervor. 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Taking a stance against\u003cbr\u003ecommercial copyright, all stems of this production are available for download free of charge and ready to be reappropriated.\u003c\/p\u003e\n\u003cp\u003eDes Coda is an open field for collaborative, cultural experiments beyond the conventional understanding of authorship and representation. It engages with an artistic position that defines the creative process as an interplay between context and concept. The resulting work is not a rigid product of authoritarian ingenuity, but a sensitive, living organism guided by the tensions between society and individual. 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Released in the early months of 2021, Collection Agency arrived as a masterclass in \"work-from-home\" luxury—a smooth, ten-track victory lap that solidified Curren$y’s status as the most consistent architect in underground hip-hop.\u003c\/p\u003e\n\u003cp\u003eClocking in at just under 24 minutes, Collection Agency is the sonic equivalent of a pristine, low-mileage 911 Turbo. It’s lean, expensive-sounding, and devoid of filler. While the world was still grappling with a sense of stagnation, Spitta was in the garage, documenting the rewards of a decade-plus grind.\u003c\/p\u003e\n\u003cp\u003eThe 10-track release marks his 11th solo studio album, and 90th overall project. Even more impressively, the quality has remained consistent throughout his prolific career. The Louisiana rapper links up with several notable producers on the project including DJ.Fresh, Harry Fraud, Rsonist of The Heatmakerz, Trauma Tone, Purps, \u0026amp; Black Metaphor. We also see an appearance by longtime friend and collaborator, Larry June. Once again, Curren$y delivers another unforgettable round of smooth joints and cruising music.\u003c\/p\u003e\n\u003cp\u003e1xLP, Single Pocket Jacket, Orange \u0026amp; Blue A Side B Side Vinyl\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1\/A1. Kush Through the Sunroof\u003cbr\u003e2\/A2. Smiled On Me\u003cbr\u003e3\/A3. Arrival\u003cbr\u003e4\/A4. I Don’t Call\u003cbr\u003e5\/A5. Jermaine Dupri\u003cbr\u003e6\/B1. Closing Date\u003cbr\u003e7\/B2. Shout Out (feat. Larry June)\u003cbr\u003e8\/B3. Ferrari Engine\u003cbr\u003e9\/B4. Above The Law\u003cbr\u003e10\/B5. 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If his first record was a desperate sprint through the dark alleys of the soul, TAHOE is the cold morning after—a cinematic, sweeping exploration of isolation, clarity, and the jagged edges of recovery.\u003c\/p\u003e\n\u003cp\u003eNamed after the alpine lake that serves as both a sanctuary and a graveyard for secrets, the album navigates the duality of the landscape.\u003c\/p\u003e\n\u003cp\u003eThe songwriting dives deep into the \"blue\" period of his life—tackling themes of sobriety, the weight of sudden fame, and the ghosts of past versions of himself. It is an album about the silence that follows the storm, and the realization that the higher you climb, the thinner the air becomes.\u003c\/p\u003e\n\u003cp\u003e1xLP, Single Pocket Jacket, Polylined Protective Sleeves, White Vinyl\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. THE HARDEST CLIMB\u003cbr\u003eA2\/2. THE GOOD THE BAD \u0026amp; THE UGLY\u003cbr\u003eA3\/3. BONNIE AND CLYDE\u003cbr\u003eA4\/4. 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BURY ME IN VEGAS\u003c\/p\u003e\n\u003cp\u003eSocials: \u003cbr\u003eIG: 571k followers\u003cbr\u003eFB: 118k followers\u003cbr\u003eYT: 423k subs \/ 128M+ views\u003c\/p\u003e","brand":"Red Leather \/ EMPIRE","offers":[{"title":"Default Title","offer_id":46453806891164,"sku":"ERE1219","price":25.57,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1219MOCK.jpg?v=1772476188"},{"product_id":"jim-ghedi-wasteland-red-blood-lp","title":"Jim Ghedi - Wasteland [RED BLOOD LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BR022LPRB\u003cbr\u003eBarcode: 5060168046727\u003cbr\u003eRelease Date: 08 May 2026\u003cbr\u003eGenre: Folk \/ Traditional Folk \/ Singer-Songwriter\u003c\/p\u003e\n\u003cp\u003e2026 VINYL REPRESS ON RED BLOOD\u003c\/p\u003e\n\u003cp\u003eIn other news, Jim Ghedi is doing the full soundtrack for this: \u003cbr\u003eThe Death of Robin Hood | Official Trailer HD | A24\u003c\/p\u003e\n\u003cp\u003e#2 MOJO BEST FOLK ALBUMS OF 2025.\u003c\/p\u003e\n\u003cp\u003eMOJO ‘RISING’ FEATURE: ‘LIEGE \u0026amp; LETHAL! JIM GHEDI BRINGS ANCIENT FOLK DOOM INTO THE 21ST CENTURY’ …..\u003c\/p\u003e\n\u003cp\u003e+ 4\/5 REVIEW : ‘OLD STONES, WASTELAND AND WISHING TREE SUM UP THE\u003cbr\u003eTIM-BUCKLEY-MEETS-RICHARD-THOMPSON-AT-THE-END-OF-THE-UNIVERSE VIBE. COLOSSAL.’\u003c\/p\u003e\n\u003cp\u003e‘FOR FANS OF : LANKUM, SUNNO))), APHRODITE”S CHILD’ - MOJO.\u003c\/p\u003e\n\u003cp\u003e9\/10 ‘REVELATIONS’ REVIEW IN UNCUT : ‘YORKSHIRE FOLKSMITH’S RUMINATIVE, STORM-TOSSED MASTERWORK. GHEDI EXPERTLY SHAPES TRADITIONAL TUNES, COVERS AND DAZZLING ORIGINALS INTO A DEEPLY PERSONAL VISION’\u003c\/p\u003e\n\u003cp\u003e‘Recalling the expansiveness of Liege \u0026amp; Lief and the droning reverberations of Lankum, this is an intense album , marking Ghedi out as an original voice with an ancient spirit’ 4\/5 THE TIMES \u003c\/p\u003e\n\u003cp\u003e\"Wasteland is a folk renaissance masterpiece.\" 9\/10 The Line Of Best Fit\u003c\/p\u003e\n\u003cp\u003e\"Ghedi’s combination of intensity and sublimity recalls Lankum to some extent, and yet where that band’s doom seems to descend from above like a thick black cloud, there’s something more earthen to Ghedi’s work – the horrific, terrifying beauty of a collapsing planet, turned into sound.\" The Quietus \u003c\/p\u003e\n\u003cp\u003e‘You’re unlikely to experience a more intense trip of an album this year’ 5\/5 SONGLINES \u003c\/p\u003e\n\u003cp\u003e\"Wasteland is exactly where British folk music should be today. A masterwork.\" 5\/5 Morning Star\u003c\/p\u003e\n\u003cp\u003e‘Ghedi’s stunningly evocative, intense mini-epics feel both entirely timeless and unmistakably contemporary’ THE YORKSHIRE POST\u003c\/p\u003e\n\u003cp\u003e'The astonishing Wasteland (Basin Rock) from Sheffield’s Jim Ghedi was similarly huge, and deeply political'-  The Morning Star Best Albums of 2025\u003c\/p\u003e\n\u003cp\u003e\"One for mounting your steed and venturing, howling, towards a boggy front line: the Sheffield folk musician gets brilliantly apocalyptic on this rallying, medieval-tinged battle cry.\" The Guardian on single Sheaf \u0026amp; Field.\u003cbr\u003e- Third album from Sheffield folk artist blending traditional songs and original compositions to remarkable effect.\u003cbr\u003e- 180gm heavyweight black vinyl \/ download code \/ gatefold sleeve.\u003cbr\u003eOn his new album Wasteland, Jim Ghedi has created something huge. Intense, brooding, bold, at times apocalyptic, and remarkably vast. A profoundly bold sonic statement that is some of the most rich, far-reaching and ambitious work that Ghedi has created to date - pushing the boundaries of what folk music can be in 2025.\u003cbr\u003eRecorded over 2 years at Tesla Studios in Sheffield, with David Glover engineering and producing, it also features a wide cast of musicians such as David Grubb (fiddle), Daniel Bridgwood-Hill (fiddle), Neal Heppleston (bass), Joe Danks (drums), Dean Honer from I Monster (synths), Cormac MacDiarmada from Lankum (vocals), Ruth Clinton from Landless (vocals) and Amelia Baker from Cinder Well (vocals). \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWasteland is a record that is unafraid to plunge into the darkness of the modern world and embrace the weirder, edgier and more unnerving moments that come from doing so. It is an album that captures all the enormity of life from the micro to the macro, zooming in on the personal as well reflecting on broader societal issues. \u003cbr\u003eGhedi has always been an artist that in many ways perfectly encompasses folk music in its purest form but he is also someone that frequently pushes the boundaries of that label and no more so is that apparent than on this record. As like previous albums, such as 2018’s A Hymn for Ancient Land and 2021’s In the Furrows of Common Place, Ghedi uses traditional folk songs as a means to explore contemporary issues via modern and experimentally-leaning music. “With the traditional material on this album I wanted to find songs with content that resonated with me,” says Ghedi. “But also that were based roughly around the north of England.” This is a central underlying theme to the album for Ghedi. The feelings of loss, erosion, and degradation are often most pronounced in working class communities and this was something he wanted to weave in. “It was important to voice and choose material that represented or expressed issues that correlated with things going on around me.” \u003c\/p\u003e\n\u003cp\u003eHowever, as remarkable as some of the traditional material is, some of the most arresting work on the album is Ghedi’s entirely original compositions. Lead single ‘Wasteland’ is a stunning piece of work that while rooted in an environment being corrupted and broken – “there’s violence on these hills” Ghedi sorrowfully sings, before claiming this is no longer somewhere that can be called home – it is also a stirringly beautiful composition that soars and glides as it opens up, as sweeping strings swoop and in and out of Ghedi’s twangy electric guitar. \u003c\/p\u003e\n\u003cp\u003eThe decision to incorporate more fuller sounds, such as electric guitar and huge drums, results in a notable shift and evolution in tone for Ghedi. “The lyrical content needed something more band-driven and loud to deliver them,” he explains. “Incorporating the electric guitar in my songwriting was also a big part of opening the sound up, using drop tunings pushed me to use my voice in a wider range, which forced me to use falsetto a lot which I haven’t previously done before. That then opened the sound up and gave me creative ideas for bigger arrangements and to sonically really push things.” \u003c\/p\u003e\n\u003cp\u003eWhat Ghedi has done in creating his masterpiece is construct a remarkable space where deeply intimate and personal feelings coexist with reflections on environment, place and society, while also interweaving historical context via traditional songs. Wasteland is as much of a world to explore and exist in as much as it is an album, with Ghedi carving out his distinctly unique sonic language and voice to explore that singular environment. \u003c\/p\u003e\n\u003cp\u003e1. Old Stones  2. What Will Become of England  3. Newtondale \/ Blue John   4. Wasteland  5. Just A Note 6. Sheaf \u0026amp; Feld  7. Hester 8. The Seasons  9. Wishing Tree  10. Trafford Road Ballad\u003c\/p\u003e","brand":"Basin Rock","offers":[{"title":"Default Title","offer_id":46453990719644,"sku":"BR022LPRB","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BR022CD.jpg?v=1772476944"},{"product_id":"the-sick-man-of-europe-the-sick-man-of-europe-cd","title":"The Sick Man Of Europe - The Sick Man Of Europe [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: BAY137CD\u003cbr\u003eBarcode: 843190013722 \u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Post-Punk\/Alternative\u003c\/p\u003e\n\u003cp\u003eA 2025 ALBUM OF THE YEAR:\u003cbr\u003e#3 AOTY The Vinyl Whistle \u003cbr\u003e#6 AOTY Electronic Sound\u003cbr\u003e#8 AOTY Juno Daily\u003cbr\u003e#30 AOTY Jumbo Records\u003cbr\u003e#40 AOTY Tower Records Dublin\u003cbr\u003eTop 100 AOTY Drift Records\u003cbr\u003eTop 100 AOTY Norman Records\u003c\/p\u003e\n\u003cp\u003e“Wistful, synth-driven post-punk is the cure. It channels 1980’s Belgian coldwave and goth-leaning UK new wave, as well as something else that’s much more vital and harder to pin down - that’s probably the sound of now” – Electronic Sound (Lead Review)\u003c\/p\u003e\n\u003cp\u003e“If you dig danceable post-punk, give this a spin” Brooklyn Vegan\u003c\/p\u003e\n\u003cp\u003e\"The Sick Man Of Europe blend Krautrock aspects with the charred remains of post-punk, tying this together by tapping into the UK’s current dystopian darkness\" Clash\u003c\/p\u003e\n\u003cp\u003e“We have one of the great new British live bands on our hands” Juno Daily\u003c\/p\u003e\n\u003cp\u003eYou can listen to the album in full on DISCO: https:\/\/s.disco.ac\/jynxxvvyavai\u003c\/p\u003e\n\u003cp\u003eEmerging from London’s underground music scene, The Sick Man Of Europe is distinctly monochrome in its outlook. Each note counts in this climate – economical but played with absolute precision and conviction. Propelled forward by machines and seeking solace in repetition. There are echoes of the post-punk and European art rock pioneers at the cusp of the 80s, but re-tooled for the present. The same fears. Looking for answers or something to believe in, but finding more questions in an age of absolutes.\u003c\/p\u003e\n\u003cp\u003eMinimal, but with a strong eye for the right detail - on the eponymous debut album, that eye is focussed firmly on the battle between the internal and the external. TSMOE draws on the tensions between human identity, technological advancement and the pursuit of meaning in the modern world. \u003c\/p\u003e\n\u003cp\u003eThe Sick Man Of Europe name connects the current post-Brexit landscape to the austerity of Thatcherite Britain and the social conditions that shaped the likes of Bauhaus and Joy Division. These are touchstones for TSMOE, but the influence and discipline of Neu!, Suicide and Swans are just as intrinsic to the sound. Produced as a reaction to previous musical projects, TSMOE was looking for clarity and complete control in its creative endeavours. It’s consciously anti-rock in its recorded approach - no low-end bass guitar, minimal effects and no live drums. Dedication to the craft of focussed song writing rather than attempting to follow current production trends.\u003c\/p\u003e\n\u003cp\u003e1. Obsolete (6:04)\u003cbr\u003e2. Transactional (4:12)\u003cbr\u003e3. Sanguine (9:44)\u003cbr\u003e4.  Profane Not Profound (4:48)\u003cbr\u003e5. Slow Down, Friend (4:08)\u003cbr\u003e6. Movement (3.52)\u003cbr\u003e7. Acidity Regulator (2:51)\u003cbr\u003e8. 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Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eA 2025 ALBUM OF THE YEAR:\u003cbr\u003e#3 AOTY The Vinyl Whistle \u003cbr\u003e#6 AOTY Electronic Sound\u003cbr\u003e#8 AOTY Juno Daily\u003cbr\u003e#30 AOTY Jumbo Records\u003cbr\u003e#40 AOTY Tower Records Dublin\u003cbr\u003eTop 100 AOTY Drift Records\u003cbr\u003eTop 100 AOTY Norman Records\u003c\/p\u003e\n\u003cp\u003e“Wistful, synth-driven post-punk is the cure. It channels 1980’s Belgian coldwave and goth-leaning UK new wave, as well as something else that’s much more vital and harder to pin down - that’s probably the sound of now” – Electronic Sound (Lead Review)\u003c\/p\u003e\n\u003cp\u003e“If you dig danceable post-punk, give this a spin” Brooklyn Vegan\u003c\/p\u003e\n\u003cp\u003e\"The Sick Man Of Europe blend Krautrock aspects with the charred remains of post-punk, tying this together by tapping into the UK’s current dystopian darkness\" Clash\u003c\/p\u003e\n\u003cp\u003e“We have one of the great new British live bands on our hands” Juno Daily\u003c\/p\u003e\n\u003cp\u003eYou can listen to the album in full on DISCO: https:\/\/s.disco.ac\/jynxxvvyavai\u003c\/p\u003e\n\u003cp\u003eEmerging from London’s underground music scene, The Sick Man Of Europe is distinctly monochrome in its outlook. Each note counts in this climate – economical but played with absolute precision and conviction. Propelled forward by machines and seeking solace in repetition. There are echoes of the post-punk and European art rock pioneers at the cusp of the 80s, but re-tooled for the present. The same fears. Looking for answers or something to believe in, but finding more questions in an age of absolutes.\u003c\/p\u003e\n\u003cp\u003eMinimal, but with a strong eye for the right detail - on the eponymous debut album, that eye is focussed firmly on the battle between the internal and the external. TSMOE draws on the tensions between human identity, technological advancement and the pursuit of meaning in the modern world. \u003c\/p\u003e\n\u003cp\u003eThe Sick Man Of Europe name connects the current post-Brexit landscape to the austerity of Thatcherite Britain and the social conditions that shaped the likes of Bauhaus and Joy Division. These are touchstones for TSMOE, but the influence and discipline of Neu!, Suicide and Swans are just as intrinsic to the sound. 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