{"title":"SRD Presell 01MAY26","description":"","products":[{"product_id":"robert-hood-internal-empire-reissue","title":"Robert HOOD - Internal Empire (reissue)","description":"\u003cp\u003eFormat: 2xLP\u003cbr\u003eCat: TRESOR 27LP\u003cbr\u003eBarcode: 666017330112 \u003cbr\u003eReleased: 13 May 2022\u003cbr\u003eGenre:Techno\u003c\/p\u003e\n\u003cp\u003eRepress: 19 Jun 2026\u003c\/p\u003e\n\u003cp\u003e2026 VINYL REPRESS! \u003cbr\u003e\u003cbr\u003eTwenty five years after its initial release, Tresor Records is proud to announce the reissue of Robert Hood’s ’Internal Empire’ album, a master work, then and now....\u003c\/p\u003e\n\u003cp\u003eThe ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. \u003cbr\u003e\u003cbr\u003eOriginally released in 1994, ‘Internal Empire’ marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come. \u003cbr\u003e\u003cbr\u003eTresor.27 is re-mastered and re-cut, releasing February 1st, 2019, on CD and 180g. 2LP vinyl. \u003cbr\u003e\u003cbr\u003eTRACKLIST CD: \u003cbr\u003e1. Intro 2. Master Builder 3. Parade 4. Within 5. Minus 6. Internal Empire 7. Home 8. Multiple Silence 9. Spirit Levels 10. The Core 11. Chase\u003cbr\u003e\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":31371394383916,"sku":"TRESOR27LP","price":29.91,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/CS716579-01A-MED.jpg?v=1576847406"},{"product_id":"jay-richford-and-gary-stevan-feelings-lp","title":"Jay Richford and Gary Stevan - Feelings (LP)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCat: BEWITH094LP\u003cbr\u003eBarcode: 4251804123709\u003cbr\u003eRelease Date: 23rd February 2021\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eRepress: 31 Jul 2026\u003c\/p\u003e\n\u003cp\u003eMore than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.\u003c\/p\u003e\n\u003cp\u003eSince its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.\u003c\/p\u003e\n\u003cp\u003eNo, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.\u003c\/p\u003e\n\u003cp\u003eLong hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.\u003c\/p\u003e\n\u003cp\u003eThe record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums \u003cbr\u003edeliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller. \u003c\/p\u003e\n\u003cp\u003e“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding. \u003c\/p\u003e\n\u003cp\u003eThe loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.\u003c\/p\u003e\n\u003cp\u003eThe second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.\u003c\/p\u003e\n\u003cp\u003e“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart \u003cbr\u003earound deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.\u003c\/p\u003e\n\u003cp\u003e“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and \u003cbr\u003eso, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.\u003c\/p\u003e\n\u003cp\u003eThe audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.\u003c\/p\u003e\n\u003cp\u003e* Tracklist: \u003cbr\u003eA1 : Flying High (3:35) A2 : Going Home (2:46) A3 : Walking In The Dark (4:42) A4 :Fighting For Life (3:37) A5 : Feeling Tense (4:05) B1 : Running  Fast (4:42) B2 : Loving Tenderly (3:27) B3 : Fearing Much (3:35) B4 : Being Friendly (2:54) B5 : Having Fun (4:00)\u003c\/p\u003e","brand":"Be With","offers":[{"title":"Default Title","offer_id":39925932228764,"sku":"BEWITH094LP","price":25.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BEWITH094LP.jpg?v=1681398462"},{"product_id":"craven-faults-erratics-unconformities-cd","title":"CRAVEN FAULTS - ERRATICS \u0026 UNCONFORMITIES [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCat: BAY120CD\u003cbr\u003eBarcode: 843190012046\u003cbr\u003eRelease Date: 22 May 2026\u003cbr\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003eOn Erratics \u0026amp; Unconformities:\u003c\/p\u003e\n\u003cp\u003e“Craven Faults have a few clear kin: think Pye Corner Audio and the synth-powered wing of the Ghost Box label, the tin-pot analogue constructions of the BBC Radiophonic Orchestra, or even past outer-limits explorers like Throbbing Gristle. If krautrock felt like a reaction to Germany’s totalitarian past, a new chapter defined by freaky optimism and a race to the margins, Craven Faults also feels like a historical reckoning of sorts: a cold elegy to Britain’s industrial heyday, its nostalgia not guided by entreaties to “Keep Calm And Carry On”, but by an angry nobility and a deep-seated sadness for what has passed” 8\/10, Lead review, Uncut\u003c\/p\u003e\n\u003cp\u003e“Glacial landscapes a go-go on mesmerising debut by Yorkshire producer” 4\/5 Mojo\u003c\/p\u003e\n\u003cp\u003e“Often feeling less like the work of human hands than sounds breathed out by the moors around their Yorkshire home, the drones have an almost geological weight and pace” 9\/10, DJ Magazine\u003c\/p\u003e\n\u003cp\u003e“70s-era Tangerine Dream, with perhaps a dash of Phillip Glass-style minimalism” \u003cbr\u003eElectronic Sound\u003c\/p\u003e\n\u003cp\u003e“A record of hypnotic beauty, with soundscapes of both the rural and the urban North brought to life, thanks to a collection of addictive modular synth patterns” \u003cbr\u003eRecord Collector\u003c\/p\u003e\n\u003cp\u003eErratics \u0026amp; Unconformities is the first album by Craven Faults. It follows three EPs: Netherfield Works, Springhead Works and Nunroyd Works. Long-form analogue electronic journeys across decades and continents, and swathes of post-industrial northern Britain. \u003c\/p\u003e\n\u003cp\u003eThe journey on Erratics \u0026amp; Unconformities picks up where Netherfield Works left off. We take the canal towpath out of the city. We fork north shortly afterwards. Is this where it started? The terrain gradually becomes more rugged. Familiar. Wild. Evidence of human activity is less immediate in this glacial landscape. It’s there if you seek it. But easy to ignore. If you listen carefully, you can still hear the weight of the ice-sheet carving its way through the rock. \u003c\/p\u003e\n\u003cp\u003eEverything in its own time. The output from the old textile mill Craven Faults calls home is no longer as linear as it once was. There was no clear start point for the project, rather simply rediscovering the joy in experimentation with no material goals. Some of the recordings that make up Erratics \u0026amp; Unconformities go back almost seven years. Tracks have come and gone in that time. They don’t leave until they’ve undertaken a stringent quality control process. It started slowly, but has picked up momentum in the last eighteen months. Recorded and re-recorded to the correct level of imperfection, and then left to breathe. Mixed and re-mixed. Carefully compiled when the time was right.\u003c\/p\u003e\n\u003cp\u003eThe journey is just as important as the destination.\u003c\/p\u003e\n\u003cp\u003e- Carefully constructed since day one, Craven Faults’ world draws on the the rural, industrial and geological heritage of the north of England\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- The identity of the producer behind Craven Faults is a closely guarded secret, though clues litter the landscape if you know where to look…\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Robert Smith has become a prominent supporter, and invited Craven Faults to contribute to The Cure’s Mixes Of A Lost World album – an entirely instrumental interpretation of ‘I Can Never Say Goodbye’ was the result.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Craven Faults recently appeared at The Royal Albert Hall on a bill with Mogwai as part of this year’s Teenage Cancer Trust concerts curated by Robert Smith.\u003c\/p\u003e\n\u003cp\u003eCD: 2LP:\u003cbr\u003e1.  A1. Vacca Wall  (17:37)\u003cbr\u003e2.  B1. Deipkier  (7:55)\u003cbr\u003e3.  B2. Cupola Smelt Mill  (9:13)\u003cbr\u003e4. C1.  Slack Sley \u0026amp; Temple  (18:24)\u003cbr\u003e5.  D1. Hangingstones  (10:29)\u003cbr\u003e6.  D2. Signal Post  (8:33)\u003c\/p\u003e","brand":"The Leaf Label","offers":[{"title":"Default Title","offer_id":40464274882716,"sku":"BAY120CD","price":12.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BAY120CD_RED.jpg?v=1777664879"},{"product_id":"robert-hood-internal-empire-cd","title":"Robert Hood - Internal Empire [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: TRESOR27CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 666017330129  \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: Oct 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003eThe ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. \u003cbr\u003eOriginally released in 1994, ‘Internal Empire’ marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come. \u003cbr\u003eTresor.27 is re-mastered and re-cut, releasing February 1st, 2019, on CD and 180g. 2LP vinyl.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST CD: \u003cbr\u003e1. Intro 2. Master Builder 3. Parade 4. Within 5. Minus 6. Internal Empire 7. Home 8. Multiple Silence 9. Spirit Levels 10. The Core 11. Chase \u003cbr\u003e\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":41073233952924,"sku":"TRESOR27CD","price":11.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_689a982b-ede7-4ad1-b417-e18376a3d13e.jpg?v=1634106627"},{"product_id":"heartbreakers-l-a-m-f-the-found-77-masters-l-a-m-f-demo-sessions","title":"Heartbreakers - L.A.M.F. - The Found '77 Masters + L.A.M.F. Demo Sessions","description":"\u003cp\u003eFormat: 2CD + Hardback Book  \u003cbr\u003eCatalogue No.: TRACKCD77\u003cbr\u003eBarcode: 5013145213421\u003cbr\u003eRelease Date: 05 Jun 2026\u003cbr\u003eGenre: Classic Punk Rock\/New York Punk\u003c\/p\u003e\n\u003cp\u003e50th Anniversary Reissue.  \u003c\/p\u003e\n\u003cp\u003e2CD edition in hard-back 32p book with bonus disc of four demo sessions and more.\u003cbr\u003e\u003cbr\u003e9\/10 REVIEW IN CLASSIC ROCK: ‘ Unholy grail completes six-decade sonic saga . Nobody in love with this definitive NYC classic should hesitate to splash out’\u003cbr\u003e\u003cbr\u003e9\/10 REVIEW IN VIVE LE ROCK : ‘This newly discovered ‘L.AM.F’ probably captures that barely controlled chaos better that most, with its clear and pure sound’\u003cbr\u003e\u003cbr\u003eJohnny Thunders \u0026amp; the Heartbreakers' newly discovered 1977 LP’s master-tape!\u003cbr\u003e\u003cbr\u003eThe faulty 1977 LP was known as 'muddy' – the master was lost when Track went bust.\u003cbr\u003e\u003cbr\u003ePrevious issues were outtakes, remixes or ‘mud’ – but it’s now heard clearly at last!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFirst issued as a much sought-after vinyl LP for RSD in July 2021, now this CD version comes together with a bonus CD - 'the L.A.M.F. demos, plus'; a 19-track collection of four demo sessions from 1976-77 and three tracks from singles. It’s packaged in a hardcover 32-page book, with notes by Simon Wright and a 2012 interview with Walter Lure (the last of the LAMF Heartbreakers who sadly passed away in 2020), together with rarely-seen photos.\u003cbr\u003e\u003cbr\u003eUpon release in 1977, Johnny Thunders \u0026amp; the Heartbreakers’ L.A.M.F. had a mastering fault, widely condemned as a ‘muddy mix’. Track Records went bust and the master was lost – so subsequent releases were compiled from outtakes or re-mixes. Forty-four years later, the master has been found in the attic of producer Daniel Secunda, a crystal-clear 1977 ‘Copy Master'. Now L.A.M.F. can at last be heard as the band and producers intended!\u003cbr\u003e\u003cbr\u003eDisc 1. The Found ’77 Masters: Born Too Loose, Baby Talk, All By Myself, I Wanna Be Loved, It’s Not Enough, Chinese Rocks, Get Off The Phone, Pirate Love, One Track Mind, I Love You, Goin’ Steady, Let Go, Can’t Keep My Eyes On You, Do You Love Me. Disc 2. \u003cbr\u003e\u003cbr\u003eThe Demo Sessions, Plus: Born To Lose, Chinese Rocks, Born Too Loose, Chinese Rocks, Let Go, Can’t Keep My Eyes On You, I Love You, It’s Not Enough, Do You Love Me, Take A Chance, Born To Lose, I Wanna Be Loved, Going Steady, Flight, Pirate Love, Give Her A Great Big Kiss, Too Much Junkie Business, London Boys, Can’t Keep My Eyes On You (live).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xlBYCE8yeqc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Jungle","offers":[{"title":"Default Title","offer_id":41137403265180,"sku":"TRACKCD77","price":15.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/TRACKCD77packshot_80cfb92e-0f79-4e90-976c-49d80facea9a.jpg?v=1635319201"},{"product_id":"craven-faults-erratics-unconformities-second-edition","title":"Craven Faults - Erratics \u0026 Unconformities (Second Edition)","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: BAY120VB\u003cbr\u003eBarcode: 843190012008\u003cbr\u003eRelease Date: 22 May 2026 \u003cbr\u003eGenre: Analogue Electronic\/Kosmische\/Ambient\u003c\/p\u003e\n\u003cp\u003eErratics \u0026amp; Unconformities is the first album by Craven Faults.\u003cbr\u003eIt follows three EPs: Netherfield Works, Springhead Works and Nunroyd Works. Long-form analogue electronic journeys across decades and continents, and swathes of post-industrial northern Britain. \u003cbr\u003eThe journey on Erratics \u0026amp; Unconformities picks up where Netherfield Works left off. We take the canal towpath out of the city. We fork north shortly afterwards. Is this where it started? The terrain gradually becomes more rugged. Familiar. Wild. Evidence of human activity is less immediate in this glacial landscape. It’s there if you seek it. But easy to ignore. If you listen carefully, you can still hear the weight of the ice-sheet carving its way through the rock. \u003cbr\u003eEverything in its own time. The output from the old textile mill Craven Faults calls home is no longer as linear as it once was. There was no clear start point for the project, rather simply rediscovering the joy in experimentation with no material goals. Some of the recordings that make up Erratics \u0026amp; Unconformities go back almost seven years. Tracks have come and gone in that time. They don’t leave until they’ve undertaken a stringent quality control process. It started slowly, but has picked up momentum in the last eighteen months. Recorded and re-recorded to the correct level of imperfection, and then left to breathe. Mixed and re-mixed. Carefully compiled when the time was right.\u003cbr\u003eThe journey is just as important as the destination.\u003cbr\u003e● Signed to The Leaf Label following three highly regarded EP releases on the Lowfold Works label, Craven Faults’ debut album was originally released in January 2020\u003cbr\u003e● This new edition is pressed on black vinyl in revised red artwork\u003cbr\u003e● The album hit the heights of number 16 in the Official UK Independent Chart, and number 2 in the Indie Breakers Chart back in January 2020\u003cbr\u003e● An excellent showing in retailers’ end of year lists, with Norman Records making Erratics \u0026amp; Unconformities their Album of the Year, plus inclusions from Bear Tree Records (#13), Love Record Stores (#52), Piccadilly (#42), Pie \u0026amp; Vinyl (Top 25), Resident (#7), South Records(#11) and Stranger Than Paradise\u003cbr\u003e● A full-page lead album review in Uncut headed up an impressive list of reviews\u003cbr\u003e● Carefully constructed since day one, Craven Faults’ world draws on the the rural, industrial and geological heritage of the north of England\u003cbr\u003e● The identity of the producer behind Craven Faults is a closely guarded secret, though clues litter the landscape if you know where to look…\u003cbr\u003e● Watch the videos for ‘Deipkier’ and ‘Vacca Wall’\u003cbr\u003e● Support from Kieran Hebden, Mary Anne Hobbs, Demdike Stare, Dan Snaith, Graham Massey, James Holden, Gold Panda, Bill Kouligas, Luke Abbott, Not Waving, Alessandro Cortini, Steve Davis, Stuart Maconie, Resident Advisor, NTS, NPR and Beats In Space\u003cbr\u003eCD: 2LP: 1. A1. Vacca Wall (17:37) 2. B1. Deipkier (7:55) 3. B2. Cupola Smelt Mill (9:13) 4. C1. Slack Sley \u0026amp; Temple (18:24) 5. D1. Hangingstones (10:29) 6. D2. Signal Post (8:33)\u003cbr\u003eOn Erratics \u0026amp; Unconformities: \u003cbr\u003e“If Krautrock felt like a reaction to Germany’s totalitarian past, a new chapter defined by freaky optimism and a race to the margins, Craven Faults also feels like a historical reckoning of sorts: a cold elegy to Britain’s industrial heyday” 8\/10 Uncut (lead review)\u003cbr\u003e“Glacial landscapes a go-go on mesmerising debut by Yorkshire producer” 4\/5 Mojo\u003cbr\u003e“Often feeling less like the work of human hands than sounds breathed out by the moors around their Yorkshire home, the drones have an almost geological weight and pace” 9\/10 DJ Magazine\u003cbr\u003e“Immersive works that have been assembled by a painstaking master of his craft” 9\/10 Long Live Vinyl \u003cbr\u003e“Floating somewhere between ’60s visions of dystopian future, and an increasingly dystopian present” The Vinyl Factory\u003cbr\u003e\u003c\/p\u003e","brand":"The Leaf Label","offers":[{"title":"Default Title","offer_id":41466143277212,"sku":"BAY120VB","price":25.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BAY120VB.jpg?v=1645518282"},{"product_id":"shawescape-renegade-exoframe","title":"Shawescape Renegade - Exoframe","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: TRESOR382\u003cbr\u003eBarcode: 4251804185462\u003cbr\u003eRelease Date: 26 Jun 2026\u003cbr\u003eGenre: Detroit Techno\/Electro\u003c\/p\u003e\n\u003cp\u003eDetroit producer, Shawescape Renegade, comes to Tresor Records with Exoframe, a five-track EP of pure techno and electro, including a remix by Arpanet.\u003c\/p\u003e\n\u003cp\u003eAs with so many forerunners and peers in the Detroit techno world, Shawescape Renegade is a deep thinking and a world-building story teller and Exoframe uses the traditional sci-fi narrative to explore recent thought Shaw has had on the potential hidden costs of technological evolution: what happens when overspecialisation leads to a dead end; when inflexibility means a return to the old forms becomes difficult. \u003c\/p\u003e\n\u003cp\u003eThe EP opens with 78 Light Years From Earth, an effects-laden slab of electro that pulls the percussion into other dimensions. Mechanus 9 brings a techno edge before Terraformers Warning unleashes a bass-driven beast. A fast-paced remodel of Terraformer’s Warning from Gerald Donald’s Arpanet project follows, before the EP is closed out with another bassline-forward track, Ignition One, an updated version of the Shawescape cut that soundtracked the section of the Black To Techno documentary focussed on the Detroit’s Jit dance scene. \u003c\/p\u003e\n\u003cp\u003eThe strong symbiosis between Jit and Techno is a foundational part of Detroit’s culture and a community tie and suggests that while technology may lead to stagnation, the cultural muscle memory offers a path back to authenticity.In a thoughtful nod to the praxis of the DJ, the vinyl versions of A1 \u0026amp; B1 are five BPM slower than the digital, moving the music to between 128BPM and 151BPM on a standard Technics turntable and opening it up for play in a greater range of club environs. It’s this deep respect for the artistry and traditions of Detroit’s longstanding music and dance scenes that mark Shawescape Renegade out as one of the true inheritors of the city’s heritage.\u003c\/p\u003e\n\u003cp\u003e1. 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Originally released in 1994 and 1995, ‘Internal Empire’ and \"Master Builder\" mark a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.\u003c\/p\u003e\n\u003cp\u003e\"25 years ago, I was faced with the challenge of following up on 'Minimal Nation'. I cancelled all my tour dates for that summer, set up my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself. 25 years later I am still discovering.” - Robert Hood, 2019\u003c\/p\u003e\n\u003cp\u003eA1. Master Builder (Original Mix)  03:37  A2. 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The cause: Earth's physicality has changed. It is no longer favorable for living things.\u003c\/p\u003e\n\u003cp\u003eIt is the constant shifting of the planet's internal tectonic plates which has unfortunately produced an unexpected and impassable dilemma.\u003c\/p\u003e\n\u003cp\u003eBecause of the collisions, deep within the planet's core, the planet is now producing an extraordinary amount of sound that includes a specific harmonic frequency that erodes the natural senses of all life on Earth.\u003c\/p\u003e\n\u003cp\u003eIt is intensifying. It is intolerable and it is unlivable.\u003c\/p\u003e\n\u003cp\u003eYet, some humans prefer to stay, to \"ride it out\" like the Titanic captain going down with his ship. Some, in total disbelief as some have concluded it is the second coming of Jesus Christ. But for most, the decision is clear. To live another day, leaving is the only rational choice.\u003c\/p\u003e\n\u003cp\u003eAt an increasing rate, scientific research data shows that humans and most animals, excluding the Jellyfish will eventually lose the usage of hearing and are to greatly suffer from an array of other neurological and psychological effects. The sense of touch and taste, sleep depreciation, severe nerve damage, constant hallucinations. Everyone will lose many of their cognitive abilities within an estimated 12 months from now.\u003c\/p\u003e\n\u003cp\u003eOn this day and every 7 days afterwards until all registered passengers have departed, the first of a fleet of large numbers of massive size spacecraft carrying approximately 1 million humans per vessel will permanently leave Earth to begin the long and adventurous trek across outer space to a new home: Vega.\u003c\/p\u003e\n\u003cp\u003eThis is not a precautionary tale as there is nothing to learn. Instead, a decision has been made and a Trip To Vega is the consequence.\u003c\/p\u003e\n\u003cp\u003e- Jeff Mills\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1. Jeff Mills - Destination Bright Star\u003cbr\u003eA2. Jeff Mills - Ten Cycles\u003cbr\u003eB1. Jeff Mills - Omega Dust Rings\u003cbr\u003eB2. Jeff Mills - Lyra\u003cbr\u003eC1. Jeff Mills - Equinox\u003cbr\u003eC2. Jeff Mills - Twenty-Five Light Years Away\u003cbr\u003eD. Jeff Mills - March Of The Purple Orbs\u003cbr\u003eE1. Jeff Mills - Terraform\u003cbr\u003eE2. Jeff Mills - Alpha Quadrant\u003cbr\u003eF1. Jeff Mills - Orbiting The Star\u003cbr\u003eF2. Jeff Mills - Circumstellar Debris\u003c\/p\u003e","brand":"Axis Records","offers":[{"title":"Default Title","offer_id":46784150208668,"sku":"AX129","price":37.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/AX129.jpg?v=1777476986"},{"product_id":"craven-faults-sidings-second-edition-4cd-box-set","title":"CRAVEN FAULTS - Sidings [SECOND EDITION 4CD BOX SET]","description":"\u003cp\u003eFormat: 4 x CD\u003cbr\u003eCatalogue No.: BAY143CDXB \u003cbr\u003eBarcode: 843190014309\u003cbr\u003eRelease Date: 22 May 2026\u003cbr\u003eGenre: Analogue Electronic\u003c\/p\u003e\n\u003cp\u003eSecond edition Sidings 4CD box set due to popular demand, to be released on May 22nd. Limited to 500 copies in new colourway clamshell box - includes photo booklet. INDIES ONLY.\u003c\/p\u003e\n\u003cp\u003e“Haunted and otherworldly... [Sidings] has a sneaky way of rubberbanding your perception of time; some listens feel like a lightning bolt, others like an entire day.” Pitchfork\u003c\/p\u003e\n\u003cp\u003e“Across three albums proper and a flurry of in-between EPs, the mysterious man behind this whole affecting caper has produced modular magic steeped in the blissful serenity of the willingly alone.”\u003cbr\u003eElectronic Sound LEAD REVIEW\u003c\/p\u003e\n\u003cp\u003e“Sidings is Craven Faults’ best, most irresistible work to date” The Quietus\u003c\/p\u003e\n\u003cp\u003e“Another emotive instalment in their aural biography of post-industrial northern England\" Mojo\u003c\/p\u003e\n\u003cp\u003e“A love letter to the timbres and patterns of analogue synthesisers, and a paean to the post-industrial north” Uncut\u003c\/p\u003e\n\u003cp\u003eCraven Faults is a genuine word-of-mouth success story based on meticulous world building, attention to craft and recognition of those trailblazing artists, studios and producers that have paved the way.\u003c\/p\u003e\n\u003cp\u003eAn element of anonymity and intrigue has been maintained throughout, while giving fans enough information to go much deeper if they’re inclined to dig.\u003c\/p\u003e\n\u003cp\u003eSidings was released on black vinyl 2LP and INDIES ONLY ’Freight Bauxite’ 2LP limited to 1,000 copies for the world. ‘Freight Bauxite’ edition is NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eAll vinyl editions are pressed at The Vinyl Factory and packaged in a gatefold sleeve with format specific obi strip printed on Fedrigoni Materica paper. In addition, the limited Indies Only variant includes a 12-page photobook.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAs well as the single CD version, the album was also presented as a four CD box set in an edition of 1,000 (INDIES ONLY+ NON-RETURNABLE), including newly remastered versions of all tracks from Bounds and Thwaite Watermill plus the full ‘May Birching’ broadcast, none of which have previously been available on CD. Now reissued as a second edition of 500 in a new colourway clamshell box.\u003c\/p\u003e\n\u003cp\u003eRobert Smith has become a prominent supporter, and invited Craven Faults to contribute to The Cure’s Mixes Of A Lost World album – an entirely instrumental interpretation of ‘I Can Never Say Goodbye’ was the result.\u003c\/p\u003e\n\u003cp\u003eCraven Faults recently appeared at The Royal Albert Hall on a bill with Mogwai as part of this year’s Teenage Cancer Trust concerts curated by Robert Smith.\u003c\/p\u003e\n\u003cp\u003eEven without the delayed 4CD box set, the album performed well in the UK charts (#2 Official Independent Album Breakers Chart, #4 Official Album Downloads Chart, #9 Official Independent Albums Chart, #15 Official Albums Sales Chart, #24 Official Vinyl Albums Chart, #24 Official Record Store Chart, #39 Official Physical Albums Chart).\u003c\/p\u003e\n\u003cp\u003ePrevious double LP Standers scored an impressive number 6 in the Official UK Independent Chart in May 2023 and Erratics \u0026amp; Unconformities landed at number 16 in January 2020.\u003cbr\u003eStanders also featured prominently in retailer and media album of the year lists including Sister Ray (#2), Norman (#3), Jumbo (#5), Electronic Sound (#20), Bear Tree (#20), Crash (#28), Loud \u0026amp; Quiet (#29), Get Into This (#29), Uncut (#50) and the Drift top 100.\u003c\/p\u003e\n\u003cp\u003eSidings is the third full-length double LP by Craven Faults, following the 2020 debut Erratics \u0026amp; Unconformities and 2023’s Standers. These long-form releases have each been punctuated with shorter single disc albums – Enclosures at the end of 2020 and Bounds in 2024. \u003c\/p\u003e\n\u003cp\u003eEach one builds on Craven Faults’ lore and takes a unique view of the north of England through the spectrum of slowly unfurling analogue electronic music. On the one hand it draws influence from the global underground of the arts and music, via seminal records, studios and concerts, and on the other it traces journeys through the post-industrial landscape outside the old mill Craven Faults calls home.\u003c\/p\u003e\n\u003cp\u003eThe journey on Sidings isn’t made with people in mind. It begins in an isolated community which built up around one of the great engineering projects of its age - 14 tunnels and 22 viaducts to open up the north - and finishes at an enclosed field on a moor in 1858. It takes in studios from Los Angeles to Rochdale from 1952 to 1980, while drawing inspiration from the progress in manmade infrastructure and the transport of goods.\u003c\/p\u003e\n\u003cp\u003eThe devil’s in the details. It always was and it always will be. It’s there for those who seek it out.\u003c\/p\u003e\n\u003cp\u003eCD:\u003cbr\u003e1-1.  A. Ganger (16:20)\u003cbr\u003e1-2. B1. Stoneyman (14:25)\u003cbr\u003e1-3.  B2. Yard Loup (3:22)\u003cbr\u003e1-4.  C1. Three Loaning End (4:57)\u003cbr\u003e1-5. C2. Up Goods Distant, Down Goods Home (4:31)\u003cbr\u003e1-6.  C3. Incline Huttes (6:01)\u003cbr\u003e1-7.  C4. Drover Hole Sike (3:40)\u003cbr\u003e1-8.  D. Far Closes (15:40)\u003c\/p\u003e\n\u003cp\u003e2-1. Long Stoop (4:05) (from Bounds)\u003cbr\u003e2-2. Groups Hollows (9:04) (from Bounds)\u003cbr\u003e2-3. Lampes Mosse (5:42) (from Bounds)\u003cbr\u003e2-4. Waste \u0026amp; Desmesne (18:11) (from Bounds)\u003cbr\u003e3-1. 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Whether in the clubs and warehouses of New York, London, Frankfurt, Valencia and beyond, electronic music would never be the same again as countless new genres we take for granted today were born from the chaos and energy that had been unleashed.\u003c\/p\u003e\n\u003cp\u003eFeaturing 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumours to the contrary, that early anarchic spirit can still be found today. From the Detroit Techno of Model 500 to Nitzer Ebb's EBM and the proto-Trance of Age of Love and onto brand new tracks from some of today's best producers such as Zaatar, Italo Deviance and Leona Jacewska, this compilation closes out a series that has to date revelled in exploring the darker corners of clubland in uplifting style.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3CD: \u003cbr\u003e1 Cybex Factor - No Rock 2 Space Trax - Atomic Playboy (Beyond His Mind Mix) 3 Metropolis - Time Of War (A.C. 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Systems 13 A.M.Q.N. - Futuro Soldado 14 Gunce Aci feat. Avni Ertepe - Timeless 15 In Trance 95 - Last One to Die 16 Italo Deviance - Point Breeze 17 GOTT - Mirage\u003c\/p\u003e\n\u003cp\u003e1 ESTADO DE BIENESTAR \u0026amp; Dark Vektor - Rewind! (Short Mix) 2 Curses - Crown Of Ruin 3 Iggor Cavalera \u0026amp; P.I.M. - Wrong III 4 Innershades - Neon Dreams 5 Kendal \u0026amp; Andi - Still Human 6 Sesto Senso - Danza Macabra 7 Tronik Youth - Hellfire 8 VELVET VELOUR - Night Bird 9 Radondo \u0026amp; Neu-Romancer - Moving On\u003cbr\u003e10 Zaatar \u0026amp; Mike Sacchetti - Distant Memories 11 RAKANS - Mon Amour 12 Younger Than Me feat. 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Jennifer Loveless — Guardian 'Artist To Watch', Mixmag Track of the Year recipient, and alumni of !K7, Future Classic and Butter Sessions — opens with \"Satisfaction\", a warm, body-moving indie dance reinterpretation that feels at home as much at Ibiza sunset as it does on a festival main stage.\u003c\/p\u003e\n\u003cp\u003eUK mystery producer ROKAR follows with \"Bedroom Headliner\", a garage-rooted house cut that blurs the line between intimate and euphoric, already earning BBC Radio 1 plays and support from Marco Carola, Skream and Chloé Caillet.\u003c\/p\u003e\n\u003cp\u003eRudy With A Hoodie \u0026amp; J-Land deliver \"The Rhythm\", a driving, hypnotic peak-time weapon built for main stages, drawing on the analog warmth of Red Axes and DJ Tennis.\u003c\/p\u003e\n\u003cp\u003eMexico City's PAURRO closes the record with \"Chik Fresa\" — playful, punchy indie dance with personality to spare, from an artist who has performed at Tresor and Boiler Room and released on Cómeme and Nervous.\u003c\/p\u003e\n\u003cp\u003eFour tracks. Four distinct voices. One dancefloor.---\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1. Jennifer Loveless - Satisfaction 07:01 \u003cbr\u003eA2. ROKAR - Bedroom Headliner 05:44 \u003cbr\u003eB1. Rudy With A Hoodie \u0026amp; J-Land - The Rhythm 06:45 \u003cbr\u003eB2. PAURRO - Chik Fresa 06:39\u003c\/p\u003e","brand":"Life and Death","offers":[{"title":"Default Title","offer_id":46793913041052,"sku":"LAD098","price":16.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LAD098.jpg?v=1777663177"},{"product_id":"fimiani-la-isla-respira-ep","title":"Fimiani - La Isla Respira EP","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: TOYT194 \u003cbr\u003eBarcode: 0880655519412\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003e* FIMIANI is an Italian music digger, passionate DJ and producer with an unmistakable House, Soul and American influences from black music, funk, soul and disco.\u003c\/p\u003e\n\u003cp\u003eFIMIANI is one of the best DJs in the TOY TONICS camp.\u003c\/p\u003e\n\u003cp\u003eHis track “Disco Music” is a hit. Played by DJs like Palms Trax, Folamour, Louie Vega of Masters at Work, Horse Meat Disco, Seth Troxler, Mousse T. and many others.\u003c\/p\u003e\n\u003cp\u003eCombining the original NYC house sound from the 1990ies with the best of Italian Disco history. Turning it all into a very contemporary flow of afro-american and Italian music based on funk, soul, melodies and rhythm. Just listen to his 2 EPs he did on Toy Tonics and you understand. All played live with musicans (no samples) this sounds like the best organic house tracks you can get at the moment.\u003c\/p\u003e\n\u003cp\u003eFimiani lands a major milestone with his remix of John Julius Knight’s Find a Friend (Sulfuric Trax), hitting number 1 on the Overall \u0026amp; House chart via Traxsource.\u003c\/p\u003e\n\u003cp\u003eCheck also FIMIANI’s edits of extremely rare Italian disco on his own imprint Caffè Corretto edits. 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Often linked to the early lo-fi house movement, his productions combine rough-edged drum textures, reduced melodic elements and a clear rhythmic focus, balancing club functionality with a more introspective tone.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1 - DOS - This Way\u003cbr\u003eA2 - DOS - Ease\u003cbr\u003eB1 - DOS - Tell Me\u003cbr\u003eB2 - DOS - Future Paradise\u003c\/p\u003e","brand":"Studio Bahöö","offers":[{"title":"Default Title","offer_id":46793915269276,"sku":"SBH004VY","price":12.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SBH004VY.jpg?v=1777663416"},{"product_id":"tony-humphries-running-back-mastermix-kiss-fm-zanzibar-years-2cd","title":"Tony Humphries - Running Back Mastermix: Kiss FM Zanzibar Years [2CD]","description":"\u003cp\u003eFormat: 2 x CD\u003cbr\u003eCatalogue No.: RBTHKISSCD \u003cbr\u003eBarcode: 4251804187442      \u003cbr\u003eRelease Date: 19 Jun 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003eTelling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNext to that one, it was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out, putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop. Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have picked original recordings that symbolize his importance as an industry giant and ambassador of this style of music.\u003c\/p\u003e\n\u003cp\u003e„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“ (Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)\u003c\/p\u003e\n\u003cp\u003eMIXED 2CD Tracklist: 1. Dee Dee Brave – My My Lover (Tony Humphries Dub)* 2. The Brotherhood – Love Will Make It Right (Club Mix) 3. Deuce \u0026amp; Satin – Hyper 4. Jomanda – Make My Body Rock 5. Bobby Harding – Feelin' Happy (The KiKi Club Mix) 6. Man Machine – Elektro-Genetik 7. Mae-1 – Sweet Feelin’ 8. Romanthony – Falling From Grace (Tony Humphries Demo Mix) 9. Kerri Chandler – Kerri KAOZ Beat (Acetate Instrumental)* 10. Jomanda – Don’t You Want My Love (Street Style Mix) 11. Anthony Thomas – You Don’t Love Me 12. Jay Williams – Sweat (Dance Track) 13. Jay Williams – Sweat 14. Precious – Definition of a Track 15. Victor Romeo presents Leatrice Brown – Love Will Find a Way (Zanzibar Edit)* 16. When Worlds Collide – Deep (2263 Mix) 17. Mondee Oliver – Make Me Want You (Club Mix, Extended) 18. 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Breaking new records week in, week out, putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop. Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have picked original recordings that symbolize his importance as an industry giant and ambassador of this style of music.\u003c\/p\u003e\n\u003cp\u003e„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“ (Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)\u003c\/p\u003e\n\u003cp\u003eLP1 Tracklist: A1. Dee Dee Brave – My My Lover (Tony Humphries Dub)* A2. Jomanda – Don’t You Want My Love (Street Style) B1. R-Tyme – Illusions (Mayday Mix) B2. Blakk Society feat. David Hollister – Just Another Lonely Day (Club Mix) C1. Anthony Thomas – You Don’t Love Me C2. Victor Romeo – Love Will Find a Way (Zanzibar Edit)* C3. Romanthony – In The Mix (Tony’s Classic Mastermix) D1. Slam – Eternal D2. Mondee Oliver – Make Me Want You (Club Mix, Extended) E1. Bobby Harding – Feelin' Happy (The KiKi Club Mix) E2. Deskee – Let There Be House (Mix ABCD I) E3. Bizzy B – B With U F1. When Worlds Collide – Deep (2263 Mix) F2. Jay Williams – Sweat (Dance Track) (*Previously unreleased)\u003c\/p\u003e","brand":"Running Back","offers":[{"title":"Default Title","offer_id":46793923657884,"sku":"RBTHKISSLP1","price":42.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/RBTHKISSCD.jpg?v=1777663773"},{"product_id":"younger-brother-mutually-assured-distraction-2lp","title":"Younger Brother - Mutually Assured Distraction [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: TWSLP58\u003cbr\u003eBarcode: 630883008055\u003cbr\u003eRelease Date: 24 Jul 2026\u003cbr\u003eGenre: Electronic\/Trance\u003c\/p\u003e\n\u003cp\u003e2xLP, Half Speed Mastered, Heavy Weight 180 gsm black vinyl, gatefold sleeve with printed inners. (Shrink wrapped) Art, design and photography by Storm Thorgerson Studios.\u003c\/p\u003e\n\u003cp\u003eYounger Brother Live, with Shpongle and The Orb at Troxy, London 9th May\u003c\/p\u003e\n\u003cp\u003eTwisted Records is thrilled to announce the release of the long-awaited fourth album by Younger Brother: Mutually Assured Distraction. \u003c\/p\u003e\n\u003cp\u003eThe first full-length release by the fabled electronica project in a decade features nine sumptuous tracks that each embody the project’s intoxicating fusion of profoundly human sonorities and etheric electronic soundscapes.\u003c\/p\u003e\n\u003cp\u003eThe title is a subversive reframing of the Cold War doctrine “Mutually Assured Destruction,” pointing to a world currently frozen not by the geopolitical threat of a Nuclear Winter but by a Digital Summer of mindless overstimulation. Mutually Assured Distraction is a sonic salve for the pervasive numbness induced by an emotionally disconnective artificiality that seeks to pacify with counterfeit happiness; the album offers an antidote to mundane superficiality with nine musical masterpieces that convey the depth of human experience and authentic creative expression.\u003c\/p\u003e\n\u003cp\u003eThe progression of track titles symbolically represents the arc of this soulful journey through an evocative auditory landscape of moods, harmonies, and textures, progressing from the haunting opening “I Belong to Nowhere” to the penultimate “Home In This World” before arriving at the concluding “Endless Drift.”\u003c\/p\u003e\n\u003cp\u003eThe synthesised musical mastery of renegade musicians Simon Posford and Benji Vaughan is complemented by the contributions of some supremely skilful musicians, with beguiling vocals by MiraBelle Rose and Jay Marsh and the rich cello of Rena Jones. With poignant lyrics that speak to the universal human condition in a world where voices are amplified yet so many feel unheard, Mutually Assured Distraction provides, through its fusion of electronic and real-world music- making, an example of how technology can pair harmoniously with our humanity - an energetic homecoming as the music draws us away from the unconscious scroll into an open field where we can embody our essential nature.\u003c\/p\u003e\n\u003cp\u003eThe album stands as both a reflection of our times and a timeless reminder that beneath the noise, a deeper presence continually exists, waiting to be felt, heard, and expressed.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003c\/p\u003e\n\u003cp\u003eRecord One\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. I Belong To Nowhere 2. Tetrachromat (08:03)\u003cbr\u003e3. Ticking In The Attic (07:40)\u003cbr\u003e(05:57)\u003cbr\u003eSide B\u003cbr\u003e1. Caravanserai (07:45)\u003cbr\u003e2. 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Active for over 30 years, Spandauer Damm 103 marks both a personal milestone and a renewed point of focus, reaffirming his role in shaping the region’s electronic lineage. The album draws on 1990s electronic futurism, filtering those references through a contemporary production approach rather than nostalgia.\u003c\/p\u003e\n\u003cp\u003eThe music moves between places and periods: from the early rave circuits of southern Tenerife, where Dancelwerk built his reputation through DIY releases and warehouse-level experimentation, to his later relocation to Berlin, famously arriving with a shipping container of vintage synthesizers and modular equipment.\u003c\/p\u003e\n\u003cp\u003eBalancing melody and impact, Spandauer Damm 103 sets custom-programmed percussion against detailed sound design. FM, spectral and wavetable synthesis shape its harmonic and textural focus, resulting in music that remains physical without sacrificing clarity. \u003c\/p\u003e\n\u003cp\u003eA long-standing practitioner reconnecting with his roots while pushing the system forward.\u003c\/p\u003e\n\u003cp\u003eCredits\u003cbr\u003eMaster: Daniel García\u003cbr\u003eArtwork: Iván Retamas\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e01 Elec Minuet\u003cbr\u003e02 Amanecer Vectorial\u003cbr\u003e03 Akkeid\u003cbr\u003e04 Drilled Brain\u003cbr\u003e05 Wonsndiw\u003cbr\u003e06 Qwerns\u003cbr\u003e07 Espacios Cuánticos\u003cbr\u003e08 Dark Matter\u003c\/p\u003e","brand":"Keroxen \/ Discrepant","offers":[{"title":"Default Title","offer_id":46794032677020,"sku":"KRXN054","price":24.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KRXN054.jpg?v=1777664515"},{"product_id":"arpy-brown-kapote-memento-ludi","title":"Arpy Brown \u0026 Kapote - Memento Ludi","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: TOYT196 \u003cbr\u003eBarcode: 0880655519610          \u003cbr\u003eRelease Date: 26 Jun 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003eArpy Brown \u0026amp; Kapote Announce Collaborative Album Memento Ludi via Toy Tonics\u003c\/p\u003e\n\u003cp\u003eA sun-drenched fusion of yacht rock, house and modern indie dance energy – out June 26, 2026 \u003c\/p\u003e\n\u003cp\u003eBERLIN, GERMANY — Toy Tonics is proud to announce Memento Ludi, the first collaborative album by label founder Kapote and multi-instrumentalist producer Arpy Brown, arriving June 26, 2026.\u003c\/p\u003e\n\u003cp\u003eThe album is a funk-driven journey that bridges the warmth of 1970s analog recordings with the pulse of contemporary dance music. Blending neo-soul grooves, yacht rock harmonies and modern house rhythms, Memento Ludi captures the spirit of classic musicianship within a forward-looking club context.\u003c\/p\u003e\n\u003cp\u003eBut Memento Ludi is more than a typical house record. The album moves fluidly between dancefloor tracks and fully developed songs. Every instrument was performed live by the artists themselves: guitars, bass, keyboards and percussion recorded in the studio by Arpy and Kapote. After jamming and recording the basis of every song in a live procedure they carefully resample the parts to create the organic, human touch that defines the Toy Tonics sound.\u003c\/p\u003e\n\u003cp\u003eThe title Memento Ludi — Latin for “remember to play” — reflects the album’s philosophy: bringing joy, spontaneity and musicality back into dance music at a time when many club tracks feel increasingly mechanical and formulaic.\u003c\/p\u003e\n\u003cp\u003eThe collaboration arrives during a particularly busy moment for both artists. While spending countless hours in the studio, Kapote and Arpy Brown have also maintained intensive international touring schedules with the Toy Tonics crew, road-testing many of the tracks as “secret weapons” in their DJ sets from Melbourne to Los Angeles via their homebase Berlin.\u003c\/p\u003e\n\u003cp\u003e“We wanted to make a record that felt like a lost studio session from 1978 — resampled and synthesised in 2026,” says Kapote.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 The Phunk Biz (Extended Version) A2 You Used To Hold Me (Extended Version) A3 Break The Ice (Extended Version) A4 Love Get Ya (Extended Version) B1 People Get Nasty (Tribute To Roy) B2 P-A-R-T-Y (Extended Version) B3 The Feeling B4 Only For You\u003c\/p\u003e","brand":"Toy Tonics","offers":[{"title":"Default Title","offer_id":46794084974748,"sku":"TOYT196","price":20.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TOYT196.jpg?v=1777664541"},{"product_id":"jon-gravy-21-dreams","title":"Jon Gravy - 21 Dreams","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SBH001 \u003cbr\u003eBarcode: 4070209021126\u003cbr\u003eRelease Date: 12 Jun 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eJon Gravy releases his 3rd Album on Studio Bahöö containing ideas and thoughts from the past 2 years. The Album called „21 Dreams“ has 8 tracks and features Harry Dean Lewis, DOS and OK June.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 Here 2 Stay 03:27 A2 Miss U 03:18 A3 Blessing in Disguise with Harry Dean Lewis 03:35 A4 We Are feat OK June 03:27 B1 Back 2 U 03:23 B2 21 Dreams 03:46 B3 Jon Gravy, DOS - Elevate with DOS 03:22 B4 Meant to Be feat. 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Transitioning from a breakup record into a manifesto on healing, the album captures the \"push-and-pull\" of turning 30 and finding power in the wreckage of the past.\u003c\/p\u003e\n\u003cp\u003eKnown for his unmistakable blend of \"pop precision\" and vulnerable storytelling, JORDY moves past the guilt of time wasted to celebrate the person he has become. This is an album about finding yourself again after the noise fades.\u003c\/p\u003e\n\u003cp\u003eIn Retrospect is a love letter to the music that shaped a generation. Sonically, JORDY pays homage to his roots, blending the infectious energy of early 2000s pop-punk and Hilary Duff-era bubblegum with the high-gloss production of modern synth-pop.\u003cbr\u003eJORDY commented, “In Retrospect started as a breakup record, but it quickly became something much bigger. It turned into an album about healing. About growing. I think when people find themselves stuck in bad relationships, they often blame themselves for not leaving sooner. They carry guilt over the time they feel they’ve wasted. But writing this album helped me see it differently. The moment I chose to leave the toxicity behind, I felt like I found myself again. I got healthier, mentally and physically. I gave myself permission to mourn the life I thought I’d be living at 30, the future I imagined as a kid. I found peace in remembering that nothing is ever as serious as it feels. I found my power again. In retrospect, the pain and suffering may have been the very thing that saved me.\u003c\/p\u003e\n\u003cp\u003e“Sonically, this album pays homage to my roots - to my younger self blasting Hilary Duff and pop punk bands alone in his room. It’s nostalgic. It’s the kind of music I love to listen to. It feels more like me than anything I’ve made in a long time. It’s funny and catchy, vulnerably heartbreaking, and beautifully hopeful all at the same time. It’s exactly where I am right now,” he added.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1. Cool Boy\u003cbr\u003e2. COULDA NOT\u003cbr\u003e3. BAD SEX\u003cbr\u003e4. GOD COMPLEX\u003cbr\u003e5. stop texting my friends.\u003cbr\u003e6. DUMB\u003cbr\u003e7. Normal People\u003cbr\u003e8. SICK!\u003cbr\u003e9. Little Distractions\u003cbr\u003e10. I Still Do\u003cbr\u003e11. So Whatever\u003cbr\u003e12. 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Cool Boy\u003cbr\u003e2. COULDA NOT\u003cbr\u003e3. BAD SEX\u003cbr\u003e4. GOD COMPLEX\u003cbr\u003e5. stop texting my friends.\u003cbr\u003e6. DUMB\u003cbr\u003e7. Normal People\u003cbr\u003e8. SICK!\u003cbr\u003e9. Little Distractions\u003cbr\u003e10. I Still Do\u003cbr\u003e11. So Whatever\u003cbr\u003e12. IDKW (Physical Exclusive Bonus)\u003c\/p\u003e","brand":"JORDY \/ EMPIRE","offers":[{"title":"Default Title","offer_id":46794140090524,"sku":"ERE1319","price":27.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1318_d97c3ac5-a63d-46d2-ba5e-b98b8d0e58ca.jpg?v=1777665395"},{"product_id":"casi-casi-cd","title":"casi\t- CASI [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CAK189CD   \u003cbr\u003eBarcode: 677517018929\u003cbr\u003eRelease Date: 03 Jul 2026\u003cbr\u003eGenre: Hip-Hop\/Rap\/Emo\/Metal\u003c\/p\u003e\n\u003cp\u003eDebut album from Spanaway, Washington duo featuring members of Tacoma-based indie rock band Enumclaw.\u003c\/p\u003e\n\u003cp\u003eRIYL: 100 gecs, Death Grips, Rage Against The Machine, Deftones, Atari Teenage Riot.\u003c\/p\u003e\n\u003cp\u003eNear the end of fifth grade, Eli Edwards’ mom gave him $20 and told him to go find a friend. His team had won its soccer game that day, so they were out celebrating at a local pizza parlor with games. But, more importantly, there had been one other Black kid that day on the pitch in Spanaway, WA, a Tacoma suburb and military-base town at the rainy northwest corner of the United States. That kid just happened to be Xayvien Young. An instant deep connection was formed between Edwards and Young—Eli and Xay, as they prefer to be called, were inseparable— and now twelve years later they are the electrifying, boundary-skipping duo Casi.\u003c\/p\u003e\n\u003cp\u003eAlong the way, Eli had relocated to Los Angeles with the indie rock band Enumclaw he had helped found, but he found himself flying home maybe a little too much. He was ostensibly visiting his girlfriend, but he spent most of his time with Xay. They cut tracks in every bit of free time they found until they had an epiphany: Maybe this music they’d made together for a dozen years was actually something special. Casi’s 10-track, self-titled debut out on Carpark Records is the electrifying proof they needed.\u003c\/p\u003e\n\u003cp\u003eOn the record, they enthusiastically explore every musical interest they have ever had—explosive hip-hop and unbridled hardcore, high-gloss nü metal and a little bit of emo—as a pair. These songs don’t ignore genre lines; they delight in destroying them, in finding ways to slam hip-hop and hardcore, emo and nü metal together until it seems illogical that they were ever apart. Take “Jumper,” where heavy metal guitars and face-kicking drums stir the moshpit for rabid verses about crushing ICE and the lessons you learn riding the poverty line. And take closer “Bridges,” where the melodic imprint of Deftones meets the relentless confessions of Death Grips. Here are the hard, funny, and loud stories of two 23-year-olds, screaming about the world over a breathless composite of all the music they’ve ever loved. \u003c\/p\u003e\n\u003cp\u003eWhen Eli was in Los Angeles, Xay missed his friend. But in his absence, he also felt the spark of inspiration. Music was something that had just been their childhood hobby, but now Eli was in a rock band that had press accolades and tours. He got serious about the craft. Eli would write about the dislocation and isolation he felt in California, while Xay would document the hardships of being a young Black man with a complicated family while working menial jobs in Spanaway. \u003c\/p\u003e\n\u003cp\u003eThis isn’t a coming-of-age album for Casi; it is, instead, a raw and riveting snapshot of that process, painful as it can be. “Eleven87” is a breakup song, a soul beat springing beneath arching emo vocals. 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His team had won its soccer game that day, so they were out celebrating at a local pizza parlor with games. But, more importantly, there had been one other Black kid that day on the pitch in Spanaway, WA, a Tacoma suburb and military-base town at the rainy northwest corner of the United States. That kid just happened to be Xayvien Young. An instant deep connection was formed between Edwards and Young—Eli and Xay, as they prefer to be called, were inseparable— and now twelve years later they are the electrifying, boundary-skipping duo Casi.\u003c\/p\u003e\n\u003cp\u003eAlong the way, Eli had relocated to Los Angeles with the indie rock band Enumclaw he had helped found, but he found himself flying home maybe a little too much. He was ostensibly visiting his girlfriend, but he spent most of his time with Xay. They cut tracks in every bit of free time they found until they had an epiphany: Maybe this music they’d made together for a dozen years was actually something special. Casi’s 10-track, self-titled debut out on Carpark Records is the electrifying proof they needed.\u003c\/p\u003e\n\u003cp\u003eOn the record, they enthusiastically explore every musical interest they have ever had—explosive hip-hop and unbridled hardcore, high-gloss nü metal and a little bit of emo—as a pair. These songs don’t ignore genre lines; they delight in destroying them, in finding ways to slam hip-hop and hardcore, emo and nü metal together until it seems illogical that they were ever apart. Take “Jumper,” where heavy metal guitars and face-kicking drums stir the moshpit for rabid verses about crushing ICE and the lessons you learn riding the poverty line. And take closer “Bridges,” where the melodic imprint of Deftones meets the relentless confessions of Death Grips. Here are the hard, funny, and loud stories of two 23-year-olds, screaming about the world over a breathless composite of all the music they’ve ever loved. \u003c\/p\u003e\n\u003cp\u003eWhen Eli was in Los Angeles, Xay missed his friend. But in his absence, he also felt the spark of inspiration. Music was something that had just been their childhood hobby, but now Eli was in a rock band that had press accolades and tours. He got serious about the craft. Eli would write about the dislocation and isolation he felt in California, while Xay would document the hardships of being a young Black man with a complicated family while working menial jobs in Spanaway. \u003c\/p\u003e\n\u003cp\u003eThis isn’t a coming-of-age album for Casi; it is, instead, a raw and riveting snapshot of that process, painful as it can be. “Eleven87” is a breakup song, a soul beat springing beneath arching emo vocals. And “Intrusive Thoughts” treats that topic like a punching bag, Eli and Xav fighting against the mental habits that keep them down. These 10 songs instantly close that gap.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eSide A 1. TRIGGER\u20282. I’M HUNGOVER AND WENT TO CHURCH\u20283. HOCKEY 4. D.O.A 5. INTRUSIVE THOUGHTS Side B \u20286. JUMPER\u20287. ELEVEN87 8. SUBSTANCE 9. HUMAN STEREOTYPE 10. 5 BRIDGES\u003c\/p\u003e","brand":"Carpark Records","offers":[{"title":"Default Title","offer_id":46794155425948,"sku":"CAK189LP","price":25.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CAK189CD_8b2a0799-5e8d-4000-be59-ba0bdd6eebf1.jpg?v=1777665361"},{"product_id":"lagoss-musica-para-platanos","title":"Lagoss - Música para Plátanos","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: KRXN047  \u003cbr\u003eBarcode: 5065004291057\u003cbr\u003eRelease Date: 19 Jun 2026\u003cbr\u003eGenre: Electronica \/ Exotica \/ OST \u003c\/p\u003e\n\u003cp\u003eMúsica para Plátanos takes its name — and much of its inspiration — from the group’s recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place.\u003c\/p\u003e\n\u003cp\u003eThis release gathers a distilled selection from those sessions — a kind of “greatest rotten hits” distinct from their ongoing Imaginary Island Music volumes.\u003c\/p\u003e\n\u003cp\u003eThe album functions as a living archive bringing together a distilled selection of recordings spanning more than five years: from dusty, long-forgotten sessions to evolving tunes that have become staples of the band's live sets but have never before been committed to record. These long-form sessions served as a petri dish for the Lagoss sound, allowing their experiments to putrefy into their chaotic signature strain of cyber-exotica, unstable kosmische or heavily-corroded dub.\u003c\/p\u003e\n\u003cp\u003eThe title obvs nods to Brian Eno’s Music for Airports, but the logic is inverted. Instead of clean, ambient drift, the record inhabits a dense and fertile environment: polyrhythmic structures, Latin-infused electronics, and shifting counter-tempos that feel weighted by the local humidity.\u003c\/p\u003e\n\u003cp\u003eUltimately, Música para Plátanos is as much about the process as it is the place. Like the plantation outside, the music is subject to the elements; the tracks change shape depending on the heat of the day, what we drank, what we ate. It’s an unstable, honest harvest of sound—shaped by the weather and the state(s) of mind alike.\u003c\/p\u003e\n\u003cp\u003eCredits\u003cbr\u003eRecorded, arranged and produced by Lagoss in Tenerife between 2020 \u0026amp; 2026\u003cbr\u003eArtwork collages by Evan Crankshaw\u003cbr\u003eMastered by Daniel García\u003cbr\u003ePressed in Spain\u003c\/p\u003e\n\u003cp\u003eTracklist \u003cbr\u003e1. El Picudo\u003cbr\u003e2. Antonio\u003cbr\u003e3. Unga\u003cbr\u003e4. Mosca Blanca \/ Horcón Girl\u003cbr\u003e5. Plata No Police\u003cbr\u003e6. Mundo Sour\u003cbr\u003e7. Plátano Saki\u003cbr\u003e8. Millones de Gallinas\u003cbr\u003e9. Plata No Licker\u003cbr\u003e10. 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Now in YELLOW vinyl To  celebrate the 50th anniversary of punk. 1982 notes by Zig Zag journalist Kris Needs.  \u003c\/p\u003e\n\u003cp\u003eThe Heartbreakers’ ‘D.T.K’ (‘Down To Kill’) is the incendiary live 1977 companion to ‘L.A.M.F.’ (Like A Mother Fucker), which is hailed as one of the classic punk albums. Formed by New York Dolls Johnny Thunders and Jerry Nolan in 1975, they influenced the UK punk scene, joining the Sex Pistols, Damned \u0026amp; Clash on the infamous ‘Anarchy’ tour.\u003c\/p\u003e\n\u003cp\u003e‘D.T.K’ was recorded by Track Records on the Maison Rouge mobile studio on 15th March 1977 at the notorious musicians’ nightclub and features Johnny infamously abusing the audience. It was was a warm-up for the ‘L.A.M.F.’ sessions starting the following week. Originally released in 1982 as a 10-track album, it was remixed in 2005 and five more tracks were found on the 2\" multi-track tapes. Now the album has the entire two sets played that night, 15 unexpurgated tracks in all. The sleeve has notes by journalist Kris Needs and contemporary photos.\u003c\/p\u003e\n\u003cp\u003eSET 1: Chinese Rocks, Get Off The Phone, All By Myself, Let Go, Can't Keep My Eyes On You, I Love You, Born To Lose, I Wanna Be Loved.\u003c\/p\u003e\n\u003cp\u003eSET 2: Do You Love Me, Chinese Rocks, Get Off The Phone, All By Myself, Goin Steady, I Love You, I Wanna Be Loved. (15 tracks)\u003c\/p\u003e","brand":"Jungle","offers":[{"title":"Default Title","offer_id":46794164109468,"sku":"FREUDLP101Y","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FREUDLP101Y.jpg?v=1777665326"},{"product_id":"heartbreakers-l-a-m-f-the-found-77-masters-transparent-vinyl","title":"Heartbreakers - L.A.M.F. - The Found '77 Masters [TRANSPARENT vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: TRACKLP77T\u003cbr\u003eBarcode: 5013145813416\u003cbr\u003eRelease Date: 05 Jun 2026\u003cbr\u003eGenre: Classic Punk Rock\u003c\/p\u003e\n\u003cp\u003eJohnny Thunders \u0026amp; The Heartbreakers’ classic 1977 punk album, now heard as intended.\u003c\/p\u003e\n\u003cp\u003eAfter decades of only outtakes, remixes and mud – the master was found in an attic!\u003cbr\u003eTRANSPARENT vinyl, with inner bag notes on the band and story of the tapes.\u003c\/p\u003e\n\u003cp\u003e50 years ago, Nancy Spungeon reviewed the Heartbreakers relaunch gig for New York Rocker. They’d hired bassist Billy Rath to replace Richard Hell and written new songs. This was the genesis of the L.A.M.F. story.\u003c\/p\u003e\n\u003cp\u003eFOUND IN AN ATTIC – a copy master of the original 1977 Track Records tape, without mud!  This classic punk album, recorded in London by the band featuring New York Dolls Johnny Thunders and Jerry Nolan, was universally condemned in the music press for having a muddy mix – later found to be a mastering fault.  When Track went bust the following year, manager Leee Black Childers burgled the Track Records  Carnaby Street 3rd floor office and liberated the tapes that belonged to him and the band.  He found everything – except for the master-tape, which remained undiscovered until last year. Other releases had been from outtakes or remixes.\u003c\/p\u003e\n\u003cp\u003eFirst released for RSD in 2021 with not enough copies, and has been unavailable for three years. Now reissued to satisfy the demand for this latterly discovered, acclaimed recording.\u003c\/p\u003e\n\u003cp\u003eClem Burke from Blondie: “L.A.M.F. is one of the most brilliant rock \u0026amp; roll records ever made.”\u003c\/p\u003e\n\u003cp\u003eTracks: Born to Lose, Baby Talk, All By Myself, I Wanna Be Loved, It’s Not Enough, Chinese Rocks, Get Off the Phone,Pirate Love, One Track Mind, I Love You, Goin Steady, Let Go, Cant Keep My Eyes on You, Do You Love Me.\u003c\/p\u003e","brand":"Jungle","offers":[{"title":"Default Title","offer_id":46794164207772,"sku":"TRACKLP77T","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TRACKLP77T.jpg?v=1777665318"},{"product_id":"the-black-angels-passover-2lp-coloured","title":"The Black Angels - Passover [2LP Coloured]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: LITA01818   \u003cbr\u003eBarcode: 826853301817\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Rock\/Psychedelic\u003c\/p\u003e\n\u003cp\u003eThe debut masterpiece from The Black Angels.\u003c\/p\u003e\n\u003cp\u003e20th Anniversary Edition housed in a special silver and gold foil gatefold jacket. Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eIncludes 1 of 4 randomly inserted 7\" flexi discs featuring a live track recorded at KEXP Seattle in 2006.\u003c\/p\u003e\n\u003cp\u003e2LP pressed on White, Black \u0026amp; Gold Color Wax.\u003c\/p\u003e\n\u003cp\u003eThe best music reflects a wide-screen view of the world back at us, helping distill the universal into something far more personal. Since forming in Austin, TX in 2004, The Black Angels have become standard-bearers for modern psych-rock that does exactly that. \u003c\/p\u003e\n\u003cp\u003eTaking their name from the classic Velvet Underground tune “The Black Angel’s Death Song,” these Angels are far more than classic revisionists with extensive record collections. This is heavy-duty psychedelic rock with an incessant primitive beat that echoes the spirit of the 13th Floor Elevators, Syd Barrett, Roky Erickson, and Arthur Lee. \u003c\/p\u003e\n\u003cp\u003eTheir densely-layered songs feature acid-infused finger-painting guitar and the melodic incantations of lead singer Alex Maas navigating guitar\/bass labyrinths. The music is martial-drummed into apocalyptic bliss by garage-punk goddess Stephanie Bailey. The Black Angels ring real and rugged like a crimson full moonlit night. “The Velvet Underground song ‘I’ll Be Your Mirror’ – that’s what every Black Angels album has been about,” says Maas. “You can’t work out your struggles unless you bring them to the forefront and think about them. If we can all think about them, maybe we can help save ourselves.”\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eYoung Men Dead, The First Vietnamese War, The Sniper At The Gates Of Heaven, The Prodigal Sun, Black Grease, Manipulation, Empire, Better Off Alone, Bloodhounds On My Trail, Call To Arms\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":46794166796444,"sku":"LITA01818","price":51.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA01818.jpg?v=1777665306"},{"product_id":"betty-davis-they-say-im-different-pearl-flip-horizon-color-wax","title":"Betty Davis - They Say I'm Different [Pearl Flip \/ Horizon Color Wax]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: LITA02714 \u003cbr\u003eBarcode: 826853027144\u003cbr\u003eRelease Date: 03 Jul 2026\u003cbr\u003eGenre: Classic Funk\/Soul\/R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003eBetty’s sophomore masterpiece!\u003c\/p\u003e\n\u003cp\u003eLP pressed on Pearl Flip \/ Horizon Color Wax. Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eExpanded vinyl edition featuring gatefold jacket and 20-page booklet including rare photos, lyrics and new liner notes by Danielle Maggio interviewing Betty.     \u003cbr\u003e                                                                                            \u003cbr\u003eOne can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R\u0026amp;B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.\u003c\/p\u003e\n\u003cp\u003eThere is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMs. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Jimi Hendrix — personally inspiring the classic album Bitches Brew.\u003c\/p\u003e\n\u003cp\u003eHer 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eShoo-B-Doop and Cop Him, He Was a Big Freak, Your Mama Wants Ya Back, Don't Call Her No Tramp, Git In There, They Say I'm Different, 70's Blues, Special People, He Was a Big Freak (Record Plant Rough Mixes - Digital Only Bonus Track), Don't Call Her No Tramp (Record Plant Rough Mixes - Digital Only Bonus Track), Git In There (Record Plant Rough Mixes - Digital Only Bonus Track), 70's Blues (Record Plant Rough Mixes - Digital Only Bonus Track)\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":46794170728604,"sku":"LITA02714","price":41.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA02714.jpg?v=1777665295"},{"product_id":"les-rallizes-denudes-disque-4-76-studio-et-live-lp","title":"Les Rallizes Dénudés - DISQUE 4 - ‘76 Studio et Live [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DRFT23LP\u003cbr\u003eBarcode: 850054840370\u003cbr\u003eRelease Date: 29 May 2026\u003cbr\u003eGenre: Psychedelic Rock\/Japanese Avant-Rock\u003c\/p\u003e\n\u003cp\u003e- Long-lost album, originally compiled by Takashi Mizutani.\u003cbr\u003e- Same prime era lineup as the legendary ‘77 LIVE recording.\u003cbr\u003e- Mixed and mastered from the original tapes by Rallizes member Makoto Kubota.\u003cbr\u003e- Official recording fully authorized by The Last One Musique.\u003cbr\u003e- Liner notes by Manabu Yuasa.\u003cbr\u003e- Newly unearthed photos.\u003cbr\u003e- First vinyl pressing features a holographic jacket.\u003cbr\u003e- Both formats Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eLes Rallizes Dénudés returns with Disque 4 -’76 Studio et Live-, the latest in the ongoing series of official archival releases from the celebrated Japanese underground band. In 1991, Les Rallizes Dénudés released what would become the only official albums issued during the band’s lifetime: ’67-’69 STUDIO et LIVE, MIZUTANI \/ Les Rallizes Dénudés, and ’77 LIVE. What no one knew at the time was that Takashi Mizutani was already deep into preparing another record. Disque 4 reconstructs the track list Mizutani had put together for that fourth album. 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Genetic (2020, BT063) introduced international listeners to the magical sound-world of Alit’s Gamelan Salukat, who perform on instruments tuned to a unique scale derived from modified versions of two traditional Balinese scales. \u003cbr\u003eThe two pieces heard on Chasing the Phantom (2022, BT093) further demonstrated his radical fusion of tradition and experimentation, with passages where unorthodox techniques make the acoustic ensemble resemble glitching electronics. Baur Bentur now highlights another aspect of Alit’s work, presenting pieces composed in 2024 and 2025 where Gamelan Salukat performs alongside virtuoso pianist Sri Hanuraga. Alit’s music is grounded in deep reflection on the tradition of Balinese gamelan and its place in the contemporary world. His title, ‘Baur Bentur’, which translates as ‘mixing and smashing’, points to his embrace of the intercultural mixture of Eastern and Western elements in the search for innovation. Against the calcification of Balinese music into tourist entertainment, Alit poses his searching, experimental work, which celebrates the communal values and performance practices of traditional gamelan while pushing into startling new directions.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e ‘Sukat Tacara’ is a study in layered tempos, meters, and polyrhythms, a constantly shifting dialogue between piano and the instruments of Gamelan Salukat. It begins close to a traditional concerto, pairing a brisk sequence of melodic variations from the piano with a spare but propulsive accompaniment of drums and hanging metallophone tones, punctuated by low gong strikes. The piano builds in volume and density across a rapid succession of fragments, at points recalling George Antheil’s ticking wind-up machinery, though Hanuraga’s jazz background shines through in the fluidity with which he navigates the complexities of the score, where chromatic movement co-exists with bluesy phrases. An abrupt change in the piano to patterns of dense clusters introduces a new episode, during which the metallic instruments of the gamelan enter the foreground. The piece dazzles with its inventive rhythms and dynamics, building to a stunning passage featuring the signature heavy muting technique of the Gamelan Salukat metallophones in kinetic patterns that would be at home on a Príncipe release.\u003c\/p\u003e\n\u003cp\u003eThe title piece begins at high intensity and rarely lets up, working through bracing unison ensemble melodies and punctuation points where piano and gamelan together seem to become a single, thudding drum. For much of the piece the piano is tightly integrated into the ensemble, the harmonic extensions of the melodic line subsumed into a moving cloud of complex overtones generated by the gamelan instruments. Wildly kinetic on the rhythmic level, the piece swarms with microscopic movements of beating patterns generated by the ‘blend and crush’ of three simultaneous tuning systems: the equal temperament of the piano and the saih cenik (small scale) and saih gede (big scale) used by the gamelan instruments. \u003cbr\u003eAccompanied by the composer’s thoughtful liner notes and images of the musicians, Baur Bentur is a stunning next step in Alit’s radical combination of tradition and innovation.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA Dewa Alit \/ Gamelan Salukat Sukat Tacala 00:16:55\u003cbr\u003eB Dewa Alit \/ Gamelan Salukat Baur Bentur 00:16:45\u003c\/p\u003e","brand":"Black Truffle","offers":[{"title":"Default Title","offer_id":46794180853916,"sku":"BLACKTRUFFLE143","price":30.76,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BLACKTRUFFLE143.jpg?v=1777665256"},{"product_id":"tobias-friends-plenty-of-time-with-nothing-to-do","title":"Tobias. \u0026 Friends - Plenty Of Time With Nothing To Do","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: NSP25 \u003cbr\u003eBarcode: 4070209020143\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Industrial\/Experimental\/80s\u003c\/p\u003e\n\u003cp\u003eSecond Cover Album from Tobias. \u0026amp; Friends following NSP 21 TOP TEN\u003c\/p\u003e\n\u003cp\u003eTracklist: A1. Morale A2. Cruel When Complete A3. Twilight Furniture A4. Hello Skinny A5. Losers In A Lost Land B1. My New Career  B2. Girl B3. The Best Kept Secret B4. Dark Times B5. Not Yet Remembered\u003c\/p\u003e","brand":"Non Standard Productions","offers":[{"title":"Default Title","offer_id":46794181869724,"sku":"NSP25","price":22.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/NSP25.jpg?v=1777665247"},{"product_id":"never-the-gray","title":"NEVER - THE GRAY","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: VEYL048 \u003cbr\u003eBarcode: 4070209020303\u003cbr\u003eRelease Date: 19 Jun 2026\u003cbr\u003eGenre: Post Punk\/Darkwave\u003c\/p\u003e\n\u003cp\u003eAfter the raw, instinct-led release of ‘JXDY’, which was initially never planned as a longplayer, NEVER returns with his sophomore album ‘THE GRAY’, a more thought-out and expanded body of work. Out on VEYL, the record keeps its roots in post-punk and darkwave, but opens up into a broader space, both sonically and emotionally.\u003c\/p\u003e\n\u003cp\u003eFor the first time, NEVER brings in outside voices in a more central way. What started with experiments outside his own music, like the remix for Years of Denial’s ‘City Lights’, now becomes a core part of the process, making ‘THE GRAY’ feel less isolated and more like a shared ground shaped by different inputs.\u003c\/p\u003e\n\u003cp\u003eThe collaborations mark key moments across the album. ‘IS THIS REAL’, the collaboration with Arizona duo Meldamor leans into a more direct, dancefloor-oriented approach, with Mel’s vocals bringing a restrained, atmospheric presence that shapes the track’s tone without overpowering it. ‘RXVOK’, together with Filmmaker, goes darker and rougher, pulling in industrial weight with black-metal-tinged vocal textures.\u003c\/p\u003e\n\u003cp\u003eOn ‘SHXDOWS BITE’, Castelli brings in a colder, 80s-leaning mood, keeping things melodic but restrained. ‘AMPHIBIENS’ with Contre Soirée pushes in the opposite direction, more raw and abrasive, with French vocals cutting through a dense and pressured backdrop.\u003c\/p\u003e\n\u003cp\u003eAround these tracks, the album moves as one piece rather than separate moments. Themes circle around love, loss, memory and a sense of collapse, without ever fully resolving. It stays in that inbetween space, where things don’t quite settle.\u003c\/p\u003e\n\u003cp\u003eThe artwork comes from Francesco Goats, known for his work in Xerox art, adding a visual layer that fits the tone of the record.\u003c\/p\u003e\n\u003cp\u003eWith ‘THE GRAY’, NEVER moves into a more open phase, where collaboration plays a bigger role and the overall direction feels more defined, without losing the edge of earlier work.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1. HXLDING TIME A2. REGRET EVERYTHING A3. IS THIS REAL feat. Meldamor A4. ECHXES A5. SHADXWS BITE feat. Castelli A6. XBLIVIXN B1. THE GRAY B2. AMPHIBIENS feat. Contre Soirée B3. UNDXNE B4. REVXK feat. Filmmaker B5. LIMINAL\u003c\/p\u003e","brand":"VEYL","offers":[{"title":"Default Title","offer_id":46794182852764,"sku":"VEYL048","price":33.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/VEYL048.jpg?v=1777665236"},{"product_id":"love-grocer-forty-days-7-vinyl","title":"Love Grocer - Forty Days [7\" Vinyl]","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: PRTL7103\u003cbr\u003eBarcode: 5051142053701\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Reggae \/ Dub\u003c\/p\u003e\n\u003cp\u003e* First time on 7\" for this horns-led gem from the Love Grocer crew aka Chris Petter and Dave Fullwood (Ital Horns and Zion Train) alongside Richard Doswell.\u003c\/p\u003e\n\u003cp\u003e* Originally appearing on a Dubhead 10\" in 2000 and getting extensive play from the late Jah Shaka.\u003c\/p\u003e\n\u003cp\u003e* Now backed with a previously unreleased dubplate version.\u003c\/p\u003e\n\u003cp\u003e * 300 copies only.\u003c\/p\u003e\n\u003cp\u003e* Tracklist: \u003cbr\u003eA. Love Grocer - `Forty Days’\u003cbr\u003eB. 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