{"title":"SRD 310726","description":null,"products":[{"product_id":"yl-hooi-untitled","title":"YL Hooi - Untitled","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ES017\u003cbr\u003eBarcode: 4251804124713\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: DIY Minimalism\/Dub\/Ambient\/Post-Punk\u003cbr\u003e\u003cbr\u003e2026 REPRESS.\u003cbr\u003e\u003cbr\u003e''A MESMERISING PIECE OF OPIATED DUB-FOLKISM'- INVERTEDAUDIO.COM\u003cbr\u003e\u003cbr\u003eInitially conceived as a short-run cassette for Altered States Tapes, YL Hooi’s nameless collection of textural apparitions oscillate between icy DIY minimalism, FX-drenched atmospherics and nang chamber dub. A ghost-like transmission, Hooi's voice serves to anchor an array of sonic abstractions and impressionistic melodic motifs as a sense of purgatorial ambience dominates throughout. Co-produced with alleged fellow Kallista Kult member Tarquin Manek (LST, M. Quake), Untitled’s ultimate sensation is its halfway state, as if caught between worlds.\u003cbr\u003e\u003cbr\u003eThe album's final form speaks of its origins, recorded intermittently over a two year period (2017-2019). The extended time passage seeps into the song structures, spiralling and mutating from the same centre - the elegiac pulse of opener 'Title' presages the hymnal lilt of 'Straight Thru', before birthing the inverted bossa nova of 'W\/O Love'. The result is a constantly shifting tableaux of shared liminal spaces. These songs seemingly emerge in plumes of smoke, magician's tricks conjured from the ether. It's a vision that ossifies at Untitled's midpoint with a cover of Love Joys' 'Stranger', the lovers rock original morphed into the transportive intimacy of Hooi's own hazy inner space, a totem of the LP’s amorphous and ultimately sensuous qualities. \u003cbr\u003e\u003cbr\u003eThe sound from both down under and way out there in subspace, Untitled is an inspired masterstroke of experimental mystics. This 2021 Efficient Space edition is remastered and robed in new artwork that honours the Melbourne-based earth dragon’s Chinese and Russian heritage.\u003cbr\u003e\u003cbr\u003e* Tracklist: \u003cbr\u003e1. Title 2. Straight Thru 3. E Park 4. W\/O Love 5. Stranger 6. When Yr Up There 7. Strobe Lite 8. Lucky\u003cbr\u003e9. Prince S Version 10. Always In Jokes\u003cbr\u003e\u003c\/p\u003e","brand":"Efficient Space","offers":[{"title":"Default Title","offer_id":37576343027868,"sku":"ES017","price":26.94,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/ES017.jpg?v=1611382459"},{"product_id":"jay-richford-and-gary-stevan-feelings-lp","title":"Jay Richford and Gary Stevan - Feelings (LP)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCat: BEWITH094LP\u003cbr\u003eBarcode: 4251804123709\u003cbr\u003eRelease Date: 23rd February 2021\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eRepress: 31 Jul 2026\u003c\/p\u003e\n\u003cp\u003eMore than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.\u003c\/p\u003e\n\u003cp\u003eSince its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.\u003c\/p\u003e\n\u003cp\u003eNo, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.\u003c\/p\u003e\n\u003cp\u003eLong hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.\u003c\/p\u003e\n\u003cp\u003eThe record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums \u003cbr\u003edeliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller. \u003c\/p\u003e\n\u003cp\u003e“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding. \u003c\/p\u003e\n\u003cp\u003eThe loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.\u003c\/p\u003e\n\u003cp\u003eThe second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.\u003c\/p\u003e\n\u003cp\u003e“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart \u003cbr\u003earound deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.\u003c\/p\u003e\n\u003cp\u003e“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and \u003cbr\u003eso, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.\u003c\/p\u003e\n\u003cp\u003eThe audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.\u003c\/p\u003e\n\u003cp\u003e* Tracklist: \u003cbr\u003eA1 : Flying High (3:35) A2 : Going Home (2:46) A3 : Walking In The Dark (4:42) A4 :Fighting For Life (3:37) A5 : Feeling Tense (4:05) B1 : Running  Fast (4:42) B2 : Loving Tenderly (3:27) B3 : Fearing Much (3:35) B4 : Being Friendly (2:54) B5 : Having Fun (4:00)\u003c\/p\u003e","brand":"Be With","offers":[{"title":"Default Title","offer_id":39925932228764,"sku":"BEWITH094LP","price":25.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BEWITH094LP.jpg?v=1681398462"},{"product_id":"dj-quik-safe-and-sound","title":"DJ Quik - Safe And Sound","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: BEWITH095LP \u003cbr\u003eBarcode: 4251804125345\u003cbr\u003eRelease Date: 31 Jul 2026 [Repress]\u003cbr\u003eGenre: Hip Hop \/G-Funk\/P-Funk\u003c\/p\u003e\n\u003cp\u003e2022 re-issue, 140g double vinyl, includes the CD bonus track “Tanqueray”, reproduction of the original stickered sleeve.\u003cbr\u003e\u003cbr\u003eDJ Quik is a giant of West Coast hip-hop. With 1995’s Safe + Sound, he scaled new levels of musical magnificence with his signature new age P-Funk\/laconic G-Funk. A quintessential, sun-scorched LA album, this is pretty much essential. Typical for mid-90s albums the original vinyl copies are now rare so here’s the Be With re-issue. \u003cbr\u003e\u003cbr\u003eThis 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Safe + Sound was originally pressed as a double, so all that was missing was the CD’s hidden bonus track “Tanqueray”, so we’ve fixed that. The original vinyl release never got a picture sleeve, so we’ve recreated the original’s promo-style silver-sticker and plain black jacket. A subtle cover for a wonderfully unsubtle record.\u003cbr\u003e\u003cbr\u003eA preternaturally gifted producer\/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.\u003cbr\u003e\u003cbr\u003eBy the time of his third album DJ Quik was a household name on the West Coast - California’s premier rapper\/producer not named Andre Young. Released on Profile in 1995, Safe + Sound was certified gold. Less reliant on samples and more focused on live instruments, it elevated him from producer to fully-fledged composer. This sound — the quick, winding basslines, tinny high hats, smooth instrumental solos, soulful pipes, and Roger Troutman’s talkbox — defined him. This is an album of full-blown masterpieces. Rich soundscapes and masterfully arranged orchestrations with dense layers of sounds, intricate rhythms, and well-balanced songwriting.\u003cbr\u003e\u003cbr\u003eThe first track proper, “Get At Me” samples Cameo whilst Quik takes aim at the Judases in his life, the horn-laced chorus providing a triumphant feel. On the horizontal “Diggin’ U Out”, the soulful electric piano of Warryn Campbell lays a relaxed groove for Quik to talk over about one of his favourite topics: sex. Title track “Safe + Sound” chronicles Quik’s formative years over a slick instrumental. The moody bass locks a laidback infectious groove, the hook is catchy and Quik’s delivery is in fine form. On the uber-chilled “Somethin’ 4 Tha Mood”, Quik cooks up a breezy, feel good track of sparkly keyboards, syncopated claps, shuffling hi-hats, woozy synths and a floating two-minute flute solo courtesy of Robert “Fonksta” Bacon. Analysing the highs and lows of an average day in the hood, it echoes Cube’s “It Was a Good Day”.\u003cbr\u003e\u003cbr\u003e“It’z Your Fantasy” is a silky smooth soundtrack to Quik’s detailed retelling of a sexcapade with a young lady and whilst “Tha Ho In You” is musically perfect for that midsummer family BBQ, its lyrical content is unsurprisingly decidedly less family-friendly. A real highlight, the infamous “Dollaz + Sense” is one of the most ruthless diss tracks of all time. The brutal lyrics ride a laidback West Coast beat, flipping a sample from Young \u0026amp; Company’s “I Like (What You’re Doing To Me)” as Quik fires lyrical shots at his arch Compton nemesis, MC Eiht. On the loping, hazy “Let You Havit”, Quik is again in gangsta mode, with more bars of barbs aimed at Eiht, rhyming over sun-kissed synthy-rollerskate funk.\u003cbr\u003e\u003cbr\u003eSome of the finest tracks on Safe + Sound are those designed to de-stress. The evocative “Summer Breeze” is a classic warm-weather jam, anchored by a twangy funk guitar, breezy string arrangement, and a soulful hook delivered by Dionne Knighton. Quik’s nostalgic lyrics are not far from DJ Jazzy Jeff \u0026amp; The Fresh Prince’s “Summertime”, reminiscing over barbecues at the park, young love, and the brevity of halcyon youth. The relaxed and jazzy “Quik’s Groove III” is another highlight, as bass, guitar, piano and flute combine to create a smooth, soulful instrumental.\u003cbr\u003e\u003cbr\u003eThe swaggering “Shack Up”-sampling “Sucka Free” features a cameo from Playa Hamm, all funky braggadocio and over much too quikly (pun thoroughly intended). The jazz-flavoured “Keep Tha ‘P’ In It”, again featuring Playa Hamm but this time extending the cameo invitations to Hi-C, 2nd II None and Kam, is pure laidback P-Funk. The deep bass and industrial drums make sure the groove hits hard.\u003cbr\u003e\u003cbr\u003e“Tanqueray” was originally a hidden track on the CD version of the album, but it’s too good to hide. This wild party samples Brass Construction’s gigantic “Get Up To Get Down” and soars in its drunk-ebullience. An apt way to close this party-driven set.\u003cbr\u003e\u003cbr\u003e* Tracklist: \u003cbr\u003e1 A1 : Street Level Entrance (1:52)\u003cbr\u003e2 A2 : Get At Me (4:08)\u003cbr\u003e3 A3 : Diggin’ U Out (4:48)\u003cbr\u003e4 A4 : Safe + Sound (4:49)\u003cbr\u003e5 B1 : Somethin’ \u003cbr\u003e4 Tha Mood (5:55)\u003cbr\u003e6 B2 : Don’t You Eat It! (1:08)\u003cbr\u003e7 B3 : Can I Eat It? (4:59)\u003cbr\u003e8 B4 : It’z Your Fantasy (4:23)\u003cbr\u003e9 C1 : Tha Ho In You (4:45)\u003cbr\u003e10 C2 : Dollaz + Sense (5:53)\u003cbr\u003e11 C3 : Let You Havit (3:40)\u003cbr\u003e12 C4 : Summer Breeze (4:34)\u003cbr\u003e13 D1 : Quik’s Groove III (2:37)\u003cbr\u003e14 D2 : Sucka Free (2:11)\u003cbr\u003e15 D3 : Keep Tha “P” In It (5:25)\u003cbr\u003e16 D4 : Hooray 4 Tha Funk (2:11)\u003cbr\u003e17 D5 : Tanqueray (4:19)\u003cbr\u003e\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":42281466331292,"sku":"BEWITH095LP","price":30.76,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BEWITH095LP_981f021d-941f-4698-b6e8-16d9ba5d6e7f.jpg?v=1673688605"},{"product_id":"frank-tony-after-all","title":"Frank \u0026 Tony - After All","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: SMALLVILLE69 \u003cbr\u003eBarcode: 4251804183208\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003e*    We feel like Frank \u0026amp; Tony and Smallville have been on the same musical wave- length since forever. Our musical paths have crossed back and forth over the years and we have always shared a lot of the same values- steadily putting out quality music, that stands the test of time - growing consistently - never stop following our very own way - always not-following trends forever..\u003c\/p\u003e\n\u003cp\u003eFrank \u0026amp; Tony is the collaborative guise of Scissor \u0026amp; Thread co-founders Francis Harris and Anthony Collins aka Grant. Both have long been staples of the underground with material under their own names and numerous other guises shaping the musical landscape of House Techno and beyond since the turn of the millennium. Both lived together in New York and as Frank \u0026amp; Tony the pair have delivered multiple albums and many EP’s on their own label, Tokyo’s Mule Musiq and Pacific Rhythm- now they are warmly welcomed onto the Smallville Records roster with their latest collection of works.\u003cbr\u003e‘Ways Of Mine’ leads on the A-Side and showcases the pairs signature deep hypnotic house style via soft billowing pads cascading metallic chimes psychedelic spoken word and dreamy dubbed out keys floating atop a robust bouncy rhythm section.To open the flip-side title-track ‘After All’ lays down a subtly blooming chord sequence shuffled drums and bumpy bass stabs at its core all subtly nuanced while the latter half introduces more dynamic rhythmic elements and intertwined melodic touches. ‘Dimension’ then concludes the release diving deeper with saturated ethereal pads and bubbling resonant arpeggio lines alongside heavily swung crisp drums jazzy keys and delayed vocal chants.\u003cbr\u003eAfter All comes with a full cover artwork by Stefan Marx.\u003c\/p\u003e\n\u003cp\u003e*    All tracks written \u0026amp; produced by Francis Harris \u0026amp; Anthony Collins Mastering and Vinyl cut by Helmut Erler at Lathesville\u003cbr\u003eArtwork \u0026amp; Typography by Stefan Marx\u003cbr\u003e*    Tracklist:\u003cbr\u003eA1 Ways Of Mine B1 After All\u003cbr\u003eB1 Dimension\u003cbr\u003e\u003c\/p\u003e","brand":"Smallville","offers":[{"title":"Default Title","offer_id":45177557713052,"sku":"SMALLVILLE69","price":16.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_10e1d562-32ba-44f6-8cc3-109a25446a26.jpg?v=1754501202"},{"product_id":"charanjit-singh-synthesizing-ten-ragas-to-a-disco-beat-2lp","title":"CHARANJIT SINGH - SYNTHESIZING: TEN RAGAS TO A DISCO BEAT [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: LITA2261\u003cbr\u003eBarcode: 826853226103\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eDeluxe 2xLP \u0026amp; CD reissue of the landmark album.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1982 and unheard by the world for decades, Ten Ragas is now widely recognized as one of the most visionary electronic albums ever recorded.\u003c\/p\u003e\n\u003cp\u003eLong before Acid House had a name, and before pairing Roland drum machines and synths to create dance music became de rigueur, Charanjit Singh fused ancient Indian ragas with cutting-edge technology and created a sound that still feels impossibly futuristic today…\u003c\/p\u003e\n\u003cp\u003e- Original artwork with expanded gatefold and booklet feat. unseen photos and liner notes from Discostan’s Arshia Fatima Haq \u0026amp; Jeremy Loudenback, plus Singh’s former manager, filmmaker and writer Rana Ghose\u003cbr\u003e- Release produced in cooperation with Charanjit Singh’s Estate.\u003cbr\u003e- Vinyl pressed at Optimal Media, on Black \u0026amp; ‘Pearlescent Transcendent Future’ color wax .Both vinyl are NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eLight in the Attic is honored to announce the long-awaited reissue of Synthesizing: Ten Ragas to a Disco Beat, the revolutionary 1982 album from composer and musician Charanjit Singh. Pairing Indian classical ragas with then-state-of-the-art Roland synthesizers and drum machines, Singh created an electronic masterpiece that was far ahead of its time.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts, but that’s where the story begins…\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in cooperation with Singh’s estate, Synthesizing: Ten Ragas to a Disco Beat arrives on June 26th. The 10-track album was remastered by Johanz Westerman at Ballyhoo Studio Mastering and stretched across 2-LPs for the highest quality listening experience. The vinyl was pressed at Optimal Media and housed in a gatefold jacket that replicates the original artwork.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAn accompanying 16-page LP booklet features previously-unreleased photos and two new essays: the first from Arshia Fatima Haq and Jeremy Loudenback of Discostan—a multimedia collective and record label focusing on music from South West Asia and North Africa—while the other comes from filmmaker and writer Rana Ghose of event and film production entity REProduce Artists, who managed Singh in his final years and documented his triumphant return to the stage. Additionally, fans can find a limited-edition pressing of Synthesizing: Ten Ragas to a Disco Beat on ‘Pearlescent Transcendent Future’ Color Wax, while the album will also be reissued on CD with a 32-page booklet containing all of the above.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMore on Synthesizing: Ten Ragas to a Disco Beat:\u003cbr\u003eIndian multi-instrumentalist and composer Charanjit Singh (1940–2015) never intended to be an electronic dance music pioneer when he recorded 1982’s Synthesizing: Ten Ragas to a Disco Beat. Yet three decades later, his inventive use of state-of-the-art synthesizers and drum machines would prompt some to crown him the “Godfather of Acid House.” The real story, however, runs much deeper.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA native of Mumbai, Singh spent much of his career as a Bollywood session musician, collaborating with renowned composers like RD Burman and Shankar–Jaikishan, and appearing on some of the most iconic Hindi film hits of the ‘60s and ‘70s. Outside of the film industry, Singh recorded several of his own albums and toured the world alongside the era’s biggest stars—an opportunity which allowed him to collect new instruments, including synthesizers and other electronic devices. As psychedelia and disco wove their way into Bollywood scores, Singh was at the forefront, integrating a host of electronic textures into his work (his hypnotic Transicord introduction on “Dum Maro Dum” from 1971’s Hare Rama Hare Krishna is among his most recognizable performances).\u003cbr\u003eBy the turn of the ‘80s, however, Singh was disenchanted by the creative limitations of session work and embarked on a solo career. Not long after, on tour in Singapore, he discovered three Roland devices that had just hit the market: the TR-808 drum machine (released 1980), the TB-303 bass synthesizer (released 1981), and the Jupiter 8 synthesizer (released 1981). While this trio would fuel early electronic dance music in the coming years, Singh was among the first known artists to pair them on record when he was inspired to create his next album, Synthesizing: Ten Ragas to a Disco Beat.\u003cbr\u003eUsing only the three devices and recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats, while programming the TB-303 to follow classical Hindustani scales. From the hypnotic drones of “Raga Bhairavi” to the uplifting jams of “Raga Bairagi” the album proved perhaps to be a bit too visionary for its time. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTwo decades later, Dutch DJ and record collector Edo Bouman was in New Delhi when he came across an old copy of Ten Ragas. Bouman was astounded by what he heard—electronic music that had all the hallmarks of acid house, recorded five years before Chicago DJs coined the term. Bouman spent the next few years tracking down Singh and, in 2010, reissued the album on his label, Bombay Connection.\u003cbr\u003eSoon, Ten Ragas became a viral sensation, sparking disbelief and debates about the origins of acid house. But, as Haq and Loudenback explain, those in the conversation “Had little frame of reference for [Singh’s] music outside of the parameters of western club music.” Viewed through the lens of the Hindi film industry, they argue, the album’s through-line comes into focus. In the ‘60s, when Western artists were looking to India for inspiration, Bollywood was “A laboratory for discovering sounds, and for harnessing every new technology that could be found or repurposed…. Singh’s album is more fittingly placed within the framework of the expansion of Bollywood’s experiments in disco, rather than that of acid house.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Perhaps this is yet another example of how a public engages with those who are ahead of their time,” adds Rana Ghose. “This record is a direct consequence of a centuries-old classical music form, rendered through the lens of a visionary who used the vanguard of technology at the time to recast it, resulting in an artefact that, almost 40 years later, is finding entirely new audiences in an era marked by a changing and uncertain global landscape of soft-power assertion. Considering this reassessment is as exciting as it is fascinating. Much like this record.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhile Ten Ragas sparked plenty of conversations within the electronic music community, it also gave a bemused Singh a surge of newfound fame during the final years of his life, allowing him to play to thousands of fans at packed club shows and festivals in Europe, the U.S., and India. Among those fans are Australian duo Glass Beams (who covered “Raga Bhairav”), German electronic duo Modeselektor, and Thom Yorke, who ranked “Raga Lalit” as one of his “6 Tracks You Need to Hear” via the BBC.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMost importantly, however, Ten Ragas resonated deeply with South Asian artists, who saw electronic music from India being recognized with new reverence. In the words of Vish Matre (of the UK DJ duo Dar Disku), “This record will be remembered for, not being the predecessor to another genre, but being a precursor to a lot of new music from the diaspora that relied on it as inspiration.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracks: Raga: Bhairavi; Raga: Lalit; Raga: Bhupali; Raga: Todi; Raga: Madhuvanti; Raga: Meghmalhar ; Raga: Yaman; Raga: Kalavati; Raga: Malkauns; Raga: Bairagi           \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/BN8M2irJVJA\" title=\"Charanjit Singh - Ten Ragas to a Disco Beat (1982)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":46033889362076,"sku":"LITA2261","price":55.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA2261.jpg?v=1769709062"},{"product_id":"charanjit-singh-synthesizing-ten-ragas-to-a-disco-beat-2lp-colour","title":"CHARANJIT SINGH - SYNTHESIZING: TEN RAGAS TO A DISCO BEAT [2LP Colour]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: LITA22611\u003cbr\u003eBarcode: 826853226110\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eDeluxe 2xLP \u0026amp; CD reissue of the landmark album.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1982 and unheard by the world for decades, Ten Ragas is now widely recognized as one of the most visionary electronic albums ever recorded.\u003c\/p\u003e\n\u003cp\u003eLong before Acid House had a name, and before pairing Roland drum machines and synths to create dance music became de rigueur, Charanjit Singh fused ancient Indian ragas with cutting-edge technology and created a sound that still feels impossibly futuristic today…\u003c\/p\u003e\n\u003cp\u003e- Original artwork with expanded gatefold and booklet feat. unseen photos and liner notes from Discostan’s Arshia Fatima Haq \u0026amp; Jeremy Loudenback, plus Singh’s former manager, filmmaker and writer Rana Ghose\u003cbr\u003e- Release produced in cooperation with Charanjit Singh’s Estate.\u003cbr\u003e- Vinyl pressed at Optimal Media, on Black \u0026amp; ‘Pearlescent Transcendent Future’ color wax .Both vinyl are NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eLight in the Attic is honored to announce the long-awaited reissue of Synthesizing: Ten Ragas to a Disco Beat, the revolutionary 1982 album from composer and musician Charanjit Singh. Pairing Indian classical ragas with then-state-of-the-art Roland synthesizers and drum machines, Singh created an electronic masterpiece that was far ahead of its time.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts, but that’s where the story begins…\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in cooperation with Singh’s estate, Synthesizing: Ten Ragas to a Disco Beat arrives on June 26th. The 10-track album was remastered by Johanz Westerman at Ballyhoo Studio Mastering and stretched across 2-LPs for the highest quality listening experience. The vinyl was pressed at Optimal Media and housed in a gatefold jacket that replicates the original artwork.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAn accompanying 16-page LP booklet features previously-unreleased photos and two new essays: the first from Arshia Fatima Haq and Jeremy Loudenback of Discostan—a multimedia collective and record label focusing on music from South West Asia and North Africa—while the other comes from filmmaker and writer Rana Ghose of event and film production entity REProduce Artists, who managed Singh in his final years and documented his triumphant return to the stage. Additionally, fans can find a limited-edition pressing of Synthesizing: Ten Ragas to a Disco Beat on ‘Pearlescent Transcendent Future’ Color Wax, while the album will also be reissued on CD with a 32-page booklet containing all of the above.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMore on Synthesizing: Ten Ragas to a Disco Beat:\u003cbr\u003eIndian multi-instrumentalist and composer Charanjit Singh (1940–2015) never intended to be an electronic dance music pioneer when he recorded 1982’s Synthesizing: Ten Ragas to a Disco Beat. Yet three decades later, his inventive use of state-of-the-art synthesizers and drum machines would prompt some to crown him the “Godfather of Acid House.” The real story, however, runs much deeper.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA native of Mumbai, Singh spent much of his career as a Bollywood session musician, collaborating with renowned composers like RD Burman and Shankar–Jaikishan, and appearing on some of the most iconic Hindi film hits of the ‘60s and ‘70s. Outside of the film industry, Singh recorded several of his own albums and toured the world alongside the era’s biggest stars—an opportunity which allowed him to collect new instruments, including synthesizers and other electronic devices. As psychedelia and disco wove their way into Bollywood scores, Singh was at the forefront, integrating a host of electronic textures into his work (his hypnotic Transicord introduction on “Dum Maro Dum” from 1971’s Hare Rama Hare Krishna is among his most recognizable performances).\u003cbr\u003eBy the turn of the ‘80s, however, Singh was disenchanted by the creative limitations of session work and embarked on a solo career. Not long after, on tour in Singapore, he discovered three Roland devices that had just hit the market: the TR-808 drum machine (released 1980), the TB-303 bass synthesizer (released 1981), and the Jupiter 8 synthesizer (released 1981). While this trio would fuel early electronic dance music in the coming years, Singh was among the first known artists to pair them on record when he was inspired to create his next album, Synthesizing: Ten Ragas to a Disco Beat.\u003cbr\u003eUsing only the three devices and recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats, while programming the TB-303 to follow classical Hindustani scales. From the hypnotic drones of “Raga Bhairavi” to the uplifting jams of “Raga Bairagi” the album proved perhaps to be a bit too visionary for its time. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTwo decades later, Dutch DJ and record collector Edo Bouman was in New Delhi when he came across an old copy of Ten Ragas. Bouman was astounded by what he heard—electronic music that had all the hallmarks of acid house, recorded five years before Chicago DJs coined the term. Bouman spent the next few years tracking down Singh and, in 2010, reissued the album on his label, Bombay Connection.\u003cbr\u003eSoon, Ten Ragas became a viral sensation, sparking disbelief and debates about the origins of acid house. But, as Haq and Loudenback explain, those in the conversation “Had little frame of reference for [Singh’s] music outside of the parameters of western club music.” Viewed through the lens of the Hindi film industry, they argue, the album’s through-line comes into focus. In the ‘60s, when Western artists were looking to India for inspiration, Bollywood was “A laboratory for discovering sounds, and for harnessing every new technology that could be found or repurposed…. Singh’s album is more fittingly placed within the framework of the expansion of Bollywood’s experiments in disco, rather than that of acid house.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Perhaps this is yet another example of how a public engages with those who are ahead of their time,” adds Rana Ghose. “This record is a direct consequence of a centuries-old classical music form, rendered through the lens of a visionary who used the vanguard of technology at the time to recast it, resulting in an artefact that, almost 40 years later, is finding entirely new audiences in an era marked by a changing and uncertain global landscape of soft-power assertion. Considering this reassessment is as exciting as it is fascinating. Much like this record.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhile Ten Ragas sparked plenty of conversations within the electronic music community, it also gave a bemused Singh a surge of newfound fame during the final years of his life, allowing him to play to thousands of fans at packed club shows and festivals in Europe, the U.S., and India. Among those fans are Australian duo Glass Beams (who covered “Raga Bhairav”), German electronic duo Modeselektor, and Thom Yorke, who ranked “Raga Lalit” as one of his “6 Tracks You Need to Hear” via the BBC.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMost importantly, however, Ten Ragas resonated deeply with South Asian artists, who saw electronic music from India being recognized with new reverence. In the words of Vish Matre (of the UK DJ duo Dar Disku), “This record will be remembered for, not being the predecessor to another genre, but being a precursor to a lot of new music from the diaspora that relied on it as inspiration.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracks: Raga: Bhairavi; Raga: Lalit; Raga: Bhupali; Raga: Todi; Raga: Madhuvanti; Raga: Meghmalhar ; Raga: Yaman; Raga: Kalavati; Raga: Malkauns; Raga: Bairagi           \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/BN8M2irJVJA\" title=\"Charanjit Singh - Ten Ragas to a Disco Beat (1982)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":46033889394844,"sku":"LITA22611","price":56.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA22611.jpg?v=1769709056"},{"product_id":"alton-miller-spirit-chaser","title":"Alton Miller - Spirit Chaser","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: QUINTESSE99 \u003cbr\u003eBarcode: 4251804187886\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003e* Before celebrating its 100th release, Quintessentials is very happy to present another ep from Detroit’s finest Alton Miller (in fact it’s his 4th for the label)! „Last one 1st“ is a driving and building Detroit inspired track, that doesn’t lack elegance. The remix courtesy of french hot shot Life Recorder (check out his full EP on Quintessentials as well) focuses on a proper Detroit House vibe, call it a classic. The b-side is deeeeep! The original version of „give it up“ is a smooth and soulful tune providing goose bumps. Switzerland’s finest house producer Shaka adds some club feel to a beautiful early morning track. Classic release!\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1: Last one 1st\u003cbr\u003eA2: Last one 1st (Life Recorder remix)\u003cbr\u003eB1: Give it up\u003cbr\u003eB2: Give it up (Shaka remix)\u003c\/p\u003e","brand":"Quintessentials","offers":[{"title":"Default Title","offer_id":46087889059996,"sku":"QUINTESSE99","price":15.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/QUINTESSE99.jpg?v=1770309142"},{"product_id":"roland-leesker-what-you-need","title":"Roland Leesker - What You Need","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: DEF2604 \u003cbr\u003eBarcode: 844216060164\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003e* Roland Leesker reimagines a House Classic with Vinyl-Only Cover of ‘What You Need’.\u003c\/p\u003e\n\u003cp\u003eDefinitive Recordings presents a special vinyl-only release as Roland Leesker delivers his cover version of ‘What You Need’, the seminal house anthem originally released in 1990 by Soft House Company. This release is a respectful homage to one of house music’s defining records, crafted for DJs and collectors alike.\u003c\/p\u003e\n\u003cp\u003eOn the Original Mix, Leesker stays close to the spirit of Soft House Company’s classic, faithfully honoring the original arrangement but properly pumping.\u003c\/p\u003e\n\u003cp\u003eOn the flip, Leesker presents his ‘Mysterious Eastern Force Edit’, an expansive, eleven-minute journey designed for deep dancefloor moments. While retaining the essence of the original, this version introduces a more energetic bassline before weaving in a subtle 303 acid line, bridging different eras of house music history into one hypnotic, evolving arrangement.\u003c\/p\u003e\n\u003cp\u003eThis vinyl-only release is a tribute to the legacy of house music — respectful, powerful, and made to be played loud on a proper sound system.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA Roland Leesker – What You Need (Original Mix)\u003cbr\u003eB Roland Leesker – What You Need (Mysterious Eastern Force Edit)\u003c\/p\u003e","brand":"Definitive Recordings","offers":[{"title":"Default Title","offer_id":46453470658716,"sku":"DEF2604","price":20.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DEF2604.jpg?v=1772469765"},{"product_id":"namae-koi-u-can-dance-with-me","title":"Namae Koi - U Can Dance With Me","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: HELLEX016 \u003cbr\u003eBarcode: 4251804189804\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003eNamae Koi - AAVA (Artificial Audio-Visual Artist), voice without a body, child of cinema and code - meets DJ Hell, godfather of electroclash, myth in motion\u003c\/p\u003e\n\u003cp\u003eThis record is a split mirror:\u003cbr\u003eTwo originals by Koi.\u003cbr\u003eTwo reworks by Hell.\u003cbr\u003eFour versions of desire, memory, and beat.\u003cbr\u003e\"U Can Dance With Me\" is a digital western - a flirt in boots and chrome.\u003cbr\u003eA line pulled from a movie that never existed.\u003cbr\u003e\"Mars\" travels forward by looking back - retro-futurist pulses,\u003cbr\u003emelancholic satellites, soft resistance.\u003cbr\u003eDJ Hell bends both tracks into something darker, sweatier, more physical.\u003cbr\u003eKoi stays crystalline. Watching. Whispering. Undressing the beat.\u003cbr\u003eA future duet with no fixed timeline.\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003e01. Namae Koi - U Can Dance With Me DJ Hell Remix 02. Namae Koi - U Can Dance With Me Original 03. Namae Koi - Mars DJ Hell Remix 04. Namae Koi - Mars Original\u003c\/p\u003e","brand":"The DJ Hell Experience","offers":[{"title":"Default Title","offer_id":46561187725468,"sku":"HELLEX016","price":18.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HELLEX016.jpg?v=1774110148"},{"product_id":"cuddling-monsters-cuddling-monsters-vol-3","title":"Cuddling Monsters - Cuddling Monsters Vol. 3","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: MSK16 \u003cbr\u003eBarcode: 4070209020549\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: House\/Techno\u003c\/p\u003e\n\u003cp\u003eMASK Records founder ZentaSkai joins forces with Berlin-based creative Laura Merino Allue under the name Cuddling Monsters, a project centered on analog processes and tactile sound design. Debuting in March 2024, the project explores Detroit-infused House, dub Techno, and minimal soundscapes shaped by raw texture and spatial depth.\u003c\/p\u003e\n\u003cp\u003eWorking exclusively with analogue instruments, the duo prioritise warmth, imperfection, and presence over polish. Alongside her music work, Laura Merino Allue is also a graphic designer, bringing a strong visual identity to the project’s wider aesthetic.\u003c\/p\u003e\n\u003cp\u003e‘Cuddling Monsters' is inspired by real-life experiences — the raw, imperfect, beautiful moments we move through. We believe in staying present, feeling everything deeply, and embracing the analog flow of the now. It’s about living the moment fully — and like a cuddle on the dancefloor, creating a space where sound holds you, warmth surrounds you, and even the wildest monsters feel safe enough to soften.’ -\u003cbr\u003eCuddling Monsters\u003c\/p\u003e\n\u003cp\u003eThe Cuddling Monsters ‘Vol. 3’ EP opens with ‘Bubble Bloom’, a melodic house track featuring warped, filtered synth tones that set a hazy foundation before a dub-leaning beat settles in. It’s layered with aquatic, bubbly textures and fragmented samples, adding warmth and movement. ‘Warm Waves’ shifts into a lighter, more atmospheric space, increasing the tempo slightly while maintaining a restrained, ethereal character. The B-side closes with ‘Secret Signal’, a long-form techno piece stretching over ten minutes, where evolving synth lines gradually merge with soft, dubby drums and analogue percussion, building steadily without excess before easing out.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 - Bubble Bloom A2 - Warm Waves B - Secret Signal\u003c\/p\u003e","brand":"Mask","offers":[{"title":"Default Title","offer_id":46561190346908,"sku":"MSK16","price":16.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MSK16.jpg?v=1774110488"},{"product_id":"zentaskai-analog-assets-vol-04","title":"ZentaSkai - Analog Assets Vol. 04","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: MSK17 \u003cbr\u003eBarcode: 4070209020556\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003eBerlin-based producer ZentaSkai returns with ‘Analog Assets Vol. 04’, a four-track vinyl-only EP focused on analog texture, dub-inflected atmospherics, and disciplined techno structure. Active since 1997 and operating Mask Records and its parent label, Zaijenroots, from his Berlin studio, he continues to refine a sound shaped by spatial control and steady, architectural pacing. Tracks unfold patiently, elements are introduced with intent, and nothing feels excessive.\u003c\/p\u003e\n\u003cp\u003eSetting the tone with Cuddling Monsters’ partner, Laura Merino Allue, A1 features phased melodic textures and crisp percussion that gradually lock in the rhythm. A2 develops a filtered synth motif over a steady four-to-the-floor rhythm, revealing its full weight before pulling back. B1 is the most direct cut, driven by a firm, punchy beat and sharp rhythmic detailing built for peak-time focus, while B2 closes with rising string layers over a dub framework, balancing warmth and precision in a clean, measured finish.\u003c\/p\u003e\n\u003cp\u003eWith releases on Jerome Sydenham’s Ibadan Records and upcoming collaborations including Cuddling Monsters with Laura Merino Allue and a joint project with Thomas Grun for Rhythm Trax Austria, ZentaSkai’s work sits comfortably between minimal experimentation and functional dancefloor design.\u003c\/p\u003e\n\u003cp\u003eSupported by artists such as Richie Hawtin, Joseph Capriati, Marcel Dettmann, Luke Slater, Laurent Garnier, and DVS1, he maintains a consistent presence within the underground without chasing trends.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 ft. Laura Merino Allue A2 B1 B2\u003c\/p\u003e","brand":"Mask","offers":[{"title":"Default Title","offer_id":46561192083612,"sku":"MSK17","price":16.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MSK17.jpg?v=1774110593"},{"product_id":"moomin-a-minor-thought-2lp","title":"MOOMIN - A MINOR THOUGHT [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: SMALLVILLELP11\u003cbr\u003eBarcode: 827170615861\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Deep House\/Techno\u003c\/p\u003e\n\u003cp\u003e2026 repress.\u003c\/p\u003e\n\u003cp\u003eThe ocean - the infinity, the beauty, the colour, the sound: a truly seductive place. With the sound of ocean waves Smallville's beloved artist Moomin invites us to enter his second full length album \"A Minor Thought\". A selection of wonderful tracks initiate some exciting house music moments at our favorite clubs, improved at Panorama Bar, Robert Johnson and of course the Golden Pudel among many others..\u003c\/p\u003e\n\u003cp\u003eEngaged with a fantastic collection of analogue synths and drum machines, Moomin is always on the hunt for the most delicate samples. After his big first album \"The Story About You\" and a number of beautiful works on his own imprint \"Closer\", he was already back on Smallville's new little baby \"Fuck Reality\" to deliver a 12\" for the 2015 summertime. Of course Moomin was also part of the Smallville 10 years Compilation \"Smallville Ways\" and delivered again for Smallville 46.\u003c\/p\u003e\n\u003cp\u003eNow he appears with another string of beauty- A Minor Thought. \u003c\/p\u003e\n\u003cp\u003eFullcover artwork by Stefan Marx.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 123 A2 Alone B1 A Minor Thought B2 Time To Reflect C1 Woman To Woman C2 Morning Groove D1 Chemistry D2 Unshaped\u003c\/p\u003e","brand":"Smallville Records","offers":[{"title":"Default Title","offer_id":46563924377756,"sku":"SMALLVILLELP11","price":31.22,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SMALLVILLELP11.jpg?v=1774190165"},{"product_id":"ghia-tender-rain","title":"Ghia - Tender Rain","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: EDGE043 \u003cbr\u003eBarcode: 4070209020594\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Downtempo\/Street Soul\u003c\/p\u003e\n\u003cp\u003e- Follow up to the successful albums “This Is” and “Curacao Blue”.\u003cbr\u003e- All tracks unissued on vinyl including the Dark Spirits Mix of What’s Your Voodoo?.\u003cbr\u003e- Thick 320g picture sleeve.\u003cbr\u003e- Hype sticker and 30x30 cm insert with lyrics.\u003cbr\u003e- Restored and mastered by Zoey Cairns\u003cbr\u003e- Lacquer cut vinyl by Frederic Stader\u003c\/p\u003e\n\u003cp\u003eCall it soulful dream pop, proto–trip hop or downtempo jazz – “Tender Rain” is the follow-up LP to the successful “This Is” album and continues to deliver Ghia’s unmistakable sonic magic. On this release, the band shares a selection of previously unreleased vocal songs alongside instrumental pieces, all carried by their trademark chilled and almost meditative atmosphere. Most of the recordings date from the early 1990s, while early demo versions of “New Love” and “Teardrops in Your Eyes” may reach back as far as the late 1980s.\u003c\/p\u003e\n\u003cp\u003eThe album opens with the title track “Tender Rain,” where smooth vocal jazz harmonies merge effortlessly with soulful pop elements. The track originally appeared only on CD in 1993 on the small Mikado label run by renowned German guitarist Ulli Bögershausen. The band recalls that the piece was first pre-recorded using MIDI equipment and a Tascam 16-track recorder before being completed in the studio with drums by legendary drummer Mickie Stickdorn (Carsten Bohn's Bandstand, Cyklus, Elephant, Lake), percussion by Corinna Ludzuweit, and the final touch—Lisa Ohm’s remarkable vocals.\u003c\/p\u003e\n\u003cp\u003eAt the time, Mikado was also looking for instrumental material for radio and synchronization use. They selected the track “Tropfstein” for a sampler CD and requested more pieces. In response, “und recken ihre schlanken Glieder” (roughly translated as “and stretching their slender limbs”) was composed especially for the project, as Frank Simon remembers. Both tracks appeared on the now rare Mikado sampler CD under the alias z. Zt., short for “zur Zeit” (“at present” or “these days”).\u003c\/p\u003e\n\u003cp\u003eSeveral further pieces in a similar vein were created during this period, including the previously unissued “Auf unserm grünen Sofa,” “Reise bei Nacht,” and “Was ich Dir noch sagen wollte.” These tracks are beautifully crafted downtempo pieces featuring smooth, jazzy piano lines combined with touches of ambient and New Age aesthetics. “Auf unserm grünen Sofa” stands out in particular and will likely resonate with all downtempo enthusiasts. Lutz Boberg recalls that many of these recordings were captured during a single afternoon in the studio, fueled by spontaneous ideas and creative momentum.\u003c\/p\u003e\n\u003cp\u003eOn tracks such as “Teardrops in Your Eyes,” “New Love,” and the haunting Dark Spirits Mix of Ghia’s song “What’s Your Voodoo?”, singer Lisa Ohm delivers soulful pop performances with her clear and captivating voice. “Change Your Sex,” the third track previously featured on the Mikado sampler, leans more toward late-1980s funk and was aimed at radio and DJs at the time. Its subject matter was relatively daring for the period, telling the story of someone contemplating a change of sex “to get rid of the troubles.”\u003c\/p\u003e\n\u003cp\u003eTogether with “This Is” and “Curacao Blue”, “Tender Rain” forms another essential chapter in the rediscovery of the band’s work. More than thirty years after their creation, these recordings still sound strikingly fresh, reflecting a unique style that in many ways anticipated the rise of trip-hop in the early to mid-1990s.\u003c\/p\u003e\n\u003cp\u003eTracklist:  \u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003eTender Rain\u003cbr\u003eAuf unserm grünen Sofa\u003cbr\u003eTeardrops In Your Eyes\u003cbr\u003eReise bei Nacht\u003cbr\u003eChange Your Sex\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eUnd recken ihre schlanken Glieder\u003cbr\u003eNew Love \u003cbr\u003eWas ich Dir noch sagen wollte\u003cbr\u003eWhat’s Your Voodoo (Dark Spirits Mix)Letzter Tanz\u003c\/p\u003e","brand":"The Outer Edge","offers":[{"title":"Default Title","offer_id":46564385816732,"sku":"EDGE043","price":27.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/EDGE043.jpg?v=1774200131"},{"product_id":"chris-liebing-higher-things-fjaak-remix","title":"Chris Liebing - Higher Things (FJAAK Remix)","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: CLR140V \u003cbr\u003eBarcode: 844216060218\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003e* Following the release of Chris Liebing’s ‘Evolver’ album this spring, German duo FJAAK rework ‘Higher Things’ which appeared on the full-length, releasing via CLR on 29th May 2026. Long established as a formidable force within Techno, FJAAK are known for crafting high-impact, floor-focused tracks, often via their self-titled imprint, with the Berlin artists now joining a star-studded cast on Chris Liebing’s latest full-length, including photographer and film director Anton Corbijn on photography, and collaborations with Charlotte de Witte, Luke Slater, The Advent, Speedy J, Terence Fixmer, Pascal Gabriel, and\u003cbr\u003eDaniel Miller. \u003c\/p\u003e\n\u003cp\u003eTheir remix reshapes ‘Higher Things’ around a rattling dub techno framework, where molten chords soften the weight of mechanical kicks while resonant stabs and swelling textures steadily intensify. The result is a hypnotic yet forceful reimagining, balancing atmospheric depth with anthemic, warehouse-ready pressure. \u003c\/p\u003e\n\u003cp\u003eThe original version of Chris Liebing’s ‘Higher Things’ appears on his debut solo LP, ‘Evolver’, released 27th March 2026 on CLR. Marking a distillation of over three decades at Techno’s core, the album pairs introspective depth with immediate, floor-driven impact, bringing together contributions from the likes of Luke Slater, Charlotte de Witte, Speedy J and The Advent, while ultimately remaining rooted in Liebing’s singular vision, channeling the raw, industrial energy of classic club spaces into a refined, forward-facing long player.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA Chris Liebing - Higher Things (FJAAK Remix)\u003cbr\u003eB Chris Liebing - Higher Things\u003c\/p\u003e","brand":"CLR","offers":[{"title":"Default Title","offer_id":46624880132252,"sku":"CLR140V","price":20.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CLR140V.jpg?v=1775226551"},{"product_id":"merzbow-tsubute-mosaic-cd","title":"MERZBOW - Tsubute Mosaic [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: MOM049CD \u003cbr\u003eBarcode: 4070209020587\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Noise\/Abstract\/Ambient\/Industrial\u003c\/p\u003e\n\u003cp\u003eRenowned for his pioneering contributions to the noise music genre, Merzbow (aka Masami Akita) has solidified his position as one of its most significant and recognizable figures. From his groundbreaking utilization of tape loops to craft expansive industrial landscapes in the late 1970s, to his transition to laptop-generated static noise at the turn of the century, Merzbow has consistently pushed the boundaries of sonic experimentation.\u003c\/p\u003e\n\u003cp\u003eModern Obscure Music is delighted to unveil Merzbow's debut release on the label, \"Tsubute Mosaic.\"\u003c\/p\u003e\n\u003cp\u003eArtwork by Masami Akita.\u003c\/p\u003e\n\u003cp\u003eAll Music by Masami Akita.\u003cbr\u003eRecorded \u0026amp; Mixed at Munemihouse, Tokyo Jan 2024.\u003cbr\u003e® MODERN OBSCURE MUSIC 2024.\u003c\/p\u003e\n\u003cp\u003eTracklist: A. Tsubute Mosaic Part 1 - 19:06 B. Tsubute Mosaic Part 2 - 17:41\u003c\/p\u003e","brand":"Modern Obscure Music","offers":[{"title":"Default Title","offer_id":46625631895708,"sku":"MOM049CD","price":14.97,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MOM049CD.jpg?v=1775238329"},{"product_id":"tink-fuck-marry-kill-cd","title":"Tink - Fuck, Marry, Kill [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ERE1303\u003cbr\u003eBarcode: 199316561265   \u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003eAbout: \u003cbr\u003eWith Fuck, Marry, Kill, Tink delivers her most provocative and conceptually sharp body of work to date, firmly reclaiming her position as a premier storyteller in the modern R\u0026amp;B landscape. Moving beyond the diary-entry style of her earlier years, this project utilizes the titular game as a brutal yet honest framework for the complexities of modern intimacy. Tink navigates the chaos of the dating world with a dual-threat precision that few can match, seamlessly blending the grit of her Chicago rap roots with the velvet textures of contemporary soul. Under the executive production of Hitmaka, the album finds its heartbeat in the friction between high-gloss production and raw, unfiltered lyricism.\u003c\/p\u003e\n\u003cp\u003eThe album is meticulously structured to mirror the chaotic cycle of urban romance: the adrenaline of fleeting lust, the heavy stakes of long-term commitment, and the inevitable coldness of a bridge burned. In the \"Fuck\" segment, Tink radiates a lethal confidence, delivering anthems of autonomy and physical desire that demand space in the club and on the charts. As the project transitions into \"Marry,\" she peels back the armor, offering a vulnerable look at the desire for stability and the terrifying leap of faith required to trust a partner. However, it is in the \"Kill\" section where Tink’s songwriting truly bites; here, she chronicles the aftermath of betrayal and the empowerment that comes from cutting ties, transforming her heartbreak into a weapon of self-preservation.\u003c\/p\u003e\n\u003cp\u003eUltimately, Fuck, Marry, Kill is a masterclass in \"Toxic R\u0026amp;B\" that refuses to settle for easy answers. Tink captures the specific anxiety of a generation trying to distinguish between a temporary thrill and a permanent soulmate, all while navigating a world of ghosting and digital infidelity. By leaning into her flaws and her triumphs with equal intensity, she creates a sonic space where listeners feel both seen and vindicated. This isn't just an album about love—it's a survival guide for the heart, narrated by an artist who has seen every side of the game and lived to write the definitive soundtrack for it.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. Strangers\u003cbr\u003eA2\/2. 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Live \u0026amp; Learn\u003c\/p\u003e\n\u003cp\u003eSocials: \u003cbr\u003eTwitter: 520k followers\u003cbr\u003eIG: 1.5M followers\u003cbr\u003eFB: 450k followers\u003cbr\u003eYT: 780k subs \/ 545M+ views\u003c\/p\u003e","brand":"Winter's Diary \/ WD Records \/ EMPIRE","offers":[{"title":"Default Title","offer_id":46659644293276,"sku":"ERE1303","price":11.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1303_ERE1304.jpg?v=1775825250"},{"product_id":"casimir-liberski-retrio-the-z-suites-2lp-gold","title":"Casimir Liberski ReTRio - The Z Suites [2LP Gold]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: WRJ015GOLD \u003cbr\u003eBarcode: 4070209020204          \u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Jazz\/Video Game Music\/Piano\/Modern Jazz\u003c\/p\u003e\n\u003cp\u003eLimited Edition of 300 Gold Vinyl 180g 2LP. Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eWRWTFWW Records is happy to announce the release of a limited edition gold variant vinyl for Casimir Liberski ReTRio’s The Z Suites, a full-length jazz album reinterpreting the music from iconic Nintendo video game series The Legend of Zelda. The epic Z-Jazz journey comes as limited edition of 300: 180g half speed mastered gold vinyl double LP housed in a heavyweight sleeve with obi!\u003c\/p\u003e\n\u003cp\u003eCasimir Liberski reimagines the golden era of video game soundtracks with jazz versions of Zelda favorites The Legend of Zelda (1986), A Link to the Past (1991), Link’s Awakening (1993), and Oscarina of Time (1998) - plus a few Easter eggs! Dancing between nostalgia and avant-garde, the Brussels-born pianist and composer crafts a sonic world of pixelated folklore where melody and improvisation coexist in harmony. \u003c\/p\u003e\n\u003cp\u003eMusic critic Arthur Meurant perfectly explains:\u003c\/p\u003e\n\u003cp\u003eFor many video games are a journey of the mind. Since its inception – dating back to the early seventies – this avant-garde artistic medium has nourished the imaginations of a digital age. Casimir, like many others, has been fed a steady diet of pixels from an early age. From simple squares to cultural cornerstones they have become the trail on which playful travelers of the mind retrace the steppes of history. A shared universe, familiar yet endless, of pocket-sized mythology. Its name? Hyrule. Its goal? To amaze. In these few tracks – selected with care – the Casimir Liberski ReTRio invites you, finally, to visit a space which does not exist yet holds us all. A land where all feel welcome. Where all are happy. But also... to rediscover under another timbre the classical compositions of Master Composer Kōji Kondō. A man who, unbeknownst to him, composed our dreams as well as music. That single noble pursuit, where an artist gives soul without losing his own, is yet again a statement of humanity in its purest of forms: art as that which brings us together and makes us whole in a world eroded by modernity. Pick up your key. Gather your maps. Open the door. Adventure calls. \u003c\/p\u003e\n\u003cp\u003eLong live Hyrule jazz!\u003c\/p\u003e\n\u003cp\u003eTracklist: A1. Overworld Suite A2. Uncovered Secret A3. Battle Shrine B1. Triforce Suite B2. Dungeon Suite B3. Boss Suite I B4. Sheik's Theme C1. Forest Suite C2. Kawaii Suite D1. Dark World Suite D2. Boss Suite II D3. Fairy Fountain\u003c\/p\u003e","brand":"We Release Jazz","offers":[{"title":"Default Title","offer_id":46661565186204,"sku":"WRJ015GOLD","price":41.02,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_ce23c895-1abc-414b-a890-9df4c36d5e58.webp?v=1775852338"},{"product_id":"cate-kennan-shadows-lp","title":"Cate Kennan - Shadows [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: KRANK253LP\u003cbr\u003eBarcode: 796441825318\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Singer-Songwriter\/Ambient\/Experimental\u003c\/p\u003e\n\u003cp\u003eLos Angeles musician Cate Kennan’s self produced second full length unfolds with the poetry and immateriality of its title: Shadows. \u003c\/p\u003e\n\u003cp\u003eTen vignettes of keys, strings, reverb, and voice, the songs sway and lope between dream and lullaby, rose-colored but remote.\u003c\/p\u003e\n\u003cp\u003eThe album was inspired by the dislocation Kennan felt upon returning, after several years\u003cbr\u003eaway, to the rustic neighborhood northwest of L.A. where she’d grown up: “Wandering through a place where my life once existed but where everything had quietly shifted with time.”\u003c\/p\u003e\n\u003cp\u003eThe music conjures a mood of distance, dust, and dazed emotion, alternately lulling and unraveling. From shuffling tumbleweed vignettes (“The Lone West,” “Romantic Strings”) to sepia-tone torch songs (“Shadows,” “Reverie”) to oblique keyboard meditations (“Moonlight,” “Rain”) , Kennan’s soundworld moves with a muted, murky beauty, like alluring shapes seen through smudged glass. In her hands, haze is a transformative property, liberating melody and memory into landscapes still untraveled.\u003c\/p\u003e\n\u003cp\u003eTRACK LISTING 1. The Lone West 2. Shadows 3. Moonlight 4. Reverie 5. Romantic Strings 6. Devil’s Hour 7. The Lone West II 8. So Far Away 9. Rain 10. Calling\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"671\" height=\"504\" src=\"https:\/\/www.youtube.com\/embed\/JqxGqJu4-mo\" title=\"Cate Kennan - “Devil’s Hour”\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Kranky","offers":[{"title":"Default Title","offer_id":46740445069468,"sku":"KRANK253LP","price":30.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KRANK253.jpg?v=1776971670"},{"product_id":"damian-dalla-torre-people-pleaser-limited-nebular-green-vinyl","title":"Damian Dalla Torre - People Pleaser [Limited Nebular Green Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SQM039G\u003cbr\u003eBarcode: 4251804189460\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Jazz \/ Modern Classical\u003c\/p\u003e\n\u003cp\u003e180g, Limited Nebular Green Vinyl, includes balloon + holographic sticker.\u003c\/p\u003e\n\u003cp\u003eDamian Dalla Torre returns with People Pleaser, a record shaped by movement, collaboration and an ever-deepening relationship with sound as environment.\u003c\/p\u003e\n\u003cp\u003eThe Leipzig-based multi-instrumentalist, composer and producer first found wide attention with his 2022 debut Happy Floating, and his subsequent album I Can Feel My Dreams was named the #1 Contemporary Album of 2024 by The Guardian, an accolade that broadened his audience and deepened confidence in his evolving voice. That second album, written between Europe and South America, opened unexpected doors and took Dalla Torre to stages across New York, Japan and Italy. “When you release music, it’s very intimate,” he reflects. “You show your emotions pretty raw. I was kind of scared. But getting so much positive feedback gave me a lot of self-confidence to try out more.”\u003c\/p\u003e\n\u003cp\u003ePeople Pleaser begins in that quiet shift of confidence.\u003c\/p\u003e\n\u003cp\u003eThe title stayed with him for months before he committed to it. “It was a working title for a long time,” he says. “I didn’t actually think I would use it. But this term also felt somehow relevant in connection with the phase of self-negotiation during the development process. Some aspects are related to pressure, others are positive.” The ambiguity felt right. Rather than presenting it as a statement, Dalla Torre leaves it open, an invitation rather than a confession. \u003c\/p\u003e\n\u003cp\u003eAt the centre of People Pleaser is collaboration. Guitarist Bertram Burkert, whose playing stretches from classical delicacy to electric abstraction, joined Dalla Torre in the studio for an intensive three-day session, recording a wide palette of textures that would become the backbone of the album. Vocalist Laura Zöschg, a key live collaborator, harpist Babett Niclas, organist Felix Römer, tape experimentalist Markus Rom, marimba and vibraphonist Volker Heuken and Japanese artist Manami Kakudo also contribute, creating a sound that feels intimate yet expansive.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1) Intro \/ Sprouts A2) Longitude A3) Nacre A4) Chives B1) Bupi B2) Slant B3) Loops B4) Tenki Ame (feat. Manami Kakudo) \u003c\/p\u003e","brand":"Squama","offers":[{"title":"Default Title","offer_id":46765982908572,"sku":"SQM039G","price":32.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SQM039G.jpg?v=1777402291"},{"product_id":"fex-don-t-look-back-lp","title":"FEX - Don’t Look Back [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: EDGE040\u003cbr\u003eBarcode: 4070209021102\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: New Wave\/Synth-Pop\u003c\/p\u003e\n\u003cp\u003e- The FIRST OFFICIAL LIVE LP BY FEX.\u003cbr\u003e- Includes a previously unissued version of The Most Mysterious Song On The Internet.\u003cbr\u003e- Strictly limited to 750 copies on yellow vinyl only.\u003cbr\u003e- Hand Numbered  - Obi Strip - double sided lyrics insert, black poly lined inner sleeve.\u003cbr\u003e- Digipak CD contains 3 bonus tracks.\u003c\/p\u003e\n\u003cp\u003eWe are pleased to announce the first FEX live album, Don’t Look Back. The release features selected recordings from two concerts in Paderborn and Uelzen, both captured in 1985. All tracks on the album are previously unissued, including entirely unheard songs such as It’s a Hard Life, Just Get Back, Legend, and Waiting Song, alongside a previously unreleased version of Subways of Your Mind, widely known as “The Most Mysterious Song on the Internet.”\u003c\/p\u003e\n\u003cp\u003eOne of the most striking aspects of the album is the remarkable sound quality of the live recordings, as well as the strength of the performances themselves – particularly given that FEX were still considered a newcomer band at the time. The four-piece lineup consisted of singer, guitarist, and primary songwriter Ture Rückwardt, Michael Hädrich on keyboards and occasional second guitar, Norbert Ziermann on bass, and Hans-Reimer Sievers on drums. In 1985, the band was preparing for broader exposure through a nationwide tour organized by the small promotion company HBM-Musikbüro.\u003c\/p\u003e\n\u003cp\u003eThe album opens with the psychedelic Skyscraper, a track Rückwardt reportedly regarded as a personal favorite to perform. Hädrich contributes dynamic synthesizer layers, while Ziermann underpins the track with a distinctive slap bass groove. This is followed by the energetic rock number It’s a Hard Life, which once again demonstrates that the band possessed multiple songs capable of matching the impact of their best known track Subways of Your Mind.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAfter this energetic opening, the album shifts into a more restrained mood with the synth-pop ballad I Got My Eyes On You. It is followed by Strange Feeling, presented here in a particularly compelling live version that arguably surpasses the previously released studio demo featured on the Skyscraper LP, with Rückwardt delivering one of his most expressive vocal performances. On Goldrush, another fan favorite, it is Hädrich’s DX7 synthesizer work that stands out.\u003c\/p\u003e\n\u003cp\u003eDon’t Look Back continues to flow seamlessly, moving between styles such as new wave, synth pop, and a blues-influenced form of classic rock. On It’s Good To Know, a song addressing the theme of stardom, the band returns to a heavier rock sound. In contrast, the synth-driven Just Get Back reflects on the conflict in Northern Ireland, then ongoing at the time. Lines such as “It’s the money, it’s the money why they come along” are directed at mercenary soldiers, while “even Sunday’s a killing time” directly references Sunday Bloody Sunday by U2.\u003c\/p\u003e\n\u003cp\u003eTracklist \u003cbr\u003eSide A Skyscraper (Live in Uelzen), It’s a Hard Life (Live In Paderborn), I Got My Eyes You (Live in Uelzen), Strange Feeling (Live in Uelzen), Goldrush (Live in Uelzen) , It’s Good To Know (Live In Uelzen), Just Get Back (Live in Paderborn) Side B Dirty Slapstick (Live In Paderborn), Heart In Danger (Live In Paderborn), We Don’t Want it No More (Live In Paderborn) , Legend (Live In Uelzen) , Subways of Your Mind (Live in Uelzen) , Waiting Song (Live in Uelzen)\u003c\/p\u003e","brand":"The Outer Edge","offers":[{"title":"Default Title","offer_id":46765986152604,"sku":"EDGE040","price":32.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/EDGE040CD_dadb9fb4-b41e-402b-94ac-401304ec9020.jpg?v=1777402398"},{"product_id":"fex-don-t-look-back-cd","title":"FEX - Don’t Look Back [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: EDGE040CD \u003cbr\u003eBarcode: 4070209021119\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: New Wave\/Synth-Pop\u003c\/p\u003e\n\u003cp\u003e- The FIRST OFFICIAL LIVE LP BY FEX.\u003cbr\u003e- Includes a previously unissued version of The Most Mysterious Song On The Internet.\u003cbr\u003e- Strictly limited to 750 copies on yellow vinyl only.\u003cbr\u003e- Hand Numbered  - Obi Strip - double sided lyrics insert, black poly lined inner sleeve.\u003cbr\u003e- Digipak CD contains 3 bonus tracks.\u003c\/p\u003e\n\u003cp\u003eWe are pleased to announce the first FEX live album, Don’t Look Back. The release features selected recordings from two concerts in Paderborn and Uelzen, both captured in 1985. All tracks on the album are previously unissued, including entirely unheard songs such as It’s a Hard Life, Just Get Back, Legend, and Waiting Song, alongside a previously unreleased version of Subways of Your Mind, widely known as “The Most Mysterious Song on the Internet.”\u003c\/p\u003e\n\u003cp\u003eOne of the most striking aspects of the album is the remarkable sound quality of the live recordings, as well as the strength of the performances themselves – particularly given that FEX were still considered a newcomer band at the time. The four-piece lineup consisted of singer, guitarist, and primary songwriter Ture Rückwardt, Michael Hädrich on keyboards and occasional second guitar, Norbert Ziermann on bass, and Hans-Reimer Sievers on drums. 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It is followed by Strange Feeling, presented here in a particularly compelling live version that arguably surpasses the previously released studio demo featured on the Skyscraper LP, with Rückwardt delivering one of his most expressive vocal performances. On Goldrush, another fan favorite, it is Hädrich’s DX7 synthesizer work that stands out.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDon’t Look Back continues to flow seamlessly, moving between styles such as new wave, synth pop, and a blues-influenced form of classic rock. On It’s Good To Know, a song addressing the theme of stardom, the band returns to a heavier rock sound. In contrast, the synth-driven Just Get Back reflects on the conflict in Northern Ireland, then ongoing at the time. 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He created celebrated symphonic and chamber works, but also brought depth and beauty to theater and cinema through his original scores. Working in tandem with directors, screenwriters, playwrights, and conductors, Kancheli helped to define multiple eras of Georgia’s diverse, multidisciplinary artistic identity.  \u003c\/p\u003e\n\u003cp\u003eIn collaboration with the composer's family, Tbilisi Records has compiled a series of recordings of Kancheli's music composed for film and theater. This first double LP presents some of his earliest creations: music for two theater productions, Khanuma (1968) and The Straw Hat (1966), and one of the composer’s earliest soundtracks, music for the film Extraordinary Exhibition (1968).  \u003c\/p\u003e\n\u003cp\u003eThis album includes archival recordings, unreleased tracks, and alternate takes from sessions made available here for the very first time. These collected examples from the composer’s early career illustrate his already established style, while serving as a foundation from which to compare his later works and artistic evolution. “Giya Kancheli – Music for Stage and Screen” also highlights Kancheli’s incredible propensity for collaboration, emphasizing his role as a critical figure in the constellation of artists that defined Georgia’s creative milieu.  \u003c\/p\u003e\n\u003cp\u003eThe label extends its deepest gratitude to the family of Giya Kancheli, whose trust and kindness made this release possible. Our heartfelt thanks also go to everyone who once lent their sound or vision to these recordings – musicians and photographers whose names may be lost to time, yet whose spirits live on in the music and images that endure.\u003c\/p\u003e\n\u003cp\u003eCover Painting by Revaz Gabriadze\u003cbr\u003eDesign by Sandro Tavartkiladze\u003cbr\u003eLiner notes by Ben Wheeler, with materials adapted from Natalia Zeifas' book Pesnopenie (1991)\u003cbr\u003ePhotographs from the private family archives\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003eSide A 1. Overture  2. Where Do You Go 3. Flirting with Hanuma 4. Longing (slow) 5. Longing (fast) 6. Sulphur Bath  7. Jazzy Waltz  8. Cadence Side B 1. Main Theme (opening) 2. Woodwinds (part 1) 3. Woodwinds (part 2) 4. Bridegroom Riding Homewards 5. Bridesmaid 6. Guests Arriving 7. A Clash 8. Bossa Nova 9. Battle March 10. Main Theme (piano lead) 11. Main Theme (swinging and swaying) 12. Dance 13. Happy End Side C 1. March 2. Main Theme 3. 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Jennifer Loveless — Guardian 'Artist To Watch', Mixmag Track of the Year recipient, and alumni of !K7, Future Classic and Butter Sessions — opens with \"Satisfaction\", a warm, body-moving indie dance reinterpretation that feels at home as much at Ibiza sunset as it does on a festival main stage.\u003c\/p\u003e\n\u003cp\u003eUK mystery producer ROKAR follows with \"Bedroom Headliner\", a garage-rooted house cut that blurs the line between intimate and euphoric, already earning BBC Radio 1 plays and support from Marco Carola, Skream and Chloé Caillet.\u003c\/p\u003e\n\u003cp\u003eRudy With A Hoodie \u0026amp; J-Land deliver \"The Rhythm\", a driving, hypnotic peak-time weapon built for main stages, drawing on the analog warmth of Red Axes and DJ Tennis.\u003c\/p\u003e\n\u003cp\u003eMexico City's PAURRO closes the record with \"Chik Fresa\" — playful, punchy indie dance with personality to spare, from an artist who has performed at Tresor and Boiler Room and released on Cómeme and Nervous.\u003c\/p\u003e\n\u003cp\u003eFour tracks. 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Played by DJs like Palms Trax, Folamour, Louie Vega of Masters at Work, Horse Meat Disco, Seth Troxler, Mousse T. and many others.\u003c\/p\u003e\n\u003cp\u003eCombining the original NYC house sound from the 1990ies with the best of Italian Disco history. Turning it all into a very contemporary flow of afro-american and Italian music based on funk, soul, melodies and rhythm. Just listen to his 2 EPs he did on Toy Tonics and you understand. All played live with musicans (no samples) this sounds like the best organic house tracks you can get at the moment.\u003c\/p\u003e\n\u003cp\u003eFimiani lands a major milestone with his remix of John Julius Knight’s Find a Friend (Sulfuric Trax), hitting number 1 on the Overall \u0026amp; House chart via Traxsource.\u003c\/p\u003e\n\u003cp\u003eCheck also FIMIANI’s edits of extremely rare Italian disco on his own imprint Caffè Corretto edits. 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Love Grocer - `Forty Days’\u003cbr\u003eB. 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Its dub counterpart Get Dub then strips things back - a spacious, reverb-drenched variation that lets the groove breathe and reveals the track's deeper, more meditative side.\u003c\/p\u003e\n\u003cp\u003eThe vinyl edition comes with an exclusive bonus track: Gruv It – a stripped-down, atmospheric rework of Muv It that trades hands up moments against a hypnotic rolling vibe.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1: Muv It\u003cbr\u003eA2: Gruv It\u003cbr\u003eB1: Get Up\u003cbr\u003eB2: Get Dub\u003c\/p\u003e","brand":"Pleasure Principle","offers":[{"title":"Default Title","offer_id":46996627685532,"sku":"VINYLPLEASURE01","price":15.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/VINYLPLEASURE01.jpg?v=1780337525"},{"product_id":"groovedeep-funk-solo","title":"Groovedeep - Funk Solo","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: TURBO249V\u003cbr\u003eBarcode: 4062548131062\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003e* International supergroup Groovedeep is comprised of Toronto’s Ciel and DC’s James Bangura and Jackson Ryland.\u003c\/p\u003e\n\u003cp\u003e* There was a regrettable time in Turbo’s history when our email filters would prevent anything called Groovedeep from reaching our senior A\u0026amp;R braintrust. We felt we needed to shield their sensibilities and sanity from demos by acts like The Rhythm Pilgrims and Loop Addict, but it ended up costing us potential stars like SonicVisions and Beatweaver. Someone had to stand up and say no more.\u003c\/p\u003e\n\u003cp\u003eWith this benighted era behind us, Turbo is proud of itself for presenting you with this pair of decidedly modern bangers from international supergroup Groovedeep, comprised of Toronto’s Ciel and DC’s James Bangura and Jackson Ryland.\u003c\/p\u003e\n\u003cp\u003e“Funk Solo” packs 145 beats into each and every minute of a delirious techno mindbeast, with remixes from icons such as Shed, Batu, and Mark Broom taking the vibe in all the right various directions. 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His highly-acclaimed 2023 longplayer „Shields In Full Sunlight“ is still on the plates of oh-so-many heads out there, same for us. We are truly happy to present his latest vision of a cloudy night- all with Wonderful Tempo.\u003c\/p\u003e\n\u003cp\u003eComes with a stunning full cover artwork from Stefan Marx.\u003c\/p\u003e\n\u003cp\u003e* All Tracks written \u0026amp; produced by Joe Davies\u003cbr\u003eAdditional Production on A1 by Ossia\u003cbr\u003eAdditional Production on B1 by Johan Kaseta\u003cbr\u003eMastering \u0026amp; vinyl cut by Helmut Erler at Lathesville\u003cbr\u003eArtwork \u0026amp; Typography by Stefan Marx\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1 Ton, Scheine, Sterben\u003cbr\u003eA2 Born Yesterday\u003cbr\u003eB1 Something on my Mind\u003cbr\u003eB2 Shine Shine\u003c\/p\u003e","brand":"Smallville","offers":[{"title":"Default Title","offer_id":46996655931548,"sku":"SMALLVILLE76","price":16.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SMALLVILLE76.jpg?v=1780338368"},{"product_id":"mat-chiavaroli-ammaro-ep","title":"Mat Chiavaroli - Ammaro EP","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: QUINTESSE101 \u003cbr\u003eBarcode: 4251804189040\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003e* Ready for a hot summer? It will get hot when listening to the new Mat Chiavaroli EP called „Ammaro“!\u003c\/p\u003e\n\u003cp\u003eMat has a long time connection with Quintessentials and released his first ever album „No stranger to madness“ back in 2017. His new sound is more driving and club friendly, ranging form the mediterrainina inspired „Ammaro“ the the UK garage styled „Need“ to the classic deep house tune „We can figure it out“. To top if off, Quintessentials buddie Ralph Session adds a NY influenced remix to heat things up even more! And yes, artwork provided by Mat’s son Divo, a real family affair!\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1: Ammaro\u003cbr\u003eA2: Need\u003cbr\u003eB1: Ammaro (Ralph Session Boogie Down Remix)\u003cbr\u003eB2: We can figure it out\u003c\/p\u003e","brand":"Quintessentials","offers":[{"title":"Default Title","offer_id":46996688830620,"sku":"QUINTESSE101","price":15.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/QUINTESSE101.jpg?v=1780339639"},{"product_id":"regal86-doble-filo","title":"Regal86 - Doble Filo","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: DNTB008\u003cbr\u003eBarcode: 3700398738888\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Electronic \/ Techno \/ Hardgroove\u003c\/p\u003e\n\u003cp\u003eDespite the thousands of kilometers between them, Monterrey and Medellín have always seemed to move in parallel. Both cities rise around guardian hills that watch over their people, and if you look closer, even the concrete that forms the backbone of each city traces back to these rugged metropolises.\u003c\/p\u003e\n\u003cp\u003eThe list of coincidences could go on—small, almost conspiratorial links that chance has woven between the two places. Adding another chapter to this unlikely connection is Regal86, who had already crossed the bridge once before to dive into the depths of Colombia’s “city of eternal spring.”\u003c\/p\u003e\n\u003cp\u003eDoble Filo, his first full-length cut to vinyl, now becomes his latest calling card. The eighth release on Discos Nutabe’s catalog arrives with six tracks—six sharp-edged pieces that lay bare Regal86’s sonic marginality.\u003c\/p\u003e\n\u003cp\u003eIt’s a form of exclusion that isn’t imposed but chosen, a deliberate stance to sidestep the demand for exotica that still shapes much of Latin America’s electronic landscape. 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If there’s one thing worth highlighting about Doble Filo as a whole, it’s the way it consistently—and almost implicitly—reasserts its core premise from start to finish: these techno tracks are meant to be played wherever the hell you want.\u003c\/p\u003e\n\u003cp\u003eIn a moment when oddities tend to be rewarded more than usual, Doble Filo doubles down on fundamentals, reclaiming the spirit of early electronic music and carrying it into an era where immediacy seems intent on blurring the honesty of those who shape the sound.\u003cbr\u003eFor Regal86, sonic hustle is the only thing that keeps his spirit steady.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003eA1    Club Joke          \u003cbr\u003eA2    Herida     \u003cbr\u003eA3    Doble Filo     \u003cbr\u003eB1    Wacha          \u003cbr\u003eB2    Duro ft. 10010         \u003cbr\u003eB3    Dame\u003c\/p\u003e","brand":"Discos Nutabe","offers":[{"title":"Default Title","offer_id":46996704886940,"sku":"DNTB008","price":23.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DNTB008.jpg?v=1780340054"},{"product_id":"gold-panda-ton-up-2lp","title":"Gold Panda - TON UP [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: BARN133 \u003cbr\u003eBarcode: 4070209020921\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Techno\/Minimal\u003c\/p\u003e\n\u003cp\u003eGATEFOLD 2LP.\u003c\/p\u003e\n\u003cp\u003eGold Panda returns with TON UP, a brilliantly stubborn new album for Studio Barnhus: eight rough-hewn dance tracks and two cozy little service-station interludes, all crafted with the robust determination of a\u003cbr\u003eproducer who knows that 140 bpm is not so much a tempo as a way of life.\u003c\/p\u003e\n\u003cp\u003eMade with Derwin Dicker’s unmistakable sampler-bashing touch, the tracks on Ton Up carry the raw knock of old-school hip-hop instrumentals, pushed through pumping house-music machinery and ready to cause absolute trouble on any half-decent sound system.\u003c\/p\u003e\n\u003cp\u003eHere you’ll find zero of that dreaded, over-explained “maturity” usually demanded of beloved electronic artists several albums deep into the game. Instead, Gold Panda just sounds as happily locked in as ever,\u003cbr\u003ecarelessly chasing the physical joys of pressure, swing and repetition. 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NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eLP1 New album.\u003cbr\u003eLP2 Available on vinyl for the first time.\u003cbr\u003eLP3\/4 Debut album on green vinyl.\u003cbr\u003eLP5 Second album on red vinyl.\u003c\/p\u003e\n\u003cp\u003eWhen I recorded the first 2 Trickfinger records, I had recently discovered that you could make electronic music in a room with a bunch of synced machines going at the same time, record it on a CD burner and have a finished track. I've heard this process described as “overdubbing into the air”. It was as exciting to me as my first 4 track was when I was 14. I wasn't trying to be good, or original. I was just excited that music could be made that way; it felt like I was a whole group of musicians playing together… or like I was jamming with ghosts of myself. This has actually been a very common way of making electronic music since the 80s, particularly in the main pioneering genres like Chicago Acid and Detroit Techno, but anyways I didn't figure it out until 2006. In 2007, I started doing it myself, which resulted in what was eventually released as Trickfinger, and Trickfinger II. I was just home from tour and was still in the middle of recording The Empyrean.\u003c\/p\u003e\n\u003cp\u003eA couple of years later I started making music by overdubbing onto a computer, but using the same machines. I tried to make music that didn't sound like anything else. I saw a way of combining Progressive Rock and Synth Pop which nobody had done. And I was combining my songwriting and guitar playing with these old machines in a way which I was sure was unique. 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