{"title":"SRD 270226","description":"","products":[{"product_id":"me-in-your-eyes","title":"\u0026ME - In Your Eyes","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: PAMPA032 \u003cbr\u003eBarcode: 4260544825668 \u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Electronic\/House \u003c\/p\u003e\n\u003cp\u003e2026 Repress\u003c\/p\u003e\n\u003cp\u003e* Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's \u0026amp;ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.\u003cbr\u003eThere is \"In Your Eyes\", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.\u003cbr\u003eIn comparison, \"As Above So Below\" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktimegrandeur. There you have it: \"As Above So Below\" - this tune works on every level.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:   A. In your eyes 09:41min\u003cbr\u003eB. As above so below 08:02 min\u003c\/p\u003e","brand":"Pampa","offers":[{"title":"Default Title","offer_id":39677055500444,"sku":"PAMPA032","price":14.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PAMPA032.jpg?v=1692624115"},{"product_id":"dntel-herbert-remixes-by-die-vogel-dj-koze","title":"Dntel, Herbert - Remixes By Die Vögel, Dj Koze","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: PAMPA012\u003cbr\u003eBarcode: 827170470064 \u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Minimal\/Tech House\u003c\/p\u003e\n\u003cp\u003e* 2025 repress\u003c\/p\u003e\n\u003cp\u003e* Pampa is proud to present stunning remixes from Die Vögel for Dntel \u0026amp; DJ Koze for Matthew Herbert. Still impressed by the outstanding Dntel album \"Aimlessness\" Die Vögel deliver a remix that broadens their multifaceted sound aesthetics once again with catchy SteveReich'esque melodies that cover the voice of Jimmy Tamborello just like they always been there. A very powerful fundament is carrying the house, so big and full of suprises. Also, this house has many windows to all cardinal points.It was 2001 when Matthew Herbert enchanted us all with his blueprint album \"Bodily Functions\". 11 years later the distinctive DJ Koze takes on two of his all-time favs to remix, \"You saw it all\" (which will be part of the re-release on Accidental) and \"It's only\" which will be released by Pampa Records digitally AND on vinyl. The result is a breathtaking piece of modern music, The beautiful voice of Dani Siciliano has experienced a total new dress, she´s now the irrestible captain of a fat but flexible submarine, diggin' in deep waters for new ways to enlighten the dancefloor... An instant classic already....\u003c\/p\u003e\n\u003cp\u003e* Tracklist:     \u003cbr\u003eA. Dntel - My Orphaned Son (Die Vögel Remix) \u003cbr\u003eAA. Herbert - It's Only (DJ Koze Remix)\u003cbr\u003e\u003c\/p\u003e","brand":"Pampa","offers":[{"title":"Default Title","offer_id":40323377889436,"sku":"PAMPA012","price":14.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_9ce326a1-6215-4868-a9ac-043ad5b485d5.jpg?v=1625304268"},{"product_id":"dj-koze-xtc","title":"Dj Koze - XTC","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: PAMPA024\u003cbr\u003eBarcode: 827170592766\u003cbr\u003eRelease Date: 27 Feb 2026 (Repress)\u003cbr\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003e2026 repress\u003c\/p\u003e\n\u003cp\u003e* DJ Koze’s 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. \"La Duquesa\" was the album’s dreamy single standout, a journey into deep, tropical ecstasy.\u003c\/p\u003e\n\u003cp\u003e“XTC” begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of  spoken text begins the second act. \"Many people are experimenting with the drug Ecstasy,” it says, “…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?”. \"XTC\" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track’s final pay off: an undeniable, all-consuming, irresistible high.\u003c\/p\u003e\n\u003cp\u003e\"Knee On Belly\" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. “Knee on Belly” recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.\u003c\/p\u003e\n\u003cp\u003eTracklist:  A. XTC B. Knee On Belly\u003c\/p\u003e","brand":"Pampa","offers":[{"title":"Default Title","offer_id":40324714463388,"sku":"PAMPA024","price":14.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_9c64afe1-c8bc-4083-ad5c-c8398fe8ccad.jpg?v=1625321953"},{"product_id":"arthur-russell-another-thought-2lp-1","title":"Arthur Russell - Another Thought [2LP]","description":"\u003cp\u003eFormat: 2LP\u003cbr\u003eCatalogue No.: BEWITH108LP\u003cbr\u003eEAN: 4251804125437\u003cbr\u003eRelease Date: 07 Dec 2021\u003cbr\u003eGenre: Avant Garde\/Post-Disco\/\/Ambient\u003cbr\u003e\u003cbr\u003e2026 VINYL REPRESS \u003cbr\u003e\u003cbr\u003eAnother Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released in 1993 on Point Music it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD reissue.\u003cbr\u003e\u003cbr\u003eBoth versions of Be With’s 2021 reissue of Another Thought have been mastered by Simon Francis and the vinyl cut by Pete Norman. The original artwork has been restored and tweaked at Be With HQ for the gatefold sleeve and the triple-fold digipak, with the essential help of Janette Beckman. Each version comes with an insert reproducing the liner notes and lyrics from the original CD release.\u003cbr\u003e\u003cbr\u003eTogether with Calling Out Of Context, Soul Jazz’s World of Arthur Russell, and much of the ongoing work of Audika, Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact we’d argue it’s essential for any fan of non-obvious pop music. This is the only place where you can hear some of Arthur’s most recognisable tunes and it’s an album that absolutely deserves to be kept in press.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWe’ll assume that by now you’re all at least a little familiar with the story of Arthur Russell, the farm boy from Iowa who moved to 1970s New York. Arthur Russell the genuine musical genius who died just 40 years old, leaving behind a wealth of music that dwarfed the few 12\"s and LPs that were released during his short life.\u003cbr\u003e\u003cbr\u003eAlthough Arthur had been working on an album for Rough Trade during his last years, with the label no-longer operating it was Point Music (Philip Glass and Michael Riesman’s label set up together with Philips) who stepped in to help Arthur’s partner Tom Lee start working out exactly what Arthur had left behind.\u003cbr\u003e\u003cbr\u003eTom suggested that Arthur’s friend Mikel Rouse was the right person to make the first catalogue. Working in Tom and Arthur’s apartment he had only two weeks to go through what turned out to be around 800 tapes.\u003cbr\u003e\u003cbr\u003eAs Tom explained “at the end of each day he would generally wait for me to come home and I would, to the best of my knowledge, name and identify pieces in question from that day’s work. As he worked Mikel compiled about a dozen cassettes that he thought would present the most finished sounding songs for Don\/Point to use. As Don listened he would then suggest and ask me and thus we collaborated on the choices.”\u003cbr\u003e\u003cbr\u003eDon is Don Christensen, Another Thought’s producer. With a final selection of songs from recordings made between 1982 and 1990, including sessions with some of Arthur’s regular collaborators Peter Zummo, Steven Hall, Mustafa Ahmed, Elodie Lauten, Julius Eastman, Jennifer Warnes and Joyce Bowden, it was then Don’s job to turn these into a finished album.\u003cbr\u003e\u003cbr\u003eAnother Thought is a little different from the compilations of Arthur’s music that came out since. In our conversations with Steve Knutson (who founded Audika Records and who manages Arthur’s estate together with Tom), he explained that “more than any project released by Arthur during his lifetime or posthumously by Audika, ‘Another Thought’ is the most worked over. The material was significantly edited and rearranged from the original source tapes”.\u003cbr\u003e\u003cbr\u003eIf the aim was to release a comprehensive exploration of every facet of Arthur’s music, from the most avant-garde of his avant-garde compositions through to the most disco-not-disco of his disco-not-disco tunes then the project was a spectacular failure. But as a coherent album of non-obvious pop music Another Thought is wonderful.\u003cbr\u003e\u003cbr\u003eStarting with the sparse voice-and-cello of the title track, A Little Lost adds some guitar along with the sneaking suspicion that we’re listening to something nowhere near as simple as it first sounds. By the time we get to This Is How We Walk On The Moon - it could be the moment you notice the congas, or the percussion that’s been building behind them, or maybe it’s that blast of trumpet and trombone - we realise we’ve gone from splashing around to being completely submerged in the musical world of Arthur Russell.\u003cbr\u003e\u003cbr\u003eFrom here the album heads off on its journey around the sounds of the left-field contemporary classical music of the time, re-directed towards pop ears, with minor detours through the swirling woozy disco of the half-remembered night before on In The Light Of The Miracle and My Tiger, My Timing. Whether it’s just Arthur, his cello and some bleeps on Just A Blip, or whether he has some vocal help as he does on the bounding Keeping Up, this is difficult music made so, so easy. And through it all is Arthur’s voice and cello. Sometimes drowned in distortion and sometimes clear as a bell, but always there somewhere.\u003cbr\u003e\u003cbr\u003eA Sudden Chill finally returns us to the calmer waters we started in and this last track closes the album with a melancholy that’s not surprising given how soon after Arthur’s death the album was put together.\u003cbr\u003e\u003cbr\u003eWhilst Another Thought holds together with the consistency of a proper album, there’s still no getting away from the fact that this was put together from audio recorded in different ways, in different places, with different people at different times. Those with keen ears will hear traces of tape hiss, the occasional blown-out note and some digital fuzz, all fingerprints of those original recordings as well as of the 1990s digital equipment that was used to piece Another Thought together.\u003cbr\u003e\u003cbr\u003eAdd to this Arthur’s obvious pleasure in making music from the sort of sounds that can make microphones, speakers and ears uncomfortable, it’s no surprise that Another Thought isn’t glossy and pristine. Don Christensen’s productions have been careful to not scrub up those original recordings so much that they lose their original vibe, understandable given that Arthur wasn’t around as a guide. We’ve applied a similarly light touch with the mastering for these Be With versions, just working to make sure they sound like they should on both the vinyl and the CD.\u003cbr\u003e\u003cbr\u003eDespite the Discogs rumours, Another Thought was never originally released as an LP. So when it came to the sleeve for this Be With vinyl version we took the original CD artwork as a starting point to come up with something that looks like it could have been in the record racks back in 1993.\u003cbr\u003e\u003cbr\u003eWe have to thank Janette Beckman for helping us reproduce her iconic photograph of Arthur in his newspaper boat hat. One of many photographs she took of Arthur, Janette shot this in her New York studio back in 1986 for a short article in the January ’87 issue of The Face Magazine. Those with eagle-eyes will notice we’ve used an ever-so-slightly different shot from the one that appeared in The Face and then again on the original cover of Another Thought. The original has long since been lost so we’ve worked with what is left in Janette’s archives. And we also have to thank Tom Lee for giving us permission to reproduce his liner notes from the original CD booklet, together with Arthur’s lyrics.\u003cbr\u003e\u003cbr\u003e* Tracklist LP and CD: 01 : A1 : Another Thought (02:16)\u003cbr\u003e02 : A2 : A Little Lost (03:18)\u003cbr\u003e03 : A3 : Home Away From Home (05:12)\u003cbr\u003e04 : A4 : Lucky Cloud (02:16)\u003cbr\u003e\u003cbr\u003e05 : B1 : This Is How We Walk On The Moon (04:42)\u003cbr\u003e06 : B2 : Hollow Tree (02:30)\u003cbr\u003e07 : B3 : See Through Love (04:46)\u003cbr\u003e\u003cbr\u003e08 : C1 : Keeping Up (06:20)\u003cbr\u003e09 : C2 : In The Light Of The Miracle (06:05)\u003cbr\u003e10 : C3 : Lucky Cloud (Return) (03:00)\u003cbr\u003e11 : C4 : Just A Blip (03:42)\u003cbr\u003e\u003cbr\u003e12 : D1 : Me For Real (04:55)\u003cbr\u003e13 : D2 : Losing My Taste For The Night Life (04:34)\u003cbr\u003e14 : D3 : My Tiger, My Timing (05:41)\u003cbr\u003e15 : D4 : A Sudden Chill (02:45)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":41277641883804,"sku":"BEWITH108LP","price":36.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BEWITH108LP_bbd730eb-08d2-4beb-8a9b-2867af3a3479.jpg?v=1638800010"},{"product_id":"dj-quik-rhythm-al-ism","title":"DJ Quik - Rhythm-al-ism","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: BEWITH098LP \u003cbr\u003eBarcode: 4251804125352\u003cbr\u003eRelease Date: 05 Jul 2024\u003cbr\u003eGenre: West Coast Hip-Hop\u003c\/p\u003e\n\u003cp\u003eRepress: 27 Feb 2026\u003c\/p\u003e\n\u003cp\u003e2026 reissue, 140g double vinyl, original picture sleeve and insert.\u003c\/p\u003e\n\u003cp\u003edouble vinyl, original picture sleeve and insert.\u003cbr\u003e\u003cbr\u003e'An immensely gifted US West Coast musician.' Wire\u003cbr\u003e\u003cbr\u003eDJ Quik is a giant of West Coast hip-hop. With his fourth album Rhythm-Al-Ism he created his masterpiece, a perfect hip-hop album. As Quik explains, “the name Rhythm-Al-Ism alone tells you what I was doing. I was mixing up rhythms. I was meshing R\u0026amp;B with hip-hop and jazz. And a little bit of comedy”. It’s absolutely sensational and as with a lot of mid-90s albums those original vinyl copies are now rare so here’s the Be With re-issue.\u003cbr\u003e\u003cbr\u003eA preternaturally gifted producer\/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.\u003cbr\u003eReleased in 1998 on Profile, Rhythm-Al-Ism was the closest Quik ever got to making a commercial splash. “You’z A Ganxta” and “Hand in Hand” made radio waves across the country and the less radio-friendly tracks like “Medley For A ‘V’” were bumping out of car stereos. Combining his soulful, jazzy P-Funk\/G-Funk beats with his effortlessly smooth flow, Rhythm-Al-Ism was the quintessential West Coast Party. Squelchy synths, bouncy bass, monstrously knocking drums and freaky keys - this is peaking acidic party-rap, straight out the gate. Music for gliding, for skating, for time with your people and your poison. Sunshine. No cares. BBQs. Heavy smoke in the air. Dripping with wit and good humour. A real swing to the vibe.\u003cbr\u003e\u003cbr\u003eThe album opens with Quik setting out his mission statement with “Rhythm-Al-Ism (Intro)”, telling us what this is all about before the self-explanatory “We Still Party” rocks the spot. It’s definitely all about the party here, complete with Quik’s signature head-nod\/body-moving beat. Next up, the undeniable laidback funk and dripping swing of groove-laden “So Many Wayz”. This positively slaps.\u003cbr\u003e\u003cbr\u003eThen we get to the three huge singles. The R\u0026amp;B-tinged radio-friendly minor-hit “Hand In Hand” closes the first side only for the flip to get straight into the rolling and scratching of bleepy computer-funk banger “Down, Down, Down” (featuring a particularly nice use of Howard Johnson’s epochal “So Fine”). The effortlessly smooth, flute and guitar-laced “You’z A Ganxta” completes the trio. Next up the fast-paced, vocoder-enhanced, woulda-beena-global-hit “I Useta Know Her”. This coulda (shoulda) been a single too. Head-nod funk workout “No Doubt”, with its ace sample of Prince's “Sexy Dancer”, closes out the second side.\u003cbr\u003e\u003cbr\u003e“Speed” races out the gate on the second disc, sampling Edwin Birdsong’s “Rapper Dapper Snapper” in a harder, better, faster, stronger way than those daft Parisian punks. Amphetamine-swift raps over soaring, string-drenched b-boy beats. A total anthem. Up next, the staggering, near 8-minute laconic, lounge-y sax-rap of “Whateva U Do” cools things down and smooths things out with its flute wrapping around a sample of Smokey Robinson’s “So In Love” and some oh-so-classy lounge-piano tinkling. And speaking of smooth, things don’t get much smoother than the blissfully melodic glider-anthem “Thinkin’ ’Bout U” riding that ace flip of SWV’s “Use Your Heart”. Exceptional.\u003cbr\u003e\u003cbr\u003eThe exquisite funky-flute-slapper “Medley for a ‘V’ (The P***Y Medley)” opens the fourth and final side, with star turns from Snoop Dogg and a typically suave Nate Dogg. It’s followed by the supremely skanked-out “Bombudd II”, a beautifully sweet reggae-fuelled ode to the herb. “Get 2Getha Again” is slick funk. Stunning.\u003cbr\u003e\u003cbr\u003eThis 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Rhythm-Al-Ism was originally pressed as a double and we’ve reproduced the original LA vibe picture sleeve and insert to match.\u003cbr\u003e\u003cbr\u003eAs that original front cover says, this is “over 70 minutes of commercial free music” and it’s absolutely perfect from start to finish. There are no stand-out tracks here. It’s all gold.\u003cbr\u003e\u003cbr\u003e* Tracklist: \u003cbr\u003e1 A1 : Rhythm-al-ism (Intro) (1:40)\u003cbr\u003e2 A2 : We Still Party (5:13)\u003cbr\u003e3 A3 : So Many Wayz (5:41)\u003cbr\u003e4 A4 : Hand In Hand (4:18)\u003cbr\u003e5 B1 : Down, Down, Down (4:43)\u003cbr\u003e6 B2 : You’z a Ganxta (4:22)\u003cbr\u003e7 B3 : I Useta Know Her (3:50)\u003cbr\u003e8 B4 : No Doubt (4:12)\u003cbr\u003e9 C1 : Speed (3:21)\u003cbr\u003e10 C2 : Whateva U Do (7:47)\u003cbr\u003e11 C3 : Thinkin’ Bout U (4:05)\u003cbr\u003e12 C4 : EL’s Interlude (4:05)\u003cbr\u003e13 D1 : Medley For A “V” (The P***y Medley) (6:27)\u003cbr\u003e14 D2 : Bombudd II (2:59)\u003cbr\u003e15 D3 : Get 2Getha Again (4:41)\u003cbr\u003e16 D4 : Reprise (Medley For A “V”) (2:39)\u003cbr\u003e\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":42281467773084,"sku":"BEWITH098LP","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BEWITH098LP_a683a7ec-8ccb-41b6-aad7-0eaca2bf0a8a.jpg?v=1673688672"},{"product_id":"dam-swindle-backyard-galaxy-ep","title":"Dam Swindle - Backyard Galaxy EP","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: HEIST096\u003cbr\u003eBarcode: 4251804187404\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003e* Vinyl 12” (Limited Full Cover)\u003c\/p\u003e\n\u003cp\u003e* Dam Swindle’s new ‘Backyard Galaxy’ EP is an ode to house music and the classic Swindle sound.\u003c\/p\u003e\n\u003cp\u003eIt’s only been a few months since Dam Swindle released their highly acclaimed album “Open” and already the boys are back on Heist with a new release that takes you right back to the dancefloor. Where they’ve spent the better part of the last 3 years writing their album with all its sonic explorations and collabs, this new EP sees the duo return to their roots of club-ready house music. The ‘Backyard Galaxy’ EP comes with 4 high-energy house tracks made in their Amsterdam studio that have been road-tested all summer.\u003c\/p\u003e\n\u003cp\u003eEP opener “Feel it much?” has all the ingredients of a classic Swindle heater, with warm pads, rich organic percussion and tons of soul. There’s a simple and effective vocal running throughout the track that blends nicely with the classic house elements and electronic textures that are layered throughout the track. There’s an effortless flow to this track and it comes as no surprise that it has been a highlight in their sets this summer.\u003cbr\u003e  \u003cbr\u003eThe EP title track ‘Backyard Galaxy’ is an up-tempo Latin-themed jam with a hint of old school techno.  The synth stabs hit you just right and the modulated vocal chops are a lovely boost for the build ups and add a touch of swing to a track that already has a tight  groove. Add to that a huge breakdown and drum roll and you’ve got yourself a track that’ll light up any dancefloor.\u003c\/p\u003e\n\u003cp\u003eOn the flip, we’re moving into garage territory with the shuffling vibes of ‘Rhythm Baby’. The current popularity of the genre is not missed on Dam Swindle, but when you look closely, you’ll see this track is full of elements that the duo have built their legacy on. The vocal chops, transposed key samples and swing are all on point and work just as well below, as above 130 bpm if speed is your thing. \u003c\/p\u003e\n\u003cp\u003eThe EP closes with the NY-style house cut ‘What you give’, which reminds us of Dam Swindle’s remix of Cinthie’s Heist hit ‘Won’t U take me’ with its lush organs and moody keys. It’s perhaps the most classic house track they’ve made in a long time and you can hear they had a great time recording this. It’s playful, vibey and catchy. Just the way we like it.  \u003c\/p\u003e\n\u003cp\u003eDam Swindle might have delivered one of the standout cross-over albums of 2025, but on this EP the message is clear: Once a househead, always a househead. \u003c\/p\u003e\n\u003cp\u003eAs always, enjoy the music and play it loud!\u003c\/p\u003e\n\u003cp\u003eMuch love,\u003cbr\u003eHeist HQ\u003c\/p\u003e\n\u003cp\u003e* Tracklist:     \u003cbr\u003eA1  Feel it much?\u003cbr\u003eA2  Backyard galaxy\u003cbr\u003eB1  Rhythm baby\u003cbr\u003eB2  What you give\u003cbr\u003e\u003c\/p\u003e","brand":"Heist Recordings","offers":[{"title":"Default Title","offer_id":45381948702876,"sku":"HEIST096","price":16.63,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HEIST096.jpg?v=1759666367"},{"product_id":"yael-naim-solaire-lp","title":"Yaël Naim - Solaire [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ME002LP\u003cbr\u003eBarcode: 3700398739021\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Indie \/ Electronic \/ Soul \/ R\u0026amp;B \/Pop\u003c\/p\u003e\n\u003cp\u003eWith SOLAIRE, her new studio album, Yael Naim unveils a deeply personal work at the crossroads of the intimate and the universal.\u003cbr\u003eEntirely self-produced and recorded in her own studio, the album reflects her pursuit of independence and authen-ticity.\u003cbr\u003e“I wanted complete freedom to explore and take my time,” she explains.\u003cbr\u003eSOLAIRE bridges the many musical worlds that have shaped her, blending classical and jazz harmonies with contem-porary sounds.\u003cbr\u003eThe music is sensitive, modern, and open, where orchestral arrangements intertwine with organic electronic textures.\u003cbr\u003eNaim first rose to international fame in 2008 with her global hit New Soul, featured in Apple’s MacBook Air campaign and streamed millions of times worldwide.\u003cbr\u003eShe has since received numerous honors, including Officer of the Order of Arts and Letters (2021) and several Vic-toire de la Musique Awards, notably Best Female Artist of the Year (2011, 2016) and Best World Music Album (2009).\u003cbr\u003eUltimately, SOLAIRE is an album of light — a celebration of freedom, connection, and the human spirit.\u003cbr\u003eIt moves between introspection and openness, fragility and strength, shadow and radiance.\u003cbr\u003eA luminous journey inviting us to reconnect with what within us longs to shine.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003e1. Dream\u003cbr\u003e2. Solaire\u003cbr\u003e3. Wow\u003cbr\u003e4. La fille pas cool\u003cbr\u003e5. Rabbit Hole\u003cbr\u003e6. Multicolor\u003cbr\u003e7. Blame  (Physical only (on digital 1 month after the album release) )\u003cbr\u003e8. Everything’s Gone\u003cbr\u003e9. Inouïe\u003cbr\u003e10. When We Go To Bed\u003cbr\u003e11.The Other Side\u003cbr\u003e12 What’s In Your Soul\u003cbr\u003e13. Free \u003c\/p\u003e","brand":"Mouselephant","offers":[{"title":"Default Title","offer_id":45553881415836,"sku":"ME002LP","price":31.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ME002CD.jpg?v=1762975946"},{"product_id":"yael-naim-solaire-cd","title":"Yaël Naim - Solaire [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ME002CD\u003cbr\u003eBarcode: 3700398739014\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Indie \/ Electronic \/ Soul \/ R\u0026amp;B \/Pop\u003c\/p\u003e\n\u003cp\u003eWith SOLAIRE, her new studio album, Yael Naim unveils a deeply personal work at the crossroads of the intimate and the universal.\u003cbr\u003eEntirely self-produced and recorded in her own studio, the album reflects her pursuit of independence and authen-ticity.\u003cbr\u003e“I wanted complete freedom to explore and take my time,” she explains.\u003cbr\u003eSOLAIRE bridges the many musical worlds that have shaped her, blending classical and jazz harmonies with contem-porary sounds.\u003cbr\u003eThe music is sensitive, modern, and open, where orchestral arrangements intertwine with organic electronic textures.\u003cbr\u003eNaim first rose to international fame in 2008 with her global hit New Soul, featured in Apple’s MacBook Air campaign and streamed millions of times worldwide.\u003cbr\u003eShe has since received numerous honors, including Officer of the Order of Arts and Letters (2021) and several Vic-toire de la Musique Awards, notably Best Female Artist of the Year (2011, 2016) and Best World Music Album (2009).\u003cbr\u003eUltimately, SOLAIRE is an album of light — a celebration of freedom, connection, and the human spirit.\u003cbr\u003eIt moves between introspection and openness, fragility and strength, shadow and radiance.\u003cbr\u003eA luminous journey inviting us to reconnect with what within us longs to shine.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST : \u003cbr\u003e1. Dream\u003cbr\u003e2. Solaire\u003cbr\u003e3. Wow\u003cbr\u003e4. La fille pas cool\u003cbr\u003e5. Rabbit Hole\u003cbr\u003e6. Multicolor\u003cbr\u003e7. Blame  (Physical only (on digital 1 month after the album release) )\u003cbr\u003e8. Everything’s Gone\u003cbr\u003e9. Inouïe\u003cbr\u003e10. When We Go To Bed\u003cbr\u003e11.The Other Side\u003cbr\u003e12 What’s In Your Soul\u003cbr\u003e13. Free \u003c\/p\u003e","brand":"Mouselephant","offers":[{"title":"Default Title","offer_id":45553881579676,"sku":"ME002CD","price":15.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ME002CD_4769939a-5d44-4b27-bba4-0143e1a3e2e1.jpg?v=1762975950"},{"product_id":"jack-smooth-the-abstraction-ep","title":"Jack Smooth - The Abstraction EP","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: VNR011\u003cbr\u003eBarcode: 5051142053336\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Drum and Bass\u003c\/p\u003e\n\u003cp\u003eJack Smooth is back with a brand new 4 tracker - Featuring 2 collaborations with Greekboy this one has to be heard to be believed. Drum \u0026amp; Bass at it's diverse best. Genre bending title track Future Abstraction sets the scene for adventures into deep dnb territory and the pace never drops.\u003c\/p\u003e\n\u003cp\u003eRecords Available  - 200\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  –\u003cbr\u003e                                              \u003cbr\u003e*Master cut by Simon The Exchange\u003c\/p\u003e\n\u003cp\u003e*Artwork by Nick Purser\u003c\/p\u003e","brand":"Violet Nights Recordings","offers":[{"title":"Default Title","offer_id":45704305049756,"sku":"VNR011","price":15.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/VNR011.jpg?v=1765128301"},{"product_id":"shakarchi-straneus-anchor-songs","title":"Shakarchi \u0026 Stranéus - Anchor Songs","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: BARN121\u003cbr\u003eBarcode: 198704720017\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003e* A spectacular return for Shakarchi \u0026amp; Stranéus, the legendary Gothenburg duo's softfocus magic in full display on four new tracks, the first of many to come. Longtime Studio Barnhus heads will rejoice in familiar bliss from tracks like dreamhouse extravaganza \"Donut Plains\" and the triphop wonkiness of \"Sandy Balls Resort\", while \"Emerald Hills\" and \"Royal Links\" offer new, exciting pathways leading to unexpected territories and increased bpm levels.\u003c\/p\u003e\n\u003cp\u003eOut January 30th on vinyl and digital platforms, with astonishing art by another legend of the game, Malin Gabriella Nordin.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1. Donut Plains\u003cbr\u003eA2. Emerald Hill\u003cbr\u003eB1. Royal Links\u003cbr\u003eB2. Sandy Balls Resort\u003c\/p\u003e","brand":"Studio Barnhus","offers":[{"title":"Default Title","offer_id":45704344862876,"sku":"BARN121","price":18.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_05e86dc0-bc40-445a-814b-d9d8825f1fb5.jpg?v=1765130112"},{"product_id":"cootie-catcher-something-we-all-got-clear-vinyl","title":"Cootie Catcher - Something We All Got [Clear Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: CAK186LP\u003cbr\u003eBarcode: 677517018615 \u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Indie-Pop\/Alternative\u003c\/p\u003e\n\u003cp\u003eCLEAR VINYL.\u003c\/p\u003e\n\u003cp\u003eThere’s an alternate reality where everyone makes a living wage and the cleanest buses you’ve ever seen arrive every other minute. Where the most intense songs are about confessing your love to a crush at the apple orchard, and where gentle feelings and chaotic energy are inseparable best friends. This is the timeline where Cootie Catcher is right at home. This Toronto based four-piece exudes both vulnerability and unbridled excitement, creating a sound that hypercharges the open-hearted tenderness of twee pop with spiraling synths and giddy electronics. New album Something We \u003cimg\u003eAll Got is the clearest and most vibrant reading of Cootie Catcher’s vision yet, with songs of sweetness, nervousness, and expectancy that beam out unguarded.\u003c\/p\u003e\n\u003cp\u003eAfter releasing music made primarily in basement recording environments, Something We All Got is the band’s first flirtation with studio recording. The edges are still sharp, however, with some parts assembled from time-honored lo-fi methods and fun, personally-sourced samples seeping into the production. The sound is explosive and upbeat, with euphoric guitars, bubbly synth lines, speedy drums both played and programmed, and all other manner of sound constantly colliding. Cootie Catcher has three songwriters, Sophia Chavez, Anita Fowl, and Nolan Jakupovski, all of whom have distinctive voices but still manage to overlap in their writing on shared concerns like navigating the lines of romantic and platonic relationships, their city’s social scenes, and struggles in both the microcosmic experience of playing in a band and the zoomed-out challenges of living through late-stage capitalism.\u003c\/p\u003e\n\u003cp\u003eJoy still touches every surface of Something We All Got. “Quarter Note Rock” bounces around the room in a fit of jangling guitar chords, scratched samples, and interplay between breakbeat loops and somersaulting live drums. It’s a blast of positivity even with lyrics about how disappointing it can be to meet your heroes. A smiling electro pop instrumental supports lyrics about having to step painfully away from an almost realized love on “Gingham Dress,” a song that subverts themes of domesticity as a backdrop for the dashed wilt of hopeless devotion. \u003c\/p\u003e\n\u003cp\u003eCootie Catcher rolls down hills and jumps through flaming hoops throughout Something We All Got without ever dumbing down the visceral emotions that drive these songs. There’s a palpable tension between the band’s exhilarating sonics and the raw, often uneasy sentiments expressed, but it’s an integral part of what makes them unique. Rather than hide behind the kind of calculated vagueness that plagues so much of the indie rock landscape in the time of cursed algorithms, Cootie Catcher runs full-speed toward every confusion and excitement, fearlessly direct and embracing the reality they’re in.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eSide A 1. Loiter For The Love of It  2. Lyfestyle 3. Straight Drop 4. From Here to Halifax 5. No Biggie 6. Rhymes With Rest 7. Quarter Note Rock\u003cbr\u003eSide B 8. Take Me For Granted  9. Wrong Choice 10. Gingham Dress  11. Puzzle Pop 12. Stick Figure 13. Going Places 14. Pirouette\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"923\" height=\"519\" src=\"https:\/\/www.youtube.com\/embed\/2w2gdQB_nD0\" title='cootie catcher  - \"Straight Drop\" (Official Music Video)'\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Carpark Records","offers":[{"title":"Default Title","offer_id":45704389099676,"sku":"CAK186LP","price":25.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CAK186CD.jpg?v=1765130870"},{"product_id":"cootie-catcher-something-we-all-got-cd","title":"Cootie Catcher - Something We All Got [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CAK186CD   \u003cbr\u003eBarcode: 677517018622\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Indie-Pop\/Alternative\u003c\/p\u003e\n\u003cp\u003eToronto four piece exudes both vulnerability and unbridled excitement, creating a sound that hypercharges the open-hearted tenderness of twee pop with spiraling synths and giddy electronics.\u003c\/p\u003e\n\u003cp\u003eProduced by Nate Atmos (Lorelei \u0026amp; Water From Your Eyes\u003c\/p\u003e\n\u003cp\u003eRIYL: Alvvays, Guther, The Beths, Beat Happening, Belle and Sebastian.\u003c\/p\u003e\n\u003cp\u003eThere’s an alternate reality where everyone makes a living wage and the cleanest buses you’ve ever seen arrive every other minute. Where the most intense songs are about confessing your love to a crush at the apple orchard, and where gentle feelings and chaotic energy are inseparable best friends. This is the timeline where Cootie Catcher is right at home. This Toronto based four-piece exudes both vulnerability and unbridled excitement, creating a sound that hypercharges the open-hearted tenderness of twee pop with spiraling synths and giddy electronics. New album Something We All Got is the clearest and most vibrant reading of Cootie Catcher’s vision yet, with songs of sweetness, nervousness, and expectancy that beam out unguarded.\u003c\/p\u003e\n\u003cp\u003eAfter releasing music made primarily in basement recording environments, Something We All Got is the band’s first flirtation with studio recording. The edges are still sharp, however, with some parts assembled from time-honored lo-fi methods and fun, personally-sourced samples seeping into the production. The sound is explosive and upbeat, with euphoric guitars, bubbly synth lines, speedy drums both played and programmed, and all other manner of sound constantly colliding. Cootie Catcher has three songwriters, Sophia Chavez, Anita Fowl, and Nolan Jakupovski, all of whom have distinctive voices but still manage to overlap in their writing on shared concerns like navigating the lines of romantic and platonic relationships, their city’s social scenes, and struggles in both the microcosmic experience of playing in a band and the zoomed-out challenges of living through late-stage capitalism.\u003c\/p\u003e\n\u003cp\u003eJoy still touches every surface of Something We All Got. “Quarter Note Rock” bounces around the room in a fit of jangling guitar chords, scratched samples, and interplay between breakbeat loops and somersaulting live drums. It’s a blast of positivity even with lyrics about how disappointing it can be to meet your heroes. A smiling electro pop instrumental supports lyrics about having to step painfully away from an almost realized love on “Gingham Dress,” a song that subverts themes of domesticity as a backdrop for the dashed wilt of hopeless devotion. \u003c\/p\u003e\n\u003cp\u003eCootie Catcher rolls down hills and jumps through flaming hoops throughout Something We All Got without ever dumbing down the visceral emotions that drive these songs. There’s a palpable tension between the band’s exhilarating sonics and the raw, often uneasy sentiments expressed, but it’s an integral part of what makes them unique. Rather than hide behind the kind of calculated vagueness that plagues so much of the indie rock landscape in the time of cursed algorithms, Cootie Catcher runs full-speed toward every confusion and excitement, fearlessly direct and embracing the reality they’re in.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eSide A 1. Loiter For The Love of It  2. Lyfestyle 3. Straight Drop 4. 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Their fourth album is their most focused, cohesive and song-y yet. They still sound like a bin full of wasps, but now the bin has double-cream or a Viennetta or something at the bottom. While many of the 16 songs on here barely make it past the 3-minute mark, each one is bursting with all the textures and colours of an office cupboard: full of old sweets, fluorescent markers, and multiple ways to fix paper together.\u003c\/p\u003e\n\u003cp\u003eThematically, a lot of ground is covered, with songs tackling subject matter as diverse as overheard conversations, healing fungal toenails, the Rogerian concept of the Actualising Tendency, bronze age living conditions, dreaming songs into being and human-plant relations. Work (and anti-work) is a recurring theme, as is artistic inspiration and burnout. Dog Chocolate revel in the mundane and incidental, to explore bigger, existential questions. Recorded and mixed by POZI’s Toby Burroughs and mastered by Sofia Lopes, ‘So Inspired, So Done In’ charts a long and confusing period in the band’s collective life, marked by major life changes, losses and shifts, colouring the band’s trademark frantic, daft and anxious energy with a contemplative glaze. Dog Chocolate continue to investigate their internal and external landscapes with playful curiosity, frustration, silliness and empathy.\u003c\/p\u003e\n\u003cp\u003ePre\/history of the band: In the early 2000’s Andrew (vocals), Rob (guitar, vocals) and Matthew (guitar, vocals) played together as teenagers in South-East London-based maximalist, costumed surrealist punk band Yeborobo. They met drummer Jonathan playing with his instrument-swapping masked band Limn at art space Utrophia in Deptford. Later, when both bands had split, Dog Chocolate formed with a shared desire to make a band that was simpler than their theatrical past: small amps and light guitars, no more than 2 drums at any one time, a keyboard no longer than a ruler and a shared ethos… “it’s about giving a shit, but at the same time not giving a shit, but not ‘whatever’, not giving up never!”. The band floated the term “pencilcase punk” to describe their jumbled, colourful, dense and instant music.\u003c\/p\u003e\n\u003cp\u003eDog Chocolate built on this early scrappiness, bedding into their sound over several albums. Their first “Or” (2014) was a split with Ravioli Me Away, soon followed by “Snack Fans” (2016) and “Moody Balloon Baby” (2018). Along the way they played gigs with bands as wide ranging as Deerhoof, No Age, Dry Cleaning, Palm, Daniel Wakeford, Shopping and Pozi.\u003c\/p\u003e\n\u003cp\u003eWith a tendency to converse with each other both lyrically and musically cultivated over many years, the members of Dog Chocolate bounce off each other, respectfully disagree, try to make each other laugh and share some of their most vulnerable feelings with each other. ‘So Inspired, So Done In’ is their own unique offering during these unsteady times: a language of friendship translated into songs.\u003c\/p\u003e\n\u003cp\u003eTrack listing:\u003cbr\u003eSIDE A 01. Infinite Nuggets 02. Fun is Always Brilliant 03. Employee 04. Springfield Library Haunting 05. Drumming on a Tree with FM 06. Potatoes in the Basement Bin 07. Fungal Free 2023 08. Green Stuff\u003c\/p\u003e\n\u003cp\u003eSIDE B 09. Architecture Days 10. Munchies and a Pen 11. Guildford Awkward 12. No Pavement Story 13. Worst Jobs in History 14. Unfinished Rock ‘N’ Roll Tattoo 15. A Bit of Paper 16. So Inspired, So Done In\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"923\" height=\"519\" src=\"https:\/\/www.youtube.com\/embed\/r9Fs9xtfx8w\" title=\"Dog Chocolate - 'Employee' [official video]\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Upset The Rhythm","offers":[{"title":"Default Title","offer_id":45704409186460,"sku":"UTR176","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/UTR176.jpg?v=1765131494"},{"product_id":"barbara-moore-bright-and-shining","title":"Barbara Moore - Bright And Shining","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BEWITH182LP \u003cbr\u003eBarcode: 4251804187541\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Funk\/Soul\/Library\u003c\/p\u003e\n\u003cp\u003eFirst time vinyl reissue of this incredible library record, as part of Be With Records's crucial Music De Wolfe reissue campaign. 140g vinyl. Limited to just 750 worldwide. \u003c\/p\u003e\n\u003cp\u003eFinally, finally, FINALLY! After many years of fruitless praying, a true collector grail can finally grace every turntable the world over. Bright And Shining is a miraculous leftfield library classic from the genius mind of Barbara Moore. It's Highly Addictive Happiness Music TM and one of the coolest records to come out of anywhere...ever! With originals almost impossible to find - and, when they do, going for over £300 - you already know how crucial this beautiful reissue is. \u003c\/p\u003e\n\u003cp\u003eRecorded in 1981 for Sylvester Music Company, Bright And Shining is breezy, dreamy and funky in a perfectly smooth jazzy-soul-groove fashion, with Moore's patented celestial male-female vocal harmonies this time benefitting from the addition of Fender Rhodes and pumping bass lines. \u003c\/p\u003e\n\u003cp\u003eAs one particularly enthusiastic Discogs user put it: \"If Eno is responsible for Music for Airports, Moore is responsible for Music for Holidays.\" Indeed, this is brilliantly unique, \"maximum happiness music\". If you miss the sun-dappled soft-psych soul of Koushik, the heavenly vocal arrangements of the great Library Music doyenne Barbara Moore - her depth, richness, sophistication and warmth - will see you just right.  \u003c\/p\u003e\n\u003cp\u003eThe gigantic title track, \"Bright And Shining\", gallops out the gate, all sophisticated, jazzy leisure-soul with sax and guitars backing Moore's effortless vocal swag in this relaxed, mid-tempo head-nod strut. Worth the price of admission alone. Up next, the sunny, vibey \"Fly Me High\" features strolling, \"unworded\" vocals (aside from the refrain of the title) alongside breezy alto sax and electric guitar. Pastoral and perfect. The slow'n'sultry \"Affluence\" presents a moody elegance, a classical \"downlifting\" gem. Another crucial highlight is the breezy \"Going On Holiday\". It's happy. It's sunny. It's lively. It's cool and happy. Did we say happy? A mid-tempo, romantic sax workout, \"Alto Sex\"presents smooth jazzy funk before the first side closes out with the soaring, jazzy \"Stay With Me\". Seriously uplifting.\u003c\/p\u003e\n\u003cp\u003eSide B opens with \"Feel Fine\", an excellent uptempo and bright jazz groove. Up next, \"Canon\" is wracked with refinement, a peaceful, smooth vocal harmony over repeating bass making for an elegant, late-night classic. It's followed by the laconic \"Smooth And Soft\", a laidback, casual sophisticated soul and easy-feeling jazz gem. The jazzy \"Real Thing\" is another exercise in strolling sophistication, complete with wordless vocal harmonies. The fairly self-explanatory \"Voice Over Sax\" sounds precisely how you would expect; a relaxed sax number with heavenly vocal support! To close, the carefree \"Feeling Free\" is a pleasant, light and breezy mid-tempo groove. \u003c\/p\u003e\n\u003cp\u003eThe audio for Bright And Shining has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. We'll grant the final word to MillionDollars. on discogs from about 10 years ago: \"If you listen to the record on a sunny day you feel like going out surfing in a white linen suit with a blunt on your lips, catching a cool breeze.\"\u003c\/p\u003e\n\u003cp\u003eTracklist:  A1 Bright And Shining 2:25 A2 Fly Me High 2:29 A3 Affluence 3:00 A4  Going On Holiday2:41 A5 Alto Sex  2:59 A6  Stay With Me 2:39 B1 Feel Fine 2:17 B2 Canon 3:11 B3 Smooth And Soft 2:57 B4 Real Thing 3:39 B5 Voice Over Sax  2:34 B6  Feeling Free 2:45\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":45748689961116,"sku":"BEWITH182LP","price":28.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BEWITH182LP.jpg?v=1765454736"},{"product_id":"simon-haseley-peter-reno-great-day","title":"Simon Haseley \/ Peter Reno - Great Day","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BEWITH183LP \u003cbr\u003eBarcode: 4251804187558\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Jazz\/Rock\/Library\u003c\/p\u003e\n\u003cp\u003eFirst time vinyl reissue of this incredible library record, as part of Be With Records's crucial Music De Wolfe reissue campaign. 140g vinyl. Limited to just 750 worldwide.\u003c\/p\u003e\n\u003cp\u003eGreat Day is one of the very best albums on the Music De Wolfe label and certainly one of the most sought after library records, full stop. It's been sampled by such heavyweights as Madlib, LTJ Bukem, El-P and The Alchemist (among many others). You likely already know all this. If you don't, get to know. One listen through and the £350 asking price for a VG copy starts to all make sense...\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1972, it's credited to Music De Wolfe legends Simon Haseley (real name Simon Park) and \"Peter Reno\" (a collaborative alias used by composers Clifford \"Cliff\" Twemlow and Peter Taylor) Confused? No matter. It's one of the most consistent libraries you'll ever hear, packed with heavy blaxploitation-esque drama-funk break themes. \u003c\/p\u003e\n\u003cp\u003eIt opens with the feel-good, breezy piano beat number \"Little Big John\" before switching up to modern sweeping orchestral with heavy drums on the warm, deeply emotive \"Summer Friend\". Total highlight \"Hammerhead\" is as heavy as you'd want, from a track so-titled. It's a driving, imposing, orchestral funk-rock monster, famously used by The High \u0026amp; Mighty for their classic \"Dirty Decibels\" and, also, it was used as the backing for Beyonce's ace \"Woman Like Me\". \u003c\/p\u003e\n\u003cp\u003eUp next, \"Crimson\" is melodic, plaintive and moodily introspective; a soft, oboe-enhanced instrumental of delicate beauty. Again, ace beats and breaks abound. The expansive title track, \"Great Day\" is melodic and bold; a horn-fuelled, mid-tempo rhythmic workout which builds to rather big end. Rounding out this first side, \"Hard Crust\" ups the ante with thrilling wah-wah funk-rock, a dramatic, pounding and aggressive thriller. Killer!  \u003c\/p\u003e\n\u003cp\u003eSide B opens with the steady, stealthy crime-funk of \"Highball\" before segueing brilliantly into the Hammond-laced relentless flute-funk of the driving \"Bora\". The powerful wah-wah wonderful \"Hold Back\" is haunting orchestral funk-rock, sampled by Madlib, El-P, Rakim, Sean Price and The Alchemist. It's easy to see why. Swaggering and staggering. \u003c\/p\u003e\n\u003cp\u003eThe cop show funk of \"Silver Thrust\" is fast, purposeful and persistent. Is it a cover version of the godlike \"Stepping Stones\" from Johnny Harris's Movements album? Either way, with up-tempo drums, bongos and flute you're going to be thrusting all night. The dynamic \"Convoy\" is a brassy, organ-fuelled sports-soundtrack b-boy breaks monster. Super Bowl Soul! Essential. To close out this quite extraordinary set, the insistent \"Barracuda\" presents dramatic rock feels over a persistent funky flute beat. It was sampled by LTJ Bukem for his classic \"Sunrain\" from 2000.\u003c\/p\u003e\n\u003cp\u003eThe audio for Great Day has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.\u003c\/p\u003e\n\u003cp\u003eTracklist:  A1 Little Big John 2:13 A2 Summer Friend 4:10 A3 Hammerhead 4:33 A4 Crimson 2:44 A5 Great Day 3:54 A6 Hard Crust 2:34 B1 Highball 2:59 B2 Bora 3:12 B3 Hold Back 4:44 B4 Silver Thrust 3:56\u003cbr\u003eB5 Convoy 4:00 B6 Barracuda 3:05\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":45748792262812,"sku":"BEWITH183LP","price":28.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BEWITH183LP.jpg?v=1765455149"},{"product_id":"various-artists-alan-hawkshaw-alan-parker-et-al-hogan-the-hawk-and-dirty-john-crown","title":"Various Artists (Alan Hawkshaw, Alan Parker et al) - Hogan, The Hawk And Dirty John Crown","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BEWITH184LP \u003cbr\u003eBarcode: 4251804187565\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Jazz\/Funk\/Soul\/Library\u003c\/p\u003e\n\u003cp\u003eFirst time vinyl reissue of this incredible library record, as part of Be With Records's crucial Music De Wolfe reissue campaign. 140g vinyl. Limited to just 750 worldwide. \u003c\/p\u003e\n\u003cp\u003eThis is that absolute stank-face filth: hard, espionage drama-soul and tough, jazzy street-funk. Hogan, The Hawk \u0026amp; Dirty John Crown sounds like the soundtrack of a blaxploitation movie from the early 70s and, packed with funky fusion and smoother orchestral numbers, it is basically that. \u003c\/p\u003e\n\u003cp\u003eFeaturing a veritable who's who of killer library break snakes - Alan Parker, Alan Hawkshaw (under sneaky alias William Parrish), Simon Haseley, Reg Tilsley and Gordon Grant - it's not hard to see how this commands over £350 on secondary markets. \u003c\/p\u003e\n\u003cp\u003eThis beautifully presented reissue, part of Be With's fresh campaign with the legendary library label Music De Wolfe, is well overdue. \u003c\/p\u003e\n\u003cp\u003eRecorded for De Wolfe in 1972, Hogan, The Hawk, Dirty John Crown is a fantastic start-to-finish listen. The flute-funk of Hawkshaw and Parker's opener \"The Hawk\" comprises driving, fuzzy, wah-wah-drizzled bell-laced breaks with synths and basslines to murder for. Up next, Haseley's \"The Happening\" is a carefree, rhythmic builder with strings and horns. Let's face it, it doesn't prepare us for the monster that follows...\u003c\/p\u003e\n\u003cp\u003eHawkshaw and Parker's amazing \"Main Chance\" is likely the reason you're here; it's a moody, beaty proto-hip-hop banger; all rolling drums and flute-laced, organ-drenched, synth-funk breaks. Just sensational - you'll want to play it again and again and again.\u003c\/p\u003e\n\u003cp\u003eThe cool AF \"Hogan Baby\" has a soft, rounded, bluesy feel - it's a lighter number and Haseley's work here sounds more than a little indebted to Burt Bacharach. It's melancholic, reflective and contains ace breaks with beautiful flutes and wistful horns. It's just gorgeous. Grant's pounding \"Dirty John Crown\" brilliantly conjures swirling string-swept serenity atop driving, incisive drama-funk breaks. Sublime. Hawkshaw and Parker come roaring back with the murky, creeping crime-funk of \"Swarf\" with killer basslines underpinning slow-mo high-class flute-funk. \u003c\/p\u003e\n\u003cp\u003eReg Tilsley enters the fray with the bright, snappy, carefree  \"Turnover\". It's lightweight but still retains some nice orchestral movements. The brief “Tarantula” gets us back on track - from the pen and chops of Hawkshaw and Parker, are we surprised? - with the driving crime funk breaks, super clean yet brooding. Synths, sax and 'nuff guitars. YES. \u003c\/p\u003e\n\u003cp\u003eSide 2 opens with the car chase swag of Haseley's dramatic, driving \"Precinct\". Jazzy, instrumental flute funk over great percussive breaks. We love this. Haseley's rolling \"Sidewinder Version 1\" is robust and exuberant with bouncy horns before a cracking Parker-Hawkshaw one-two featuring the tense \"Pressure\" and the deeply soulful \"Call Me\", a relaxed, medium-tempo organ feature. With building piano and strings Gordon Grant's excellently titled \"Scorch\" is as aggressive and dramatic as you'd hope. Hawkshaw and Parker's furtive flute-funk of \"Digger\" precede the light, melodic and romantic themes of Tilsley's \"Marianne\" whilst \"Sidewinder Version 2\", a faster iteration of Track B2 sees Haseley close out this remarkable set in bouncy, bright fashion. \u003c\/p\u003e\n\u003cp\u003eThe audio for Hogan, The Hawk, Dirty John Crown has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.\u003c\/p\u003e\n\u003cp\u003eTracklist:  A1 A. Parker \/ W. Parrish The Hawk 2:56 A2 S. Haseley The Happening 2:14 A3 A. Parker \/ W. Parrish Main Chance 3:04 A4 S. Haseley Hogan Baby 3:39 A5 G. Grant Dirty John Crown 2:54 A6 A. Parker \/ W. Parrish Swarf 2:27 A7 R. Tilsley Turnover 2:29 A8 A. Parker \/ W. Parrish Tarantula 2:31 B1 S. Haseley Precinct 3:32 B2 S. Haseley Sidewinder Version 1 2:08 B3 A. Parker \/ W. Parrish Pressure 2:45 B4 A. Parker \/ W. Parrish Call Me 2:56 B5 G. Grant  Scorch 2:10 B6 A. Parker \/ W. Parrish Digger 2:10 B7 R. Tilsley Marianne 4:08 B8 S. Haseley Sidewinder Version 2 1:55\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":45749857943708,"sku":"BEWITH184LP","price":28.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BEWITH184LP.jpg?v=1765455253"},{"product_id":"soul-city-orchestra-meal-ticket","title":"Soul City Orchestra - Meal Ticket","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BEWITH185LP \u003cbr\u003eBarcode: 4251804187572\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Funk\/Soul\/Library\u003c\/p\u003e\n\u003cp\u003eFirst time vinyl reissue of this incredible library record, as part of Be With Records's crucial Music De Wolfe reissue campaign. 140g vinyl. Limited to just 750 worldwide. \u003c\/p\u003e\n\u003cp\u003eA great name. A great cover. And - of course - outstanding library music.\u003c\/p\u003e\n\u003cp\u003eSoul City Orchestra's Meal Ticket houses titanic funk, mellow groove and symphonic disco-soul.\u003c\/p\u003e\n\u003cp\u003eReleased in 1977 on Rouge, a subsidiary of the prestigious and long-established British library label Music De Wolfe, Meal Ticket was crafted by the studio band Soul City Orchestra (a pseudonym for the De Wolfe in-house composers Chris Rae \u0026amp;amp; Franck McDonald).\u003c\/p\u003e\n\u003cp\u003eThe driving instrumental funk-rock of the A Side is enhanced with strings and no little drama. However, it's undoubtedly the peerless flipside that makes this record an essential part of any collection.\u003c\/p\u003e\n\u003cp\u003eHead straight to highlight \"Chamber Maid\"; insistent, conga-driven funky rock with lashings of string-heightened drama. It's sophisticated, classical and deeply classy. \u003c\/p\u003e\n\u003cp\u003eThe majestic, powerfully emotive \"Sore Head\" contains an excellent intro drum break and sultry slo-mo disco breaks throughout. It's low-key stunning. With a few melodic switch-ups, it's symphonic soul heaven and is comfortably the best and most beautifully crucial track on Side A. \u003c\/p\u003e\n\u003cp\u003eThe breezy, Philly soul-tinged \"Short Change\", its intense strings reminiscent of the Salsoul Orchestra and TSOP, presents an easy-glide funk that's just irresistible.\u003c\/p\u003e\n\u003cp\u003eThe funky, cool and slick AF \"Wheeling And Dealing\" is laconic flute and string-propelled sophisticated mid-tempo disco soul. It's worth the price of admission alone. \u003c\/p\u003e\n\u003cp\u003eThe breezy, mellowed out disco-funk workout \"The Jam\" is a deliciously slinky and sophisticated soul strut. Try not swaggering into the club with this in your head next time you venture into the murky world of \"the night\". Just ace.   \u003c\/p\u003e\n\u003cp\u003eThe crowning glory is the sweeping, sublime symphonic disco breaks of horn-infused \"Soul City Drive\", an absolute monster of radiant heavy soul-funk à la Barry White with great string \u0026amp; brass arrangement. \u003c\/p\u003e\n\u003cp\u003eBasically, this is essential for all groove-aficionados.\u003c\/p\u003e\n\u003cp\u003eThe audio for Meal Ticket has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.\u003c\/p\u003e\n\u003cp\u003eTracklist:  A1 Meal Ticket 3:03 A2 Punk Rotter 3:15 A3 Chamber Maid 2:39 A4 Raw Deal 2:34 A5 Back Jigger 2:49 A6 Sore Head 3:05 B1 Pink Pussy 2:35 B2 Short Change  2:35 B3 Wheeling And Dealing 3:20 B4 Rockarama 2:54 B5 The Jam  3:13 B6  Soul City Drive 3:30\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":45749956870300,"sku":"BEWITH185LP","price":28.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BEWITH185LP.jpg?v=1765455307"},{"product_id":"cristobal-tapia-de-veer-ponyboi-original-motion-picture-soundtrack","title":"Cristobal Tapia De Veer - PONYBOI (Original Motion Picture Soundtrack)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: WRWTFWW119 \u003cbr\u003eBarcode: 4251804186889\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Soundtrack\/Ambient\/Electronic\u003c\/p\u003e\n\u003cp\u003eLimited Edition, Heavyweight Gold Cardboard Sleeve, Sticker. Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eWRWTFWW Records is ecstatic to announce a limited edition vinyl release of the remarkable PONYBOI (Original Motion Picture Soundtrack) by Chilean-born composer, arranger, music producer, and multi-instrumentalist Cristobal “Cristo” Tapia de Veer (The White Lotus, Utopia, Smile, Black Mirror, and many more).\u003c\/p\u003e\n\u003cp\u003eThis collector’s edition presents Tapia de Veer’s complete original score for the critically acclaimed feature film PONYBOI — a bold, genre-defying neo-noir tale directed by Esteban Arango and and starring filmmaker, actor, screenwriter, model, and intersex rights activist River Gallo who also wrote the movie. The soundtrack arrives as a deluxe audiophile vinyl LP, housed in a luxurious 350gsm gold cardboard sleeve, cut with utmost precision by Sidney Claire Meyer at the legendary Emil Berliner Studios, home to Deutsche Grammophon’s world-renowned legacy.\u003c\/p\u003e\n\u003cp\u003eVivid, seductive, gritty, dreamy, tender, and sometimes heart-pounding in its tension, the PONYBOI soundtrack is a sinuous creature of its own — an emotional, atmospheric, and deeply textural listening experience. Tapia de Veer fuses shimmering electronics with haunting melodies, raw rhythms, shadowy ambience, and surges of romantic intensity, perfectly embodying the film’s world of danger, desire, identity, and survival on a single wild New Jersey night. It’s daring, intimate, stylishly noir, and unmistakably Cristo: music that refuses boundaries and speaks directly to the pulse.\u003c\/p\u003e\n\u003cp\u003eThe LP showcases Cristobal Tapia de Veer’s uncanny ability to blend experimental sound design with narrative emotion — a talent that has earned him global acclaim and numerous awards, including four Primetime Emmy Awards for The White Lotus.\u003c\/p\u003e\n\u003cp\u003eThis new WRWTFWW edition celebrates his artistry in its purest form: warm, rich, analog, and physically stunning. A must for soundtrack fanatics, ambient and experimental music lovers, and rare memorabilia collectors.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1. Ponyboi A2. Working The Turnpike A3. Proud Mary A4. Be A Good Girl A5. Smoke With Me A6. One More Hit A7. Bye Lucky A8. Basura Catolica A9. Cleanse A10. Two Tone  A11. Testosterone B1. I'm The Manager B2. You And Me B3. Vinny B4. Jersey Girl B5. Down The Shore B6. El Mustang\u003c\/p\u003e","brand":"WRWTFWW Records","offers":[{"title":"Default Title","offer_id":45864833581212,"sku":"WRWTFWW119","price":39.31,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_e15fd2ab-bfc5-41e7-95c4-3958a6ec28d0.jpg?v=1766765512"},{"product_id":"christine-aufderhaar-with-the-city-of-prague-philharmonic-orchestra-aurora-s-sunrise-original-motion-picture-soundtrack-2lp","title":"Christine Aufderhaar with The City of Prague Philharmonic Orchestra - Aurora’s Sunrise (Original Motion Picture Soundtrack) [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: WRWTFWW121\u003cbr\u003eBarcode: 4251804188579\u003cbr\u003eRelease Date: 06 Feb 2026\u003cbr\u003eGenre: Soundtrack\/Classical\u003c\/p\u003e\n\u003cp\u003eLimited Edition, 45rpm, Heavyweight Sleeve with Inside Out Print, Sticker. Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eWRWTFWW Records is proud to announce a super limited (first ever) vinyl release of Christine Aufderhaar and City of Prague Philharmonic Orchestra’s original soundtrack for the critically acclaimed, multiple award-winning 2022 animated-documentary film Aurora’s Sunrise. The release comes as a 45rpm double LP in a heavyweight sleeve with inside out print.\u003c\/p\u003e\n\u003cp\u003eAurora’s Sunrise is directed by Inna Sahakyan, and tells the extraordinary true story of Aurora Mardiganian, a survivor of the Armenian genocide who later became an actress in the United States. The film combines animated storytelling, archival footage, interviews, and rediscovered scenes from the 1919 silent film, and one of Hollywood’s first blockbusters, Auction of Souls, in which Aurora starred. Aurora’s Sunrise  was Armenia's official submission for the 95th Academy Awards for best international feature film. It has won over 20 international prizes. \u003c\/p\u003e\n\u003cp\u003eThe composer, Christine Aufderhaar, is an accomplished German composer based in Berlin and Los Angeles, with over 20 years of experience and more than 50 films to her name. Her background spans classical, jazz, film scoring, and contemporary orchestral work, and she has been the recipient of numerous awards for her work.\u003c\/p\u003e\n\u003cp\u003eThe soundtrack performed by the City of Prague Philharmonic Orchestra is deeply emotional, blending intimate melodies and majestic orchestral work, and weaving together themes of memory, survival, loss, and hope. A perfect fit for collectors of film scores, contemporary classical music, and limited vinyl releases.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1. Orphans A2. Timejump A3. In Captivity Of Soldiers A4. Way To America A5. Filmset A6. Way To Kurdish People A7. With Kurds B1. Meeting Shepard And Way To Uncle B2. Uncle First Part B3. Uncle Second Part B4. Leaving Cousin B5. Hotel Lamar B6. Jump To Freedom B7. Mother's Death B8. Swimming B9. Train To Tbilisi C1. Newspaper Brother C2. Shepard C3. Betrayal C4. Aurora In School C5. Devastation C6. Aurora's Theme Gathering For Brother C7. Finding The Gun C8. River D1. House Mrs. Harrimann D2. Memories Jump D3. Memories Train D4. Aurora's Piano Theme Silk Cocons D5. Aunt's Killing D6. Stage Collaps D7. Crucifixion\u003c\/p\u003e","brand":"WRWTFWW Records","offers":[{"title":"Default Title","offer_id":45864834531484,"sku":"WRWTFWW121","price":37.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_e98abd43-7db9-4ebb-ba22-095ed16f62ed.jpg?v=1766765654"},{"product_id":"snad-dispo","title":"Snad - Dispo","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: SMALLVILLE72 \u003cbr\u003eBarcode: 4251804188456          \u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003eDon't sleep on this one - Snad returns to Smallville with a bang – after „getting mezmerized“ on his own Spandrel imprint, Shyam is back with three exceptional deep rollers, that will keep the floors moving worldwide.\u003c\/p\u003e\n\u003cp\u003eComes with a full Cover Artwork by Stefan Marx.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 Dispo B1 From Without B2 Italosnadi\u003c\/p\u003e","brand":"Smallville","offers":[{"title":"Default Title","offer_id":45868849660060,"sku":"SMALLVILLE72","price":16.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SMALLVILLE72.jpg?v=1766958562"},{"product_id":"chromosome-chromosome-mini-lp","title":"Chromosome - Chromosome [Mini LP]","description":"\u003cp\u003eFormat: MIni LP\u003cbr\u003eCatalogue No.: FOG001 \u003cbr\u003eBarcode: 4068992555928\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Post-Punk\/New Wave\/Israeli Underground\u003c\/p\u003e\n\u003cp\u003eFirst-ever reissue.\u003cbr\u003eFeatures Rami Fortis, one of Israel’s most influential post-punk provocateurs.\u003cbr\u003eRare artifact of Tel Aviv’s underground: a fusion of punk, new wave, avant-garde, and Middle Eastern textures.\u003c\/p\u003e\n\u003cp\u003eOriginal copies are extremely hard to find, regularly selling for 150 USD+ on Discogs.\u003cbr\u003eIncludes reproduction of original artwork plus insert with archival photos and liner notes.\u003cbr\u003eFully remastered for vinyl and digital formats.\u003cbr\u003eEssential for fans of international post-punk, underground music history, and collectors of rare 1980s\u003cbr\u003eexperimental releases.\u003c\/p\u003e\n\u003cp\u003eIn the humid static of early-’80s Tel Aviv, Chromosome emerged like a wiretap from the future. Formed in 1981 by provocateur Rami Fortis and sonic instigator Doron “Shultz” Eyal, the group fused punk abrasion, new wave architecture, avant-garde dissonance, and Middle Eastern textures. Joined by David Gervai and Rona Vered, they produced a singular 12\" EP on their DIY imprint TOV Production - now a collector’s treasure.\u003c\/p\u003e\n\u003cp\u003eThis reissue of the Chromosome EP resurrects a raw, percussive artifact that slips between English, Arabic,\u003cbr\u003eand indecipherable phonetics like a busted shortwave signal. Anchored by “Makhtub” and backed with\u003cbr\u003eincendiary tracks such as “Show of Terrorism” and “Gazolina,” it is a vital document of Tel Aviv’s underground, mapping out a borderless, feral lineage for Israeli music.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 – Makhtub A2 – Conception Of Dust B1 – Afrika B2 – Show Of Terrorism B3 – Gazolina\u003c\/p\u003e","brand":"Fog \u0026 Co.","offers":[{"title":"Default Title","offer_id":45869051445404,"sku":"FOG001","price":31.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FOG001.jpg?v=1766967235"},{"product_id":"shaboozey-where-ive-been-isnt-where-im-going-the-complete-edition-cd","title":"Shaboozey - Where I've Been Isn't Where I'm Going: The Complete Edition [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ERE1143\u003cbr\u003eBarcode: 199316409093\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Country\u003c\/p\u003e\n\u003cp\u003eCD: DIGIPAK\u003c\/p\u003e\n\u003cp\u003eAbout: \u003cbr\u003eShaboozey is building his own world, carving a lane in the alternative country and hip-hop space. Born to parents of Nigerian descent and raised in the small town of Woodbridge, VA, the multi-faceted artist grew up on an eclectic mix of music encompassing classic hip-hop and R\u0026amp;B, to country and blues icons like Johnny Cash, Kenny Rogers, Garth Brooks, and Lead Belly, to master lyricists, such as Bob Dylan and Leonard Cohen. \u003c\/p\u003e\n\u003cp\u003eA true crossover artist, he began his epic rise to stardom with two standout features on Beyoncé’s COWBOY CARTER. His latest body of work, the critically acclaimed RIAA-Platinum certified masterpiece Where I’ve Been, Isn’t Where I’m Going, debuted in the top five of the Billboard 200 and was praised by Rolling Stone for “honoring country tradition and moving it forward.” NPR calls him “the future of country music,” and the Los Angeles Times crowned him as “the breakout country artist of the year.” \u003c\/p\u003e\n\u003cp\u003eThe album’s breakthrough anthem, the 8X RIAA-Platinum certified, “A Bar Song (Tipsy)” holds the record for the longest-leading Hot 100 No. 1 while also topping Billboard’s Hot Country Songs, Country Airplay Chart, and Mediabase\/Country Aircheck charts. The single has accumulated over a billion streams across DSPs and made history, making Shaboozey the first Black male artist to simultaneously top Billboard’s Hot Country Songs and Hot 100. \u003c\/p\u003e\n\u003cp\u003eShaboozey earned five nominations at the 2025 GRAMMY® Awards including Best New Artist and Song of the Year. He won the New Artist of 2024 and New Artist Song of 2024 awards at the People’s Choice Country Awards, garnered Best New Artist and Song of the Summer nominations at the 2024 MTV Video Music Awards, and was nominated for New Artist of the Year and Single of the Year at the 2024 Country Music Association Awards. He was also named a TIME100 NEXT honoree and Billboard Country Power Player. Shaboozey was crowned Newcomer Of The Year at Variety’s Hitmakers 2024 and picked up 2024 Billboard Music Awards for Top Song Sales Artist, Top Selling Song, and Top Country Song. Most recently, Shaboozey was nominated for New Male Artist of the Year and Single of the Year at the 2025 Academy of Country Music Awards.\u003c\/p\u003e\n\u003cp\u003eHighlighting not only his musical vision but also his commitment to influencing modern culture, Shaboozey debuted his collaboration for YSL Beauty’s MYSLF Le Parfum for a groundbreaking campaign. Honoring his Virginia roots, Shaboozey continues the region’s long-standing tradition of prolific creativity by expanding the scope of contemporary hip-hop, introducing modern Americana to a global audience, and bringing a unique sense of artistry to the world. His debut headline Where I’ve Been, Isn’t Where I’m Going tour sold out in every market across North America, Europe, and the UK, and he played arenas nationwide as part of Jelly Roll’s Beautifully Broken tour.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. Horses \u0026amp; Hellcats\u003cbr\u003eA2\/2. A Bar Song (Tipsy)\u003cbr\u003eA3\/3. 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Chrome\u003cbr\u003e\u003c\/p\u003e","brand":"American Dogwood \/ EMPIRE","offers":[{"title":"Default Title","offer_id":45893845090460,"sku":"ERE1143","price":11.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1144_18ec5bdb-fd5a-4cb9-86c1-5f96fbf8070a.jpg?v=1767649313"},{"product_id":"beatglider-dreaming-of-roads","title":"Beatglider - Dreaming of Roads","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ARLEN012LP \u003cbr\u003eBarcode: 5051142010018\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Indie\/shoegaze\u003c\/p\u003e\n\u003cp\u003eFormed in Southend in the late 90’s, Beatglider’s tale is a familiar one taking in early acclaim only for momentum and promise to be dashed by major label statis and indifference.\u003c\/p\u003e\n\u003cp\u003eAfter the release of the debut long-player, ‘40 Days Of Summer’, in 1999 the band signed to Sony subsidiary Lakota and decamped to LA to record its follow-up, ‘Dreaming Of Roads’, an album that was never to see the light of day.\u003c\/p\u003e\n\u003cp\u003eAnd now, over 20 years later, ‘Dreaming Of Roads’ eventually gets a deserved release on 28th February via the Arlen label. A beautiful 11-track understated delight which musically falls somewhere between the likes of Elliott Smith, Grandaddy, Yo La Tengo and Sparklehorse, the album has not only stood the test of time, but arguably sounds as fresh as ever in 2026.\u003cbr\u003eThe tracklisting of the album - recorded in Los Angeles at the famed Sound City studios - is as follows:\u003c\/p\u003e\n\u003cp\u003e1. The Country\u003cbr\u003e2. Shadows Above\u003cbr\u003e3. These Birds Are Mine\u003cbr\u003e4. Dance In The Milky Way\u003cbr\u003e5. A Finer Sense\u003cbr\u003e6. We Gotta Coast\u003cbr\u003e7. Dreaming Of Roads\u003cbr\u003e8. The Treadmill\u003cbr\u003e9. Shaking Like A Leaf\u003cbr\u003e10. Far Less To Another\u003cbr\u003e11. Over The Skyways\u003c\/p\u003e\n\u003cp\u003e…………………………………………\u003c\/p\u003e\n\u003cp\u003eThe tale of the album, as told by Beatglider\u003c\/p\u003e\n\u003cp\u003eWe were sitting by the pool at our Oakwood Apartments, sipping beer as the mid afternoon sun blazed down, palm trees and Hollywood hills on the horizon when a Jesus-like figure dressed head to toe in white casually strolled over to us and introduced himself...”Hi, I’m Tom, welcome to L.A”.\u003cbr\u003eThis still resonates as the most ridiculously surreal moment in Beatglider's short musical “career”.  It felt a million miles from the faded seaside glamour of our hometown of Southend-on-Sea but here we were, guests at the home studio of Tom Rothrock of Beck \u0026amp; Elliott Smith fame to record our second album ‘Dreaming of Roads’.\u003c\/p\u003e\n\u003cp\u003eFor some context..\u003c\/p\u003e\n\u003cp\u003eBeatglider released an album, 40 Days of Summer on a small Leicester based label in 1999 and garnered some media attention \u0026amp; John Peel play. There had been a handful of gigs with a lot of the Chemikal Underground bands - The Delgados, Arab Strap \u0026amp; Magoo - and this had attracted the attention of a few labels, most were put off by our often-erratic live shows.\u003c\/p\u003e\n\u003cp\u003eWe signed to Lakota (a subsidiary of Sony) without them ever seeing us play live. Dreaming of Roads was demoed in Leicester with Paul Warrener and then a few tracks with Ken Thomas (Sigur Ros). A few producer names were thrown about (Roger Moutenot \u0026amp; Kramer I remember) but Tom Rothrock liked what he heard and was the man chosen.\u003c\/p\u003e\n\u003cp\u003eIt seems fantastical now but we spent a month recording the album at Sound City (where Rumours and Nevermind were tracked), rehearsed in a room where David Crosby and The Beatles' names were scrawled on the walls, met a hero in Elliott Smith at a downtown L.A party thrown by a member of hardcore legends Circle Jerks and generally led a band life far beyond our wildest dreams!\u003c\/p\u003e\n\u003cp\u003eThe songs sounded great, although far more polished than previous recordings and we’d toned down the ‘kitchen sink’ approach of our earlier songs. We worked meticulously on parts, getting the max from the songs and all chipping in on instrumentation and ideas.\u003c\/p\u003e\n\u003cp\u003eOn the last night we all sat in the studio, ate pizza while Tom got the bong out we and listened back to album at full volume. Tom put on Elliott Smith ‘Angeles’ and we relaxed and drank beer in the afterglow.\u003cbr\u003eThis was perfect, we’d done well. This could be our job...\u003c\/p\u003e\n\u003cp\u003eOn return home we were worried we might have ‘overcooked’ the songs, re-treading and re-recording to an extent we weren’t used to but in hindsight the album has some of our best recordings and songs and it doesn’t feel like it sounds 20 years old.\u003c\/p\u003e\n\u003cp\u003eDuring early 2003 we played gigs with Sleepy Jackson, Simple Kid, American Analogue Set as we geared up for the single release of ‘We Gotta Coast’ and then the album. We tried to hone the live set for consistency but we were always slightly flaky about playing the same songs every night and the shows were just a bit soulless.\u003c\/p\u003e\n\u003cp\u003eWe soon realised the album was never going to be released and it soon became consigned to the vaults of the record company abyss(which has swallowed up many a good album I’m sure).\u003cbr\u003eWe all went back to our day jobs and continued making music as a hobby as we’d always done.\u003c\/p\u003e\n\u003cp\u003eSo this is the album Dreaming of Roads, over 20 years on from its original inception.\u003cbr\u003eWe were in our mid to late 20s then and anything seemed possible, now we’re closer to 50 it’s easier to appreciate what a special moment it was.A lot has moved on in our lives in that time but we’re all still good mates and still making music. We’re just happy Dreaming of Roads has found a home and finally ‘arrived’.\u003c\/p\u003e","brand":"Arlen","offers":[{"title":"Default Title","offer_id":45893845254300,"sku":"ARLEN012LP","price":20.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ARLEN012LP.jpg?v=1767649416"},{"product_id":"larry-fleet-another-year-older-green-marbled-vinyl","title":"Larry Fleet - Another Year Older [Green Marbled Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ERE1227\u003cbr\u003eBarcode: 199316390414\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Country\u003c\/p\u003e\n\u003cp\u003e1xLP, Standard Jacket, Green Marbled Vinyl\u003c\/p\u003e\n\u003cp\u003eOn \"Another Year Older,\" Larry Fleet cements his status as country music’s premier blue-collar soul-singer, delivering a masterclass in honest, salt-of-the-earth storytelling. Shifting his gaze toward the reflective milestones of adulthood, the White Bluff, Tennessee native trades the restless energy of his earlier work for a grounded, hard-won perspective on what truly lasts. The project seamlessly blends the grit of classic 70s country with the soaring, gospel-infused vocal power that has become his trademark, capturing the quiet dignity of the working class and the profound beauty found in the everyday. From the steady wisdom of the title track to the heartfelt odes to faith and family, Fleet treats the passage of time not as a burden, but as a teacher. It is a record for the dreamers and the doers alike—a soulful, unvarnished progress report from a man who has clocked the miles, felt the weight of the world, and realized that getting older is just another word for getting it right.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. More of That\u003cbr\u003eA2\/2. Baseball On The Radio\u003cbr\u003eA3\/3. Hotel Bible\u003cbr\u003eA4\/4. 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Shifting his gaze toward the reflective milestones of adulthood, the White Bluff, Tennessee native trades the restless energy of his earlier work for a grounded, hard-won perspective on what truly lasts. The project seamlessly blends the grit of classic 70s country with the soaring, gospel-infused vocal power that has become his trademark, capturing the quiet dignity of the working class and the profound beauty found in the everyday. From the steady wisdom of the title track to the heartfelt odes to faith and family, Fleet treats the passage of time not as a burden, but as a teacher. It is a record for the dreamers and the doers alike—a soulful, unvarnished progress report from a man who has clocked the miles, felt the weight of the world, and realized that getting older is just another word for getting it right.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. More of That\u003cbr\u003eA2\/2. Baseball On The Radio\u003cbr\u003eA3\/3. Hotel Bible\u003cbr\u003eA4\/4. 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The artwork features a photograph by the artist himself, making the record one of his most personal works to date.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1 Ben Kaczor Sirene 00:09:16\u003cbr\u003eA2 Ben Kaczor Green Sleep 00:04:22\u003cbr\u003eA3 Ben Kaczor Phantom Blues 00:07:09\u003cbr\u003eB1 Ben Kaczor Pink Snow 00:02:28\u003cbr\u003eB2 Ben Kaczor Amusement Impressions 00:10:54\u003cbr\u003eB3 Ben Kaczor Oval Waves 00:02:39\u003c\/p\u003e","brand":"St. Odes","offers":[{"title":"Default Title","offer_id":46021739905180,"sku":"SO004","price":26.94,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SO004.jpg?v=1769529446"},{"product_id":"delta-slippin-out-double-lp-1","title":"Delta - Slippin’ Out [Double LP]","description":"\u003cp\u003eFormat: Double LP \u003cbr\u003eCatalogue No.: PLEXUS002P\u003cbr\u003eBarcode: 5051142053381 \u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Psychedelic Pop\u003c\/p\u003e\n\u003cp\u003e*REPRESS* 25TH ANNIVERSARY ALBUM ON DOUBLE PURPLE VINYL. NEVER AVAILABLE ON VINYL UNTIL THE CIRCUITRY RELEASE (PURPLE VINYL PRESSING LTD TO 200)\u003c\/p\u003e\n\u003cp\u003e“From Birmingham and centred around the extraordinary songwriting talent of James and Patrick Roberts – initially as The Sea Urchins and since 1993 as Delta – they’ve only just got round to releasing their debut album, Slippin’ Out. It is a work of some beauty”.  9\/10 NME ALBUM OF THE MONTH, 2000\u003c\/p\u003e\n\u003cp\u003e“It’s classicist for sure, shot through with the influence of The Beatles, Byrds and Buffalo Springfield. In James’ downright beautiful closing ballad ‘I Want You’ one can also discern the school of ambitious English balladry that peaked in about 1968: The Casuals, Love Affair, Barry Ryan. 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Accepting that this might be their sole studio album the band threw everything at these recordings allowing it to exist in its own sphere, unbothered by their contemporary generation and disregarding the idea of even releasing a single. \u003c\/p\u003e\n\u003cp\u003eRecorded at DEP International there was a notable difference to the scruffier, looser charm of their 1990s recordings, a tighter focus developed by having the experienced Lenny Franchi mixing the LP with them. Lenny had been working with a number of Island artists including My Bloody Valentine and Tricky so knew his way around a desk. There was also the question of budget (a few months passed between recording and mixing whilst funds were raised) so every day counted. Ultimately though you can hear the joy in the recordings, even amongst the melancholy and angst. As James recently recalled in an interview in Shindig! Magazine: “It was such a big deal for us. It’s one of my fondest memories doing that record. 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With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with the Palestinian cause, following Gaza (LP, self-released 2015) and Jean Genet à Chatila (7”, self-released 2018). \u003c\/p\u003e\n\u003cp\u003eIn the summer of 2023, new material began to take shape from a session with flutes, EWI (an analogue synth played like a wind instrument), and belly dancing beats. At first these were instrumentals, waiting for their context. That frame appeared unexpectedly, through the discovery of Chants Révolutionnaires d’Oman on the French label Expression Spontanée — a record that connected seamlessly with the material at hand. \u003c\/p\u003e\n\u003cp\u003eAs you listen, Side A reveals its dedication to the children of Gaza. 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These essential recordings will become widely available again for the first time in decades, opening a new chapter in the appreciation of one of Jamaica’s most distinctive voices and representing a major moment for reggae and dub aficionados around the world. \u003cbr\u003eThis reissue series will not only preserve his legacy but will also offer listeners the chance to experience the depth and timeless resonance of Sherman’s work in its full glory.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBim Sherman—born Jarret Lloyd Vincent, in Westmoreland, Jamaica—holds a unique place in reggae history. Emerging in the mid 70s, his ethereal, haunting vocal style quickly set him apart from his contemporaries. He was soon collaborating with the top producers and musicians of the era, including Adrian Sherwood and the On-U Sound collective, bridging the gap between roots reggae and experimental dub and laying the groundwork for the fusion of Jamaican sounds with the vibrant underground scene in the UK. His career, from Kingston to London to Mumbai, was marked by an artistic daring and spiritual intensity that has earned him enduring respect across generations.\u003c\/p\u003e\n\u003cp\u003eThe centerpiece of this reissue campaign is Ghetto Dub from 1988, a record that distills Sherman’s artistry into its most potent form. Originally released in a limited number, the album embodies the stark yet soulful beauty of dub production. With its reverb-drenched drums, cavernous basslines, and echo-laden atmospherics, Ghetto Dub transforms Sherman’s various tracks into spectral presences that drift in and out of the mix. \u003c\/p\u003e\n\u003cp\u003eThe arrangement and production—minimal yet profoundly textured—captures both the raw urgency of Jamaican street culture and the forward-looking experimentation of the UK dub scene. Each track unfolds like a meditation, balancing grit with grace, density with space. \u003c\/p\u003e\n\u003cp\u003eGhetto Dub is more than an album; it is an immersive soundscape that reaffirms Bim Sherman as one of reggae’s most otherworldly and visionary figures.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1 Bim Sherman Ghetto Dub 00:02:55\u003cbr\u003eA2 Bim Sherman Station Dub 00:04:14\u003cbr\u003eA3 Bim Sherman Fire Dub 00:04:26\u003cbr\u003eA4 Bim Sherman Moving Dub 00:03:14\u003cbr\u003eA5 Bim Sherman Magnet Dub 00:03:05\u003cbr\u003eB1 Bim Sherman World Dub 00:03:48\u003cbr\u003eB2 Bim Sherman Danger Dub 00:02:24\u003cbr\u003eB3 Bim Sherman Tribulation Dub 00:03:22\u003cbr\u003eB4 Bim Sherman Blazing Dub 00:03:26\u003cbr\u003eB5 Bim Sherman Untitled Dub 00:04:08\u003c\/p\u003e","brand":"Week-End Records","offers":[{"title":"Default Title","offer_id":46218849845404,"sku":"WE19","price":37.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_11274df5-0471-47d0-b6d1-7c43859a4652.jpg?v=1771352191"},{"product_id":"th-blisks-how-so","title":"Th Blisks - How So?","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ES052 \u003cbr\u003eBarcode: 4251804189323\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Electronic\/Downtempo\/Jazz\u003c\/p\u003e\n\u003cp\u003eEfficient Space continues to bind its mind with Altered States Tapes, offering another service to How So?, Th Blisks’ 2022 debut in home-cooked experimentation. \u003c\/p\u003e\n\u003cp\u003eA blurring of three vastly different heads into a single disjointed, but fluid organism, How So? finds Yuta Matsumura (The Lewers, Keanu Nelson), Amelia Besseny (Troth, Impatiens) and Cooper Bowman (Troth, CD3) working with vocals, melodica, deeply pulled samples, guitar, drum machine, synths and resourceful percussion. \u003c\/p\u003e\n\u003cp\u003eAn Elixa-blueprint of sideways ambient rituals, fog-thick melodica dub and paranoid trip hop by way of Sydney’s pioneering industrial collagists, the LP recirculates beyond its original 150-copy confines for those who missed its first apparition.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1: A Sylph A2: Gasper A3: Alaska A4: Guesthouse A5: Avoska B1: Garfitti B2: A Salve B3: I Don't Fade B4: Taipei Dubble\u003c\/p\u003e","brand":"Efficient Space","offers":[{"title":"Default Title","offer_id":46221553598620,"sku":"ES052","price":31.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_a812c587-e924-4c6d-a6a5-b478fd722437.jpg?v=1771406552"},{"product_id":"servicio-al-cliente-alien-tropical-10-mini-lp","title":"Servicio al Cliente - Alien Tropical [10” Mini-LP]","description":"\u003cp\u003eFormat: 10” Mini-LP\u003cbr\u003eCatalogue No.: IMARA6\u003cbr\u003eBarcode: 4250101491696\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003e300 COPIES ONLY.\u003c\/p\u003e\n\u003cp\u003eAlien Tropical: the perfect title for the second album by Servicio Al Cliente (Customer Service), the project of Colombian-born, Berlin-resident Juliana Martinez. If you were cannily seduced by the debut self-titled Servicio Al Cliente album, from way back in 2021, the wait for a follow-up has felt long, but Alien Tropical was worth the wait. Indeed, it feels like the perfect way for Michael Mayer’s Imara imprint to introduce itself to the new year: an album full of play and spirit, verve and sparkle, rich with pop spirit and with one eye smartly cocked toward the dancefloor.\u003c\/p\u003e\n\u003cp\u003eThat first Servicio Al Cliente album was a smart statement of intent, and a wonderful, unexpected turn from Martinez, who’d already been through plenty: being expelled from private music lessons, training in law, joining a group named Las Palabras Correctas. 2021’s Servicio Al Cliente landed on the turntables of anyone with discerning radar (Ada included “Romántico” on her Connecting The Dots mix for Kompakt, for example). With Alien Tropical, Martinez works the sensual sway of her music even harder, building six luscious songs that twist chant-like repetitions into hypnotic mantras, each song the perfect confluence of melody and mystery.\u003c\/p\u003e\n\u003cp\u003eWhen asked about Alien Tropical, Martinez pieces together fragments of memory: winter explorations, long road trips, navigating the highways and the heart. “I had been driving a lot at the time on the highway,” she recalls. “I depended on music I played in the car to manage my emotions and my thoughts on those long drives. Everything felt strange and unfamiliar on the highway, and I realised music was so psychological and my only tool to influence my feelings between highways and new places.”\u003c\/p\u003e\n\u003cp\u003eSo, the music becomes the narrative for where the body and the heart wants to go. That might explain the gentle yearning in Alien Tropical, and its eternal hypnotic, its sense of forever forward-motion, as though the music is flickering like the highway strip reflected in the rear-view mirror. But there’s also the skyward movement of the melodies, the way their loveliness lifts these six songs up through the clouds, like the helium balloons on the cover. 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Across 18 artists, listeners are invited on a sonic journey where rave legacy, electronic dreamscapes, and collective fervor intertwine — true to the DNA of a festival that’s never known boundaries.\u003c\/p\u003e\n\u003cp\u003eThe record opens with grace and wonder courtesy of Rone, whose electronic touch channels both the intimate and the infinite. Between electronica and downtempo, The Dolphin Ambassador bathes in luminous melancholy, offering a moment of calm before the storm. In the same contemplative vein, we’re proud to unveil one of the first productions from Célélé alongside Théo Muller: Drum and Drift, a subtle blend of dubby vibrations and sunlit textures.\u003c\/p\u003e\n\u003cp\u003eAstropolis has always thrived on happy collisions — and this compilation is proof of it. The unlikely meeting between Mézigue and Swooh sends house spiraling into a g-tech vortex on Broken Roll To Venice, a playful burst of groove, hybrid energy, and cheeky mischief. The same spirit of alchemy fuels Belaria \u0026amp; Madben, whose Into The Void burns bright as a 90s rave-meets-EBM anthem wrapped in hypnotic trance. Zaatar \u0026amp; Trunkline bring raw intensity to Come Into The Light, a sweaty, visceral banger at the crossroads of techno, dark disco, and EBM.\u003c\/p\u003e\n\u003cp\u003eFrench techno pillars Scan X \u0026amp; Electric Rescue deliver a masterclass in elegant machine soul on Lost In Time. When Manu Le Malin teams up with Kmyle, the result is as sharp as it is cinematic: Little Big Man pulses with dramatic tension, balancing raw emotion and restrained fury. Elsewhere, Oniris \u0026amp; Benjamin Rippert reconnect with the melodic techno spirit of the label’s early days on Sonate, guided by a craftsman’s sense of harmony.\u003c\/p\u003e\n\u003cp\u003eFor the machine lovers, Legowelt \u0026amp; Cuften resurrect the spirit of early electroclash on Liar, a carnal fusion of analog synths and DIY attitude. 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What they deliver are two of the most urgent, adrenaline-fueled post-punk artifacts you’re likely to hear this year—even if they were recorded more than forty years ago.\u003c\/p\u003e\n\u003cp\u003eOpening with a sharp, melodic guitar solo, “Dead End” bursts forward with uptempo drive—catchy, fierce, and full of momentum. Apparently inspired by Orwell’s 1984, its lyrics depict urban desolation—loneliness, homelessness, hopelessness—yet still shimmer with defiance in lines like, “Truth is amazing – hoping is like waiting.”\u003c\/p\u003e\n\u003cp\u003eThe second track, “Sarah,” dives even deeper into darkness. Mixing post-punk intensity with psychedelic textures, Rückwardt tells an imaginary story of a couple lost in drugs and spiraling through a bad trip, only to wake and realize that sobriety offers little comfort—the real world itself can be just as brutal and offers no easy escape.\u003c\/p\u003e\n\u003cp\u003eNeither song makes the slightest concession to commercial trends. 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FEX hint that the untouched demo versions might surface later, possibly on a second volume of their archival EP “More Waves from the Past.”\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eSide A\u003cbr\u003eDead End (with Ilona Rückwardt)\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eSarah (with Ilona Rückwardt)\u003c\/p\u003e","brand":"The Outer Edge","offers":[{"title":"Default Title","offer_id":46221952516252,"sku":"EDGE-039","price":18.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_b9ae0f5f-405e-41e7-b063-9f85557fe2fd.jpg?v=1771415247"},{"product_id":"das-spezial-romantic-schizophremic","title":"Das Spezial - Romantic Schizophremic","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: MuleMusiq304\u003cbr\u003eBarcode: 4250101489310                                                                        \u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: House\/Electronic\u003c\/p\u003e\n\u003cp\u003ew\/ Henrik Schwarz Remix!\u003c\/p\u003e\n\u003cp\u003ethe debut release on mule musiq by das spezial.\u003c\/p\u003e\n\u003cp\u003edas spezial is a bold collective of artists crafting genre-defying music that challenges norms and reshapes the uk independent music scene.\u003c\/p\u003e\n\u003cp\u003ethis track was recommended to us by henrik schwarz as a perfect fit for a mule musiq release. it is also featured on laurent garnier’s fabric mix cd.\u003c\/p\u003e\n\u003cp\u003ea super-killer track that feels as if isolée and pepe bradock were blended together and then remixed by laurent garnier himself.\u003c\/p\u003e\n\u003cp\u003e the henrik schwarz remix, pitched down, dubby, atmospheric, and deep, is a floor-killer that will be played across the boundaries of house and techno.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA Das SPEZIAL Romantic Schizophremic 00:09:01\u003cbr\u003eB Das SPEZIAL Romantic Schizophremic (Henrik Schwarz Remix) 00:07:02\u003c\/p\u003e","brand":"Mule Musiq","offers":[{"title":"Default Title","offer_id":46221988003996,"sku":"MuleMusiq304","price":18.03,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_c433b07a-f35b-4770-a07c-d1f3a4a58a49.jpg?v=1771415781"},{"product_id":"harmon-happy-accidents","title":"Harmon - Happy Accidents","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: MuleMusiq302\u003cbr\u003eBarcode: 4250101489297\u003cbr\u003eRelease Date: 27 Feb 2026\u003cbr\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003ethe debut single by germany’s rising talent harmon is being released on mule musiq.\u003c\/p\u003e\n\u003cp\u003eit was one of the finest demos we have received in recent years, and we signed it immediately.\u003c\/p\u003e\n\u003cp\u003ecolorful, dreamy, and highly addictive, this alternative house track is unique and evocative of early dj koze and superpitcher productions.\u003c\/p\u003e\n\u003cp\u003ea fresh and killer release that seamlessly absorbs a wide range of influences—in the best possible way.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1 Harmon For You 00:07:26\u003cbr\u003eA2 Harmon California Sober 00:07:19\u003cbr\u003eB1 Harmon Bells \u0026amp; Whistles 00:07:55\u003cbr\u003eB2 Harmon I Know U Know 00:06:26\u003c\/p\u003e","brand":"Mule Musiq","offers":[{"title":"Default Title","offer_id":46222013268124,"sku":"MuleMusiq302","price":18.03,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_a29eabc2-c4c0-4f35-82ea-cb936ce0ad2a.jpg?v=1771415901"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/srd-270226.oembed","provider":"Horizons Music","version":"1.0","type":"link"}