{"title":"SRD 250926","description":null,"products":[{"product_id":"dj-koze-wespennest-ep","title":"DJ Koze - Wespennest EP","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: PAMPA040\u003cbr\u003eBarcode: 4251804141949\u003cbr\u003eRelease Date: 28 Jul 2023\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003eRepress: 25 Sep 2026\u003c\/p\u003e\n\u003cp\u003e2026 repress\u003c\/p\u003e\n\u003cp\u003e* DJ Koze unveils a spiritual and surprising journey into rapturous spheres with Wespennest EP. The visionary artist and master of electronic sound, presents his first own release after 2018's global club hit \"Pick Up\".\u003c\/p\u003e\n\u003cp\u003e\"Candidasa\" and \"Wespennest\" are the result of DJ Kozes inspiring stay in a secluded Benedictine monastery on the enchanting island of Sulawesi. Amidst this idyllic setting, he found the perfect environment to unleash his musical vision. He composed all of the music of \"Candidasa\" while lying on his stomach, in an act of deepest devotion and self-reflection. In doing so, he fed exclusively on so-called heroin kebabs to immerse himself in a trance-like state of creative flow. The result is a soundscape of unimagined depth and beauty that enchants the senses and transports listeners to another dimension by massively increasing the frequency of flicker fusion.\u003c\/p\u003e\n\u003cp\u003eOn \"Wespennest” the wonderful Sophia Kennedy takes the stage and breathes a new dimension into the music with her impactful lyrics and vocals. With generous dedication, Sophia has provided exclusive excerpts of her yet unreleased songs, giving this track a radiant psychedelic power. The combination of DJ Kozes musical genius and Sophia Kennedy's glorious vocals creates a club track full of wonderment, opening up a mystical rapturous world for listeners. Already an instant classic of German dance music. \u003c\/p\u003e\n\u003cp\u003eWith \"Candidasa\" and \"Wespennest\" DJ Koze has once again pushed the boundaries of electronic sounds and created a spiritual journey that touches the soul and frees the mind. This EP is the first harbinger of his highly anticipated new album, which will be released in 2024. The time until the release can be wonderfully bridged with the magical album \"Hit Parade\", which DJ Koze has produced for the British legend Róisín Murphy and on which we can be carried away into the world of musical brilliance.\u003c\/p\u003e\n\u003cp\u003e* Original Tracks written and produced by Stefan Kozalla \/ Published by Kosikos Publishing\u003cbr\u003eA1 - Vocals and lyrics by Sophia Kennedy\u003c\/p\u003e\n\u003cp\u003e* Tracklist:   \u003cbr\u003eA1 - DJ Koze – Wespennest (feat. Sophia Kennedy) 8:03 \u003cbr\u003eB1 - DJ Koze – Candidasa 10:21\u003cbr\u003e       \u003cbr\u003eOriginal Tracks written and produced by Stefan Kozalla \/ Published by\u003cbr\u003eKosikos Publishing           \u003c\/p\u003e\n\u003cp\u003e A1 - Vocals and lyrics by Sophia Kennedy\u003c\/p\u003e","brand":"pampa","offers":[{"title":"Default Title","offer_id":42514967429276,"sku":"PAMPA040","price":15.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cover_8fb9d32c-f7e4-4400-9631-4d6b89b35429.jpg?v=1686159800"},{"product_id":"triangle-amor-fati","title":"Triangle - Amor Fati","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: LUV044 \u003cbr\u003eBarcode: 4251804142601  \u003cbr\u003eRelease Date: 01 Dec 2023\u003cbr\u003eGenre: Electronic\/Downbeat\u003c\/p\u003e\n\u003cp\u003eRepress: 25 Sep 2026\u003c\/p\u003e\n\u003cp\u003eThe sonic movement once known as downbeat continues to cast a long and intimidating shadow over the Austrian electronic music scene, with influential figures like Kruder \u0026amp; Dorfmeister reigning atop a metaphorical mountain of venerable dubplates, resembling ancient gods.\u003cbr\u003e\u003cbr\u003eNow, emerging from the depths of this mountain, comes \"Triangle,\" poised to rejuvenate the genre with its eponymous album, brimming with the purest liquid downbeat gold.\u003cbr\u003e\u003cbr\u003eFeaturing an abundance of dusty breaks, reggae vocals, atmospheric keys and strings, dub stabs, wonky acid sequences, and deep basslines, these tunes check all the right boxes without ever feeling like mere imitations. The overall vibe remains warm, mellow, and hazy, while each track seamlessly weaves in an array of peculiar soundbites.\u003cbr\u003e\u003cbr\u003eDive into the depths of \"Triangle,\" an album that bridges eras of timeless electronic soundscapes.\u003cbr\u003e\u003cbr\u003eTracklist : A1. Triangle - Doty Walk A2. Triangle - Tribes Of Gargantua A3. Triangle - 20 Miles A4. Triangle - Bossa Luv B1. Triangle - Planet X B2. Triangle - Mantra Dub B3. Triangle - Ceremonial T B4. Triangle - Natural Living B5. Triangle - Todo\u003cbr\u003e\u003c\/p\u003e","brand":"Luv Shack Records","offers":[{"title":"Default Title","offer_id":42834825740444,"sku":"LUV044","price":25.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/145914-LUV044-FRONTCOVER.jpg?v=1700518078"},{"product_id":"destin-conrad-whimsy-translucent-emerald-gold-a-side-b-side-vinyl","title":"Destin Conrad - wHIMSY! [Translucent Emerald \u0026 Gold A Side B Side Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ERE1338\u003cbr\u003eBarcode: 199316609714\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003e1xLP, Gatefold Jacket,Translucent Emerald \u0026amp; Gold A Side B Side Vinyl\u003c\/p\u003e\n\u003cp\u003eAbout: \u003cbr\u003eWith wHIMSY!, DESTIN CONRAD undergoes a striking sonic metamorphosis, trading the polished, digital sheen of his earlier R\u0026amp;B for the raw, organic warmth of live instrumentation and alternative jazz. Recorded during an intensive two-week session in Los Angeles under the creative direction of Mr. E, the album captures the \"whims\" of intimacy through a lens that feels less like a studio product and more like a live set in a late-night lounge. By prioritizing space and improvisation over rigid structures, Destin positions himself as a maestro of emotion, navigating the messy, beautiful stages of a relationship with a newfound sense of vulnerability.\u003c\/p\u003e\n\u003cp\u003eThe project’s brilliance lies in its seamless fusion of traditional jazz foundations with contemporary soul storytelling. This synergy is immediate on the opening track \"wHIP,\" where Keyon Harrold’s trumpet engages in a sultry call-and-response with Destin’s vocals, a dynamic that carries through to the Terrace Martin-assisted \"wASH U AWAY.\" Between these high-level collaborations, the album breathes through intentional moments of reflection, such as the spoken-word beauty of \"GLORY a poem by Bay Davis\" and the atmospheric \"AMBRÈ’S INTERLUDE BUT JAZZ,\" ensuring the listener remains fully immersed in the record’s cinematic, noir-tinged atmosphere.\u003c\/p\u003e\n\u003cp\u003eThe guest list on wHIMSY! further solidifies its status as a high-art collective effort, featuring contributions that push Destin into new creative pockets. From the vocal interplay with Vanisha Gould on \"BOREDOM\" and \"A Lonely Detective\" to the harmonic mastery of James Fauntleroy and Astyn Turr on \"The W,\" the album is populated by musical architects who understand the \"whimsical\" vision. Closing with the raw honesty of \"HARD!\" and the high-energy closure of \"LALALALA,\" DESTIN CONRAD proves he is more than an R\u0026amp;B singer—he is a world-builder who can romanticize the mundane until it feels like a classic film. \u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. wHIP (feat. Keyon Harrold)\u003cbr\u003eA2\/2. GLORY a poem by Bay Davis\u003cbr\u003eA3\/3. wASH U AWAY (feat. Terrace Martin)\u003cbr\u003eA4\/4. LOVE!\u003cbr\u003eA5\/5. BED STUY\u003cbr\u003eA6\/6. A Lonely Detective (feat. Vanisha Gould)\u003cbr\u003eA7\/7. BOREDOM (feat. Vanisha Gould)\u003cbr\u003eA8\/8. AMBRÈ'S INTERLUDE BUT JAZZ (feat. Ambré)\u003cbr\u003eA9\/9. Drifting (feat. Keyon Harrold)\u003cbr\u003eB1\/10. The W (feat. James Fauntleroy \u0026amp; Astyn Turr)\u003cbr\u003eB2\/11. HARD!\u003cbr\u003eB3\/12. (MORE)LOVE (feat. Jean Deaux)\u003cbr\u003eB4\/13. DIAMOND GOLD\u003cbr\u003eB5\/14. NOTHING IS REAL (feat. Terrace Martin)\u003cbr\u003eB6\/15. GO HOME!\u003cbr\u003eB7\/16. *meshell checks in*\u003cbr\u003eB8\/17. AFTER LAST NIGHT\u003cbr\u003eB9\/18. LALALALA\u003c\/p\u003e\n\u003cp\u003eSocials: \u003cbr\u003eTwitter: 125.6k followers\u003cbr\u003eIG: 419k followers\u003cbr\u003eYT: 251k subs \/ 34.6M+ views\u003c\/p\u003e","brand":"Destin Conrad \/ EMPIRE","offers":[{"title":"Default Title","offer_id":46839551492252,"sku":"ERE1338","price":35.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1338MOCK.jpg?v=1778520551"},{"product_id":"julian-joseph-and-marcelo-bratke-imaginary-line-cd","title":"Julian Joseph and Marcelo Bratke - Imaginary Line [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: RIV–006CD    \u003cbr\u003eBarcode: 5051142053930\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Jazz \/ Classical\u003c\/p\u003e\n\u003cp\u003eJazz FM Interview (11am 27th May) TX 30th May.\u003cbr\u003eRadioKerry (Ireland) TX 14th May\u003cbr\u003eBBC Radio 3 Record Review 23rd May\u003c\/p\u003e\n\u003cp\u003eThis Album presents four jazz composers (the classics of jazz) and four 20Th Century classical composers (whose music contains a strong element of jazz) in a new and contemporary dialogue. From Thelonius Monk to Igor Stravinsky, pianists Julian Joseph and Marcelo Bratke initiate a series of imaginative exchanges between the pre-established structures of classical music and the improvisation of jazz. The ‘imaginary line’ is the line that divides these two apparently antagonistic worlds, but which in this case becomes a line of communication, bringing the worlds of jazz and classical closer together and allowing us to see the music as a unit.\u003c\/p\u003e\n\u003cp\u003eIn duet if one can achieve expression on any true level through creative synergy then the collaboration can exist. The Imaginary Line speaks to remind us of the oneness of music and seeks to remove the boundaries created over time either as a need to hold on to tradition or as a reflection of an inability to change or adapt. Marcelo has very bravely taken on the challenge of Jazz with its many unique requirements and has put his trust in me to direct his vast training and considerable musical talent to create the feeling of Jazz. I also have put my faith in him for the Classical side of this project which was born out of a mutual admiration between the two of us and early discussions about doing a Gershwin recording.\u003c\/p\u003e\n\u003cp\u003eIt was an obvious choice - the music of Gershwin - because I had performed all the various piano and orchestra works and it is often the most chosen path for collaboration between Jazz and Classical disciplines. But the philosophies engendered by true exposure to both musics left the prospect of a much bigger statement and the question: can we communicate within each other’s respective disciplines?\u003c\/p\u003e\n\u003cp\u003eMarcelo already had the idea and most of the repertoire before approaching me about fleshing it out and to consult on the appropriate material, so we discussed and changed various pieces and set about pulling the concept into the realms of reality. The result is a realisation of the principles of ‘The Imaginary Line’ finding parallels between composers from each idiom and unifying them in a statement about 20th Century music and its commonality by revealing the expansive quality of our musical choices and how that limitless influence spreads beyond neat categorisation. \u003cbr\u003eGershwin’s ‘Preludes’ draw their influence quite blatantly from jazz and we parallel that with the hypnotic elegy of Duke Ellington’s ‘Single petal of a rose’ the comparison of these two giants and contemporaries is overwhelmingly obvious.Milhaud’s ‘Scaramouche’ is strong in its Latin\/Brazilian flair with great balance between piano’s which is reflected in the approach to Chick Corea’s ‘Armondo’s rhumba’.Poulenc’s ‘Sonata for two pianos’ with its strong identifiable impressionist feeling coupled with an intoxicating groove mirrors the captivating Bill Evans classic ‘Waltz for Debby’.Stravinsky’s ‘Pieces for two pianos’ display rhythmic and harmonic complexity within simplicity and an excitable energy and danger, qualities that are hallmarks of Thelonious Monk’s ‘Off minor’. \u003c\/p\u003e\n\u003cp\u003eIn seeking to remove the divide and challenge the pre-eminence of categorisation we have come closer to accepting that music-making in both disciplines come from the same spiritual source. Our aim is to bring to life music beyond the realm of confined expectation that exists as its own entity free from divisions and open to connection through dialogue.                                                                                  \u003c\/p\u003e\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\u003cp\u003eGeorge Gershwin – Three Preludes for Two Pianos\u003cbr\u003e1. Prelude 1\u003cbr\u003e2. Prelude 2\u003cbr\u003e3. Prelude 3\u003cbr\u003eDarius Milhaud – Scaramouche for Two Pianos\u003cbr\u003e4. Vif\u003cbr\u003e5. Modere\u003cbr\u003e6. Braziliare\u003cbr\u003eFrances Poulenc – Sonata for Two Pianos\u003cbr\u003e7. Prelude\u003cbr\u003e8. Rustique\u003cbr\u003e9. Finale\u003cbr\u003eIgor Stavinsky – 5 Pieces for Two Pianos \u003cbr\u003e10. Andante\u003cbr\u003e11. Espanola\u003cbr\u003e12. Balalaika\u003cbr\u003e13. Napolitana\u003cbr\u003e14. Galop\u003cbr\u003eThelonius Monk\u003cbr\u003e15. Off Minor\u003cbr\u003eBill Evans\u003cbr\u003e16. 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Festivals, clubs, bars and living rooms have been craving for more warmth and soul in electronic music and you know we’re here for it.\u003cbr\u003eIt’s only been a few months since we celebrated the 100th release on Heist with our ‘House of House’ compilation; a 19-track embodiment of everything we love about house music where label heads Dam Swindle teamed up with Detroit legend DJ Minx on their track ‘Back to the old school’. \u003c\/p\u003e\n\u003cp\u003eNow, landing just in time for summer, the Amsterdam duo deliver a new EP filled with dancefloor energy across 5 original cuts and vocals courtesy of BritishBengali rapper Surya Sen.\u003c\/p\u003e\n\u003cp\u003eThe title track ‘Call me’ is a stabby and string-heavy peak time jam, where chopped female vocals and offbeat cowbells deliver a simply irresistible groove. ‘5 to 9’ features the vocals of London rapper Surya Sen whose deep voice add an instant vibe to Dam Swindle’s deep and Detroit’esque production. This track sits somewhere between gritty dark rooms and sweaty dancefloors.\u003c\/p\u003e\n\u003cp\u003eDefinitely not the stuff for your 9 to 5, but with plenty of funk for your after-work pleasures. The track comes in 2 versions; the vocal mix and a longer club-dub with some cleverly chopped vocals that comes in handy for the DJ sets.\u003c\/p\u003e\n\u003cp\u003eThe B1 is saved for ‘I like it’. A track full of old school Swindle swing, Rhodes chords, a dash of electronics and soulful vocals chops for good measure. The EP closer is ‘A house track’; a song dedicated to the old school New York house sound and an affirmation that great house music doesn’t have to be complicated. It\u003cbr\u003ejust needs to groove.\u003c\/p\u003e\n\u003cp\u003eThis one has been road-tested all year and is now ready for your listening and playing pleasure. As always, share the music and play it loud!\u003cbr\u003eYours, Heist HQ.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1 Call me\u003cbr\u003eA2 5 to 9 feat. Surya Sen\u003cbr\u003eB1 I like it\u003cbr\u003eB2 A house track\u003cbr\u003eB3 5 to 9 feat. Surya Sen (Pull up dub)\u003c\/p\u003e","brand":"Heist Recordings","offers":[{"title":"Default Title","offer_id":47126876684444,"sku":"HEIST101","price":16.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HEIST101.jpg?v=1782765043"},{"product_id":"holy-fuck-deleter-clear-vinyl","title":"Holy Fuck - Deleter [clear vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: HF001LPC\u003cbr\u003eBarcode: 5051142054029\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003e *Re-release of Holy Fuck’s 5th album originally released in 2020, now on clear vinyl limited to 500 copies*\u003c\/p\u003e\n\u003cp\u003eTo coincide with the release of their new album Event Beat (which came out at the end of March) and their recent mammoth tour in the US the band are re-releasing their previous LP on vinyl just in time for their European dates in September (see below) including an appearance at London’s Scala. This record features collaborations with Alexis Taylor (Hot Chip) Angus Andrew (Liars) and Nicholas Allbrook (Pond) \u003c\/p\u003e\n\u003cp\u003ePolyrhythmic and pleasure-focused, 'Deleter' sees Brian Borcherdt, Graham Walsh, Matt Schulz, and Matt “Punchy” McQuaid utilises their signature sound  - seamlessly fusing the gauzy drive of krautrock and deep house’s dreamy ineffability, expertly blending purring motorik percussion with the sort of fuggy synthetic fizz and tang they are renowned for.\u003c\/p\u003e\n\u003cp\u003eFrom the thrusting minimalism of opener ‘Luxe’ through to the triumphant chug of closing track ‘Ruby’, via club-ready rollocker ‘Free Gloss’ and the cosmic clatter of ‘San Sebastian’, Deleter is a record that joins the Holy Fuck dots within their widescreen, technicolour, crescendo- heavy sound. The first single was A listed on Radio 6. \u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1) Luxe (ft Alexis Taylor) 2) Deleters (ft Angus Andrew) 3) Endless 4) Free Gloss (ft Nicholas Allbrook) 5) Moment 6) Near Mint 7) No Error 8) San Sebastian 9) Ruby  \u003c\/p\u003e","brand":"Holy F","offers":[{"title":"Default Title","offer_id":47127018274972,"sku":"HF001LPC","price":20.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/HF001LPC_29946728-2e67-4120-91a2-93ec59a5f637.jpg?v=1782766711"},{"product_id":"the-sick-man-of-europe-the-intermittent-signal-lp","title":"THE SICK MAN OF EUROPE - THE INTERMITTENT SIGNAL [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BAY142V\u003cbr\u003eBarcode: 843190014217 \u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Post-Punk\/Alternative\u003c\/p\u003e\n\u003cp\u003e“Man has such a predilection for systems and abstract deductions that he is ready to distort the truth intentionally, he is ready to deny the evidence of his senses only to justify his logic” \u003cbr\u003eFyodor Dostoevsky - Notes from Underground (1864)\u003c\/p\u003e\n\u003cp\u003eThe Intermittent Signal is the sound of resistance.\u003c\/p\u003e\n\u003cp\u003eThe Intermittent Signal is the second album by The Sick Man Of Europe.\u003c\/p\u003e\n\u003cp\u003eIt follows last year’s eponymous debut album, the Moderate Air Quality EP and Fade\/Form (The Bunker Tapes) live release \u003c\/p\u003e\n\u003cp\u003eAvailable on black vinyl LP and as a limited edition ‘Chromophobia’ white vinyl LP (Non-Returnable) for independent shops and Bandcamp, pressed by The Vinyl Factory (there is also a super limited Dinked Edition LP)\u003c\/p\u003e\n\u003cp\u003eLead single ‘Negative Stimuli’ is accompanied by a suitably dystopian self-produced video.\u003c\/p\u003e\n\u003cp\u003eFor those with an ear to the ground there are irregular updates on the airwaves – a nod to the spirit of Radio Alice, a counter-culture free radio station transmitting from Bologna in the late 70s \u003cbr\u003e \u003cbr\u003eThe debut album received AOTY accolades from The Vinyl Whistle (#3), Electronic Sound (#6), Juno Daily (#8), Jumbo (#30) and top 100 placings from Drift and Norman.\u003c\/p\u003e\n\u003cp\u003eTSMOE has built a reputation for uncompromising live shows including blistering sets at The Great Escape and Left Of The Dial which blur the lines between audience and performer.\u003c\/p\u003e\n\u003cp\u003eThere will be performances at Haldern Pop Festival and Extramuralhas Festival this summer with more shows to follow. \u003c\/p\u003e\n\u003cp\u003eIn the year since The Sick Man Of Europe’s debut album was released, the world has moved on. Steady hands have slipped from the levers of power, logic has shifted underground and the message grows more urgent with every passing day. \u003c\/p\u003e\n\u003cp\u003eRepetition has been relearned and the machine rhythms repurposed, this time with increased intensity. Arrangements have moved beyond the bare bones economy of the first record and there’s a newfound melodicism in places. Clarity and conviction ring true through the static and noise, while utopian ideas to remodel a broken system gain traction. This is a rejection of the attention economy and a call to reconnect through community and organisation. Those simple acts that were once commonplace have become increasingly radical as new fractures emerge.\u003c\/p\u003e\n\u003cp\u003e“Through repetition the message has gained weight and become something more urgent,” The Sick Man Of Europe explains. “The vehicle for this message needed to evolve, grow to gain the strength to carry it. We’ve landed on something more expansive, immediate and immersive. Less is more. Until it isn't.”\u003c\/p\u003e\n\u003cp\u003eLP:    CD\/digital:\u003cbr\u003eA1.     1.    Negative Stimuli (5:52)\u003cbr\u003eA2.     2.    Chromophobia (3:37)\u003cbr\u003eA3.     3.    Apathy (4:41)\u003cbr\u003eA4.     4.     The Cadogan Gate (6:43)\u003cbr\u003eB1.     5.    The Intermittent Signal (3:36)\u003cbr\u003eB2.     6.    Eyeless\/Mindless (3.59)\u003cbr\u003eB3.     7.    Creatures Of Habit (5:09)\u003cbr\u003eB4.    8.    A Love Song (7:05)\u003c\/p\u003e\n\u003cp\u003eThe Sick Man Of Europe live: Wed 5 Aug  Haldern Pop Festival, DE  - Thu 20 Aug    Extramuralhas Festival, PT\u003c\/p\u003e\n\u003cp\u003e“Blends pulsating motorik beats, nagging basslines and droning electronics into all-consuming atmospheres. Fronted by foreboding vocals that sit somewhere between Ian Curtis’ melancholic baritone and something more experimental, phrases are repeated over and over like mantras, slowly building in intensity until the words take on entirely new meanings” -Electronic Sound\u003c\/p\u003e\n\u003cp\u003e“The Sick Man Of Europe blend Krautrock aspects with charred remains of post-punk, tying this together by tapping into the UK’s current dystopian darkness” - Clash\u003c\/p\u003e\n\u003cp\u003e“If you dig danceable post-punk, give this a spin”  - Brooklyn Vegan\u003c\/p\u003e\n\u003cp\u003e“Coldwave for hot days” - Bandcamp\u003c\/p\u003e\n\u003cp\u003e“We have one of the great new British live bands on our hands” - Juno Daily\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"726\" height=\"408\" src=\"https:\/\/www.youtube.com\/embed\/Mauy-hZIK8I\" title=\"The Sick Man Of Europe - Negative Stimuli\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"The Leaf Label","offers":[{"title":"Default Title","offer_id":47174079611036,"sku":"BAY142V","price":22.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BAY142V.jpg?v=1783536921"},{"product_id":"the-sick-man-of-europe-the-intermittent-signal-white-lp","title":"THE SICK MAN OF EUROPE - THE INTERMITTENT SIGNAL [White LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BAY142VX\u003cbr\u003eBarcode: 843190014231\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Post-Punk\/Alternative\u003c\/p\u003e\n\u003cp\u003e“Man has such a predilection for systems and abstract deductions that he is ready to distort the truth intentionally, he is ready to deny the evidence of his senses only to justify his logic” \u003cbr\u003eFyodor Dostoevsky - Notes from Underground (1864)\u003c\/p\u003e\n\u003cp\u003eThe Intermittent Signal is the sound of resistance.\u003c\/p\u003e\n\u003cp\u003eThe Intermittent Signal is the second album by The Sick Man Of Europe.\u003c\/p\u003e\n\u003cp\u003eIt follows last year’s eponymous debut album, the Moderate Air Quality EP and Fade\/Form (The Bunker Tapes) live release \u003c\/p\u003e\n\u003cp\u003eAvailable on black vinyl LP and as a limited edition ‘Chromophobia’ white vinyl LP (Non-Returnable) for independent shops and Bandcamp, pressed by The Vinyl Factory (there is also a super limited Dinked Edition LP)\u003c\/p\u003e\n\u003cp\u003eLead single ‘Negative Stimuli’ is accompanied by a suitably dystopian self-produced video.\u003c\/p\u003e\n\u003cp\u003eFor those with an ear to the ground there are irregular updates on the airwaves – a nod to the spirit of Radio Alice, a counter-culture free radio station transmitting from Bologna in the late 70s \u003cbr\u003e \u003cbr\u003eThe debut album received AOTY accolades from The Vinyl Whistle (#3), Electronic Sound (#6), Juno Daily (#8), Jumbo (#30) and top 100 placings from Drift and Norman.\u003c\/p\u003e\n\u003cp\u003eTSMOE has built a reputation for uncompromising live shows including blistering sets at The Great Escape and Left Of The Dial which blur the lines between audience and performer.\u003c\/p\u003e\n\u003cp\u003eThere will be performances at Haldern Pop Festival and Extramuralhas Festival this summer with more shows to follow. \u003c\/p\u003e\n\u003cp\u003eIn the year since The Sick Man Of Europe’s debut album was released, the world has moved on. Steady hands have slipped from the levers of power, logic has shifted underground and the message grows more urgent with every passing day. \u003c\/p\u003e\n\u003cp\u003eRepetition has been relearned and the machine rhythms repurposed, this time with increased intensity. Arrangements have moved beyond the bare bones economy of the first record and there’s a newfound melodicism in places. Clarity and conviction ring true through the static and noise, while utopian ideas to remodel a broken system gain traction. This is a rejection of the attention economy and a call to reconnect through community and organisation. Those simple acts that were once commonplace have become increasingly radical as new fractures emerge.\u003c\/p\u003e\n\u003cp\u003e“Through repetition the message has gained weight and become something more urgent,” The Sick Man Of Europe explains. “The vehicle for this message needed to evolve, grow to gain the strength to carry it. 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Steady hands have slipped from the levers of power, logic has shifted underground and the message grows more urgent with every passing day. \u003c\/p\u003e\n\u003cp\u003eRepetition has been relearned and the machine rhythms repurposed, this time with increased intensity. Arrangements have moved beyond the bare bones economy of the first record and there’s a newfound melodicism in places. Clarity and conviction ring true through the static and noise, while utopian ideas to remodel a broken system gain traction. This is a rejection of the attention economy and a call to reconnect through community and organisation. Those simple acts that were once commonplace have become increasingly radical as new fractures emerge.\u003c\/p\u003e\n\u003cp\u003e“Through repetition the message has gained weight and become something more urgent,” The Sick Man Of Europe explains. “The vehicle for this message needed to evolve, grow to gain the strength to carry it. 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It is direct but shadowed, physical but restrained, with vocals from Oddie and Pi cutting through the machinery rather than sitting on top of it. Oddie’s background in Canada’s industrial underground and Pi’s long-running connection to the Greek electronic scene meet in a sound that feels tense, reduced and fully intentional. \u003c\/p\u003e\n\u003cp\u003eKAOSMOS and Florian Engerling add additional vocals, while remixes from In Trance 95 and Veyl regulars Years of Denial extend the material into darker, more hypnotic territory. With “Maska”, Anaxia deliver a debut that feels fully formed: nocturnal, focused and stripped to its essentials. A natural fit for Veyl, the record draws a line between post-punk, industrial electronics and body music without overexplaining itself.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1. Maska A2. Kilitli Nefes feat. KAOSMOS A2. Gift Of God A3. Kilitli Nefes feat. KAOSMOS (In Trance 95 Remix) B1. Laser Star feat. Florian Engerling B2. Sharpen The Knife B3. 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The compositions range from finely layered rhythmic microstructures to sparse, evolving melodic fragments, each unfolding with a precise sense of restraint.\u003c\/p\u003e\n\u003cp\u003e* Edition of 200 vinyl\u003cbr\u003e* Published by Präsens Editionen\u003cbr\u003e* Special artwork (including four inlays) by Ukrainian-American multidisciplinary artist Mykola Haleta\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eA1 Figuren I\u003cbr\u003eA2 Figuren II\u003cbr\u003eA3 Figuren III\u003cbr\u003eA4 Figuren IV\u003cbr\u003eB1 Figuren V\u003cbr\u003eB2 Figuren VI\u003cbr\u003eB3 Figuren VII\u003cbr\u003eB4 Figuren VIII\u003cbr\u003e\u003c\/p\u003e","brand":"Präsens Editionen","offers":[{"title":"Default Title","offer_id":47294497489052,"sku":"PE-053","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PE053MOCK.jpg?v=1785526305"},{"product_id":"sl8r-callisto","title":"Sl8r - Callisto","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: PLAYME12016\u003cbr\u003eBarcode: 5051142053954\u003cbr\u003eRelease Date: 02 Oct 2026\u003cbr\u003eGenre: Electronic\/ Jungle\/ Drum \u0026amp; Bass\u003c\/p\u003e\n\u003cp\u003e140gm 12” vinyl comes in blue, neon green, fluorescent pink, and red patterned artwork disco sleeve\u003c\/p\u003e\n\u003cp\u003eWe’re ecstatic to welcome to play:musik one of the scene’s most diverse producers, Sl8r, who brings with him some of the most eagerly anticipated music around currently. It also happens to be some of his finest work to date! Callisto EP covers different shades of jungle in a fresh, exciting way - from the wonderful loopy riff and shuffling beats of the title track, through a future ’95 hardstepping vibe, to deep synth grime influences, and a crazy jump-up meets edits workout.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1. Callisto\u003cbr\u003eA2. Troublemaker\u003cbr\u003eB1. Treacherous\u003cbr\u003eB2. Fighting Chance\u003c\/p\u003e","brand":"play:musik","offers":[{"title":"Default Title","offer_id":47405827195036,"sku":"PLAYME12016","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PLAYME12016.jpg?v=1786742081"},{"product_id":"the-yummy-fur-everybody-talks-about-the-weather-cd","title":"THE YUMMY FUR - Everybody Talks About The Weather [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: UTR178CD  \u003cbr\u003eBarcode: 828887117822 \u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Post-Punk\/Indie-Rock\u003c\/p\u003e\n\u003cp\u003eFirst album by legendary Glasgow group The Yummy Fur in 27 years!\u003c\/p\u003e\n\u003cp\u003eLimited INDIES ONLY 180g ‘blue sunshine’ vinyl (transparent light blue and transparent yellow vinyl). Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eLimited 180gm Black Vinyl + Limited mini-gatefold CD.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe album begins with “Cogs”, a taunting inquisition from within. As McKeown stages a fight between his id and ego, the tension heats up between conversational guitar lines and minimalist repetition; threatening sing-song melody and real, palpable menace. The band members are forced in tandem only to break apart, sustaining a genuine sense of just-hidden danger throughout the whole record – except, arguably, “Headphones”, a looser moment which sees McKeown make an existential something out of nothing while waiting for someone in the car (“I should have brought a book...\/My ears are bleeding from the compression on your album”)\u003cbr\u003eThe songs are riots of reference: “Unity Over Europe” is a slyly complex two act play about the Mitford sisters – Diana, Unity, and Nancy, in a wink to the YF canon – smashing tragic biographical detail together with allusions to Thomas Pynchon and Francis Bacon. Pynchon is also lifted to serve “Blue Sunshine”, a collision of school shooters, serial killers and fictional fuck-ups (“Fast forward to Compton\/Fast forward to Pynchon\/Fast forward to Columbine'”) whose buzzy guitar lines are taunting and confrontational like a smarmy teenager. The innocuous title of “My Lasagne” belies a song that exists in several time periods at once: a visit to see Guernica, 50 people with their backs to the portrait of Dora Maar; the time that Picasso painted from; the Reina Sofia and the dirty streets of the Malasaña; myth-making musicians and the myths they’re riffing off overlapping and leering at each other. \u003cbr\u003eAll this could be laboured in lesser hands, but cultural verbosity is second nature to The Yummy Fur, who transform all this source material into songs that are weird, sexy, funny and absurd. Meaning is not happily understood or flattened. Susan Sontag's essay Against Interpretation accompanied McKeown as he wrote this album, and she’s paraphrased in “Semolina Ballerina”, the album’s justification of artistic ambiguity. Thomson’s motorik beat leads a gathering of back-and-forth instrumental phrases – including a wiry contribution on saxophone – embodying the futility of trying to parse something definitive from repeated action. “Listen to the very first thing that’s in your head,” Sontag-via-McKeown commands directly, then slinks sideways: “Interpretation is a conversation in an unmade bed”\u003c\/p\u003e\n\u003cp\u003eThe album features two more focused portraits, or at least The Yummy Fur’s version of such a thing. “Wanda” merges the life of filmmaker Barbara Loden and the title character of her semi-autobiographical 1970 feature film, with Loden’s then-husband Elia Kazan joining the fray of no-good men in her film. It’s a mix of adaptation and avant-criticism, with McKeown’s wordplay and mannered pronunciation mirroring the way that non-fiction and fiction twist around each other in the song. The title track is a series of vignettes and impressions from the lives of the band’s ‘90s inner circle, positing painter Mac McNaughton as a kind of Falstaffian ringleader. As with Piggy Wings and the recent single “New T-Shirt”, McNaughton painted the cover of Everybody Talks About The Weather – like the album’s music, the image of a coy girl in a white dress is an uncanny amalgamation of styles, suggestions and references just out of reach, as though seen in an art museum in a dream.\u003c\/p\u003e\n\u003cp\u003eThe album ends with two reads of the same frustration. “King of Nothing” is the closest The Yummy Fur will ever get to sludge-rock: the band melts together into a dusty, dreary haze as McKeown drowns in a drudgery of personal struggle (“Two jumpers on in Babylon\/And only cats to talk to”) and the rhythmic toppling of heroes (Rowlands, Duvall, Munro). The majority of visible dirt is cleaned off for “Say Hello”, an uncharacteristic depiction of throwing the windows open after a dark night of the soul. Here, the situation is still cold and hard (“When the sun burns gold, but the heat never reaches your fingertips”) but it feels surmountable. Everybody Talks About The Weather is an unpredictable album from an unpredictable group, but ending on a moment of almost uncomplicated light is maybe its biggest surprise. - Claire Biddles (2026)\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A 01.  Cogs 02.  Unity Over Europe 03.  Wanda 04.  Semolina Ballerina 05.  Blue Sunshine\u003cbr\u003eSIDE B 06. Everybody Talks About The Weather 07.  My Lasagne 08.  Headphones 09.  King of Nothing 10.  Say Hello\u003cbr\u003e\u003c\/p\u003e","brand":"Upset The Rhythm","offers":[{"title":"Default Title","offer_id":47606559604892,"sku":"UTR178CD","price":11.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_006f3ed1-c469-493d-b1fc-6050963b71e4.jpg?v=1789487892"},{"product_id":"the-yummy-fur-everybody-talks-about-the-weather-lp","title":"THE YUMMY FUR - Everybody Talks About The Weather [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: UTR178\u003cbr\u003eBarcode: 828887117815\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Post-Punk\/Indie-Rock\u003c\/p\u003e\n\u003cp\u003eFirst album by legendary Glasgow group The Yummy Fur in 27 years!\u003c\/p\u003e\n\u003cp\u003eLimited INDIES ONLY 180g ‘blue sunshine’ vinyl (transparent light blue and transparent yellow vinyl). Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eLimited 180gm Black Vinyl + Limited mini-gatefold CD.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe album begins with “Cogs”, a taunting inquisition from within. As McKeown stages a fight between his id and ego, the tension heats up between conversational guitar lines and minimalist repetition; threatening sing-song melody and real, palpable menace. The band members are forced in tandem only to break apart, sustaining a genuine sense of just-hidden danger throughout the whole record – except, arguably, “Headphones”, a looser moment which sees McKeown make an existential something out of nothing while waiting for someone in the car (“I should have brought a book...\/My ears are bleeding from the compression on your album”)\u003cbr\u003eThe songs are riots of reference: “Unity Over Europe” is a slyly complex two act play about the Mitford sisters – Diana, Unity, and Nancy, in a wink to the YF canon – smashing tragic biographical detail together with allusions to Thomas Pynchon and Francis Bacon. Pynchon is also lifted to serve “Blue Sunshine”, a collision of school shooters, serial killers and fictional fuck-ups (“Fast forward to Compton\/Fast forward to Pynchon\/Fast forward to Columbine'”) whose buzzy guitar lines are taunting and confrontational like a smarmy teenager. The innocuous title of “My Lasagne” belies a song that exists in several time periods at once: a visit to see Guernica, 50 people with their backs to the portrait of Dora Maar; the time that Picasso painted from; the Reina Sofia and the dirty streets of the Malasaña; myth-making musicians and the myths they’re riffing off overlapping and leering at each other. \u003cbr\u003eAll this could be laboured in lesser hands, but cultural verbosity is second nature to The Yummy Fur, who transform all this source material into songs that are weird, sexy, funny and absurd. Meaning is not happily understood or flattened. Susan Sontag's essay Against Interpretation accompanied McKeown as he wrote this album, and she’s paraphrased in “Semolina Ballerina”, the album’s justification of artistic ambiguity. Thomson’s motorik beat leads a gathering of back-and-forth instrumental phrases – including a wiry contribution on saxophone – embodying the futility of trying to parse something definitive from repeated action. “Listen to the very first thing that’s in your head,” Sontag-via-McKeown commands directly, then slinks sideways: “Interpretation is a conversation in an unmade bed”\u003c\/p\u003e\n\u003cp\u003eThe album features two more focused portraits, or at least The Yummy Fur’s version of such a thing. “Wanda” merges the life of filmmaker Barbara Loden and the title character of her semi-autobiographical 1970 feature film, with Loden’s then-husband Elia Kazan joining the fray of no-good men in her film. It’s a mix of adaptation and avant-criticism, with McKeown’s wordplay and mannered pronunciation mirroring the way that non-fiction and fiction twist around each other in the song. The title track is a series of vignettes and impressions from the lives of the band’s ‘90s inner circle, positing painter Mac McNaughton as a kind of Falstaffian ringleader. As with Piggy Wings and the recent single “New T-Shirt”, McNaughton painted the cover of Everybody Talks About The Weather – like the album’s music, the image of a coy girl in a white dress is an uncanny amalgamation of styles, suggestions and references just out of reach, as though seen in an art museum in a dream.\u003c\/p\u003e\n\u003cp\u003eThe album ends with two reads of the same frustration. “King of Nothing” is the closest The Yummy Fur will ever get to sludge-rock: the band melts together into a dusty, dreary haze as McKeown drowns in a drudgery of personal struggle (“Two jumpers on in Babylon\/And only cats to talk to”) and the rhythmic toppling of heroes (Rowlands, Duvall, Munro). The majority of visible dirt is cleaned off for “Say Hello”, an uncharacteristic depiction of throwing the windows open after a dark night of the soul. Here, the situation is still cold and hard (“When the sun burns gold, but the heat never reaches your fingertips”) but it feels surmountable. Everybody Talks About The Weather is an unpredictable album from an unpredictable group, but ending on a moment of almost uncomplicated light is maybe its biggest surprise. - Claire Biddles (2026)\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A 01.  Cogs 02.  Unity Over Europe 03.  Wanda 04.  Semolina Ballerina 05.  Blue Sunshine\u003cbr\u003eSIDE B 06. Everybody Talks About The Weather 07.  My Lasagne 08.  Headphones 09.  King of Nothing 10.  Say Hello\u003cbr\u003e\u003c\/p\u003e","brand":"Upset The Rhythm","offers":[{"title":"Default Title","offer_id":47606560129180,"sku":"UTR178","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/lp_29cd730d-af7b-487a-ad8a-09a9bc96bd40.jpg?v=1789487883"},{"product_id":"the-yummy-fur-everybody-talks-about-the-weather-blue-lp","title":"THE YUMMY FUR - Everybody Talks About The Weather [Blue LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: UTR178LPBS\u003cbr\u003eBarcode: 828887117839\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Post-Punk\/Indie-Rock\u003c\/p\u003e\n\u003cp\u003eFirst album by legendary Glasgow group The Yummy Fur in 27 years!\u003c\/p\u003e\n\u003cp\u003eLimited INDIES ONLY 180g ‘blue sunshine’ vinyl (transparent light blue and transparent yellow vinyl). Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eLimited 180gm Black Vinyl + Limited mini-gatefold CD.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe album begins with “Cogs”, a taunting inquisition from within. As McKeown stages a fight between his id and ego, the tension heats up between conversational guitar lines and minimalist repetition; threatening sing-song melody and real, palpable menace. The band members are forced in tandem only to break apart, sustaining a genuine sense of just-hidden danger throughout the whole record – except, arguably, “Headphones”, a looser moment which sees McKeown make an existential something out of nothing while waiting for someone in the car (“I should have brought a book...\/My ears are bleeding from the compression on your album”)\u003cbr\u003eThe songs are riots of reference: “Unity Over Europe” is a slyly complex two act play about the Mitford sisters – Diana, Unity, and Nancy, in a wink to the YF canon – smashing tragic biographical detail together with allusions to Thomas Pynchon and Francis Bacon. Pynchon is also lifted to serve “Blue Sunshine”, a collision of school shooters, serial killers and fictional fuck-ups (“Fast forward to Compton\/Fast forward to Pynchon\/Fast forward to Columbine'”) whose buzzy guitar lines are taunting and confrontational like a smarmy teenager. The innocuous title of “My Lasagne” belies a song that exists in several time periods at once: a visit to see Guernica, 50 people with their backs to the portrait of Dora Maar; the time that Picasso painted from; the Reina Sofia and the dirty streets of the Malasaña; myth-making musicians and the myths they’re riffing off overlapping and leering at each other. \u003cbr\u003eAll this could be laboured in lesser hands, but cultural verbosity is second nature to The Yummy Fur, who transform all this source material into songs that are weird, sexy, funny and absurd. Meaning is not happily understood or flattened. Susan Sontag's essay Against Interpretation accompanied McKeown as he wrote this album, and she’s paraphrased in “Semolina Ballerina”, the album’s justification of artistic ambiguity. Thomson’s motorik beat leads a gathering of back-and-forth instrumental phrases – including a wiry contribution on saxophone – embodying the futility of trying to parse something definitive from repeated action. “Listen to the very first thing that’s in your head,” Sontag-via-McKeown commands directly, then slinks sideways: “Interpretation is a conversation in an unmade bed”\u003c\/p\u003e\n\u003cp\u003eThe album features two more focused portraits, or at least The Yummy Fur’s version of such a thing. “Wanda” merges the life of filmmaker Barbara Loden and the title character of her semi-autobiographical 1970 feature film, with Loden’s then-husband Elia Kazan joining the fray of no-good men in her film. It’s a mix of adaptation and avant-criticism, with McKeown’s wordplay and mannered pronunciation mirroring the way that non-fiction and fiction twist around each other in the song. The title track is a series of vignettes and impressions from the lives of the band’s ‘90s inner circle, positing painter Mac McNaughton as a kind of Falstaffian ringleader. As with Piggy Wings and the recent single “New T-Shirt”, McNaughton painted the cover of Everybody Talks About The Weather – like the album’s music, the image of a coy girl in a white dress is an uncanny amalgamation of styles, suggestions and references just out of reach, as though seen in an art museum in a dream.\u003c\/p\u003e\n\u003cp\u003eThe album ends with two reads of the same frustration. “King of Nothing” is the closest The Yummy Fur will ever get to sludge-rock: the band melts together into a dusty, dreary haze as McKeown drowns in a drudgery of personal struggle (“Two jumpers on in Babylon\/And only cats to talk to”) and the rhythmic toppling of heroes (Rowlands, Duvall, Munro). The majority of visible dirt is cleaned off for “Say Hello”, an uncharacteristic depiction of throwing the windows open after a dark night of the soul. Here, the situation is still cold and hard (“When the sun burns gold, but the heat never reaches your fingertips”) but it feels surmountable. Everybody Talks About The Weather is an unpredictable album from an unpredictable group, but ending on a moment of almost uncomplicated light is maybe its biggest surprise. - Claire Biddles (2026)\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A 01.  Cogs 02.  Unity Over Europe 03.  Wanda 04.  Semolina Ballerina 05.  Blue Sunshine\u003cbr\u003eSIDE B 06. Everybody Talks About The Weather 07.  My Lasagne 08.  Headphones 09.  King of Nothing 10.  Say Hello\u003cbr\u003e\u003c\/p\u003e","brand":"Upset The Rhythm","offers":[{"title":"Default Title","offer_id":47606560948380,"sku":"UTR178LPBS","price":20.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/blue_f1b25ad7-cd09-4675-9aaf-322d91f72298.jpg?v=1789487886"},{"product_id":"edu-lobo-cantiga-de-longe","title":"EDU LOBO - CANTIGA DE LONGE","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: WE24\u003cbr\u003eBarcode: 4250101499036\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: MPB\/Brazil\u003c\/p\u003e\n\u003cp\u003eAvailable again for the first time since 1970, Lobo’s melancholy masterpiece epitomizes the experimental evolution of MPB. With new liner notes by Edu Lobo.\u003cbr\u003eReleased in 1970, Cantiga de Longe is a defining record in the career of Brazilian singer, composer, and guitarist Edu Lobo and a significant contribution to Música Popular Brasileira (MPB). \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCreated during Brazil’s military dictatorship, the album reflects the subtle, poetic strategies that artists use to convey meaning while subject to censorship. Rather than overt protest, Lobo expresses longing and introspection through refined musical language and evocative lyrics.\u003c\/p\u003e\n\u003cp\u003eMusically, the album captures the sophistication of MPB at the turn of the decade. A foundation of acoustic guitar blends with jazz-influenced harmonies and elegant arrangements. The sound is both intimate and expansive: delicate vocal lines unfold over complex progressions, supported by understated rhythms, rooted in Brazilian traditions. Lobo’s controlled yet expressive vocal delivery keeps the lyrical nuance at the forefront.\u003c\/p\u003e\n\u003cp\u003eA key element of the album’s texture is the involvement of Hermeto Pascoal. His imaginative instrumental contributions add subtle harmonic color and atmospheric depth, enriching the refined arrangements and enhancing the sense of openness.\u003cbr\u003eThematically, the album explores memory, distance, solitude, and time—personal reflections that resonate with the broader climate of uncertainty that dominated Brazil in 1970. This remains one of Lobo’s most mature recordings, exemplifying the emotional depth and artistic subtlety of Brazilian popular music in a creatively fertile era.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1    Edu Lobo    Casa Forte    00:03:06\u003cbr\u003eA2    Edu Lobo    Frevo de Itamaracá    00:02:38\u003cbr\u003eA3    Edu Lobo    Mariana, Mariana    00:03:28\u003cbr\u003eA4    Edu Lobo    Zum-Zum    00:02:48\u003cbr\u003eA5    Edu Lobo    Águaverde    00:04:12\u003cbr\u003eA6    Edu Lobo    Cantiga de Longe    00:02:30\u003cbr\u003eB1    Edu Lobo    Na Feira De Santarém    00:04:10\u003cbr\u003eB2    Edu Lobo    Zanzibar    00:03:16\u003cbr\u003eB3    Edu Lobo    Marta E Romão    00:03:26\u003cbr\u003eB4    Edu Lobo    Rancho De Ano Nôvo    00:02:36\u003cbr\u003eB5    Edu Lobo    Cidade Nova    00:04:50\u003cbr\u003e\u003c\/p\u003e","brand":"Week-End Records","offers":[{"title":"Default Title","offer_id":47606577201308,"sku":"WE24","price":37.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_1e8d4676-0d54-45c0-9702-47f0a3adcc95.jpg?v=1789488059"},{"product_id":"dj-quest-frequency-damage-ep","title":"DJ Quest - Frequency Damage EP","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: CFUNK048\u003cbr\u003eBarcode: 5051142054302\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Electronic \/ Breakbeat \/ Breaks \/ UKG \u003c\/p\u003e\n\u003cp\u003eFollowing the successful return of Cyberfunk Records, Frequency Damage EP showcases four brand-new productions from DJ Quest, blending over 25 years of breakbeat experience with modern production techniques. \u003c\/p\u003e\n\u003cp\u003eFrom old-school funk influences and rolling basslines to heavy club grooves and precision-engineered drums, the EP demonstrates the versatility that has made DJ Quest one of the pioneers of the Bassline Breaks movement. \u003c\/p\u003e\n\u003cp\u003eEach track brings its own identity while remaining unmistakably Cyberfunk—music written for DJs, built for powerful sound systems and inspired by the underground dancefloors that shaped the label's legacy. \u003c\/p\u003e\n\u003cp\u003eTracklisting \u003cbr\u003eA1. Feel The Beat \u003cbr\u003eAn energetic opener driven by infectious funk samples, crisp breakbeats and heavyweight bass. Combining old-school influences with modern production, Feel The Beat delivers an uplifting dancefloor groove designed to ignite peak-time sets. \u003c\/p\u003e\n\u003cp\u003eA2. Miami \u003cbr\u003eDeep rolling basslines, atmospheric textures and tight percussion create a hypnotic late-night journey. Miami balances melody and groove perfectly, offering a sophisticated yet powerful slice of modern electro. \u003c\/p\u003e\n\u003cp\u003eB1. WTF \u003cbr\u003eThe hardest track on the EP, WTF is built around aggressive basslines, relentless drums and raw dancefloor energy. A no-nonsense club weapon designed for maximum impact on big sound systems. \u003c\/p\u003e\n\u003cp\u003eB2. Go Slow \u003cbr\u003eClosing the EP with pure groove, Go Slow fuses rolling rhythms, funky bass and infectious vocal touches into a track that perfectly captures the timeless Cyberfunk sound while remaining fresh for today's DJs.\u003c\/p\u003e\n\u003cp\u003eThe release has also been submitted for editorial consideration and playlisting across major streaming services including Spotify, Apple Music, Deezer, Amazon Music, YouTube Music and TIDAL, alongside key breakbeat and electronic music curators. \u003cbr\u003eIn addition, the campaign includes promotion through specialist breakbeat media, DJ pools, social media advertising, Bandcamp, Beatport and direct mail-outs to influential DJs, helping the release reach both long- time fans of Cyberfunk and a new generation of listeners. \u003cbr\u003e. \u003cbr\u003e* Tracklisting: \u003cbr\u003eA1. Feel The Beat \u003cbr\u003eA2. Miami \u003cbr\u003eB1. WTF \u003cbr\u003eB2. Go Slow \u003cbr\u003e\u003c\/p\u003e","brand":"Cyberfunk Records","offers":[{"title":"Default Title","offer_id":47606586179740,"sku":"CFUNK048","price":18.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_041d8f44-1f04-4cb8-9c91-1e2bb105e4f3.jpg?v=1789488403"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/srd-250926.oembed?page=2","provider":"Horizons Music","version":"1.0","type":"link"}