{"title":"SRD 170726","description":"","products":[{"product_id":"bunny-lee-the-version-master-creation-of-dub-cd","title":"Bunny Lee “The Version Master” - Creation of Dub [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: JRCD040\u003cbr\u003eBarcode: 5060135760694 \u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eKing Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a ‘serious joke’ (more of which later...) they went on to release the first pressings of this new musical genre namely ‘Dub Music’. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard... the Remix \/ Version cuts to an existing vocal tune.\u003cbr\u003e\u003cbr\u003eOsbourne ‘King Tubby’ Ruddock was born in Kingston, Jamaica on 28th January 1941 and grew up in the High Holborn Street area of downtown Kingston. He studied electronics at Kingston’s National Technical College and also on two correspondence courses from the U.S.A... When he had qualified Tubby began repairing radios and other electrical appliances in a shack in the back yard of his mother’s home. His work in the early days included winding transformers and building amplifiers for Kingston’s Sound Systems. Tubby built his first Sound System in 1957 playing jazz and Rhythm \u0026amp; Blues at local weddings and birthday parties. His reputation as a man who knew and understood both electronics and music grew steadily and as the sixties drew to a close. Tubby purchased his own basic two track equipment. He installed this alongside his dub cutting machine, a homemade mixing console and his impressive collection of Jazz albums in the back bedroom of his home at 18 Dromilly Avenue which he christened his music room.\u003cbr\u003e\u003cbr\u003eTubby and Striker were at Treasure Isle Studio’s one day while Ruddy from Spanish Town was working with the engineer Byron Smith....\u003cbr\u003e\u003cbr\u003e“Tubby and myself was talking when Ruddy was cutting some dub but Smithy (engineer) made a mistake through we were talking and forgot to put in the voice. It was two track recording in those days. Ruddy said ‘No Man! Make it stay! and so they cut the rhythm. When I went over to Ruddy’s that Saturday night a dance was in progress and when they played the vocal to the tune... then he said we’re going to play ‘Part Two’. They never called it ‘Version’..and then he played the rhythm track. The song was a catchy song and everybody started to sing along and the deejay started to toast so everything went down well. On Monday morning I went up and I said ‘Tubbs the mistake we made was a serious joke. It mash up Spanish Town! The people went wild. So you have to start to do that now ‘cause when the man put on the ‘Part Two’ everyone start singing this song. It played about twenty times. I said you try Tubbs!’...Well the next Saturday night now when Tubby strung up down the farm U Roy said he’s going to play ‘Part Two’ but Tubby did it different now. He started with the voice then dropped it out and let the rhythm run and then he brought in the voice in the middle and from there Tubby started to get really popular.’’ \u003cbr\u003eBunny ‘Striker’ Lee\u003cbr\u003e\u003cbr\u003eDynamic Sounds upgraded to sixteen track recording in 1972 and Tubby purchased, again with the help of a deal brokered by Bunny Lee. The old four track equipment and the MCI console from their Studio B. The four tracks now gave him far wider scope to work with and he began to create a new musical form where the bass and drum parts were brought up while the faders allowed Tubby to ease the vocal and rhythm in and out of the mix. It was only a matter of time before Tubby’s dub plate experiments began to make it on to vinyl and the first ever long-playing King Tubby releases would feature a collection of his mixes to a selection of Strikers rhythms. So please sit back and enjoy this historic set of sounds, mixed by King Tubby and Mr Prince Phillip Smart and another set of scorcher Bunny Lee rhythms.\u003cbr\u003e\u003cbr\u003eTracklisting\u003cbr\u003e1. Creation of Dub - Creation Rebel \/ Johnny Clarke\u003cbr\u003e2 Swinging Dub - Put It On \/ Johnny Clarke\u003cbr\u003e3. Ten Thousand Tons of Dub -10 To One \/ Johnny Clarke\u003cbr\u003e4. Jamaican Roots Dub - Jamaican Fruits Of African Roots\/Sheila Records\u003cbr\u003e5. A Pressuring Dub - Press Along Natty\/Cornell Campbell\u003cbr\u003e6. An Inspiring Dub - Soul and Inspiration\/Johnny Clarke\u003cbr\u003e7. This Boss of Dub - So Jah Say\/Jackie Edwards\u003cbr\u003e8. A Good Good Dub - No Good Girl \/ Cornell Campbell\u003cbr\u003e9. Dub This Sound - Watch This Sound\/Cornell Campbell\u003cbr\u003e10. A Hard Hard Dub - Get Ready\/Delroy Wilson\u003cbr\u003e11. Rub This Dub - You Must Believe Me\/Delroy Wilson\u003cbr\u003e12. Skanking Dub - You Have Long Long Dreadlocks\/ Linval Thompson\u003cbr\u003e13 Don’t Cut Off Your Dub Locks - Don’t Cut Off Your Dreadlocks\/Linval Thompson\u003cbr\u003e14 Give Me Dub - Give Me Love\/Johnny Clarke\u003cbr\u003e15 Guiding Angel Dub* - You Are My Angel\/Horace Andy\u003cbr\u003e16 Tree Of Life Dub* - That’s Life\/Ronnie Davi\u003cbr\u003e\u003c\/p\u003e","brand":"Jamaican Recordings","offers":[{"title":"Default Title","offer_id":41117829300380,"sku":"JRCD040","price":11.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JRCD040.jpg?v=1634908273"},{"product_id":"bunny-lee-the-version-master-creation-of-dub-lp","title":"Bunny Lee “The Version Master” - Creation of Dub [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: JRLP040\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060135760700\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Jul 2026\u003cbr data-mce-fragment=\"1\"\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKing Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a ‘serious joke’ (more of which later...) they went on to release the first pressings of this new musical genre namely ‘Dub Music’. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard... the Remix \/ Version cuts to an existing vocal tune.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOsbourne ‘King Tubby’ Ruddock was born in Kingston, Jamaica on 28th January 1941 and grew up in the High Holborn Street area of downtown Kingston. He studied electronics at Kingston’s National Technical College and also on two correspondence courses from the U.S.A... When he had qualified Tubby began repairing radios and other electrical appliances in a shack in the back yard of his mother’s home. His work in the early days included winding transformers and building amplifiers for Kingston’s Sound Systems. Tubby built his first Sound System in 1957 playing jazz and Rhythm \u0026amp; Blues at local weddings and birthday parties. His reputation as a man who knew and understood both electronics and music grew steadily and as the sixties drew to a close. Tubby purchased his own basic two track equipment. He installed this alongside his dub cutting machine, a homemade mixing console and his impressive collection of Jazz albums in the back bedroom of his home at 18 Dromilly Avenue which he christened his music room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTubby and Striker were at Treasure Isle Studio’s one day while Ruddy from Spanish Town was working with the engineer Byron Smith....\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Tubby and myself was talking when Ruddy was cutting some dub but Smithy (engineer) made a mistake through we were talking and forgot to put in the voice. It was two track recording in those days. Ruddy said ‘No Man! Make it stay! and so they cut the rhythm. When I went over to Ruddy’s that Saturday night a dance was in progress and when they played the vocal to the tune... then he said we’re going to play ‘Part Two’. They never called it ‘Version’..and then he played the rhythm track. The song was a catchy song and everybody started to sing along and the deejay started to toast so everything went down well. On Monday morning I went up and I said ‘Tubbs the mistake we made was a serious joke. It mash up Spanish Town! The people went wild. So you have to start to do that now ‘cause when the man put on the ‘Part Two’ everyone start singing this song. It played about twenty times. I said you try Tubbs!’...Well the next Saturday night now when Tubby strung up down the farm U Roy said he’s going to play ‘Part Two’ but Tubby did it different now. He started with the voice then dropped it out and let the rhythm run and then he brought in the voice in the middle and from there Tubby started to get really popular.’’\u003cbr data-mce-fragment=\"1\"\u003eBunny ‘Striker’ Lee\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDynamic Sounds upgraded to sixteen track recording in 1972 and Tubby purchased, again with the help of a deal brokered by Bunny Lee. The old four track equipment and the MCI console from their Studio B. The four tracks now gave him far wider scope to work with and he began to create a new musical form where the bass and drum parts were brought up while the faders allowed Tubby to ease the vocal and rhythm in and out of the mix. It was only a matter of time before Tubby’s dub plate experiments began to make it on to vinyl and the first ever long-playing King Tubby releases would feature a collection of his mixes to a selection of Strikers rhythms. So please sit back and enjoy this historic set of sounds, mixed by King Tubby and Mr Prince Phillip Smart and another set of scorcher Bunny Lee rhythms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003e1. Creation of Dub - Creation Rebel \/ Johnny Clarke\u003cbr data-mce-fragment=\"1\"\u003e2 Swinging Dub - Put It On \/ Johnny Clarke\u003cbr data-mce-fragment=\"1\"\u003e3. Ten Thousand Tons of Dub -10 To One \/ Johnny Clarke\u003cbr data-mce-fragment=\"1\"\u003e4. Jamaican Roots Dub - Jamaican Fruits Of African Roots\/Sheila Records\u003cbr data-mce-fragment=\"1\"\u003e5. A Pressuring Dub - Press Along Natty\/Cornell Campbell\u003cbr data-mce-fragment=\"1\"\u003e6. An Inspiring Dub - Soul and Inspiration\/Johnny Clarke\u003cbr data-mce-fragment=\"1\"\u003e7. This Boss of Dub - So Jah Say\/Jackie Edwards\u003cbr data-mce-fragment=\"1\"\u003e8. A Good Good Dub - No Good Girl \/ Cornell Campbell\u003cbr data-mce-fragment=\"1\"\u003e9. Dub This Sound - Watch This Sound\/Cornell Campbell\u003cbr data-mce-fragment=\"1\"\u003e10. A Hard Hard Dub - Get Ready\/Delroy Wilson\u003cbr data-mce-fragment=\"1\"\u003e11. Rub This Dub - You Must Believe Me\/Delroy Wilson\u003cbr data-mce-fragment=\"1\"\u003e12. Skanking Dub - You Have Long Long Dreadlocks\/ Linval Thompson\u003cbr data-mce-fragment=\"1\"\u003e13 Don’t Cut Off Your Dub Locks - Don’t Cut Off Your Dreadlocks\/Linval Thompson\u003cbr data-mce-fragment=\"1\"\u003e14 Give Me Dub - Give Me Love\/Johnny Clarke\u003cbr data-mce-fragment=\"1\"\u003e15 Guiding Angel Dub* - You Are My Angel\/Horace Andy\u003cbr data-mce-fragment=\"1\"\u003e16 Tree Of Life Dub* - That’s Life\/Ronnie Davi\u003c\/p\u003e","brand":"Jamaican Recordings","offers":[{"title":"Default Title","offer_id":41277703520412,"sku":"JRLP040","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JRCD040_24d4ce8e-9284-429f-b8d0-e275678e20d9.jpg?v=1638801930"},{"product_id":"delroy-wilson-dubbing-at-king-tubby-s-lp","title":"Delroy Wilson - Dubbing At King Tubby’s [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JRLP070\u003cbr\u003eBarcode: 5060135762803  \u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eDelroy Wilson’s rich vocal tones always added magic to any song put his way. The ‘Cool Operator’ as he was affectionately named, after a tune he worked on with the legendary Jamaican producer Bunny Lee. A match made in heaven as you will hear on the album where he was put against some of the finest rhythms made in what would be a high point in Reggae’s history, the 1970’s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDelroy Wilson (b.1948 Kingston, Jamaica )began his musical career at the school that was Coxonne Dodd’s Studio One label. His first release at the tender age of thirteen was the Lee Perry produced ‘Joe Liges’. This Ska enhanced tune gave the young singer his first hit and the follow up single ‘Spit In The Sky’ also flew out the record shops doors. Other hits followed including ‘One Two Three’, ‘I Shall Not Remove’ and ‘Look Back Again’ to name but a few. As the sound of reggae turn from Ska to Rocksteady, Delroy Wilson hit with the time defining ‘Dancing Mood’ as well as other classic cuts such as ‘Once Upon A Time’, ‘Rain From The Skies’ and ‘Feel Good All Over’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter a brief stop in 1969, Delroy began working for producer Sonia Pottinger’s Tip Top label, again producing more hits including ‘It Hurts’ and ‘Put Yourself In My Place’. The 1970’s saw Delroy Wilson’s arrival at producer Bunny ‘Striker’ Lee’s door and what would turn into a winning formula, scoring hit after hit. It’s from this great period in Delroy’s career that we have compiled this selection of killer tracks, cut with the drum and bass rhythm kings themselves Sly Dunbar and Robbie Shakespeare. A great dub set mixed at the legendary King Tubby’s studio….\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHope you enjoy the set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eTrack 1 CAN I CHANGE MY DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 2 ONCE UPON A DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 3 WHO DONE DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 4 DANCING DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 5 IF I WERE A DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 6 TRUE BELIEVER IN DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 7 TRAIN IS COMING DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 8 HERE COME THE DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 9 WHO CARES DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 10 MONEY DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 11 SO LONG JENNY DUB\u003cbr data-mce-fragment=\"1\"\u003eTrack 12 KEEP ON DUBBING\u003cbr data-mce-fragment=\"1\"\u003eTrack 13 YOU’RE NO DUB*\u003cbr data-mce-fragment=\"1\"\u003eTrack 14 LEAVING DUB*\u003cbr data-mce-fragment=\"1\"\u003eTrack 15 A KING DUB*\u003cbr data-mce-fragment=\"1\"\u003e*CD Bonus Tracks\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Jamaican Recordings","offers":[{"title":"Default Title","offer_id":41719748395164,"sku":"JRLP070","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JRLP070.jpg?v=1656313675"},{"product_id":"delroy-wilson-dubbing-at-king-tubby-s-cd","title":"Delroy Wilson - Dubbing At King Tubby’s [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: JRCD070\u003cbr\u003eBarcode: 5060135762797\u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eDelroy Wilson’s rich vocal tones always added magic to any song put his way. The ‘Cool Operator’ as he was affectionately named, after a tune he worked on with the legendary Jamaican producer Bunny Lee. A match made in heaven as you will hear on the album where he was put against some of the finest rhythms made in what would be a high point in Reggae’s history, the 1970’s.\u003cbr\u003e\u003cbr\u003eDelroy Wilson (b.1948 Kingston, Jamaica )began his musical career at the school that was Coxonne Dodd’s Studio One label. His first release at the tender age of thirteen was the Lee Perry produced ‘Joe Liges’. This Ska enhanced tune gave the young singer his first hit and the follow up single ‘Spit In The Sky’ also flew out the record shops doors. Other hits followed including ‘One Two Three’, ‘I Shall Not Remove’ and ‘Look Back Again’ to name but a few. As the sound of reggae turn from Ska to Rocksteady, Delroy Wilson hit with the time defining ‘Dancing Mood’ as well as other classic cuts such as ‘Once Upon A Time’, ‘Rain From The Skies’ and ‘Feel Good All Over’.\u003cbr\u003e\u003cbr\u003eAfter a brief stop in 1969, Delroy began working for producer Sonia Pottinger’s Tip Top label, again producing more hits including ‘It Hurts’ and ‘Put Yourself In My Place’. The 1970’s saw Delroy Wilson’s arrival at producer Bunny ‘Striker’ Lee’s door and what would turn into a winning formula, scoring hit after hit. It’s from this great period in Delroy’s career that we have compiled this selection of killer tracks, cut with the drum and bass rhythm kings themselves Sly Dunbar and Robbie Shakespeare. A great dub set mixed at the legendary King Tubby’s studio….\u003cbr\u003e\u003cbr\u003eHope you enjoy the set.\u003cbr\u003e\u003cbr\u003eTracklisting\u003cbr\u003eTrack 1 CAN I CHANGE MY DUB\u003cbr\u003eTrack 2 ONCE UPON A DUB\u003cbr\u003eTrack 3 WHO DONE DUB\u003cbr\u003eTrack 4 DANCING DUB\u003cbr\u003eTrack 5 IF I WERE A DUB\u003cbr\u003eTrack 6 TRUE BELIEVER IN DUB\u003cbr\u003eTrack 7 TRAIN IS COMING DUB\u003cbr\u003eTrack 8 HERE COME THE DUB\u003cbr\u003eTrack 9 WHO CARES DUB\u003cbr\u003eTrack 10 MONEY DUB\u003cbr\u003eTrack 11 SO LONG JENNY DUB\u003cbr\u003eTrack 12 KEEP ON DUBBING\u003cbr\u003eTrack 13 YOU’RE NO DUB*\u003cbr\u003eTrack 14 LEAVING DUB*\u003cbr\u003eTrack 15 A KING DUB*\u003cbr\u003e*CD Bonus Tracks\u003c\/p\u003e","brand":"Jamaican Recordings","offers":[{"title":"Default Title","offer_id":41719748722844,"sku":"JRCD070","price":11.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JRLP070_57be0e62-da41-47ab-ac01-09c3afd75311.jpg?v=1656313690"},{"product_id":"petre-inspirescu-vin-ploile-2lp","title":"Petre Inspirescu - Vin Ploile [2LP TRANSPARENT VINYL]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: MuleMusiq192\u003cbr\u003eBarcode: 880319738135\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Electronic\/Ambient\u003c\/p\u003e\n\u003cp\u003e2026 REPRESS ON TRANSPARENT VINYL.\u003c\/p\u003e\n\u003cp\u003eVin Ploile is a gaseous kinetic atmosphere full of tangible rhythm patterns \u0026amp; modular synth pad since his first ep on luciano´s label cadenza in 2007 producer and dj petre inspirescu emerged into one of the key figures of the romanian electronic music scene.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1 Petre Inspirescu Delir 1 00:08:26\u003cbr\u003eA2 Petre Inspirescu Pan'la Glezne 00:05:35\u003cbr\u003eB1 Petre Inspirescu Delir 2 00:12:03\u003cbr\u003eB2 Petre Inspirescu Delir 3 00:03:17\u003cbr\u003eC1 Petre Inspirescu Delir 4 00:09:15\u003cbr\u003eC2 Petre Inspirescu Delir 5 00:04:40\u003cbr\u003eD1 Petre Inspirescu Lumiere 00:04:52\u003cbr\u003eD2 Petre Inspirescu Delir 6 00:05:32\u003cbr\u003eD3 Petre Inspirescu Delir 7 00:07:46\u003c\/p\u003e","brand":"Mule Musiq","offers":[{"title":"Default Title","offer_id":46563921756316,"sku":"MuleMusiq192","price":38.06,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MULEMUSiQ192.jpg?v=1774189780"},{"product_id":"the-shaggs-philosophy-of-the-world-yellow-smoke-wax","title":"The Shaggs - Philosophy Of The World [Yellow Smoke Wax]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: LITA15112\u003cbr\u003eBarcode: 826853315111\u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Rock\/Pop\/Psych\u003c\/p\u003e\n\u003cp\u003e- Newly remastered LP pressed on Yellow Smoke Wax. (Non-Returnable)\u003cbr\u003e- Liner notes by legendary musician, writer and compiler, Lenny Kaye (Patti Smith, Nuggets).\u003cbr\u003e- Booklet features unseen photos and ephemera.\u003cbr\u003e- Artwork restored and expanded to a gatefold jacket.\u003c\/p\u003e\n\u003cp\u003eIn 1968, three sisters from Fremont, New Hampshire strapped on their instruments and declared themselves The Shaggs. At that moment begun a peculiar tale that would last far beyond the group’s five-year run. Dot, Betty and Helen (and occasionally Rachel, the fourth sister) played in the group on the insistence of their father, Austin Wiggin Jr., who was convinced they were going to be big. Years earlier, Austin’s mother gave him a palm reading, predicting that her son would marry a strawberry blonde woman, that he would have two sons after his mother died, and that his daughters would form a popular music outfit. The first two became reality, so Austin was certain the third would follow suit.\u003c\/p\u003e\n\u003cp\u003eWith pure confidence and his mother’s bold prediction, Austin decided that his daughters would forgo attending the local high school in favor of home schooling interspersed with a strict regiment of instrumental and vocal practice, along with jumping jacks and sit-ups. Soon after The Shaggs would enter Fleetwood Recording studios in Revere, Massachusetts to record their sole album, Philosophy Of The World, a collection of garage rock tunes that balanced charm and discordance in equal measure. Austin would spend most of his savings not only on the session but also on the manufacturing costs to press up 1,000 copies of the album (900 of which mysteriously vanished upon completion).\u003c\/p\u003e\n\u003cp\u003eThroughout _Philosophy_… simple truths are revealed through the pen of sister Dot, the songwriter of the band. The rich people want what the poor people got, just as the poor people want what the rich people got. Your parents love you. There is happiness in nearness and sadness in the farness.\u003c\/p\u003e\n\u003cp\u003eThe album failed to fulfill Austin’s expectations of rock stardom, though the group remained together until their father’s death, performing frequently at the Fremont town hall and a local nursing home, no further albums were released. That might have been the end of it, until rock band NRBQ discovered a copy at a Massachusetts radio station and re-released it in 1980. Rolling Stone’s reviewer at the time described it as the most stunningly awful wonderful record I’ve heard in ages.\u003c\/p\u003e\n\u003cp\u003eNearly 50 years later, the album ranks among the most polarizing LPs of all time. Some said it was the worst thing ever made. Others felt it was one of the great long players of the 20th century. Frank Zappa famously dubbed the band better than The Beatles, while Kurt Cobain placed the album at #5 on his list of Top 50 favorite albums. Original copies of the album fetch for $10,000.\u003c\/p\u003e\n\u003cp\u003eDecades later and one could argue that maybe Austin was right all along. We’re all here, still enthralled by the purity of The Shaggs.\u003c\/p\u003e\n\u003cp\u003eTracks:\u003cbr\u003ePhilosophy of the World; That Little Sports Car; Who Are Parents?; My Pal Foot Foot; My Companion; I'm so Happy When You're Near; Things I Wonder; Sweet Thing; It's Halloween; Why Do I Feel?; What Should I Do?; We Have a Savior\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":46564380246172,"sku":"LITA15112","price":41.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA15112MU.jpg?v=1774198786"},{"product_id":"neurosis-an-undying-love-for-a-burning-world-2lp-smoke","title":"NEUROSIS - AN UNDYING LOVE FOR A BURNING WORLD [2LP Smoke]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: NR138LPCBS\u003cbr\u003eBarcode: 769152437620 \u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Post-Metal\/Hardcore\/Punk\u003c\/p\u003e\n\u003cp\u003eNEUROSIS RETURN WITH THEIR FIRST NEW ALBUM IN A DECADE.\u003c\/p\u003e\n\u003cp\u003eAARON TURNER (ISIS, SUMAC) JOINS THE BAND ON GUITAR AND VOCALS.\u003c\/p\u003e\n\u003cp\u003ePRESS:\u003c\/p\u003e\n\u003cp\u003e‘An Undying Love For A Burning World follows Converge’s Love Is Not Enough this year as a pivotal metal album about acknowledging the darkness for what it is and trying to accept it.’ - the QUIETUS\u003c\/p\u003e\n\u003cp\u003e‘Neurosis Know You’re Hurting. Their Stunning New Album Is a Life Preserver. \u003cbr\u003eAn Undying Love for a Burning World, the band’s first album with new member Aaron Turner, is a reminder of how even the darkest music can be a guiding light’ - 9\/10 ROLLING STONE\u003c\/p\u003e\n\u003cp\u003e‘An Undying Love For A Burning World is a truly staggering album. A modern classic. An essential listen.’ - Echoes And Dust\u003c\/p\u003e\n\u003cp\u003e‘An Undying Love for a Burning World is what the world of heavy music has been missing.’ - BROOKLYN VEGAN\u003c\/p\u003e\n\u003cp\u003eEvolution can be ugly and beautiful, painful and euphoric. An Undying Love For A Burning World is the first new release from Neurosis  in a decade, and a potent statement of intent and rebirth - one that marks the first new steps of resolve and resilience.\u003c\/p\u003e\n\u003cp\u003eAn Undying Love For A Burning World is an epic album of colossal hypnotism - beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band’s own and a true kindred spirit. \u003c\/p\u003e\n\u003cp\u003e“From the moment I first heard Neurosis over 30 years ago, I felt this was the music my heart and mind had been seeking but not yet heard. Now after many years travelling along various musical paths of my own, the singular sound and spirit embodied by Neurosis continues to speak to the depths of my being. It is an honor and a true pleasure to have been welcomed so warmly into a band that not only shaped my perspective on the limitless possibilities of music - but has lived and exemplified the necessity of upholding creative integrity and camaraderie above all else.” - AARON TURNER\u003c\/p\u003e\n\u003cp\u003eNeurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis’cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression.\u003c\/p\u003e\n\u003cp\u003eOn every song in the band’s history, Neurosis shifts restlessly between tension and relief, invoking a feeling both feral and transcendent in listeners. The band describe their songwriting process as an inescapable impulse to create with each other - a need rather than a choice. Indeed, the band insist that their return is “not a reunion - we never broke up.” \u003c\/p\u003e\n\u003cp\u003eThe album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland.\u003c\/p\u003e\n\u003cp\u003eNeurosis will play their first show in seven years on the traditional lands of the Blackfeet Nation in Montana as part of Fire in the Mountains festival by special invitation of Firekeeper Alliance, a non-profit dedicated to reducing youth suicide in Indian Country. \u003c\/p\u003e\n\u003cp\u003eFITM, is a unique festival known for bringing epic music to epic landscapes with the intent of reconnecting and immersing oneself with the natural world, and strengthening our ancestral roots as human beings - an aim which aligns directly with Neurosis’ deep-rooted power.\u003c\/p\u003e\n\u003cp\u003eStay tuned for further news over the coming months.\u003c\/p\u003e\n\u003cp\u003ePREVIOUS PRESS:\u003c\/p\u003e\n\u003cp\u003e‘In less skilful hands, this relentless sonic oppression would be gruelling, but by expressing human frailty with such visceral abandon, Neurosis have once again turned darkness into euphoria.’ - 4\/5 THE GUARDIAN\u003c\/p\u003e\n\u003cp\u003e‘The Oakland band has evolved from gritty metallic punk to harrowing post-hardcore prog to the majestic doom of their current phase’ - 7.9 PITCHFORK\u003c\/p\u003e\n\u003cp\u003e‘It’s not often an album of such stature exceeds one’s anticipations, but Honor is too astounding to not be revered.’ - The QUIETUS\u003c\/p\u003e\n\u003cp\u003e “Fires Within Fires is the summation of thirty years of experimentation in tonality and texture. Yes, NEUROSIS are firmly positioned within the extreme metal underground yet their music, with its ability to generate images of beauty akin to those many of us have experienced in our own lives – not to mention the loss that accompanies them – challenges this categorization. ‘’ - WIRE MAGAZINE - FULL PAGE REVIEW.\u003c\/p\u003e\n\u003cp\u003e\"Their intensity remains undimmed on Fires Within Fires...The already converted will take heart from the evidence that age is unable to wither the fury of this heaviest of bands.\" - KERRANG! 4K REVIEW\u003c\/p\u003e\n\u003cp\u003e \"Every monstrous sludge riff gnashes menacingly for the right amount of time and every delicate moment of folk-inspired drift is emotionally exacting. Neurosis continue to create art without equal, and Fires Within Fires is another worthy addition to an awe-inspiring canon containing a number of truly pioneering and timeless albums.\" - METAL HAMMER - 8\/10 LEAD REVIEW\u003c\/p\u003e\n\u003cp\u003eSide A : We Are Torn Wide Open,  Mirror Deep , First Red Rays. \u003c\/p\u003e\n\u003cp\u003eSide B : Blind , Seething and Scattered.\u003c\/p\u003e\n\u003cp\u003eSide C : Untethered , In the Waiting Hours. \u003c\/p\u003e\n\u003cp\u003eSide D : Last Light.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"791\" height=\"445\" src=\"https:\/\/www.youtube.com\/embed\/NfBrqKndpVc\" title=\"Neurosis - Spring Equinox 2026\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Neurot Recordings","offers":[{"title":"Default Title","offer_id":46661256511644,"sku":"NR138LPCBS","price":32.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_e05c6fa2-88d1-48dc-b6fe-648604ea76ca.jpg?v=1775849363"},{"product_id":"monolake-interstate-2lp","title":"Monolake - Interstate [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: FIELD39\u003cbr\u003eBarcode: 4250101496707\u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Electronic\/Techno\/Minimal\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eContinuing its faithful documentation of the early years of Monolake, Field Records proudly present the first-ever vinyl pressing of seminal 1999 album Interstate. In a kaleidoscopic lattice of micro-rhythms and exquisitely dynamic textural work, Robert Henke and Gerhard Behles fully collaborated for the final time on this record — and created an electronica landmark in the process.\u003c\/p\u003e\n\u003cp\u003eMonolake's evolution from their earlier dub-techno-tinted works saw their exploration of Max\/MSP go further out. The duo yielded greater complexity in the behaviour of their sound palette to achieve an organismic quality that remains an enduring influence on so many strands of experimental electronic music today. Interstate is a vivid record that builds up eight different ecosystems of sound and subtly threads elegant grooves through their root structures.\u003c\/p\u003e\n\u003cp\u003eThere's a house-like undulation to the low-end driving 'Tangent-I' and 'Tangent-II', but the infinitesimally detailed layers of sound on top swoon from techno synth shimmers to trickling waters, snaking delay trails and pin prick percussion. You can hear the unmistakable, snappy rhythmic thrust of drum \u0026amp; bass driving 'Ginza', but here it's used as an engine for the crispest array of designer percussion and dub-soaked synth chirrups. Across every track, Henke and Behles demonstrate a potent combination, both groovily instinctive and eternally fascinating to try and pick apart.\u003c\/p\u003e\n\u003cp\u003eAfter Interstate, Behles departed to focus entirely on the development of Ableton Live and Henke steered Monolake towards a leaner — but no less pioneering — sound. Every Monolake record has its own unique context and sound, and the circumstances of Interstate could never be repeated. 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Sandeeno – `Dem a Warrior’ \u003cbr\u003eB. 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The Love Supreme Arkestra work outside conventional studio frameworks. Their music emerges from extended improvisation sessions that unfold sporadically, sometimes over several days. Built around drums, guitar, bass, modular synthesis and samplers, and expanded with vibraphone and winds (flutes, saxophone, Herreño whistle), the group continues to move between jazz, psychedelic rock and free-form experimental composition.\u003c\/p\u003e\n\u003cp\u003eWhile Ganzfeld drew from the misty northern coast of Isla Baja, Retiro Espiritual turns toward Taganana, one of Tenerife’s most remote regions. Its isolation, Atlantic exposure and volcanic terrain inform the record’s pace and focus. The title reflects this shift: a space for retreat, collective creation and suspended time.\u003c\/p\u003e\n\u003cp\u003eSonically, Retiro Espiritual leans warmer and more reflective. Flutes drift over slow grooves, extended jams unfold patiently, and traces of 70s spiritual jazz surface throughout. The experimental core remains, now shaped by repetition, space and a calmer, sunlit atmosphere.\u003c\/p\u003e\n\u003cp\u003eAnother autonomous transmission from a band committed to ritual, territory and long-form collective improvisation at the edge of the Atlantic.\u003cbr\u003e—\u003cbr\u003eRecorded live in 2020 in Tenerife Canary Islands\u003cbr\u003eProduced by Mladen Kurajica \u003cbr\u003eMixed by Jorge Lozano \u003cbr\u003eMaster by Daniel García \u003cbr\u003eArtwork Felipe González Cabezas\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1 - Anagan\u003cbr\u003eA2 - moon in June\u003cbr\u003eB1 - Inner Sunsets\u003cbr\u003eB2 - Village on the Ocean Cliff\u003cbr\u003eB3 - Rogue de la Animas\u003c\/p\u003e","brand":"Keroxen \/ Discrepant","offers":[{"title":"Default Title","offer_id":47037331996828,"sku":"KRXN053","price":24.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KRXN053.jpg?v=1780942199"},{"product_id":"judith-hamann-james-rushford-midmeste","title":"Judith Hamann \u0026 James Rushford - Midmeste","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BLACKTRUFFLE142\u003cbr\u003eBarcode: 4250101495151\u003cbr\u003eRelease Date: 17 Jul 2026\u003cbr\u003eGenre: Experimental\/Classical\u003c\/p\u003e\n\u003cp\u003eAustralian composer-performers Judith Hamann and James Rushford have worked together in countless projects for two decades, perhaps most notably in Golden Fur, their trio with Sam Dunscombe. Black Truffle is pleased to announce Midmeste, their first work as a duo. \u003cbr\u003eIts title is Middle English for ‘the middlemost point’, alluding to how the piece builds on the points of overlap between the highly personalised musical languages Hamann and Rushford have developed in recent years. Performed on cello and a variety of pipe organs, Midmeste is a spacious, sometimes unsettling exploration of their shared interest in alternative tunings, psychoacoustic phenomena, the physical properties of their instruments, and the usually peripheral sounds generated by the performing body.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBeginning with a sequence of austerely vibrato-less harmonics from Hamann's cello, trailed by Rushford's whistling portative organ tones, the music soon expands into a slow-moving melodic wander, pausing at times to linger over an uncomfortable harmony or particularly resonant cello tone. Hamann and Rushford have long histories of engagement with pre-Classical European musical traditions, having in past projects performed and radically extended the work of Solage, Louis Couperin, Johann Conrad Beissell and other composers. Here they use a 15th century song by John Dunstaple, ‘O rosa bella’, which returns throughout the piece, distorted, aerated and splayed into new forms.\u003c\/p\u003e\n\u003cp\u003eDeveloped while the two shared residencies at Akademie Schloss Solitude, Stuttgart in 2020 and La Becque on Lake Geneva in 2023, Midmeste integrates recordings made (at at the invitation of the Biennale Son) on the organ of the Basilica St Valere in Sion, Switzerland—the world’s oldest playable organ, built in the early 15th century. Played by both Rushford and Hamann, the instrument’s idiosyncratic features, including bellows pumped manually using massive wooden beams, are integrated into the music through amplification. Creaks and thumps locate the music physically both in the performers’ bodies and the specific site of its making. Moving through a series of distinct episodes across its forty-minute span, Midmeste makes space for near-silent duets of high harmonics and hissing air, moments where twittering high tones and rumbling sub-bass could be electronic, and static fields that unexpectedly blossom into almost Romantic harmonies.\u003c\/p\u003e\n\u003cp\u003eListeners familiar with Hamann and Rushford’s work will find many familiar features here: the stunningly rich cello tones, their patient sustain allowing heightened awareness of the inner life of sound and its interactions with the environment; the care with which acoustic space is activated, becoming at times a third instrumental voice; the attention to fragile, unstable sonorities that sometimes have a comic edge. A major work from two key figures in contemporary experimental music, Midmeste synthesises rigorous exploration of fundamental questions of sound and performance with an unapologetic embrace of beauty.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA Judith Hamann \/ James Rushford Midmeste A 00:18:55\u003cbr\u003eB Judith Hamann \/ James Rushford Midmeste B 00:20:34\u003c\/p\u003e","brand":"Black Truffle","offers":[{"title":"Default Title","offer_id":47161056624796,"sku":"BLACKTRUFFLE142","price":30.76,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_3b2fc4c5-3cea-4e84-8fee-4aa59413e4f7.jpg?v=1783353859"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/srd-170726.oembed","provider":"Horizons Music","version":"1.0","type":"link"}