{"title":"SRD 160224","description":"","products":[{"product_id":"maston-tulips","title":"Maston - Tulips","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePsychedelic-Pop\/Soundtracks\/Space-Age LP \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBEWITH087LP \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEAN: 4251648417910 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease Date: 2nd July 2021 (back in)\u003c\/p\u003e\n\u003cp\u003eRepress: 16 Feb 2024\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e* Format Notes: 2020 re-issue, 140g vinyl. Can be played at 33rpm or 45rpm. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e* Frank Maston’s Tulips is a sample-ready film score to the best 70s movie never made. Originally a super- limited self-release on his Phonoscope label in late 2017, Tulips has already become incredibly sought-after. Be With were introduced to Maston by mutual friends Aquarium Drunkard and it didn’t take long before we decided this modern classic deserved a reissue. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eInspired by the deep-grooving soundtracks of Italian cinema - think Morricone, Umiliani and Alessandroni - Maston conceived the entire Tulips project as a continuation of these revered works. Frank designed the artwork and made two 16mm films to accompany the music: “It wasn’t just the LP... it was kind of a whole vibe I was trying to create. Not really trying to emulate the things that influenced me but more trying to make something that could sit alongside those records on a shelf. I’m still very proud of the project.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThere’s a distinct library music feel too, with wiry organ, spacey keyboards and loping 60s guitar hinting at KPM and DeWolfe. Like the best library music, Tulips creates a cinematic universe through sound alone, evoking moving images in the listener’s technicolour imagination. It turns out that was accidentally on purpose: “I was discovering a lot of library music for the first time... listening to a composer’s entire catalog or finding all this obscure stuff. I wasn’t entirely conscious of the influence until I started making this music and realized I was channeling the vibe. That’s when I began focusing more on weaving melodic themes throughout the record to make it function more like a soundtrack”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTulips was recorded between 2015 and 2017 in a small studio in a village called Zwaag in Holland, during downtime from Frank’s touring duties with Jacco Gardner’s band. “Tulips” comes from the title of the very first demo he made in Holland, it was the first thing that came to mind. Makes sense. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRecording in Europe with some very European influences in mind, Frank wanted to eschew any American influences. But we can still feel the studio wizardry of the likes of Brian Wilson and Harry Nilsson in there somewhere. A psychedelic bedroom-pop song-cycle, full of hypnotic hooks and dusty drums, Tulips manages to sound charmingly homemade yet wholly widescreen. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDreamy opener “Swans” is an exquisite soul instrumental and recalls the soft-psych of Koushik, which Be With loves of course. Tropicalia influences abound in the cool and breezy “New Danger” and the KPM- \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ereferences are loud and proud on the lush organ pop of “Old Habits”. Fast-paced “Chase Theme No. 1” manages to be both tense and laid back, decorated by acid-drenched spaghetti Western guitars. The glorious Gainsbourg-esque melancholia of “Infinite Bliss” is all gauzy flutes and happy-sad vocalizing and the title is almost perfect: it’s bliss, no question; *if only* it went on forever. Side A closes with “Evening”, a subtle bossa nova beat thing. Gorgeous. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSide B opens with the heat-shimmer guitars of “Rain Dance”, evoking an unreleased Byrds or Buffalo Springfield backing track. Yes, it’s that good. “Sure Thing” is music to accompany an elevator ride you never want to end, but in a good way! The ornate “Garçon Manqué” is as beautiful as the instrumentals on Pet Sounds (think “Let’s Go Away For A While”) and the wistful “Turning In” starts like a stroll in the park before Maston introduces a scorched-Earth guitar solo that would startle if it wasn’t so pitch-perfect. “Chase Theme No. 2” is a briefer, more keening counterpart to what we hear on side A. The head-nod bass-drums-keys funk of “Hues” rounds out this staggeringly assured set; still opening each phrase with a plaintive strum, but using vibrato and heavy reverb to accent the electric organ melody. Sublime. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAll these top drawer musical references might sound like just more of the usual release notes hyperbole, but there’s a reason that this still-young LP already changes hands for big money. It really is that good. Of course that first pressing didn’t hang around for long and Frank’s regularly been asked about a re-press pretty much ever since. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRe-issuing Tulips on Be With made sense to Frank “because the record would fit in so well with the catalogue”. Having already delved into the archives of KPM and Themes, and beginning to do the same with Coloursound and Selected Sounds, the collaboration “just makes sense and seems inevitable”. We agree. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrank wasn’t sure a record of instrumentals with obscure soundtrack references would be an easy sell when it was originally released, and was surprised when Tulips turned out to be exactly what some people wanted to hear. We reckon its timeless beauty ensures that it’ll *always* have an audience. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe record was originally cut to be played at 45rpm, a technical quirk that grants the home listener the opportunity to go deeper, for longer. Played at 33rpm, the more languid unfurling of the tracks proves just as wonderful a trip. As a psilocybin-soaked case study from Aquarium Drunkard back in January of 2019 describes, some of the songs sound as if they were intended to be heard that way. The slower speed allowing the listener to step inside and perhaps even “crack the code” of the music’s meaning. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis Be With reissue has been mastered for vinyl by Simon Francis and has alternative burnt orange artwork from Maston himself. Hypnagogic it may be, but please don’t sleep. \u003c\/span\u003e\u003c\/p\u003e\n\u003cb\u003e* Tracklist: \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eA1 : Swans (01:56) A2 : New Danger (01:57) A3 : Old Habits (02:02) A4 : Chase Theme No. 1 (01:49) A5 : Infinite Bliss (01:34) A6 : Evening (01:41) B1 : Rain Dance (02:54) B2 : Sure Thing (02:12) B3 : Garçon Manqué (02:00) B4 : Turning In (02:49) B5 : Chase Theme No. 2 (01:05) B6 : Hues (02:00) \u003c\/span\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":33843070337068,"sku":"BEWITH087LP","price":24.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BEWITH087LP.jpg?v=1587838201"},{"product_id":"king-tubby-s-lost-treasures-cd","title":"King Tubby's - Lost Treasures [CD]","description":"\u003cp\u003eGenre: Dub Reggae\u003cbr\u003eFormat: CD\u003cbr\u003eCatalogue No.: JRCD001\u003cbr\u003eB\/C: 5036848000723\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003e\u003cbr\u003eKing Tubby in no uncertain terms invented DUB. Born Osbourne Ruddock in Kingston in 1941. He grew up around High Holborn Street in central Kingston, before moving to the Waterhouse district in 1955. His electronic genius grew from working and fixing radios and TV sets, a natural progression led to working with amplifiers,and starting his own sound system’’ Tubby’s Home Town Hi- Fi’’. A very competitive game in the late 60’s. You were as good as the EXCLUSIVE records you played. Tubby discovered during his time cutting discs for Duke Reid’s Treasure Isle set up, that by dropping vocals \/ instruments in and out of the backing tracks, you could invent new versions of existing old tunes. These early versions tried and tested on his sound system went down so well that he invested in a four track mixing console, that was being sold from Dynamic Studios in Kingston. With his vast knowledge of electric’s, he rewired the existing console with delay echo effects, sliders and phasing units and so began King Tubby’s Studio Of Dub at 18 Drummlie Avenue, Kingston 11, Jamaica... His Home..... This is where all the producers would bring their tracks for Tubby to put his magic over. Most tracks that came out in Jamaica from here on in would carry a ‘Version’ on its B-side more than likely a Tubby dub. One of the producers who used him the most was Bunny Striker Lee, who’s labels Jackpot, Justice and Attack all carried Tubby’s mixes \/ versions on their flip sides. Our collection here, are all taken from the original master tapes you might have have heard the tracks before but not these versions.... Lost in the vaults till now. So sit back and enjoy the dub master at work. \u003cbr\u003e\u003cbr\u003eRESPECT... JAH FLOYD.\u003cbr\u003e\u003cbr\u003eTracklisting\u003cbr\u003e\u003cbr\u003eTrack 1 CHERRY’S DUB\u003cbr\u003eWe start off with a very early version of Eric Donaldson’s ‘Cherry O Baby’. This version was recorded at Dynamic Sounds, in 1971 and has remained lost on master tape till now.\u003cbr\u003e\u003cbr\u003eTrack 2 FRENEMY DUB \u003cbr\u003eThis Classic rhythm known as ‘Mad Mad World’ and ‘Crying in the Ghetto’ both voiced by Winston Jarrett got worked on by Tubby as an exclusive mix for his sound system. Released here for the first time featuring the late great Jacob Miller on dubbed vocal.\u003cbr\u003e\u003cbr\u003eTrack 3 FALLING FOR DUB\u003cbr\u003eA version here of Cornell Campbell’s ‘My Whole World Is Falling Down’ Tubby in fine form\u003cbr\u003e\u003cbr\u003eTrack 4 DUB ON THE STREET AGAIN \u003cbr\u003eYes my friend on The Street Again finds Cornell Campbell’s vocal dubbed King Tubby Style Nice Rockers drums from Sly Dunbar.\u003cbr\u003e\u003cbr\u003eTrack 5 DECEIVING THE DUB \u003cbr\u003eSly and Robbie dubbing up Delroy Wilson’s ‘So Long Jenny’ with King Tubby at the boards....\u003cbr\u003e\u003cbr\u003eTrack 6 DUB CONFESSION \u003cbr\u003eThis is the first version of the Johnny Clarke song ‘Every Knee Shall Bow’ featuring Ronnie Davis on vocals.\u003cbr\u003e\u003cbr\u003eTrack 7 RELEASE THE DUB \u003cbr\u003eKing Tubby’s and the Aggrovators version of Bob Dylan’s ’’I Shall Be Released’. This track has never sounded sweeter, featuring Cornell Campbells dubbed vocal.\u003cbr\u003e\u003cbr\u003eTrack 8 A YOUTHMAN’S DUB \u003cbr\u003eVersion of Barry Browns’s ‘ Trying Youthman’ recorded at Harry J’s studio, dubbed at King Tubby’s. Still sounds sweet.\u003cbr\u003e\u003cbr\u003eTrack 9 COLD HEARTED DUB \u003cbr\u003eKing Tubby’s and The Aggrovators version of the Jackie Mittoo \/ Winston Wright track known as ‘Jump The Fence’ \/’ In Cold Blood’ This unreleased version features Jackie Mittoo on keyboards.\u003cbr\u003e\u003cbr\u003eTrack 10 BLESSED DUB\u003cbr\u003eAgain Barry Brown featuring on vocals with Sly and Robbies Aggrovators ‘Give Thanks and Praise’ Tubby style...\u003cbr\u003e\u003cbr\u003eTrack 11 LET’S DO THE DUB \u003cbr\u003eThis rhythm also known as ‘Sweet Sensation’ by The Melodians, dubbed here from Cornell Campbell’s ‘Lets do it Baby’ sees Tubby in find form.\u003cbr\u003e\u003cbr\u003eTrack 12 JUMPER’S DUB \u003cbr\u003eThis Jumpers rhythm written by Sly Dunbar for Johnny Clarke’s ‘Like Nobodies Business’ features also the great Jackie Mittoo on keyboards. The rhythm also got used on Johnny Clarkes ‘Wante Wante Can’t Get it’.\u003cbr\u003e\u003cbr\u003eTrack 13 DUB FOR FREEDOM \u003cbr\u003eJohnny Clarke sings on Ken Booth’s ‘Freedom Street’ in Jumpers \/ Steppers style\u003cbr\u003e\u003cbr\u003eTrack 14 YOU HAVE CAUGHT THE DUB \u003cbr\u003eVersion of Melodians ‘You Have Caught Me Baby’. Johnny Clarke’s vocal dub featured here\u003cbr\u003e\u003c\/p\u003e","brand":"JAMAICAN RECORDINGS","offers":[{"title":"Default Title","offer_id":35896187420828,"sku":"JRCD001","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/KingTubby_s-LostTreasures.jpg?v=1599534913"},{"product_id":"king-tubby-s-lost-treasures-lp","title":"King Tubby's - Lost Treasures [LP]","description":"\u003cp\u003e\u003cspan\u003eGenre: Dub Reggae\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFormat: LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue No.: JRLP001\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB\/C: 5036848000730\u003c\/span\u003e\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKing Tubby in no uncertain terms invented DUB. Born Osbourne Ruddock in Kingston in 1941. He grew up around High Holborn Street in central Kingston, before moving to the Waterhouse district in 1955. His electronic genius grew from working and fixing radios and TV sets, a natural progression led to working with amplifiers,and starting his own sound system’’ Tubby’s Home Town Hi- Fi’’. A very competitive game in the late 60’s. You were as good as the EXCLUSIVE records you played. Tubby discovered during his time cutting discs for Duke Reid’s Treasure Isle set up, that by dropping vocals \/ instruments in and out of the backing tracks, you could invent new versions of existing old tunes. These early versions tried and tested on his sound system went down so well that he invested in a four track mixing console, that was being sold from Dynamic Studios in Kingston. With his vast knowledge of electric’s, he rewired the existing console with delay echo effects, sliders and phasing units and so began King Tubby’s Studio Of Dub at 18 Drummlie Avenue, Kingston 11, Jamaica... His Home..... This is where all the producers would bring their tracks for Tubby to put his magic over. Most tracks that came out in Jamaica from here on in would carry a ‘Version’ on its B-side more than likely a Tubby dub. One of the producers who used him the most was Bunny Striker Lee, who’s labels Jackpot, Justice and Attack all carried Tubby’s mixes \/ versions on their flip sides. Our collection here, are all taken from the original master tapes you might have have heard the tracks before but not these versions.... Lost in the vaults till now. So sit back and enjoy the dub master at work. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRESPECT... JAH FLOYD.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracklisting\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 1 CHERRY’S DUB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWe start off with a very early version of Eric Donaldson’s ‘Cherry O Baby’. This version was recorded at Dynamic Sounds, in 1971 and has remained lost on master tape till now.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 2 FRENEMY DUB \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis Classic rhythm known as ‘Mad Mad World’ and ‘Crying in the Ghetto’ both voiced by Winston Jarrett got worked on by Tubby as an exclusive mix for his sound system. Released here for the first time featuring the late great Jacob Miller on dubbed vocal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 3 FALLING FOR DUB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA version here of Cornell Campbell’s ‘My Whole World Is Falling Down’ Tubby in fine form\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 4 DUB ON THE STREET AGAIN \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYes my friend on The Street Again finds Cornell Campbell’s vocal dubbed King Tubby Style Nice Rockers drums from Sly Dunbar.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 5 DECEIVING THE DUB \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSly and Robbie dubbing up Delroy Wilson’s ‘So Long Jenny’ with King Tubby at the boards....\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 6 DUB CONFESSION \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis is the first version of the Johnny Clarke song ‘Every Knee Shall Bow’ featuring Ronnie Davis on vocals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 7 RELEASE THE DUB \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKing Tubby’s and the Aggrovators version of Bob Dylan’s ’’I Shall Be Released’. This track has never sounded sweeter, featuring Cornell Campbells dubbed vocal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 8 A YOUTHMAN’S DUB \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVersion of Barry Browns’s ‘ Trying Youthman’ recorded at Harry J’s studio, dubbed at King Tubby’s. Still sounds sweet.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 9 COLD HEARTED DUB \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKing Tubby’s and The Aggrovators version of the Jackie Mittoo \/ Winston Wright track known as ‘Jump The Fence’ \/’ In Cold Blood’ This unreleased version features Jackie Mittoo on keyboards.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 10 BLESSED DUB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAgain Barry Brown featuring on vocals with Sly and Robbies Aggrovators ‘Give Thanks and Praise’ Tubby style...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 11 LET’S DO THE DUB \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis rhythm also known as ‘Sweet Sensation’ by The Melodians, dubbed here from Cornell Campbell’s ‘Lets do it Baby’ sees Tubby in find form.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 12 JUMPER’S DUB \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis Jumpers rhythm written by Sly Dunbar for Johnny Clarke’s ‘Like Nobodies Business’ features also the great Jackie Mittoo on keyboards. The rhythm also got used on Johnny Clarkes ‘Wante Wante Can’t Get it’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 13 DUB FOR FREEDOM \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJohnny Clarke sings on Ken Booth’s ‘Freedom Street’ in Jumpers \/ Steppers style\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack 14 YOU HAVE CAUGHT THE DUB \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVersion of Melodians ‘You Have Caught Me Baby’. Johnny Clarke’s vocal dub featured here\u003c\/span\u003e\u003c\/p\u003e","brand":"JAMAICAN RECORDINGS","offers":[{"title":"Default Title","offer_id":35896190337180,"sku":"JRCD\/LP001","price":16.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/KingTubby_s-LostTreasures_3c8ede3f-eaf5-4789-82fe-3934c63d458f.jpg?v=1599534940"},{"product_id":"augustus-pablo-dubbing-with-the-don-cd","title":"Augustus Pablo - Dubbing With The Don [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: JRCD002\u003cbr\u003eBarcode: 5036848000815\u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eIf anyone in the reggae circles could be described as having their own sound it would have to be Mr Augustus Pablo, born Horace Swaby 1954 St Andrew Jamaica. He took the humble melodica a wind blown mouth keyboard and made it shine.\u003cbr\u003e\u003cbr\u003eHis musical journey started one sunny day in 1969. Walking into Herman Chin- loy's Aquarius Records shop and on playing his melodica so impressed its owner that he was taken off to Randy's Studio 17, the very next day to cut his first record 'Iggy Iggy'. But it was his second tune under the guidance of Clive Chin again cut at Randy's, the seminal 'Java ' that put the young Augustus Pablo on the map. Clive Chin continued his work producing Pablo's debut album 'THIS IS AUGUSTUS PABLO' . An instrumental affair on which the neo-mystical ''Far East'' sound synonymous with Pablo's work emerged.\u003cbr\u003e\u003cbr\u003eHaving worked with most of the top producers of the time,Lee Perry,Keith Hudson, Bunny Lee, Augustus decided to set up his own label \"Rockers\", named after his brothers sound system. Where many of his tunes would first be heard.The label came to define a new and exciting chapter in reggae history.Even when versioning acknowledged classic Studio One rhythms there was a precious maturity and depth to Pablo's productions that kept him at the top throughout the late 1970s and into the 1980s. His 'King Tubby meets the Rockers Uptown' set which featured some of these rhythms reworked; Swing Easy[Skanking Easy], Frozen Soul[Frozen Dub], stands as one of the true dub classic albums of any reggae education.\u003cbr\u003e\u003cbr\u003eThis set of dubs are taken from his classic 70's period.All rare dubs straight from the masters. You may have heard the tune, but not these versions. So sit back and enjoy the Original Rocker..... STILL SOUNDS SWEET.\u003cbr\u003e\u003cbr\u003eRESPECT....JAH FLOYD.\u003cbr\u003e\u003cbr\u003eTracklisting\u003cbr\u003eTRACK 1 SKANK ON DUB\u003cbr\u003eTRACK 2 WAY OUT ROCKERS\u003cbr\u003eTRACK 3 PABLO’S EXPRESS\u003cbr\u003eTRACK 4 PABLO’S HAPPY FEELING\u003cbr\u003eTRACK 5 SOLDIER MAN DUB\u003cbr\u003eTRACK 6 WELL FROZEN DUB\u003cbr\u003eTRACK 7 SWEET CASSAVA DUB\u003cbr\u003eTRACK 8 TALKING DUB\u003cbr\u003eTRACK 9 PABLO’S CONNECTION\u003cbr\u003eTRACK 10 SKANKING WITH PABLO\u003cbr\u003eTRACK 11 PABLO’S DELIGHT\u003cbr\u003eTRACK 12 DEATH TRAP DUB\u003cbr\u003eTRACK 13 ROCKERS DOWNTOWN\u003cbr\u003eTRACK 14 NEW TRAIN DUB\u003cbr\u003eTRACK 15 KEEP SKANKING ON DUB*\u003cbr\u003e*CD BONUS TRACK\u003c\/p\u003e","brand":"JAMAICAN RECORDINGS","offers":[{"title":"Default Title","offer_id":35896226119836,"sku":"JRCD002","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/AugustusPablo-DubbingWithTheDon.jpg?v=1599535172"},{"product_id":"augustus-pablo-dubbing-with-the-don-lp","title":"Augustus Pablo - Dubbing With The Don [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JRLP002 \u003cbr\u003eBarcode: 5036848000822  \u003cbr\u003eRelease Date: 17 Oct 2025\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eIf anyone in the reggae circles could be described as having their own sound it would have to be Mr Augustus Pablo, born Horace Swaby 1954 St Andrew Jamaica. He took the humble melodica a wind blown mouth keyboard and made it shine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHis musical journey started one sunny day in 1969. Walking into Herman Chin- loy's Aquarius Records shop and on playing his melodica so impressed its owner that he was taken off to Randy's Studio 17, the very next day to cut his first record 'Iggy Iggy'. But it was his second tune under the guidance of Clive Chin again cut at Randy's, the seminal 'Java ' that put the young Augustus Pablo on the map. Clive Chin continued his work producing Pablo's debut album 'THIS IS AUGUSTUS PABLO' . An instrumental affair on which the neo-mystical ''Far East'' sound synonymous with Pablo's work emerged.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving worked with most of the top producers of the time,Lee Perry,Keith Hudson, Bunny Lee, Augustus decided to set up his own label \"Rockers\", named after his brothers sound system. Where many of his tunes would first be heard.The label came to define a new and exciting chapter in reggae history.Even when versioning acknowledged classic Studio One rhythms there was a precious maturity and depth to Pablo's productions that kept him at the top throughout the late 1970s and into the 1980s. His 'King Tubby meets the Rockers Uptown' set which featured some of these rhythms reworked; Swing Easy[Skanking Easy], Frozen Soul[Frozen Dub], stands as one of the true dub classic albums of any reggae education.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis set of dubs are taken from his classic 70's period.All rare dubs straight from the masters. You may have heard the tune, but not these versions. So sit back and enjoy the Original Rocker..... STILL SOUNDS SWEET.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRESPECT....JAH FLOYD.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eTRACK 1 SKANK ON DUB\u003cbr data-mce-fragment=\"1\"\u003eTRACK 2 WAY OUT ROCKERS\u003cbr data-mce-fragment=\"1\"\u003eTRACK 3 PABLO’S EXPRESS\u003cbr data-mce-fragment=\"1\"\u003eTRACK 4 PABLO’S HAPPY FEELING\u003cbr data-mce-fragment=\"1\"\u003eTRACK 5 SOLDIER MAN DUB\u003cbr data-mce-fragment=\"1\"\u003eTRACK 6 WELL FROZEN DUB\u003cbr data-mce-fragment=\"1\"\u003eTRACK 7 SWEET CASSAVA DUB\u003cbr data-mce-fragment=\"1\"\u003eTRACK 8 TALKING DUB\u003cbr data-mce-fragment=\"1\"\u003eTRACK 9 PABLO’S CONNECTION\u003cbr data-mce-fragment=\"1\"\u003eTRACK 10 SKANKING WITH PABLO\u003cbr data-mce-fragment=\"1\"\u003eTRACK 11 PABLO’S DELIGHT\u003cbr data-mce-fragment=\"1\"\u003eTRACK 12 DEATH TRAP DUB\u003cbr data-mce-fragment=\"1\"\u003eTRACK 13 ROCKERS DOWNTOWN\u003cbr data-mce-fragment=\"1\"\u003eTRACK 14 NEW TRAIN DUB\u003cbr data-mce-fragment=\"1\"\u003eTRACK 15 KEEP SKANKING ON DUB*\u003cbr data-mce-fragment=\"1\"\u003e*CD BONUS TRACK\u003c\/p\u003e","brand":"JAMAICAN RECORDINGS","offers":[{"title":"Default Title","offer_id":35896229855388,"sku":"LP002","price":16.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/AugustusPablo-DubbingWithTheDon_e82bb837-9990-49bb-873a-77f004be5aa8.jpg?v=1599535206"},{"product_id":"maston-darkland","title":"Maston - Darkland","description":"\u003cp\u003eGenre: Funk\/Jazz\/Soundtracks\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP \u003cbr\u003eCatalogue No.: BEWITH096LP \u003cbr data-mce-fragment=\"1\"\u003eEAN: 4251804123464 \u003cbr\u003eRelease Date: 25th June 2021\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRepress: 16 Feb 2024\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMaston’s Darkland is a breezy collection of the material from the Tulips sessions that didn’t make it onto the original LP. Originally a digital-only release for those in the know in the autumn of 2018, after re-issuing Tulips in 2020 it made too much sense for Be With to give Darkland a vinyl release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike Tulips, Darkland was recorded mostly in Hoorn, in the Netherlands, between 2015-2017 during downtime from Frank’s touring duties with Jacco Gardner’s band. Bits were also done in Los Angeles on some extended trips back home.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe collection plays like an alternate view of Maston’s instant modern classic Tulips; a companion piece to the LP proper with similar mixture of shorter themes and more full length tracks. As Frank Maston explains: “I think Darkland is the shadow of Tulips in a way… what it might’ve been in a different universe. But the heart of Tulips beats in these songs as well and they evoke the same memories and feelings for me. I see my process playing out across these songs - lots of experimentation and trying out new techniques and sounds and just sort of going for it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrank goes on: “It was all from the same pool of material, like 30+ ideas. I was making a lot of little demos… some would be more fleshed out and become songs and others would just be a cool riff and not go anywhere. When I started trying to form it all into an LP I went through all the sessions and ideas and collected the ones I thought were the most fleshed out and cohesive together as a whole. There were a fair amount of songs that were finished and in hindsight really should have been on Tulips (like what would’ve been the title track). And the rest of these songs are either very early versions of tunes that ended up on Tulips or some cool ideas that just ended up being dead ends. It definitely shows how wide my net was in the beginning before I narrowed the record down stylistically.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDarkland opens with its ornate 39 second title-track before striding into “Tulips”, that full-length title-track that never was. It’s a real head-nod, percussive-rich electric piano stunner that would’ve been a comfortable standout on the album proper. But now this “downlifting” gem is given ample room to shine on this record.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe funky organ-led bass and drums workout “Immaculate Conception” will keep your neck gently snapping while MPC fiends go reaching for their sampler. And that’s gospel. “Love Theme No 3” cuts a breathtakingly stylish vibra-slapped swathe through the middle of the opening side before we’re startled by the pronounced bass and twinkling percussion of “The Owl In Daylight”. Charming digi-drums underpin the wonky synth (quiet-)banger “Innovative Patterns” which has a lovely melodic switch-up in the final third before the tempo (and hairs on your neck) rise on the faintly creepy yet imminently groovy “Osiris”. The gorgeously soft-focus “Groove Experiment No 3” closes out the first half in slow-mo wonderment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lushly melancholic “Raincloud” ushers in side B before the emotionally-stirring “Phonic” taps at the door, coming on like the long lost sister to Pet Sounds’ “Let’s Go Away For A While”. Next up, the swooning beauty “Love Theme No 2” keenly sways in front of you, growing ever more insistent and hypnotic. The too-short “Italian Summer” conjures the same flirtatious imagery as the title hints at whilst “Endless” is a fascinating “piano-pella” alternative version to “Rain Dance” from Tulips. “Wonder Theme” has a nostalgic, exotic 60s swing and album closer “Willow” is a hushed, campfire folk gem. The gently circular strumming is just magical.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpeaking to Aquarium Drunkard back in 2019 about the sessions that became Tulips, Frank noted: “I was really surprised by the lack of sunlight during my first winter in Holland, so I would call it Darkland which then became the name of the first demo I wrote during that time. It was also the working title of the record when I first started writing. Some are full songs that didn’t make the cut (including what would have been the title track), some are just ideas that I never finished.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhilst we were working on Darkland’s vinyl release Frank explained more specifically about the music that didn’t make it on to Tulips: “When I was putting together the tracklisting for Tulips I was already thinking that whatever didn’t make it onto the LP would be cool to release eventually somehow. The response to Tulips has been so passionate over the years that it’s nice to be able to offer another piece of that world. And for me personally it’s amazing to have more of my work out there in the world. Most common bit of feedback was that many of these songs should have been on Tulips. The odd friend says it’s much better than Tulips.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJust like Tulips before it, Simon Francis’s vinyl mastering for Darkland has been cut at 45rpm so you can trip out to this as well at a woozy 33 1\/3. The artwork too has been designed by Frank himself as a literal visual continuation of the Tulips cover.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe couldn’t possibly say whether Darkland is better than Tulips, and luckily we don’t have to decide.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e* Tracklist: \u003cbr data-mce-fragment=\"1\"\u003eA1 : Darkland (00:39)\u003cbr data-mce-fragment=\"1\"\u003eA2 : Tulips (02:55)\u003cbr data-mce-fragment=\"1\"\u003eA3 : Immaculate Conception (00:46)\u003cbr data-mce-fragment=\"1\"\u003eA4 : Love Theme No 3 (01:23)\u003cbr data-mce-fragment=\"1\"\u003eA5 : The Owl In Daylight (00:51)\u003cbr data-mce-fragment=\"1\"\u003eA6 : Innovative Patterns (02:24)\u003cbr data-mce-fragment=\"1\"\u003eA7 : Osiris (00:58)\u003cbr data-mce-fragment=\"1\"\u003eA8 : Groove Experiment No 3 (01:49)\u003cbr data-mce-fragment=\"1\"\u003eB1 : Raincloud (03:57)\u003cbr data-mce-fragment=\"1\"\u003eB2 : Phonic (00:48)\u003cbr data-mce-fragment=\"1\"\u003eB3 : Love Theme No 2 (01:58)\u003cbr data-mce-fragment=\"1\"\u003eB4 : Italian Summer (00:52)\u003cbr data-mce-fragment=\"1\"\u003eB5 : Endless (02:11)\u003cbr data-mce-fragment=\"1\"\u003eB6 : Wonder Theme (01:09)\u003cbr data-mce-fragment=\"1\"\u003eB7 : Willow (01:06)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":39460745773212,"sku":"BEWITH096LP","price":23.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BEWITH096LP.jpg?v=1616177646"},{"product_id":"common-sense-i-used-to-love-h-e-r-7-vinyl","title":"Common Sense - I Used To Love  H.E.R. [7\" Vinyl]","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: BEWITH007SEVEN \u003cbr\u003eBarcode: 4251804141826\u003cbr\u003eRelease Date: 25 Aug 2023\u003cbr\u003eGenre: Hip Hop\u003c\/p\u003e\n\u003cp\u003e* First-time 7\" vinyl single release, remastered by Simon Francis, full colour printed sleeve\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e* Release Notes:\u003cbr\u003eThe best twist in music lyric history?\u003c\/p\u003e\n\u003cp\u003eOn 7\" for the first time ever, one of the most important rap records ever.\u003c\/p\u003e\n\u003cp\u003eIt's timeless, it's genius, it's just pure beautiful brilliance. It's Common's masterpiece.\u003c\/p\u003e\n\u003cp\u003eOne of the best songs in all hip-hop history, “I Used To Love H.E.R.” was the first single from Common's eternal 1994 LP, Resurrection. He personifies hip-hop as an ode to the art form he once loved, lamenting how the genre became too commercialised and, due to a mass influx of mainstream rap in the 90s, some of the purity and freshness of the culture was being lost. \u003c\/p\u003e\n\u003cp\u003eCommon uses a first-person romance narrative to detail the history of hip-hop, resulting in an extended metaphor that's sophisticated, clever, and delivers a moral message that touched millions of people and still absolutely blows minds at the song's conclusion: \"'Cause who we're talkin' about, y'all, is hip-hop\"\u003c\/p\u003e\n\u003cp\u003ePerfectly produced by No ID and incorporating a gorgeous, melancholic sample of George Benson’s “The Changing World”, the plaintive sonic landscape provided the ideal foundation for Common’s innovative storytelling.  Almost 30 years later, “I Used To Love H.E.R.” remains one the most significant moments in hip-hop: a classic in every sense of the word.\u003c\/p\u003e\n\u003cp\u003eCommon did discuss the true meaning of the track in a 1995 interview on “Yo! MTV Raps”, stating: “H.E.R. stands for Hip-Hop in its Essence is Real. And all I’m talking about his how I first came into contact with hip-hop music and how it evolved into where it is now. And it’s like all these gimmicks going on, all the phoniness, ain’t nobody being real with it. Everybody’s stressing that it’s real but ain’t nobody being true to it. I think that came about because — once it started becoming a business, then people started losing their soul and they started looking at it, taking it more as a business than an artform.”\u003c\/p\u003e\n\u003cp\u003eOn the flip, we've stayed faithful to the track used for the original 12\" release. And what a track it is. Destined to be overshadowed by the behemoth on the A-Side, the frenetic neck-snapping jazz-rap \"Communism\" has it all - those horns at the start, the lyrical dexterity, the beat. Oh my.\u003c\/p\u003e\n\u003cp\u003eSo, one of the greatest pieces of music ever, in any genre. This is not merely music. It's high art. Speaking of which, we've recreated the striking original artwork from the 12\" and shrunk it down to the 7\" format. It looks and sounds stunning. The most important song in rap history, if you really think about it. \u003cbr\u003eWe all miss her. We all miss hip-hop...\u003c\/p\u003e\n\u003cp\u003e* Tracklist: \u003cbr\u003eA I Used To Love H.E.R.\u003cbr\u003eB Communism\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":42498246148252,"sku":"BEWITH007SEVEN","price":15.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BEWITH007SEVEN.jpg?v=1684757145"},{"product_id":"jammin-sam-miller-super-metroid-ost-recreated","title":"Jammin’ Sam Miller - Super Metroid (OST Recreated)","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: WRWTFWW085REG \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 4251804144100\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 06 Feb 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Electronic\/Video Game\/Soundtrack\/Ambient\u003c\/p\u003e\n\u003cp\u003e2LP Limited Edition with exclusive artwork by Pierre Thyss and OBI strip.\u003cbr\u003e\u003cbr\u003eWRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation\/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.\u003cbr\u003e\u003cbr\u003eComposed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration \/ action-adventure \/ sci-fi \/ alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.\u003cbr\u003e\u003cbr\u003eJammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: \"This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience.\"\u003cbr\u003e\u003cbr\u003eSuper Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.\u003cbr\u003e\u003cbr\u003eTracklist:\u003cbr\u003eA1. Opening (Destruction of the Space Colony) A2. Theme of Super Metroid A3. Spaceship (No SFX) A4. Boss Confrontation 1 A5. To Planet Zebes A6. Planet Zebes (Arrival on Crateria) A7. Crateria (The Space Pirates Appear) A8. Item Acquisition Fanfare (No SFX) A9. Item Room B1. Chozo Statue Awakens B2. Brinstar Overgrown With Vegetation Area B3. Mini Boss Confrontation B4. Brinstar Red Soil Swampy Area B5. Norfair Hot Lava Area B6. Tension B7. Boss Confrontation 2 C1. Theme of Samus C2. Wrecked Ship C3. Maridia Rocky Underwater Area C4. Maridia Drifting Sandy Underwater Area D1. Norfair Ancient Ruins D2. Mysterious Statue Chamber D3. Tourian D4. Continue D5. Samus Aran's Appearance Fanfare D6. Mother BrainD7. Ending\u003cbr\u003e\u003c\/p\u003e","brand":"WRWTFWW Records","offers":[{"title":"Default Title","offer_id":42938033012892,"sku":"WRWTFWW085REG","price":34.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/WRWTFWW085REG.jpg?v=1702665862"},{"product_id":"mal-one-when-the-two-77-s-clashed-7-vinyl","title":"Mal-One - When The Two 77’s Clashed [7\" Vinyl]","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: MALONE010 \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060135763190  \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 16 Feb 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Punk Rock\u003c\/p\u003e\n\u003cp\u003eMal-One’s new single ‘When The Two 77’s Clashed’ talks about that heady time back in 1977. The year the Rastafarian faith also picked up on a biblical quote that told of an apocalyptic time coming in the year the two 77’s clash in 1977.\u003cbr\u003e\u003cbr\u003eWell it was definitely a heady year for the punk movement that also coincided with the release of The Clash’s debut album. Mal-One describes the bands rehearsal rooms where they created the songs and whose entrance supplied the cover shot for the album cover itself. A machine gun splatter through the songs on the album and the meanings they reflected to all our lives. Hope you enjoy the ride back in time, an important time that as the lyric of the songs points out… ‘It even says it in the Bible’…..\u003cbr\u003e\u003cbr\u003eRespect to that.\u003cbr\u003e\u003cbr\u003eTrack listing\u003cbr\u003eA Side\u003cbr\u003eWHEN THE TWO 77’s CLASHED (3.19)\u003cbr\u003e\u003cbr\u003eB Side\u003cbr\u003eVERSION (3.25)\u003cbr\u003e\u003c\/p\u003e","brand":"Punk Art Records","offers":[{"title":"Default Title","offer_id":42993686970524,"sku":"MALONE010","price":10.53,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MALONE010.jpg?v=1704908393"},{"product_id":"mighty-truth-mighty-truth-clear-vinyl","title":"Mighty Truth - Mighty Truth [Clear Vinyl]","description":"\u003cp\u003eFormat: LP, Clear\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SOS004  \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0061297792757  \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 16 Feb 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Cinematic Electronic Soul\/Downtempo\u003c\/p\u003e\n\u003cp\u003ePRESSING OF 200 COPIES ON CLEAR VINYL.\u003cbr\u003e\u003cbr\u003eRIYL Zero 7\/ Plaid \/ Hot Chip \/ Weather Report \/ Isolee \/ Baby Fox\u003cbr\u003e\u003cbr\u003eOld friends Julian Bates and Alex Gray —working together as Mighty Truth for the first time since 1995’s From The City To The Sea — filled a car with old analogue synths, kids’ noise toys, and collected field recordings took a road trip down to hole up in an old water mill in southwest England’s bird-twittery, bee-loud Quantock hills. \u003cbr\u003e\u003cbr\u003eThings got cinematic: unequal measures of early Weather Report, Wim Wenders, and Serge Gainsbourg kept them wonderfully lost in their imagined world. Back in London with guest singers Allonymous (Paris via Chicago) and Wayne Paul (London), they completed the album and decided to just call it Mighty Truth. With an aim to present the live show at moonlight pop-up cinema venues, Mighty Truth are here for the next chapter in their epic saga.\u003cbr\u003e\u003cbr\u003eBack then….\u003cbr\u003e \u003cbr\u003eOld friends Julian Bates and Alex Gray first met through their shared obsession with classic cars (both owned old SAAB 96s). At the time, Julian’s band Nightrains was signed to ACE Records in the UK whilst Alex worked first as a session keyboardist for the likes of Edwyn Collins, Billy Mackenzie, and Busta “Cherry” Jones, and later as a mixer and remixer working with S’express producer Pascal Gabriel, Malcolm McLaren, and soul DJ legend Dr Bob Jones.\u003cbr\u003e \u003cbr\u003eWorking together in the studio for the first time producing Vanessa Freeman (4 hero), Alex and Julian decided to embark on a drop-tempo jazz trip project they named Mighty Truth. Dr Bob heard that first self-released vocal track “Rebirth” and started dropping it on Kiss FM (UK). After guest DJ slots on Coldcut’s Kiss show, Alex and Julian signed to Tongue and Groove records.\u003cbr\u003e \u003cbr\u003eThe album From the City to the Sea produced a number of singles and both “Rebirth” and “Is it a Wizard or a Blizzard” were licensed to many compilations both in the UK and internationally (eg. Dope on Plastic, Mole Listening Pearls, Eight Ball).\u003cbr\u003eThe Sound of Sinners is a NYC boutique record label focused on vinyl and digital releases by Indie, ambient, avant-garde and electronic artists. \u003cbr\u003e\u003cbr\u003eSide A:\u003cbr\u003e1. Your Love\u003cbr\u003e2. Captain Zero\u003cbr\u003e3. Are Snowflakes Falling\u003cbr\u003e4. Keeping Gravity Intact\u003cbr\u003e\u003cbr\u003eSide B:\u003cbr\u003e5. The Magician\u003cbr\u003e6. Circling The Square\u003cbr\u003e7. Into The Light\u003cbr\u003e8. Watching The Trains\u003cbr\u003e9. Is It You?\u003cbr\u003e\u003c\/p\u003e","brand":"The Sound Of Sinners","offers":[{"title":"Default Title","offer_id":42994067898524,"sku":"SOS 004","price":17.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SOS004.jpg?v=1704917341"},{"product_id":"alexandre-centeio-panorama","title":"Alexandre Centeio - Panorama","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: CREP99 \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065004291309\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 16 Feb 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Electronica \/ Electro Acoustic\/ Experimental \u003c\/p\u003e\n\u003cp\u003ePart of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of 'Panorama'. A multi-instrumentalist and sound artist based in Porto, Centeio - who is also part of Stellarays and The Murmurous Playground - delivers his second album under his own name after 2022's 'Movanta'. \u003cbr\u003e\u003cbr\u003eSignalling a departure from the intimate synth driven beautifully soothing landscapes of 'Movanta' while still working within a realm where space and memory play a significant part of both escapism and connection, 'Panorama' opens itself up to a \"surrealistic soundscape filled with real and dreamt sound\", perfectly illustrated by Ruca Bourbon’s artwork. A sonic fiction conjured from a variety of sources - hand drums, disembodied voices, scraps of unknown realities, skewed loops, oneiric collages, flutes, spectral synths - that float freely between disruption and continuity but within their own internal logic. A very particular and hallucinatory one at that, mind ya. Collapsing notions of time and geography in an aural canvas totally aligned with Discrepant's ethos. 'Panorama' indeed. \u003cbr\u003e\u003cbr\u003eTracklist\u003cbr\u003eA1. Lingua Franca\u003cbr\u003eA2. Anger - Homem e Cadeira fazem as paze\u003cbr\u003eA3. ícones Cisma\u003cbr\u003eA4. Panorama\u003cbr\u003eB1. Canto Meditopia\u003cbr\u003eB2. Fluteações\u003cbr\u003eB3. Big Band\u003cbr\u003eB4. Sopun\u003cbr\u003e\u003cbr\u003eCredits \u003cbr\u003eMastered by Rashad Becker\u003cbr\u003eArtwork by Ruca Bourbon \u003cbr\u003eLayout by Gonçalo F. Cardoso\u003cbr\u003e\u003cbr\u003ePressed in Germany\u003cbr\u003e\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"Default Title","offer_id":43006161911964,"sku":"CREP99","price":20.14,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CREP99.jpg?v=1705297650"},{"product_id":"sacrilege-b-c-party-with-god-communion-blood-white-vinyl-2lp","title":"Sacrilege B.C. - Party With God [Communion Blood + White Vinyl 2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: LORD301LP  \u003cbr\u003eBarcode: 808720230116  \u003cbr\u003eRelease Date: 16 Feb 2024\u003cbr\u003eGenre: 80’s Thrash\u003c\/p\u003e\n\u003cp\u003eLimited edition vinyl version of the legendary debut album from the ultra-cult 80s' Bay Area Thrash band: Sacrilege B.C. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCommunion blood + white vinyl - 500 pressed worldwide - NB Side D is a silk screen . Non-Returnable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlso contains the 1985 demo pressed on vinyl for the first time! \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDouble vinyl w\/silk-screen printed on side D. Liner notes by Ron Quintana. 8 -page \u003cbr data-mce-fragment=\"1\"\u003ecomic book\/liner notes. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the best ever thrash albums to ever come out of the Bay Area. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor fiends of: Exodus, Metallica, Possessed, Vio-lence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eA1. Azmeroth A2. Crucified A3. Fun With Napalm A4. Born of Hell A5. Words of God A6. Time To Die B1. Skinned Alive B2. Cancer B3. Judge Death B4. Death Toll B5. Final Rites B6. Slaughterhouse B7. Victimized C1. Azmeroth (demo) C2. Skinned Alive (demo) C3. Crucified (demo) C4. Heed No Warning (demo)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Southern Lord","offers":[{"title":"Default Title","offer_id":43028272185500,"sku":"LORD301LP","price":40.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LORD301LPMockUp.jpg?v=1705939899"},{"product_id":"virulence-if-this-isn-t-a-dream","title":"Virulence - If This Isn’t A Dream","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LORD112LP  \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 808720011210  \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 16 Feb 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Hardcore Punk\u003c\/p\u003e\n\u003cp\u003eVERY LIMITED BLACK VINYL - NON-RETURNABLE.\u003cbr\u003e\u003cbr\u003eSouthern California hardcore punk band Virulence was originally formed in 1985. \u003cbr\u003e\u003cbr\u003eThey were heavily influenced by Black Flag, the Melvins, \u0026amp; BL'AST!. \u003cbr\u003e\u003cbr\u003eAfter the bands demise in 1990 the members reformed under the moniker: FU MANCHU.\u003cbr\u003e\u003cbr\u003eThe band's debut and sole release \"If This Isn't A Dream...\" is an exercise in slow, crushing minimalism.\u003cbr\u003e\u003cbr\u003eA very worthy induction into the chapter of early heavy music recordings.\u003cbr\u003e\u003cbr\u003eA1. Dead Weight A2. Wrapped Up A3. Worse Than Misery A4. Spilling It Out A5. Blank Stare B1. Kindergarten B2. Sleep B3. The Curse\u003cbr\u003e\u003c\/p\u003e","brand":"Southern Lord","offers":[{"title":"Default Title","offer_id":43028294860956,"sku":"LORD112LP","price":22.66,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LORD112LP.jpg?v=1705940304"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/srd-160224.oembed","provider":"Horizons Music","version":"1.0","type":"link"}