{"title":"SRD 110926","description":null,"products":[{"product_id":"youandewan-cola-beach","title":"YOUANDEWAN - Cola Beach","description":"\u003cp\u003eFormat: 12\"  Vinyl\u003cbr\u003eCat: PURESHORES-001\u003cbr\u003eBarcode: 4062548015881\u003cbr\u003eRelease Date: April 2021\u003cbr\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003eRepress: 11 Sep 2026\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA Cola Beach \u003cbr\u003eB Dolphin Splash Keyboards\u003c\/p\u003e","brand":"Pure Shores","offers":[{"title":"Default Title","offer_id":39614157947036,"sku":"PURESHORES-001","price":17.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/pureshores-001.jpg?v=1698078645"},{"product_id":"coeo-piano-workout-import","title":"Coeo - Piano Workout","description":"\u003cp\u003eFormat: 12\" Vinyl \u003cbr\u003eCat No: TOYT114\u003cbr\u003eBarcode: 0880655511416\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: House \/ Breaks \/ Techno\u003c\/p\u003e\n\u003cp\u003e* 2026 Repress\u003c\/p\u003e\n\u003cp\u003e* COEO are back on Toy Tonics! After uninterrupted touring around the globe, followed by a short creative break the guys come back with an even stronger sound. With the new EP they go more underground again.\u003c\/p\u003e\n\u003cp\u003eIts addressed to the clubs and night owls out there, who turn night into day and won't stop dancing!\u003c\/p\u003e\n\u003cp\u003eThe sound is based on classic house patterns and includes a lot of cool saxophones, big piano stabs \u0026amp; rhythmic piano solos. They even go tribal, use arpeggios and switch into breakbeat heaven. The four Originals are a great next step in the COEO evolution. The unique warm, catchy atmosphere of the tracks can create that special COEO euphoria which made them a lot of fans. From Moodymann to Disclosure, Mall\u003cbr\u003eGrab to Kenny Dope, the list is long.\u003c\/p\u003e\n\u003cp\u003eIt’s fantastic to see how popular they became over the last couple of years. 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Pure bliss!\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1) Sorry For The Late Reply (6:17)\u003cbr\u003eA2) Hyperactive (6:15)\u003cbr\u003eB1) I Can Never Be Yours (6:21)\u003cbr\u003eB2) Bliss (7:05)\u003c\/p\u003e","brand":"Toy Tonics","offers":[{"title":"Default Title","offer_id":40187103641756,"sku":"TOYT114","price":12.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Coeo-PianoWorkout_Import_570d249a-0500-4443-bccf-67031f51e81c.jpg?v=1623844571"},{"product_id":"tour-maubourg-paradis-artificiels-repress","title":"Tour-Maubourg - Paradis Artificiels (repress)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PNLP001\u003cbr\u003eBarcode: 4070209020822\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003e2026 RECUT RE Edition. Third repress of Tour-Maubourg's debut album initially released in 2020!\u003c\/p\u003e\n\u003cp\u003eJuno's review in 2020: Emerging out of the clouds of live and instrumental deep house, Tour-Maubourg first appeared on the scene with a debut record for Parisian label Pont Neuf Records before making connections with FHUO, Salin Records and Happiness Theory. 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They built up through exposure from three John Peel sessions, extensive gigging (with UK Decay, Sex Gang Children, Killing Joke, The Cult and more), subsequently headlining UK and EU tours in their own right and landing a live spot on the UK’s top music TV programme, The Tube. \u003c\/p\u003e\n\u003cp\u003eCD reissue to reawaken interest in anticipation of the coming 5xCD box set.  LP version still available on blue vinyl.\u003c\/p\u003e\n\u003cp\u003ePLAY DEAD release a career-spanning anthology, a CD digipak with sixteen of their most essential tracks plus a ten-track limited-edition blue vinyl LP (Inner bag with unseen photos and notes by Adi Vine)\u003c\/p\u003e\n\u003cp\u003eBetween 1980-1985 they grew into one of the UK’s leading post-punk bands with regular indie chart hits and a large loyal live following. 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It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment. With all the touchstones of Burgess’s finest work - breezy grooves, undulating synths, funk-drenched bass and life-affirming lyrics - delivered with gospel-derived vocals and harmonies - it’s a record to uplift both body and spirit. \u003cbr\u003e\u003cbr\u003eAlready a cult soul figure as lead singer of seminal vocal group Black Ivory, Leroy \u003cbr\u003eBurgess cut his teeth as arranger, vocalist and songwriter with legendary producer Patrick Adams on essential late-70s projects like Phreek and Dazzle. He went on to define the essence of “boogie”: the vibrant underground dance sound that stood in contrast to commercial disco. With its reduced speed - mid-90 to under 110 BPM - the cool boogie of Burgess has the disco bounce, just more laidback. \u003cbr\u003e\u003cbr\u003eAll six tracks here could have been stand alone hits. Indeed, some of them were. 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Posters, flyers, ticket stubs badges tour programmes and record sleeves. Items we gathered, begged and stole were carried home after sweaty nights in clubs and pubs. Tape and blu tack in hand we tried to find a place to add our new additions.\u003c\/p\u003e\n\u003cp\u003eI always thought it would be great to show the Punk Rock items of what I call ‘the class of ‘76’ groups I had gathered over the years in a bedroom setting. Each room could have a different theme. Blondie, Buzzcocks, The Clash, The Damned, Generation X, The Jam, Ramones, Sex Pistols, Siouxsie and The Banshees, The Stranglers, and maybe a mixed Punk Room with all the above and some smaller bands to fill out the story. \u003c\/p\u003e\n\u003cp\u003eMaybe I could then put all that in a book to show the beauty of it all. So I did and here it is. 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It’s here now with the previously unreleased track \"POLYGON DREAMSCAPE\" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling.\u003c\/p\u003e\n\u003cp\u003eSpellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late 90s \/ early 2000s video game influences. Hypnotic late night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre - LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It’s all fresh with a subtle nostalgia and so much heart. An instant classic. \u003c\/p\u003e\n\u003cp\u003eTracklist: A1. DUALSHOCK A2. LOW POLY ROMANCE B1. EMOTION ENGINE B2. 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POLYGON DREAMSCAPE\u003c\/p\u003e","brand":"WRWTFWW Records","offers":[{"title":"Default Title","offer_id":46765608534172,"sku":"WRWTFWW078LTD","price":41.02,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_8f2474c7-5f00-4cba-973a-ada5f80f4cc4.jpg?v=1777397683"},{"product_id":"arpy-brown-kapote-memento-ludi","title":"Arpy Brown \u0026 Kapote - Memento Ludi","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: TOYT196 \u003cbr\u003eBarcode: 0880655519610          \u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003eArpy Brown \u0026amp; Kapote Announce Collaborative Album Memento Ludi via Toy Tonics\u003c\/p\u003e\n\u003cp\u003eA sun-drenched fusion of yacht rock, house and modern indie dance energy – out June 26, 2026 \u003c\/p\u003e\n\u003cp\u003eBERLIN, GERMANY — Toy Tonics is proud to announce Memento Ludi, the first collaborative album by label founder Kapote and multi-instrumentalist producer Arpy Brown, arriving June 26, 2026.\u003c\/p\u003e\n\u003cp\u003eThe album is a funk-driven journey that bridges the warmth of 1970s analog recordings with the pulse of contemporary dance music. Blending neo-soul grooves, yacht rock harmonies and modern house rhythms, Memento Ludi captures the spirit of classic musicianship within a forward-looking club context.\u003c\/p\u003e\n\u003cp\u003eBut Memento Ludi is more than a typical house record. The album moves fluidly between dancefloor tracks and fully developed songs. Every instrument was performed live by the artists themselves: guitars, bass, keyboards and percussion recorded in the studio by Arpy and Kapote. After jamming and recording the basis of every song in a live procedure they carefully resample the parts to create the organic, human touch that defines the Toy Tonics sound.\u003c\/p\u003e\n\u003cp\u003eThe title Memento Ludi — Latin for “remember to play” — reflects the album’s philosophy: bringing joy, spontaneity and musicality back into dance music at a time when many club tracks feel increasingly mechanical and formulaic.\u003c\/p\u003e\n\u003cp\u003eThe collaboration arrives during a particularly busy moment for both artists. While spending countless hours in the studio, Kapote and Arpy Brown have also maintained intensive international touring schedules with the Toy Tonics crew, road-testing many of the tracks as “secret weapons” in their DJ sets from Melbourne to Los Angeles via their homebase Berlin.\u003c\/p\u003e\n\u003cp\u003e“We wanted to make a record that felt like a lost studio session from 1978 — resampled and synthesised in 2026,” says Kapote.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 The Phunk Biz (Extended Version) A2 You Used To Hold Me (Extended Version) A3 Break The Ice (Extended Version) A4 Love Get Ya (Extended Version) B1 People Get Nasty (Tribute To Roy) B2 P-A-R-T-Y (Extended Version) B3 The Feeling B4 Only For You\u003c\/p\u003e","brand":"Toy Tonics","offers":[{"title":"Default Title","offer_id":46794084974748,"sku":"TOYT196","price":20.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TOYT196.jpg?v=1777664541"},{"product_id":"various-artists-made-in-the-emirates-volume-2","title":"Various Artists - Made in the Emirates - Volume 2","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: VSR002  \u003cbr\u003eBarcode: 4070209020969\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eGatefold 2LP, 45 RPM., Artwork by Rami Afifi\u003c\/p\u003e\n\u003cp\u003eAfter the success of Made in the Emirates – Volume 1, which documented a wide spectrum of the UAE’s independent music scene, the series returns with its second instalment.\u003c\/p\u003e\n\u003cp\u003eMade in the Emirates – Volume 2 shifts focus to the country’s electronic underground, bringing together eight original tracks spanning deep house, breaks, techno, and experimental club sounds — a snapshot of a\u003cbr\u003ethriving scene shaped by artists working on their own terms.\u003c\/p\u003e\n\u003cp\u003eThe compilation brings together a cross-section of artists defining this landscape today: Tarik Omar opens the record with Sample Sunday, reflecting a deep rooted approach to rhythm and sampling. Adam Rahman K Lock, is a tightly wound club tool driven by percussive precision. Sons Of Rhythm revisit their catalogue through a Rhythm Plate Italo 90 Remix, bridging classic house influences with a forward-facing Italo touch.\u003c\/p\u003e\n\u003cp\u003eMegadon Betamax, co-founder of Voyeurhythm Records, contributes Maha Monastery, an atmospheric, funk-infused cut leaning into experimental yet groove-led electronics.\u003c\/p\u003e\n\u003cp\u003eCurator Shadi Megallaa adds Word Jazz, reflecting his long-standing role in shaping Dubai’s underground through Ark to Ashes and The Flip Side. OHFFF, a project rooted in spontaneity and sonic exploration, presents Dwelling, balancing mood with club sensibility. Tacit’s The Lakritze Suite moves between abstraction and industrial structure through a multi-layered, hard-edged composition. Closing the record, Nasrawi’s Intention Dub channels deep, dub-driven textures, grounding the compilation in a reflective, low-end finale.\u003c\/p\u003e\n\u003cp\u003eCurated and compiled by Shadi Megallaa (Ark to Ashes \/ The Flip Side, Dubai).\u003c\/p\u003e\n\u003cp\u003eTracklist: A1) Tarik Omar - Sample Sunday A2) Adam Rahman - K Lock B1) Sons Of Rhythm - Dance With Me (Rhythm Plate Italo 90 Remix) B2) Megadon Betamax - Maha Monastery C1) Shadi Megallaa - Word Jazz C2) OHFFF - Dwelling\u003cbr\u003eD1) Tacit - The Lakritze Suite D2) Nasrawi - Intention Dub\u003c\/p\u003e","brand":"Vinyl Souk Records","offers":[{"title":"Default Title","offer_id":46839430840476,"sku":"VSR002","price":47.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/VSR002.jpg?v=1778517577"},{"product_id":"gadea-in-the-beginning-10-lp","title":"Gadea - In the Beginning [10” LP]","description":"\u003cp\u003eFormat: 10” LP\u003cbr\u003eCatalogue No.: MOM068 \u003cbr\u003eBarcode: 4070209020679\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Soundtracks\/Electronic\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGadea’s original soundtrack to In the Beginning, the new animated short film by director Ala Nunu, unfolds across three surreal, yet surprisingly real, stories about people and the world around them: a lunar probe’s tardigrade cargo, 16th-century myths surrounding birds of paradise, and Hong Kong’s pandemic-driven hamster cull. The film is a tonally absurd documentary-fiction essay on anthropocentrism and the\u003cbr\u003ehuman need to control narratives.\u003c\/p\u003e\n\u003cp\u003eThis is Gadea’s first musical accompaniment for animation. Collaborating with Marina Herlop on vocals, Gadea’s sonic palette sits somewhere between field-recording minimalism, chamber electroacoustics, and the more fragile end of speculative composition.\u003c\/p\u003e\n\u003cp\u003eTracklist: 1 Carlota Gadea Marqués - Tardigrades 2 Carlota Gadea Marqués - Legless 3 Carlota Gadea Marqués - Bestiary 4 Carlota Gadea Marqués - Interlude 1 5 Carlota Gadea Marqués - Interlude 2 6 Carlota Gadea Marqués - Paridisaea Apoda 7 Carlota Gadea Marqués - Night Walk 8 Carlota Gadea Marqués - In The Beginning\u003c\/p\u003e","brand":"Modern Obscure Music","offers":[{"title":"Default Title","offer_id":46839955619996,"sku":"MOM068","price":24.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MOM068.jpg?v=1778522415"},{"product_id":"merzbow-vian-bardo-thodol","title":"Merzbow \u0026 Vian - Bardo Thödol","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MOM073 \u003cbr\u003eBarcode: 4070209021287\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eIn their third collaboration, the shared project between Merzbow and Pedro Vian shifts towards less confrontational and more introspective terrain. Bardo Thödol, released as an LP, draws on The Tibetan Book of the Dead not so much as an explicit narrative framework but as a conceptual resonance: a passage, a suspension between states.\u003c\/p\u003e\n\u003cp\u003eWhere Inside Richard Serra Sculptures and The Wheel of Mani foregrounded a relatively defined dialectic between Vian’s environmental restraint and Masami Akita’s impulsive, textural excess, that friction here appears to dissolve in favour of a more homogeneous mass. Noise, far from its most abrasive edge, is reconfigured as a continuous field — dense yet permeable.\u003c\/p\u003e\n\u003cp\u003eWithin this flow, melodic structures emerge without assertion, surfacing almost incidentally as by-products of the accumulation of frequencies itself. The result is less a reconciliation of languages than a blurring of\u003cbr\u003etheir boundaries: a space in which intensity is internalised and the radical gesture folds into a more sustained, contemplative mode of listening.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1. Bardo Thödol phase I \/ 17:27 min B1. Bardo Thödol phase II \/ 16:56 min\u003c\/p\u003e","brand":"Modern Obscure Music","offers":[{"title":"Default Title","offer_id":46910269882524,"sku":"MOM073","price":30.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MOM073.jpg?v=1779214863"},{"product_id":"don-laka-stages-i-wanna-be-myself","title":"Don Laka - Stages \/ I Wanna Be Myself","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: RBSSS12\u003cbr\u003eBarcode: 4070209020501\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003eSome tracks don’t need fixing. They just need a bit more room. South African composer and keyboard wizard Don Laka has been quietly sitting in DJ bags for years, especially with people who like their synth music warm, slightly mysterious, and impossible to date properly. Somewhere between jazz funk, township pulse and studio electronics, but really just its own thing.\u003c\/p\u003e\n\u003cp\u003eStages was an obvious candidate for extension. Prins Thomas what he does best here: opens the arrangement, lets the synth lines breathe, stretches the groove until it starts floating a little higher off the ground. Nothing forced, nothing added for the sake of it. Just more of a very good thing. I Wanna Be Myself gets a gentle nudge from Gerd Janson. The idea was simple: keep the personality, and give DJs a version that lands naturally in a modern set without losing the original charm. It’s still the same track, just standing\u003cbr\u003ea bit straighter.\u003c\/p\u003e\n\u003cp\u003eAnd because the source matters, the original version of “Stages” is here as well. Always good to remember where the magic started. Three versions, no drama. Just strong music that already knew what it was doing.\u003c\/p\u003e\n\u003cp\u003eTracklist: A. Stages - Prins Thomas Edit 08:34 B1. I Wanna Be Myself - Gerd Janson Edit 07:20 B2. Stages Of Love - Original 05:55\u003c\/p\u003e","brand":"Running Back Super Sound Singles","offers":[{"title":"Default Title","offer_id":46950444302492,"sku":"RBSSS12","price":18.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/RBSSS12.jpg?v=1779472649"},{"product_id":"eden-burns-big-beat-manifesto-vol-xii","title":"Eden Burns - Big Beat Manifesto Vol. XII","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: PP122 \u003cbr\u003eBarcode: 4070209020983\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003eVery impressively Eden Burns lands at „Big Beat Manifesto Vol. XII“. This is two BBM releases per year, spread across the past 6 years. Besides casually slipping in an Album „Eden Burns And the Make Believers“ (2025) and various other side projects. The prophet of the Big Beat is restless in the most positive way one can think off. We are all blessed to have him in our lives. What would Music World be without him? We do not want to know. More good news: he’s coming to tour Europe to promote this record. Summer in the city, on the beach, in the countryside on a dance floor near you. Bless.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1) Loop of Trust (07:02 min) A2) Direction (07:09 min) B1) Time (05:33min) B2) Razor (06:40 min) B3) Telephone Terror (04:00)\u003c\/p\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":46950506561692,"sku":"PP122","price":15.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/PP122.jpg?v=1779472752"},{"product_id":"formal-sppeedwear-punch-card-lp","title":"Formal Sppeedwear - Punch Card [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MELO150LP \u003cbr\u003eBarcode: 5060168046697\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: New Wave\/Post-Punk\/Mutant Disco\u003c\/p\u003e\n\u003cp\u003eStoke-On-Trent’s most tuned-in and turned-out trio are releasing debut album Punch Card, which might be the avant-pop record of the year.\u003c\/p\u003e\n\u003cp\u003eFor Fans Of: Devo, Talking Heads, XTC, Neu!\u003cbr\u003e\"A slinking, unctuous energy shot of new wave and mutant disco\" - DIY\u003c\/p\u003e\n\u003cp\u003eBlack vinyl, die cut sleeve on printed manila board, printed inner, and DL code.\u003cbr\u003e \u003cbr\u003eDriven by a desire for sonic collage and bolstered by lateral thinking, ‘Punch Card’ is a crafty lesson in how, with touches of masterful manipulation, the collision of opposing forces can cause sparks to fly and an irrepressible need to dance. “Our aim is to undermine anything leaning too far one way or the other. We shoot for homogeneity - if it sounds good and its component parts can't be pulled out, we’ve matched the job description,” they say of finding balance in their desire to ‘pull the rug’ musically whenever listeners least expect it.\u003cbr\u003eMuch like the typo in their name, now proudly worn by the band as a badge of honour, the result is an album of happy accidents that truly embody their audiences’ visceral knee-jerk reactions. The cut-out windows of an eighties protocomputer punch card that line the sleeve offer a portal into Formal Sppeedwear’s universe.\u003cbr\u003eAfter signing with melodic in 2023, the trio’s now sold out 2024 debut EP - a self-titled, self-produced 12” sample of elastic bass arrangements, leaping guitar motifs and sparse, un-assuming percussive work - picked up notable fans at BBC 6 Music and helped to secure shows around the country with the likes of Fat Dog, Preoccupations, Warmduscher and Divorce. A legion of listeners grew, barraging Instagram DMs curious to unearth the mystery behind their idiosyncratic, off-kilter lyrics – usually a product of Beck’s phonetically-associated wordplay.\u003cbr\u003eProlific in their output, the band diligently produced Punch Card themselves with mastering from Paul D. Millar (Slug Bug). Led by a preference for sonic variety, they even discarded three tracks not belonging on the record; not because they didn’t fit - but because they did. Through their boomerang voice notes and a sense of telepathy that only college friends bonded by Neu! and Yellow Magic Orchestra could possess, they explain; “There’s definitely a subconscious level to what we do but it’s always driven by what works sonically. The real challenge becomes how to recreate it live.”\u003cbr\u003eBlame those tracks which formed quickly when raw ideas and lyrics flowed from jam sessions in their Tremolo rehearsal room. Jagged, punchy ‘Indecent’ was largely improvised by the trio as a single recorded live take, and ‘The Ballad of DCB’ (avid bookworms in Stoke may have an inkling as to the meaning behind its acronym) was wrangled from a spritely brink of uncertainty after twilight tinkering powered a plethora of jangling guitar lines. Live staple ‘Wait (Hatchet Gets a New Hide) serves as collage of ideas and melodies harking back to the early days of Sppeedwear, completed on a Tascam 488 cassette recorder.\u003cbr\u003eBut, between joyfully jarring twists and turns, it is a rare moment of wistfulness which offers the biggest hint to the album’s wider Punch Card themes. A turning point in the recording process, finale ‘Friedrich Backs Up Nothing’ shimmers with strange atmospheres and sound-manipulated cellos; lyrically considering how history might react to the world today.\u003cbr\u003eFormal Sppeedwear may look and sound something like pop, but Punch Card emerges through collision, constraint, and chance - much like the stamped out geometry that inspired its artwork.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Hit ‘n’ Run 2. Who Needs Spain Ball? 3. Indecent 4. Knutmo 1-5 5. Aardvark x2 6. A Concise History 7. Fleas\u003cbr\u003e8. Wait (Hatchet Gets A New Hide) 9. The Ballad Of DCB 10. New Brother 11. Appointment 12. 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We shoot for homogeneity - if it sounds good and its component parts can't be pulled out, we’ve matched the job description,” they say of finding balance in their desire to ‘pull the rug’ musically whenever listeners least expect it.\u003cbr\u003eMuch like the typo in their name, now proudly worn by the band as a badge of honour, the result is an album of happy accidents that truly embody their audiences’ visceral knee-jerk reactions. The cut-out windows of an eighties protocomputer punch card that line the sleeve offer a portal into Formal Sppeedwear’s universe.\u003cbr\u003eAfter signing with melodic in 2023, the trio’s now sold out 2024 debut EP - a self-titled, self-produced 12” sample of elastic bass arrangements, leaping guitar motifs and sparse, un-assuming percussive work - picked up notable fans at BBC 6 Music and helped to secure shows around the country with the likes of Fat Dog, Preoccupations, Warmduscher and Divorce. A legion of listeners grew, barraging Instagram DMs curious to unearth the mystery behind their idiosyncratic, off-kilter lyrics – usually a product of Beck’s phonetically-associated wordplay.\u003cbr\u003eProlific in their output, the band diligently produced Punch Card themselves with mastering from Paul D. Millar (Slug Bug). Led by a preference for sonic variety, they even discarded three tracks not belonging on the record; not because they didn’t fit - but because they did. Through their boomerang voice notes and a sense of telepathy that only college friends bonded by Neu! and Yellow Magic Orchestra could possess, they explain; “There’s definitely a subconscious level to what we do but it’s always driven by what works sonically. The real challenge becomes how to recreate it live.”\u003cbr\u003eBlame those tracks which formed quickly when raw ideas and lyrics flowed from jam sessions in their Tremolo rehearsal room. Jagged, punchy ‘Indecent’ was largely improvised by the trio as a single recorded live take, and ‘The Ballad of DCB’ (avid bookworms in Stoke may have an inkling as to the meaning behind its acronym) was wrangled from a spritely brink of uncertainty after twilight tinkering powered a plethora of jangling guitar lines. Live staple ‘Wait (Hatchet Gets a New Hide) serves as collage of ideas and melodies harking back to the early days of Sppeedwear, completed on a Tascam 488 cassette recorder.\u003cbr\u003eBut, between joyfully jarring twists and turns, it is a rare moment of wistfulness which offers the biggest hint to the album’s wider Punch Card themes. 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Fixmer’s remixes of Liebing\/Slater’s collaboration from the former’s ‘Evolver’ LP release on 31st July. \u003c\/p\u003e\n\u003cp\u003eTerence Fixmer has delivered two remixes of Chris Liebing and Luke Slater’s ‘Double Split’ track, one of a handful of collaborations on Liebing’s first-ever solo LP, ‘Evolver’, which was released in March this year. Having contributed to the LP as a member of The Alte Stuben Modular Ensemble, a super-group featuring Liebing, Daniel Miller, and Pascal Gabriel, Fixmer is a fitting choice to remix ‘Double Split’.\u003c\/p\u003e\n\u003cp\u003eFixmer has been evolving his sound for more than 25 years. From deep and mind-bending to experimental and soulful, he is a visionary who has been hugely prolific, with many standout LPs and EPs on labels such as Mute Records, Novamute, Ostgut Ton, and Planete Rouge Records. \u003c\/p\u003e\n\u003cp\u003eFixmer’s first ‘Double Split’ remix is inspired by the energy of the original, but focused on dubbier, hypnotic vibes. Strident drums and clattering percussion are stark by design, but smoky vocals and eerie synths hang in the air, bringing a bleak human futurism over all-consuming bass. Then comes the Melting Mind rework, which is boiled down to a handful of key elements, not least the original’s penetrating acid line. It's an immersive, late-night dive that locks you in a state of constant motion and unrelenting pressure.  The original from Chris Liebing and Luke Slater, a dark and futuristic roller with automated drums and layers of rusty synths encircled by acidic gurgles, completes the package. \u003c\/p\u003e\n\u003cp\u003eChris Liebing, Luke Slater's 'Double Split' (Terence Fixmer Remixes) is released on CLR on 31st July 2026.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1 Chris Liebing, Luke Slater - Double Split (Terence Fixmer Remix)\u003cbr\u003eA2 Chris Liebing, Luke Slater - Double Split (Terence Fixmer Melting Mind Remix)\u003cbr\u003eB Chris Liebing, Luke Slater - Double Split\u003c\/p\u003e","brand":"CLR","offers":[{"title":"Default Title","offer_id":46996647018652,"sku":"CLR142V","price":17.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CLR142V.jpg?v=1780337611"},{"product_id":"planetary-assault-systems-planetary-people-3lp","title":"Planetary Assault Systems - Planetary People [3LP]","description":"\u003cp\u003eFormat: 3 x LP\u003cbr\u003eCatalogue No.: OSTGUTLP39    \u003cbr\u003eBarcode: 4250101497384\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003eOne of Berghain’s longest-serving residents, Luke Slater has been defining bleepy, polyrhythmic, industrial-strength techno as Planetary Assault Systems since the mid-nineties. P.A.S albums tend to come together in their own time:\u003c\/p\u003e\n\u003cp\u003e“External signals and signs combine until the recipe feels right, both musically and from being ‘out there’,” Slater adds. “10 years since I released Arc Angel on Ostgut Ton, and it’s a fitting pleasure to combine live show ideas and studio work for the new album, served up with raw energy” That patience runs through his whole Ostgut catalogue; since Temporary Suspension brought its machine-tooled weight and alien feeling to the label in 2009, each P.A.S. release on Ostgut Ton has been its own quest for discovery, from The Messenger’s search for sounds not yet present in club music to Arc Angel’s focus on melody to the deep hypnosis of Plantae.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“Into The Night” creates a haunting, dystopic environment of corroded acid saturated in echo, absorbing from the first second. “Labyrinth” breaks into buoyant tribal percussion, modulated chirps trading off over propulsive drums. “Quadrant 10” is clean, delay-drenched techno, buzzing with noise splatters over saturated thuds. “Sermon Of The Light Tides” scrambles metallic bell sequences that distort and evolve throughout, reminiscent of a dial-up modem crossed with a game of Frogger, squelching between percussive bursts and stripped-back kicks. “Brave Cosmo” is tormentingly menacing, eerie synths panning around buried vocal fragments over frantic percussion. “Retina Burn” rolls on fierce, cement-mixer 909 cycles, rave stabs over a ride that locks you in, the whole track stuttering and repeating before stripping back to a bare echoing kick and building itself again.\u003c\/p\u003e\n\u003cp\u003e “Thunder Major” barrels on open hats and reverb-drenched claps ricocheting through twisting wreaths of delay, mesmeric and relentless. “Beton Brut” marches juggernaut percussion stamping through hall reverb so vast you can visualise the room, the darkest and most unrelenting track on the record. “No Ninja” crunches in metallic and immediate, a wiry plucked lead threading through glitch with the bass held low and deep, mixed so precisely you can see every layer stacked in your mind’s eye. “Ha Jam” is danceable techno with plenty of funk and a sophisticated looseness, a vocal laugh bouncing off clanging metal blocks and rave stabs. “Lynx” lowpasses its rave stabs and crystalline beeps, chirpy hats ticking, cold metal repeats, old school and mesmeric. “Generation Slip” closes everything out, ominous and churning, skittering percussion and electrical sparks rattling through steel, a freight train barrelling on into oblivion.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1 Planetary Assault Systems Into the Night 00:04:07\u003cbr\u003eA2 Planetary Assault Systems Labyrinth 00:05:32\u003cbr\u003eB1 Planetary Assault Systems Quadrant 10 00:05:40\u003cbr\u003eB2 Planetary Assault Systems Sermon of the Light Tides 00:06:23\u003cbr\u003eC1 Planetary Assault Systems Brave Cosmo 00:05:50\u003cbr\u003eC2 Planetary Assault Systems Retina Burn 00:06:07\u003cbr\u003eD1 Planetary Assault Systems Thunder Major 00:05:55\u003cbr\u003eD2 Planetary Assault Systems Beton Brut 00:05:37\u003cbr\u003eE1 Planetary Assault Systems No Ninja 00:06:02\u003cbr\u003eE2 Planetary Assault Systems Ha Jam 00:04:44\u003cbr\u003eF1 Planetary Assault Systems Lynx 00:07:25\u003cbr\u003eF2 Planetary Assault Systems Generation Slip 00:05:21\u003c\/p\u003e","brand":"Ostgut Ton","offers":[{"title":"Default Title","offer_id":46997115732124,"sku":"OSTGUTLP39","price":76.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/OSTGUTLP39.jpg?v=1780341551"},{"product_id":"various-artists-bondage-games-part-11-5lp-boxset","title":"Various Artists - Bondage Games Part 11 [5LP Boxset]","description":"\u003cp\u003eFormat: 5xLP Box Set      \u003cbr\u003eCatalogue No.: BOND12084BOX \u003cbr\u003eBarcode: 4251804183055\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: House\u003c\/p\u003e\n\u003cp\u003e* Ltd. Box Edition\u003c\/p\u003e\n\u003cp\u003e* SPECIAL REMARKS: STRICTLY LIMITED, HAND-NUMBERED COLLECTOR’S BOX \/\/ 5X12”\u003cbr\u003e\/\/ VINYL ONLY \/\/ 180G VINYL \/\/ INCL. EXCLUSIVE BM BAG, POSTER, STICKER\u003c\/p\u003e\n\u003cp\u003e* 20 Years of BM — Anniversary Vinyl Box Set\u003c\/p\u003e\n\u003cp\u003eFor two decades, Bondage-Music has stood for timeless underground house music, consistently shaping its own path through deep grooves, warm textures, and uncompromising dancefloor aesthetics. Founded with a clear artistic vision and an enduring passion for vinyl culture, the label has grown into an internationally respected platform for forward-thinking electronic music while always staying true to its roots.\u003c\/p\u003e\n\u003cp\u003eTo celebrate its 20-year anniversary, Bondage-Music proudly presents a strictly limited collector’s edition that captures the spirit, sound, and evolution of the label across two remarkable decades.\u003c\/p\u003e\n\u003cp\u003e20 Years of BM brings together 20 exclusive tracks by artists who have played an essential role in the label’s journey, alongside close friends and longtime companions of the BM universe. Carefully curated across five heavyweight vinyl records, the compilation reflects the musical identity that has defined Bondage-Music since day one: deep, soulful, dub-infused, and emotionally driven house music designed for both intimate listening and late-night dancefloors.\u003c\/p\u003e\n\u003cp\u003eThe anniversary box features exclusive contributions from artists such as Roger Gerressen, Sascha Dive, Mihai Popoviciu, Steve Bug, NTFO, Markus Homm, Tuccillo, Politics Of Dancing, Rhadow, Andre Kronert, and many more — representing different generations and shades of the Bondage-Music sound.\u003c\/p\u003e\n\u003cp\u003ePressed on heavyweight 180g vinyl, each record is housed in an individual printed sleeve and presented inside a specially designed colored collector’s box with refined spot lacquer finish. The visual identity of the anniversary edition was created by Pete Bombart — BM’s longtime Head of Artwork, close friend, and an integral part of the label since its early days. His unmistakable artistic language has become deeply connected to the Bondage-Music universe over the years, building a loyal following that extends far beyond the music itself.\u003c\/p\u003e\n\u003cp\u003eStrictly limited to only 400 hand-numbered copies worldwide, the release also includes an exclusive BM bag, poster, and sticker set created specifically for this anniversary edition. More than a compilation, 20 Years of BM is a reflection of the label’s history, community, and enduring dedication to underground electronic music culture. 20 tracks for 20 years — available exclusively on vinyl.\u003cbr\u003eTwenty years later, the journey continues — driven by passion, friendship, and a shared love for timeless electronic music.\u003c\/p\u003e\n\u003cp\u003e• STRICTLY LIMITED, HAND-NUMBERED COLLECTOR’S BOX — ONLY 400 COPIES\u003cbr\u003e• EXCLUSIVE COLORED BOX WITH REFINED SPOT LACQUER FINISH \u003cbr\u003e• 180G VINYL – EACH RECORD IN AN INDIVIDUAL PRINTED SLEEVE\u003cbr\u003e• INCLUDES OFFICIAL BM BAG, POSTER, AND STICKER — EXCLUSIVE TO THE 20 YEARS BM EDITION\u003cbr\u003e• CELEBRATING 20 YEARS OF BM — 20 SELECTED TRACKS \u003cbr\u003e• AVAILABLE EXCLUSIVELY ON VINYL\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eVINYL 1 (URSUS)\u003cbr\u003eA1 - ROGER GERRESSEN - PATTERNED SHARDS \u003cbr\u003eA2 - SASCHA DIVE - DUB CHRONICLES #10\u003cbr\u003eB1 - RHADOW – RIPPLES\u003cbr\u003eB2 - LOLA PALMER - SLOW DOWN\u003c\/p\u003e\n\u003cp\u003eVINYL 2 (ARIES)\u003cbr\u003eA1 - ALEXANDER MATCHAK – JOURNEY\u003cbr\u003eA2 - ANDRE KRONERT - BLUE DRIFT\u003cbr\u003eB1 - MIHAI POPOVICIU - TIME GOES BY\u003cbr\u003eB2 - PORNBUGS \u0026amp; FRINK - SAVE OUR SOULS\u003c\/p\u003e\n\u003cp\u003eVINYL 3 (MURIS)\u003cbr\u003eA1 - MARKUS HOMM - MISSING PIECES \u003cbr\u003eA2 - DILBY \u0026amp; PORNBUGS – DECADES\u003cbr\u003eB1 - LOLU MENAYED – FLUX\u003cbr\u003eB2 - CRISTINA LAZIC FEAT. LIKA - WORLDS UNKNOWN\u003c\/p\u003e\n\u003cp\u003eVINYL 4 (LEO)\u003cbr\u003eA1 - STEVE KELLEY \u0026amp; PORNBUGS - CANNING TOWN\u003cbr\u003eA2 - DUST YARD – SHADOWS\u003cbr\u003eB1 - POLITICS OF DANCING – PARTY\u003cbr\u003eB2 - NTFO – BORUGA\u003c\/p\u003e\n\u003cp\u003eVINYL 5 (AQUILAE)\u003cbr\u003eA1 - STEVE BUG \u0026amp; PORNBUGS – SHARED ORBIT\u003cbr\u003eA2 - TUCCILLO – FANTASIA\u003cbr\u003eB1 - STEFAN BRAATZ FEAT. 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Recorded live at Sala Vanni in Florence, the album shows a duo at the height of their craft with an unmistakable instinct for melody and balance.\u003c\/p\u003e\n\u003cp\u003eIo Pur Respiro (“Yet I breathe”) is the title of an early 17th century madrigal by Italian renaissance composer Carlo Gesualdo that’s also the harmonic basis for the album’s opening track Madrigal, Variation, Courante. With two standards from the 1930s (Love Came \/ I Have The Room Above Her) and two original compositions by Stemeseder there’s 400 years of melodic evolution enshrined in this record. Yet, the music sounds neither new, nor old giving the album a profound sense of timelessness that’s owed to the eternal force of melody and harmony.\u003c\/p\u003e\n\u003cp\u003eTracklist:  A1) Madrigal, Variation, Courante 00:09:59 A2) Love Came 00:08:42 A3) On The Euclidian Plane 00:07:17 B1) I Have The Room Above Her 00:07:20 B2) Subject Carved From Words Uttered 00:10:00\u003c\/p\u003e","brand":"Squama","offers":[{"title":"Default Title","offer_id":47037345759388,"sku":"SQM037","price":29.91,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/SQM037.jpg?v=1780942172"},{"product_id":"various-artists-cyberpunk-2077-future-sound-of-night-city-3lp-limited-edition-yellow-vinyl","title":"Various Artists - Cyberpunk 2077: Future Sound of Night City [3LP Limited Edition Yellow Vinyl]","description":"\u003cp\u003eFormat: 3 x LP\u003cbr\u003eCatalogue No.: WRWTFWW094\u003cbr\u003eBarcode: 4251804180771\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Video Game\/Soundtrack\/Electronic\/Ambient\u003c\/p\u003e\n\u003cp\u003e3LP: Limited Edition Yellow Vinyl, 45rpm Cut, Triple Gatefold, Sticker Sheet, Sticker. Non-Returnable.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWRWTFWW Records is very excited to announce the first ever release for the Cyberpunk 2077: Future Sound of Night City soundtrack - atmospheric music from one of the most celebrated video games of the decade! The compilation, showcasing a who’s who of Polish electronic underground, is available as a limited edition 45rpm-cut yellow vinyl 3LP in heavyweight 3-panel gatefold with a sticker sheet. The album is also available on CD with super jewel case, and in digital formats.\u003c\/p\u003e\n\u003cp\u003eDive deep into the pulsating world of Cyberpunk 2077 with an immersive soundscape perfectly capturing the gritty and neon-soaked streets of Night City. Curated by Rafał Grobel and Wojtek Sokół of Most Records, the epic 15-track compilation features a diverse offering of electrifying Polish beats, cohesively flowing between techno, ambient, synthwave, bass music, industrial, and IDM. Ominous, powerful, evocative, and filled with futuristic nostalgia, the music of Night City is a thrill ride in a dystopian urban landscape, heavy hearts riding through the night, menacing streets surrounded by infinite skyscrapers. The music transports you, soul-stirring, cinematic, and timeless, the most beautiful kind of escapism.\u003c\/p\u003e\n\u003cp\u003eThe award-winning Cyberpunk 2077 action role-playing game was developed by CD Projekt Red and published in 2020 and has since become one of the most recognized and best selling video games of all time. With a cast including Keanu Reeves and Idris Elba, unmistakable visuals, music, and atmosphere, CP77 has earned a spot in the pantheon of 2020s pop culture.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1. Lutto Lento - CANNIBALISMUS A2. Chino - Miami Suicide A3. Hatti Vatti - Ashes and Diamonds B1. Private Press - La canopée B2. Earth Trax - The Other Room B3. SLG - Lithium C1. Poly Face - Me Machine C2. FOQL - Ice Maddox D1. 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Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eWRWTFWW Records is very excited to announce the first ever release for the Cyberpunk 2077: Future Sound of Night City soundtrack - atmospheric music from one of the most celebrated video games of the decade! The compilation, showcasing a who’s who of Polish electronic underground, is available as a limited edition 45rpm-cut yellow vinyl 3LP in heavyweight 3-panel gatefold with a sticker sheet. The album is also available on CD with super jewel case, and in digital formats.\u003c\/p\u003e\n\u003cp\u003eDive deep into the pulsating world of Cyberpunk 2077 with an immersive soundscape perfectly capturing the gritty and neon-soaked streets of Night City. Curated by Rafał Grobel and Wojtek Sokół of Most Records, the epic 15-track compilation features a diverse offering of electrifying Polish beats, cohesively flowing between techno, ambient, synthwave, bass music, industrial, and IDM. 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Black Vinyl edition\u003c\/p\u003e\n\u003cp\u003eMAUROMUSICA first appeared in 1999, when DJ Maurizio Schmitz introduced the name as an underground party brand shaped by long nights, afterhours and a deep passion for electronic music culture. For almost two decades, the project lived through intimate events and dancefloors before eventually going quiet for a number of years. Now, MAUROMUSICA returns - not only as a party series once again, but finally as the music label Maurizio had envisioned from the very beginning. A long-held dream, brought back to life through a carefully curated first various artists compilation.\u003c\/p\u003e\n\u003cp\u003eThe first release brings together six artists from different corners of the electronic music world: Egyptian producer Raxon, German\/French duo RE-ST, Italian artists JA:CK and Fedele, alongside Romanian producers Radu Dracul and Sublee.\u003c\/p\u003e\n\u003cp\u003eMoving between warm-up atmospheres, emotional techno, afterhour moods and timeless club sounds, the compilation reflects the musical vision behind MAUROMUSICA - honest electronic music with character,\u003cbr\u003edepth and longevity.\u003c\/p\u003e\n\u003cp\u003eArtwork comes from internationally acclaimed artist Tobias Rehberger, while the label typography was kindly provided by Buero New York.\u003c\/p\u003e\n\u003cp\u003eSpecial thanks to Sven Väth for his continuous support and for championing Raxon's \"Based In Space\" in his sets for more than a year.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1. Raxon \/ Based in Space 07:02 B1. Re-st \/ Endless Pulse 05:35 B2. Ja:ck \/ Ducks and Dolphs 07:25 C1. Fedele \/ The Sampler 05:55 C2. Radu Dracul \/ Like it never was 08:00 D1. 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Just generous portions of basslines, rave signals, bleeps, and rhythm tracks, all layered with the kind of instinctive musicality that makes Roman’s productions feel both immediate and timeless. The spirit of early rave culture remains a guiding force, not as nostalgia but as a living source of inspiration, feeding into House music’s endless capacity for joy, surprise, and communal release.\u003c\/p\u003e\n\u003cp\u003eAs ever, the objective is simple: celebrate the moment. 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His sound is built on precision without ever feeling rigid. Instead of chasing big moments, he lets tracks unfold through subtle movement and carefully balanced tension, always evolving but never rushing.\u003c\/p\u003e\n\u003cp\u003eThat same approach runs through this EP. It's about letting momentum emerge naturally, allowing each element to settle into place while the energy continues to build.\u003c\/p\u003e\n\u003cp\u003eAcross four tracks, Robag creates a world where rhythm and atmosphere constantly shape one another. The arrangements are rich with detail, yet nothing competes for attention. Even in the densest passages, every sound feels deliberate.\u003c\/p\u003e\n\u003cp\u003eOLAHNI opens patiently, with ghostly textures and hypnotic vocal fragments setting the tone before the bassline slowly comes into focus. The arrangement keeps evolving, with subtle details drifting in and out as the groove steadily deepens. \u003cbr\u003eIFTHAH takes things into darker territory, driven by a heavy rolling bassline and a looping motif that never quite loosens its grip, adding weight without disrupting the flow.\u003c\/p\u003e\n\u003cp\u003eOn FUMAXOHN, the groove remains tight while the mood shifts. A warm harmonic layer gradually emerges as the vocals dissolve into texture, drawing the track towards something more melancholic. \u003cbr\u003ePENTHO closes the EP in its most direct form. Stripped back and driving, it lands with quiet confidence, bringing the journey to a close while holding onto the hypnotic tension that defines the record.\u003c\/p\u003e\n\u003cp\u003eIt's been a pleasure bringing this EP together, and we're excited to finally share it with you. 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(Non-Returnable)\u003c\/p\u003e\n\u003cp\u003eThe most beautiful thing we’ve ever released?\u003c\/p\u003e\n\u003cp\u003eIt is virtually impossible to describe with mere words how emotionally powerful this work of art is. Just listen. Listen, listen, listen...\u003c\/p\u003e\n\u003cp\u003eA blissed-out 80-minute epic, Hatchback's Phaser For The Ocean, Chorus For The Moon is his magnum opus, a sprawling masterwork that encompasses ambient, new age and environmental music to wondrous effect. Moving, hypnotic and deeply meditative, it's FFO Mike Brooks, Deuter, Klaus Weiss, Innovative Communication, Harmonia, Cluster, Ashra's New Age of Earth, Stomu Yamashta, Haruka Nakamura, Yoshimura, Hosono, the works.\u003c\/p\u003e\n\u003cp\u003eA record truly deserving of the deluxe Be With treatment, the vinyl was specially cut at Abbey Road Studios whilst the original stunning artwork has been pleasingly expanded. Now, an eye-catching holographic-foil layer moon is set against the original tones, wrapped up in a sumptuous double-gatefold jacket.\u003c\/p\u003e\n\u003cp\u003eSoaked in Californian consciousness and limited to a run of just 500 copies for the world, this release is a treasured balm like no other for these troubled times.\u003c\/p\u003e\n\u003cp\u003eHatchback is the atmospheric, melodious ambient alias of California-based artist Samuel Milton Grawe.  Sam creates music that sings of the Cosmos, full of deep resonant tones, glistening arpeggios, lush pads and harmonic motifs. \u003c\/p\u003e\n\u003cp\u003e\"When I first was getting into the creative side of music making in my teens, I was heavily influenced by concept albums like Quadrophenia and The Lamb Lies Down on Broadway, as well as epic pieces that took up an entire side of a record: Pink Floyd’s Echoes, Yes’ Close To The Edge, Klaus Schulze’s Nowhere Now Here, Miles Davis' Shhh\/Peaceful and He Loved Him Madly. In the extreme, these ideas coalesced in double albums where each side of each record is occupied by a single title - Yes’ Tales From Topographic Oceans and Tangerine Dream’s Zeit being primary examples. When I returned to making music after moving back to Northern California in 2020, the first piece I recorded landed around the 20-minute mark, and the idea of creating three other long pieces to realize a full album felt like a natural - if indulgent - goal. From there, each new piece followed sequentially. Four songs. My fourth album.\" - Sam Grawe\u003c\/p\u003e\n\u003cp\u003ePhaser For The Ocean Chorus For The Moon is a pure expression, informed by a lifetime of deep listening unbound by algorithms or AI. 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Alongside it, Destroyers inject modern dancefloor energy, tightening the groove with their trademark Spanish breaks sound while keeping the character of the original firmly intact.\u003c\/p\u003e\n\u003cp\u003eThis is another key release from the Cyberfunk vault, bridging the classic Bassline Breaks era with today's generation of producers and DJs.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA. Wormhole (2026 Remaster)\u003cbr\u003eA timeless Cyberfunk classic featuring Odissi, combining hypnotic melodies, heavy low-end pressure and rolling breakbeats that continue to work on modern systems.\u003cbr\u003eAA. Wormhole (Destroyers Remix)\u003cbr\u003eDestroyers deliver a contemporary club weapon, adding their signature percussion, energy and production polish while respecting the original's unmistakable identity.\u003c\/p\u003e","brand":"Cyberfunk Records","offers":[{"title":"Default Title","offer_id":47294202806428,"sku":"CFUNK039","price":18.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CFUNK039.jpg?v=1785521170"},{"product_id":"dj-quest-and-kalibre-old-skool","title":"DJ Quest And Kalibre - Old Skool","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: CFUNK046 \u003cbr\u003eBarcode: 5051142054272\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Electronic \/ Breakbeat \/ Breaks \/ UKG\u003c\/p\u003e\n\u003cp\u003eOriginally released on the legendary Rat Records in 2000, Old Skool quickly established itself as one of the defining records of the emerging Bassline Breaks movement. 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Fusing infectious old-school vocal samples, rolling breakbeats and heavyweight basslines, this timeless underground anthem perfectly captured the crossover between UK Garage and Breakbeat. More than two decades on, its unmistakable groove and dancefloor energy continue to make it a favourite with DJs and fans around the world.\u003cbr\u003eAA. Old Skool (Paket Remix)\u003cbr\u003eSpanish breakbeat heavyweight Paket delivers a fresh interpretation for today's dancefloors, retaining the iconic vocal hooks and recognisable feel of the original while introducing tighter drums, modern production and his trademark bass-driven energy. Respectful of the source material yet built for contemporary sound systems, Paket's remix gives this classic a powerful new lease of life.\u003c\/p\u003e","brand":"Cyberfunk Records","offers":[{"title":"Default Title","offer_id":47294240161948,"sku":"CFUNK046","price":18.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_b8eaa839-f9c2-4b19-8ebb-07902f2ea0a4.jpg?v=1785521352"},{"product_id":"cities-aviv-even-colder-spring","title":"Cities Aviv - Even Colder Spring","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BLACKTRUFFLE145\u003cbr\u003eBarcode: 4250101498305\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Electronic\/Hip Hop\/Beats\u003c\/p\u003e\n\u003cp\u003eBlack Truffle is pleased to present Even Colder Spring, the latest release from the mysterious and wildly prolific Cities Aviv (a.k.a. Wilbert Gavin Mays, who also records as African-American Sound Recordings), a rare appearance from the artist outside his own D.O.T. Audio Arts label. \u003c\/p\u003e\n\u003cp\u003eFor over a decade, Cities Aviv has twisted hip-hop conventions into the most skewed and splayed forms, layering and lacerating twitching loops, extreme production techniques and his mercurial vocal stylings into hermetic décollage. Across 16 tracks, Even Colder Spring charts Mays’ restlessly experimental approach: what sound like fully formed productions are interrupted suddenly after seconds; interjections of field recordings cue unexpected shifts; details drown under layers of fuzz. \u003cbr\u003eWhile Mays’ work can sometimes be claustrophobically bleak, the productions here are often sparkling, at times touching on the shimmer of private-issue New Age sounds and the more playful end of krautrock. The instrumental ‘Martine Drift’ could almost be a snatch of Cluster’s Zuckerzeit caught through dial-up internet. The distant echoing drums of ‘L_area’ cross Persona’s Som with lo-fi IDM, while closer ‘Final Heaven’ dissolves a cloud of loops across almost seven minutes into ecstatic, rippling distortion. The graphic design, at the artist’s request closely modelled on the format of Corwood Industries, offers as good a clue as any to what awaits the listener on Even Colder Spring: a world at once impossibly opaque and intensely personal.\u003c\/p\u003e\n\u003cp\u003eHis vocal delivery takes in rhythmically intricate rap, barely articulate murmurs and freely melodic song, the latter often with a disorientating lack of connection to the track’s harmonies. The lyrical shifts are as paratactical as the musical movements. Apocalyptic visions of social and cultural uniformity alternate with reflections on mortality, glimpses of everyday life and head-scratching one-liners: ‘Maybe Mars is bougie?’ His reference points are as surprising as ever, the Dante quotes of previous releases joined here by a track named after Henri Bergson’s idea of the élan vital. 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Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eThe Swedish underground legends return with a brand new album. Let this reddit user take over …\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Listening to Brainbombs has been one of my weirdest experiences with music. Brainbombs are most definitely a band. I guess at the core they’re a hardcore punk\/noise rock hybrid I guess? But… It's so unlike anything I’ve ever heard and I still don’t know if it's good or bad. I saw the edgelord Ed Gein album cover, and it intrigued me, so I listened to their biggest song and it was easily THE WORST thing I had EVER FUCKING HEARD. I shut it off as soon as it got to the vocals. I was shocked by the fact that it had almost a half million streams. But, a few hours later, I clicked on it again and didn’t know why.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOver the past few days, I’ve listened to all of their discography and looped a lot of it. And I don’t even think I like them. The music is abysmal, it's the same single riff and verse repeating for 5 minutes. To make it worse, the vocals are just a guy with a swedish accent awkwardly talking about murder and rape. That sounds awful right? It is awful. But at the same time I want to keep listening? It’s so childishly edgy and obnoxiously repetitive but so.. intriguing? Catchy? I’m not even sure. It's one of if not the weirdest experience I’ve ever had with music and I don’t know how to feel about it.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1. Midnight Slaughter (5:49) A2. Afternoon Sun (4:11) A3. Parents Bed (5:10) A4. See You Cry (5:58)\u003cbr\u003eB1. Cooking You (5:00) B2. Long Liz (6:57) B3. You Don't Belong (4:33) B4. Kill Again (5:53)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"935\" height=\"526\" src=\"https:\/\/www.youtube.com\/embed\/HN-UYPfK8yY\" title=\"BRAINBOMBS 'Midnight Slaughter' (2025)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Riot Season","offers":[{"title":"Default Title","offer_id":47315131007132,"sku":"REPOSELP154S","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/REPOSELP154S.jpg?v=1785840074"},{"product_id":"tommy-mccook-friends-horns-man-dub-lp","title":"Tommy McCook \u0026 Friends - Horns Man Dub [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JRLP071\u003cbr\u003eBarcode: 5060135762827              \u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Reggae\/Dub \u003c\/p\u003e\n\u003cp\u003eTommy McCook was not only a founding member of the legendary Jamaican Ska group The Skatalites, but also a brilliant musical arranger. His informed understanding of Jazz, R\u0026amp;B and in fact most music styles would always add another layer to any song put his way. This made him the go to guy for most of the Jamaican producers, who would use his arrangement skills to pepper up their latest tunes.\u003c\/p\u003e\n\u003cp\u003eTommy McCook, (b1927, Havana, Cuba) came to Jamaica with his mother from Cuba aged 11 and entered renowned Alpha Boys School for underprivileged children, a school that placed great emphasis on musical tuition. At the tender of 14, such was his talent he has left to join Eric Deans Orchestra and took on stints with other bands led by Don Hinchman and Roy Coburn. All the bands played in the Swing and Jazz style of the times. He relocated to the Bahamas in 1954 where he further developed his Jazz technique and upon his return to Jamaica in 1962 began working Coxsone Dodd’s Studio One and became involved in the development of Ska. His knowledge of Jazz, R\u0026amp; B and Jamaican musical forms helped set the tone for the group of musicians he was working with and would name the Skatalites. The group, consisting of Don Drummond (Trombone), Roland Alphonso (Tenor Saxophone), Jackie Mitoo (Piano), Lloyd Brevett (Bass), Lloyd Knibbs  (Drums), alongside Tommy himself on Tenor Saxophone. The group would back all the major Ska vocalists pf the day and would also go on to cut a catalogue of instrumental music. The Skatalites split up in 1965 and Tommy McCook moved over to work with Duke Reid’s Treasure Isle Studios where he formed The Supersonics. A set of musicians under his guidance that consisted of Lynn Tait and Ernest Ranglin (Guitar), Neville Hinds and Winston Wright (Organ), Gladstone “Gladdy” Anderson (Piano), Hugh Malcolm and Arkland “Drumbago” Parks (Drums), Clifton “Jackie” Jackson (Bass), and Tommy and Hernon Marquis (Saxophone). The more laid back sounds from 1966-1968 would be given the name Rocksteady of which again McCook was at the forefront. The top producers like Bunny Lee would use the musicianship of Tommy McCook and his arrangement skills to enhance this new sound.\u003c\/p\u003e\n\u003cp\u003eWe have compiled a great selection of rhythms that featured McCook blowing over tracks stripped of their vocals and replaced with some fantastic lead lines played by Tommy and some of his fellow horns men.\u003cbr\u003eWe hope you agree like we do that they do this in fine style.\u003c\/p\u003e\n\u003cp\u003eHope you enjoy the set…..\u003c\/p\u003e\n\u003cp\u003e Tracklisting\u003cbr\u003eTrack 1 MURDEROUS HORN DUB – Rocking Jamboree Rhythms \u003cbr\u003eTrack 2 WREAKING HORNS DUB – Wreak Up My Life Rhythm \u003cbr\u003eTrack 3 NATTY CONGO DUB – Roots Natty Congo Rhythm \u003cbr\u003eTrack 4 TRIBULATION HORN DUB -  Tribulation Rhythm \u003cbr\u003eTrack 5 EVERYBODY NEEDS DUB – Everybody Needs Love Rhythm \u003cbr\u003eTrack 6 AMBITIOUS DUB – Breaking Up Rhythm \u003cbr\u003eTrack 7 FINDING DUB – You’ll Never Find Another Love Like Mine Rhythm\u003cbr\u003eTrack 8 CATCHING HORNS DUB – You Have Caught Me Baby Rhythm\u003cbr\u003eTrack 9 SPRINGTIME IN DUB – In The Springtime Rhythm \u003cbr\u003eTrack 10 SACRAFICIAL DUB – Sacrifice Rhythm \u003cbr\u003eTrack 11WICKED FLUTE DUB – Never Forget To Say I Love You Rhythm \u003cbr\u003eTrack 12 A SMILING DUB – Best to Ride With A Smile Rhythm \u003cbr\u003e\u003c\/p\u003e","brand":"Jamaican Recordings","offers":[{"title":"Default Title","offer_id":47514665975964,"sku":"JRLP071","price":16.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_7b5e39b4-52a7-41c6-94ac-d000e429d48c.webp?v=1788360323"},{"product_id":"tommy-mccook-friends-horns-man-dub-cd","title":"Tommy McCook \u0026 Friends - Horns Man Dub [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: JRCD071\u003cbr\u003eBarcode: 5060135762810 \u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Reggae\/Dub \u003c\/p\u003e\n\u003cp\u003eTommy McCook was not only a founding member of the legendary Jamaican Ska group The Skatalites, but also a brilliant musical arranger. His informed understanding of Jazz, R\u0026amp;B and in fact most music styles would always add another layer to any song put his way. This made him the go to guy for most of the Jamaican producers, who would use his arrangement skills to pepper up their latest tunes.\u003c\/p\u003e\n\u003cp\u003eTommy McCook, (b1927, Havana, Cuba) came to Jamaica with his mother from Cuba aged 11 and entered renowned Alpha Boys School for underprivileged children, a school that placed great emphasis on musical tuition. At the tender of 14, such was his talent he has left to join Eric Deans Orchestra and took on stints with other bands led by Don Hinchman and Roy Coburn. All the bands played in the Swing and Jazz style of the times. He relocated to the Bahamas in 1954 where he further developed his Jazz technique and upon his return to Jamaica in 1962 began working Coxsone Dodd’s Studio One and became involved in the development of Ska. His knowledge of Jazz, R\u0026amp; B and Jamaican musical forms helped set the tone for the group of musicians he was working with and would name the Skatalites. The group, consisting of Don Drummond (Trombone), Roland Alphonso (Tenor Saxophone), Jackie Mitoo (Piano), Lloyd Brevett (Bass), Lloyd Knibbs  (Drums), alongside Tommy himself on Tenor Saxophone. The group would back all the major Ska vocalists pf the day and would also go on to cut a catalogue of instrumental music. The Skatalites split up in 1965 and Tommy McCook moved over to work with Duke Reid’s Treasure Isle Studios where he formed The Supersonics. A set of musicians under his guidance that consisted of Lynn Tait and Ernest Ranglin (Guitar), Neville Hinds and Winston Wright (Organ), Gladstone “Gladdy” Anderson (Piano), Hugh Malcolm and Arkland “Drumbago” Parks (Drums), Clifton “Jackie” Jackson (Bass), and Tommy and Hernon Marquis (Saxophone). The more laid back sounds from 1966-1968 would be given the name Rocksteady of which again McCook was at the forefront. The top producers like Bunny Lee would use the musicianship of Tommy McCook and his arrangement skills to enhance this new sound.\u003c\/p\u003e\n\u003cp\u003eWe have compiled a great selection of rhythms that featured McCook blowing over tracks stripped of their vocals and replaced with some fantastic lead lines played by Tommy and some of his fellow horns men.\u003cbr\u003eWe hope you agree like we do that they do this in fine style.\u003c\/p\u003e\n\u003cp\u003eHope you enjoy the set…..\u003c\/p\u003e\n\u003cp\u003e Tracklisting\u003cbr\u003eTrack 1 MURDEROUS HORN DUB – Rocking Jamboree Rhythms \u003cbr\u003eTrack 2 WREAKING HORNS DUB – Wreak Up My Life Rhythm \u003cbr\u003eTrack 3 NATTY CONGO DUB – Roots Natty Congo Rhythm \u003cbr\u003eTrack 4 TRIBULATION HORN DUB -  Tribulation Rhythm \u003cbr\u003eTrack 5 EVERYBODY NEEDS DUB – Everybody Needs Love Rhythm \u003cbr\u003eTrack 6 AMBITIOUS DUB – Breaking Up Rhythm \u003cbr\u003eTrack 7 FINDING DUB – You’ll Never Find Another Love Like Mine Rhythm\u003cbr\u003eTrack 8 CATCHING HORNS DUB – You Have Caught Me Baby Rhythm\u003cbr\u003eTrack 9 SPRINGTIME IN DUB – In The Springtime Rhythm \u003cbr\u003eTrack 10 SACRAFICIAL DUB – Sacrifice Rhythm \u003cbr\u003eTrack 11WICKED FLUTE DUB – Never Forget To Say I Love You Rhythm \u003cbr\u003eTrack 12 A SMILING DUB – Best to Ride With A Smile Rhythm \u003cbr\u003eTrack 13 FALLING FOR A DUB* - I’ll Never Fall In Love Again Rhythm \u003cbr\u003eTrack 14 TROUBLEOME DUB * - Never Trouble Trouble Rhythm \u003cbr\u003eTrack 15 RIDING HORNS DUB* Riding West Rhythm \u003cbr\u003e*CD BONUS TRACKS\u003c\/p\u003e","brand":"Jamaican Recordings","offers":[{"title":"Default Title","offer_id":47514666008732,"sku":"JRCD071","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_e8fed3ad-da43-4d81-adf7-753b9090e8fa.webp?v=1788360320"},{"product_id":"tapper-zukie-man-ah-warrior-cd","title":"Tapper Zukie - Man Ah Warrior [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: KSCD058\u003cbr\u003eBarcode: 5060135761899 \u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eTapper Zukie’s debut album  ‘Man Ah Warrior’ was originally released in 1973.It’s classic Dee Jay style has been copied by many but bettered by few. An album that more than most shows that raw talent with little resources can still be a great, great thing.\u003c\/p\u003e\n\u003cp\u003eTapper Zukie (b.1956,David Sinclair , Kingston, Jamaica) was raised in the rough and tough West Kingston area of Jamaica between the districts of Trench Town and Greenwich Farm.\u003c\/p\u003e\n\u003cp\u003eLiving pretty much on the streets from an early age the youth including the young Tapper had no choice but to fall into the hands of the political parties that controlled the various ghetto areas of the town.\u003c\/p\u003e\n\u003cp\u003eFear of landing in even more trouble, a plan was devised by Tapper’s Mother ,Brother ,Reggae producer ‘Blackbeard’ and family friend Bunny ’Striker’ Lee .The plan was to send the wayward Tapper to England to cool his ways.\u003c\/p\u003e\n\u003cp\u003eA UK tour with the number 1 Reggae Dee Jay U-Roy was already arranged on his arrival, Bunny Lee got the young Tapper to toast over a Slim Smith rhythm, the London crowd loved it \u003c\/p\u003e\n\u003cp\u003eHe also caught the eye of producer Larry Lawrence who took Tapper on and cut his first single ‘Jump and Twist’\u003c\/p\u003e\n\u003cp\u003eNine further tracks were recorded for producer Clement Bushey that would result in this album ‘man ah Warrior.\u003c\/p\u003e\n\u003cp\u003eWe hope this introduction to Tapper Zukie’s music inspires you to look further into his catalogue of great music. \u003c\/p\u003e\n\u003cp\u003eAn artist ahead of his time, whose music  has influenced many........\u003cbr\u003eas Patti Smith stated ‘Music of the Most High’............\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eTrack 1 – MAN AH WARRIOR\u003cbr\u003eTrack 2 – IRE LION\u003cbr\u003eTrack 3 – I KING ZUKIE\u003cbr\u003eTrack 4 – SIMPLETON BADNESS\u003cbr\u003eTrack 5 – ARCHIE,THE REDNOSE REINDEER\u003cbr\u003eTrack 6 – VIEGO \u003cbr\u003eTrack 7 – ZUKIE FASHIONWEAR\u003cbr\u003eTrack 8 – BLACK CINDERELLA\u003cbr\u003eTrack 9 –  CALLY DOLLY\u003cbr\u003eTrack 10 – WHEN ZUKIE DAY YAH \u003cbr\u003eTrack 11 – A MESSAGE TO PORK EATERS\u003cbr\u003eTrack 12 – JUMP AND TWIST(7’’VERSION)*\u003cbr\u003eTrack 13 -  MAN AH WARRIOR(7’’VERSION)* \u003cbr\u003eTrack 14 – IRE LION(7’’VERSION)*\u003cbr\u003eTrack 15 – FEELING HIGH VERSION(7’’VERSION) *\u003cbr\u003eTrack 16 - VIEGO(7’’VERSION) *\u003cbr\u003e*CD Bonus Track\u003c\/p\u003e","brand":"Kingston Sounds","offers":[{"title":"Default Title","offer_id":47514666762396,"sku":"KSCD058","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_08b37419-bc95-4c7a-874b-72447f4bf269.webp?v=1788360533"},{"product_id":"tapper-zukie-man-ah-warrior-lp","title":"Tapper Zukie - Man Ah Warrior [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: KSLP058\u003cbr\u003eBarcode: 5060135761905\u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eTapper Zukie’s debut album  ‘Man Ah Warrior’ was originally released in 1973.It’s classic Dee Jay style has been copied by many but bettered by few. An album that more than most shows that raw talent with little resources can still be a great, great thing.\u003c\/p\u003e\n\u003cp\u003eTapper Zukie (b.1956,David Sinclair , Kingston, Jamaica) was raised in the rough and tough West Kingston area of Jamaica between the districts of Trench Town and Greenwich Farm.\u003c\/p\u003e\n\u003cp\u003eLiving pretty much on the streets from an early age the youth including the young Tapper had no choice but to fall into the hands of the political parties that controlled the various ghetto areas of the town.\u003c\/p\u003e\n\u003cp\u003eFear of landing in even more trouble, a plan was devised by Tapper’s Mother ,Brother ,Reggae producer ‘Blackbeard’ and family friend Bunny ’Striker’ Lee .The plan was to send the wayward Tapper to England to cool his ways.\u003c\/p\u003e\n\u003cp\u003eA UK tour with the number 1 Reggae Dee Jay U-Roy was already arranged on his arrival, Bunny Lee got the young Tapper to toast over a Slim Smith rhythm, the London crowd loved it \u003c\/p\u003e\n\u003cp\u003eHe also caught the eye of producer Larry Lawrence who took Tapper on and cut his first single ‘Jump and Twist’\u003c\/p\u003e\n\u003cp\u003eNine further tracks were recorded for producer Clement Bushey that would result in this album ‘man ah Warrior.\u003c\/p\u003e\n\u003cp\u003eWe hope this introduction to Tapper Zukie’s music inspires you to look further into his catalogue of great music. \u003c\/p\u003e\n\u003cp\u003eAn artist ahead of his time, whose music  has influenced many........\u003cbr\u003eas Patti Smith stated ‘Music of the Most High’............\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eTrack 1 – MAN AH WARRIOR\u003cbr\u003eTrack 2 – IRE LION\u003cbr\u003eTrack 3 – I KING ZUKIE\u003cbr\u003eTrack 4 – SIMPLETON BADNESS\u003cbr\u003eTrack 5 – ARCHIE,THE REDNOSE REINDEER\u003cbr\u003eTrack 6 – VIEGO \u003cbr\u003eTrack 7 – ZUKIE FASHIONWEAR\u003cbr\u003eTrack 8 – BLACK CINDERELLA\u003cbr\u003eTrack 9 –  CALLY DOLLY\u003cbr\u003eTrack 10 – WHEN ZUKIE DAY YAH \u003cbr\u003eTrack 11 – A MESSAGE TO PORK EATERS\u003c\/p\u003e","brand":"Kingston Sounds","offers":[{"title":"Default Title","offer_id":47514666795164,"sku":"KSLP058","price":16.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4_d3bd10df-6bcf-41ad-9dbd-b7f2bac4f666.webp?v=1788360537"},{"product_id":"various-artists-the-deejays-meet-down-town-1975-1980-lp","title":"Various Artists - The Deejays Meet Down Town 1975-1980 [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: VOJLP003     \u003cbr\u003eBarcode: 5060135761417 \u003cbr\u003eRelease Date: 11 Sep 2026\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eThe late sixties and early seventies spectacle of Jamaican Deejays taking their live performances out of the dance halls and translating them into hit records, not only marked the beginning of forty years of dance hall driven music on the island but also provided the original inspiration and template for the global dominance of rap and hip hop.\u003c\/p\u003e\n\u003cp\u003eThe art of deejay was now rightly recognised and the toasters or talk over artists advanced from introductions and interjections to stringing complete sets of lyrics together and riding the rhythm for the entire length of the song.\u003c\/p\u003e\n\u003cp\u003eDeejays including U Roy, I Roy, Dennis Alcapone, Big Joe ,Little Joe and Prince Jazzbo who built their reputations working live on sound systems,now went one step beyond and moved on to become recording deejays with entire catalogues of hit singles and albums to their credit.\u003c\/p\u003e\n\u003cp\u003eThroughout the seventies a whole host of mic men followed in their wake including Dillinger,Dr.Alimando,Clint Eastwood and Jah Stitch.\u003c\/p\u003e\n\u003cp\u003eTalking records were not new, but ‘talk over’ records were...the repercussions of this uniquely Jamaican phenomenon would go on to reverberate worldwide...\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eTrack 1 Cocaine in my Brain-Dillinger\u003cbr\u003eTrack 2 The Barber Feel It-Dr.Alimantado\u003cbr\u003eTrack 3 Hold On-U Roy\u003cbr\u003eTrack 4 War and Friction-I Roy\u003cbr\u003eTrack 5 Roots Natty Congo-Dillinger\u003cbr\u003eTrack 6 Good Memories-Prince Jazzbo\u003cbr\u003eTrack 7 In the Ghetto-Big Joe\u003cbr\u003eTrack 8 It Must Come-Dennis Alcapone\u003cbr\u003eTrack 9 Bury the Barber-Jah Stitch\u003cbr\u003eTrack 10 Tradition Skank-Little Joe\u003cbr\u003eTrack 11 Kendal Crash-Trinity\u003cbr\u003eTrack 12 Daylight Saving Time-Dillinger\u003cbr\u003eTrack 13 What a Hard Man Fe Dead-Clint Eastwood\u003cbr\u003eTrack 14 Give me a Helping Hand-Trinity\u003c\/p\u003e","brand":"VOICE OF JAMAICA","offers":[{"title":"Default Title","offer_id":47514671644828,"sku":"VOJLP003","price":16.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_51dd82d1-d2e4-4e65-b79e-12b276a4cc84.webp?v=1788360753"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/srd-110926.oembed?page=4","provider":"Horizons Music","version":"1.0","type":"link"}