{"title":"SRD 100726","description":"","products":[{"product_id":"function-existenz-lp","title":"FUNCTION - Existenz [4LP]","description":"\u003cp\u003eFormat: 4 x LP\u003cbr\u003eCatalogue No.: TRESOR315 \u003cbr\u003eBarcode: 666017339719 \u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003e2026 VINYL REPRESS\u003c\/p\u003e\n\u003cp\u003eMixmag Techno Album Of The Month with 10\/10 review: 'A masterful, vulnerable piece of work that deserves full attention'\u003c\/p\u003e\n\u003cp\u003e“Stellar new album from Dave Sumner’s Function - arguably a sequel or sibling work to Sandwell District’s seminal ‘Feed Forward’ classic - marking his first solo LP since 2013, and best in his catalogue.” BOOMKAT.\u003c\/p\u003e\n\u003cp\u003e“It's an absolutely gorgeous, luxurious album, even without the smoke, sweat and sleep deprivation of its natural habitat.” THE ARTS DESK\u003c\/p\u003e\n\u003cp\u003e“ Dave Sumner revisits his New York roots on this surprisingly expansive album...   One of techno's true underground heroes, Function (Dave Sumner) has been DJing and making music for over 25 years. He is a founding member of the Sandwell District collective, Ostgut recording artist and owner of Infrastructure''   - RA\u003c\/p\u003e\n\u003cp\u003eThe American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast a iliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. \u003c\/p\u003e\n\u003cp\u003eMove into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to the late Judy Russell and Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future. \u003cbr\u003eFunction’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills.\u003c\/p\u003e\n\u003cp\u003eFor his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions. \u003c\/p\u003e\n\u003cp\u003e4LP A1 Sagittarius A (Right Ascension)  05:15 A2 Pleasure Discipline 05:57 A3 Ertrinken  05:38 B1 Growth Cycle (featuring Robert Owens) 05:52 B2 Zahlensender 08:04 B3 The Approach 03:27 C1 Nylon Mood 06:26 C2 Alphabet City 05:43 C3 Don't Ask, Don't Tell 06:10 D1 No Entiendes 06:56 D2 Kurzstrecke 06:43 D3 Golden Dawn (featuring Stefanie Parnow) 07:14 E1 Interdimensional Interference 05:58 E2 Distant Paradise  08:05 F1 Be (featuring robert owens) 04:50 F2 Vampir 06:29 G  Downtown 161 11:38\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":30870631383099,"sku":"TRESOR315","price":35.89,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Function_-_Existenz.png?v=1575440238"},{"product_id":"justus-kohncke-bass-ist-muzik-lp-10","title":"JUSTUS KÖHNCKE - Bass ist Muzik [LP+10”]","description":"\u003cp\u003eFormat: LP+10” \u003cbr\u003eCatalogue No.: KOMPAKTKLASSIKS3 \u003cbr\u003eBarcode: 4250101494741\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eJustus Köhncke is a unique voice in the history of Kompakt – and far beyond. He has contributed so many unforgettable tracks to our catalogue that it was difficult for us to make a selection. His sound has often been copied, but remains incomparable. \u003c\/p\u003e\n\u003cp\u003eFrom his deep knowledge and understanding of the history of pop, schlager and disco, he distilled not only official club hits such as ‘2 After 909’ and “Timecode”, but also countless poetic gems. Both sides of Justus Köhncke’s work are united here on this record. Justus’ music knows no boundaries, only ‘weiche Zäune (soft fences)’.\u003c\/p\u003e\n\u003cp\u003eSpecial attention should be paid to the included bonus 10‘. Here you will find two of his most enchanting, hard-to-find cover versions. His immortal version of Jürgen Paape’s evergreen ’So weit wie noch nie‘ and the monumental adaptation of Round One’s ’New Day”, originally released under the nom de guerre Kinky Justice.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\u003cp\u003eA1 Justus Köhncke Jet 00:05:15\u003cbr\u003eA2 Justus Köhncke Was ist Musik 00:05:01\u003cbr\u003eA3 Justus Köhncke 2 After 909 00:05:24\u003cbr\u003eA4 Justus Köhncke Timecode (Edit) 00:03:44\u003cbr\u003eB1 Justus Köhncke Elan (Edit) 00:05:33\u003cbr\u003eB2 Justus Köhncke Weiche Zäune (Edit) 00:04:30\u003cbr\u003eB3 Justus Köhncke Parage (Edit) 00:06:38\u003cbr\u003eB4 Justus Köhncke The Answer is Yes 00:04:20\u003cbr\u003e10\" A Justus Köhncke New Day 00:07:50\u003cbr\u003e10\" B Justus Köhncke So weit wie noch nie 00:05:34\u003c\/p\u003e","brand":"Kompakt","offers":[{"title":"Default Title","offer_id":46406620086428,"sku":"KOMPAKTKLASSIKS3","price":34.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KOMPAKTKLASSIKS3.jpg?v=1771919113"},{"product_id":"orlando-voorn-presents-dark-reality-numb-denial","title":"Orlando Voorn presents: Dark Reality - Numb Denial","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: KOMPAKT504\u003cbr\u003eBarcode: 4250101496516\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: House\/Deep House\u003c\/p\u003e\n\u003cp\u003eIt is often in times of crisis and upheaval that the most fascinating music emerges. It is clear that times are grim, not only but particularly in the USA. On the ‘Numb Denial EP’, Orlando Voorn reflects on the emotional climate in his adopted home and conveys his uncertainty, his pain and also his anger.\u003c\/p\u003e\n\u003cp\u003eHe impressively expresses his emotional states musically through the instrumentarium of timeless Detroit-style technosoul. These tracks are among the most moving, immediate and beautiful he has created in his decades-long career. 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Inspired by the intricate and repetitive patterns on a quilt, deep grooves are stitched together with vibrant threads of analog synths, fat bass, Fender Rhodes, and a plethora of percussion to form a uniquely personal piece of art.\u003c\/p\u003e\n\u003cp\u003eTheir latest offering, Michael Damani’s \"It’s Just The Rain,\" is officially getting the vinyl treatment. This special release features a fresh remix by Little Rocker on the A-side, backed by an immersive Dub Version on the B-side—a must-have for collectors and audiophiles alike.\u003c\/p\u003e\n\u003cp\u003eLimited to 500 units. \u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. It's Just The Rain (Little Rocker Version)\u003cbr\u003eB1\/2. It's Just The Rain (Dub Version)\u003c\/p\u003e\n\u003cp\u003eSocials: \u003cbr\u003eIG: 5108 followers\u003cbr\u003eYT: 827 subs \/ 1M+ views\u003c\/p\u003e","brand":"Patchwork Inc. \/ EMPIRE","offers":[{"title":"Default Title","offer_id":46702773305500,"sku":"ERE1282","price":14.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1282.jpg?v=1776701783"},{"product_id":"shubostar-rina-benji-starlight-arcade","title":"Shubostar, Rina, Benji. - Starlight Arcade","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: MuleMusiq306\u003cbr\u003eBarcode: 4250101494239\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Deep House\/Cosmic Dance\u003c\/p\u003e\n\u003cp\u003eshubostar, originally from south korea and currently based in germany, began releasing her own works in 2018. she quickly attracted attention with releases on prins thomas’s label internasjonal.\u003cbr\u003e  \u003cbr\u003ethis work, her debut release on mule musiq, presents a new disco sound that updates elements of cosmic, italo disco, and new wave for a contemporary context.\u003cbr\u003e  \u003cbr\u003e a1, “abbiamo,” is an electric disco piece reminiscent of the french disco classic magic fly by space.\u003cbr\u003e  \u003cbr\u003e a2, “gambi,” can be described as a cosmic disco track akin to a disco version of klaus schulze that might be played by dj daniel baldelli.\u003cbr\u003e  \u003cbr\u003e b1, “starlight arcade,” offers a more dub-oriented, club-friendly new wave disco sound.\u003cbr\u003e  \u003cbr\u003e b2, “tip top” appears to draw influence from artists such as jah wobble, combining uk new wave with ebm elements into a proto-house style track.\u003cbr\u003e  \u003cbr\u003e her refined production style, which stands apart from typical disco-oriented artists, may be attributed to a distinct sensibility.\u003cbr\u003e  \u003cbr\u003e this release marks the emergence of a notable new artist.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1 Shubostar \/ Rina \/ Benji Abbiamo 00:07:08\u003cbr\u003eA2 Shubostar \/ Rina \/ Benji Gamgi 00:06:03\u003cbr\u003eB2 Shubostar \/ Rina \/ Benji Starlight Arcade 00:04:25\u003cbr\u003eB4 Shubostar \/ Rina \/ Benji Tip Top 00:06:21\u003c\/p\u003e","brand":"Mule Musiq","offers":[{"title":"Default Title","offer_id":46765280264348,"sku":"MuleMusiq306","price":18.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/8_8c4e628e-a27d-419d-ae38-bfbd75505a18.jpg?v=1777392618"},{"product_id":"extrawelt-bettermaker","title":"EXTRAWELT - BETTERMAKER","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: TRAUMV314  \u003cbr\u003eBarcode: 4250101494949\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Electronic\/Techno\u003c\/p\u003e\n\u003cp\u003eA new EP by Extrawelt is always something special, as they continually manage to reinvent themselves while remaining unmistakably true to their sound. The a-side „Moonster“ of their latest record forms a subtle and almost magical bridge to early musical influences such as Chris \u0026amp; Cosey, The Cure, and Throbbing Gristle.\u003c\/p\u003e\n\u003cp\u003eNON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eIn doing so, they reclaim, or rather reintroduce, a powerful, mystical element into their music, one that is integrated so naturally it feels as if it has always been an essential part of Extrawelt’s sonic DNA. Beyond that, the track unfolds through numerous facets, constantly shifting and evolving. Just when you think it is settling into a familiar direction, small variations emerge, keeping the piece remarkably alive and unpredictable. You can clearly sense how much fun Extrawelt had working on this track. It is bursting with ideas, energy, and vitality, radiating a playful confidence that makes it endlessly engaging.\u003c\/p\u003e\n\u003cp\u003eThe b1 track „Bettermaker“ takes a different route, dedicating itself entirely to a single mood. Through subtle pitch bending and a carefully shaped tonal palette, the track unfolds with a slightly eerie, enchanted atmosphere.\u003c\/p\u003e\n\u003cp\u003eFrom beginning to end, „Bettermaker“ remains focused and unwavering. There are no breaks or dramatic shifts in direction, instead, the piece commits fully to its initial setting. A monolithic, almost mantra like motif forms the core, creating a distinctive ambience, mystical, shadowy and faintly oriental in character. This atmosphere is carried and reinforced by percussive, ethno inspired drums, which add an organic, ritualistic pulse. 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Transitioning from a breakup record into a manifesto on healing, the album captures the \"push-and-pull\" of turning 30 and finding power in the wreckage of the past.\u003c\/p\u003e\n\u003cp\u003eKnown for his unmistakable blend of \"pop precision\" and vulnerable storytelling, JORDY moves past the guilt of time wasted to celebrate the person he has become. This is an album about finding yourself again after the noise fades.\u003c\/p\u003e\n\u003cp\u003eIn Retrospect is a love letter to the music that shaped a generation. Sonically, JORDY pays homage to his roots, blending the infectious energy of early 2000s pop-punk and Hilary Duff-era bubblegum with the high-gloss production of modern synth-pop.\u003cbr\u003eJORDY commented, “In Retrospect started as a breakup record, but it quickly became something much bigger. It turned into an album about healing. About growing. I think when people find themselves stuck in bad relationships, they often blame themselves for not leaving sooner. They carry guilt over the time they feel they’ve wasted. But writing this album helped me see it differently. The moment I chose to leave the toxicity behind, I felt like I found myself again. I got healthier, mentally and physically. I gave myself permission to mourn the life I thought I’d be living at 30, the future I imagined as a kid. I found peace in remembering that nothing is ever as serious as it feels. I found my power again. In retrospect, the pain and suffering may have been the very thing that saved me.\u003c\/p\u003e\n\u003cp\u003e“Sonically, this album pays homage to my roots - to my younger self blasting Hilary Duff and pop punk bands alone in his room. It’s nostalgic. It’s the kind of music I love to listen to. It feels more like me than anything I’ve made in a long time. It’s funny and catchy, vulnerably heartbreaking, and beautifully hopeful all at the same time. It’s exactly where I am right now,” he added.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1. 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An abrupt change in the piano to patterns of dense clusters introduces a new episode, during which the metallic instruments of the gamelan enter the foreground. The piece dazzles with its inventive rhythms and dynamics, building to a stunning passage featuring the signature heavy muting technique of the Gamelan Salukat metallophones in kinetic patterns that would be at home on a Príncipe release.\u003c\/p\u003e\n\u003cp\u003eThe title piece begins at high intensity and rarely lets up, working through bracing unison ensemble melodies and punctuation points where piano and gamelan together seem to become a single, thudding drum. For much of the piece the piano is tightly integrated into the ensemble, the harmonic extensions of the melodic line subsumed into a moving cloud of complex overtones generated by the gamelan instruments. 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With tempos and time signatures skittering all over the place, Jhauk uses genres as catalysts rather than containers, he finds the interesting stuff in the hinterlands of their structural relationships and tensions. \u003c\/p\u003e\n\u003cp\u003eTalking about the album, Jhauk has strong opinions: \u003c\/p\u003e\n\u003cp\u003e“Drum \u0026amp; Bass emerged as club music, and club music comes with its own logic. Specific structures, specific build-ups, a formula that supports that context. \u003cbr\u003eThat's fair enough, but almost 40 years later, why is 99% of D\u0026amp;B still made the exact same way when 99% of the time it's never heard in a club? The same structure, the same formula, barely any development beyond the core idea. Tracks where you can hear 10 seconds of the drop and know almost beat-for-beat how the next 5 minutes sound. No real musical depth or exploration. People regurgitating the same material ad-nauseum but never actually saying anything for themselves. \u003c\/p\u003e\n\u003cp\u003eThis period of composition for me was about taking what I love about D\u0026amp;B, the rhythmic energy and potential for creative freedom it presents and really stretching it to its limits. Of taking drum \u0026amp; bass as a starting point and seeing where it ends up without an idea of what that destination might be. Most people would probably never call a lot of the results D\u0026amp;B, but that's okay because it was never the point.”\u003c\/p\u003e\n\u003cp\u003eDripping with melancholy, euphoria, longing and pure urgency ‘You Won't Find Your Way From Here’ is unlike anything else you’ll hear this year. The sound of an artist entirely unconcerned with impressing peers or performing on ‘socials’; you're hearing a true musician at work, expressing ideas through the skill of his hands, mind and ears. 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Flee Lord’s militant cadence and razor-edged delivery collide seamlessly with ETO’s calculated, introspective bars, creating a dynamic that feels both confrontational and methodical. The result is a body of work that operates like a street manifesto—cold, deliberate, and unapologetic.\u003c\/p\u003e\n\u003cp\u003eThe album is elevated by a heavyweight supporting cast. Conway The Machine brings his signature steel-plated intensity, reinforcing the project’s Griselda-adjacent grit. NEMS injects raw, high-energy aggression, while Vel Nine adds sharp lyricism and perspective that cut clean through the production. Starz Coleman and Mummz contribute distinct textures, expanding the sonic palette without compromising the project’s hard-edged identity.\u003c\/p\u003e\n\u003cp\u003eSonically, RocAmeriKKKa 3 leans into brooding loops, stripped-down drums, and ominous sample work—production that leaves space for bars to breathe while maintaining a sense of tension throughout. 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What began in late 2016 as a period of burnout from a relentless touring life became a catalyst for the most prolific recording era of his career. At the time, the studio became the only viable escape, a space to transmute exhaustion into a gestalt work.\u003c\/p\u003e\n\u003cp\u003eAeternum (Existenz) serves as the missing element in this creative arc. It acts as the final chapter of a cycle that began with the 2019 album Existenz and moved through Subject f (Transcendence), Awakening from the Illusory Self, and Green EP. Drawing inspiration from the seven stages of alchemy, this mini-album represents a cathartic process; a natural end point of a psychological cycle and the beginning of a new curve.\u003c\/p\u003e\n\u003cp\u003eAcross the six tracks on the mini-LP, recorded 2016-2019, Function builds a unique world, one which underlines his place as one of the luminaries of contemporary techno. Opening track, Ascent, traverses the space between ambient and techno; second track City Of Luz almost fades into itself across its twelve minutes before Transmutation brings around a reawakening with a beat that would not have sounded out of place on an early Rephlex or even a Sähko release. Final track on the 12”, Growth Cycle is fittingly a re-version\/re-vision of a track on the Existenz LP; Robert Owens’ soulful vocal now Stefanie Parnow's floating Siren-like voice with music that feels reborn: fresh, strong and insistent. The digital pack contains two further tracks, the deep electro of November 29, as well as Rubedo, a spacial ambient track that feels like the final glowing red embers of a fire turning to ash as the sun rises to reveal a new, golden dawn.\u003c\/p\u003e\n\u003cp\u003eAeternum (Existenz) is the final chapter of the soundtrack to Function’s spiritual awakening, the closing of a door and the clearing of a path. It’s a sonic manifestation of the Magnum Opus completed, a moment of total integration, where the leaden weight of the journey is finally perfected into the incorruptible gold of the spirit.It is dedicated to John Mendez, aka Silent Servant, Sumner’s dear friend and lifelong collaborator.\u003c\/p\u003e\n\u003cp\u003e1. \/ A1 Ascent 03:332. \/ A2 City Of Luz 12:53 3. \/ B1 Transmutation 04:51 4. \/ B2 Growth Cycle (Hermetic Mix) 07:52 5. \/ DX1 November 29 (Digital Bonus) 06:51 6. \/ DX2 Rubedo (Digital Bonus) 04:11\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":46972015673500,"sku":"TRESOR369","price":14.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TRESOR369.jpg?v=1779900640"},{"product_id":"naibu-caught-me-falling","title":"Naibu - Caught Me Falling","description":"\u003cp\u003eFormat: 12’’ EP\u003cbr\u003eCatalogue No.: MINAT003 \u003cbr\u003eBarcode: 5051142053633\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Jungle \/ Drum n Bass\u003c\/p\u003e\n\u003cp\u003eWidespine Jacket, Black Vinyl   \u003c\/p\u003e\n\u003cp\u003eAbout:\u003cbr\u003eNext up on Minato Music is ‘Caught Me Falling’, a new 4-track EP by Naibu featuring 4 cuts of pure drum n bass that will please fans from all corners. Following up his genre bending solo album ‘Abandon’, Naibu returns to pure 170bpm form with this release, going back to a sound he’s well know for: deep, beautiful, breakbeat driven music. Starting off with ‘Descente’, a deep diving, emotional roller that takes you on a musical journey, followed by ‘Les Profondeurs’, a dark, more intense blend of vintage Reinforced and Soul:R flavours. On the flip side, Naibu revisits one of his older, personal favourites, ‘The Way You Turn’, which gets the 2026 treatment in a simplified, straight to the point rolling version. A club weapon tailored for DJs and an absolute joy in the mix.\u003c\/p\u003e\n\u003cp\u003eTo finish things off, title track ‘Caught Me Falling’ is a more laid back number, featuring original drums from upcoming talent Joe Mandeno. This track is a serious nod to late 90s 4hero, one for the late evenings and early mornings.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. Descente\u003cbr\u003eA2\/2. Les Profondeurs \u003cbr\u003eB1\/3. The Way You Turn (Lower Effort Mix)\u003cbr\u003eB2\/4. Caught Me Falling (ft. Joe Mandeno)\u003c\/p\u003e\n\u003cp\u003eSocials:\u003cbr\u003eSC: 12K followers\u003cbr\u003eSpotify: 26K monthly listeners \/ 12K followers\u003cbr\u003eIG: 2K followers\u003c\/p\u003e","brand":"Minato Music","offers":[{"title":"Default Title","offer_id":46996616708252,"sku":"MINAT003","price":17.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MINAT003.jpg?v=1780336729"},{"product_id":"mal-one-the-ballad-of-punk-rock-poetry-e-p-orange-7-vinyl","title":"Mal-One - The Ballad Of Punk Rock Poetry E.P. [Orange 7” Vinyl]","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: POETRY-EP-7001 \u003cbr\u003eBarcode: 5060135763916\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Punk Rock\u003c\/p\u003e\n\u003cp\u003eSpecial Packaging:\u003cbr\u003e100 Copies Only,  Orange 7” Vinyl, packaged in Numbered A4 6 Page Lyric Wallet with safety pin fastening\u003c\/p\u003e\n\u003cp\u003eTo celebrate Punk’s 50th year 1976-2026, Mal-One has put together an E.P. of his punk poetry. A limited edition of 100 numbered copies on orange vinyl contained in an art folder, behind a safety pin for good measure. Contained  inside lie the lyrics of these poetic verses. Side one contains `The Ballad of Punk Rock’ in all its 5 minute and 57 second glory. \u003c\/p\u003e\n\u003cp\u003eMal-One telling a brief history of how we got from there to here in all its pomp and circumstance. Side two carries a further 5 Punk Art poems telling us some more punk related stories . Hope you enjoy the listen.\u003cbr\u003e \u003cbr\u003eTracklisting\u003c\/p\u003e\n\u003cp\u003eA Side\u003cbr\u003e1. The Ballad Of Punk Rock (5.57)\u003c\/p\u003e\n\u003cp\u003eB Side\u003cbr\u003e1. No Elvis, Beatles Or The Rolling Stones (0.42)\u003cbr\u003e2. There’s A Situation With The Situationists (0.44)\u003cbr\u003e3. Tonight Sold Out (1.14)\u003cbr\u003e4. Where Have All The Punk Poets Gone (1.08¬¬)\u003cbr\u003e5. Ah They Were The Best Of Times (1.37)\u003c\/p\u003e","brand":"Punk Art Records","offers":[{"title":"Default Title","offer_id":46997145551004,"sku":"POETRY-EP-7001","price":20.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/POETRYEP7001.jpg?v=1780343296"},{"product_id":"felicia-atkinson-sans-visage-cd","title":"FÉLICIA ATKINSON - SANS VISAGE [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: VIERNULVIER017CD\u003cbr\u003eBarcode: 788362412296\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Electronic\/ Ambient\/ Experimental\/Soundtracks\u003c\/p\u003e\n\u003cp\u003eRenowned French musician and artist Félicia Atkinson announces new album SANS VISAGE, a reimagined score for Georges Franju’s cult 1960 horror classic Les Yeux Sans Visage (Eyes Without a Face).\u003cbr\u003e                                                     \u003cbr\u003eBlack vinyl, 12-page booklet with liner notes by Claire Cronin and artwork by experimental comic artist Momo Gordon. 500 copies only worldwide. Non-Returnable.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFollows her recently released collaborative album with Christina Vantzou, Reflections Vol. 3: Water Poems, via RVNG Intl., as well as her acclaimed solo releases Promenades and Space as an Instrument on Shelter Press.\u003c\/p\u003e\n\u003cp\u003eAtkinson first saw Les Yeux Sans Visage when she was a teenager, around the turn of the century. The film made an impact for its iconic imagery and the way Franju draws on the aesthetics of early filmmaking, from its score that relies on stylistic markers typical of the 1940s or 50s to the decision to shoot in black and white. Even four decades after its first release, it was clear that this was a work that stood outside of the cultural moment that birthed it, speaking through time in ways that were uncanny, but profound.\u003c\/p\u003e\n\u003cp\u003eA quarter-century later, Atkinson was approached by the Belgian cultural center VIERNULVIER to create a new score for Les Yeux Sans Visage for its celebrated Videodroom series, which has seen artists like claire rousay, Mabe Fratti, Lee Renaldo, and many more create new original scores for cult classics and genre cinema. Atkinson's music, with its sublime meditations on space and proximity, its elusive sense of narrative development, mirrors the pacing and mystery at the heart of horror filmmaking. There is a shadow at the heart of her soundtrack to Les Yeux Sans Visage, an ever-shifting wisp and an insinuation of encroaching transfiguration. Echoing a climactic moment in the film, the music obliquely points to \"the Beyond,\" an impossible place of discovery and revelation.\u003c\/p\u003e\n\u003cp\u003eThis recorded version of the soundtrack is a 34-minute synthesis of the full 90-minute score, presented on LP along with an essay by writer-musician Claire Cronin and drawings by Momo Gordon, together forming a complex reflection on the film's themes. If these sounds move as if the bars of cages are no barrier, they also intimate the freedom and power of those held behind them. Rather than simply mirroring the fear and confinement shown onscreen, Atkinson offers an elusive escape, a beacon for the characters, and the listener, to follow as they reckon with the narrative and move through it.\u003c\/p\u003e\n\u003cp\u003eTracklist LP A1. Félicia Atkinson - \"Les Yeux I\" A2. Félicia Atkinson - \"Les Yeux II\" A3. Félicia Atkinson - \"Les Yeux III\" A4. Félicia Atkinson - \"Les Yeux IV\" A5. Félicia Atkinson - \"Les Yeux V\" A6. Félicia Atkinson - \"Les Yeux VI\" B1. Félicia Atkinson - \"Sans Visage I\" B2. Félicia Atkinson - \"Sans Visage II\" B3. Félicia Atkinson - \"Sans Visage III\" B4. Félicia Atkinson - \"Sans Visage IV\" B5. Félicia Atkinson - \"Sans Visage V\"\u003c\/p\u003e","brand":"VIERNULVIER RECORDS","offers":[{"title":"Default Title","offer_id":47001606029468,"sku":"VIERNULVIER017CD","price":13.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/VIERNULVIER017CD_bad7493e-9693-41d9-9b4c-6ee6753facd9.jpg?v=1780346353"},{"product_id":"felicia-atkinson-sans-visage-lp","title":"FÉLICIA ATKINSON- SANS VISAGE [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: VIERNULVIER017LP \u003cbr\u003eBarcode: 788362412289\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Electronic\/ Ambient\/ Experimental\/Soundtracks\u003c\/p\u003e\n\u003cp\u003eRenowned French musician and artist Félicia Atkinson announces new album SANS VISAGE, a reimagined score for Georges Franju’s cult 1960 horror classic Les Yeux Sans Visage (Eyes Without a Face).\u003cbr\u003e                                                     \u003cbr\u003eBlack vinyl, 12-page booklet with liner notes by Claire Cronin and artwork by experimental comic artist Momo Gordon. 500 copies only worldwide. Non-Returnable.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFollows her recently released collaborative album with Christina Vantzou, Reflections Vol. 3: Water Poems, via RVNG Intl., as well as her acclaimed solo releases Promenades and Space as an Instrument on Shelter Press.\u003c\/p\u003e\n\u003cp\u003eAtkinson first saw Les Yeux Sans Visage when she was a teenager, around the turn of the century. The film made an impact for its iconic imagery and the way Franju draws on the aesthetics of early filmmaking, from its score that relies on stylistic markers typical of the 1940s or 50s to the decision to shoot in black and white. Even four decades after its first release, it was clear that this was a work that stood outside of the cultural moment that birthed it, speaking through time in ways that were uncanny, but profound.\u003c\/p\u003e\n\u003cp\u003eA quarter-century later, Atkinson was approached by the Belgian cultural center VIERNULVIER to create a new score for Les Yeux Sans Visage for its celebrated Videodroom series, which has seen artists like claire rousay, Mabe Fratti, Lee Renaldo, and many more create new original scores for cult classics and genre cinema. Atkinson's music, with its sublime meditations on space and proximity, its elusive sense of narrative development, mirrors the pacing and mystery at the heart of horror filmmaking. There is a shadow at the heart of her soundtrack to Les Yeux Sans Visage, an ever-shifting wisp and an insinuation of encroaching transfiguration. Echoing a climactic moment in the film, the music obliquely points to \"the Beyond,\" an impossible place of discovery and revelation.\u003c\/p\u003e\n\u003cp\u003eThis recorded version of the soundtrack is a 34-minute synthesis of the full 90-minute score, presented on LP along with an essay by writer-musician Claire Cronin and drawings by Momo Gordon, together forming a complex reflection on the film's themes. If these sounds move as if the bars of cages are no barrier, they also intimate the freedom and power of those held behind them. Rather than simply mirroring the fear and confinement shown onscreen, Atkinson offers an elusive escape, a beacon for the characters, and the listener, to follow as they reckon with the narrative and move through it.\u003c\/p\u003e\n\u003cp\u003eTracklist LP A1. Félicia Atkinson - \"Les Yeux I\" A2. Félicia Atkinson - \"Les Yeux II\" A3. Félicia Atkinson - \"Les Yeux III\" A4. Félicia Atkinson - \"Les Yeux IV\" A5. Félicia Atkinson - \"Les Yeux V\" A6. Félicia Atkinson - \"Les Yeux VI\" B1. Félicia Atkinson - \"Sans Visage I\" B2. Félicia Atkinson - \"Sans Visage II\" B3. Félicia Atkinson - \"Sans Visage III\" B4. Félicia Atkinson - \"Sans Visage IV\" B5. Félicia Atkinson - \"Sans Visage V\"\u003c\/p\u003e","brand":"VIERNULVIER RECORDS","offers":[{"title":"Default Title","offer_id":47001610715292,"sku":"VIERNULVIER017LP","price":25.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/VIERNULVIER017CD.jpg?v=1780346330"},{"product_id":"tracy-bryant-the-well","title":"Tracy Bryant - The Well","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: TGR054 \u003cbr\u003eBarcode: 0743407722457\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Indie\/ Americana\u003c\/p\u003e\n\u003cp\u003e\"Imagine a classic singer\/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden.\" Shindig\u003c\/p\u003e\n\u003cp\u003e\"Bryant's melody-drenched songwriting is underpinned by his rich, sometimes distorted vocals to...devastating effect\" - **** Mojo\u003c\/p\u003e\n\u003cp\u003e“his vocal flourishes and the sometimes glittery, sometimes gritty arrangements feel like his heroes Conor Oberst or Eliott Smith produced by MainMan-era Bowie. Tracks shiver with psychedelic soul” Prog Magazine\u003c\/p\u003e\n\u003cp\u003e“an impressive blend of traditional pop songs with krautrock, psychedelia, post-punk and indie” Silent Radio\u003c\/p\u003e\n\u003cp\u003eLos Angeles singer-songwriter Tracy Bryant returns with his new album The Well, which is his first release since 2019’s critically acclaimed Hush. His fourth solo album, The Well marks a striking new chapter, trading his signature guitar-driven sound for piano-led songwriting that took root during the pandemic. The album was born out of one of the most turbulent periods of his life, written in the wake of his father’s sudden passing and birth of his first child. It was produced by longtime friend and compatriot Joo-Joo Ashworth at Studio 22 in Cypress Park, CA, and mastered by Dave Cooley at Elysian Masters. The nine songs are filled with raw emotion and driving motorik rhythm, telling tales of loss and love, relationships beginning and ending.\u003cbr\u003e \u003cbr\u003eWhen the pandemic upended Bryant’s promotion for Hush and brought his 2019 European tour to a halt, he found himself at home rediscovering his musical roots at the piano, listening to Vince Guaraldi and Arthur Russell to take inspiration for the song structures. Without a band around, Bryant used the instrument to create both rhythm and melody, which resulted in a repetitive and precise backbeat, which was elevated when he began working with drummer Carmeron Gartung to rehearse the new songs. This different approach would define the style of The Well, creating an amalgamation of sounds with classic songwriting structures blended with post-punk, 90s indie, krautrock and psychedelia.\u003cbr\u003e \u003cbr\u003eTo produce the record, Bryant turned to Joo-Joo Ashworth, who share a friendship stretching back to 2011 (when Joo Joo was only 18) when both of their bands, Corners and Froth, were at the forefront of the bourgeoning Los Angeles\/Echo Park music scene of the time and embarked on their first national tours together. Ashworth, who has since become one of underground music’s most respected producers, recorded the album throughout 2024\/2025 on half inch tape at Studio 22 in Cypress Park, California, giving The Well a warm, considered sound that matches the weight of its subject matter.\u003cbr\u003e \u003cbr\u003eThe album’s emotional core was forged by two significant life events arriving in close succession. In January 2022, Bryant’s father passed away unexpectedly at the age of 67. Just three months later, Tracy and his wife welcomed their first child. The Well is a direct result of those experiences, a songwriter processing grief and joy, endings and beginnings in real time. \u003cbr\u003e \u003cbr\u003eThe nine songs take the listener on a meticulously crafted journey through the nooks and crannies of Bryant’s mind. Spanning 37 minutes, the album is an exploration of classic songwriting elements moving fluidly between driving beat punk, like “Weight” and “Widow”, and more melancholic tracks like “Halfway” and “Danny”. Album opener “Cold Floor” sets the tone immediately, Bryant’s lyrics confronting the day of his father’s death with unflinching directness – the breezy California piano sound is in direct contrast to the heavy theme. The Bowie-esque title track is perhaps the album’s most expansive moment – a fully realised epic composed with a dynamic flare. \u003cbr\u003e \u003cbr\u003e The Well feels like an arrival. Dramatic and expansive, it is a true, visceral reflection of the life changing events that altered the course of Bryant’s life. Fans will be surprised by the heavy focus on piano but they will welcome the change as a bold turning point for an artist who has lived long enough to know exactly what he wants to say. \u003c\/p\u003e\n\u003cp\u003eSome previous press:\u003c\/p\u003e\n\u003cp\u003e\"feels like a slice of California, down to its ringing post-surf guitars and bright melodies, but cross-cut with a folk sensibility more aligned to the work of Elliot Smith or, on occasions, Conor Oberst.\" Uncut - lead album review\u003c\/p\u003e\n\u003cp\u003e\"…sees the Los Angeles rocker confront both the finer and uglier aspects of love and life, combining classic rock with psychedelic tinges and catchy melodies.\" Evening Standard 4*s\u003c\/p\u003e\n\u003cp\u003eTracklist: A1) Cold Floor 2) Weight 3) Famished 4) Widow 5) Meet Me B1) The Well 2) Halfway 3) Danny 4) Easy Street\u003c\/p\u003e","brand":"TAXI GAUCHE","offers":[{"title":"Default Title","offer_id":47135778308252,"sku":"TGR054","price":22.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_57c5abb8-e61a-4228-b171-c51d725518e5.jpg?v=1782838094"},{"product_id":"pascal-comelade-metaphysique-du-hit-parade","title":"PASCAL COMELADE - MÉTAPHYSIQUE DU HIT-PARADE","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: WE20\u003cbr\u003eBarcode: 4250101495854\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Avant-Pop\/Experimental\u003c\/p\u003e\n\u003cp\u003e‘THE PROLIFIC AND ELUSIVE MUSICIAN ARRAGES WELL-KNOWN COMPOSITIONS FOR TOY INSTRUMENTS AND ACOUSTIC\/ELECTRONIC PERCUSSION’ - WIRE\u003c\/p\u003e\n\u003cp\u003eMétaphysique Du Hit-Parade is the first vinyl compilation devoted to Pascal Comelade’s favourite cover versions. It spans a forty-year career and traces sixty years of rock and roll history along the way. “Sheena Is a Punk Rocker” becomes a soft, soothing lullaby that may well have made the Ramones weep. Then there are his idiosyncratic tributes to Jonathan Richman (“Egyptian Reggae”) and The Kinks (“Sunny Afternoon”), alongside nods to formative heroes such as The Gun Club, Captain Beefheart, and MC5.\u003c\/p\u003e\n\u003cp\u003eTwo exclusive recordings stand out particularly: Bob Dylan’s “Girl from the North Country” and Nirvana’s “Come As You Are”—a song that shaped my early youth. Both were recorded especially for this release.\u003c\/p\u003e\n\u003cp\u003eI first encountered Pascal Comelade’s music thirty years ago—and nothing has sounded quite the same since. I was immediately captivated: he is an artist like no other, whose sincere and selfless love of music is always evident, especially in his tender reworkings of other people’s songs.\u003c\/p\u003e\n\u003cp\u003eComelade seems to work like a watchmaker: meticulous, precise, and obsessive—yet always drifting into something dreamlike. His music opens hidden doors, telling strange and beguiling stories filled with obscurity, kindness, and reserved humour.\u003c\/p\u003e\n\u003cp\u003eBack then, my fascination was instinctive. Today, with a few more words at my disposal, I look to this exceptional 70-year-old French musician and feel exactly the same pull.\u003c\/p\u003e\n\u003cp\u003eJan Lankisch (Week-End Records), January 2026\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1 Pascal Comelade Come As You Are 00:02:40\u003cbr\u003eA2 Pascal Comelade Russian Roulette 00:03:22\u003cbr\u003eA3 Pascal Comelade Egyptian Reggae 00:01:02\u003cbr\u003eA4 Pascal Comelade Ramblin’ Rose 00:02:16\u003cbr\u003eA5 Pascal Comelade Johnny Guitar 00:01:48\u003cbr\u003eA6 Pascal Comelade I Love Joan Jett 00:04:00\u003cbr\u003eA7 Pascal Comelade Purple Haze 00:02:04\u003cbr\u003eB1 Pascal Comelade The Sad Skinhead 00:02:06\u003cbr\u003eB2 Pascal Comelade Brown Sugar 00:03:00\u003cbr\u003eB3 Pascal Comelade Sheena Is A Punk Rocker 00:02:02\u003cbr\u003eB4 Pascal Comelade Green Fuz 00:03:18\u003cbr\u003eB5 Pascal Comelade Sunny Afternoon 00:01:04\u003cbr\u003eB6 Pascal Comelade Girl from the North Country 00:01:36\u003cbr\u003eB7 Pascal Comelade Mother of Earth 00:02:44\u003cbr\u003eB8 Pascal Comelade Dali's Car 00:01:26\u003c\/p\u003e","brand":"Week-End Records","offers":[{"title":"Default Title","offer_id":47135795511452,"sku":"WE20","price":37.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_1c2ce58b-bcd5-4756-93df-79575fef5b63.jpg?v=1782838272"},{"product_id":"shakali-toinen-luonto","title":"Shakali - Toinen Luonto","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: NNF437\u003cbr\u003eBarcode: 840526503483\u003cbr\u003eRelease Date: 10 Jul 2026\u003cbr\u003eGenre: Ambient\/Electronic\u003c\/p\u003e\n\u003cp\u003eFinnish multi-instrumentalist Simo Hakalisto makes mosaic music of strings, bowls, bells, reeds, wind, water, and obscure electronics, threaded in subtle currents of color and texture. The title of his latest, Toinen Luonto (Finnish for “second nature”), alludes equally to Shakali’s earthen, tactile soundworld and Hakalisto’s deepening comfort with his craft.\u003c\/p\u003e\n\u003cp\u003eThe album’s eight songs feel coaxed as much as composed, a web of resonances set in motion and allowed to simmer, build, or billow. Vibrations and silences unspool and intertwine, alternately pointillist and diffuse, attuned to some hidden harmony of the spheres.\u003c\/p\u003e\n\u003cp\u003eIn addition to his own repertoire of rare instruments (including a 36-string kantele, built by Hakalisto’s grand-uncle), several notable collaborators contributed to Toinen Luonto: saxophonist Julian Overall; Hakalisto’s partner in the duo Lunar Horns, Timo Juntunen, playing udu and percussion; American experimentalist Roy Werner; and Belgian ambient flute samplist Les Halles.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSide A\u003cbr\u003e01. Toinen Luonto 02. Unoi’us 03. Sudet 04. Minium\u003c\/p\u003e\n\u003cp\u003eSide B 05. Vast Er Vast 06. Pisaroi 07. Myrtillus 08. Ylin\u003c\/p\u003e","brand":"Not Not Fun","offers":[{"title":"Default Title","offer_id":47135828967580,"sku":"NNF437","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_3fdea020-354f-43ef-bdc0-b3e65d343752.jpg?v=1782839008"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/srd-100726.oembed","provider":"Horizons Music","version":"1.0","type":"link"}