{"title":"SRD 041024","description":"","products":[{"product_id":"the-congos-feast","title":"The Congos - Feast","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: KSLP008         \u003cbr\u003eBarcode: 5036848002666\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Dub Reggae\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Congos were formed by Cedric Myton (born 1947 St Catherine, Jamaica) and Roydel ‘Roy’ Johnson (born 1943 Hanover, Jamaica), around the mid-seventies, a time when the Rasta message coming out of Kingston and other pockets of the Jamaican Island was at its most prominent. Cedric Myton’s singing career began back in the rocksteady era in Reggae’s musical story.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe formed the ‘Tartans’ group taking lead vocal duties alongside Devon Russell, Prince Lincoln Thompson and Lindbergh Lewis. They cut ‘Dance All Night’ (1967) and ‘Coming On Strong’ (1968). The line-up reduced to a two piece, Cedric and Devon Russell, when tracks like ‘What a Sin Thing’ and ‘Short Up Dress’ were cut. This line-up became the Royal Rasses, Cedric formed The Congos, on meeting Roydel Johnson. Roydel previously sang as a member of Ras Michael and the Sons of Negas, cutting such tracks as ’Go To Zion’ (1973). As we can see Cedric’s and Roydel’s Rasta roots were firmly in place by the time they had formed The Congos sometimes called ‘The Congoes’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Congos possess what all bands look for,that unique sound that draws the listener to them.Lead singer Cedric Myton’s style and phasing, with his distinctive Falsetto voice makes this just the case.Built on a foundation of classic rhythms and with the aid of then Producer, Lee Perry, the groups statement of intent was laid down with one succinct message. The Congos mighty 1977 ‘Heart of the Congos’ album, is quite simply one of the best reggae albums ever recorded.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProducer Lee Perry had wanted to record a classic Jamaican vocal group in his newly built Black Ark Studio. The voice of Watty Burnett was added at the time to cover baritone vocal duties. The studio after various changes in equipment etc. was finally finding its way. A sound built in Lee Perry’s back yard in Cardiff Crescent, Washington Gardens, Kingston, but existing until then in Mr Lee Perry’s mind. The album they cut would be the defining group release to come out of The Black Ark studios, when the vital elements, vibes, musicians, songs and singing would gel to form ‘Heart Of The Congos’. Come the time of it’s release 1977, Lee Perry was in dispute with Island Records and opted to release the record on his own ‘Black Art’ label. Without the high-profile push of a major label, the record undersold and caused a split between producer and band. Under different circumstances maybe this album would be sitting in thousands of homes alongside the Bob Marley, Culture, Burning Spear releases. Cedric Myton went on to release albums with the French arm of the CBS label and Roy Johnson records and tours as Congo Ashanti Roy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCedric Myton the central force carries on the mantle of the Congos and we at Kingston Sounds are proud to pick up the story with another set of vocal statements, which sees Cedric cut some of his finest tunes. Helped along by another reggae legend Brent Dowe, lead singer of the Melodians (Rivers of Babylon), over some classic 1970’s rhythms. Yet again we find that magic formula of strong statements working alongside classic rhythms making the balance work. The Rasta message is still strong on modern classics like ‘King Rastafari Is His Name’, ‘Rasta Congo Man’ and the injustices of the world dissected in tunes ‘Some A Thief’, ‘Watch \u0026amp; Pray’ and the prophetical, ‘Citizen Of The World’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnce touched by magic it does not fade away, but resurfaces as it has with what we believe to be some of the Congos most heartfelt and meaningful set of songs ...... Let the feast begin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eSIDE 1\u003cbr data-mce-fragment=\"1\"\u003eTrack 1 Gods Kingdom\u003cbr data-mce-fragment=\"1\"\u003eTrack 2 King Rastafari Is His Name\u003cbr data-mce-fragment=\"1\"\u003eTrack 3 Cockmouth\u003cbr data-mce-fragment=\"1\"\u003eTrack 4 Some A Thief\u003cbr data-mce-fragment=\"1\"\u003eTrack 5 Watch \u0026amp; Pray\u003cbr data-mce-fragment=\"1\"\u003eTrack 6 Rasta Congo Man\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE 2\u003cbr data-mce-fragment=\"1\"\u003eTrack 1 Fat Cook\u003cbr data-mce-fragment=\"1\"\u003eTrack 2 Citizen Of The World\u003cbr data-mce-fragment=\"1\"\u003eTrack 3 Grandma Say\u003cbr data-mce-fragment=\"1\"\u003eTrack 4 Take It To The Max \u003cbr data-mce-fragment=\"1\"\u003eTrack 5 Rasta Weh She Want\u003cbr data-mce-fragment=\"1\"\u003eTrack 6 Heaven Rejoice\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Kingston Sounds","offers":[{"title":"Default Title","offer_id":37035392139420,"sku":"KSLP008","price":15.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/TheCongos-Feast.jpg?v=1606800985"},{"product_id":"u-roy-i-am-the-originator","title":"U Roy - I am the Originator","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: KSLP019\u003cbr\u003eBarcode: 5060135760359\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Dub Reggae\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe mighty U Roy is the originator, the man who put the DJ phenomenon on the map and made it an artform. From Kingston Jamaica to the corners of all the Dancefloors, Clubs and Sound Systems across the world. U Roy (B. Ewart Beckford, 1942, Kingston, Jamaica) began his musical career spinning records for Doctor Dickies Sound System way back in 1961. The mid sixties saw him working for Sir George The Atomic before moving in 1967 to the man who best shaped his sound King Tubby on his Home Town HI - FI. Tubbys work in the dub field, dropping out vocals on his versions for the Sound Systems allowed U Roy to voice over these spaces adding to the excitment of the Dance!!!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eU Roy moved into the recording arena firstly cutting two disc's for Producer Lee Perry 'Earths Rightful Ruler' and 'OK Corral' and then following this with 'Dynamic Fashion Way' and 'Riot' for Producer Keith Hudson. Producer Duke Reid seeing the protential in this new found form brought U Roy to his Treasure Isle Studios to voice over his back catalogue of Rocksteady Hits. His first three releases for Duke Reid 'Wake The Town', 'Rule The Nation' and 'Wear You To The Ball' held the Top 3 positions for 12 weeks in early 1970's.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe have compiled some of U Roy's best loved cuts from his mid 70's period when all were still looking at him for guidence. The opening cut Call On Me sees him working over Delroy Wilson's 'Got To Be There'. You Never Get Away gets U Roy answering Delroy Wison's 'Keep On Rocking'. Johnny Clarke's 'Time Gonna Tell' with rootsy bassline turns into Every Knee Shall Bow. Cornell Campbell the Gorgon himself gets his 'Check Mr Morgon' turned into Gorgon Wise. Johnny Clarke's Hold On gets reworked. Jeff Barnes 'Blowing In The Wind' tuned into Number 1 and alongside King of The Road which sees Lennox Brown blow his saxophone over the instrumental 'In The Swing of Things', was one of U Roys first releases. Linval Thompson's 'Let Jah Arise' is versioned to Joyful Locks. I Originate which lends us to the title of this compilation, says it as it is, a classic built over Dave Barker's 'Shocks of Mighty'. Linval Thompson again provides the backbone with his Cool Down Your Temper cut for U Roys version. The mighty Burning Spear's Creation Rebel although providing our next track, it is Johnny Clarke's version that gets worked over. Leo Graham's 'Birds of A Feather' turns into Stick Together. Soul Syndicates instrumental 'Goliath' grows into Riot. A big hit for Max Romeo Wet Dream sounds great under U Roy's new rendition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTwo extra tracks for the CD release of this album sees the great voice of Slim Smith on his 'Let's Stick Together' becomes ‘Ain’t To Proud To Beg’ and Cornell Campbell's 'Stand Firm' works with\u003cbr data-mce-fragment=\"1\"\u003eU Roy to sign us off with ‘I Shall Not Remove’. A fine collection i hope you agree to the Daddy of all DJ's who in his own words ''I Originate, so you must appreciate, while the others got to imitate'' says it all really……\u003cbr data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE 1\u003cbr data-mce-fragment=\"1\"\u003eTrack 1 CALL ON ME\u003cbr data-mce-fragment=\"1\"\u003eTrack 2 YOU NEVER GET AWAY\u003cbr data-mce-fragment=\"1\"\u003eTrack 3 EVERY KNEE SHALL BOW\u003cbr data-mce-fragment=\"1\"\u003eTrack 4 GORGON WISE\u003cbr data-mce-fragment=\"1\"\u003eTrack 5 HOLD ON\u003cbr data-mce-fragment=\"1\"\u003eTrack 6 NUMBER 1\u003cbr data-mce-fragment=\"1\"\u003eTrack 7 JOYFUL LOCKS\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE 2\u003cbr data-mce-fragment=\"1\"\u003eTrack 1 I ORIGINATE\u003cbr data-mce-fragment=\"1\"\u003eTrack 2 COOL DOWN YOU TEMPER\u003cbr data-mce-fragment=\"1\"\u003eTrack 3 CREATION REBEL\u003cbr data-mce-fragment=\"1\"\u003eTrack 4 STICK TOGETHER \u003cbr data-mce-fragment=\"1\"\u003eTrack 5 RIOT \u003cbr data-mce-fragment=\"1\"\u003eTrack 6 KING OF THE ROAD\u003cbr data-mce-fragment=\"1\"\u003eTrack 7 WET DREAM\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Kingston Sounds","offers":[{"title":"Default Title","offer_id":37035411275932,"sku":"KSLP019","price":15.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/URoy-IamtheOriginator.jpg?v=1606801093"},{"product_id":"king-tubby-dub-mix-up-rare-dubs-1975-1979","title":"King Tubby - Dub Mix Up Rare Dubs 1975-1979","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: JRLP016\u003cbr\u003eBarcode: 5036848002079\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Dub Reggae\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKing Tubby the Dub Master, who's output was as prolific as it is sought after, and who's presence is surely missed. We would like to take you on another dub excursion. This time through some essential cuts made for the Producer \/ DJ Tappa Zukie. King Tubby always added something a little special to the tracks he worked on. Producers would often bring their already recorded tracks to his home studio at 18 Drummlie Avenue in the Kingston district of Waterhouse. The backing tracks which were laid at various other studios around Kingston. Like Channel 1and Randy's Studio 17, would then be voiced\/Re-voiced at King Tubby's. Tubby and his team which included Prince Jammy and Philip Smart would be left to create the version cut.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving listened to the track it would be striped back to the bone of bass and drums and rebuilt. Sprinkling his magic over the track by dropping the bass in and out, adding echo and emphasising various elements of the song. In some cases, dubbing the cut into something unrecognisable from its original sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe tracks would be aired on Tubby's Hometown Hi-Fi Sound System. Which acted much like a pre-release for the record to gauge the crowd’s reaction, before the tracks would be unleased on the public. We think we have sourced another fine collection of Tubby Cuts [see also King Tubby's Lost Treasures JR001], comprising of work with Mr Tappa Zukie. Lost cuts to some of his own tracks like 'First Street Rock', alongside productions he undertook with the great Prince Allah, Junior Ross and the Spears. Also, the much-overlooked vocal group Knowledge. Some great rhythms, some great tracks, worked over by the greatest dub mixer of them all. Hope you enjoy the set as much as we have compiling it...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRespect Jah Floyd.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide 1\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 1 POPULATION DUB.\u003cbr data-mce-fragment=\"1\"\u003eA lost till now dub to Tappa Zukie proteges,reggae group Knowledge. Their killer tune 'Population' given the\u003cbr data-mce-fragment=\"1\"\u003eTubby treatment and featuring Mr Augustus Pablo on keyboards\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 2 STRANGE DUB.\u003cbr data-mce-fragment=\"1\"\u003eTubby works over The Paragon's 'Strange Things’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 3 TAKE 5 DUB.\u003cbr data-mce-fragment=\"1\"\u003eThe classic Dave Brubeck 'Take 5' rhythm gets a work through. Deadly Headly blows the saxophone….\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 4 SLAVEMASTER.\u003cbr data-mce-fragment=\"1\"\u003ePrince Allah's 'Slavemaster' shines through on this lost dub cut.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 5 WORDS, SOUNDS \u0026amp; DUBWISE.\u003cbr data-mce-fragment=\"1\"\u003eKnowledge's 'Words, Sounds \u0026amp; Power', given some dubwise treatmen\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 6 JUDGMENT DUB.\u003cbr data-mce-fragment=\"1\"\u003eTappa reworked The Abbyssinian's 'Declaration of Rights' rhythm into Junior Ross \u0026amp; the Spears classic\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide 2\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 7 UPPER 1st STREET DUB.\u003cbr data-mce-fragment=\"1\"\u003eA lost cut of Tappa Zukie's 'First Street Rock' reworked by King Tubby into Upper 1st Street ‘\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 8 RUN \u0026amp; HIDE THE DUB.\u003cbr data-mce-fragment=\"1\"\u003eAnother Junior Ross \u0026amp; the Spears classic this time their mighty 'You Can't Run' is sprinkled with Tubby's magic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 9 GIVE ME YOUR DUB.\u003cbr data-mce-fragment=\"1\"\u003eSlim Smith's 'Give Me A Love', gets reworked on this dub cut\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 10 SYNDICATE DUB.\u003cbr data-mce-fragment=\"1\"\u003eThe Soul Syndicate band provide the rhythm and stretch out on this lost till now dub cut.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 11 SHANK I SHECK.\u003cbr data-mce-fragment=\"1\"\u003eThis classic Studio 1 rhythm written about the Chinese Nationalist leader Chiang Ki Chek, gets reworked with the help of Bobby Ellis on saxophone, and Mr Tappa Zukie on the mic…..\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack 12 WICKED DUB.\u003cbr data-mce-fragment=\"1\"\u003eKnown as Ronnie Davis's 'No weak Heart', and reworked by Earth \u0026amp; Stone into 'Wicked A Fe Dress Back'\u003cbr data-mce-fragment=\"1\"\u003efeaturing The Revolutionaries band this is a wicked lost dub cut.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"JAMAICAN RECORDINGS","offers":[{"title":"Default Title","offer_id":37860305895580,"sku":"JRLP016","price":15.28,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JRLP016_38c49a20-8960-48f0-ba68-6db4ecec97ab.jpg?v=1614039184"},{"product_id":"various-artists-cease-resist-sonic-subversion-anarcho-punk-in-the-uk-1979-1986","title":"Various Artists - Cease \u0026 Resist - Sonic Subversion \u0026 Anarcho Punk in the UK 1979-1986","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: OMANARCHO01\u003cbr\u003eBarcode: 4250101449994\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Anarcho Punk\u003c\/p\u003e\n\u003cp\u003e2024 REPRESS.\u003c\/p\u003e\n\u003cp\u003eThis compilation is a fundraiser for Faslane Peace Camp. Not so far from Glasgow Faslane Naval Base is home to Britain's abhorrent Trident nuclear missiles. The camp has been there, protesting since \u003cbr\u003e1982 and is still active to this day. We hope in our lifetime we will see those missiles leave Scottish soil. We have so much respect for those who have dedicated their lives to protesting these weapons and it seemed an obvious choice that the proceeds from this release should go to help them, and the Scottish Campaign for Nuclear Disarmament. \u003c\/p\u003e\n\u003cp\u003eThis is a double vinyl retrospective compilation of some of the most radical music ever made, a musical force that changed lives. Covering the years 1979 - 86 and including classic tracks from Crass, Poison Girls, Flux Of Pink Indians, The Mob, Zounds, Annie \u003cbr\u003eAnxiety, The Ex, ATV plus 10 more, all newly remastered by iconic Punk mastering engineer Daniel Husayn.\u003c\/p\u003e\n\u003cp\u003eIt has been lovingly compiled by JD Twitch and Anarcho legend Chris Low and was ten years in the making. There are also a couple of previously unreleased mixes included. It comes as a high quality double vinyl pressing, and has a full colour sleeve with back and \u003cbr\u003efront images designed by the legendary Gee Vaucher. It also comes with a 6 page fold out poster on one side with detailed sleeve notes, recollections and essays on the other side. \u003c\/p\u003e\n\u003cp\u003eAnarcho Punk was the one sub-genre of Punk that emerged in isolation from the rock \u0026amp; roll establishment. During its pioneering days of the early 1980s it thrived in opposition to the music industry, existing as a fiercely underground alternative to the bands, labels and venues of the commercialised mainstream Punk scene. It continues to do so. Anarcho Punk represented one of the last truly underground and autonomous music movements ever witnessed and remains a movement that has never sold out and has never gone away.\u003c\/p\u003e\n\u003cp\u003eThe major differentiation between the Anarcho Punk acts and the more traditional Punk outfits was that for the former, albeit often more due to musical limitation than intent, the message was more important than the music. Standard song structures were often \u003cbr\u003edispensed with in favour of a relentless lyrical polemic  ccompanied by a similarly uncompromising aural assault. As the scene grew, so did the diversity of records that emerged under the Anarcho Punk umbrella: from D \u0026amp; V (drums \u0026amp; vocals) to the protoEBM synth pop of Belfast’s one-man Hit Parade and the Dadaist Beefheart hybrid of The Cravats. In later days the two biggest acts of the scene, Flux of Pink Indians and Crass themselves, both released LPs which had more in common with improv Jazz than hardcore punk.\u003c\/p\u003e\n\u003cp\u003eThe resounding victory of Anarcho Punk is that it is now the unifying soundtrack to a culture of resistance that spans Scotland to Indonesia and remains without compromise. It is still as removed from mainstream music and oppositional to conventional culture as it was over forty years ago and shows no sign of changing. Quite the opposite: the more popular Anarcho Punk becomes the less it has to engage with the music establishment and the more control it can enjoy. In 2023, that message remains as uncompromising as ever.\u003c\/p\u003e\n\u003cp\u003eTracklisting \u003cbr\u003eA1 Zounds Can't Cheat Karma 00:02:43\u003cbr\u003eA2 Honey Bane Girl on the Run 00:03:59\u003cbr\u003eA3 Crass Bloody Revolutions 00:06:45\u003cbr\u003eA4 Annie Anxiety Hello Horror 00:05:40\u003cbr\u003eB1 Flux of Pink IndiansTube Disasters 00:04:07\u003cbr\u003eB2 Andy T Death is Big Business 00:01:29\u003cbr\u003eB3 Poison Girls Underbitch 00:04:18\u003cbr\u003eB4 Alternative Anti-Christ 00:04:41\u003cbr\u003eB5 The Cravats Rub Me Out 00:05:47\u003cbr\u003eC1 The ApostlesMob Violence (unreleased studio version) 00:04:13\u003cbr\u003eC2 Lack of Knowledge We're Looking for People 00:04:03\u003cbr\u003eC3 Hit Parade Here's What You Find in Any Prison 00:03:08\u003cbr\u003eC4 Hagar the Womb Idolisation 00:02:48\u003cbr\u003eC5 Alternative TV The Force is Blind 00:03:48\u003cbr\u003eD1 Chumbawamba Revolution 00:04:46\u003cbr\u003eD2 The Ex Aye Carmela00:03:13\u003cbr\u003eD3 D\u0026amp;V Conscious (Pilot) 00:02:58\u003cbr\u003eD4 The Mob No Doves Fly Here (unreleased studio version) 00:06:20\u003c\/p\u003e","brand":"Optimo Music","offers":[{"title":"Default Title","offer_id":42420479885468,"sku":"OMANARCHO01","price":37.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/OMANARCHO01.jpg?v=1679996175"},{"product_id":"monolake-hongkong","title":"Monolake - Hongkong","description":"\u003cp\u003eFormat: 2 x 12\" Vinyl\u003cbr\u003eCatalogue No.: FIELD35\u003cbr\u003eBarcode: 8720246793086\u003cbr\u003eRelease Date: 30 Jan 2026\u003cbr\u003eGenre: Classic Dub Techno\u003c\/p\u003e\n\u003cp\u003e2026 REPRESS.\u003c\/p\u003e\n\u003cp\u003eField Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay. \u003c\/p\u003e\n\u003cp\u003eThe tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max\/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request. \u003cbr\u003e\u003cbr\u003eWhile absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions. \u003cbr\u003e\u003cbr\u003eRemastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Monolake Cyan 00:11:34\u003cbr\u003eA2 Monolake Index 00:10:21\u003cbr\u003eB1 Monolake Lantau 00:12:57\u003cbr\u003eB2 Monolake Macau 00:09:38\u003cbr\u003eC1 Monolake Arte 00:08:56\u003cbr\u003eD1 Monolake Occam 00:07:37\u003cbr\u003eD2 Monolake Mass Transit Railway 00:07:32\u003cbr\u003e\u003c\/p\u003e","brand":"Field Records","offers":[{"title":"Default Title","offer_id":42449346986140,"sku":"FIELD35","price":39.31,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/FIELD35.jpg?v=1681404318"},{"product_id":"thee-sacred-souls-got-a-story-to-tell-cd","title":"Thee Sacred Souls - Got a Story to Tell [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DAP078CD\u003cbr\u003eBarcode: 823134007826\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Soul\/R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003eLimited edition INDIES ONLY ‘Magenta’ vinyl in a tip on jacket with DL code.Black vinyl in a tip on jacket with DL code.CD = Digipack CD\u003c\/p\u003e\n\u003cp\u003e‘A SUPERB RECORD THAT MINES THE LATE 60s\/EARLY 70s MOTOWN AND PHILLY GROOVE SOUND’ 4\/5 RECORD COLLECTOR\u003c\/p\u003e\n\u003cp\u003e‘THE SAN DIEGO THREE-PIECE REIMAGINE THE LATE-60’S\/EARLY-70’S PERIOD AT MOTOWN AND PHILLY GROOVE WHEN SINGERS WITH GOSSAMER-LIGHT TENORS AND FALSETTOS CROONED AND WAILED AND PLEADED OVER PALATIALLY ARRANGED BACKGROUNDS’ - 4\/5 MOJO\u003c\/p\u003e\n\u003cp\u003eThe highly anticipated follow-up to Thee Sacred Souls' breakout 2022 self-titled debut, Got A Story To Tell, features 12 all original new songs, a soaring statement of exquisite craftsmanship from this young band from San Diego whose story grows bigger by the day. \u003c\/p\u003e\n\u003cp\u003eRecorded and produced by Gabriel Roth at Penrose Recorders, in Daptone’s Riverside, CA studio, and written in the throes of supporting their 2022 album, which was met with significant excitement and major touring that brought them across the world.\u003c\/p\u003e\n\u003cp\u003eTHEIR SELF-TITLED DEBUT ALBUM (DAP074) EARNED THEM AN APPEARANCE ON ‘LATER WITH JOOLS HOLLAND’ AND THE FOLLOWING ACCOLADES:\u003c\/p\u003e\n\u003cp\u003e4\/5  REVIEW IN MOJO : “SUPERB GABE ROTH-PRODUCED DEBUT FROM THE SAN DIEGO TRIO. 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Black vinyl with DL code.CD = Digipack CD\u003c\/p\u003e\n\u003cp\u003e‘A SUPERB RECORD THAT MINES THE LATE 60s\/EARLY 70s MOTOWN AND PHILLY GROOVE SOUND’ 4\/5 RECORD COLLECTOR\u003c\/p\u003e\n\u003cp\u003e‘THE SAN DIEGO THREE-PIECE REIMAGINE THE LATE-60’S\/EARLY-70’S PERIOD AT MOTOWN AND PHILLY GROOVE WHEN SINGERS WITH GOSSAMER-LIGHT TENORS AND FALSETTOS CROONED AND WAILED AND PLEADED OVER PALATIALLY ARRANGED BACKGROUNDS’ - 4\/5 MOJO\u003c\/p\u003e\n\u003cp\u003eThe highly anticipated follow-up to Thee Sacred Souls' breakout 2022 self-titled debut, Got A Story To Tell, features 12 all original new songs, a soaring statement of exquisite craftsmanship from this young band from San Diego whose story grows bigger by the day. \u003c\/p\u003e\n\u003cp\u003eRecorded and produced by Gabriel Roth at Penrose Recorders, in Daptone’s Riverside, CA studio, and written in the throes of supporting their 2022 album, which was met with significant excitement and major touring that brought them across the world.\u003c\/p\u003e\n\u003cp\u003eTHEIR SELF-TITLED DEBUT ALBUM (DAP074) EARNED THEM AN APPEARANCE ON ‘LATER WITH JOOLS HOLLAND’ AND THE FOLLOWING ACCOLADES:\u003c\/p\u003e\n\u003cp\u003e4\/5  REVIEW IN MOJO : “SUPERB GABE ROTH-PRODUCED DEBUT FROM THE SAN DIEGO TRIO. 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Mendesidis is using his one-take recording technique, staying loyal to the principle of live techno creation and the result is ten distinctive cuts of perfectly balanced minimalistic yet dynamic, no-nonsense, driving techno sure to be heard on dancefloors and festivals across the globe.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eA1. Minore A2. Methodist B1. Aquaton B2. Super Septima C1. Crime And Punishment C2. Cyberfox D1. Axial Force D2. The Dance Class\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"KLOCKWORK","offers":[{"title":"Default Title","offer_id":44198957088924,"sku":"KW39","price":26.1,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KW39.jpg?v=1720438738"},{"product_id":"clinic-stars-only-hinting-lp","title":"CLINIC STARS - Only Hinting [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: KRANK243LP\u003cbr\u003eBarcode: 796441824311\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Shoegaze\/Downer Pop\u003c\/p\u003e\n\u003cp\u003eThe full-length debut by Detroit duo Giovanna Lenski and Christian Molik aka Clinic Stars both refines and redefines their pitch-perfect fusion of downer-pop balladry and featherweight shoegaze: Only Hinting. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded and produced at the band’s home studio, the album was crafted across 2022 and 2023, patiently layering FX and spatial depths to give each song a swirling, subconscious undertow. From the strummed whirlpool of “I Am The Dancer” to the gated reverb of “Remain” to the greyscale guitar reverie of “Isn’t It,” the record aches as much as moves, daydreaming of escape and transcendence.\u003cbr\u003e\u003cbr\u003eThe group cite a desire to leave their “industrial environment” as muse, although the songs also revel in the romance of longing itself, in the beauty of hearts grown distant.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe duo’s previous EPs, 10,000 Dreams (2021) and April’s Past (2022), captured a similarly swooning slowcore palette, but Only Hinting hits different. Here haze is as much instrument as texture, gauze and melody married as one, traced in elegant arcs across cities streaked in shadow.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LISTING\u003cbr\u003e1. Kissing Through The Veil 2. Only Hinting 3. I Am The Dancer 4. Remain 5. She Won’t Be 6. Shiver 7. Isn’t It 8. 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From the strummed whirlpool of “I Am The Dancer” to the gated reverb of “Remain” to the greyscale guitar reverie of “Isn’t It,” the record aches as much as moves, daydreaming of escape and transcendence.\u003cbr\u003e\u003cbr\u003eThe group cite a desire to leave their “industrial environment” as muse, although the songs also revel in the romance of longing itself, in the beauty of hearts grown distant.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe duo’s previous EPs, 10,000 Dreams (2021) and April’s Past (2022), captured a similarly swooning slowcore palette, but Only Hinting hits different. Here haze is as much instrument as texture, gauze and melody married as one, traced in elegant arcs across cities streaked in shadow.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LISTING\u003cbr\u003e1. Kissing Through The Veil 2. Only Hinting 3. I Am The Dancer 4. Remain 5. She Won’t Be 6. Shiver 7. Isn’t It 8. 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We feel that the outcome is clearly one of the most emotive, heartwarming pieces of music you’ll hear this year.\u003c\/p\u003e\n\u003cp\u003eWhen Rhenish cheerfulness meets holiday anticipation, the result is something like this Hawaiian shirt turned music called “Chee-Caruso” by JÜRGEN PAAPE. No animals were tortured for this piece, even if it sounds like it.\u003c\/p\u003e\n\u003cp\u003eNext up is one of this year’s Kompakt debutantes, a truly glamorous bird of paradise called DEER JADE. “Jukurpa” is a highly original, frolicsome house tune that has been moving crowds all over the planet.\u003c\/p\u003e\n\u003cp\u003eAs an integral part of the family, JONATHAN KASPAR is of course not to be missed. “Are You” celebrates the kind of early morning rapture that is commonplace at his new DJ venue, the brand new Cologne superclub FI. Everything is so colourful here.\u003c\/p\u003e\n\u003cp\u003eIf you’re ever in London and you need a great tune, we recommend calling HARDT ANTOINE. He’s firing from all cylinders lately and he’s god damn good at it. “I Will” holds the record of being the most played Kompakt track of the season. We salute you, Antoine!\u003cbr\u003e \u003cbr\u003eSASCHA FUNKE takes a bow to one of the greats of German showbiz with the trippy electro smasher “The Heck”. Born – like DJ Koze and Barnt – in Flensburg, died in Berlin in 2018 and wore glasses. More will not be revealed.\u003c\/p\u003e\n\u003cp\u003eWhat takes a long time usually turns out well. Having admired TEE MANGO from afar for many years, our A\u0026amp;R Michael Mayer took heart and invited him to this year’s TOTAL. “So In Love” is in the best tradition of the KOMPAKT minimal funk of the early years. We are delighted to have this lovely Englishman on board!\u003c\/p\u003e\n\u003cp\u003eBrazilian come Austrian come Berliner JOYCE MUNIZ has certainly become a household name with her intoxicating brand of uplifting pop house. Fittingly, she has joined our ranks and we’re happy to give you this collaboration with Sara Blum, “Beats \u0026amp; Lines”.\u003c\/p\u003e\n\u003cp\u003eMore Brazilian feel good vibes come in the form of GUI BORATTO’s “The Shell” which he conceived together with the former Underworld producer and legend in his own right, DARREN EMERSON.\u003c\/p\u003e\n\u003cp\u003eWe turn our attention to the realm of fauna, to London’s award-winning pedigree dog REX THE DOG. “Laika” is a heart-warming ode to the mongrel dog of the same name, who was the first living creature to make it from the streets of Moscow into space. She would have loved that bleep.\u003c\/p\u003e\n\u003cp\u003eA little-known fact about MICHAEL MAYER is that he is one of the fastest crossword puzzle foxes on the left bank of the Rhine, always in a relentless rivalry with Wolfgang Voigt, who thinks he is even faster. The big battle is yet to come. Uninvited guest with five letters? “Urian”.\u003c\/p\u003e\n\u003cp\u003eRAXON – these five letters mean business. Taken from his recent Speicher release “Beskar” showcases the Egyptian lover’s fascination for all things Starwars and his undeniable ability to churn out monster tracks.\u2028  \u2028DAVID HASERT \u0026amp; NICONÉ’s “Wasting My Time With You” is surely one of the most beloved Kompakt releases of 2024, so it can’t be missed on this compilation.\u003c\/p\u003e\n\u003cp\u003eREINHARD VOIGT has always placed great emphasis on loving animals. On this track with the unsurprising title “Der, der mit dem Gummiball sang (Orange)”, he lets whole hordes of different four-legged friends and poultry on the microphone. Hopefully the stench will dissipate from the studio.\u003c\/p\u003e\n\u003cp\u003eMore emotion, more love, more sing-along factor? Si, claro! ARGIA’s “Love Keeps You Running” masterfully combines groove and pop – a blend that sounds very familiar to us. She may be at home in Madrid, but there’s Cologne DNA in her somewhere. We’re sure of it.\u003c\/p\u003e\n\u003cp\u003eLet’s meet the legends, the veterans! JÖRG BURGER is still in a psychedelic mood in 2024. That suits him, that’s where he needs to be, that’s where we want him to be. A parallel universe is conceivable in which such music is affectionately called Goa.\u003c\/p\u003e\n\u003cp\u003eBefore going to bed, the WASSERMANN reads us a fairy tale from the Arabian Nights. At the same time, we focus on a point between everything, but really everything, and absolute, stark naked nothingness. 3, 2, 1… Let go.\u003c\/p\u003e\n\u003cp\u003eTracklisting \u003cbr\u003eA1    TEE MANGO    So In Love    00:05:10\u003cbr\u003eA2    Reinhard Voigt    Der, der mit dem Gummiball sang (Orange)    00:04:17\u003cbr\u003eA3    Jürgen Paape    Chee-Caruso    00:04:54\u003cbr\u003eB1    Rex The Dog    Laika    00:05:24\u003cbr\u003eB2    Michael Mayer    Urian    00:05:17\u003cbr\u003eC1    Jonathan Kaspar    Are You    00:06:04\u003cbr\u003eC2    Sascha Funke    The Heck    00:05:10\u003cbr\u003eD1    Argia    Love Keeps You Running    00:03:41\u003cbr\u003eD2    Jörg Burger    Legacy Of Ashes    00:05:00\u003cbr\u003eD3    Wassermann    Die Goldene Zeit    00:04:23\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e\u003c!----\u003e","brand":"Kompakt","offers":[{"title":"Default Title","offer_id":44243789971612,"sku":"Kompakt495","price":24.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KOMPAKTCD182_14310590-a828-4740-9d41-6cc791a19fb5.jpg?v=1721659252"},{"product_id":"jungle-neck-8-coffins-2lp","title":"JUNGLE NECK - 8 COFFINS [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: MPD051\u003cbr\u003eBarcode: 5414166678716\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Jungle\u003c\/p\u003e\n\u003cp\u003eMusique Pour La Danse proudly presents \"8 COFFINS\", an essential collection of original tracks by the British duo Dougie Wardrop (of Conscious Sounds fame) and Nigel Lake as Jungle Neck unearthed from the mid 90s from original masters for all fans of the Jungle Sound. \u003c\/p\u003e\n\u003cp\u003eThese impressive and mind-blowing soundclash ready weapons feature the deepest analog subs and sharpest drums, killer reggae samples to fit any sound system, and stands out as possibly the only jungle album in the bizness with an innovative and effective live dub production feeling. \u003c\/p\u003e\n\u003cp\u003eThis unique characteristic makes it even more essential and one-of-a-kind, capturing the raw energy and innovation of the era.\u003c\/p\u003e\n\u003cp\u003eFor fans of the peak era of Jungle, with shades of reggae and dub, warehouse raves, heavy basslines and 160 BPM.  \u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eA1. Jungle Neck - 8 Coffins A2. Jungle Neck - Kingdom Rise B1. Jungle Neck - Wadada B2. Jungle Neck - Body Guard C1. Jungle Neck - No Wicked C2. Jungle Neck - Vampire D1. Jungle Neck - Latin Flute D2. Jungle Neck - Zion\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Musique Pour La Danse","offers":[{"title":"Default Title","offer_id":44327487373468,"sku":"MPD051","price":28.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/MPD051.jpg?v=1723267774"},{"product_id":"johnny-thunders-the-heartbreakers-l-a-m-f-the-lost-77-mixes","title":"Johnny Thunders \u0026 The Heartbreakers - L.A.M.F – The Lost '77 Mixes","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FREUDLP044P\u003cbr\u003eBarcode: 5013145904411\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Classic Punk Rock\u003c\/p\u003e\n\u003cp\u003eThe classic 1977 punk album – remastered ‘lost ’77 mixes’ edition.\u003c\/p\u003e\n\u003cp\u003eLimited edition in transparent purple vinyl LP - *first time* this edition not in black.\u003cbr\u003eGatefold sleeve, with notes by Thunders biographer Nina Antonia.\u003c\/p\u003e\n\u003cp\u003eIn 1977 this classic punk album had a sound flaw and wasn't heard properly until it was recompiled in 1994 - after both former New York Dolls Johnny Thunders and Jerry Nolan had died. Now songs like Born to Lose and Chinese Rocks are acclaimed as punk anthems. The album was remastered and repackaged in 2017 to celebrate its 40th anniversary, but has only ever been in black vinyl since then.\u003c\/p\u003e\n\u003cp\u003e \"That 'L.A.M.F.', the only album by Johnny Thunders' swaggering, smacked-up post New York Dolls outfit, The Heartbreakers, is one of New York punk's defining artefacts (despite being recorded in Britain), is beyond dispute.  12 songs that put the guitarist's abiding passions - Chuck Berry, The Rolling Stones, Phil Spector and Shadow Morton girl groups, glam, garage, trash and junk - in perfect, speedy collision.\" - Damien Love, Uncut mag, 9\/10.\u003c\/p\u003e\n\u003cp\u003e6-Page Feature in MOJO.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eBorn To Lose, Baby Talk, All By Myself, I Wanna Be Loved, It's Not Enough, Chinese Rocks, Get Off The Phone, Pirate Love, One Track Mind, I Love You, Goin' Steady, Let Go, Can't Keep My Eyes On You, Do You Love Me.  40:00\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Jungle","offers":[{"title":"Default Title","offer_id":44340940603548,"sku":"FREUDLP044P","price":21.04,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FREUDLP044P.jpg?v=1723445609"},{"product_id":"the-hillbilly-moon-explosion-the-sparky-sessions-transparent-red-vinyl","title":"THE HILLBILLY MOON EXPLOSION - The Sparky Sessions [Transparent Red Vinyl]","description":"\u003cp\u003eFormat: LP, transparent red vinyl\u003cbr\u003eCatalogue No.: FREUDLP131R\u003cbr\u003eBarcode: 5013145913116\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Rock’n’Roll\/Rockabilly\u003c\/p\u003e\n\u003cp\u003eThe album of duets with Mark ‘Sparky’ Phillips of Demented Are Go.\u003c\/p\u003e\n\u003cp\u003eLimited Edition in transparent red vinyl – the first pressing not in black.\u003c\/p\u003e\n\u003cp\u003eOriginal songs, plus covers incl. Baby I Love You \u0026amp; Can’t Take My Eyes Off You.\u003c\/p\u003e\n\u003cp\u003eIncludes the YouTube hits Jackson, Queen of Hearts and My Love for Evermore.\u003cbr\u003eThe Hillbilly Moon Explosion are a modern rock’n’roll band. Much in demand, they’ve performed their exhilarating music encompassing all the roots of rock, live across twenty-seven countries. \u003c\/p\u003e\n\u003cp\u003eThey comprise of two Englishmen abroad – Oliver Baroni, double bass \u0026amp; vocals, and Duncan James, guitar; a French drummer Sylvain Pettitte, and their captivating Italian\/Swiss chanteuse, Emanuela Hutter. \u003c\/p\u003e\n\u003cp\u003eBuilding on their live gigs, they’ve also become an online and vinyl phenomenon, with tens of millions of YouTube viewers – in particular on distinctive duets with Sparky Phillips of psychobilly band Demented Are Go. \u003c\/p\u003e\n\u003cp\u003eThis entire album of duets with the “Welsh Tom Waits” includes ‘Jackson’, ‘Queen of Hearts’ and the ‘My Love for Evermore’ vinyl and video hit. Seven new tracks are added to previous Sparky collaborations. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracks: Broken Love, Queen of Hearts, Stumble Through the Darkness, Obsession, Baby I Love You, Teddy Boy Flick Knife Rock’n’Roll, Can’t Take My Eyes Off You, Northern Crown, Jackson, Black Ghost, My Love for Evermore.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title='\"Queen Of Hearts\" The Hillbilly Moon Explosion featuring Mark \"Sparky\" Phillips' src=\"https:\/\/www.youtube.com\/embed\/jSR9CLcVBMM\" height=\"360\" width=\"640\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"The Hillbilly Moon Explosion – Jackson (feat. Sparky from Demented Are Go)\" src=\"https:\/\/www.youtube.com\/embed\/_HM_gPFsDpc\" height=\"360\" width=\"640\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"The Hillbilly Moon Explosion - 'My Love For Evermore' (ft. Sparky from Demented Are Go) (Full Video)\" src=\"https:\/\/www.youtube.com\/embed\/2rlYPb2plaY\" height=\"360\" width=\"640\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Jungle","offers":[{"title":"Default Title","offer_id":44341075214492,"sku":"FREUDLP131R","price":19.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FREUDLP131R.jpg?v=1723446733"},{"product_id":"the-slits-in-the-beginning-live-anthology-1977-81-cd","title":"The Slits - In The Beginning (Live Anthology 1977-81 [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: FREUDCD057R\u003cbr\u003eBarcode: 5013145905722\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Punk\u003c\/p\u003e\n\u003cp\u003eRemastered and repackaged in a 6-panel card sleeve, the 15-track album.\u003c\/p\u003e\n\u003cp\u003eThree exclusive songs. Guest vocals by Nina Hagen and Neneh Cherry.\u003c\/p\u003e\n\u003cp\u003eNotes by Mick Mercer. Extra photos as seen on the RSD 2LP. From punk to dub eras. \u003cbr\u003eThe Slits were known for their uncompromising attitude and confrontational music, first seen on their 1977 tour with The Clash. To this day they are cited as being hugely inspiring to many female artists. But even their seminal Island Records 1979 debut album Cut, with its infamous sleeve of the band members naked and caked in mud, does not capture the true energy and spontaneity as well as these live recordings do. \u003cbr\u003eThe album spans from an early, chaotic punk-era show which includes classics such as Shoplifting, Newtown and Love \u0026amp; Romance. It shows how they evolved into their dubby, reggae-influenced style with songs such as Typical Girls, and finishes with a track from their last ever performance in 1981. Over its fifteen tracks it features three songs never otherwise recorded*, and guest vocals from Nina Hagen and Neneh Cherry. The new 6-panel all-card sleeve includes updated notes from Mick Mercer and previously unseen live and at home photos.\u003c\/p\u003e\n\u003cp\u003e1. Vindictive, 2. A Boring Life*, 3. Slime*, 4. New Town, 5. Love \u0026amp; Romance, 6. Shoplifting, 7. Number One Enemy, 8. Number One Enemy(acoustic) (guest vocal from Nina Hagen), 9. In The Beginning, 10. New Town, 11. Man Next Door, 12. I Heard It Through The Grapevine, 13. Typical Girls, 14. Fade Away*, 15. In The Beginning (guest vocal from Neneh Cherry) Tracks 1-7 Live at Dingwalls, London 1977; 8 live in rehearsal; 9-14 Live in Cincinnati \u0026amp; San Francisco 1980; 15 Live at Hammersmith Palais, Dec. 1981 (last ever show).\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Jungle","offers":[{"title":"Default Title","offer_id":44341100118172,"sku":"FREUDCD057R","price":10.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FREUDCD057R_5d4a8256-f7db-4204-9923-df132b004c8a.jpg?v=1723447024"},{"product_id":"robert-sotelo-and-mary-currie-dream-songs-7-vinyl","title":"Robert Sotelo and Mary Currie - Dream Songs [7\" Vinyl]","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: UTR166\u003cbr\u003eBarcode: 828887116610\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Alternative\/Indie\/Dream Pop\/Experimental\u003c\/p\u003e\n\u003cp\u003eCOLLABORATION BETWEEN DIY-POP GRAFTER ROBERT SOTELO AND MARY CURRIE (HALF OF FLAMING TUNES WITH GARETH WILLIAMS (THIS HEAT)).\u003c\/p\u003e\n\u003cp\u003e400 COPIES WORLDWIDE. HEAVY BLACK VINYL.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRobert Sotelo is a bedroom pop songsmith who lives in Glasgow. Sotelo has released six albums since 2017, three of which came out on Upset The Rhythm. He also performs in Order of the Toad, Dancer and Nightshift. Mary Currie is best known as half of touchstone DIY experimentalists Flaming Tunes, alongside Gareth Williams (of This Heat). Currie also performed in Officer! with Mick Hobbs amongst others.\u003cbr\u003eIntroduced via a mutual friend, Sotelo approached Currie last year about collaborating on four songs he was constructing with producer\/electronic guru Joe Howe. This resulted in the ‘Dream Songs’ 7” EP (out October 4th on Upset The Rhythm). \u003c\/p\u003e\n\u003cp\u003eNot only does the title capture the hazy, reflective nature of the music it also expounds on the origin of tracks. Sotelo experienced several lucid dreams in the first half of 2023 that left him in a state of confusion. He recalled visiting parts of London vividly, including a disused theatre of great familiarity, yet it slowly transpired that these places and circumstances were not real, much to Sotelo's disbelief. \u003c\/p\u003e\n\u003cp\u003eThese reveries informed the lyrical narrative of the four songs from the forthcoming EP. Currie took a similar approach with her lyrics, focusing on memory and time for her passages on the record. Currie recorded her parts in London (assisted by her good friend Alison Craig) and then sent them to Howe, alongside additional location recordings to consolidate into the mixes. These four tracks flutter with a minimalist bass, drum machine and keys dynamic, allowing Sotelo and Currie’s vocals to speak deeply into the back of your mind. ‘Expectations’ is a pensive triumph of whirled moments and momentum with Currie’s final words lending much gravity “the outcome of my days is always the same, a void that must be filled, a battle against time that drags us along; mutating, spinning, ebbing, flowing. Begin again, we work to give value to time.” ‘Telegraph Hill’ boasts a glossy fluidity, as it plays with images of motorways, ancient citadels, crows, paralysis and emanations. ‘Lady Fortune’ meanwhile is a tranquil treatise on fate, imbued with finessed electronic embellishments and clarinet flourishes. You can't quite trust where these songs will take you, they feel particularly mercurial. Dreams indeed.\u003cbr\u003e‘Dream Songs’ by Robert Sotelo \u0026amp; Mary Currie will be released on October 4th, followed by some live performances from the band. These will include the aforementioned EP tracks, as well as recreated cuts from the Flaming Tunes era, leaning into happenstance rather aptly.\u003c\/p\u003e\n\u003cp\u003eTrack listing: 01. Lady Fortune 02. Dream States 03. Expectations 04. Telegraph Hill\u003c\/p\u003e\n\u003c!----\u003e","brand":"Upset The Rhythm","offers":[{"title":"Default Title","offer_id":44341131509916,"sku":"UTR166","price":9.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/UTR166.jpg?v=1723447297"},{"product_id":"edmundo-arias-guepa-je-cumbia-porro-the-sound-of-colombia-s-caribbean-pacific-coasts","title":"EDMUNDO ARIAS - Guepa Je! Cumbia, Porro \u0026 The Sound Of Colombia’s Caribbean \u0026 Pacific Coasts","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: RMLP012\u003cbr\u003eBarcode: 5414165091158\u003cbr\u003eRelease Date: 13 Sep 2024\u003cbr\u003eGenre: Latin\/Cumbia\u003c\/p\u003e\n\u003cp\u003eGATEFOLD 2LP. \u003c\/p\u003e\n\u003cp\u003eThis album takes you back to Colombia of the 50s and 60s. In those days, the tropical music of the Caribbean and Pacific coasts took over the country's mainland music scene by storm. One of the key figures during this period was Edmundo Arias. Together with Lucho Bermúdez and Pacho Galán, Arias is seen as one of the ‘big three’ composers of Colombian tropical music.\u003cbr\u003e \u003cbr\u003eHe was a rather introverted person who avoided being in the spotlight at all cost, leading to his work being less known than his contemporaries. With this album we hope to highlight the amazing legacy Edmundo Arias has left us. Think of big bands with sharp dressed musicians playing the finest cumbias, porros and other tropical sounds in fancy ballrooms on a hot evening in Medellin or Bogota.\u003cbr\u003e \u003cbr\u003eLiner notes:\u003cbr\u003e \u003cbr\u003eEdmundo Dante Arias Valencia was born in Tuluá, Valle del Cauca, on the 5th of November 1925. He came from a family of musicians. His father, Joaquín Arias Cardoza was a band leader and composer who taught his children to play music. Arias learned to play many instruments such as the guitar, bass, bandola (pear shaped string instrument related to the mandolin), tiple (12 string guitar), clarinet and saxophone. He proved to be a very talented musician and together with his father and his older brother Ricaurte he formed the ‘Trio Arias’. The family lived in different cities across Colombia depending on where they found work. When his father died unexpectedly in 1948, Edmundo and Ricaurte had to support their family working as musicians. In 1951, Arias decided to move to Medellín, in those days the heart of the Colombian music industry and the city where the most important record companies and the best musicians were based. It didn’t take long before Arias made a name for himself as a musician, composer, arranger and band leader for Colombia’s leading labels at the time; Zeida, Ondina, Silver and Sonolux. For the latter, he would eventually become the artistic director. Over the years, he wrote hundreds of songs, recorded many albums with his own orchestras or with the Orquesta Sonolux and collaborated with a countless number of musicians, often uncredited.\u003cbr\u003e \u003cbr\u003eTogether with Lucho Bermúdez and Pacho Galán, Edmundo Arias is seen as one of the ‘big three’ composers of the tropical music of Colombia. But despite the fact that Arias was renowned, very little is known about his personal life. He was a humble man who preferred to work in the background and avoided being in the spotlight at all cost. He declined interviews and kept away from public life. On some live performances of the orchestra that carried his name, Arias asked one of his musicians to pretend to be him, so that he wouldn’t have to come on stage. You might think that Arias was shy or anti-social, but this was not the case. Most people he worked with described him as a very jovial, good humoured person and enjoyed working with him. \u003cbr\u003e \u003cbr\u003eHis invisibility in public life belied how present he was behind the scenes. If he wasn’t working on his own productions, he was regularly collaborating with other musicians. Arias had his hand in the work of many of his colleagues and was a mentor for young artists. Some even say that in those days all the musicians in Medellín had worked with Arias in one way or the other. He had a strict working regime: composing, arranging and recording at night while sleeping during the day. He was also very productive. The story goes that on one occasion, he wrote arrangements for a 16 piece band in just a few minutes while the band was recording another song. His hard work and productiveness resulted in hundreds of compositions and many records that carry his name. \u003cbr\u003e \u003cbr\u003eEdmundo Arias’ career ran over 6 decades until his death on the 29th of January 1993. Over the years, he left us a huge legacy. The songs on this record are a selection of his work during the 50s and 60s. Many see this period as the absolute highlight of his career. We picked out the songs we consider to be the most outstanding recordings from this period. The title of this compilation Guepa Je! is Colombian slang often used in cumbia to express joy or to celebrate. A free translation would result into something like ‘yeah’, ’let’s go’ or ‘groovy’.  I guess this title says enough. Enjoy the music. Guepa Je!\u003cbr\u003e \u003cbr\u003eA1. Juanita Bonita A2. Cumbia Candelosa A3. El Mecanico A4. Tus Ojos A5. Que Te Pasa A6. Brisa, Mar Y Arena B1. Venenosa B2. Uey’ Je’ Je’ Pa’ B3. El Canje B4. Dime Pa’ Quien B5. El Guarachero B6. Solo Estoy C1. La Luna Y El Pescador C2. Noche De Fiesta C3. Acuarela Cumbiambera C4. Las Diez Velas C5. El Chontaduro C6. Orlandito D1. Fiesta Tropical D2. Cumbia Del Caribe D3. Guepa…Je D4. Buenas Noches Diciembre D5. Alma Quibdoseña D6. Asi Se Baila Cumbia\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Radio Martiko","offers":[{"title":"Default Title","offer_id":44341260943516,"sku":"RMLP012","price":35.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/RMLP012.jpg?v=1723448133"},{"product_id":"gǽg-anarcho-disco-vol-2","title":"GǼG - Anarcho Disco Vol.2","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: OM60\u003cbr\u003eBarcode: 4250101469985\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: House\/Nu Disco\u003c\/p\u003e\n\u003cp\u003eOptimo Music excitedly unleashes Japan’s GǼG and their Anarcho Disco volumes 1 \u0026amp; 2 into the world. We thought we were done with 12” single release, at least for now, but then these tracks showed up and it was instantly obviously ESSENTIAL that they get pressed up on big fat twelve inch singles. Every single track here has been tried and tested and caused delirious delight on the dancefloor over the last year. Now it is time to share them with YOU! Truly Anarchic, Psychedelic dance music for the open-minded and genre-free crews.\u003c\/p\u003e\n\u003cp\u003eGǼG say – \u2028DISKO KLUBB boss MONKEY TIMERS, who leads Tokyo’s underground disco scene, and KEITA SANO, who has been gaining attention for his releases on labels around the world, have started the project “GǼG”.\u003c\/p\u003e\n\u003cp\u003eUsing a variety of sampling and unique FX, our music has created a unique GǼG sound that is psychedelic and anarchic.\u003c\/p\u003e\n\u003cp\u003eThis subversive sound is sure to be the key to shaking the dancefloor.\u003c\/p\u003e\n\u003cp\u003eTracklisting \u003cbr\u003eA1    GǼG    Fountain    00:05:50\u003cbr\u003eA2    GǼG    Blue Fusion    00:05:53\u003cbr\u003eB1    GǼG    Brother    00:06:05\u003cbr\u003eB2    GǼG    Crazy Pa Pa    00:06:44\u003cbr\u003e\u003c\/p\u003e","brand":"Optimo Music","offers":[{"title":"Default Title","offer_id":44405263958172,"sku":"OM60","price":13.75,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/OM60.jpg?v=1724453226"},{"product_id":"various-artists-alley-of-the-sun-2lp","title":"Various Artists - Alley of the Sun [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: NNF400\u003cbr\u003eBarcode: 5060168045294\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Ambient\/Electronic\u003c\/p\u003e\n\u003cp\u003eAlthough many a vibe has shifted since the days of dubbing NNF001 one at a time on the floor of a Koreatown bachelor apartment in February of 2004, using stolen photocopies and tie-dyeing J-cards with wine, the label’s essential premise has not. Then, as now, the vision was to elevate and enshrine outsiders, foragers, hidden gems, and hybrid sounds on cheap tapes or affordable records, to be savoured and shared in the here and now. 399 catalogue titles later, the centre still holds.\u003cbr\u003e \u003cbr\u003eTo toast the label’s 20th anniversary and 400th release, we commissioned a gold roll call of alumni and affiliates: Alley Of The Sun. Named in homage to the Malibu mystic music fountainhead, skewed through a smoggy sideways lens, the 16-song, 90-minute, double LP suite spans every shade of NNF’s Pacific palette: rainforest ceremony, skyway motorik, Tascam rapture, silhouette shoegaze, basement vapour, astral ascension, jazz shadows, 5th world tropics, lucid dream drone, desert quests, prophecy electronics, ritual wreckage.\u003cbr\u003e \u003cbr\u003eEqual parts snapshot, tapestry, and time capsule, the compilation reflects the breadth of NNF’s two-decade exploration and evolution, from simple soil to a sea of dunes. True undergrounds have no set sound or fixed polarity, only flashes of transient magic and forking paths, to be cherished and championed for as long as the candle lasts.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. X. Y. R- Wind Chimes Voices\u003cbr\u003e2. Frunk29- Journey In Search of the Holy Gray\u003cbr\u003e3. SiP- Grand Avenue\u003cbr\u003e4. NEW MEXICAN STARGAZERS- HEADLIGHTS IN REARVIEW\u003cbr\u003e5. White Poppy- On Love\u003cbr\u003e6. Essential Key- Cold City\u003cbr\u003e7. UNKNOWN ME- Mirage of Ocean\u003cbr\u003e8. Magnétophonique - V50 tone transfer\u003cbr\u003e9. David Edren- Vienya \u003cbr\u003e10. Andra Ljos- SIlver Wings and a Drop of Blood\u003cbr\u003e11. Wave Temples- Side Quest\u003cbr\u003e12. Golden Hallway Music- Evening Sky People (Yaman Dream)\u003cbr\u003e13. Vague Imaginaires- VI: La Corniche\u003cbr\u003e14. Filthy Huns- Bleached Skull in the Desert Moonlight\u003cbr\u003e15. Severed+Said- Flesh Tectonics\u003cbr\u003e16. Robedoor- Drainage\u003cbr\u003e\u003c\/p\u003e","brand":"Not Not Fun","offers":[{"title":"Default Title","offer_id":44409032310940,"sku":"NNF400","price":32.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/NNF400.jpg?v=1724603737"},{"product_id":"frank-bretschneider-pounding-lp","title":"Frank Bretschneider - Pounding [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: RM2142\u003cbr\u003eBarcode: 4260115999149\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Electronic\/Experimental\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUnequal cycles searching for synchronous experiences: On his new album »Pounding«, Frank Bretschneider tells of distance, convergence and congruence in a continuous, ever-changing flow of events. What is often considered to be an unquestionable dogma in club music (for which Bretschneider has provided significant impetus since the 1990s) – the groove – appears precarious, unstable, and in motion. Pulse and accent are volatile encounters and have to be found again and again for short, delightful moments. Music becomes a constant process of negotiation.\u003c\/p\u003e\n\u003cp\u003eIn search of new sound spaces, Bretschneider has recently worked a lot with modular synthesizers, both solo (for example on »abtasten_halten«, 2020) and in collaborations, including the project Beispiel together with Jan Jelinek. »Pounding« was created using similar means – conceived in 2020 for the Pochen Biennale in Chemnitz, subsequently developed further and recorded in March and April 2023 on a sample-based modular system. And in fact, Bretschneider is once again exemplarily scanning his own sound material, for example Dub effects that listen to themselves crumbling. But also the human voice, or more precisely: the stuttering of fragments of speech, far in the distance but omnipresent, like a mysterious narration. Aesthetically, the eleven pieces form part of a series of works with a focus on percussion. Bretschneider has already perfected this approach with albums like »Rhythm« (2007) and has been shifting the perspective ever since, forever new results.\u003c\/p\u003e\n\u003cp\u003eShifting is the basic principle of »Pounding«. Bretschneider combines elements that are in different aggregate states, changing their relationship to each other and thus ensuring the complex overall movement. He lets one to two-bar loops run against each other and through manipulations, develops a network of rhythms that creates a hypnotic state in the counterplay of repetition and mutation, between clearly recognizable meter and disorientation. There are comparable approaches in aleatoric music. Bretschneider combines them with sounds and patterns that are reminiscent of step sequencer logic and at the same time go far beyond it. The result is relational techno. Never clear, constantly restless and exciting.\u003c\/p\u003e\n\u003cp\u003eTracklisting  \u003cbr\u003e01 Evening News 00:04:43 02 Here We Go 00:03:42 03 Massenmedium 00:03:24\u003cbr\u003e04 Alright Tomorrow 00:03:41 05 Gojo 00:03:40 06 Orbit 00:03:43 07 Zone 00:01:13 08 Dichte 9 00:04:47 09 Transit 00:04:15 10 Supermoon 00:04:15 11 Rapid    00:04:30\u003cbr\u003e\u003c\/p\u003e","brand":"Raster","offers":[{"title":"Default Title","offer_id":44409150963868,"sku":"RM2142","price":29.57,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/RM214_fee59af2-70f8-4e25-8eae-c9ecac5f1a15.jpg?v=1724604695"},{"product_id":"menelaos-tomasides-dreamhike","title":"Menelaos Tomasides - Dreamhike","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 31MINUTENLP02\u003cbr\u003eBarcode: 4250101471940\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Electronic\/Downbeat\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe unconscious and unknown must be really nice places. In any case, if you take the second album of Menelaos Tomasides under his given name as travelogue.\u003c\/p\u003e\n\u003cp\u003eA trip into dreamlike territory, yet concrete enough, a journey without target yet looking forward and looking back into familiar places, „dreamhike“ both continues and departs from the style Menelaos has found earlier, in “When the Moon Comes Through”, or his more conceptual-intentional “31 Minuten” works. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs the album title - which roughly translates to “dream hiking” but also hints on “walkabout” and “songlines” – suggests, we are rambling between the real and the imaginary. From the bucolic border triangle of Belgium, Germany, and the Netherlands to the buzzing streets of the capital of Cyprus, where Menelaos has lived for many years, the tracks are about real places, about real experiences and emotions yet interwoven with a dreamlike fabric. Something that is just not tangible, yet substantial and palpable. Something concrete that manifests in the genuine and special sound design of this records - basically all of Menelaos’ works - his really special treatment of dynamics and loudness.\u003c\/p\u003e\n\u003cp\u003e It is one of the very few records where the established language of music making, specifically Techno, House, Dub, and early 2000’ Electronica, the clicks, thumps and plops from an earlier age of electronic music, transmogrify into slow movements of something new. Something that is gentle and truly personal, looking inwards. There are four-to-the-floor beats, there is wobbly bass, and dubby chords, even sublimated clarion calls. There is an immense energy in these tracks, the sheer materiality of low frequencies of a massive sound system manifested in a tiny room. Yet it is without any aggression, stripped bare of sonic pressure. It is quiet music no matter how high you turn up the volume. A rare treat, that requires exceptional skills and exceptional restraint and control on the technical side of music making. Probably it is a result of Menelaos specific combination of instinctual, intuitive approach to making music, which meets a genuine love for sound in seemingly endless loops of refinement that can lead to such a result as „dreamhike“. \u003c\/p\u003e\n\u003cp\u003eThe elegant floating balance of control and playful experimentation manifests for example in a track that continues the ongoing collaboration with seasoned Cologne improviser Achim Fink on bass trumpet. Not only in this respect, the album can be described as a product of openness. It comes from a lot of taking in the world, of travel, of places and people met, of friendship and conversation (not necessarily with words). \u003c\/p\u003e\n\u003cp\u003eThe deep trip of “dreamhike” further manifests Menelaos as one of the truly independent voices of electronic Cologne and beyond. Somewhat alike in character and attitude probably to what late Pete Namlook has established for Frankfurt with his label Fax +49-69\/450464 (though ultimately warmer and much less uncanny) Menelaos has found his very own sound and vision. Music that answers to no one but speaks to everyone. Uncompromising yet gentle to the core: kind sounds from a kind spirit, arguably the most extraordinary and valuable quality music can have these days.\u003c\/p\u003e\n\u003cp\u003eTracklisting \u003cbr\u003eA1    menelaos tomasides    nord lied 2    00:03:21\u003cbr\u003eA2    menelaos tomasides    regen im wald    00:04:41\u003cbr\u003eA3    menelaos tomasides    hohes venn    00:06:31\u003cbr\u003eA4    menelaos tomasides    experiment nr 5 feat. karin deis    00:02:18\u003cbr\u003eB1    menelaos tomasides    fuchs feat. karin deis    00:03:38\u003cbr\u003eB2    menelaos tomasides    nikosia zentrum    00:05:31\u003cbr\u003eB3    menelaos tomasides    unterwasser feat. achim fink    00:05:23\u003cbr\u003eB4    menelaos tomasides    vor bellobonisos    00:01:51\u003cbr\u003e\u003c\/p\u003e","brand":"31 MINUTEN","offers":[{"title":"Default Title","offer_id":44409349111964,"sku":"31MINUTENLP02","price":25.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/31MINUTENLP02.jpg?v=1724605958"},{"product_id":"crys-cole-making-conversation","title":"crys cole - Making Conversation","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BLACKTRUFFLE123\u003cbr\u003eBarcode: 4250101472015\u003cbr\u003eRelease Date: 20 Sep 2024\u003cbr\u003eGenre: Experimental\/Sound Art\u003c\/p\u003e\n\u003cp\u003ecrys cole returns to Black Truffle with Making Conversation, her third solo release for the label. \u003c\/p\u003e\n\u003cp\u003eAfter the intimate song-like constructions of Other Meetings (BT096), Making Conversation documents a different facet of cole’s work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe side-long title piece is a stereo version of an 8-channel sound installation exhibited in 2023 at the Tabakalera Art Center in Donostia \/ San Sebastian, Spain. The piece uses a multitude of instrumental, vocal, concrete and electronic sounds to evoke the soundscapes cole encountered during nocturnal listening session in Bali, Indonesia in 2018 and 2019. In this world of night sounds, she explains, she ‘observed the complex interplay between amphibian, lizard, bird and insect communication, domestic animals (roosters, dogs), man-made sounds (airplanes, vehicles, conversations and evening activities) and sounds that were difficult to place’. Drawing on field recordings as memory aids (but including none in the finished piece), cole’s piece uncannily reproduces the spatiality and pacing of environmental sound without attempting strictly to replicate it. We hear insect-like twittering and birdsong fragments, resonant thuds and distant roars, furtive crunches and taps, muffled breath and metallic scrapes. While at times it can be difficult to imagine the source of these sounds, at other points they are clearly instrumental or electronic in origin; in its placement and layering, though, the whole assemblage suggests the glorious, unthinking richness of a non-musical sound environment. Suggesting at once the electronic gardens of Rolf Julius and the little instrument expanses of classic AACM, the piece is a brilliant enactment of the Cagean drive to ‘imitate nature in her manner of operation’.\u003c\/p\u003e\n\u003cp\u003e‘Valid ForeverrRrrRRrrr… (pt. 1)’ began as cole’s contribution to an Issue Project Room commission to realise a score from Alison Knowles and Annea Lockwood’s Women's Work, a 1975 collection of text and conceptual scores by women artists and composers. cole’s piece begins from Beth Anderson’s Valid for Life, a complex arrangement of the letter R in various typefaces. Where the composer suggests a realisation on a trio of acoustic instruments (playing rolls with velvet beaters), cole translates the piece into her characteristic sound and object language as a trio of rolling sounds on ‘two large similar paper things and one 5-pin bowling ball’. Rolling from one side of the stereo field to the other, the bowling ball’s uneven movement is the heart of this immersive textural array, created with the simplest materials, which generates phantom sensations of pitch and phasing effects solely through amplified friction. \u003c\/p\u003e\n\u003cp\u003eOn ‘Valid ForeverrRrrRRrrr… (pt. 2)’, cole makes a first foray in translating her signature approach into conventional instrumental sounds, here in the form of a transcription for MIDI percussion ensemble. The result is refreshingly puzzling, comparable perhaps only to the sparsest moments of Keiji Haino’s classic “C’est parfait…” Accompanied with extensive liner notes, photographic documentation and a download code, Making Conversation is an exciting next step in cole’s work, extending her signature concerns in new sonic and conceptual directions.\u003c\/p\u003e\n\u003cp\u003eTracklisting \u003cbr\u003eA    crys cole    Making Conversation    00:20:09\u003cbr\u003eB1    crys cole    Valid ForeverrRrrRRrrr… (pt.1)    00:10:59\u003cbr\u003eB2    crys cole    Valid ForeverrRrrRRrrr… (pt.2)    00:07:11\u003cbr\u003e\u003c\/p\u003e","brand":"Black Truffle","offers":[{"title":"Default Title","offer_id":44412022947996,"sku":"BLACKTRUFFLE123","price":27.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BLACKTRUFFLE123.jpg?v=1724698333"},{"product_id":"nails-unsilent-death-yellow-vinyl","title":"Nails - Unsilent Death [Yellow Vinyl]","description":"\u003cp\u003eFormat: LP (YELLOW)\u003cbr\u003eCatalogue No.: LORD127LPY\u003cbr\u003eBarcode: 880872127315\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Hardcore Punk\u003c\/p\u003e\n\u003cp\u003eAHEAD OF THEIR FOURTH STUDIO ALBUM RELEASED AT THE END OF AUGUST ON NUCLEAR BLAST RECORDS.\u003c\/p\u003e\n\u003cp\u003eUK EXCLUSIVE YELLOW VINYL - 200 COPIES ONLY - NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eTOURING U.S. WITH 200 STAB WOUNDS - ONE U.K. SLOT AT DAMNATION FESTIVAL IN MANCHESTER NOVEMBER 2ND.\u003c\/p\u003e\n\u003cp\u003eREGARDED AS A MODERN CLASSIC IN HARDCORE PUNK CIRCLES...                                                                                                                                                 \u003c\/p\u003e\n\u003cp\u003e''A swirling, savage and harrowingly sincere listen from start to finish, the record introduced the world to the band in the most brutal and brilliantly harsh manner possible. The new version of the album also features tracks that were never released from the sessions over a decade ago and completes the story of one of the most influential and affecting crossover releases of the century so far.''  ROCK SOUND\u003c\/p\u003e\n\u003cp\u003e'When Southern Lord picked up and re-released their 2010 debut LP Unsilent Death after its smaller first pressing sold out, they offered a comparison of 90s AmRep bands and early Cro-Mags going faster than either. That sort of works. So does Eyehategod's songbook played by 2013 Converge. This music is more suffocating than it is Suffocation; it also pulls largely from hardcore and comes with plenty of raw emotion attached to it.'' PITCHFORK\u003c\/p\u003e\n\u003cp\u003eIncludes every track from the “Unsilent Death” recording sessions with two new exclusive songs.\u003c\/p\u003e\n\u003cp\u003e1. Conform 2. Scum Will Rise 3. Your God 4. Suffering Soul 5. Unsilent Death 6. Traitor 7. I Will Not Follow 8. No Servant 9. 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With the core trio of Óscar Silva, Ricardo Martins and Mestre André augmented by a stellar parade of collaborators on various roles, 'Salar' further expands on the transglobal visions by now pretty trademarked by the band. Intersped among shorter vignettes for drums, saxophone and bass, each of the more fully fleshed tracks casts a guest to elevate Jibóia's music to uncharted realms - both in a mystical and geographical sense.\u003cbr\u003eOpener 'Selar' summons the cello of songstress Joana Guerra for a skewed dialogue with Silva's guitar, propelled by Martins' drums and percussion and André's electronic textures into 4 minutes and 20 seconds that feel epic - if there was any psychedelic numerological symbolism needed. On 'Solar', Silva's non-western plucking rides on for Yaw Tembe's trumpet to veer in a multitude in directions, while the mysterious 'Sitar' conjures the voice of  Moroccan musician Ayoub El Ayadi for a contemplative nighttime prayer. Elsewhere, guitarist Rui Carvalho aka Filho da Mãe injects dissonant guitar lines unto 'Sarar's pummelling dance and Pedro Augusto's electronics hover below the shapeshifting dynamics of 'Sonar', among mesmerizing keyboard lines. 'Salir' featuring Daiyen Jone enchanted flute brings the album to a close at its most reflective, all crepuscular synth lines and reverbed handclaps. \u003c\/p\u003e\n\u003cp\u003eCredits\u003cbr\u003eAll tracks by Jibóia (Óscar Silva, Ricardo Martins and Mestre André) except Track 1 with Joana Guerra, Track 3 with Yaw Tembe, Track 5 with Ayoub ElAyady, Track 6 with Rui Carvalho, Track 8 with Pedro Augusto and Track 10 with Daiyen Jone.\u003cbr\u003eRecorded and Mixed by Mestre André\u003cbr\u003eMastering by Rashad Becker.\u003cbr\u003eArt Direction and Design by Desisto\u003cbr\u003ePressed in Germany\u003cbr\u003eTracklist\u003cbr\u003eA1. Selar (Joana Guerra)\u003cbr\u003eA2. salar i\u003cbr\u003eA3. 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For economical reasons alone it would pay to have a DJ on hand to play these hits rather than a 10 piece band that could eat and drink the promotor out of the house and on curried goat!!\u003cbr\u003eThe early Sound Systems were basic affairs built around a single record deck, a valve amp and a speaker.\u003cbr\u003eBut by the 1950’s they had grown to purpose built speakers the size of wardrobes that could be heard blocks away.\u003cbr\u003eRecord producer Bunny ‘Striker’ Lee would remember the time ‘Sound Systems was like our radio station…not many people on the island would own a wireless, so it was the way for the people to hear their music.\u003cbr\u003eSo this selection of Lovers, Ballads, Root’s classic’s made the Sound Sytems of Jamaica the place to be.\u003cbr\u003eSo sit back and enjoy the ride….SOUND SYSTEM ROCKERS …one and all\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Tracklisting\u003cbr\u003eTrack 1 SATTA MASSA GANA-KEN BOOTH\u003cbr\u003eTrack 2 GUIDING STAR-HORACE ANDY\u003cbr\u003eTrack 3 SHAME\u0026amp;PRIDE-LEROY SMART\u003cbr\u003eTrack 4 STICK BY ME-DENNIS BROWN\u003cbr\u003eTrack 5 CAN’T GET ME OUT-CORNELL CAMPBELL\u003cbr\u003eTrack 6 RIDING FOR A FALL-JOHN HOLT\u003cbr\u003eTrack 7 ONCE UPON A TIME-DELROY WILSON\u003cbr\u003eTrack 8 THE VILLAGE-GREGORY ISAACS\u003cbr\u003eTrack 9 RIDE ON GIRL-JOHNNY CLARKE\u003cbr\u003eTrack 10 MIGHTY KING -FREDDIE MCGREGOR\u003cbr\u003eTrack 11 WHIP THEM KING-LINVAL THOMPSON\u003cbr\u003eTrack 12 LEAD US JAH JAH-BARRY BROWN\u003cbr\u003eTrack 13 EVERYBODY NEEDS LOVE-PAT KELLY\u003cbr\u003eTrack 14 PLAY IT COOL-ALTON ELLIS *\u003cbr\u003eTrack 15 MULE TRAIN-COUNT PRICE MILLAR*\u003cbr\u003eTrack 16 NATTY BONGO-OWEN GREY*\u003cbr\u003e*CD Bonus Tracks \u003cbr\u003e\u003c\/p\u003e","brand":"KINGSTON SOUNDS","offers":[{"title":"Default Title","offer_id":44412146679964,"sku":"KSLP001","price":15.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KSCD001.jpg?v=1724703809"},{"product_id":"the-congos-feast-cd","title":"The Congos - Feast [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: KSCD008\u003cbr\u003eBarcode: 5036848002659 \u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Dub Reggae\u003c\/p\u003e\n\u003cp\u003eThe Congos were formed by Cedric Myton (born 1947 St Catherine, Jamaica) and Roydel ‘Roy’ Johnson (born 1943 Hanover, Jamaica), around the mid-seventies, a time when the Rasta message coming out of Kingston and other pockets of the Jamaican Island was at its most prominent. Cedric Myton’s singing career began back in the rocksteady era in Reggae’s musical story.\u003c\/p\u003e\n\u003cp\u003eHe formed the ‘Tartans’ group taking lead vocal duties alongside Devon Russell, Prince Lincoln Thompson and Lindbergh Lewis. They cut ‘Dance All Night’ (1967) and ‘Coming On Strong’ (1968). The line-up reduced to a two piece, Cedric and Devon Russell, when tracks like ‘What a Sin Thing’ and ‘Short Up Dress’ were cut. This line-up became the Royal Rasses, Cedric formed The Congos, on meeting Roydel Johnson. Roydel previously sang as a member of Ras Michael and the Sons of Negas, cutting such tracks as ’Go To Zion’ (1973). As we can see Cedric’s and Roydel’s Rasta roots were firmly in place by the time they had formed The Congos sometimes called ‘The Congoes’.\u003c\/p\u003e\n\u003cp\u003eThe Congos possess what all bands look for,that unique sound that draws the listener to them.Lead singer Cedric Myton’s style and phasing, with his distinctive Falsetto voice makes this just the case.Built on a foundation of classic rhythms and with the aid of then Producer, Lee Perry, the groups statement of intent was laid down with one succinct message. The Congos mighty 1977 ‘Heart of the Congos’ album, is quite simply one of the best reggae albums ever recorded.\u003c\/p\u003e\n\u003cp\u003eProducer Lee Perry had wanted to record a classic Jamaican vocal group in his newly built Black Ark Studio. The voice of Watty Burnett was added at the time to cover baritone vocal duties. The studio after various changes in equipment etc. was finally finding its way. A sound built in Lee Perry’s back yard in Cardiff Crescent, Washington Gardens, Kingston, but existing until then in Mr Lee Perry’s mind. The album they cut would be the defining group release to come out of The Black Ark studios, when the vital elements, vibes, musicians, songs and singing would gel to form ‘Heart Of The Congos’. Come the time of it’s release 1977, Lee Perry was in dispute with Island Records and opted to release the record on his own ‘Black Art’ label. Without the high-profile push of a major label, the record undersold and caused a split between producer and band. Under different circumstances maybe this album would be sitting in thousands of homes alongside the Bob Marley, Culture, Burning Spear releases. Cedric Myton went on to release albums with the French arm of the CBS label and Roy Johnson records and tours as Congo Ashanti Roy.\u003c\/p\u003e\n\u003cp\u003eCedric Myton the central force carries on the mantle of the Congos and we at Kingston Sounds are proud to pick up the story with another set of vocal statements, which sees Cedric cut some of his finest tunes. Helped along by another reggae legend Brent Dowe, lead singer of the Melodians (Rivers of Babylon), over some classic 1970’s rhythms. Yet again we find that magic formula of strong statements working alongside classic rhythms making the balance work. The Rasta message is still strong on modern classics like ‘King Rastafari Is His Name’, ‘Rasta Congo Man’ and the injustices of the world dissected in tunes ‘Some A Thief’, ‘Watch \u0026amp; Pray’ and the prophetical, ‘Citizen Of The World’.\u003c\/p\u003e\n\u003cp\u003eOnce touched by magic it does not fade away, but resurfaces as it has with what we believe to be some of the Congos most heartfelt and meaningful set of songs ...... Let the feast begin.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\u003cp\u003eSIDE 1\u003cbr\u003eTrack 1 Gods Kingdom\u003cbr\u003eTrack 2 King Rastafari Is His Name\u003cbr\u003eTrack 3 Cockmouth\u003cbr\u003eTrack 4 Some A Thief\u003cbr\u003eTrack 5 Watch \u0026amp; Pray\u003cbr\u003eTrack 6 Rasta Congo Man\u003c\/p\u003e\n\u003cp\u003eSIDE 2\u003cbr\u003eTrack 1 Fat Cook\u003cbr\u003eTrack 2 Citizen Of The World\u003cbr\u003eTrack 3 Grandma Say\u003cbr\u003eTrack 4 Take It To The Max          \u003cbr\u003eTrack 5 Rasta Weh She Want\u003cbr\u003eTrack 6 Heaven Rejoice\u003cbr\u003e\u003c\/p\u003e","brand":"Kingston Sounds","offers":[{"title":"Default Title","offer_id":44412153462940,"sku":"KSCD008","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KSCD008.jpg?v=1724703963"},{"product_id":"noel-hawks-jah-floyd-rock-steady-to-rockers-from-treasure-isle-to-channel-one-book","title":"Noel Hawks \u0026 Jah Floyd - Rock Steady To Rockers From Treasure Isle To Channel One [Book]","description":"\u003cp\u003eFormat: Book\u003cbr\u003eCatalogue No.: 978-0-9569991-2-2\u003cbr\u003eBarcode: 978-0-9569991-2-2   \u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Reggae\/Rock Steady \/ Rockers\u003c\/p\u003e\n\u003cp\u003eTitle:  A History Of The Jamaican Recording Industry ‘Rock Steady To Rockers’\u003cbr\u003eFrom Treasure Isle To Channel One\u003cbr\u003eAuthors: Noel Hawks \u0026amp; Jah Floyd\u003cbr\u003eFormat: 350 Page Hardback Book Illustrated throughout with period photos, artifacts \u0026amp; record labels\u003c\/p\u003e\n\u003cp\u003eAbout this book\u003c\/p\u003e\n\u003cp\u003eThe growth of the Jamaican recording industry…\u003c\/p\u003e\n\u003cp\u003eRecords have played an integral part in the history of Jamaican music and the importance of making records, as opposed to making music, can never be overstated. These are the stories, told through first-hand accounts wherever possible, of the men and women… manufacturers, musicians, singers, deejays, arrangers and record producers… who made the records and who made the sound of reggae available worldwide.\u003c\/p\u003e\n\u003cp\u003e“This volume of what promises to become a crucial series covers in comprehensive fashion Jamaican music’s pivotal phase, when the music absorbed its US influences from soul and moved on from rock steady and progressed to the uniquely Jamaican sound of reggae and rockers. \u003c\/p\u003e\n\u003cp\u003eIt was a period in which old and new rhythms became the cornerstone of the music and thus the true\u003cbr\u003efoundation of reggae. 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While the previous volume, ‘The Birth Of Ska’, dealt with Jamaica’s nascent music business and the journey, from its mento and folk roots to rhythm \u0026amp; blues and then ska, ‘Rock Steady To Rockers’ picks up the story as ska is about to transform into the smoother rock steady style and carries us through to reggae and the sonically sophisticated dub of the Seventies. \u003c\/p\u003e\n\u003cp\u003eThe book contains a stunning collection of hard facts about the business of making records, as well as personal recollections from many of the leading lights of Jamaica’s music scene, and is a fascinating read for record collectors, reggae fans and anyone who loves music.\u003cbr\u003eChris Lane \u003cbr\u003eFashion Records\u003c\/p\u003e\n\u003cp\u003e“The second part of this important trilogy is no less informative and engrossing than the first volume. 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Produced by the mysterious Olaf Dettinger, about whom not much is publicly known, they were some of the earliest full-lengths released by the then-nascent Kompakt, and in many ways, they both articulated and defined the sound that would come to be known as Pop Ambient, while also existing, somehow, to the leftfield of any clearly recognisable genre.\u003c\/p\u003e\n\u003cp\u003eBeautiful, sui generis works, it is a rare pleasure to see them being reissued on vinyl for a new generation of listeners to embrace. Originally released on CD only in 1999, Intershop was Kompakt’s first artist full-length. The music here simmers and broods, with opulent banks of tone marking out territory for rhythms that seem to be built from the clacking detritus of technology – hisses, thunks, knocks. Bass is deployed carefully, each drop a dubbed-out depth charge; drones spin and spiral, warping and weaving between the beats.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOasis, released in 2000, refined the palette that Dettinger had explored on its predecessor. A blurred crusade of ambient texturology, its unassuming patterns, and subtle, incremental dynamics, admit to real beauty, and a kind of abstract sensuality that you don’t often experience with music that is, perhaps, similarly tooled, but not as poetic. Through seemingly simple gestures – whether lushly expansive repetitions, hyper-acute tremolo tones, or ear-tickling rhythms – it builds complex emotional resonance. 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NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eMETAL HAMMER - 8\/10 review  “Mangled post-Bathory riffs and Marzia’s blasphemous bark collide with the darkly serene shimmer of wilfully corrupted shoegaze and nobody escapes with their San(ci)ity intact. This is a profoundly heavy work, yet laced with elegant moments of restraint…A dark star is born.”\u003c\/p\u003e\n\u003cp\u003eVINYL IS NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eDebut full length for one woman band Marthe on Southern Lord.  \u003c\/p\u003e\n\u003cp\u003eTrue  Valkyrian metal inspired heavy riffing in a dark atmosphere of feasting ravens over a thunderous battleground.  \u003c\/p\u003e\n\u003cp\u003eThe war cry belongs to a distorted horde of crust punk and black metal venture.\u003c\/p\u003e\n\u003cp\u003eThe dust settles over the power of Bathory, the melancholy of Tiamat and the stench of Amebix.\u003c\/p\u003e\n\u003cp\u003eAntifascist. Feminist. Misanthropic.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003e1. I Ride Alone --2. Dead To You --3. Further In Evil --4. Victimized --5. To Ruined Altars… --6. Sin In My Heart (Siouxsie and the Banshees)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title='MARTHE \"Further In Evil\" album preview' src=\"https:\/\/www.youtube.com\/embed\/qre-E7weddU\" height=\"368\" width=\"654\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Southern Lord","offers":[{"title":"Default Title","offer_id":44465757618332,"sku":"LORD305LPB","price":26.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LORD305.jpg?v=1726680002"},{"product_id":"uk-subs-flood-of-lies-2cd","title":"UK Subs - Flood Of Lies [2CD]","description":"\u003cp\u003eFormat: 2 x CD\u003cbr\u003eCatalogue No.: FALLCD018G\u003cbr\u003eBarcode: 5013145801826\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Punk\u003c\/p\u003e\n\u003cp\u003eThe UK Subs fifth studio album, from 1983, remastered. Not on vinyl for nine years.\u003cbr\u003eNew inner bag with all the lyrics and unseen band photos.\u003c\/p\u003e\n\u003cp\u003eLimited edition yellow ochre vinyl with improved original sleeve art. \u003cbr\u003eAlso on 2xCD remastered – not available on CD for years. With extra tracks from singles; and now with bonus CD ‘Gross-Out USA’ – plus three never-before released demo tracks, including an unheard song. Packaged in an all-card 6-panel sleeve with unseen band photos. Albums ‘F’ and ‘G’ in the UK Subs A-Z series of albums.\u003c\/p\u003e\n\u003cp\u003eThe fifth UK Subs studio album, from 1983, remastered – and not available on vinyl for nine years. Now with a new inner bag featuring all the lyrics and unseen band photos. A limited-edition, transparent yellow ochre vinyl with improved original sleeve art. Album ‘F’ in the UK Subs A-Z series of albums.\u003c\/p\u003e\n\u003cp\u003eThe album came at a crossroads for the UK Subs. Punk had become unfashionable, and the early line-ups had split leaving Charlie Harper to form a new band. He enlisted early Subs bassist Steve Slack (who’d left before their first recordings, replaced by his brother), drummer Steve Jones and guitarist Captain Scarlet. \u003c\/p\u003e\n\u003cp\u003eNavigating between the UK Subs punk ethos and wider accessible styles, with many songs co-written by Slack and Scarlet, Charlie’s lyrics reflected the current political paranoia of an Orwellian future, alongside hedonistic punk tales of life lived and characters met along the road. The album successfully led the band to embark on decades of world tours and continue the now-legendary A-Z series of albums. Although the current band have given up lengthy tours, since Charlie’s 80th birthday they still reconvene regularly for festivals and short excursions.\u003c\/p\u003e\n\u003cp\u003e12 tracks: Flood of Lies, Veronique, Soldiers of Fortune, Waiting for the DB’s, Tampa Bay, After the War; Violent Revolution, In the Red, Dress Code, Revenge of the Jelly Devils, In the Wild, Seas of Mars.\u003c\/p\u003e\n\u003cp\u003eCD1: Flood of Lies, Veronique, Soldiers of Fortune, Waiting for the DB’s, Tampa Bay, After the War; Violent Revolution, In the Red, Dress Code, Revenge of the Jelly Devils, In the Wild, Seas of Mars. Bonus singles: Another Typical City (7”), Still Life, The Spell, Private Army, Multiple Minds, Primary Strength, Another Typical City (12”)\u003cbr\u003eCD2: Demos: Still Life, In the Wild, Can Anybody Hear Me? Live Chicago: Emotional Blackmail, New Barbarians, In the Wild, Véronique, Flood of Lies, Warhead, Limo Life, Disease, Violent Revolution, Soldiers of Fortune, Ice Age, Dress Code, Telephone Numbers, Stranglehold, You Don’t Belong, Party in Paris.\u003cbr\u003e\u003c\/p\u003e","brand":"Fall Out Records\/Jungle","offers":[{"title":"Default Title","offer_id":44476412625052,"sku":"FALLCD018G","price":12.22,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_7e80ba66-a154-4b28-a7d8-59c5489fc828.jpg?v=1727173688"},{"product_id":"uk-subs-flood-of-lies-lp","title":"UK Subs - Flood Of Lies [Yellow Ochre Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FALLLP018\u003cbr\u003eBarcode: 5013145301814\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Punk\u003c\/p\u003e\n\u003cp\u003eThe UK Subs fifth studio album, from 1983, remastered. Not on vinyl for nine years.\u003cbr\u003eNew inner bag with all the lyrics and unseen band photos.\u003c\/p\u003e\n\u003cp\u003eLimited edition yellow ochre vinyl with improved original sleeve art. \u003cbr\u003eAlso on 2xCD remastered – not available on CD for years. With extra tracks from singles; and now with bonus CD ‘Gross-Out USA’ – plus three never-before released demo tracks, including an unheard song. Packaged in an all-card 6-panel sleeve with unseen band photos. Albums ‘F’ and ‘G’ in the UK Subs A-Z series of albums.\u003c\/p\u003e\n\u003cp\u003eThe fifth UK Subs studio album, from 1983, remastered – and not available on vinyl for nine years. Now with a new inner bag featuring all the lyrics and unseen band photos. A limited-edition, transparent yellow ochre vinyl with improved original sleeve art. Album ‘F’ in the UK Subs A-Z series of albums.\u003c\/p\u003e\n\u003cp\u003eThe album came at a crossroads for the UK Subs. Punk had become unfashionable, and the early line-ups had split leaving Charlie Harper to form a new band. He enlisted early Subs bassist Steve Slack (who’d left before their first recordings, replaced by his brother), drummer Steve Jones and guitarist Captain Scarlet. \u003c\/p\u003e\n\u003cp\u003eNavigating between the UK Subs punk ethos and wider accessible styles, with many songs co-written by Slack and Scarlet, Charlie’s lyrics reflected the current political paranoia of an Orwellian future, alongside hedonistic punk tales of life lived and characters met along the road. The album successfully led the band to embark on decades of world tours and continue the now-legendary A-Z series of albums. Although the current band have given up lengthy tours, since Charlie’s 80th birthday they still reconvene regularly for festivals and short excursions.\u003c\/p\u003e\n\u003cp\u003e12 tracks: Flood of Lies, Veronique, Soldiers of Fortune, Waiting for the DB’s, Tampa Bay, After the War; Violent Revolution, In the Red, Dress Code, Revenge of the Jelly Devils, In the Wild, Seas of Mars.\u003c\/p\u003e\n\u003cp\u003eCD1: Flood of Lies, Veronique, Soldiers of Fortune, Waiting for the DB’s, Tampa Bay, After the War; Violent Revolution, In the Red, Dress Code, Revenge of the Jelly Devils, In the Wild, Seas of Mars. Bonus singles: Another Typical City (7”), Still Life, The Spell, Private Army, Multiple Minds, Primary Strength, Another Typical City (12”)\u003cbr\u003eCD2: Demos: Still Life, In the Wild, Can Anybody Hear Me? Live Chicago: Emotional Blackmail, New Barbarians, In the Wild, Véronique, Flood of Lies, Warhead, Limo Life, Disease, Violent Revolution, Soldiers of Fortune, Ice Age, Dress Code, Telephone Numbers, Stranglehold, You Don’t Belong, Party in Paris.\u003cbr\u003e\u003c\/p\u003e","brand":"Fall Out Records\/Jungle","offers":[{"title":"Default Title","offer_id":44476412690588,"sku":"FALLLP018","price":21.04,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_236eaa94-8f54-4d13-b0ea-b25b7e248dfe.jpg?v=1727173684"},{"product_id":"laetitia-sonami-eliane-radigue-a-song-for-two-mothers-occam-ix","title":"Laetitia Sonami \/ Éliane Radigue - A Song For Two Mothers \/ OCCAM IX","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BLACKTRUFFLE122\u003cbr\u003eBarcode: 4250101470561\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Experimental\/Classical\u003c\/p\u003e\n\u003cp\u003eAccompanied by notes from Sonami, her longtime collaborator Paul DeMarinis, and Radigue, and illustrated with scores, photographs and images of the Spring Spyre, a Song for two Mothers \/ Occam IX is an essential document celebrating an under-recognised pioneer of electronic music and performance.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle is thrilled to present a Song for two Mothers \/ Occam IX the first ever solo release from Laetitia Sonami. Born in France in 1957, Sonami studied with Éliane Radigue in Paris before moving to California in 1978 to study electronic music at Mills College, going on to make important innovations in the field of live electronics interfaces and multi-media performance. Sonami is perhaps most closely associated with one of her inventions, the Lady’s Glove, an arm-length tailored glove fitted with movement sensors allowing the performer fluidly to control digital sound parameters and processing, as well as motors, lights and video playback. Having performed with the Lady’s Glove for 25 years, Sonami retired it in 2016, turning her attention to the interface\/instrument heard and pictured here, the Spring Sprye.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn Sonami’s own description, “The Spring Spyre is composed of three thin springs that are attached to reverb tank pickups, mounted on a metal ring. The audio generated when the springs are touched, rubbed or struck is analyzed in Max\/MSP. The extracted features are then used to train machine learning models in Wekinator and Rapidmax and control the audio synthesis in real time. We never actually hear the springs.” After decades of aversion to documenting her work on recordings, a Song for two Mothers \/ Occam IX treats listeners to two side-long performances with the Spring Spyre: the very first piece developed for the instrument and the most recent, the two contrasting remarkably in sound palette, energy and form. A Song for two Mothers (2023) spins an intricate web of rippling synthetic burbles, rapid sweeps and fizzing textures. Performed in real time with the sensitive and partly uncontrollable Spring Sprye (\"a bit tyrannical,\" Sonami calls it), the music is delicate yet chaotic. Abrupt gestures hover against a backdrop of silence, \"devoid of spatial or temporal direction\". After several minutes, the sound-world becomes metallic and percussive, tapping and ticking in pointillistic flurries before a wavering harmonic cloud emerges, sprinkled with resonant drips and pops.\u003c\/p\u003e\n\u003cp\u003eOccam IX is a radically different proposition. At the outset of Sonami’s exploration of the Spring Sprye, she asked her former teacher Éliane Radigue to compose a piece for it—and her: like all of Radigue’s work since she ceased working with analogue electronics at the beginning of the 21st century, Occam IX is written not only for an instrument but also for a particular performer. These scores are developed verbally, through meetings and conversations between performer and composer; each is grounded in an image (usually kept from listeners, to avoid influencing their experience); all magnify the subtlest acoustic phenomena and require great commitment and patience from the performer. Sonami’s is one of the few Occam pieces to make use of electronics, bringing it closer to Radigue’s famous longform pieces for ARP 2500. Beginning from a rumbling low tone, the listener is gradually immersed in slowly lapping waves of synthetic tones, eventually thinning out into delicate bell-like pings against a background of white noise, reminiscent of one of the most beautiful sections of Kyema from the Trilogie de la Morte.\u003c\/p\u003e\n\u003cp\u003eA    Laetitia Sonami    a Song for two Mothers    00:18:31\u003cbr\u003eB    Éliane Radigue    OCCAM IX    00:19:40\u003cbr\u003e\u003c\/p\u003e","brand":"Black Truffle","offers":[{"title":"Default Title","offer_id":44476417245340,"sku":"BLACKTRUFFLE122","price":25.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_ca554f0f-cbde-4410-b4f9-359bf9eb89a9.jpg?v=1727174497"},{"product_id":"las-cobras-carcavas","title":"Las Cobras - Cárcavas","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: UIHR025\u003cbr\u003eBarcode: 5063176046215\u003cbr\u003eRelease Date: 04 Oct 2024\u003cbr\u003eGenre: Psychedelic Rock\u003c\/p\u003e\n\u003cp\u003eThe release will be available on super ltd edition black and clear vinyl, including download code.\u003c\/p\u003e\n\u003cp\u003eUp In Her Room are delighted to bring you the latest offering from Uruguay’s Las Cobras!\u003c\/p\u003e\n\u003cp\u003e Emerging from the Uruguayan city of Canelones in 2017, Las Cobras introduced themselves with their debut album, 'Temporal', a 9-track release that quickly became a reference point in global psychedelia after signing with London’s Fuzz Club Records. A couple of years later, the duo—Leandro Rebellato and Sofia Aguerre—expanded to include Dario Macarín and Diego Mercadal, releasing their second album, 'Selva'.\u003cbr\u003eIn their debut, Las Cobras blended proto-punk and shoegaze with hints of afrobeat and Tropicalia. With 'Selva', the band amplified these elements, showcasing their evolving sound. Notably, their track \"Al más Allá\" is featured in the Amazon Prime series \"La Cabeza de Joaquín Murrieta.\"\u003c\/p\u003e\n\u003cp\u003eFor their third album, 'Cárcavas', the band explores the concept of the cárcava—a scar on the earth symbolizing a period of desolation. Teaming up with London label 'Up in her Room', they present a darker, more chaotic record that reflects the tumultuous years they've endured. Most tracks were mixed by James Aparicio (Depeche Mode, Spiritualized, Throw Down Bones Grinderman), lending the album a sharper, more defined sound. Las Cobras continue to delve into their sonic palette, incorporating electronic drums, Latin percussion, penetrating synthesizers, and fuzzed-out guitars, all from a more stripped-down perspective.\u003cbr\u003eBlack butterfly for example is an espectrum of a lost friend. Like a ghost...Always in orbit. Diving into darker places... Traveling through the universe... \u003c\/p\u003e\n\u003cp\u003eTrack-listing\u003cbr\u003eA SIDE\u003cbr\u003e1. Black Butterfly\u003cbr\u003e2. Flesh and Bone\u003cbr\u003e3. Break it All\u003cbr\u003e4. Sabroso\u003c\/p\u003e\n\u003cp\u003eB SIDE\u003cbr\u003e1. I Don’t Wanna Go\u003cbr\u003e2. Better Than Nothing\u003cbr\u003e3. 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Accompanied by a strong team of remixers, with Viikatory, Lakehead, and DJ Normal 4 pressing a psy-techy stamp on side B. Digital Bonus: Two extra Remixes from Urte and once again Normal 4. A release like a steamy open-air summer night by the lake.\u003c\/p\u003e\n\u003cp\u003eTracklisting \u003cbr\u003eA1    Klex    Klextasy    00:06:34\u003cbr\u003eA2    Klex    Frogtech    00:06:41\u003cbr\u003eA3    Klex    Sequence    00:05:45\u003cbr\u003eB1    Klex    Klextasy (Viikatory Remix)     00:06:03\u003cbr\u003eB2    Klex    Frogtech (Lakeheads DJ-friendly froggy Tech)     00:06:51\u003cbr\u003eB3    Klex    Sequence (DJ Normal 4's Trip Advisor MixX)     00:05:44\u003c\/p\u003e","brand":"Strictly Strictly","offers":[{"title":"Default Title","offer_id":44476751708316,"sku":"STRICT009","price":15.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_170cbc1f-c08c-407f-aaaf-eefe4faf92ff.jpg?v=1727178820"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/srd-041024.oembed?page=2","provider":"Horizons Music","version":"1.0","type":"link"}