{"title":"SRD 031123","description":"","products":[{"product_id":"drs-tyler-daley-i-remember-ft-calibre-too-late-ft-lsb","title":"DRS \u0026 Tyler Daley - I Remember ft Calibre \/ Too Late ft LSB","description":"\u003cp\u003eCat No: FTNTS008\u003cbr\u003eBarcode: 5051142067487  \u003cbr data-mce-fragment=\"1\"\u003e Format: 12\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003e Release Date: 03 Nov 2023 (Repress)\u003cbr data-mce-fragment=\"1\"\u003eGenre: Drum \u0026amp; Bass\u003c\/p\u003e\n\u003cp\u003eAfter the success of The View \u0026amp; Missing You. Tyler Daley and DRS teamed up with Calibre and LSB on one of the most anticipated 12” in DnB for many years. With DJ support from Fabio, Marky, Goldie, Lenzman as well as many more these two tracks have been in strong rotation around the globe and available on a 45rpm 12’\u003cbr\u003e\u003cbr\u003eTracklist:\u003cbr\u003eA1\/1. I Remember ( ft Calibre)\u003cbr\u003eA2\/2. Too Late (ft LSB)\u003c\/p\u003e","brand":"Footnotes","offers":[{"title":"Default Title","offer_id":42356309065884,"sku":"FTNTS008","price":10.78,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/unnamed_1_d289ffe3-1324-4759-8300-30fe72a3fa63.jpg?v=1676843799"},{"product_id":"radwimps-and-kazuma-jinnouchi-suzume-cd","title":"Radwimps and Kazuma Jinnouchi - Suzume [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ANIM0081 \u003cbr\u003eBarcode: 5037899087817 \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr\u003eGenre: Soundtrack\u003c\/p\u003e\n\u003cp\u003eilm OST from the latest\u003cspan\u003e \u003c\/span\u003ecreation by Makoto Shinkai.\u003cbr\u003eOST by popular Japanese indie band\u003cbr\u003eRADWIMPS – the third soundtrack collaboration with Shinkai after YOUR\u003cspan\u003e \u003c\/span\u003eNAME and WEATHERING WITH YOU.\u003cbr\u003eRADWIMPS on tour in North America and EU from April through May 2023.\u003cbr\u003eAvailable on Double Vinyl and CD. Vinyl is NON-RETURNABLE.\u003c\/p\u003e\n\u003cp\u003eThis soundtrack marks the third collaboration between acclaimed film director Makoto Shinkai and RADWIMPS, following Your Name. and Weathering With You. Kazuma Jinnouchi, whose previous credits as a composer include Detective Pikachu and Star Wars: Visions, joined with RADWIMPS on the soundtrack, providing additional experience from Hollywood and anime alike.\u003c\/p\u003e\n\u003cp\u003eTikTok star Toaka provides vocals for one of the theme songs “Suzume feat. Toaka”. Notably, several of the recordings for the soundtrack were held at Abbey Road Studios in London, with both Kazuma and Yojiro Noda of RADWIMPS conducting the orchestra at the famous site.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eThe Cursed Child , Abandoned Resort , First Aid , Cat Chase , At Night in Ferry , Cat\u003cspan\u003e \u003c\/span\u003eme if you can , Abandoned School , Time for two , Hitchhike , Two Little Terrors , Dreaming on Ferris Wheel , Soldier's Break , Shinkansen Super Express , History of Mimizu , Significant Precursor , Sky Over Tokyo , Suzume's Departure , Posessed , Double Riding , It wasn't a dream , The Other Side of the Door , Aftermath , To be with Sota , Prayer , Closing the Door , KANATA HALUKA , Suzume , Tamaki , Tears of Suzume\u003c\/p\u003e","brand":"Anime Limited","offers":[{"title":"Default Title","offer_id":42470015238300,"sku":"ANIM0081","price":23.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ANIM0080_ANIM0081_2829104a-4e93-48d3-8797-dca03a46f623.jpg?v=1682366239"},{"product_id":"les-rallizes-denudes-citta-93-3lp","title":"Les Rallizes Denudes - CITTA ‘93 [3LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 3 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DRFT11\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 197644570287\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Psychedelic Rock\/Japanese Avant-Rock\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFirst-ever release of the legendary 1993 gig.\u003cbr data-mce-fragment=\"1\"\u003eMixed from the original multitracks by Rallizes member Makoto Kubota.\u003cbr data-mce-fragment=\"1\"\u003eOfficial recording fully authorized by The Last One Musique.\u003cbr data-mce-fragment=\"1\"\u003ePhotos by Takehiko Nakafuji.\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by Shinya Matsuyama\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e3LPs in a tri-fold jacket with insert. Non-Returnable.\u003cbr data-mce-fragment=\"1\"\u003e2CDs housed in a gatefold wallet. Non-Returnable.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1991, Les Rallizes Denudes released three full length albums on CD, the band’s first-ever recordings to be made available since their formation in Kyoto more than two decades prior. In 1993, the band appeared in front of an audience for the first time since 1988.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTheir February 17 appearance at Club Cittaʼ, which came four days after their “comeback” gig at Baus Theater, turned out to be one of the most notable out of all the Rallizes performances thus far. The show has been talked about in some circles as the stuff of legend. With guitars roaring at colossal levels, even surpassing the immense volume of their earlier gigs, the doors were vibrating as some audience members were said to have run out to the lobby to find respite from the sonic assault.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis shattering (in almost a literal sense) performance, in its entirety, was\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erecorded and preserved on a 8-channel digital recorder. Discreetly kept in storage for thirty years, these multi-track masters form the basis of CITTAʼ ʻ93, a brand new album that accurately captures the transcendental roar that shook the walls of the venue in Kawasaki that one night. Carefully and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esympathetically mixed by former Rallizes member Makoto Kubota, CITTAʼ ʼ93\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003epresents a Rallizes sound that has never before been heard in any official capacity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Rallizes lineup that night consisted of Takashi Mizutani (vocals, guitar), Katsuhiko Ishii (guitar), Yokai Takahashi (bass), Kodo Noma (drums). Album jacket artwork features photography by Takehiko Nakafuji; liner notes by Shinya Matsuyama.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003e夜、暗殺者の夜 \/ The Night, Assassin's Night , 記憶は遠い \/ Memory is Far\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAway , 夜より深く \/ Deeper Than the Night , 永遠に今が \/ Eternally Now , 白 い目覚め_1993 \/ White Awakening 1993 , 鳥の声 \/ Bird Calls in the Dusk , Darkness Returns 2 , The Last One 1993\u003c\/p\u003e","brand":"Temporal Drift","offers":[{"title":"Default Title","offer_id":42516834943132,"sku":"DRFT11","price":62.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DRFT11CD.jpg?v=1686333139"},{"product_id":"les-rallizes-denudes-citta-93-2cd","title":"Les Rallizes Denudes - CITTA ‘93 [2CD]","description":"\u003cp\u003eFormat: 2 x CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DRFT11CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 197644832187 \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Psychedelic Rock\/Japanese Avant-Rock\u003c\/p\u003e\n\u003cp\u003eFirst-ever release of the legendary 1993 gig.\u003cbr\u003eMixed from the original multitracks by Rallizes member Makoto Kubota.\u003cbr\u003eOfficial recording fully authorized by The Last One Musique.\u003cbr\u003ePhotos by Takehiko Nakafuji.\u003cbr\u003eLiner notes by Shinya Matsuyama\u003c\/p\u003e\n\u003cp\u003e3LPs in a tri-fold jacket with insert. Non-Returnable.\u003cbr\u003e2CDs housed in a gatefold wallet. Non-Returnable.\u003c\/p\u003e\n\u003cp\u003eIn 1991, Les Rallizes Denudes released three full length albums on CD, the band’s first-ever recordings to be made available since their formation in Kyoto more than two decades prior. In 1993, the band appeared in front of an audience for the first time since 1988.\u003c\/p\u003e\n\u003cp\u003eTheir February 17 appearance at Club Cittaʼ, which came four days after their “comeback” gig at Baus Theater, turned out to be one of the most notable out of all the Rallizes performances thus far. The show has been talked about in some circles as the stuff of legend. With guitars roaring at colossal levels, even surpassing the immense volume of their earlier gigs, the doors were vibrating as some audience members were said to have run out to the lobby to find respite from the sonic assault.\u003c\/p\u003e\n\u003cp\u003eThis shattering (in almost a literal sense) performance, in its entirety, was recorded and preserved on a 8-channel digital recorder. Discreetly kept in storage for thirty years, these multi-track masters form the basis of CITTAʼ ʻ93, a brand new album that accurately captures the transcendental roar that shook the walls of the venue in Kawasaki that one night. Carefully and sympathetically mixed by former Rallizes member Makoto Kubota, CITTAʼ ʼ93 presents a Rallizes sound that has never before been heard in any official capacity.\u003c\/p\u003e\n\u003cp\u003eThe Rallizes lineup that night consisted of Takashi Mizutani (vocals, guitar), Katsuhiko Ishii (guitar), Yokai Takahashi (bass), Kodo Noma (drums). Album jacket artwork features photography by Takehiko Nakafuji; liner notes by Shinya Matsuyama.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e夜、暗殺者の夜 \/ The Night, Assassin's Night , 記憶は遠い \/ Memory is Far Away , 夜より深く \/ Deeper Than the Night , 永遠に今が \/ Eternally Now , 白 い目覚め_1993 \/ White Awakening 1993 , 鳥の声 \/ Bird Calls in the Dusk , Darkness Returns 2 , The Last One 1993\u003c\/p\u003e","brand":"Temporal Drift)","offers":[{"title":"Default Title","offer_id":42516835139740,"sku":"DRFT11CD","price":25.18,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DRFT11CD_34f22173-7d1a-46c7-b50c-d84c5c5a0b73.jpg?v=1686333149"},{"product_id":"betty-davis-crashin-from-passion-lp","title":"Betty Davis - Crashin’ From Passion [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LITA196-1 \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 826853019613 \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Funk\/Soul\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFirst time on vinyl!\u003cbr data-mce-fragment=\"1\"\u003eUK EXCLUSIVE Clear Blue Wax Edition. 500 ONLY - NON RETURNABLE. Please check your allocation.\u003cbr data-mce-fragment=\"1\"\u003eAlso available on black vinyl (Non-Returnable) and CD.\u003cbr data-mce-fragment=\"1\"\u003eNewly remastered. LP housed in a gatefold jacket.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing Herbie Hancock, Martha Reeves, Alphonse Mouzon, Chuck Rainey, Patryce “Choc’let” Banks, Carlos Morales, and members of The Pointer Sisters.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLP \u0026amp; CD Booklet features new liner notes by Danielle Maggio interviewing Betty, plus unseen photos and lyrics.\u003cbr data-mce-fragment=\"1\"\u003eVinyl pressed at RTI\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre-punk, funk-blues fusion that had yet to be normalized in mainstream music – a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic and in full control, Betty paved the way for generations of future artists who said “funk you” to the music industry and social norms.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1979, when Davis entered an L.A. studio to record her fifth and final album, she was reeling from a series of setbacks. Three years earlier, after recording her fourth album, Is It Love Or Desire, Davis was dropped from her label and the LP was subsequently shelved. In 1978, her beloved band Funk House went their separate ways. Looking for a fresh start, Davis relocated to Hollywood to focus on songwriting. Before long, British manager Simon Lait (Toni Basil), offered to fund her next project.\u003cbr data-mce-fragment=\"1\"\u003eWith renewed vigor, Davis reunited with former Funk House guitarist Carlos Morales and brought together industry veterans like fusion drummer Alphonse Mouzon and session bassist Chuck Rainey. Old friends Anita and Bonnie Pointer (The Pointer Sisters) and Patryce “Choc’let” Banks joined Davis on vocals, as did Motown legend Martha Reeves. The resulting album, Crashin’ From Passion, was her most musically diverse, blending elements of reggae and calypso (“I’ve Danced Before”), jazz (“Hangin’ Out in Hollywood,” “Tell Me a Few Things”), dark synth-pop (“She’s a Woman”), and even disco (“All I Do Is Think of You”). Equally exploratory are Davis’ vocals, as she trades in her signature sass and snarls for more nuanced stylings.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAmong the album’s few funk tracks is “Quintessence of Hip,” in which Davis hails musicians like Bob Dylan, Billie Holiday, Stevie Wonder, and John Coltrane, while deftly integrating elements of their work. The song also offers a moment of stark vulnerability, as she sings, “Isn’t rich? Isn’t it queer? Losing my timing so late in my career.” It would prove to be a prophetic line in the months to follow.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe mixing process was mired by artistic differences and then cut short, amid the death of Davis’ beloved father. Bereft and exasperated, Davis returned home for the funeral, setting into motion her retirement from the music industry. Crashin’ From Passion, meanwhile, would be shelved for 15 years and licensed for a CD-only release, without Davis’ consent, in the ‘90s. This 2023 edition of the album, made with Davis’ full approval and cooperation, marks its first official release and first time ever on vinyl. The package was designed by GRAMMY®-winning artist, Masaki Koike, while the album cover features an incredible shot of Betty captured in London in the mid-1970s by renowned photographer Kate Simon.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCrashin’ From Passion was remastered by Dave Cooley at Elysian Masters and pressed on vinyl at Record Technology, Inc. (RTI). The accompanying booklet includes a treasure trove of rare photos from the era, plus lyrics, and new liner notes by writer, ethnomusicologist, and Betty’s close friend, Danielle Maggio, who integrates interviews that she conducted with Davis, marking her last ever interviews.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003eQuintessence Of Hip, She's A Woman, No Good At Falling In Love, Tell Me A Few Things, I've Danced Before, You Make Me Feel So Good, I Need A Whole Lot Of Love, Hangin' Out In Hollywood, All I Do Is Think Of You, Crashin' From Passion, You Take Me For Granted\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":42535541899420,"sku":"LITA196-1","price":20.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA1961.jpg?v=1687465936"},{"product_id":"marcos-valle-azymuth-fly-cruzeiro-tangerine-colored-vinyl","title":"Marcos Valle \u0026 Azymuth - Fly Cruzeiro [TANGERINE COLORED vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: TWM44LITATNG\u003cbr\u003eBarcode: 650311500968 \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e03 Nov 2023\u003c\/span\u003e\u003cbr\u003eGenre: Brazilian\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRare Brazilian Bossa Nova – Latin album.\u003cbr data-mce-fragment=\"1\"\u003eFirst vinyl reissue since 1972. (Non-Returnable)\u003cbr data-mce-fragment=\"1\"\u003eComes with insert\/liner notes \u0026amp; packaged in a gatefold jacket.\u003c\/p\u003e\n\u003cp\u003eLITA EXCLUSIVE: 180g TANGERINE COLORED vinyl limited to 500 copies w\/obi strip.\u003c\/p\u003e\n\u003cp\u003eMarcos Valle needs little introduction, born in Rio de Janeiro in 1943, Mr. Valle is an award-winning\/chart-hitting Brazilian singer, songwriter and record producer. He was raised on a staple diet of classical, Brazilian popular music and North American jazz. Marcos Valle grew up to be one of the most influential \u0026amp; innovating musicians of the Bossa nova period and is regarded as one of the greatest Brazilian artists of all time. He has recorded albums for North American labels such as EMI, Warner Brothers \u0026amp; Verve…cementing his career with a series of tight musical workouts moving seamlessly between funk, samba, soundtracks, soul, jazz, dance and rock. Valle contributed to some of the most important recordings by artists including Sarah Vaughan, Frank Sinatra, Sergio Mendes, Leon Ware, Chicago and Airto Moreira. Mr. Valle’s work has been sampled\/remixed by major artists from the likes of Jay-Z, Kanye West \u0026amp; Madlib.\u003c\/p\u003e\n\u003cp\u003eOne of Valle’s favorite bands to frequently collaborate with was no doubt Azymuth, who took their name from a Valle song! Azymuth (Bertrami-Malheiros-Conti) started their individual careers in the 1960s in the emergent Bossa nova and jazz scene of Rio, living in the same bohemian block in Copacabana and playing in small bars as session musicians under various other names.\u003c\/p\u003e\n\u003cp\u003eIt was the early 1970s when Azymuth really began to cause a stir and Marcos Valle invited them to record on a soundtrack LP he was doing. The unique Azymuth sound was now born: a mix of electronic music, samba, funk and jazz that they defined as MPB-jazz (MPB stands for Musica Popular Brasileira). Over the decades Azymuth released extremely successful albums (selling millions of copies) on labels such as Polydor, Som Livre and Atlantic. Hitting the charts on multiple occasions, Azymuth played at the Monterrey and Montreux jazz festivals and at venues around the globe. \u003c\/p\u003e\n\u003cp\u003eThe band has worked with legendary musicians from Joe Henderson to Stevie Wonder and they’ve also been remixed\/sampled by artists such as Flying Lotus, will.i.am, MF DOOM and Peanut Butter Wolf. Their unique brand of fusion-music has influenced three generations of musicians, DJs, and producers. Music journalists across the spectrum from mainstream to underground, celebrated these raw yet wildly imaginative and musically accomplished tracks that were a revelation of jazz, funk and disco, with some even stating that the roots of EDM were on display in their early recordings. On the album we are presenting you (Brazil by Music – Fly Cruzeiro) the listener is getting yet another fantastic early Valle\/Azymuth collaboration. Released in 1972, this rare album was pressed and gifted to customers of the ‘Cruzeiro’ airline company. This promotional record came as no surprise because the connection between Cruzeiro Airlines and Valle was very tight (Valle’s father was the manager and his brother was a co-pilot there).\u003c\/p\u003e\n\u003cp\u003eNext to the Valle\/Azymuth material present, other songs include some of the all-time best Brazilian standards originally written by renowned artists such as Jorge Ben \u0026amp; Antonio Carlos Jobim. Take a flight with us through this fantastic album and into some of the best Jazz, Funk \u0026amp; Bossa Nova the Brazilian musical landscape has to offer.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eJingle Cruzeiro, Esta Fazendo Um Ano - Aquarela Do Brasil, Zazueira - Mas Que Nada, Tristeza, País Do Futebol, Até Pensei, Zanzibar, Não Tem Solução - Marina - Rosas, Samba De Verão, Prenda Minha, Asa Branca, Wave\u003c\/p\u003e","brand":"Tidal Waves Music","offers":[{"title":"Default Title","offer_id":42537077080220,"sku":"TWM44LITATNG","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TWM44LITATNG.jpg?v=1687533701"},{"product_id":"errol-stubbs-turning-it-out","title":"Errol Stubbs - Turning It Out","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: TWM105  \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 650311500869  \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Funk\/Soul\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRare 1986 Funk\/Soul From Alabama. \u003cbr\u003eOriginally released as a private pressed cassette tape only. First Time On Vinyl. Released in collaboration with the Numero Group. \u003cbr\u003e180g BLACK vinyl limited to 500 copies w\/obi strip. Non-Returnable. \u003cbr\u003e \u003cbr\u003eArmed with little more than his Peavey T-60 guitar and a Jumbo Fuzz pedal, Errol Stubbs and his bar-band cohorts cranked out a self-released tape of funked-up disco soul in 1986. With no label or distribution to speak of, Errol would simply put on his best suit and sell the cassettes by hand. The tape languished into obscurity…until now! \u003cbr\u003e \u003cbr\u003eThe story of Errol Stubbs begins in Birmingham, Alabama in 1959. The youngest of five, he was surrounded by music as a child–his aunt taught piano at Daniel Payne College while his older brother, Avery Beavers, was an accomplished jazz trumpeter. Under the guidance of Avery, Errol started playing trumpet at the age of nine, though he gravitated toward songwriting and quickly picked up the guitar. Inspired by blues greats the likes of Albert King, Buddy Guy, and Little Milton, 12-year-old Errol began mimicking the sounds that filled southern airwaves. As a teenager, he played at barbecues, fish fries, and dive bars across the Magic City. After a brief stint at Jefferson State studying music, Errol’s passion for songwriting beckoned him away from the classroom. \u003cbr\u003e \u003cbr\u003eStubbs bounced around bar bands before settling on a live lineup and saving enough dough to take his vision to the recording studio. Over the course of two days, his well-rehearsed band recorded Turning it Out mostly live to tape at the Sound Of Birmingham Studio. Located on Birmingham’s east side, the state-of-the-art studio kept the lights on by recording commercial jingles but was more than happy to open their doors to local talent. \u003cbr\u003eTaking notes from guitar god Ernie Isley and funk legend Rick James, the resulting recordings are drenched in cosmic phaser-fuzz guitar work, slapping bass lines, and sexual disco innuendos. Big brother Avery lends a hand on Clavinet for “Sweat,” while studio owner\/engineer Don Mosley adds a tasteful dose of Moog synthesizer across a handful of cuts. \u003cbr\u003e \u003cbr\u003eSoon after the Sound Of Birmingham sessions, Errol released the private pressed EP “Dancin’ Fancy,” b\/w “Spaced Out On Your Love,” the latter of which was featured on Numero Group’s 2019 compilation Visible and Invisible Persons Distributed In Space. \u003cbr\u003e \u003cbr\u003eThe seven-song cassette Turning It Out was sold in local record stores and from night club stages, but only a few copies made their way out of Birmingham. \u003cbr\u003e \u003cbr\u003eTracklist: \u003cbr\u003eSweat , Dancin' Fancy , Spaced Out On Your Love , You Bring The Fire Right Out Of Me , Just A Little Love , Sweet Lady , Let's Turn It Out \u003cbr\u003e\u003c\/p\u003e","brand":"Tidal Waves Music","offers":[{"title":"Default Title","offer_id":42562051178652,"sku":"TWM105","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TWM105.jpg?v=1689009113"},{"product_id":"acetone-1992-2001-2lp","title":"Acetone - 1992-2001 [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: LITA159LP\u003cbr\u003eBarcode: 826853015912  \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr\u003eGenre: Rock\/Alternative \u003c\/p\u003e\n\u003cp\u003eNew 2023 vinyl pressing on black wax. \u003cbr data-mce-fragment=\"1\"\u003eNon-Returnable. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFirst time band anthology. Includes 9 unreleased tracks. Audio restored and remastered from original tapes. Double LP housed in a gatefold jacket. Liner notes by Sam Sweet \u003cbr data-mce-fragment=\"1\"\u003e“Acetone are into it for what they get out of it. Their music reflects who they are, and that’s so rare in music today. It’s a soul music thing.” – Jason Pierce (Spiritualized) \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e“Acetone are one of my all time favorite bands. Their music is still as electrifying and beautiful now as it was back then.” – Hope Sandoval (Mazzy Star) \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e“A lovely mix of what would it be like if Dick Dale and Neil Young played with \u003cbr data-mce-fragment=\"1\"\u003eIsaac Hayes and The Velvet Underground. A seminal American band.” – \u003cbr data-mce-fragment=\"1\"\u003eRichard Ashcroft (The Verve) \u003cbr data-mce-fragment=\"1\"\u003eThis fall, the independent literary press All Night Menu will publish Sam Sweet’s Hadley Lee Lightcap, a nonfiction novel that traces the backstories of the three members in Acetone, a band that played in Los Angeles for nine years. Though few heard them, their recordings are time capsules of who they were, how they lived, and where they came from. Light In the Attic has partnered with All Night Menu to present Acetone 1992-2001, the first anthology of the trio’s music. The book and the album will be released concurrently on September 22. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eCounting their early years in the scuzz-rock band Spinout, whose sole selftitled release came out in 1991 on Delicious Vinyl, guitarist Mark Lightcap, bassist Richie Lee, and drummer Steve Hadley played together for a total of 15 years. They disbanded in July 2001, when Lee committed suicide in the garage next to the house where the trio practiced. Afterwards, Rolling Stone ran a short obituary saying Acetone’s albums were “well received” but “failed to make any waves.” It was the first and only time they were featured in the national music press. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eBetween 1993 and 2001 the trio released two LPs and an EP on Vernon Yard—a Virgin subsidiary—and two LPs on Vapor, the L.A.-based label founded by Neil Young and manager Elliott Roberts. In that span, they were selected to tour with Oasis, Mazzy Star, The Verve, and Spiritualized. Against a rising tide of post-Nirvana grunge and slipshod indie rock, Acetone tapped into a timeless Southern California groove by fusing elements of psychedelia, surf, and country. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThey rehearsed endlessly in an empty bedroom in northeast Los Angeles, recording hours of music onto cassettes that were subsequently stuffed into shoeboxes and left in a shed behind the drummer’s house. Those tapes are being released for the first time in this anthology, which also includes highlights from Acetone’s official releases. Taken together, the songs form a companion soundtrack to Sam Sweet’s book, which maps the character of Los Angeles as a place through the lens of these three unique characters bonded by music. \u003cbr data-mce-fragment=\"1\"\u003e“I think our music is all about moods and feeling but hopefully it will get as weird as it possibly can,” said Richie Lee in 1997. “We want things to get weird in the way that you could hear an Acetone song and know that no one else in the world could make that kind of music but us.” \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eTracklist: \u003cbr data-mce-fragment=\"1\"\u003eShaker, All The Time, Louise, Return From The Ice, How Sweet I Roamed, Germs, Shore Power, Always Late, Things Are Gonna Be Alright (demo), Midnight Cowboy, Chew, Too Much Time, Vibrato, Pico, Stray (demo), Smokey \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":42567113244828,"sku":"LITA159LP","price":50.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA159LP.jpg?v=1689356587"},{"product_id":"betty-davis-crashin-from-passion-blue-lp-1","title":"Betty Davis - Crashin’ From Passion [Blue LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP, Blue\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LITA196-1-3 \/ LITA19613\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 826853319638 \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Funk\/Soul\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFirst time on vinyl!\u003cbr data-mce-fragment=\"1\"\u003eUK EXCLUSIVE Clear Blue Wax Edition. 500 ONLY - NON RETURNABLE. Please check your allocation.\u003cbr data-mce-fragment=\"1\"\u003eAlso available on black vinyl (Non-Returnable) and CD.\u003cbr data-mce-fragment=\"1\"\u003eNewly remastered. LP housed in a gatefold jacket.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing Herbie Hancock, Martha Reeves, Alphonse Mouzon, Chuck Rainey, Patryce “Choc’let” Banks, Carlos Morales, and members of The Pointer Sisters.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLP \u0026amp; CD Booklet features new liner notes by Danielle Maggio interviewing Betty, plus unseen photos and lyrics.\u003cbr data-mce-fragment=\"1\"\u003eVinyl pressed at RTI\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre-punk, funk-blues fusion that had yet to be normalized in mainstream music – a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic and in full control, Betty paved the way for generations of future artists who said “funk you” to the music industry and social norms.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1979, when Davis entered an L.A. studio to record her fifth and final album, she was reeling from a series of setbacks. Three years earlier, after recording her fourth album, Is It Love Or Desire, Davis was dropped from her label and the LP was subsequently shelved. In 1978, her beloved band Funk House went their separate ways. Looking for a fresh start, Davis relocated to Hollywood to focus on songwriting. Before long, British manager Simon Lait (Toni Basil), offered to fund her next project.\u003cbr data-mce-fragment=\"1\"\u003eWith renewed vigor, Davis reunited with former Funk House guitarist Carlos Morales and brought together industry veterans like fusion drummer Alphonse Mouzon and session bassist Chuck Rainey. Old friends Anita and Bonnie Pointer (The Pointer Sisters) and Patryce “Choc’let” Banks joined Davis on vocals, as did Motown legend Martha Reeves. The resulting album, Crashin’ From Passion, was her most musically diverse, blending elements of reggae and calypso (“I’ve Danced Before”), jazz (“Hangin’ Out in Hollywood,” “Tell Me a Few Things”), dark synth-pop (“She’s a Woman”), and even disco (“All I Do Is Think of You”). Equally exploratory are Davis’ vocals, as she trades in her signature sass and snarls for more nuanced stylings.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAmong the album’s few funk tracks is “Quintessence of Hip,” in which Davis hails musicians like Bob Dylan, Billie Holiday, Stevie Wonder, and John Coltrane, while deftly integrating elements of their work. The song also offers a moment of stark vulnerability, as she sings, “Isn’t rich? Isn’t it queer? Losing my timing so late in my career.” It would prove to be a prophetic line in the months to follow.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe mixing process was mired by artistic differences and then cut short, amid the death of Davis’ beloved father. Bereft and exasperated, Davis returned home for the funeral, setting into motion her retirement from the music industry. Crashin’ From Passion, meanwhile, would be shelved for 15 years and licensed for a CD-only release, without Davis’ consent, in the ‘90s. This 2023 edition of the album, made with Davis’ full approval and cooperation, marks its first official release and first time ever on vinyl. The package was designed by GRAMMY®-winning artist, Masaki Koike, while the album cover features an incredible shot of Betty captured in London in the mid-1970s by renowned photographer Kate Simon.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCrashin’ From Passion was remastered by Dave Cooley at Elysian Masters and pressed on vinyl at Record Technology, Inc. (RTI). The accompanying booklet includes a treasure trove of rare photos from the era, plus lyrics, and new liner notes by writer, ethnomusicologist, and Betty’s close friend, Danielle Maggio, who integrates interviews that she conducted with Davis, marking her last ever interviews.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003eQuintessence Of Hip, She's A Woman, No Good At Falling In Love, Tell Me A Few Things, I've Danced Before, You Make Me Feel So Good, I Need A Whole Lot Of Love, Hangin' Out In Hollywood, All I Do Is Think Of You, Crashin' From Passion, You Take Me For Granted\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":42609695162524,"sku":"LITA196-1-3","price":22.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA19613_2ba91b70-e1b0-4184-8f5f-2ab6d874e14d.jpg?v=1691673819"},{"product_id":"various-artists-slow-motion-and-movement","title":"Various Artists - Slow (Motion And Movement)","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BEWITH135LP \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 4251804140171\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Library\/Breaks \u003c\/p\u003e\n\u003cp\u003ePart of Sonoton Library Reissue Campaign, 2023 first [me reissue, 140g vinyl. \u003cbr\u003e \u003cbr\u003eWelcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-ayer and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age\/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantas[c. \u003cbr\u003e \u003cbr\u003eSlow features KPM\/Bruton\/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo. \u003cbr\u003e \u003cbr\u003eHeavy opener \"Slow Business 1\" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this [me delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. \"Slow Business 2\" is equally as slooooooow but without any melodic decora[on. Just pure phased drums, folks! Get sampling. \"Moody You\" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an ero[c film score, and all the be`er for it. \"Slow Groovement\" is Campo's final contribu[on and it's definitely his best. It's an ace, moody-yet-melodic crime\/blaxploita[on track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantas[c bassline and drums with some great electric guitar soloing halfway through. \u003cbr\u003e \u003cbr\u003e\"Slow Reactor 1\" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. \"Threat To Research\" contains mysterious, drama[c sounds and heaps of string-assisted tension whilst \"Ion Exchanger\" is replete with repe[[ve, strange accents and sounds; all halftumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. \"Wave Mo[ons\" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamen[ would if he were craying strung-out teutonic library madness in 1980. The A-Side closes with \"Slow Mo[on Link\" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope! \u003cbr\u003e \u003cbr\u003eFlip over for \"Scenic Vision 1\" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst \"Scenic Vision 2\" adds a bass melody, \"Scenic Vision 3\" uses the same melody but renders it isolated and lonely in the background. Haun[ng, hypno[c and hyper-beau[ful. \"Study In Brown\" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums. \u003cbr\u003e \u003cbr\u003e\"Deja Vu 1\" weaves swirling, disorienta[ng magic. It's described on the original sleeve simply as \"indefinite arpeggios inexplicable vision\" and we can't put it any be`er ourselves. \"Deja Vu 2\" sounds like you've heard it before, it's \"as above with melodic line\" and really is fun. \"Glistening Surface\" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with \"Laser Fight\", blas[ng \"utopian percussive sounds\" that totally get under your skin like fireworks through your veins. A neat trick! \u003cbr\u003e \u003cbr\u003eEstablished in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Ini[ally intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the Bri[sh label Berry Music for interna[onal publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transi[oned into a full-fledged interna[onal label, with successes in the library and commercial fields and many innova[ons to its credit. Now a worldwide opera[on with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business s[ll helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a mul[na[onal conglomerate. \u003cbr\u003e \u003cbr\u003eThe audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds be`er than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. \u003cbr\u003e \u003cbr\u003eTracklist: Title\/Composer \u003cbr\u003e \u003cbr\u003eA1 Slow Business 1 (2:23) (Antonio Campo) A2 Slow Business 2 (1:37) (A. Campo) A3 Moody You (2:31) (Norman Candler) A4 Slow Groovement (2:26) (A. Campo) A5 Slow Reactor 1 (2:01) (Sammy Burdson) A6 Slow Reactor 2 (2:01) (S. Burdson) A7 Threat To Research (1:47) (S. Burdson A8 Ion Exchanger (1:41) (S. Burdson) A9 Wave Mo[ons (1:52) (John Fiddy\/Sammy Burdson) A10 Slow Mo[on Link (0:26) (J. Fiddy\/S. Burdson) B1 Scenic Vision 1 (3:05) (Sammy Burdson) B2 Scenic Vision 2 (1:37) (S. Burdson) B3 Scenic Vision 3 (1:36) (S. Burdson) B4 Study In Brown (4:43) (J. Fiddy\/S.Burdson B5 Deja Vu 1 (1:44) (J. Fiddy\/S.Burdson B6 Deja Vu 2 (1:44) (J. Fiddy\/S.Burdson B7 Glistening Surface (2:33) (J. Fiddy\/S.Burdson) B8 Laser Fight (1:07) (S. Burdson) \u003cbr\u003e\u003c\/p\u003e","brand":"BE WITH RECORDS","offers":[{"title":"Default Title","offer_id":42629081399452,"sku":"BEWITH135LP","price":23.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BEWITH135LP.jpg?v=1692902893"},{"product_id":"sven-torstenson-drugs","title":"Sven Torstenson - Drugs","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BEWITH136LP \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 4251804140188 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Library\/Breaks \u003c\/p\u003e\n\u003cp\u003ePart of Sonoton Library Reissue Campaign, 2023 first Pme reissue, 140g vinyl. \u003cbr\u003e \u003cbr\u003eSven Torstenson's notorious Drugs is a loopdigga's fever dream, burs[ng with breaks for days and featuring possibly the most iconic cover of all library music's cult classics. First released in 1980, it's now a hyper-rare and seriously sought-ayer electronic album full of experimental soundscapes and samples just wai[ng to be flipped. It's both terrifying and terrifyingly good. So much so, it's been brilliantly sampled by Kendrick Lamar and Chance The Rapper. \u003cbr\u003e \u003cbr\u003eThe sleeve describes Drugs as containing \"the newest dimensions of electronic sounds. Drama[c underscores for all problems of today's life and society, at the border between reality and delusion.\" That's pre`y spot-on. The fast moving \"Euphoria\" is an incredible, unignorable opener. It's loaded with disorienta[ng effects and really needs to be heard to be believed. It's followed by the gorgeous \"Soy Hallucina[ons\", containing quiet, medita[ve and beau[ful sounds - as the [tle suggests. One listen and you'll want to live in the warm embrace of this beatless, harmonic gem. Sinister squelchy synth stabs don't distract from the sheer beauty of the track's main (gentle) thrust. They only serve to elevate its trippy magic. \u003cbr\u003e \u003cbr\u003eNext up, \"Sky Move\"'s agitated and repe[[ve rhythm makes it an intense listen but with a broad melody that will appeal to many. \"Destroyed Dreams\" u[lises a muffled church organ and it sounds heavenly to begin with but it gradually invites increasingly distorted elements. Yes, you've had trips like this, we're pre`y certain. Mental! \u003cbr\u003eTalking of bad trips, never have they sounded so good as \"Horror Trip\"; this fractured drama-synth just needs some some dusty beats to hold it up - get involved. \u003cbr\u003e \u003cbr\u003e\"Floa[ng Illusions\" almost sounds like a beatless Spiritualized bomb from the earlymid 90s; melodic, synthy, church organ-drenched. The mournful, drama[c \"Lost Chance\" pulses along on a bed of acidy synths whilst \"The Morning Ayer\" is the sonic equivalent of the extreme fear and doom experienced in the ayermath of the previous night's carnage. Whilst somewhat uncomfortable listening, again, it's pre`y compelling thanks to the myriad effects being expertly u[lised. Fascina[ng. The sprawling, fragmented \"Random Thoughts\" is described as containing \"confused melody phrases\" - yeah, pre`y much sums this one up. \u003cbr\u003e \u003cbr\u003eThe B-Side is ushered in by \"Heroin\" and it's as sketchy as you might think, all mysterious minor chords with a domina[ng - but not overbearing - bass refrain. Next up, the dream-like synthy fanfare of \"Night Trip\" climaxes ayer a few minutes of drama[c, ecclesias[cal sounds whilst \"Day Trip\" layers its melody over a repe[[ve rhythmic base. \u003cbr\u003e \u003cbr\u003eNext up, one of the *REAL* highlights makes itself known. Absolutely not to be missed, \"Dealer's Corner\" is all shiying tenors from quiet to hec[c and back around again. The hec[c parts are like a totally synthed-out-the-eyeballs jazz-funk collec[ve wigging out with the latest electronic toys from 1980. This one totally SMOKES. \u003cbr\u003e \u003cbr\u003eThe drama[c \"Sad And Hopeless\" is appositely replete with dissonant, minor churchorgan chords whilst \"Riding Pegasus\" uses a creepy os[nato bass melody to create irra[onal bleepy menace that's ripe for sampling. The penul[mate track, \"Hopeless Chaos\" is another disorienta[ng trip, a bleepy confec[on of sounds and phrases whilst closer \"Goin' Mad\" is all electronic percussion with an unpleasant rhthymic feel and irrita[ng melody. Music to annoy your partner with! \u003cbr\u003e \u003cbr\u003eEstablished in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Ini[ally intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the Bri[sh label Berry Music for interna[onal publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transi[oned into a full-fledged interna[onal label, with successes in the library and commercial fields and many innova[ons to its credit. Now a worldwide opera[on with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business s[ll helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a mul[na[onal conglomerate. \u003cbr\u003e \u003cbr\u003eThe audio for Drugs has been remastered by Be With regular Simon Francis, ensuring this release sounds be`er than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. \u003cbr\u003e \u003cbr\u003eTracklist: A1 Euphoria 1:49 A2 Soy Hallucina[ons 2:00 A3 Sky Move 2:40 A4 Destroyed Dreams 2:06 A5 Horror Trip 1:39 A6 Floa[ng Illusions 2:23 A7 Lost Chance 1:46 A8 The Morning Ayer 3:15 A9 Random Thoughts 1:12 B1 Heroin 2:44 B2 Night Trip 2:54 B3 Day Trip 1:21 B4 Dealer's Corner 3:23 B5 Sad And Hopeless 1:53 B6 Riding Pegasus 3:32 B7 Hopeless Chaos 2:15 B8 Goin' Mad 2:06 \u003cbr\u003e\u003c\/p\u003e","brand":"BE WITH RECORDS","offers":[{"title":"Default Title","offer_id":42629085298844,"sku":"BEWITH136LP","price":23.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BEWITH136LP.jpg?v=1692903139"},{"product_id":"nancy-sinatra-keep-walkin-singles-demos-rarities-1965-1978-cd","title":"Nancy Sinatra - Keep Walkin’ : Singles, Demos \u0026 Rarities 1965 - 1978 [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LITA208-2 \/ LITA2082\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 826853208208  \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Classic Singer-Songwriter\/Country\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble LP available on Standard Black Wax plus Special Limited Color Edition. (Both vinyl formats are non-returnable).\u003cbr data-mce-fragment=\"1\"\u003eVinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book.CD includes 40-page booklet. Highway Song Edition – Pressed on Yellow Wax.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDefinitive collection of Nancy’s rare singles, demos and previously unreleased cuts.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIncludes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDeep booklet includes new Q\u0026amp;As with Nancy \u0026amp; Don Randi (The Wrecking Crew) – both conducted by GRAMMY®-nominated co-producer Hunter Lea PLUS never before-seen photos from Nancy Sinatra’s personal archive.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures audio freshly remastered from the original analog tapes by GRAMMY® nominated engineer John Baldwin.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLight in the Attic continues to celebrate the influential career of singer, actress, activist, and icon Nancy Sinatra with a captivating new collection, Keep Walkin’: Singles, Demos \u0026amp; Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously unreleased recordings, Keep Walkin’ was remastered by the GRAMMY® nominated engineer John Baldwin and available in a variety of formats, including vinyl, CD, 8-track, and digital.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 2-LP set, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet (also included in the CD edition as a 40-page booklet), featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q\u0026amp;A with Sinatra, conducted by the reissue’s GRAMMY® nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos \u0026amp; Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy \u0026amp; Lee), limited-edition merch, and other special releases.\u003cbr data-mce-fragment=\"1\"\u003e________________________________________\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMore on Keep Walkin’: Singles, Demos \u0026amp; Rarities 1965-1978:\u003cbr data-mce-fragment=\"1\"\u003eIn 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,” and “Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy \u0026amp; Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAmong the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKeep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R\u0026amp;B stars like Ruth Brown and LaVern Baker.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann\/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy \u0026amp; Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.”Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine,” released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eListeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers\/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOffering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed Wrecking Crew collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpeaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. “She was easy to work with,” he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy \u0026amp; Lee. They had something very special that they could get out of each other. It was a good team.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHe continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},” he reveals. “I thought her shows were just as well with everybody else; they were excellent.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the GRAMMY® Hall of Fame. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003eThe City Never Sleeps At Night, The Last Of The Secret Agents, My Baby Cried All Night Long, Shades, In Our Time, Love Eyes, Rockin' Rock and Roll (1st TIME ON VINYL), This Town, Tony Rome, 100 Years, See The Little Children, Something Pretty (PREVIOUSLY UNRELEASED), Do I Hear A Waltz (PREVIOUSLY UNRELEASED), Drummer Man, Zodiac Blues (1st TIME ON VINYL), Highway Song, Are You Growing Tired Of My Love, Flowers In The Rain, Glory Road, Ain't No Sunshine, Easy Evil (1st TIME ON VINYL), Sugar Me, Kinky Love, Dolly and Hawkeye, I Just Can't Help Believing (PREVIOUSLY UNRELEASED)\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":42630088065180,"sku":"LITA208-2","price":22.84,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA2082MU.jpg?v=1692982927"},{"product_id":"nancy-sinatra-keep-walkin-singles-demos-rarities-1965-1978-2lp-yellow","title":"Nancy Sinatra - Keep Walkin’ : Singles, Demos \u0026 Rarities 1965 - 1978 [2LP Yellow]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 2 x LP, Yellow\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LITA208-1-2 \/ LITA20812\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 826853208123 \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Classic Singer-Songwriter\/Country\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble LP available on Standard Black Wax plus Special Limited Color Edition. (Both vinyl formats are non-returnable).\u003cbr data-mce-fragment=\"1\"\u003eVinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book.CD includes 40-page booklet. Highway Song Edition – Pressed on Yellow Wax.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDefinitive collection of Nancy’s rare singles, demos and previously unreleased cuts.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIncludes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDeep booklet includes new Q\u0026amp;As with Nancy \u0026amp; Don Randi (The Wrecking Crew) – both conducted by GRAMMY®-nominated co-producer Hunter Lea PLUS never before-seen photos from Nancy Sinatra’s personal archive.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures audio freshly remastered from the original analog tapes by GRAMMY® nominated engineer John Baldwin.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLight in the Attic continues to celebrate the influential career of singer, actress, activist, and icon Nancy Sinatra with a captivating new collection, Keep Walkin’: Singles, Demos \u0026amp; Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously unreleased recordings, Keep Walkin’ was remastered by the GRAMMY® nominated engineer John Baldwin and available in a variety of formats, including vinyl, CD, 8-track, and digital.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 2-LP set, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet (also included in the CD edition as a 40-page booklet), featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q\u0026amp;A with Sinatra, conducted by the reissue’s GRAMMY® nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos \u0026amp; Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy \u0026amp; Lee), limited-edition merch, and other special releases.\u003cbr data-mce-fragment=\"1\"\u003e________________________________________\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMore on Keep Walkin’: Singles, Demos \u0026amp; Rarities 1965-1978:\u003cbr data-mce-fragment=\"1\"\u003eIn 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,” and “Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy \u0026amp; Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAmong the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKeep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R\u0026amp;B stars like Ruth Brown and LaVern Baker.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann\/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy \u0026amp; Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.”Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine,” released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eListeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers\/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOffering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed Wrecking Crew collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpeaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. “She was easy to work with,” he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy \u0026amp; Lee. They had something very special that they could get out of each other. It was a good team.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHe continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},” he reveals. “I thought her shows were just as well with everybody else; they were excellent.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the GRAMMY® Hall of Fame. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003eThe City Never Sleeps At Night, The Last Of The Secret Agents, My Baby Cried All Night Long, Shades, In Our Time, Love Eyes, Rockin' Rock and Roll (1st TIME ON VINYL), This Town, Tony Rome, 100 Years, See The Little Children, Something Pretty (PREVIOUSLY UNRELEASED), Do I Hear A Waltz (PREVIOUSLY UNRELEASED), Drummer Man, Zodiac Blues (1st TIME ON VINYL), Highway Song, Are You Growing Tired Of My Love, Flowers In The Rain, Glory Road, Ain't No Sunshine, Easy Evil (1st TIME ON VINYL), Sugar Me, Kinky Love, Dolly and Hawkeye, I Just Can't Help Believing (PREVIOUSLY UNRELEASED)\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":42630088163484,"sku":"LITA208-1-2","price":37.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA20812_af493359-4bca-4973-8163-6ab124f001b1.jpg?v=1692982892"},{"product_id":"nancy-sinatra-keep-walkin-singles-demos-rarities-1965-1978-2lp","title":"Nancy Sinatra - Keep Walkin’ : Singles, Demos \u0026 Rarities 1965 - 1978 [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LITA208-1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 826853208109 \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Classic Singer-Songwriter\/Country\u003c\/p\u003e\n\u003cp\u003eDouble LP available on Standard Black Wax plus Special Limited Color Edition. (Both vinyl formats are non-returnable).\u003cbr\u003eVinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book.CD includes 40-page booklet. Highway Song Edition – Pressed on Yellow Wax.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDefinitive collection of Nancy’s rare singles, demos and previously unreleased cuts.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDeep booklet includes new Q\u0026amp;As with Nancy \u0026amp; Don Randi (The Wrecking Crew) – both conducted by GRAMMY®-nominated co-producer Hunter Lea PLUS never before-seen photos from Nancy Sinatra’s personal archive.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFeatures audio freshly remastered from the original analog tapes by GRAMMY® nominated engineer John Baldwin.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLight in the Attic continues to celebrate the influential career of singer, actress, activist, and icon Nancy Sinatra with a captivating new collection, Keep Walkin’: Singles, Demos \u0026amp; Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously unreleased recordings, Keep Walkin’ was remastered by the GRAMMY® nominated engineer John Baldwin and available in a variety of formats, including vinyl, CD, 8-track, and digital.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe 2-LP set, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet (also included in the CD edition as a 40-page booklet), featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q\u0026amp;A with Sinatra, conducted by the reissue’s GRAMMY® nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos \u0026amp; Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy \u0026amp; Lee), limited-edition merch, and other special releases.\u003cbr\u003e________________________________________\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMore on Keep Walkin’: Singles, Demos \u0026amp; Rarities 1965-1978:\u003cbr\u003eIn 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOver the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,” and “Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy \u0026amp; Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhile these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAmong the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eKeep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R\u0026amp;B stars like Ruth Brown and LaVern Baker.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann\/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy \u0026amp; Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.”Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine,” released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eListeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers\/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOffering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed Wrecking Crew collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSpeaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. “She was easy to work with,” he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy \u0026amp; Lee. They had something very special that they could get out of each other. It was a good team.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHe continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},” he reveals. “I thought her shows were just as well with everybody else; they were excellent.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAfter stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the GRAMMY® Hall of Fame. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eThe City Never Sleeps At Night, The Last Of The Secret Agents, My Baby Cried All Night Long, Shades, In Our Time, Love Eyes, Rockin' Rock and Roll (1st TIME ON VINYL), This Town, Tony Rome, 100 Years, See The Little Children, Something Pretty (PREVIOUSLY UNRELEASED), Do I Hear A Waltz (PREVIOUSLY UNRELEASED), Drummer Man, Zodiac Blues (1st TIME ON VINYL), Highway Song, Are You Growing Tired Of My Love, Flowers In The Rain, Glory Road, Ain't No Sunshine, Easy Evil (1st TIME ON VINYL), Sugar Me, Kinky Love, Dolly and Hawkeye, I Just Can't Help Believing (PREVIOUSLY UNRELEASED)\u003cbr\u003e\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":42630088491164,"sku":"LITA208-1","price":37.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/LITA2081.jpg?v=1692982863"},{"product_id":"oscean-chronium-radiance","title":"Oscean - Chronium Radiance","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: TRESOR358\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 4251804141468  \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003e180g 12\" vinyl, full pantone printed sleeve, download code.\u003c\/p\u003e\n\u003cp\u003eArgentinian producers Oscean return to Tresor with Chronium Radiance, their longest release so far, in which the duo continue the evolution of their sound, coalescing the elemental ideas explored in their first two releases and yielding sublime results.\u003cbr\u003e\u003cbr\u003eThis landmark release will no doubt be seen as the point at which Oscean crystalised a trademark sound, balancing complex percussive rhythms with pulsing and cadenced music in which a universe of often oxymoronic ideas can be found, melded together with a deft touch to create a blissful sonic whole.\u003cbr\u003e\u003cbr\u003eThere is a sense of space and airiness to side A of the record as synth parts drift across the more solid-feeling landscape of the basslines and percussion: Opening track ChronoRebel is a propulsive trance induction that brings forth cinematic images of billowing clouds. This nebulous quality is continued on Neon Harmonies where the highly syncopated drum track weaves through a haze of colourful synths that while lower tempo than the previous track somehow has an energy of a faster piece.\u003cbr\u003e\u003cbr\u003eThe flip side has a denser, darker quality to it beginning with Blaster Imploder, a deep and funky track that continues the convention-defying theme by being powerful and frenetic whilst also having a soft and exultant sheen. This is followed by Echoes of Chaos which closes out the 12” with a dynamic beat and spacious, sweeping synths that feel as though we are passing through the atmosphere heading towards some distant nebula.Alongside the tracks on the vinyl release, three digital tracks expand on the universe Oscean have built with a truly ecstatic love theme, a retelling of Neon Harmonies that unveils a river of dub, and a low tempo, drifting yet no-less affecting piece acting as the closing titles to our voyage to this Osceanic world.\u003cbr\u003e\u003cbr\u003eTRACKLIST 1 \/ A1 Chrono Rebel 05:56 2 \/ A2 Neon Harmonies 04:37 3 \/ B1 Blaster Imploder 05:40 \/ B2 Echoes of Chaos 05:56 DIGITAL ONLY 5 \/ DX Random Destiny 05:12 6 \/ DX Neon Harmonies (The Other Version) 05:34 7 \/ DX Who Holds the Key? 05:36\u003cbr\u003e\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":42654227136668,"sku":"TRESOR358","price":13.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TRESOR358.jpg?v=1694523291"},{"product_id":"p-lo-stunna-cd","title":"P-Lo - Stunna [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ERE877 \u003cbr\u003eBarcode: 194690957383 \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr\u003eGenre: Rap\u003c\/p\u003e\n\u003cp\u003eCD: DIGIPAK\u003cbr data-mce-fragment=\"1\"\u003e1xLP, Standard Jacket, Orange \u0026amp; Yellow Galaxy Vinyl, Marketing Sticker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout: \u003cbr data-mce-fragment=\"1\"\u003eSTUNNA is the 4th studio album from Bay Area Heavyweight and Certified Legend, P-Lo. Known for being one of the main pioneers of the modern West Coast Hip Hop sound, P-Lo assembles an all-star cast to deliver not just an album, but a frequency – an energy. With standout tracks like \"Good (feat. Larry June),\" \"Again (feat. E-40 \u0026amp; LaRussell),\" \u0026amp; \"Stunna Anthem,\" STUNNA continues P-Lo's mission in spreading positivity and shining a light on what makes the Bay Area a special place. The album features appearances by Larry June, Michael Sneed, Too $hort, Lucky, Kamaiyah, ALLBLACK, 22nd Jim, E-40, \u0026amp; LaRussell. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKey Marketing\/Selling:\u003cbr data-mce-fragment=\"1\"\u003e- P-Lo is a well-known and legendary Bay Area\/West Coast Hip-Hop pioneer and tastemaker\u003cbr data-mce-fragment=\"1\"\u003e- He is an instrumental producer and rapper from the influential hip-hop collective, HBK gang\u003cbr data-mce-fragment=\"1\"\u003e- He is largely credited as the godfather of modern West Coast hip-hop, most notably influencing DJ Mustard’s now signature sound\u003cbr data-mce-fragment=\"1\"\u003e- P-Lo’s song, “Put Me On Somethin’ (feat. E-40),” was named #83 in the 100 Best West Coast Hip-Hop Songs of All-Time by Rolling Stone\u003cbr data-mce-fragment=\"1\"\u003e- “Same Squad,” was recently placed in the TV show, “Blindspotting”\u003cbr data-mce-fragment=\"1\"\u003e- “Good (feat. Larry June),” from STUNNA, has been regularly featured nationwide by ESPN\/ABC\/Disney across the entire 2023 NBA Playoff games\u003cbr data-mce-fragment=\"1\"\u003e- P-Lo is one of the most well-known Filipino artists in Hip-Hop\u003cbr data-mce-fragment=\"1\"\u003e- He recently performed at 88rising’s consistently sold-out festival, Head In The Clouds, as well as Sol Blume in Sacramento, CA - which drew 40k people\u003cbr data-mce-fragment=\"1\"\u003e- Multiple music videos released in support of the album\u003cbr data-mce-fragment=\"1\"\u003e- National headlining “STUNNA” tour supporting the album release\u003cbr data-mce-fragment=\"1\"\u003e- Known as an avid Golden State Warriors fan and unofficial mascot for the team, P-Lo partnered with the Warriors to hold an official “STUNNA” album release party at the Chase Center \u003cbr data-mce-fragment=\"1\"\u003e- Listed on GRAMMY list of Rising Bay Area Rap Artists\u003cbr data-mce-fragment=\"1\"\u003e- Recently released song with Lil Jon - “What We On” \u003cbr data-mce-fragment=\"1\"\u003e- This is the first time any of his music is available on vinyl\u003cbr data-mce-fragment=\"1\"\u003e- Pressed on Orange \u0026amp; Yellow Galaxy Vinyland limited to 1000 copies\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003eA1\/1. The Definition\u003cbr data-mce-fragment=\"1\"\u003eA2\/2. Stunna Anthem\u003cbr data-mce-fragment=\"1\"\u003eA3\/3. Lightswitch\u003cbr data-mce-fragment=\"1\"\u003eA4\/4. Good (feat. Larry June)\u003cbr data-mce-fragment=\"1\"\u003eA5\/5. Viral (feat. Michael Sneed)\u003cbr data-mce-fragment=\"1\"\u003eA6\/6. The Roof (feat. Too $hort \u0026amp; Michael Sneed)\u003cbr data-mce-fragment=\"1\"\u003eA7\/7. Mental Health (feat. Lucky)\u003cbr data-mce-fragment=\"1\"\u003eB1\/8. My Bitch (feat. Kamaiyah)\u003cbr data-mce-fragment=\"1\"\u003eB2\/9. Goes Well (feat. Michael Sneed)\u003cbr data-mce-fragment=\"1\"\u003eB3\/10. 22nd Ways Interlude (feat. ALLBLACK \u0026amp; 22nd Jim)\u003cbr data-mce-fragment=\"1\"\u003eB4\/11. One Thing\u003cbr data-mce-fragment=\"1\"\u003eB5\/12. Again (feat. E-40 \u0026amp; LaRussell)\u003cbr data-mce-fragment=\"1\"\u003eB6\/13. My Ghetto Report Card Freestyle\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSocials: \u003cbr data-mce-fragment=\"1\"\u003eTwitter: 200k followers\u003cbr data-mce-fragment=\"1\"\u003eIG: 253k followers\u003cbr data-mce-fragment=\"1\"\u003eFB: 16k followers\u003cbr data-mce-fragment=\"1\"\u003eYT: 93.7k subs \/ 47M views\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Everywhere Like Air \/ EMPIRE","offers":[{"title":"Default Title","offer_id":42660264050844,"sku":"ERE877","price":11.09,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_16334293-67b7-4504-8baf-62eafb8acb96.jpg?v=1695020310"},{"product_id":"marthe-further-in-evil-cd","title":"Marthe - Further In Evil [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LORD305  \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 808720030525  \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Crust Punk\/Black Metal\u003c\/p\u003e\n\u003cp\u003eVINYL IS NON-RETURNABLE.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDebut full length for one woman band Marthe on Southern Lord. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrue Valkyrian metal inspired heavy riffing in a dark atmosphere of feasting ravens over a thunderous battleground. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe war cry belongs to a distorted horde of crust punk and black metal venture.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe dust settles over the power of Bathory, the melancholy of Tiamat and the stench of Amebix.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAntifascist. Feminist. Misanthropic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIncludes cover of Siouxsie and the Banshees ‘Sin In my Heart’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist: --1. I Ride Alone --2. Dead To You --3. Further In Evil --4. Victimized --5. To Ruined Altars… --6. Sin In My Heart (Siouxsie and the Banshees)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title='MARTHE \"Further In Evil\" album preview' src=\"https:\/\/www.youtube.com\/embed\/qre-E7weddU\" height=\"369\" width=\"656\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Southern Lord","offers":[{"title":"Default Title","offer_id":42660265099420,"sku":"LORD305","price":12.22,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_ec435a95-2d27-48d2-a0d3-3fef010f815f.jpg?v=1695020510"},{"product_id":"alpha-steppa-wellette-seyon-balance-2lp","title":"Alpha Steppa \u0026 Wellette Seyon - Balance [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: ASLP01819 \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0745125360188\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Reggae\/ Dub\u003c\/p\u003e\n\u003cp\u003eA crucial album for for the world of reggae, dub, and soundsystem culture. This exceptional album comprises a stunning compilation of 12 captivating vocal tracks and 12 deep dub mixes. Wellette's distinct voice, unique flow, and lyrical prowess seamlessly complement Alpha Steppa's unmistakable and versatile production style. Wellette Seyon is a highly regarded collaborator of Steppas Records, where she has worked alongside Dub Dynasty, Alpha Steppa, and Alpha \u0026amp; Omega on numerous renowned projects. Over the course of seven years, she has collaborated closely with Alpha Steppa to create her eagerly anticipated debut album, 'Balance'.\u003cbr\u003e\u003cbr\u003ePRESS:\u003cbr\u003e\u003cbr\u003e“Alpha Steppa is paving the way for a generation who are keen to tread new waters.” DJ Mag\u003cbr\u003e\u003cbr\u003e“One of the most prolific and inventive dub producers around” WIRE\u003cbr\u003e\u003cbr\u003e“A serious player in the sound system world!” MIXMAG \u003cbr\u003e\u003cbr\u003e“Obliteratingly Heavy Bass” Q MAGAZINE \u003cbr\u003e \u003cbr\u003e“Dub to worship” REGGAE ROOTS REVIEW\u003cbr\u003e\u003cbr\u003eVINYL TRACK LISTING:\u003cbr\u003eA 01 This Revolution 02 Why 03 Giving Thanks 04 Balance 05 This World \u003cbr\u003eB 06 In the City 07 Ganja Tune 08 You 09 House of Vanity 10 Like Dew\u003cbr\u003eC 11 This Revolution Dub 12 Why Dub 13 Giving Thanks Dub 14 Balance Dub 15 This World Dub\u003cbr\u003eD 16 In the City Dub 17 Ganja Tune Dub 18 You Dub 19 House of Vanity Dub 20 Like Dew Dub\u003cbr\u003e\u003c\/p\u003e","brand":"Steppas Records","offers":[{"title":"Default Title","offer_id":42660712153244,"sku":"ASLP01819","price":28.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ASCD01819.jpg?v=1695065155"},{"product_id":"alpha-steppa-wellette-seyon-balance-cd","title":"Alpha Steppa \u0026 Wellette Seyon - Balance [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: ASCD01819 \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0745125360195\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Reggae\/ Dub\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA crucial album for for the world of reggae, dub, and soundsystem culture. This exceptional album comprises a stunning compilation of 12 captivating vocal tracks and 12 deep dub mixes. Wellette's distinct voice, unique flow, and lyrical prowess seamlessly complement Alpha Steppa's unmistakable and versatile production style. Wellette Seyon is a highly regarded collaborator of Steppas Records, where she has worked alongside Dub Dynasty, Alpha Steppa, and Alpha \u0026amp; Omega on numerous renowned projects. Over the course of seven years, she has collaborated closely with Alpha Steppa to create her eagerly anticipated debut album, 'Balance'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePRESS:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Alpha Steppa is paving the way for a generation who are keen to tread new waters.” DJ Mag\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“One of the most prolific and inventive dub producers around” WIRE\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“A serious player in the sound system world!” MIXMAG\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Obliteratingly Heavy Bass” Q MAGAZINE\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Dub to worship” REGGAE ROOTS REVIEW\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD TRACK LISTING:\u003cbr data-mce-fragment=\"1\"\u003e01 This Revolution 02 Why 03 Giving Thanks 04 Balance 05 This World 06 Real Eyes Realize 07 In the City 08 Ganja Tune 09 Black Woman Civilisation 10 You 11 House of Vanity 12 Like Dew 13 This Revolution Dub 14 Why Dub 15 Giving Thanks Dub 16 Balance Dub 17 This World Dub 18 Real Eyes Realize Dub 19 In the City Dub 20 Ganja Tune Dub 21 Black Woman Civilisation 22 You Dub 23 House of Vanity Dub 24 Like Dew Dub\u003c\/p\u003e","brand":"Steppas Records","offers":[{"title":"Default Title","offer_id":42660712251548,"sku":"ASCD01819","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ASCD01819_e1ca826e-8771-4a61-81e1-b875c332f19e.jpg?v=1695065169"},{"product_id":"george-coleman-amsterdam-after-dark","title":"George Coleman - Amsterdam After Dark","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: TWM106\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 650311500821\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eClassic Jazz Album from 1979.\u003cbr\u003eFeaturing an all-star line-up.\u003cbr\u003eFirst ever vinyl reissue since 1985.\u003cbr\u003eReleased for the first time in the UK \u0026amp; North America.\u003cbr\u003e180g BLACK vinyl limited to 500 copies (w\/obi strip. Non-Returnable.\u003cbr\u003e\u003cbr\u003eGeorge Coleman (born March 8, 1935) is an American jazz saxophonist best known for his work with Miles Davis and Herbie Hancock in the 1960s. Coleman was born in Memphis, Tennessee and learned to play the alto saxophone in his teens. After his work with Ray Charles, George started working with B.B. King in 1953 and switched to playing the tenor saxophone.\u003cbr\u003e\u003cbr\u003eGeorge Coleman was a member of legendary outfits such as Max Roach’s quintet, The Slide Hampton Octet, Miles Davis’ Quintet and The Chet Baker Quintet. The list of his collaborations is impressive to say the least, Mr. Coleman recorded and performed with greats such as Freddie Hubbard, Herbie Hancock, Charles Mingus, Ahmad Jamal, Idris Muhammad, Pharoah Sanders, Ornette Coleman, Melvin Sparks, Art Blakey…and many others.\u003cbr\u003e\u003cbr\u003eColeman was named an NEA Jazz Master, was added to the Memphis Music Hall of Fame in 2015, and received a brass note on the Beale Street Brass Notes Walk of Fame. George Coleman’s performances were included on classic recordings released by prominent labels from the likes of Blue Note, Atlantic, Prestige, Strata-East, Muse, Verve and Impulse!\u003cbr\u003e\u003cbr\u003eOn the album we are proudly presenting you today: Amsterdam After Dark (Recorded in 1978 at the famous NY Sound Ideas Studio and released on Timeless Records in 1979) the listener is treated to six majestic tracks of the highest caliber and features a remarkable outing of advanced musicianship by jazz-giants in their prime, delivering an inspirational gem of an album.\u003cbr\u003e\u003cbr\u003eThe all-star line-up includes Sam Jones (Dizzy Gillespie, Duke Ellington, Ben Webster) on bass, Billy Higgins (Donald Byrd, Thelonious Monk, John Coltrane) on drums and Hilton Ruiz (Roy Brooks, Rashaan Roland Kirk, Sonny Rollins) on piano. Most players featured here were also part of the legendary ‘Eastern Rebellion’ collective responsible for releasing multiple ground-breaking albums over several decades.\u003cbr\u003eAmsterdam After Dark shows off George Coleman’s mastery of the sax, his brilliant vintage techniques and deep soulful tones. Coleman plays from the heart and is on top of his game. Expect both original compositions as well as standards, beautiful ballads with elegant (yet fierce) solos alternating between the instruments, growling blues-oriented themes…this is a contemporary sounding Hard Bop \u0026amp; Post-bop crossover album and a must have for any self-respecting jazz fan or collector!\u003cbr\u003e\u003cbr\u003eTracklist:\u003cbr\u003eAmsterdam After Dark , New Arrival , Lo-Joe , Autumn in New York , Apache Dance , Blondie's Waltz\u003cbr\u003e\u003c\/p\u003e","brand":"Tidal Waves Music","offers":[{"title":"Default Title","offer_id":42660718641308,"sku":"TWM106","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TWM106.jpg?v=1695065926"},{"product_id":"desiderii-marginis-serenity-rage-lp","title":"DESIDERII MARGINIS - Serenity \/ Rage [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 215thCycle\u003cbr\u003eBarcode: 0679628554228\u003cbr\u003eRelease Date: 03 Nov 2023\u003cbr\u003eGenre: Ambient \/ Dark Ambient \/ Experimental\u003c\/p\u003e\n\u003cp\u003eCD in 4 panel Digipak.\u003cbr\u003eLP in 3mm sleeve, Matt Lamination with printed inner sleeve. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout:\u003cbr data-mce-fragment=\"1\"\u003e\"Serenity \/ Rage\" focuses on the contradictory human capacity to do both good and evil, where clarity and insight can turn to blind overwhelming rage and how we find ourselves moving back and forth across this vast expanse of human emotions. With hints of classic Death Industrial and a unique cover version of Brighter Death Now's classic track \"Necroses Evangelicum\", Johan Levin exposes a new facet of his expanding discography. Nothing is Black nor White, we all fade to Grey…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD Edition of 300 copies in 4 panel Digipak. 6 Tracks. Running Time 36:41 EAN: 0679628554211\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVinyl Edition of 300 copies, 3mm sleeve, Matt Lamination with printed inner sleeve. 6 Tracks. Running Time 36:41\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003eLP\u003cbr data-mce-fragment=\"1\"\u003eA1 - I Was Destroying Icons\u003cbr data-mce-fragment=\"1\"\u003eA2 - Necrose Evangelicum\u003cbr data-mce-fragment=\"1\"\u003eA3 - New Flesh On The Demon Cold\u003cbr data-mce-fragment=\"1\"\u003eB1 - Psychogeography\u003cbr data-mce-fragment=\"1\"\u003eB2 - I Think It Was a Sunday\u003cbr data-mce-fragment=\"1\"\u003eB3 - The Hours of Darkness\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Cyclic Law","offers":[{"title":"Default Title","offer_id":42672838377628,"sku":"215thCycle","price":21.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/215thCycle.jpg?v=1695936048"},{"product_id":"desiderii-marginis-serenity-rage-cd","title":"DESIDERII MARGINIS - Serenity \/ Rage [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: 215thCycleCD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0679628554211 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Ambient \/ Dark Ambient \/ Experimental\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCD in 4 panel Digipak.\u003cbr data-mce-fragment=\"1\"\u003eLP in 3mm sleeve, Matt Lamination with printed inner sleeve.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAbout:\u003cbr data-mce-fragment=\"1\"\u003e\"Serenity \/ Rage\" focuses on the contradictory human capacity to do both good and evil, where clarity and insight can turn to blind overwhelming rage and how we find ourselves moving back and forth across this vast expanse of human emotions. With hints of classic Death Industrial and a unique cover version of Brighter Death Now's classic track \"Necroses Evangelicum\", Johan Levin exposes a new facet of his expanding discography. Nothing is Black nor White, we all fade to Grey…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD Edition of 300 copies in 4 panel Digipak. 6 Tracks. Running Time 36:41 EAN: 0679628554211\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVinyl Edition of 300 copies, 3mm sleeve, Matt Lamination with printed inner sleeve. 6 Tracks. Running Time 36:41\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003eCD\u003cbr data-mce-fragment=\"1\"\u003e01 - I Was Destroying Icons\u003cbr data-mce-fragment=\"1\"\u003e02 - Necrose Evangelicum\u003cbr data-mce-fragment=\"1\"\u003e03 - New Flesh On The Demon Cold\u003cbr data-mce-fragment=\"1\"\u003e04 - Psychogeography\u003cbr data-mce-fragment=\"1\"\u003e05 - I Think It Was a Sunday\u003cbr data-mce-fragment=\"1\"\u003e06 - The Hours of Darkness\u003c\/p\u003e","brand":"Cyclic Law","offers":[{"title":"Default Title","offer_id":42672838770844,"sku":"215thCycleCD","price":14.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/215thCycle_66b60830-26b1-4cb4-9bf8-da64d462d476.jpg?v=1695936059"},{"product_id":"dj-tahira-minhas-versoes","title":"Dj Tahira - Minhas Versoes","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: POE002  \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5051142067470\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Brazilian\u003c\/p\u003e\n\u003cp\u003eWorld-Renowned Brazilian DJ, producer and music lover, DJ Tahira Unveils Vinyl EP of Exclusive Edits and Remixes on Poeira Music. \u003cbr\u003e\u003cbr\u003eSão Paulo, Brazil. Get ready for a mesmerizing sonic journey as DJ Tahira, the globally acclaimed maestro of Afro- Brazilian beats, is set to release his highly anticipated vinyl EP, \"Minhas Versões\" (My Versions), on his own renowned label, Poeira Music. Featuring six captivating tracks on vinyl for the very first time, this EP showcases Tahira's exceptional talent for remixing and editing, offering fans a fresh take on some of his most beloved creations. \u003cbr\u003e\u003cbr\u003eTill now a secret weapon for a select cadre of DJs, Tahira's organic Maculele Edit of the already classic \"Banho de Folhas\" by Luedji Luna draws inspiration from the ancestral rhythm Maculele, a fundamental element of the globally renowned Baile Funk sound. A fusion of Latin and samba influences, Tahira's rework of the 2000s hit \"Meu Esquema\" by Mundo Livre S.A. + Bruno Pedrosa offers a fresh perspective on the original samba bossa nova track. \u003cbr\u003e\u003cbr\u003eTha Tahira remix of New Zealand’s “Chi Chi Cha Cha” by Latinaotearoa invites listeners on a journey through Latin sounds blended seamlessly with Brazilian influences, featuring the enchanting vocals of Ully Costa. \u003cbr\u003e\u003cbr\u003eHailing from Brasilia, Leticia Fialho and her beautiful \"Corpo e Canção\" receive Tahira's magical touch, with Afro- Brazilian Ijexá rhythm influences and a captivating exploration of the melodic theme. A masterful blend of samba beats and synths, Tahira's SambaJazz Instrumental Remix of \"Iroke\" by Edground showcases his ability to create genre- defying musical experiences. \u003cbr\u003e\u003cbr\u003ePreviously only available digitally on the NYC label Bastard Jazz, Tahira’s remix of “Moqueca” by the exciting trio of Captain Planet Zuuka Poderosa and Raphael Futura, combines Brazilian Ijexá and Latin cumbia percussion in an irresistible uptempo beat. \u003cbr\u003eKnown for his trailblazing musical contributions, DJ Tahira has been a force to reckon with in the international music scene for over a decade. His remarkable journey took a massive leap with his remarkable re-edit of Gilberto Gil’s iconic \"Toda Menina Baiana\", championed by global trend setters such as Gilles Peterson, Mr Scruff, Laurent Garnier, DJ Harvey, and Jamie XX. Tahira’s edit ignited dance floors worldwide and solidified his status as a pioneering DJ and producer. \u003cbr\u003e\u003cbr\u003eDJ Tahira has become a global music luminary, performing at prestigious venues, festivals and platforms, such as Glastonbury, Montreux Jazz Festival, Boiler Room, Love Supreme, Lot Radio, and Worldwide FM. His music has found a home on esteemed labels such as Concord Jazz, Musica Macondo, Bastard Jazz, Wonderwheel, Wah Wah 45s, Names You Can Trust, Far Out, Tiff's Joints, and Hot Casa. \u003cbr\u003eAdditionally, Tahira's prowess as a music researcher is underscored by two critically acclaimed compilations: \"Levanta Poeira\" (2018), lauded as one of the best reissues by NPR, and \"Brasil Novo,\" released by London's Musica Macondo label, which earned the title of Best Reissue of 2022 according to Sounds and Colours, along with glowing reviews from Songlines Magazine (awarding five stars!), Juno, and Mr. Bongo.\"Minhas Versões\" serves as both a testament to his illustrious career and a glimpse into the future soundtrack of global dancefloors . \u003cbr\u003e\u003cbr\u003e\"Minhas Versões\" will be officially released on November 10th. \u003cbr\u003e\u003cbr\u003eImport infos : \u003cbr\u003e\u003cbr\u003eAbout the release : \u003cbr\u003eAll tracks first time on vinyl. Unreleased ones : Leticia Fialho – Corpo e Canção (Tahira Edit) Mundo Livre S.A. + Pedrosa DJ – Meu Esquema (Tahira Rework) \u003cbr\u003e\u003cbr\u003eTracklist \u003cbr\u003eA1 – Luedji Luna – Banho de Folhas (Tahira Maculele Remix) A2 – Mundo Livre S.A. + Pedrosa DJ – Meu Esquema (Tahira Rework) A3 – Latinaotearoa – Chi Chi Cha Cha (Tahira Remix feat Ully Costa) B1 – Captain Planet, Zuzuka Poderosa Raphael Futura – Moqueca (Tahira Remix) B2 – Leticia Fialho – Corpo e Canção (Tahira Edit) B3 – Edground – Iroke (Tahira Samba Jazz Instrumental) Instagram DJ Tahira - @tahiragruv Poeira Music - @poeiramusic\u003cbr\u003e\u003c\/p\u003e","brand":"Poeira Discos","offers":[{"title":"Default Title","offer_id":42673618518172,"sku":"POE002","price":14.4,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/POE002.jpg?v=1696021052"},{"product_id":"action-pact-drowning-out-the-big-jets-bbc-radio-sessions-1982-83","title":"Action Pact - Drowning Out The Big Jets - BBC Radio Sessions 1982-83","description":"\u003cp\u003eFormat: LP \u003cbr\u003eCatalogue No.: FALLLP062\u003cbr\u003eBarcode: 5013145306215\u003cbr\u003eRelease Date: 03 Nov 2023\u003cbr\u003eGenre: Punk\u003c\/p\u003e\n\u003cp\u003ePreviously unreleased two John Peel sessions and a David Jensen session – 16 tracks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInner bag with notes, interviews \u0026amp; photos by Mick Mercer who attended a session.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLimited red vinyl. Includes an unheard song. ‘Mostly better than released versions’.\u003cbr data-mce-fragment=\"1\"\u003eAction Pact were a punk rock band from Stanwell, an isolated village right under the flight-path of London Heathrow Airport, inspiring this album title-song. Formed in 1981 by guitarist Wild Planet, bassist \u0026amp; lyricist Dr. Phibes, and the then 15-year-olds drummer Joe Fungus and singer George Cheex, still school-kids when their Heathrow Touchdown EP was released in October 1981. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBBC Radio 1 DJ John Peel played the single many times and booked them for their first session, recorded February 1982. Signed to Jungle’s Fall Out Records imprint, Action Pact's label debut Suicide BagEP went to the top of the British punk chart in July 1982. Five more singles entered the indie charts including Yet Another Dole Queue Song, and a reworked London Bouncers, along with two albums, ‘Mercury Theatre – On The Air’ and ‘Survival of the Fattest’. A second John Peel session in ‘82 and a David Jensen BBC session in ’83 were also recorded and broadcast – all collected together here for the first time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e16 tracks: - Suicide Bag, Losers, Mindless Aggression, People, Cowslick Blues, Fouled on the Footpath, Times Must Change, Drowning Out the Big Jets; Fools Factions, Protest is Alive, These Are a Few…, Gothic Party Time, Question of Choice, Cruellest Thief, New Kings Girl, Mercury Theatre (On the Air Again)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Fall Out Records\/Jungle","offers":[{"title":"Default Title","offer_id":42673620713628,"sku":"FALLLP062","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FALLLP062.jpg?v=1696021631"},{"product_id":"the-durutti-column-fidelity-cd","title":"The Durutti Column - Fidelity [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: TWI976CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 708527230480\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Post-Punk  \u003c\/p\u003e\n\u003cp\u003eLes Disques du Crepuscule presents a new CD edition of Fidelity, the 12th studio album by cult Manchester ensemble The Durutti Column, originally released by the label in April 1996.\u003cbr\u003e\u003cbr\u003eFidelity features 10 tracks written and performed by Vini Reilly, with occasional guest vocals by Eley Rudge. In addition to Vini’s trademark guitar stylings, the album showcased sleek electronic textures and programmed beats, and despite being undervalued at the time gained in popularity after standout track ‘Future Perfect’ featured in acclaimed Hulu television series The Bear.\u003cbr\u003e\u003cbr\u003eThe new CD version also features bonus track My Only Love, originally released in 1995 on a covermount CD with a specialist guitar magazine.\u003cbr\u003e\u003cbr\u003eA 12 track double vinyl version is also available (TWI976).\u003cbr\u003e\u003cbr\u003eCD tracklist:\u003cbr\u003e1. Fidelity 2. For Suzanne 3. Future Perfect 4. Abstract of Expression 5. G+T 6. Remember Me 7. Sanko 8. Grace 9. Guitar for Mother 10. Storm for Steve 11. My Only Love\u003cbr\u003e\u003c\/p\u003e","brand":"Les Disques du Crepuscule","offers":[{"title":"Default Title","offer_id":42727967883420,"sku":"TWI976CD","price":10.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TWI976CD.jpg?v=1696962195"},{"product_id":"johnny-thunders-patti-palladin-copy-cats-cd","title":"Johnny Thunders \u0026 Patti Palladin - Copy Cats [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FREUDCD020\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5013145202029  \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 03 Nov 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Punk\/Singer-Songwriter\u003c\/p\u003e\n\u003cp\u003eJohnny Thunders \u0026amp; Patti Palladin’s acclaimed duet covers album, first released in 1988.\u003cbr\u003eFeatures cast of 27 players, incl. Chrissie Hynde, Jerry Nolan \u0026amp; Billy Rath, John Perry.\u003cbr\u003e35th Anniversary reissue. Improved on 80’s packaging (and two extra tracks to US 80’s Restless CD).\u003cbr\u003e“Better than the originals” was John Peel’s verdict! Features the singles Crawfish and Born To Cry.\u003cbr\u003eRave Uncut \u0026amp; Mojo reviews! “Contender for coolest covers album of all time” – Uncut 4\/5* review\u003cbr\u003e\u003cbr\u003eNew Yorkers Johnny Thunders, ex- of the Heartbreakers \u0026amp; New York Dolls \u0026amp; Patti Palladin, ex- of Snatch and a former Brian Eno collaborator, were both exiled in London. They recorded this affectionate tribute to the American songs of the 50’s \u0026amp; 60’s, with covers of The Seeds, Screamin’ Jay Hawkins, The Shangri-La’s, Dion, Chambers Brothers, Roy Head, Mickey \u0026amp; Sylvia, Elvis, The Shirelles, etc. \u003cbr\u003eRecorded authentically using real brass, strings and many fine musicians, with Patti’s meticulous production extending sessions over many months. Legendary late radio DJs John Peel and Charlie Gillett both described it as being “better than the originals”! \u003cbr\u003e\u003cbr\u003eTRACKLIST Can’t Seem To Make You Mine, Baby It’s You, She Wants To Mambo, Treat Her Right, Uptown To Harlem, Crawfish, Alligator Wine, Two Time Loser, Love Is Strange, I Was Born To Cry, He Cried, Let Me Entertain You (Pts 1 \u0026amp; 2).\u003cbr\u003e\u003c\/p\u003e","brand":"Jungle","offers":[{"title":"Default Title","offer_id":42760570044572,"sku":"FREUDCD020","price":10.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_272fb97c-376e-450b-87c9-69d9257f6e56.webp?v=1698156008"},{"product_id":"ross-tregenza-and-wes-keltner-the-texas-chain-saw-massacre-game-bundle-2lp-chain-saw-green-colored-vinyl-1","title":"Ross Tregenza and Wes Keltner - The Texas Chain Saw Massacre (Game Bundle) [2LP “Chain Saw Green” Colored Vinyl]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: WW175 \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 850053152351  \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e03 Nov 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Soundtrack\u003c\/p\u003e\n\u003cp\u003eThe Complete Soundtrack Game Music On Vinyl.\u003cbr\u003eRemains LP: Additional Soundtrack Game Music by Wes Keltner.\u003cbr\u003e“Chain Saw Green” Colored Vinyl (TCSM LP)\u003cbr\u003e“Slaughterhouse Killing Floor” Colored Vinyl (Remains LP)\u003cbr\u003eNon-Returnable.\u003cbr\u003eArtwork by Jake Kontou and Composer Liner Notes\u003cbr\u003e\u003cbr\u003eWaxwork Records is thrilled to release THE TEXAS CHAIN SAW MASSACRE Original Game Soundtrack LP by Ross Tregenza and REMAINS Additional Game Music LP from THE TEXAS CHAIN SAW MASSACRE by Wes Keltner and Jim Bonney!\u003cbr\u003eFrom Gun Media, creators of the global hit FRIDAY THE 13TH The Game, comes a terrifying follow up that has been developed by horror fans for horror fans. Take on the role of one of the notorious Slaughter family, or their victims, in The Texas Chain Saw Massacre, a third-person asymmetrical horror experience based on the groundbreaking and iconic 1974 horror film. Experience the mad and macabre for yourself in The Texas Chain Saw Massacre.\u003cbr\u003e\u003cbr\u003eThis very special double album bundle features the complete video game soundtrack music to The Texas Chain Saw Massacre pressed to 150-gram colored vinyl, housed in deluxe heavyweight gatefold packaging with matte satin coating, composer liner notes, and all new artwork. The composers of the game music all have a dedicated love for the original 1974 film. Recordings of sheet metal, spoons, tuning forks, furniture, and the instrument, the Apprehension Engine, were mangled, manipulated, and ran through several vintage reverbs, distortions, tape delays, and other effects to create a haunting, sonic cacophony that envelopes the listener and transports them directly to a killing floor in the sweltering Texas summer heat.\u003cbr\u003e\u003cbr\u003eTracklist:\u003cbr\u003eWho Will Survive? , The Massacre , The Family House , Bizarre Crimes , The Old Slaughterouse , Blunt Headed Hammer , The Gas Station , Go Get Grandpa , You Think This Is A Party? , And What Will Be Left Of Them? , Haze , Bitter , Isolated , Tragic , Forgotten , Echoes , Restitution , Teeth\u003cbr\u003e\u003c\/p\u003e","brand":"Waxwork","offers":[{"title":"Default Title","offer_id":44442503020700,"sku":"WW175","price":55.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_94a13a94-df6d-4322-9fd4-9df5e37c3287.jpg?v=1695021452"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/srd-031123.oembed","provider":"Horizons Music","version":"1.0","type":"link"}