{"title":"SRD 030426","description":"","products":[{"product_id":"the-budos-band-the-budos-band-lp","title":"THE BUDOS BAND - THE BUDOS BAND [LP]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue No.: DAP005LP\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eBarcode: 823134330511 \u003cbr\u003e\u003cspan\u003eRelease Date: 03 Apr 2026\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre: Funk \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRemastered AAA Vinyl in tip-on jacket\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMarking its 20th anniversary in 2025, the eponymous debut album from Staten Island's finest is finally back in print. Housed in a deluxe \"old style\", tip-on jacket and sporting an all-analog (AAA) re-master from the original tapes–via Ryan Smith (Sterling Sound)–this iconic LP has never looked or sounded better. Featuring \"Up From the South,\" and \"Ghost Walk\" this is essential listening for fans of Daptone and the Budos alike.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003e1. Up From the South\u003cbr\u003e2. T. I. B. W. F.\u003cbr\u003e3. Budos Theme\u003cbr\u003e4. Ghost Walk\u003cbr\u003e5. Monkey See, Monkey Do\u003cbr\u003e6. Sing a Simple Song\u003cbr\u003e7. Eastbound\u003cbr\u003e8. Aynotchesh Yererfu\u003cbr\u003e9. King Charles\u003cbr\u003e10. The Volcano Song\u003cbr\u003e11. 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It’s reggae at its most soulful. Slinking through a tight ten tracks of R\u0026amp;B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks. Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic. Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”. The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential. Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock. “There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. 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Here, The Epic, The Rad And The Snappy Find Themselves Under One Expertly Crafted Groove, Making This Album An Essential Choice For Both Home Clubbers And Floor Hounds… Your New Best Friend Is Here And It’s A Record.\u003cbr\u003e\u003cbr\u003eDespite The Name And Despite Our Well-Documented Love For Cologne’s Beer, Kölsch Isn’t A Local And He Didn’t Label Himself After The Famed Brew. Even With A Much-Acclaimed Print Run And A Series Of Venerated Live Appearances Under His Belt, Award-Winning Danish Producer Rune Reilly Kölsch Has To Regularly Duck Quizzical Questions About His Heritage. And Yet He Couldn’t Be Clearer: Take, For Example, Established Floor Favorites Opa (German For “Grandfather”), Der Alte (A Classic German Tv Series) Or Silberpfeil (A Legendary German Racing Car)… Those Track Titles All Refer To Rune’s Memories From A Childhood Spent In Germany.\u003cbr\u003e\u003cbr\u003e“1977” Isn’t A Simple “Best Of” Hack Job, However: With New Crackers Basshund, Bappedekkel And Eiswinter Lighting The Fire, Kölsch Doesn’t Need To Worry About Future Impact. And Then There’s A Cut Like Oma, An Emotive Counterpart To The Slightly Sardonic Opa And Every Bit As Engaging As Canonical Hyperballad All That Matters. For The Grand Finale, Rune Turns To Loreley, The Inaugural Release Of The Project And To This Day A Massive Banger In Its Own Right - So Powerful In Fact, That The Shock Needs To Be Absorbed By Two More Tracks: The Sweeping Wasserschutz And A Trojan Horse Called Felix, Originally Intended To Be An Album Outro Of Sorts… But Then Someone Pushed The Button And The Trans-Dimensional Portal Sprang To Life. \u003cbr\u003e\u003cbr\u003eA1 Kölsch Oma 00:06:56\u003cbr\u003eB1 Kölsch Bappedekkel 00:07:02\u003cbr\u003eB2 Kölsch Basshund 00:07:07\u003cbr\u003eC1 Kölsch Eiswinter 00:06:42\u003cbr\u003eC2 Kölsch Wasserschutz 00:07:52\u003cbr\u003eD1 Kölsch Felix 00:07:52\u003cbr\u003e\u003c\/p\u003e","brand":"Kompakt","offers":[{"title":"Default Title","offer_id":41443296641180,"sku":"Kompakt276","price":31.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/KOMPAKT276.jpg?v=1644600919"},{"product_id":"david-fleming-and-john-murphy-superman-original-motion-picture-soundtrack-2lp-red-blue","title":"David Fleming and John Murphy - Superman (Original Motion Picture Soundtrack) [2LP Red \u0026 Blue]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: MOND339B\u003cbr\u003eBarcode: 810196431089\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Soundtracks\u003c\/p\u003e\n\u003cp\u003e- 2LP pressed on Red \u0026amp; Blue vinyl. Non-Returnable.\u003cbr\u003e- Music by composers John Murphy and David Fleming.\u003cbr\u003e- SUPERMAN, DC Studios' first feature film to hit the big screen.\u003c\/p\u003e\n\u003cp\u003eMondo Music, in partnership with WaterTower Music, are proud to present the premiere vinyl release of James Gunn’s SUPERMAN – Original Motion Picture Soundtrack, with music by composers John Murphy and David Fleming (original SUPERMAN theme by John Williams).\u003c\/p\u003e\n\u003cp\u003eFeaturing Product Design by Alan Hynes, this double LP is pressed on 2x All-Star Red \u0026amp; Blue vinyl, with lacquers cut at Abbey Road Studios. It's housed in a double pocket gatefold with classic tip-on jackets and a custom die-cut bellyband.\u003c\/p\u003e\n\u003cp\u003eSUPERMAN, DC Studios' first feature film to hit the big screen, is set to soar into theaters worldwide this summer from Warner Bros. Pictures. In his signature style, James Gunn takes on the original superhero in the newly imagined DC Universe with a singular blend of epic action, humor and heart, delivering a Superman who's driven by compassion and an inherent belief in the goodness of humankind. SUPERMAN - Original Motion Picture Soundtrack features the film’s score from composers John Murphy and David Fleming and three songs from key moments in the film.\u003c\/p\u003e\n\u003cp\u003eLiverpool-born John Murphy began scoring movies at the age of 25. In 2001, following the success of LOCK STOCK AND TWO SMOKING BARRELS and SNATCH, he moved to Los Angeles. Since then he has worked with some of the industry's most respected and luminary filmmakers, including James Gunn, Michael Mann, Danny Boyle and Guy Ritchie, producing film scores as prominent and diverse as 28 DAYS LATER, SUNSHINE, KICK-ASS, THE SUICIDE SQUAD and GUARDIANS OF THE GALAXY VOL. 3. His movie trailers include CAPTAIN AMERICA, X-MEN, READY PLAYER ONE and AVATAR, and his music has been featured in advertising campaigns for Nike, Microsoft, Google and Apple. After KICK-ASS, Murphy set up the record label Taped Noise and began work on several non-movie projects. His latest film, SUPERMAN, will be released on July 11 and is his fourth collaboration with James Gunn.\u003c\/p\u003e\n\u003cp\u003eDavid Fleming is an Emmy® -winning American composer who has written music for film and television, most recently Season 2 of HBO’s THE LAST OF US (collaborating once again with Gustavo Santaolalla) and A24's upcoming ETERNITY and the neo-western AMERICANA. David's score for Ron Howard’s JIM HENSON: IDEA MAN earned him a Primetime Emmy Award® as well as the ASCAP Composer’s Choice Award for Documentary Score of the Year, with his work on Amazon’s MR. \u0026amp; MRS. SMITH bringing him a second Emmy® nomination. David composed the score for the BBC's acclaimed BLUE PLANET II alongside Hans Zimmer, which marked the start of a collaborative relationship with the Academy Award®-winning composer, encompassing scores for both DUNE films and TOP GUN: MAVERICK. David's sweeping orchestral fantasy score for Netflix's DAMSEL marked his first solo feature, while his dark electronic work alongside Gustavo Santaolalla on Season 1 of HBO's THE LAST OF US won ASCAP's Composer's Choice Award for Television Score of the Year. Through his soundtrack work, David has also collaborated with popular recording artists such as Elton John, Lady Gaga, Pharrell Williams and Beyoncé, with whom he worked on the Grammy® -nominated song “Spirit” for her album THE LION KING: THE GIFT.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eSide A\u003cbr\u003e1. Home\u003cbr\u003e2. Last Son\u003cbr\u003e3. Hammer of Boravia\u003cbr\u003e4. LuthorCorp\u003cbr\u003e5. The Daily Planet\u003cbr\u003e6. 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Known for his jaw-dropping live performances where he sings, shreds guitar, and drums at the same time, Steel Beans brings that same unfiltered energy to tape, capturing the spirit of a garage jam gone cosmic.\u003c\/p\u003e\n\u003cp\u003eThe album moves effortlessly from fuzzed-out psych-rock to greasy funk breakdowns and tongue-in-cheek lyricism, mixing humor and virtuosity in equal measure. It’s unpredictable, unpolished in all the right ways, and full of personality — the kind of record that feels alive because it’s never trying to be perfect. Steel Beans isn’t just an album; it’s a reminder that music can still be weird, raw, fun, and ridiculously entertaining. Whether you’re hearing him for the first time or you’ve already seen the madness live, this album is the perfect introduction to the wild world of Steel Beans.\u003c\/p\u003e\n\u003cp\u003e1xLP, Gatefold Jacket, pressed on White vinyl\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. Big Dumb\u003cbr\u003eA2\/2. 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Bound To Bloom\u003c\/p\u003e\n\u003cp\u003eSocials: \u003cbr\u003eTwitter: 13.6k followers\u003cbr\u003eIG: 313k followers\u003cbr\u003eFB: 41k followers\u003cbr\u003eYT: 14.5k subs \/ 1.7M views\u003cbr\u003e\u003c\/p\u003e","brand":"APESHIT, LLC. \/ EMPIRE","offers":[{"title":"Default Title","offer_id":45403539734684,"sku":"ERE1121","price":31.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ERE1121mock.jpg?v=1760095520"},{"product_id":"the-wonderland-philharmonic-shogun-assassin-original-motion-picture-soundtrack-lone-wolf-cornetto-wax","title":"The Wonderland Philharmonic - Shogun Assassin (Original Motion Picture Soundtrack) [Lone Wolf Cornetto Wax]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: CINE80411\u003cbr\u003eBarcode: 826853180412\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Soundtrack\u003c\/p\u003e\n\u003cp\u003e- 2026 edition pressed on Lone Wolf Cornetto Wax. Non-Returnable.\u003cbr\u003e- Exclusive Light in the Attic variant.\u003cbr\u003e- Remastered with expanded gatefold jacket.\u003c\/p\u003e\n\u003cp\u003eReleased to the grindhouse film circuit in 1980, Shogun Assassin is a martial arts East-meets-West culture mashup. \u003c\/p\u003e\n\u003cp\u003eComposed by Mark Lindsay (former lead singer of Paul Revere and the Raiders) and W. Michael Lewis (of L.A. disco pioneers Rinder \u0026amp;amp; Lewis), the soundtrack features eastern melodies chiming out of futuristic synths and disco bass lines introduced by a child’s ominous voiceover. \u003c\/p\u003e\n\u003cp\u003eThe film’s legendary cult status was solidified by GZA’s extensive use of snippets from the film on 1995’s classic album Liquid Swords (produced by RZA). \u003c\/p\u003e\n\u003cp\u003eHighly recommended for soundtrack buffs, Wu-Tang lovers, and Tarantino aficionados (who may recall Shogun’s homage in Kill Bill Vol. 2).\u003c\/p\u003e\n\u003cp\u003eTracks: The Legend Of Lone Wolf; Daigoro's Theme; Assassin With Son; The Ninja; Voyagers; Crimson Sky; Eyes Of A Demon; Dune; Lone Wolf's Theme\u003c\/p\u003e","brand":"Cinewax","offers":[{"title":"Default Title","offer_id":45548555796636,"sku":"CINE80411","price":41.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_f9af434e-07e8-45d1-aa9c-db76f53628c6.webp?v=1762888118"},{"product_id":"hit-boy-the-alchemist-goldfish-cd","title":"Hit-Boy \u0026 The Alchemist - GOLDFISH [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ERE1213 \u003cbr\u003eBarcode: 199316348989 \u003cbr\u003eRelease Date: 16 Jan 2026\u003cbr\u003eGenre: Rap\u003c\/p\u003e\n\u003cp\u003e4 Panel CD Wallet\u003c\/p\u003e\n\u003cp\u003eAbout: \u003cbr\u003eThe highly anticipated collaborative album, GOLDFISH, sees two of contemporary hip-hop's most revered and distinct production minds, Hit-Boy and The Alchemist, finally join forces for a full-length statement. 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God is Great\u003c\/p\u003e\n\u003cp\u003eSocials: \u003cbr\u003eHit Boy\u003cbr\u003eTwitter: 261k followers\u003cbr\u003eIG: 836k followers\u003cbr\u003eFB: 415k followers\u003cbr\u003eYT: 229k subs \/ 95M+ views\u003c\/p\u003e\n\u003cp\u003eThe Alchemist\u003cbr\u003eTwitter: 542.5k followers\u003cbr\u003eIG: 1.3M followers\u003cbr\u003eFB: 41k followers\u003cbr\u003eYT: 224k subs \/ 56M+ views\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"888\" height=\"477\" src=\"https:\/\/www.youtube.com\/embed\/1ad4-lcSXoQ\" title=\"Hit-Boy \u0026amp; The Alchemist - Ricky (Official Video)\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"888\" height=\"508\" src=\"https:\/\/www.youtube.com\/embed\/1Vi4Z9UAyvc\" title=\"Hit-Boy \u0026amp; The Alchemist - Celebration Moments (feat. 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Produced by Tim Ramsey (Vetiver, Little Wings), the record stirs introspective piano and guitar songs with orchestral arrangements, creating a sound reminiscent of golden-era Laurel Canyon artists like Carole King and Judee Sill.’ - IT’S PSYCHEDELIC BABY magazine.\u003c\/p\u003e\n\u003cp\u003eMia Wilson is the debut album from Southern California singer-songwriter Mia Wilson. 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Produced by Tim Ramsey (Vetiver, Little Wings), the record stirs introspective piano and guitar songs with orchestral arrangements, creating a sound reminiscent of golden-era Laurel Canyon artists like Carole King and Judee Sill.’ - IT’S PSYCHEDELIC BABY magazine.\u003c\/p\u003e\n\u003cp\u003eMia Wilson is the debut album from Southern California singer-songwriter Mia Wilson. 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Blending smooth R\u0026amp;B with touches of jazz, neo-soul, and laid-back groove, the project feels like a late-night jam session with friends—loose, soulful, and full of feeling. Across the tracklist, Destin lets his voice glide effortlessly over warm production, exploring themes of love, curiosity, and self-discovery with a wink of humor and a lot of heart. Following the success of LOVE ON DIGITAL, wHIMSY shows Destin leaning deeper into his artistry, embracing imperfections, and finding beauty in the in-between moments. It’s intimate, imaginative, and unmistakably him. 1xLP, black vinyl, housed in a gatefold jacket and cut at 45 RPM.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. wHIP\u003cbr\u003eA2\/2. GLORY a poem by Bay Davis\u003cbr\u003eA3\/3. wASH U AWAY\u003cbr\u003eA4\/4. LOVE!\u003cbr\u003eA5\/5. BED STUY\u003cbr\u003eA6\/6. A Lonely Detective\u003cbr\u003eB1\/7. BOREDOM\u003cbr\u003eB2\/8. AMBRÈ'S INTERLUDE BUT JAZZ\u003cbr\u003eB3\/9. Drifting\u003cbr\u003eB4\/10. The W\u003cbr\u003eB5\/11. 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It unfolds as a personal musical journal shaped by perception, memory, and emotion.\u003c\/p\u003e\n\u003cp\u003e As its title suggests, the record carries a spiritual undercurrent. 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Initially available only in CD form, Art Form 2 emerges as a quiet artifact from an exploratory phase in FORM@ RECORDS’ late-1990s trajectory.\u003c\/p\u003e\n\u003cp\u003eFlowing with carefully sculpted rhythms, immersive sound design, and a subtle sense of machine soul, Art Form 2 reflects the maturity of the FORM@ aesthetic in 1998. The compilation resonates with the spirit of\u003cbr\u003eWarp’s Artificial Intelligence era, Carl Craig’s melodic futurism, Ken Ishii’s cerebral techno, B12’s deep electronics, and Ian O’Brien’s emotive touch, while remaining unmistakably rooted in its own local context. \u003c\/p\u003e\n\u003cp\u003eThe compilation drifts through the deeper layers of Tokyo’s electronic underground, where IDM, techno, ambient, and downtempo dissolve into one another within an atmosphere of deliberate experimentation.\u003cbr\u003eBoth intimate and forward-looking, it preserves a moment in which a local scene, largely unseen, was patiently reshaping the future beyond the reach of prevailing global narratives.\u003c\/p\u003e\n\u003cp\u003eTimeless and singular, it stands as a beautifully preserved time capsule of underground electronic music.\u003c\/p\u003e\n\u003cp\u003eFollowing the vinyl excavations of Virgo’s Landform Code (1998) and Remnants (1999), Art Form 2 continues WRWTFWW Records’ collaboration with FORM@ RECORDS. 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Though perhaps lesser known than peers like Derek Bailey, Fred Frith and Keith Rowe, Reichel’s rethinking of the instrument was in some ways the most radical of all. Early on, he dispensed with existing guitars to build a series of his own that explored the use of additional strings and fretboards, moveable pickups, extra bridges, special capos, and other innovations documented in the extensive booklet accompanying this release.\u003c\/p\u003e\n\u003cp\u003eReichel was a long-term resident of Wuppertal, the small Western Germany city that became an unlikely centre of European free jazz in the late 1960s, also home to Peter Brötzmann and Peter Kowald. His solo debut Wichlinghauser Blues was an early entry into the FMP discography and began a relationship with the label that stretched into the 1990s; all the solo performances heard here were first released on FMP. As Reichel says in the charming archival interview with Markus Müller included here, he was ‘always a cuckoo’s egg at FMP’, a label that began as an outlet for roaring European free jazz. What strikes the listener right from the opening selection on Dalbergia Retusa—‘Return of the Knödler show’, from 1987’s The Dawn of Dachsman—is the extraordinary beauty of Reichel’s music, at once alien in the shimmering sonorities and unconventional pitch relationships made possible by his invented instruments, and deeply lyrical, even romantic in its harmonic content. Growing up in West Germany in the 1960s, Reichel’s formative influences were mainly British and American rock bands, a background that shines through in many of the pieces included here: ‘An old friend passes by’ is haunted by the ghost of Hendrix’s rhythm guitar, and the wild closer ‘Heimkehr der Holzböcke’, taken from a rare 1975 7” and the only piece to use overdubbing, layers errant hammer-on and slide tones over a Canned Heat boogie chug.\u003c\/p\u003e\n\u003cp\u003eReichel was an important source for the development of Oren Ambarchi’s own extended approach to the electric guitar. Appropriately enough, his selection opens with the very first piece by Reichel he ever heard, on a flexidisc included with a 1989 issue of Guitar Player magazine. Though Reichel collaborated with others extensively in many settings and also performed on violin and his other major contribution to instrument invention, the daxophone, his music for solo guitar remains at the core of his oeuvre. Focusing exclusively on solo pieces recorded between 1973 and 1988, the 23 pieces on Dalbergia Retusa showcase the range and consistency of Reichel’s work, allowing the listener to see how his performances developed hand-in-hand with his instrumental inventions. On a piece from his very first LP, played on an 11-string instrument (partly strung with piano strings and using a schnapps glass a slide), we hear his intensive exploration of fret-hammering to create zither-like, chiming tone, which Reichel would hone further in later years with a double fretboard guitar specifically designed to be hammered rather than fretted and picked. On a piece from 1979’s Death of the Rare Bird Ymir, Reichel uses two steel-string acoustic guitars at once, with beautiful results: ‘some even say too beautiful’, he jokes in the interview included here. Many of the pieces from the 1980s make use of varieties of the ‘pick behind the bridge guitar’, instruments of uncanny harmonic richness primarily designed to be played on the ‘wrong’ side of the bridge. At times the unexpected behaviour of attacks, resonance, and decay can almost seem electronic, conjuring up the technology-assisted work of Henry Kaiser or even Fennesz, but realised solely through Reichel’s unorthodox techniques on his invented instruments. \u003cbr\u003eExtensively illustrated with photos and Reichel’s own plans and drawings of his instruments, Dalbergia Retusa is an essential introduction to the unique world of Hans Reichel. Rarely has music been at once so strange and so beautiful.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eA1 Hans Reichel Return of the Knödler show 00:02:52\u003cbr\u003eA2 Hans Reichel The Frogs Of Miwa - Cho (1) 00:04:52\u003cbr\u003eA3 Hans Reichel Waiting (I) 00:05:38\u003cbr\u003eA4 Hans Reichel An old friend passes by 00:03:46\u003cbr\u003eA5 Hans Reichel Coco bolo strip (1) 00:05:25\u003cbr\u003eB1 Hans Reichel Peace and pipe utopia 00:03:14\u003cbr\u003eB2 Hans Reichel Unidentified dancing object 00:01:44\u003cbr\u003eB3 Hans Reichel The call (I) 00:02:41\u003cbr\u003eB4 Hans Reichel Wenn das Rohr dommelt 00:04:03\u003cbr\u003eB5 Hans Reichel Mariahilf (live version) 00:03:36\u003cbr\u003eB6 Hans Reichel Watching the shades (I) 00:02:59\u003cbr\u003eB7 Hans Reichel Playing the table music (II) 00:02:43\u003cbr\u003eC1 Hans Reichel Could be nice too 00:05:29\u003cbr\u003eC2 Hans Reichel Ox of inner depth 00:04:51\u003cbr\u003eC3 Hans Reichel Ymir shows up 00:03:58\u003cbr\u003eC4 Hans Reichel Could be nice 00:05:24\u003cbr\u003eC5 Hans Reichel Playing the table music (I) 00:04:23\u003cbr\u003eD1 Hans Reichel Coco bolo strip (II) 00:04:52\u003cbr\u003eD2 Hans Reichel Locusts looking like men 00:05:55\u003cbr\u003eD3 Hans Reichel Waiting (II)    00:03:36\u003cbr\u003eD4 Hans Reichel No stove 00:02:29\u003cbr\u003eD5 Hans Reichel An old friend passes by again 00:03:00\u003cbr\u003eD6 Hans Reichel Heimkehr der Holzböcke 00:03:16\u003c\/p\u003e","brand":"Black Truffle","offers":[{"title":"Default Title","offer_id":46021750980764,"sku":"BLACKTRUFFLE139","price":51.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BLACKTRUFFLE139.jpg?v=1769530907"},{"product_id":"danny-scott-lane-house-of-alice","title":"Danny Scott Lane - House Of Alice","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: RWR03LP\u003cbr\u003eBarcode: 0821555206392\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: New Age \/ Jazz \/ Funk\u003c\/p\u003e\n\u003cp\u003eDanny Scott Lane is a New York–based musician, photographer and sound artist whose work drifts between jazz, ambient, and gentle funk. Originally an actor and singer before turning to photography, Lane brings a cinematic and emotional sensibility to his recordings — music that feels intimate, tactile, and quietly surreal. He has scored films and commercials, and his eclectic taste has take n him to DJ booths around the world.\u003c\/p\u003e\n\u003cp\u003eSince his first tape release in 2019, Lane has released nine albums, five of them with WRWTFWW Records, each expanding his distinct blend of warmth, rhythm, and daydream. His tenth LP, House of Alice, welcomes back three-time collaborator David Lackner and introduces Michael Gagliardi, further deepening the reflective world Lane continues to build.\u003c\/p\u003e\n\u003cp\u003eThe album’s title is derived from the Alice Austen House. Danny took an interest in the prolific ‘street’ photography of Alice where she often captured everyday life and intimate depictions of women’s lives beautifully. Inspiring images that reflect in his own photography as well. We will continue to stand on the shoulders of giants.\u003c\/p\u003e\n\u003cp\u003eExpect a gentle mix of electronic new age jazz and soft funk.\u003c\/p\u003e\n\u003cp\u003eTracklist: A1 – House Of Alice A2 – Love Is Mine A3 – Music World A4 – Time Changes B1 – High End B2 – Paradise B3 – Marc Six B4 – Save Ass\u003c\/p\u003e","brand":"Records We Release Records","offers":[{"title":"Default Title","offer_id":46022453231772,"sku":"RWR03LP","price":27.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/RWR03.jpg?v=1769534341"},{"product_id":"1-umbrella-1-umbrella-cd","title":"1 Umbrella - 1 Umbrella [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ERE1234 \u003cbr\u003eBarcode: 199316458923 \u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Rap\u003c\/p\u003e\n\u003cp\u003eCD:Digipak\u003c\/p\u003e\n\u003cp\u003eAbout: \u003cbr\u003e1 Umbrella represents a watershed moment for modern Bay Area hip-hop, effectively serving as the region’s \"Avengers\" assembly designed to consolidate the Northern California sound. For years, the local scene has been bisected by the distinct \"mob music\" bounce of Oakland and the melodic, trauma-drenched \"pain music\" of San Francisco; this collective is the first major commercial force to deliberately fuse these competing energies into a single, dominant infrastructure. The roster is a calculated cross-Bay alliance that balances opposing sonic weights: Lil Bean and Lil Yee anchor the group with the emotive, auto-tune-heavy melodies that define the current SF landscape, while Zaybang cuts through that introspection with his signature high-octane aggression.\u003c\/p\u003e\n\u003cp\u003eBalancing the scales are ALLBLACK and 22nd Jim, who inject the classic East Bay attitude—ALLBLACK delivering the motivational, sports-heavy \"player\" lineage of the region, contrasted against Jim’s nonchalant, rhythmic flow. Backed by the powerhouse infrastructure of EMPIRE and united under tracks like \"Baller Blockin\" and the unification anthem \"The Blueprint,\" the group is attempting to solve the fragmentation that has historically plagued the Bay’s independent market. By synchronizing their movement with the arrival of Super Bowl LX, 1 Umbrella is positioning itself not merely as a rap group, but as the official cultural ambassadors for the region, betting that a unified front can finally command the national spotlight that often eludes the West Coast’s independent giants.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003eA1\/1. 1 Umbrella\u003cbr\u003eA2\/2. One Of Those\u003cbr\u003eA3\/3. CODE\u003cbr\u003eA4\/4. Baller Blockin\u003cbr\u003eA5\/5. The Blueprint\u003cbr\u003eA6\/6. Off Top (feat. Larry June)\u003cbr\u003eA7\/7. No Gimmicks (feat. DaBoii)\u003cbr\u003eB1\/8. Pretty\u003cbr\u003eB2\/9. Type of Time\u003cbr\u003eB3\/10. N.E.W.S. (feat. 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Arguably Germany’s most important pioneer, his label Poker Flat has been an epoch-defining imprint. Celebrating 20 years of Bondage Pornbugs are mixing in different circles with recent releases for Selador and Acker Dub, showcasing their crossover appeal with a new generation of DJs.\u003c\/p\u003e\n\u003cp\u003eOpening with ‘On The Swing’ we are delighted by classic deep vibes with a modern twist. \u003c\/p\u003e\n\u003cp\u003eGrooevsome and warm, this will get the floor going anywhere in the world. On remix duties, Mihai Popoviciu drops his trademark style, smoothing out the bumps for a deeper ride. \u003c\/p\u003e\n\u003cp\u003eNext up, ‘Behind The Glass’ takes a similar path. Soulful warmth exudes from the speakers as the bumpy bass and echoing keys mark time. Reaching a crescendo with muted acid undertones in the second half keeps attention high and the dancefloor full and happy. For his remix, Markus Homm takes it deeper with shades of Detroit. Liquid cool for the later floors.\u003c\/p\u003e\n\u003cp\u003eA1. \"On The Swing\"\u003cbr\u003eA2. \"On The Swing\" (Mihai Popoviciu remix)\u003cbr\u003eB1. \"Behind The Glass\"\u003cbr\u003eB2. \"Behind The Glass\" (Markus Homm remix)\u003c\/p\u003e","brand":"BONDAGE-MUSIC","offers":[{"title":"Default Title","offer_id":46087014973596,"sku":"BOND12082","price":21.47,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BOND12082.jpg?v=1770308267"},{"product_id":"pizza-hotline-hot-n-ready-remixes-delivered-by-pizza-hotline-in-20-minutes-or-less-neon-arcade-arctic-pearl-colored-2lp","title":"Pizza Hotline - Hot-N-Ready Remixes Delivered by Pizza Hotline [In 20 Minutes or Less] (Neon Arcade Arctic Pearl Colored 2LP)","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: WRWTFWW125 \u003cbr\u003eBarcode: 4251804189033\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Jungle\/Drum n' Bass\/Video Game Music\u003c\/p\u003e\n\u003cp\u003eLimited Edition, 45rpm, Neon Arcade Arctic Pearl Colored Vinyl, Heavyweight Sleeve, Sticker.\u003c\/p\u003e\n\u003cp\u003eWRWTFWW Records is extremely excited to announce Hot-N-Ready Remixes Delivered by Pizza Hotline [In 20 Minutes or Less], the brand new remix album from Pizza Hotline, landing hot and fast on a limited edition Neon Arcade Arctic Pearl Colored Vinyl Double LP, cut at 45rpm and housed in a heavyweight sleeve with artwork by Equip Studio.\u003c\/p\u003e\n\u003cp\u003eFrom the high-octane mind of PIZZA HOTLINE - the man behind cult classics that helped redefine liquid drum \u0026amp; bass through a Y2K, consoleera lens - comes a full-throttle remix album that feels like a secret bonus disc unlocked after beating the game, a portal into a parallel universe of rave-powered nostalgia and pixel-perfect bliss. Warp-speed liquid DNB, atmospheric jungle, and dancefloor-crushing remixes of legendary tracks extracted from the greatest video games ever made collide in a sensory overload of pure arcade euphoria. Soaring pads, breakbeats that ricochet like laser fire, deep-space subs, and rhythms that feel like drifting through a cyber-city at 3AM with only a CRT glow to guide you.\u003c\/p\u003e\n\u003cp\u003eThe album plays like a late-night arcade run fueled by muscle memory and emotion: PlayStation futurism meets WipeEout velocities, Donkey Kong adventure grit, GoldenEye stealth tension, and Sega Saturn dream-logic. 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Luke Slater, Charlotte De Witte, Speedy J, The Advent, Terence Fixmer, Pascal Gabriel, Daniel Miller contribute to the music, while long-time collaborators Studio Bergfors deliver design, and legendary photographer Anton Corbijn shot Liebing for the project.\u003c\/p\u003e\n\u003cp\u003eThe Evolver LP is the sum total of Chris Liebing's three decades at the beating heart of techno. It's the record only someone whose first break as a techno DJ was playing five hours at Sven Väth's infamous Omen in Frankfurt - and who has ridden out every twist and turn of life and subcultures since, while remaining rooted in the true school, dark, sweaty techno sweat pits of the world - could have made. It's the result of deep introspection, but it's about utter immediacy. It's the sound of someone previously driven along by compulsion and happenstance at last finding the confidence to be utterly intentional about their practice, allowing them to take the most classic, familiar, proven elements from the past and render them completely new.\u003c\/p\u003e\n\u003cp\u003eEvolver is also Liebing's first completely solo album. There are collaborations, yes: with old friends from the OG techno generation, Luke Slater, Speedy J, and The Advent, all on uncompromising form, and with new generation figurehead Charlotte De Witte, who provides a thrilling narration of total surrender to the moment on acid clarion call \"Symphonie des Seins\". But unlike all Liebing's albums to date, there's no co-pilot. Every structure, every mixdown, every choice serves his singular vision of how his untold immersion in the surging currents of the world's greatest clubs should sound. The elements are all those forged in the white heat of Omen and Tresor in the mid 90s – brutal repetition, titanium kick drums, industrial atmospherics, but also dark rave euphoria, ever present surging acid lines just on the cusp of trance, and just enough human voices to remind you of bodies on the dance floor - but rendered with all the extraordinary accumulated skill and technological developments since then.\u003c\/p\u003e\n\u003cp\u003eIt's Chris's vision entirely, his musings on sound, technology, and life birthing tracks like \"Roy Batty.\" Inspired by thoughts of AI becoming sentient and hungering for more life like Rutger Hauer's titular Blade Runner character, it was one of the first tracks to emerge and a foundation stone for the album. And in pursuit of that vision, it's built like a \"proper album\". The anticipation and menace of intro \"Unfold\" tip over into the glowing hot high drama psychedelia of \"Symphonie…\" then the breathless headlong rush of The Advent collab and on through an unfolding narrative that goes deep, goes dark, opens out into grand vistas, takes strange turns before finally landing on the alien landscape of… well… \"Endtrack\".\u003c\/p\u003e\n\u003cp\u003eNot everything is pummelling on Evolver - the dazzling title track feels like you've been welcomed into the courtly dance of a higher dimension civilisation, and the audacious Speedy J collab \"Shaping Frequencies\" is a beatless flow that tests the boundaries between signal and noise. But for all its complexity, conceptualism, and stylistic branching out, every last part unmistakably powered by that dark techno-cavern energy above all else. All of it positively radiates the qualities of Liebing's greatest work and sets to date - but somehow even more so than before. 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(Legends Will Never Die)\u003c\/p\u003e\n\u003cp\u003eTracks like “Mona Lisa Left Eye” and “Push Me Around” (featuring Zack Fox) carry Z’s jagged humor and restless energy, while deeper cuts like “Shrooms” and “Take Me I’m Drugs” trace his evolving relationship with psychedelia and the legacy of his past. (Legends Will Never Die) In doing so, the record positions itself as the sound of a freak-icon in transition — still wild, still weird, but sharpened, matured, operating with a purpose and increasingly commanding the attention of fans who relish the underground unusual.\u003c\/p\u003e\n\u003cp\u003eZelooperZ’s trajectory continues to rise. From his roots in the Bruiser Brigade collective in Detroit to the present moment as a cult figure whose every release feels like a mission statement, Dali Ain’t Dead confirms that he’s no longer just the oddball off-to-the-side: he’s the weirdo that others are quietly watching. 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With the vocal weaving in and out like a guiding light through the haze, it’s a hypnotic take that trades coastal charm for heady club elevation. A masterclass in tension and release, the Club Mix underscores DJ Tennis’s ability to balance emotional depth with dance floor functionality. The remix is a reframing of “Playa Paradiso” for the night shift: smoke-filled rooms, peak-time crescendos, and sunrise afterglows. Both versions capture different corners of the same world, one that basks in the Balearic sun, and the other pulsing in the strobe.\u003cbr\u003eTogether, they mark a full-circle return for DJ Tennis’s first solo material in three years as an artist whose sonic world has always defied simple categorization.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:  \u003cbr\u003eA1. Playa Paradiso\u003cbr\u003eA2. Playa Paradiso (Club Mix)\u003cbr\u003eB1. 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The flip side opens with the forceful drive of Activate before making way to the percussive elasticity of Family Tree, a track which closes out the EP by recalling, in both name and sound, how that which came before deeply affects the now, though often in ways only subliminally perceived.\u003cbr\u003e \u003cbr\u003eDigital-only track Fixed in Flux continues this concept, and the overall themes of Refreshing Part 2, with further evocations of intent and movement; remaining present in change, without resisting it, yet without dissolving into it.\u003c\/p\u003e\n\u003cp\u003e1. \/ A1 The Way 05:31  2. \/ A2 Elisir 05:03 3. \/ B1 Activate 05:15  4. \/ B2 Family Trees 05:01 5. \/ DX Fixed In Flux (Digital Bonus)\u003c\/p\u003e","brand":"Tresor","offers":[{"title":"Default Title","offer_id":46453247738012,"sku":"TRESOR386","price":12.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TRESOR386.jpg?v=1772467992"},{"product_id":"quinie-forefowk-mind-me-yellow-lp","title":"Quinie - Forefowk, Mind Me [Yellow LP]","description":"\u003cp\u003eFormat: LP, Yellow\u003cbr\u003eCatalogue No.: UTR171LPY  \u003cbr\u003eBarcode: 828887117150 \u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Folk\/Experimental\u003c\/p\u003e\n\u003cp\u003eBRAND NEW YELLOW VINYL VARIANT NOW PRESELLING - 300 COPIES ONLY WORLDWIDE.\u003c\/p\u003e\n\u003cp\u003eLimited 180g black vinyl (500 copies).\u003cbr\u003eLP (black + limited art print) NON-RETURNABLE.\u003cbr\u003eLP (black+ limited art print + limited 150 page hand-printed softcover book): NON-RETURNABLE.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe record is largely sung in Scots language, one of Scotland’s three official languages along with Gaelic and English. “Scots gives me a way of expressing myself which is connected directly with the landscapes I love. It brings the songs alive and it is a fascinating language. The name of the record is in Scots - Forefowk means the people who came before, or ancestors. When we say ‘mind me,’ we can mean a few things- remind, remember, watch over or care for me. The record explores how tradition needs to be constantly reconnected with, built upon, looked after, and shared.”\u003c\/p\u003e\n\u003cp\u003eQuinie sings with a style inspired by Scottish Traveller singers. “I began singing unaccompanied Scots Song in 2015 after hearing Scots Traveller singer Sheila Stewart on the radio. Initially I felt like I shouldn't sing these songs because I'm not a Traveller, and I saw people around me doing that in a way that made me uncomfortable. But on the other hand this music made sense to me and I felt driven to learn. Over the years I have met Traveller friends who taught me that settled people sharing these songs could contribute to raising awareness. Scottish Travellers are marginalised and discriminated against in modern Scotland, despite being custodians of so many of our important traditions. So I started to perform them and tell this story. From there I built on my repertoire and started writing my own songs”.\u003cbr\u003eTo develop this record, Quinie travelled across Argyll with her horse. They went on a pilgrimage of sorts through the ancient landscapes of the West of Scotland to explore the interconnected relationships between people, ancestors, animals, and place. The album’s vinyl release is accompanied by a book and film, documenting this unusual research process. \u003c\/p\u003e\n\u003cp\u003eForefowk, Mind Me was recorded in August 2024 at The Big Shed in Highland Perthshire with support from Creative Scotland. Quinie is accompanied by an ensemble of musicians: Ailbhe Nic Oireachtaigh (viola), Oliver Pitt (duduk, bouzouki, percussion), Harry Górski-Brown (small pipes, violin), and Stevie Jones (double bass, recording, and mixing). Each of these artists brings their own distinctive voice, bridging contemporary experimental practice with worlds of traditional and early music.\u003c\/p\u003e\n\u003cp\u003eSIDE A 01. Col My Love 02. Bonnie Udny 03. Macaphee Turn the Cattle 04. Sae Slight a Thing 05. Auld Horse 06. Generations of Change SIDE B 07. Health, Wealth a Yer Days 08. The Seasons 09. Cam A Ye Fair 10. Sallow Buckthorn 11. Craigie Hill\u003c\/p\u003e","brand":"Upset The Rhythm","offers":[{"title":"Default Title","offer_id":46576307470492,"sku":"UTR171LPY","price":20.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_6120badd-0bd9-484c-88d3-59d917c9774b.webp?v=1774377782"},{"product_id":"earthball-outside-over-there-red-and-black-splatter-vinyl","title":"EarthBall - Outside Over There [RED AND BLACK SPLATTER VINYL]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: UTR175RB\u003cbr\u003eBarcode: 0828887117549\u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Noise-Rock\/Experimental\/Improv\u003c\/p\u003e\n\u003cp\u003eLIMITED 2026 REPRESS ON RED AND BLACK SPLATTER VINYL. 300 ONLY WORLDWIDE.\u003c\/p\u003e\n\u003cp\u003eHeavyweight psychedelic improvisers EarthBall are back with their third and most monstrous record to date: ‘Outside Over There’, released on Upset The Rhythm (Nov 7th). Born from the haunted basements of Nanaimo, Canada, the quintet thrives on spontaneity, shaping improvisation into jagged hallucinations and ecstatic eruptions. \u003cbr\u003eRecorded live-off-the-floor in 2024 in Jeremy, Izzy, and Kellen’s basement, and mixed by drummer John Brennan, ‘Outside Over There’ is an album that feels both summoned and inevitable. Each track lands with uncanny purpose, as if uncovered rather than written. \u003c\/p\u003e\n\u003cp\u003eThe opener, 100%, features a cameo from comedian and English icon Stewart Lee, who lent his blessing for the band to use a fragment of his stand-up. The album was mastered by John Dieterich (Deerhoof), with liner text contributed by longtime comrade John Olson (Wolf Eyes). Olson describes the album in his unmistakable style:\u003c\/p\u003e\n\u003cp\u003e“This eight-track odyssey unfolds like a dreamscape, where whispered incantations brush against the shadowy fringes of the cosmos, and wild, Cézanne-inspired rock anthems erupt like geysers of color in the midst of a western warm and wet rain storm… culminating in the sprawling eleven minute masterpiece, ‘And The Music Shall Untune The Sky,’ aptly dubbed the Earth Crusher. A creation so utterly deconstructed and intertwined with the pulse of nature itself that if AI was called upon to conceive ‘Outside Over There’ anew, it would just spit back, “F.U. in Tree Font”. An enchanting invitation for even the flat-earthers to join the circle, if only just a little.”\u003c\/p\u003e\n\u003cp\u003eEarthBall’s trajectory has been relentless. Their 2024 album ‘It’s Yours’ was praised by The Quietus as “fully aggressive and fully life-affirming,” and by The Wire as \"a boisterous mind-melting album”. The band’s live double set LP ‘Actual Earth Music Vol. 1 \u0026amp; 2’ (2025) captured blistering performances: a performance opening for Wolf Eyes at the Fox Cabaret, and a Café OTO improvised throw-down featuring Chris Corsano and Steve Beresford. These releases on their own confirm them as one of Canada’s most vital experimental exports, not to mention the impressive self-released discography on their Bandcamp. The band’s reach has stretched far beyond their west coast roots with a UK tour May 2024, plus this past June, EarthBall closed Montreal’s Suoni Per Il Popolo Festival alongside Pulitzer Prize-winning composer Raven Chacon. This November they will perform at Le Guess Who? Festival in Utrecht, with a European tour to follow (tour dates below). Outside of EarthBall, each member carries their own torch. Jeremy Van Wyck, founding member of the legendary Shearing Pinx, has toured extensively, released over 100 records, and has been a vital force in the Vancouver and West Coast underground for the past 25 years. He and Isabel Ford (Izzy) play together not only in EarthBall, but also in Psychedelic Dirt, Shearing Pinx, Behaviours, and Crotch.\u003c\/p\u003e\n\u003cp\u003eJohn Brennan collaborates widely, including recently with Endlings (Raven Chacon and John Dieterich), Evichen (Victoria Shen), Francesco Fonassi, Plan Your Future (with Greg Saunier of Deerhoof), Brennan\/Corsano duo and Physics with John Dieterich. Kellen Maclaughlin performs with KVMP and Ora Corgan, while saxophonist Liam Murphy is a west coast staple, playing with the best across Vancouver Island and the mainland. On three of the tracks of ‘Outside Over There’, the band is joined by their comrade Justin Patterson, who also plays with Brennan in the duo Modale. This cross-pollination fuels EarthBall’s sound - a collective improvisation, psychically overdriven, and grinding into bloom.\u003c\/p\u003e\n\u003cp\u003eOutside Over There’ is more than an album though, it is a ritual, a gathering of sound at the forest’s edge; where feedback, saxophone screams, and ecstatic vocals dissolve the boundary between chaos and clarity. EarthBall invite you into their circle, to share in the joyful terror of spontaneous creation. ‘Outside Over There’ will be released on November 7th through Upset The Rhythm digitally and as a limited blue-in-black vinyl LP.\u003c\/p\u003e\n\u003cp\u003eSIDE A 01. 100% 02. Helsinki 03. Outside Over There 04. Seeing Docks Unlock 05. Hellfire Relations\u003c\/p\u003e\n\u003cp\u003eSIDE B 06. Where I Come From 07. Behind The Mall 08. And Music Shall Untune The Sky\u003c\/p\u003e","brand":"Upset The Rhythm","offers":[{"title":"Default Title","offer_id":46576311435420,"sku":"UTR175RB","price":20.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_f16120ca-4eab-4d3a-b921-72a45e2a8680.webp?v=1774377960"},{"product_id":"the-mon-songs-of-embrace-cd","title":"THE MON - SONGS OF EMBRACE [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CAT031CD\u003cbr\u003eBarcode: 7666202603062   \u003cbr\u003eRelease Date: 03 Apr 2026\u003cbr\u003eGenre: Indie-Folk\/Electronic\u003c\/p\u003e\n\u003cp\u003eEmbrace The Abandon is the new project by THE MON, the solo vision of Urlo, vocalist, bassist, and founding member of the Italian heavy-psych veterans Ufomammut.\u003c\/p\u003e\n\u003cp\u003eStructured in two complementary chapters - Songs of Abandon (November 7th, 2025) and Songs of Embrace (March 6th, 2026) - the project tells a journey of duality: loss and surrender on one side, acceptance and rebirth on the other.\u003c\/p\u003e\n\u003cp\u003e“Songs Of Embrace” is the second chapter of “Embrace The Abandon”, expanding its emotional landscape rather than closing it.\u003c\/p\u003e\n\u003cp\u003eWhere the first part explored abandonment and loss, “Songs Of Embrace” focuses on presence, proximity, and the physical act of staying.\u003c\/p\u003e\n\u003cp\u003eIt is the answering breath, the inner voice.\u003c\/p\u003e\n\u003cp\u003eThe album avoids resolution and comfort, embracing slowness, repetition, and bodily tension.\u003c\/p\u003e\n\u003cp\u003eIt is not just music, it is a stream of consciousness, an inner search, a way of inhabiting what weighs without letting go.\u003c\/p\u003e\n\u003cp\u003e While “Songs Of Abandon” is a collection of songs, nine tracks written in nine days, Songs Of Embrace is a continuous musical flow.\u003c\/p\u003e\n\u003cp\u003eIt is a movement that changes, grows, erupts, slows down, settles, and rises again.\u003cbr\u003eIt feels like the sea: calm and still one moment, then moved by a simple breath of wind, suddenly breaking into a storm.\u003c\/p\u003e\n\u003cp\u003e“Songs Of Embrace” was conceived more like a ritual, a work of classical music, a suite.\u003c\/p\u003e\n\u003cp\u003eDifferent parts unfolding one into the next, each a continuation of the previous one, finding meaning only as a whole.\u003c\/p\u003e\n\u003cp\u003eThe pieces are deeply interconnected, like embraces: some bring comfort, others carry pain.\u003c\/p\u003e\n\u003cp\u003eThese are compositions meant to be listened to in one continuous breath, allowing yourself to be held, rocked, and sometimes pushed away, just like in an embrace.\u003c\/p\u003e\n\u003cp\u003eTracklist:  1 Invocation Of The Abyss 2  Three Nails, One Heart 3  Incantation 4  The Sigil 5 A Pearlescent Pulse Of Light 6  Ritual Of Night Violence 7  Sovereign Of Silence 8  Embers Of Calendula 9  Echoes Of The Drowned 10 Embrace The Abandon\u003c\/p\u003e","brand":"Supernatural Cat","offers":[{"title":"Default Title","offer_id":46576328802460,"sku":"CAT031CD","price":10.62,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_880306e6-0a7b-46d2-833a-2b8049071218.jpg?v=1774378460"},{"product_id":"the-mon-songs-of-embrace-180gm-marble-vinyl","title":"THE MON - 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