{"title":"Sequence Distribution 260626","description":"","products":[{"product_id":"auto-sound-city-colours-may-vary-ep","title":"Auto Sound City - Colours May Vary EP","description":"\u003cp\u003eCat No: EMOTEC003\u003cbr\u003eFormat: 12\" Vinyl, Blue Vinyl\u003cbr\u003eRelease Date: 26 Jun 2026\u003cbr\u003eGenre: Electro \/ Techno\u003c\/p\u003e\n\u003cp\u003ea1. Deep Hidden Meaning\u003cbr\u003ea2. Rock Steady\u003cbr\u003eb1. Just Do It!\u003cbr\u003eb2. Dance Of The Daggers\u003cbr\u003e\u003cbr\u003eEmotec is back with a corker of a release from Auto Sound City. 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There Goes Again, My Heart\u003cbr\u003eb2. Nunca Más\u003cbr\u003eb3. Funky Funghi\u003cbr\u003ec1. You Crazy\u003cbr\u003ec2. Everytime\u003cbr\u003ec3. Lamento\u003cbr\u003ec4. As Simple As That\u003cbr\u003ed1. ¿Qué Será? \u003cbr\u003ed2. No Distance Left to Run\u003cbr\u003ed3. Eyes Closed\u003cbr\u003ed4. As I Evolve\u003c\/p\u003e\n\u003cp\u003eFelipe Gordon is back on Shall Not Fade with his new album Tezeta and f*ck is it special.\u003c\/p\u003e\n\u003cp\u003eFelipe Gordon is SNF label mainstay... (we released his triple repressed debut album \"A Landscape Onomatopeya\" in 2022 as well as 7 x 12\" EPs on SNF over the years plus an extra 12\" on Lost Palms)... so given his consistent and exceptional output on our record label you'd probably forgive some complacency with this write up, you might even afford us license to assume we're preaching to the choir and allow us to rest easy knowing that at this stage Felipe Gordon's records sell themselves.... Well none of those things are happening here because when an artist makes a record this complete, this good, you have to try to find the words. You use words like \"timeless\", \"complete and \"special\". Words that can carry the weight. Because when you've listened to an album dozens of times, and not once, in any part, on any listen in any way has it fatigued you, you need to say. When a record felt so wonderfully familiar from the first listen and just kept on giving you the same feels ever since, you need to say. When a record makes you think about you how you feel about certain Air \u0026amp; St Germain albums (even when you know what it means to put that in a press release), you need to say. So here we are, saying these things.. Tezeta is a special record, one that exists in the rarefied air. A proper album. A record that every time you press play you will immediately remember why you own it and why you love it. A record that your subconscious will know so well that if shuffle is on you will know in an instant. An album that when it's in your collection and the first track starts you get a twinge of annoyance because you didn't listen again sooner and when the final track stops you stop too.\u003c\/p\u003e\n\u003cp\u003eGiven paint and a canvas we can most of us paint a picture, but only those that are gifted can paint something that makes us feel. Tezeta makes you feel. Feel familiarity when it's playing, yearning when its not, and absence when it ends. This alone would be enough to make the argument as to why this album is special and justify the gushing opening paragraph of this press release. But we're not done yet.\u003c\/p\u003e\n\u003cp\u003eWe don't really have a word in english for what Felipe Gordon has created with this album and how it makes you feel. \"Tezeta\" that word.\u003c\/p\u003e\n\u003cp\u003eTezeta is a one of four musical modes within the traditional Ethiopian modal music system known as Qiñit. Mulatu Astatke, the father of Ethio-jazz, frequently uses this mode, often translating it as \"nostalgia\" or \"longing\". Gordon says Mulatu's own tezeta recordings convey to him \"feelings of melancholy and longing from a point of affection\". This is exactly the feeling Gordon has captured. It is what he has woven through every recording on this album. Tezeta is the prime ingredient. It's the base note in recipe, it's sprinkled over the signature jazz-sampled house tracks. It powers the vast array of synthesizers Gordon deploys. It underpins the explorations into trip-hop. It's present in Gordon's varied vocal deliveries and it tunes his guitar. It's in the running order. It's the flow. Tezeta is tezeta in electronic music form, with 4\/4, breakbeats, samples and synths.\u003c\/p\u003e\n\u003cp\u003eGordon says a big part of what differentiates this album from from his previous albums is that is was recorded in a period where he allowed himself to create music without the constraints of time or self-pressure which coincided with a moment of heavy personal growth which allowed him to reflect deeply on his work.\u003c\/p\u003e\n\u003cp\u003eThere is a word in Portuguese \"Saudade\" that Gordon says has a similar meaning to Tezeta - Saudade is defined as a deep, sometimes bittersweet, longing or nostalgia for someone or something that is absent or lost. But here at SNF we think that in Tezeta nothing has been lost. Quite the opposite. 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Sound Therapy ft. Blakkamoore \u0026amp; JonnyGo Figure\u003cbr\u003ea2. Small Talk ft. Marina P\u003cbr\u003eb1. Long Time ft. Galas\u003cbr\u003eb2. Roots Flow ft. Troy Mobius\u003cbr\u003ec1. Back Out ft. Rider Shafique\u003cbr\u003ec2. Dub Abyss\u003cbr\u003ed1. Step ft. Blakkamoore\u003cbr\u003ed2. Travelling\u003c\/p\u003e\n\u003cp\u003eSound Therapy is the culmination of over ten years of sonic experimentation, developed across the past three years between Sicily, the United Kingdom, and Brooklyn. It builds on the foundation of the 2021 Dub-Stuy single Pon Pause featuring Al Campbell, whose success became the catalyst for the album’s eight tracks.\u003c\/p\u003e\n\u003cp\u003eConceived across two distinct halves, the album reflects the dual nature of D-Operation Drop’s sound, moving from one drop and roots\/steppers traditions into more modern, forward-leaning bass music. The whole is intended to move the listener between foundation and progression, day and night, light and dark, a dynamic reflected in both the music and album artwork.\u003c\/p\u003e\n\u003cp\u003eSound Therapy also reflects the collaborative nature of sound system culture, featuring vocalists Blakkamoore and JonnyGo Figure (US), Galas and Marina P (Italy), and Rider Shafique (UK), alongside instrumental contributions from Brooklyn-based saxophonist Troy Mobius. 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Between his work as Basic Rhythm, East Man and Imaginary Forces he's split the difference between incisive UK club sounds and experimental intention, applying artistic thinking to the physical impulses of grime, techno, D\u0026amp;B, drill and more. It's no wonder his work has been held aloft by labels as respected as Planet Mu, Metalheadz, Future Retro and The Trilogy Tapes.\u003c\/p\u003e\n\u003cp\u003eOn 8 Bar Grime Hart stretches out with a potent statement on his vision for club music in 2026. The thrust of the title track's opening 4\/4 stomp is quickly interrupted by a none-grimier gun lock and load — an unambiguous thesis for the direction the album is heading in. The pressure stays high for the duration, barrelling through the distorted kicks and rabid wobble breakdowns of 'Weed Killer' before bringing the flawless flow of NyNy into the mix for half step sheller 'Vibez'. 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