{"title":"Republic of Music 25.09.26","description":null,"products":[{"product_id":"rowena-wise-bad-things-feel-good-lp","title":"Rowena Wise - Bad Things Feel Good [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BLR6LP\u003cbr\u003eBarcode: 5053760154280\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eRowena Wise is a Naarm\/Melbourne-based singer-songwriter whose work balances beauty and mess with rare emotional precision. Hailed as a “lyrical assassin” by the Australian triple j community, Wise writes songs that feel like intimate conversations — ruminations on love, alienation, longing, and selfhood delivered with quiet courage and disarming honesty. Drawing from the storytelling lineage of ’60s folk while grounded in indie rock, garage pop, and alt-folk, she finds truth in fiction and humanity in contradiction.\u003cbr\u003e \u003cbr\u003eRaised in the surf town of Margaret River, Western Australia, Wise was immersed in music from the outset. Her father, a luthier, built her guitars by hand, and her mother — a Chicago-born folk musician — instilled a deep reverence for songcraft and storytelling. After touring as part of a family band in her youth, she moved to Melbourne at 18 to forge her own artistic path.\u003cbr\u003e \u003cbr\u003eSince emerging in 2018 with her debut single “Diary,” Wise has amassed over 9.2 million streams and earned airplay across triple j, Double J, and Unearthed. Subsequent releases, including “Fked Up Over You” and “To Pretend,” cemented her as one of Australia’s most compelling new voices in indie music, while her collaboration “No Cure for Love” with Didirri further showcased her gift for raw, intimate songwriting.\u003cbr\u003e \u003cbr\u003eIn May 2024, she released her debut album, Senseless Acts of Beauty, described by CLASH Magazine as “carefully etched indie folk.” The coming-of-age record, exploring loss, alienation, and the slow rebuilding of self, was shortlisted for the 2024 Australian Music Prize, with producer Rob Muinos (Julia Jacklin, Didirri) later nominated for the 2025 AIR Independent Producer of the Year for his work on the project.\u003cbr\u003e \u003cbr\u003eSince its release, Wise has toured extensively across Australia, the UK, Europe, the USA, and Canada, bringing her candid power and vulnerability to international audiences. As a live performer, Wise commands the stage with understated intensity. Soaring melodies intertwine with purposeful guitar work, her poetic lyricism anchoring each performance. She has supported artists including The Paper Kites, Medium Build, Didirri, Ball Park Music, Holy Holy, Bernard Fanning, and Paul Dempsey, and has appeared at festivals such as The Great Escape, SXSW, Queenscliff Music Festival, and Party in the Paddock.\u003cbr\u003e \u003cbr\u003eAmid a relentless touring schedule, Wise wrote and recorded her highly anticipated sophomore album, Bad Things Feel Good — a tender, point-blank meditation on transformation and what it means to be flesh and blood. Where Senseless Acts of Beauty explored heartbreak and rebuilding, this new record inhabits the uncomfortable in-between: the knowing and unknowing, harm and pleasure, tenderness and damage coexisting in the same breath.\u003cbr\u003e \u003cbr\u003eProduced again by Rob Muinos (Julia Jacklin, Didirri) and recorded live over three days at Ratshack Studios in Collingwood with Richard Bradbeer (bass) and Jess Ellwood (drums), Bad Things Feel Good favours restraint and intimacy. The live-band production allows Wise’s vocal performances to soar and crumble in real time, holding space rather than demanding attention. The result is powerful, tender storytelling that feels less like spectacle and more like permission — an invitation into something deeply personal.\u003cbr\u003e \u003cbr\u003eWritten through years marked by mental health struggles, heartbreak, and shifts in core identity, Bad Things Feel Good is not a confession but an honest reckoning with growth’s uneasy terrain. Exploring romantic, familial, and communal intimacy, inherited patterns, moral vertigo, and the seduction of self-betrayal, the album resists neat redemption arcs in favour of embracing contradiction. It acknowledges imperfect parents, fraught lovers, and shedding selves, questioning whether growth must always arrive through suffering and whether love can exist without possession or sacrifice.\u003cbr\u003e \u003cbr\u003eHere, unlearning is as powerful as knowing, vulnerability becomes strength, and pain finds its place within a larger picture. Wise stands at the threshold between who she was and who she might become, inviting listeners to sit in that uneasy space where desire, love, and truth collide — and to make peace with the mess rather than smoothing it into something tidy.\u003cbr\u003e \u003cbr\u003eWith a devoted and growing fanbase, critical acclaim, and an unwavering commitment to emotional truth, Rowena Wise continues to carve out a space uniquely her own — where storytelling is both mirror and map, and where being human, in all its contradiction, is enough.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Home In This World\u003cbr\u003e2. More Horizon\u003cbr\u003e3. Blood Ties\u003cbr\u003e4. No Angel\u003cbr\u003e5. Sum Of Two\u003cbr\u003e6. Diamond In The Rough\u003cbr\u003e7. The Anchor\u003cbr\u003e8. Unlearning Of Love\u003cbr\u003e9. Bad Things Feel Good\u003cbr\u003e10. Days Ahead\u003c\/p\u003e","brand":"Beloved Records","offers":[{"title":"Default Title","offer_id":47142152143004,"sku":"BLR6LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/bl_cb43f93a-1ff7-46ca-8bbb-489f6aebf115.webp?v=1782916800"},{"product_id":"rowena-wise-bad-things-feel-good-blue-coloured-vinyl","title":"Rowena Wise - Bad Things Feel Good [blue coloured vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BLR6LP1\u003cbr\u003eBarcode: 5053760154297\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eRowena Wise is a Naarm\/Melbourne-based singer-songwriter whose work balances beauty and mess with rare emotional precision. Hailed as a “lyrical assassin” by the Australian triple j community, Wise writes songs that feel like intimate conversations — ruminations on love, alienation, longing, and selfhood delivered with quiet courage and disarming honesty. Drawing from the storytelling lineage of ’60s folk while grounded in indie rock, garage pop, and alt-folk, she finds truth in fiction and humanity in contradiction.\u003cbr\u003e \u003cbr\u003eRaised in the surf town of Margaret River, Western Australia, Wise was immersed in music from the outset. Her father, a luthier, built her guitars by hand, and her mother — a Chicago-born folk musician — instilled a deep reverence for songcraft and storytelling. After touring as part of a family band in her youth, she moved to Melbourne at 18 to forge her own artistic path.\u003cbr\u003e \u003cbr\u003eSince emerging in 2018 with her debut single “Diary,” Wise has amassed over 9.2 million streams and earned airplay across triple j, Double J, and Unearthed. Subsequent releases, including “Fked Up Over You” and “To Pretend,” cemented her as one of Australia’s most compelling new voices in indie music, while her collaboration “No Cure for Love” with Didirri further showcased her gift for raw, intimate songwriting.\u003cbr\u003e \u003cbr\u003eIn May 2024, she released her debut album, Senseless Acts of Beauty, described by CLASH Magazine as “carefully etched indie folk.” The coming-of-age record, exploring loss, alienation, and the slow rebuilding of self, was shortlisted for the 2024 Australian Music Prize, with producer Rob Muinos (Julia Jacklin, Didirri) later nominated for the 2025 AIR Independent Producer of the Year for his work on the project.\u003cbr\u003e \u003cbr\u003eSince its release, Wise has toured extensively across Australia, the UK, Europe, the USA, and Canada, bringing her candid power and vulnerability to international audiences. As a live performer, Wise commands the stage with understated intensity. Soaring melodies intertwine with purposeful guitar work, her poetic lyricism anchoring each performance. She has supported artists including The Paper Kites, Medium Build, Didirri, Ball Park Music, Holy Holy, Bernard Fanning, and Paul Dempsey, and has appeared at festivals such as The Great Escape, SXSW, Queenscliff Music Festival, and Party in the Paddock.\u003cbr\u003e \u003cbr\u003eAmid a relentless touring schedule, Wise wrote and recorded her highly anticipated sophomore album, Bad Things Feel Good — a tender, point-blank meditation on transformation and what it means to be flesh and blood. Where Senseless Acts of Beauty explored heartbreak and rebuilding, this new record inhabits the uncomfortable in-between: the knowing and unknowing, harm and pleasure, tenderness and damage coexisting in the same breath.\u003cbr\u003e \u003cbr\u003eProduced again by Rob Muinos (Julia Jacklin, Didirri) and recorded live over three days at Ratshack Studios in Collingwood with Richard Bradbeer (bass) and Jess Ellwood (drums), Bad Things Feel Good favours restraint and intimacy. The live-band production allows Wise’s vocal performances to soar and crumble in real time, holding space rather than demanding attention. The result is powerful, tender storytelling that feels less like spectacle and more like permission — an invitation into something deeply personal.\u003cbr\u003e \u003cbr\u003eWritten through years marked by mental health struggles, heartbreak, and shifts in core identity, Bad Things Feel Good is not a confession but an honest reckoning with growth’s uneasy terrain. Exploring romantic, familial, and communal intimacy, inherited patterns, moral vertigo, and the seduction of self-betrayal, the album resists neat redemption arcs in favour of embracing contradiction. It acknowledges imperfect parents, fraught lovers, and shedding selves, questioning whether growth must always arrive through suffering and whether love can exist without possession or sacrifice.\u003cbr\u003e \u003cbr\u003eHere, unlearning is as powerful as knowing, vulnerability becomes strength, and pain finds its place within a larger picture. Wise stands at the threshold between who she was and who she might become, inviting listeners to sit in that uneasy space where desire, love, and truth collide — and to make peace with the mess rather than smoothing it into something tidy.\u003cbr\u003e \u003cbr\u003eWith a devoted and growing fanbase, critical acclaim, and an unwavering commitment to emotional truth, Rowena Wise continues to carve out a space uniquely her own — where storytelling is both mirror and map, and where being human, in all its contradiction, is enough.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Home In This World\u003cbr\u003e2. More Horizon\u003cbr\u003e3. Blood Ties\u003cbr\u003e4. No Angel\u003cbr\u003e5. Sum Of Two\u003cbr\u003e6. Diamond In The Rough\u003cbr\u003e7. The Anchor\u003cbr\u003e8. Unlearning Of Love\u003cbr\u003e9. Bad Things Feel Good\u003cbr\u003e10. Days Ahead\u003c\/p\u003e","brand":"Beloved Records","offers":[{"title":"Default Title","offer_id":47142152241308,"sku":"BLR6LP1","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_9679d762-5e2e-4685-bb92-0fdb3b89d303.webp?v=1782916803"},{"product_id":"space-afrika-quiet-storm-cd","title":"Space Afrika - Quiet Storm [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DAIS232CD\u003cbr\u003eBarcode: 0683950558991\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Experimental\u003c\/p\u003e\n\u003cp\u003eSpace Afrika, the Manchester\/Berlin-based duo of Joshua Tarelle Reid and Joshua Inyang, make raw, intensely detailed, visceral music with shades of ambient, trip-hop, techno, and modern classical, drawing spacious urban dubscapes from the contours of their city. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm expands on their sound and scale as a sprawling, collaborative vision shaped with profound patience and intention, embedding their own coming-of-age story within a moving suite of cathartic abstraction. Songs allude to spirituality and the human condition, the tension between boldness and softness, ambition and persistent inner demons. \u003c\/p\u003e\n\u003cp\u003eSpeaking to the multidisciplinary nature of the project is the involvement of celebrated artist Glenn Ligon, whose work deals with Black identity and queerness. A central inspiration at the onset of recording, Ligon offered his work Figure #30 (2009) for the cover artwork, and following the completion of recording, he agreed to provide the project's name—an unprecedented gesture from the pioneering artist. \u003c\/p\u003e\n\u003cp\u003eListening to the final sequence, Ligon thought of \"Quiet Storm,\" the 1970s radio format known for smooth, late-night programming with themes of life and love. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm brings the listener through various scenes, interludes, and arcs, marked by a sense that its movement is fluid and its characters are fleeting. Into-the-mirror monologues grapple with the existential and the immediate: survival, autonomy, purpose. \u003c\/p\u003e\n\u003cp\u003eThe album opens with the explosive, string-backed “Vanity,” featuring Grammy Award winner Axelle Fanyo. At first fixated on the crevices of a quiet room, “Vanity” unfurls under Fanyo's expressive soprano, traversing a wide emotional spectrum from sublime contemplation to poignant, heart-piercing pain. \u003c\/p\u003e\n\u003cp\u003eThroughout the record, words spoken and sung are placed sparingly to powerful effect. “2MLN”'s beauty and catharsis is a collective slow march, featuring British-Nigerian artist Tony Njoku, with guitar and lead bass by Gabriel Evans, London's PIKE on drums, and Copenhagen's GB on keys and strings. \u003c\/p\u003e\n\u003cp\u003eHeavy yet hopeful, Joshua Tarelle Reid and Joshua Inyang remind you of their journey so far. An appropriately cryptic and transportive outro for their open-ended opus, Quiet Storm is a landmark level-up: self-produced, self-funded, and manifested out of sheer drive and conviction. \u003c\/p\u003e\n\u003cp\u003eThrough bent time and low-lit haze, undoubtedly, Space Afrika has arrived. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eVSIDE A \u003cbr\u003eVanity (ft. Axelle Fanyo) \u003cbr\u003eCrying Never Had a Voice ~ (ft. Vanessa Bedoret) \u003cbr\u003eFrom the Heart of Knowing (ft. Alto Aria) \u003cbr\u003eBallad for A'G' (ft. RXK Nephew, Klein) \u003cbr\u003eBlack and Gold \u003c\/p\u003e\n\u003cp\u003eSIDE B \u003cbr\u003eH00D Ambient Validation (ft. Any1) \u003cbr\u003e2MLN (ft. Tony Njoku) \u003cbr\u003eWe Live. Joy \u003cbr\u003ePretty Gospel (ft. Kiala Ogawa) \u003cbr\u003eIf This Is Hell (ft. Deuén Regards) \u003c\/p\u003e","brand":"Dais Records","offers":[{"title":"Default Title","offer_id":47155771900060,"sku":"DAIS232CD","price":12.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_06b0db6e-9a57-42b8-8a8f-2cbd4359237b.jpg?v=1783182448"},{"product_id":"space-afrika-quiet-storm-blue-ripple-coloured-vinyl","title":"Space Afrika - Quiet Storm [blue ripple coloured vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAIS232LP1\u003cbr\u003eBarcode: 0683950558960\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Experimental\u003c\/p\u003e\n\u003cp\u003estandard weight, blue ripple coloured vinyl\u003c\/p\u003e\n\u003cp\u003eSpace Afrika, the Manchester\/Berlin-based duo of Joshua Tarelle Reid and Joshua Inyang, make raw, intensely detailed, visceral music with shades of ambient, trip-hop, techno, and modern classical, drawing spacious urban dubscapes from the contours of their city. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm expands on their sound and scale as a sprawling, collaborative vision shaped with profound patience and intention, embedding their own coming-of-age story within a moving suite of cathartic abstraction. Songs allude to spirituality and the human condition, the tension between boldness and softness, ambition and persistent inner demons. \u003c\/p\u003e\n\u003cp\u003eSpeaking to the multidisciplinary nature of the project is the involvement of celebrated artist Glenn Ligon, whose work deals with Black identity and queerness. A central inspiration at the onset of recording, Ligon offered his work Figure #30 (2009) for the cover artwork, and following the completion of recording, he agreed to provide the project's name—an unprecedented gesture from the pioneering artist. \u003c\/p\u003e\n\u003cp\u003eListening to the final sequence, Ligon thought of \"Quiet Storm,\" the 1970s radio format known for smooth, late-night programming with themes of life and love. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm brings the listener through various scenes, interludes, and arcs, marked by a sense that its movement is fluid and its characters are fleeting. Into-the-mirror monologues grapple with the existential and the immediate: survival, autonomy, purpose. \u003c\/p\u003e\n\u003cp\u003eThe album opens with the explosive, string-backed “Vanity,” featuring Grammy Award winner Axelle Fanyo. At first fixated on the crevices of a quiet room, “Vanity” unfurls under Fanyo's expressive soprano, traversing a wide emotional spectrum from sublime contemplation to poignant, heart-piercing pain. \u003c\/p\u003e\n\u003cp\u003eThroughout the record, words spoken and sung are placed sparingly to powerful effect. “2MLN”'s beauty and catharsis is a collective slow march, featuring British-Nigerian artist Tony Njoku, with guitar and lead bass by Gabriel Evans, London's PIKE on drums, and Copenhagen's GB on keys and strings. \u003c\/p\u003e\n\u003cp\u003eHeavy yet hopeful, Joshua Tarelle Reid and Joshua Inyang remind you of their journey so far. An appropriately cryptic and transportive outro for their open-ended opus, Quiet Storm is a landmark level-up: self-produced, self-funded, and manifested out of sheer drive and conviction. \u003c\/p\u003e\n\u003cp\u003eThrough bent time and low-lit haze, undoubtedly, Space Afrika has arrived. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eVSIDE A \u003cbr\u003eVanity (ft. Axelle Fanyo) \u003cbr\u003eCrying Never Had a Voice ~ (ft. Vanessa Bedoret) \u003cbr\u003eFrom the Heart of Knowing (ft. Alto Aria) \u003cbr\u003eBallad for A'G' (ft. RXK Nephew, Klein) \u003cbr\u003eBlack and Gold \u003c\/p\u003e\n\u003cp\u003eSIDE B \u003cbr\u003eH00D Ambient Validation (ft. Any1) \u003cbr\u003e2MLN (ft. Tony Njoku) \u003cbr\u003eWe Live. Joy \u003cbr\u003ePretty Gospel (ft. Kiala Ogawa) \u003cbr\u003eIf This Is Hell (ft. Deuén Regards) \u003c\/p\u003e","brand":"Dais Records","offers":[{"title":"Default Title","offer_id":47155772293276,"sku":"DAIS232LP1","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/col_dfff04a8-4d2a-42f5-907c-dba8bb1f7391.jpg?v=1783182437"},{"product_id":"space-afrika-quiet-storm-black-vinyl","title":"Space Afrika - Quiet Storm [black vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAIS232LP\u003cbr\u003eBarcode: 0683950558984\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Experimental\u003c\/p\u003e\n\u003cp\u003eSpace Afrika, the Manchester\/Berlin-based duo of Joshua Tarelle Reid and Joshua Inyang, make raw, intensely detailed, visceral music with shades of ambient, trip-hop, techno, and modern classical, drawing spacious urban dubscapes from the contours of their city. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm expands on their sound and scale as a sprawling, collaborative vision shaped with profound patience and intention, embedding their own coming-of-age story within a moving suite of cathartic abstraction. Songs allude to spirituality and the human condition, the tension between boldness and softness, ambition and persistent inner demons. \u003c\/p\u003e\n\u003cp\u003eSpeaking to the multidisciplinary nature of the project is the involvement of celebrated artist Glenn Ligon, whose work deals with Black identity and queerness. A central inspiration at the onset of recording, Ligon offered his work Figure #30 (2009) for the cover artwork, and following the completion of recording, he agreed to provide the project's name—an unprecedented gesture from the pioneering artist. \u003c\/p\u003e\n\u003cp\u003eListening to the final sequence, Ligon thought of \"Quiet Storm,\" the 1970s radio format known for smooth, late-night programming with themes of life and love. \u003c\/p\u003e\n\u003cp\u003eQuiet Storm brings the listener through various scenes, interludes, and arcs, marked by a sense that its movement is fluid and its characters are fleeting. Into-the-mirror monologues grapple with the existential and the immediate: survival, autonomy, purpose. \u003c\/p\u003e\n\u003cp\u003eThe album opens with the explosive, string-backed “Vanity,” featuring Grammy Award winner Axelle Fanyo. At first fixated on the crevices of a quiet room, “Vanity” unfurls under Fanyo's expressive soprano, traversing a wide emotional spectrum from sublime contemplation to poignant, heart-piercing pain. \u003c\/p\u003e\n\u003cp\u003eThroughout the record, words spoken and sung are placed sparingly to powerful effect. “2MLN”'s beauty and catharsis is a collective slow march, featuring British-Nigerian artist Tony Njoku, with guitar and lead bass by Gabriel Evans, London's PIKE on drums, and Copenhagen's GB on keys and strings. \u003c\/p\u003e\n\u003cp\u003eHeavy yet hopeful, Joshua Tarelle Reid and Joshua Inyang remind you of their journey so far. An appropriately cryptic and transportive outro for their open-ended opus, Quiet Storm is a landmark level-up: self-produced, self-funded, and manifested out of sheer drive and conviction. \u003c\/p\u003e\n\u003cp\u003eThrough bent time and low-lit haze, undoubtedly, Space Afrika has arrived. \u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eVSIDE A \u003cbr\u003eVanity (ft. Axelle Fanyo) \u003cbr\u003eCrying Never Had a Voice ~ (ft. Vanessa Bedoret) \u003cbr\u003eFrom the Heart of Knowing (ft. Alto Aria) \u003cbr\u003eBallad for A'G' (ft. RXK Nephew, Klein) \u003cbr\u003eBlack and Gold \u003c\/p\u003e\n\u003cp\u003eSIDE B \u003cbr\u003eH00D Ambient Validation (ft. Any1) \u003cbr\u003e2MLN (ft. Tony Njoku) \u003cbr\u003eWe Live. Joy \u003cbr\u003ePretty Gospel (ft. Kiala Ogawa) \u003cbr\u003eIf This Is Hell (ft. Deuén Regards) \u003c\/p\u003e","brand":"Dais Records","offers":[{"title":"Default Title","offer_id":47155773374620,"sku":"DAIS232LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/blac.jpg?v=1783182441"},{"product_id":"soft-cell-danceteria-cd","title":"Soft Cell - Danceteria [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DAN2CD\u003cbr\u003eBarcode: 5053760153542\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Dance\/ Electronic\u003c\/p\u003e\n\u003cp\u003eThe final album is both a love letter to early 80s New York and a tribute to the late, great Dave Ball.\u003c\/p\u003e\n\u003cp\u003eElectronic music legends Soft Cell, aka singer and frontman Marc Almond and multi-instrumentalist and producer Dave Ball, are set to release 'Danceteria', their sixth and final studio album. \u003cbr\u003e'Danceteria' the album is a big, classy and playful farewell to 47 years of Marc and Dave making music as Soft Cell and features career-defining performances from our electronic pop legends. Reminiscent of Sparks and Pet Shop Boys and with lyrics Lady Gaga would kill for, the album takes you on a vivid journey through a day in early 80s New York, bouncing round the clock from night to bleary daybreak and headlong back into the club.\u003c\/p\u003e\n\u003cp\u003eMarc provides an initial snapshot into the album:\u003c\/p\u003e\n\u003cp\u003e\"Danceteria is a love letter to New York in the early 80's.  The time we spent in New York - where we recorded our first 3 albums - shaped us both as artists and people. To celebrate this period is a fitting farewell to Dave Ball and the final Soft Cell studio album.\"\u003c\/p\u003e\n\u003cp\u003e'Danceteria' is equally a tribute to the late, great Dave Ball. The final album is one of the last bodies of work Ball co-wrote and produced before his sad, untimely passing on the 22nd of October 2025. Almond led the obituaries, describing Dave as a \"brilliant musical genius\". The world's media followed, hailing him as an electronic music pioneer, plus music stars including Neil Tennant and Chris Lowe from the Pet Shop Boys, Mute Records' Daniel Miller, Cabaret Voltaire and Richard Norris from Dave's techno duo The Grid contributing an outpouring of elegiac praise. Dave finished 'Danceteria' two days before he passed away and it is in full tribute to him that the album release went ahead as planned. \u003c\/p\u003e\n\u003cp\u003eIt is also because of Dave's passing that 'Danceteria' simply has to be the last Soft Cell album, as Marc explains:\u003c\/p\u003e\n\u003cp\u003e'There can be no more recordings of Soft Cell without Dave, it would not be possible. The sad reality is that Dave Ball was half of Soft Cell, and live work aside, I can't write Soft Cell songs without him.\"\u003c\/p\u003e\n\u003cp\u003e1) Elusive\u003cbr\u003e2) Danceteria\u003cbr\u003e3) The Space Inside\u003cbr\u003e4) Times Square\u003cbr\u003e5) Two Of A Kind\u003cbr\u003e6) The Rainbow Room\u003cbr\u003e7) In Heaven (When I Dance With You)\u003cbr\u003e8) Decadence Is Hard Work\u003cbr\u003e9) Crackland\u003cbr\u003e10) What Is Your Morality\u003cbr\u003e11) Losing Yourself\u003cbr\u003e12) After Hours\u003cbr\u003e13) Wave To America\u003cbr\u003e14) Out Come The Freaks\u003c\/p\u003e","brand":"Soft Cell Music","offers":[{"title":"Default Title","offer_id":47155777765532,"sku":"DAN2CD","price":17.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_f7fcdc50-a121-44ce-b61a-1871756fdde3.jpg?v=1783183370"},{"product_id":"soft-cell-danceteria-classic-black-vinyl","title":"Soft Cell - Danceteria [Classic Black Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAN2LP\u003cbr\u003eBarcode: 5053760153566\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Dance\/ Electronic\u003c\/p\u003e\n\u003cp\u003eThe final album is both a love letter to early 80s New York and a tribute to the late, great Dave Ball.\u003c\/p\u003e\n\u003cp\u003eElectronic music legends Soft Cell, aka singer and frontman Marc Almond and multi-instrumentalist and producer Dave Ball, are set to release 'Danceteria', their sixth and final studio album. \u003cbr\u003e'Danceteria' the album is a big, classy and playful farewell to 47 years of Marc and Dave making music as Soft Cell and features career-defining performances from our electronic pop legends. Reminiscent of Sparks and Pet Shop Boys and with lyrics Lady Gaga would kill for, the album takes you on a vivid journey through a day in early 80s New York, bouncing round the clock from night to bleary daybreak and headlong back into the club.\u003c\/p\u003e\n\u003cp\u003eMarc provides an initial snapshot into the album:\u003c\/p\u003e\n\u003cp\u003e\"Danceteria is a love letter to New York in the early 80's.  The time we spent in New York - where we recorded our first 3 albums - shaped us both as artists and people. To celebrate this period is a fitting farewell to Dave Ball and the final Soft Cell studio album.\"\u003c\/p\u003e\n\u003cp\u003e'Danceteria' is equally a tribute to the late, great Dave Ball. The final album is one of the last bodies of work Ball co-wrote and produced before his sad, untimely passing on the 22nd of October 2025. Almond led the obituaries, describing Dave as a \"brilliant musical genius\". The world's media followed, hailing him as an electronic music pioneer, plus music stars including Neil Tennant and Chris Lowe from the Pet Shop Boys, Mute Records' Daniel Miller, Cabaret Voltaire and Richard Norris from Dave's techno duo The Grid contributing an outpouring of elegiac praise. Dave finished 'Danceteria' two days before he passed away and it is in full tribute to him that the album release went ahead as planned. \u003c\/p\u003e\n\u003cp\u003eIt is also because of Dave's passing that 'Danceteria' simply has to be the last Soft Cell album, as Marc explains:\u003c\/p\u003e\n\u003cp\u003e'There can be no more recordings of Soft Cell without Dave, it would not be possible. The sad reality is that Dave Ball was half of Soft Cell, and live work aside, I can't write Soft Cell songs without him.\"\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003e1) Elusive (Vinyl Edit) \u003cbr\u003e2) Danceteria\u003cbr\u003e3) The Space Inside (Vinyl Edit)\u003cbr\u003e4) Times Square (Vinyl Edit)\u003cbr\u003e5) Two Of A Kind\u003cbr\u003e6) The Rainbow Room (Vinyl Edit)\u003cbr\u003e7) In Heaven (When I Dance With You) \u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1) Decadence Is Hard Work\u003cbr\u003e2) Losing Yourself\u003cbr\u003e3) After Hours\u003cbr\u003e4) Wave To America\u003cbr\u003e5) Out Come The Freaks\u003c\/p\u003e","brand":"Soft Cell Music","offers":[{"title":"Default Title","offer_id":47155777798300,"sku":"DAN2LP","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/bl_1e9a6f82-908f-4c04-8f1e-15834c50ff53.jpg?v=1783183384"},{"product_id":"soft-cell-danceteria-transparent-red-vinyl","title":"Soft Cell - Danceteria [Transparent Red vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DAN2LPC1\u003cbr\u003eBarcode: 5053760153573\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Dance\/ Electronic\u003c\/p\u003e\n\u003cp\u003eThe final album is both a love letter to early 80s New York and a tribute to the late, great Dave Ball.\u003c\/p\u003e\n\u003cp\u003eElectronic music legends Soft Cell, aka singer and frontman Marc Almond and multi-instrumentalist and producer Dave Ball, are set to release 'Danceteria', their sixth and final studio album. \u003cbr\u003e'Danceteria' the album is a big, classy and playful farewell to 47 years of Marc and Dave making music as Soft Cell and features career-defining performances from our electronic pop legends. Reminiscent of Sparks and Pet Shop Boys and with lyrics Lady Gaga would kill for, the album takes you on a vivid journey through a day in early 80s New York, bouncing round the clock from night to bleary daybreak and headlong back into the club.\u003c\/p\u003e\n\u003cp\u003eMarc provides an initial snapshot into the album:\u003c\/p\u003e\n\u003cp\u003e\"Danceteria is a love letter to New York in the early 80's.  The time we spent in New York - where we recorded our first 3 albums - shaped us both as artists and people. To celebrate this period is a fitting farewell to Dave Ball and the final Soft Cell studio album.\"\u003c\/p\u003e\n\u003cp\u003e'Danceteria' is equally a tribute to the late, great Dave Ball. The final album is one of the last bodies of work Ball co-wrote and produced before his sad, untimely passing on the 22nd of October 2025. Almond led the obituaries, describing Dave as a \"brilliant musical genius\". The world's media followed, hailing him as an electronic music pioneer, plus music stars including Neil Tennant and Chris Lowe from the Pet Shop Boys, Mute Records' Daniel Miller, Cabaret Voltaire and Richard Norris from Dave's techno duo The Grid contributing an outpouring of elegiac praise. Dave finished 'Danceteria' two days before he passed away and it is in full tribute to him that the album release went ahead as planned. \u003c\/p\u003e\n\u003cp\u003eIt is also because of Dave's passing that 'Danceteria' simply has to be the last Soft Cell album, as Marc explains:\u003c\/p\u003e\n\u003cp\u003e'There can be no more recordings of Soft Cell without Dave, it would not be possible. The sad reality is that Dave Ball was half of Soft Cell, and live work aside, I can't write Soft Cell songs without him.\"\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003e1) Elusive (Vinyl Edit) \u003cbr\u003e2) Danceteria\u003cbr\u003e3) The Space Inside (Vinyl Edit)\u003cbr\u003e4) Times Square (Vinyl Edit)\u003cbr\u003e5) Two Of A Kind\u003cbr\u003e6) The Rainbow Room (Vinyl Edit)\u003cbr\u003e7) In Heaven (When I Dance With You) \u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1) Decadence Is Hard Work\u003cbr\u003e2) Losing Yourself\u003cbr\u003e3) After Hours\u003cbr\u003e4) Wave To America\u003cbr\u003e5) Out Come The Freaks\u003c\/p\u003e","brand":"Soft Cell Music","offers":[{"title":"Default Title","offer_id":47155777831068,"sku":"DAN2LPC1","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/re_197a2086-e7dd-4601-b5d7-53969f672889.jpg?v=1783183388"},{"product_id":"multibeat-ooo-colour-lp","title":".multibeat - OOO [Colour LP]","description":"\u003cp\u003eFormat: Colour LP\u003cbr\u003eCatalogue No.: SK565LP\u003cbr\u003eBarcode: 821730056514\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eDutch collective.multibeat return with OOO their third album and debut for Sonar Kollektiv. Rooted in Utrecht’s vibrant musical community, the trio of Boudewijn Pleij (keys), Thijs van Zutphen (bass) and Aron Smit (drums) blend hip-hop, jazz and beat culture into a groove-driven sound inspired by artists such as Robert Glasper, J Dilla and the contemporary UK jazz scene.\u003c\/p\u003e\n\u003cp\u003eThe three musicians first met while studying at the conservatoire in Utrecht, initially performing as a live backing band under the name Muddy Grease before evolving into a production-focused collective. Over the years they have built a reputation for connecting the worlds of jazz, hip-hop and contemporary beat music through an ever-expanding network of collaborators, while helping to foster a vibrant and experimental local scene around them.\u003c\/p\u003e\n\u003cp\u003eFollowing their debut album Toolbox (2022), created alongside Dutch beatmaker Noflik, and the acclaimed Channel Island (2024), which featured appearances from Pete Philly, Joya Mooi, GINGE and Marcus“Tennishu” Tenney of Butcher Brown, .multibeat now arrive at their most fully realised statement to date. While the more crossover-oriented Have A Nice Weekend EP hinted at new directions, OOO sees the trio reconnect with the more eclectic and exploratory side of their musical identity.\u003c\/p\u003e\n\u003cp\u003eCollaboration remains central to the album. Featuring contributions from Casiio, Säm Wilder, vAn, TOS, Neema Nekesa, Noflik and longtime collaborator Paul van de Calseijde, the record moves effortlessly between soulful vocal songs, jazz-infused instrumentals and rhythm-driven beat excursions. Tracks such as Please Hold Me, Hold Me Down and Monochrom showcase the group’s gift for emotionally resonant songwriting, while pieces like Flyyy, Use Your Noggin and Rhapsody highlight the trio’s instinctive chemistry as musicians and producers.\u003c\/p\u003e\n\u003cp\u003eWarm, collaborative and deeply groove-centred, OOO captures .multibeat at their most confident and expansive.\u003c\/p\u003e\n\u003cp\u003eIt is an album that honours the collective’s roots in jazz and hip-hop while continuing to push their sound into new and inspiring spaces, a fitting introduction to one of the most exciting young groups to emerge from the Dutch scene in recent years.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1 Flyyy feat. 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Säm Wilder\u003cbr\u003eB3 Three \/ Four\u003cbr\u003eB4 OOO\u003cbr\u003eB5 Monochrome feat. vAn\u003cbr\u003eB6 Outro 2\u003cbr\u003eB7 Use Your Noggin\u003c\/p\u003e","brand":"Sonar Kollektiv","offers":[{"title":"Default Title","offer_id":47159013867676,"sku":"SK565LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_14_599a9918-85cc-4540-82a7-672ade3ae4cb.jpg?v=1783275050"},{"product_id":"josefin-ohrn-cherry-cd","title":"Josefin Öhrn - Cherry [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ELR1CD\u003cbr\u003eBarcode: 5053760153887\u003cbr\u003eRelease Date: 25 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eLondon-based Swedish singer-songwriter Josefin Öhrn (previously of Grammy nominated Josefin Öhrn + The Liberation) is set to release her debut album Cherry on 25 September featuring vocals from Bobby Gllespie (Primal Scream) and Anton Newcombe (The Brian Jonestown Massacre), with guitar from Andy Bell (Ride). \u003c\/p\u003e\n\u003cp\u003eJosefin’s most intimate and self-defined album yet, Cherry explores themes of fresh starts, desire, love and grief. It taps into a new and very interesting phase of music, seen on recent releases from Robyn (Sexistential) and Lykke Li (The Afterparty), where the experiences of women are put out there without shame in colourful candidness, such records tap into a fascinating period of raw, intense and highly transformative self-actualization. \u003c\/p\u003e\n\u003cp\u003eJosefin wrote the songs on Cherry during a new phase of her life, it captures the sense of liberty, excitement and vulnerability that comes with such a re-birth. Explored with an intensity that’s sensual, vulnerable and unguarded. At its core lies the female gaze – not as a concept, but a lived experience with a sense of longing running through the album like a pulse: a longing for connection, for freedom. \u003c\/p\u003e\n\u003cp\u003eMusically, Cherry has echoes of the hypnotic psych-rock of Josefin’s previous band Josefin Ohrn + The Liberation (Rocket Recordings) but the arrangements, structures and mixing on Cherry are less avant-garde and closer to the laid-back atmospheres of Kurt Vile, Lana Del Rey or Natalie Bergman with clear hooks and with Josefin’s voice standing front and centre – intimate, magnetic, unwavering – which allows for the album’s stark emotional immediacy. \u003c\/p\u003e\n\u003cp\u003eJosefin personally asked Kalle Jerneholm Gustavsson (Soundtrack Of Our Lives), who she had worked with previously, to produce the album. “We recorded it in his studio, Svenska Grammofonstudion, Gothenburg. 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It taps into a new and very interesting phase of music, seen on recent releases from Robyn (Sexistential) and Lykke Li (The Afterparty), where the experiences of women are put out there without shame in colourful candidness, such records tap into a fascinating period of raw, intense and highly transformative self-actualization. \u003c\/p\u003e\n\u003cp\u003eJosefin wrote the songs on Cherry during a new phase of her life, it captures the sense of liberty, excitement and vulnerability that comes with such a re-birth. Explored with an intensity that’s sensual, vulnerable and unguarded. At its core lies the female gaze – not as a concept, but a lived experience with a sense of longing running through the album like a pulse: a longing for connection, for freedom. \u003c\/p\u003e\n\u003cp\u003eMusically, Cherry has echoes of the hypnotic psych-rock of Josefin’s previous band Josefin Ohrn + The Liberation (Rocket Recordings) but the arrangements, structures and mixing on Cherry are less avant-garde and closer to the laid-back atmospheres of Kurt Vile, Lana Del Rey or Natalie Bergman with clear hooks and with Josefin’s voice standing front and centre – intimate, magnetic, unwavering – which allows for the album’s stark emotional immediacy. \u003c\/p\u003e\n\u003cp\u003eJosefin personally asked Kalle Jerneholm Gustavsson (Soundtrack Of Our Lives), who she had worked with previously, to produce the album. “We recorded it in his studio, Svenska Grammofonstudion, Gothenburg. 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It taps into a new and very interesting phase of music, seen on recent releases from Robyn (Sexistential) and Lykke Li (The Afterparty), where the experiences of women are put out there without shame in colourful candidness, such records tap into a fascinating period of raw, intense and highly transformative self-actualization. \u003c\/p\u003e\n\u003cp\u003eJosefin wrote the songs on Cherry during a new phase of her life, it captures the sense of liberty, excitement and vulnerability that comes with such a re-birth. Explored with an intensity that’s sensual, vulnerable and unguarded. At its core lies the female gaze – not as a concept, but a lived experience with a sense of longing running through the album like a pulse: a longing for connection, for freedom. \u003c\/p\u003e\n\u003cp\u003eMusically, Cherry has echoes of the hypnotic psych-rock of Josefin’s previous band Josefin Ohrn + The Liberation (Rocket Recordings) but the arrangements, structures and mixing on Cherry are less avant-garde and closer to the laid-back atmospheres of Kurt Vile, Lana Del Rey or Natalie Bergman with clear hooks and with Josefin’s voice standing front and centre – intimate, magnetic, unwavering – which allows for the album’s stark emotional immediacy. \u003c\/p\u003e\n\u003cp\u003eJosefin personally asked Kalle Jerneholm Gustavsson (Soundtrack Of Our Lives), who she had worked with previously, to produce the album. “We recorded it in his studio, Svenska Grammofonstudion, Gothenburg. 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Their sound channels the grit and tension of 1980s industrial sub cultures while feeling unmistakably contemporary. Recently signed to City Slang worldwide, the band are reissuing their independently released debut album through the label. They have also announced a UK and Ireland tour supporting A Place to Bury Strangers, alongside a hometown headline show at Berlin's legendary SO36 in November 2026.\u003c\/p\u003e\n\u003cp\u003eDie Anstalt sound like no one else, even if everyone hears something different. Depending on who you ask, you'll catch traces of Malaria!, Boy Harsher, DAF, early EBM, synth-punk, or X-Mal Deutschland. Then there's the surf guitar, a detail that shouldn't work but somehow holds the whole thing together. The result is theatrical, confrontational, hypnotic, and relentlessly physical. They write slogans that stick. They're appropriately furious. Live, they're less a concert than a controlled explosion.\u003c\/p\u003e\n\u003cp\u003eTheir songs give voice to generational exhaustion, the dystopian absurdities of the present, warmongers, the manosphere, and the constant sense that the world is coming apart at the seams. Somehow, they also sound unmistakably like Berlin. That doesn't happen often, maybe once a decade, if we're lucky.\u003c\/p\u003e\n\u003cp\u003eMost of all, Die Anstalt are proof that beneath the noise, the algorithms, and the endless churn of industry discourse, something vital still burns: rage, conviction, and hope in equal measure. At their core, they are a punk band. No posturing. No compromise. No messing around. They don't ask for permission. 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