{"title":"Republic of Music 21.11.25","description":"","products":[{"product_id":"iona-zajac-bang-cd","title":"Iona Zajac - Bang [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: POSTELEC31CD \u003cbr\u003eBarcode: 5053760140047 \u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Alternative \/ Indie\u003c\/p\u003e\n\u003cp\u003eHaving already built an unparalleled reputation as both a solo songwriter and performer, as well as a touring vocalist with The Pogues, Glasgow’s Iona Zajac will release her highly anticipated debut album Bang, on 21st November. \u003c\/p\u003e\n\u003cp\u003eZajac’s strength as an artist lies in her ability to balance light and dark with startling ease. While songs like “Bowls,” “Dilute” and “Anton” anchor the record in raw explorations of violence and intimacy, elsewhere she lets surrealism and humour take centre stage. The dreamlike “Chicken Supermarket” imagines hallucinatory encounters with Billy Connolly and seas of jelly, while the exuberant title track revels in sexual liberation with infectious, pop-fuelled guitar tones. 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Drawing from a blend of dub, psychill, and psychedelic electronic textures, this album guides you through atmospheric journeys that range from smooth, laid-back grooves to vast, hypnotic sound waves. Each track drifts between the tranquil and the transcendental, blurring the line between relaxation and introspection.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Enjoy the Ride \u003cbr\u003eA2. Beyond Numbers \u003cbr\u003eA3. Spirals of Creation \u003cbr\u003eB1. Emotion \u0026amp; Delight \u003cbr\u003eB2. Dub Dimensions \u003cbr\u003eB3. Angels Provocateurs \u003cbr\u003eC1. Thorn Away \u003cbr\u003eC2. The Existance of Something \u003cbr\u003eD1. 11-11 \u003cbr\u003eD2. Active Meditation \u003cbr\u003eD3. A Relaxed Blur\u003cbr\u003e\u003c\/p\u003e","brand":"Liquid Sound Design","offers":[{"title":"Default Title","offer_id":45398298099868,"sku":"LSD191LPC","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/lp_341aa7de-6563-4da9-b844-f1896c819aaa.webp?v=1760018581"},{"product_id":"alpha-maid-is-this-a-queue","title":"Alpha Maid - Is this a queue","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: WHYT97LP\u003cbr\u003eBarcode: 4062548128727\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Experimental \/ Alternative\u003c\/p\u003e\n\u003cp\u003eProlific South East London guitarist and songwriter Alpha Maid presents her album Is this a queue, out via AD 93 on the 21st November.\u003c\/p\u003e\n\u003cp\u003eBeginning from a sense of frustration at the predictable and boring narratives and systems that we live under, and the feeling that such rules were the rules of the universe, Alpha Maid formed an interest in particle physics.\u003c\/p\u003e\n\u003cp\u003e “We only know 4% of the universe, there is hope in that and the unknown 96%. I found excitement and wonder in that. The theories I was reading about relied more on the conditions of the present moment, and it made the idea of living in the moment feel more accessible.  It started to be possible to see present time from all these different angles, and to have infinite more options to choose where to be next.”\u003c\/p\u003e\n\u003cp\u003eWritten across many years and different places, the LP documents a journey and the people Alpha Maid met while moving around, collating moments of the present. \u003cbr\u003eHer guitar remains a constant amongst an array of sonic influences throughout: from dub which honours her Jamaican heritage and the Windrush Generation, to the twinges of an emo love song in On Smoke. \u003c\/p\u003e\n\u003cp\u003eIs this a queue revels in the magic of that which we cannot see and coherently understand, and the narratives that have been shrunk down to fit. Remembering, continuing, forgetting, paying attention, building, navigating, contributing, time.\u003c\/p\u003e\n\u003cp\u003eAlpha Maid (aka Leisha Thomas) is a guitarist, vocalist, and producer from South London. Her debut EP Spy (2019) was released by the collective\/label CURL. She continues to collaborate in various forms with fellow members such as Coby Sey and Mica Levi. Alpha Maid's debut vinyl release CHUCKLE EP (2021) was released on the C.A.N.V.A.S. collective\/label, and garnered significant critical attention. In spring 2023 Alpha Maid teamed up with Mica Levi to self-release their joint EP spresso.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e6-9\u003cbr\u003e2 Numbers (ft. Leo Hermitt)\u003cbr\u003eGuarded\u003cbr\u003eCC\u003cbr\u003eGOAT Rosetta\u003cbr\u003eWHY WE HAVE TO MOVE (ft. Valentina Magaletti)\u003cbr\u003eOn Smoke\u003cbr\u003eStrut in Straddle\u003cbr\u003ePalimpsest (ft. Coby Sey, Ben Vince)\u003c\/p\u003e","brand":"AD93","offers":[{"title":"Default Title","offer_id":45399395696796,"sku":"WHYT97LP","price":27.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_12_791e6774-fefc-47bf-b63c-54e1dc55690b.jpg?v=1760027411"},{"product_id":"the-oh-hellos-dear-wormwood-ten-year-anniversary","title":"The Oh Hellos - Dear Wormwood (Ten Year Anniversary)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: NOCO32LPDLX\u003cbr\u003eBarcode: 0617308104530\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003estandard weight, black vinyl.\u003c\/p\u003e\n\u003cp\u003eTo celebrate the 10th anniversary of Dear Wormwood, The Oh Hellos present a newly remastered edition of their most beloved album-available everywhere digitally and as a limited edition deluxe vinyl. Remastered by longtime collaborator Charlie Kramsky, this release invites fans to experience the record in a new light, with enhanced clarity and depth that highlight the emotional and sonic richness of the original. The deluxe LP reimagines the album's iconic visual identity, featuring brand new artwork and a stunning pop-up gatefold jacket designed by Alan Hynes. A true collector's piece and a fresh chapter for a modern indie-folk classic, this anniversary edition honours Dear Wormwood's enduring impact while offering a fresh perspective for longtime listeners and new fans alike.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e1. Prelude\u003cbr\u003e2. Bitter Water\u003cbr\u003e3. There Beneath\u003cbr\u003e4. In The Blue Hours Of Morning\u003cbr\u003e5. Exeunt\u003cbr\u003e6. Caesar\u003cbr\u003e7. This Will End\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e8. Pale White Horse\u003cbr\u003e9. Where Is Your Rider\u003cbr\u003e10. Soldier, Poet, King\u003cbr\u003e11. Dear Wormwood\u003cbr\u003e12. Danse Macabre\u003cbr\u003e13. Thus Always To Tyrants\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/1HTjrjjmBPU?list=OLAK5uy_k_chX2TlWB1Xnhm5ca6papp0bZwIC_Sd0\" title=\"Prelude\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"No Coincidence Records","offers":[{"title":"Default Title","offer_id":45410382643356,"sku":"NOCO32LPDLX","price":39.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_11_b84f2d06-2966-4a54-bb86-e545c585dddd.jpg?v=1760297002"},{"product_id":"ahkatari-blood-act-i","title":"Ahkatari - Blood: Act I","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 50006\u003cbr\u003eBarcode: 4062548043273\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003e11 years after their debut album on The Jazz Diaries, Ahkatari have returned with ‘Blood: Act I’. This album is a clear evolution in their journey and yet a distinct departure from their debut. ‘Blood: Act I’ sees the Detroit duo double down on the grit and dive even deeper into the streets. Whitaker's beats are grainy, layered and dusty. His sample selection and ability to manipulate is as much a part of the storytelling as Ahk’s lyrics. Ahk’s vocals carry a real weight. He has impact. \u003c\/p\u003e\n\u003cp\u003eHe has remained the same character throughout both chapters of their history: The debut being set in Jamaica, and ‘Blood: Act I’ in the streets of Istanbul. His flow and flex have grown somewhat darker, and the album feels even more grimy and dubbed out than its predecessor. As they slide once again into the shadows, gone but not forgotten, one message is clear: Ahkatari will return. We just don’t know where or when.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1: London Theme 2\u003cbr\u003eA2: Goin' Through a Thang\u003cbr\u003eA3: The Cleaner\u003cbr\u003eA4: Istanbul Theme (Revenge)\u003cbr\u003eA5: Departure\u003cbr\u003eA6: Eastern Sunrise\u003cbr\u003eA7: Ayatollah\u003c\/p\u003e\n\u003cp\u003eB1: Garments\u003cbr\u003eB2: Tie Your Camel\u003cbr\u003eB3: Turkish Linx\u003cbr\u003eB4: Turkish Coffee\u003cbr\u003eB5: Salaam\u003cbr\u003eB6: Ottoman Outro\u003cbr\u003eB7: He Killed Don\u003c\/p\u003e","brand":"Fifty Records","offers":[{"title":"Default Title","offer_id":45412113776796,"sku":"50006","price":25.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_11_55d2a047-7922-444a-a3a5-791f90d64e1f.jpg?v=1760343202"},{"product_id":"fionn-regan-o-avalanche-lp","title":"Fionn Regan - O Avalanche [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FRM1LP\u003cbr\u003eBarcode: 5053760137757\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Indie Folk\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eISLANDS\u003cbr\u003eTEIX MOUNTAINS\u003cbr\u003eO AVALANCHE (Featuring Anna Friel)\u003cbr\u003eBLOOD IS THICKER THAN WINE\u003cbr\u003eANJA I\u003cbr\u003eANJA II\u003cbr\u003eFAREWELL\u003cbr\u003eINTO THE LIGHT OF THE SUN\u003cbr\u003eHEADPHONES\u003cbr\u003eSWIMMING THE LAKES \/ FLOWERS AND STONES\u003cbr\u003eDEIA SONG \/ LLUCALCARI \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFionn Regan’s 2024 album O Avalanche, available on vinyl for the first time.\u003c\/p\u003e\n\u003cp\u003e“I float sometimes when you’re around,” sings Irish singer-songwriter Fionn Regan on “Islands”, setting the weightlessly romantic tenor for his seventh album. Written in Spain, O Avalanche is an album of levitating intimacies, abstract and intuitive yet infused with a tangible sense of the elevating ties between environment and emotion. Between its sun-dappled backdrops and lambent arrangements, the result is a set of sublime songs and something more: it’s a record to float with, immersive, uplifting and transporting.\u003c\/p\u003e\n\u003cp\u003eHis first since 2019’s beautiful Cala, it’s also an album that is, in Fionn’s words, “very much on a level” – shimmering with poetic mystery and bolstered by a sustained feel for atmosphere and shape. As Fionn explains, “I see it sort of like a film that starts cinematically and develops in abstract ways. It moves in different sequences, backwards and forwards. And if you’re thinking about it in a visual way, there’s a quality about it where it’s always magic hour.”\u003c\/p\u003e\n\u003cp\u003eRippling like the sea, “Islands” sets that magic-hour mood, using images of the sun and moonlit dances on Spanish sand to set a dreamy scene. Buoyant and urgent, the song introduces the record’s world with a kind of classicist immediacy; it seems to arrive fully formed, as if the space it evokes is eternal. “When I wrote that song it was like there was something cosmic about it, because it doesn’t sound like my other songs,” says Fionn. “I felt like it was almost a gift from The Beatles or whatever wellspring they drew on. I remember being in Mallorca and thinking, ‘Were The Beatles ever here?’ Not that I’m saying it’s on their level but it has some sort of cosmic flow to it.”\u003c\/p\u003e\n\u003cp\u003eThat flow leads to Valencia for the luminous “Teix Mountain”, which evokes the off-piste mountain spirit of its title and the album as a whole. Its rarefied sense of romanticism also extends to the title track, where Fionn’s long-standing friend Anna Friel provides subtle, beautiful backing vocals for an almost hallucinatory hymn to companionship. Braided with haunting references to storms and “summer ghosts”, it’s a song lit with inner faith, breaking out in the declaration, “I believe there’s a light that brings good souls together.” “A lot of my writing has a kind of abstract-expressionistic way of falling together and assembling itself,” says Fionn, “but I also love it when something is simple and timeless – where it just bursts into something else.”\u003c\/p\u003e\n\u003cp\u003eGood souls duly unite beneath a stormy and star-lit sky in the gorgeous reverie of “Blood Is Thicker Than Wine”, a song bursting with impressionistic detail. “That song has an instant visual thing about it to me,” says Fionn, a description borne out by lyrics of such evocative power, you can picture the scene immediately: two lovers under the moon, laughing and lit by lightning. “Anja II” unspools with a similar scene-setting clarity, telling a story in increments – “Scene change\/Spotlights on” – and providing an epic shift for the record’s sure sense of structure. \u003c\/p\u003e\n\u003cp\u003eFrom here, O Avalanche moves from a sense of loved-up drift to a state of serene, unforced resolve. “Written in a dream,” says Fionn, “Farewell” is a tenderly up-tempo take on partings, sorrowed yet beautifully becalmed in its looping arrangement. “Into the Light of the Sun” has a feeling of resolution about it, unfurling “like a burst of energy,” says Fionn. “Headphones” is a near-hymnal beauty, Regan’s beatific vocals referencing fleeting moments half-remembered over mellifluous ripples of glinting guitar. The album’s rhyming motifs of oceans, sunlight, waves, tsunamis and names written on skin seem to coalesce here, like snapshots stored for reminiscence. Finally, closer “Deià Song\/Llucalcari” resembles a soft, supple awakening from a dream of summer, eyes wide open in readiness for new horizons.\u003c\/p\u003e\n\u003cp\u003e“I feel like the album has got quite a lot of bottled-summer energy running through it,” says Fionn. It took him two or three albums’ worth of material to find the songs that felt simpatico – the ones that “started to hang out together and fought their way to becoming the album”. Capturing the mood, Fionn wrote the record while staying in Majorca, a place he describes as his “true north”: “There’s a sense of an artistic energy there, where you step back a little from the main drag of bigger cities. You’re sat there in the mountains looking towards the cities, rather than the other way. There’s a kind of focus, a feeling that you’re tuned in to something.”\u003c\/p\u003e\n\u003cp\u003eRegan has fine-tuned a sensibility of his own since the acoustic poetry of his debut, 2006’s acclaimed The End of History. Since then, he has travelled between band-based detours and the gleaming likes of 2011’s 100 Acres of Sycamore, whose worry-worn beauty “Dogwood Blossom” drew new audiences when it found kindred spirits in two TV shows, romantic lockdown hit Normal People and Shane Meadows’s This Is England. Oscar-winning actor Cillian Murphy featured in the video for 2017’s “The Meetings of the Waters”, while elsewhere Regan has been nominated for Mercury, Choice, Meteor Ireland and Shortlist awards, sampled by Bon Iver, photographed by Annie Leibovitz for Vanity Fair and made an honorary member of the Trinity College Literary Society. “I feel really lucky in the sense that the music I make has its own climate or landscape,” says Fionn.\u003c\/p\u003e\n\u003cp\u003eCo-produced with Ian Grimble, O Avalanche steers Regan’s off-the-main-drag feel for climate and landscape towards another creative peak, forging a record to lose yourself in. “It’s like you’re looking into this world where there’s a depth of field, it’s summer, and you’re floating into and out of it,” he says of the album. “The songs can come together in the moment, so it’s not a conscious thing, but when I listen to the record it feels like there’s an eternal optimism about it – a kind of upward-feeling energy.” With the gentlest of touches, O Avalanche will sweep you off your feet.\u003c\/p\u003e","brand":"Fionn Regan Music","offers":[{"title":"Default Title","offer_id":45425392320668,"sku":"FRM1LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_d63982d5-9cfa-4e3d-8ebe-a92e7540ed7c.jpg?v=1760702792"},{"product_id":"fionn-regan-o-avalanche-colour-lp","title":"Fionn Regan - O Avalanche [Colour LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FRM1LPC\u003cbr\u003eBarcode: 5053760137764\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Indie Folk\u003c\/p\u003e\n\u003cp\u003eAvalanche white vinyl LP\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eISLANDS\u003cbr\u003eTEIX MOUNTAINS\u003cbr\u003eO AVALANCHE (Featuring Anna Friel)\u003cbr\u003eBLOOD IS THICKER THAN WINE\u003cbr\u003eANJA I\u003cbr\u003eANJA II\u003cbr\u003eFAREWELL\u003cbr\u003eINTO THE LIGHT OF THE SUN\u003cbr\u003eHEADPHONES\u003cbr\u003eSWIMMING THE LAKES \/ FLOWERS AND STONES\u003cbr\u003eDEIA SONG \/ LLUCALCARI \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFionn Regan’s 2024 album O Avalanche, available on vinyl for the first time.\u003c\/p\u003e\n\u003cp\u003e“I float sometimes when you’re around,” sings Irish singer-songwriter Fionn Regan on “Islands”, setting the weightlessly romantic tenor for his seventh album. Written in Spain, O Avalanche is an album of levitating intimacies, abstract and intuitive yet infused with a tangible sense of the elevating ties between environment and emotion. Between its sun-dappled backdrops and lambent arrangements, the result is a set of sublime songs and something more: it’s a record to float with, immersive, uplifting and transporting.\u003c\/p\u003e\n\u003cp\u003eHis first since 2019’s beautiful Cala, it’s also an album that is, in Fionn’s words, “very much on a level” – shimmering with poetic mystery and bolstered by a sustained feel for atmosphere and shape. As Fionn explains, “I see it sort of like a film that starts cinematically and develops in abstract ways. It moves in different sequences, backwards and forwards. And if you’re thinking about it in a visual way, there’s a quality about it where it’s always magic hour.”\u003c\/p\u003e\n\u003cp\u003eRippling like the sea, “Islands” sets that magic-hour mood, using images of the sun and moonlit dances on Spanish sand to set a dreamy scene. Buoyant and urgent, the song introduces the record’s world with a kind of classicist immediacy; it seems to arrive fully formed, as if the space it evokes is eternal. “When I wrote that song it was like there was something cosmic about it, because it doesn’t sound like my other songs,” says Fionn. “I felt like it was almost a gift from The Beatles or whatever wellspring they drew on. I remember being in Mallorca and thinking, ‘Were The Beatles ever here?’ Not that I’m saying it’s on their level but it has some sort of cosmic flow to it.”\u003c\/p\u003e\n\u003cp\u003eThat flow leads to Valencia for the luminous “Teix Mountain”, which evokes the off-piste mountain spirit of its title and the album as a whole. Its rarefied sense of romanticism also extends to the title track, where Fionn’s long-standing friend Anna Friel provides subtle, beautiful backing vocals for an almost hallucinatory hymn to companionship. Braided with haunting references to storms and “summer ghosts”, it’s a song lit with inner faith, breaking out in the declaration, “I believe there’s a light that brings good souls together.” “A lot of my writing has a kind of abstract-expressionistic way of falling together and assembling itself,” says Fionn, “but I also love it when something is simple and timeless – where it just bursts into something else.”\u003c\/p\u003e\n\u003cp\u003eGood souls duly unite beneath a stormy and star-lit sky in the gorgeous reverie of “Blood Is Thicker Than Wine”, a song bursting with impressionistic detail. “That song has an instant visual thing about it to me,” says Fionn, a description borne out by lyrics of such evocative power, you can picture the scene immediately: two lovers under the moon, laughing and lit by lightning. “Anja II” unspools with a similar scene-setting clarity, telling a story in increments – “Scene change\/Spotlights on” – and providing an epic shift for the record’s sure sense of structure. \u003c\/p\u003e\n\u003cp\u003eFrom here, O Avalanche moves from a sense of loved-up drift to a state of serene, unforced resolve. “Written in a dream,” says Fionn, “Farewell” is a tenderly up-tempo take on partings, sorrowed yet beautifully becalmed in its looping arrangement. “Into the Light of the Sun” has a feeling of resolution about it, unfurling “like a burst of energy,” says Fionn. “Headphones” is a near-hymnal beauty, Regan’s beatific vocals referencing fleeting moments half-remembered over mellifluous ripples of glinting guitar. The album’s rhyming motifs of oceans, sunlight, waves, tsunamis and names written on skin seem to coalesce here, like snapshots stored for reminiscence. Finally, closer “Deià Song\/Llucalcari” resembles a soft, supple awakening from a dream of summer, eyes wide open in readiness for new horizons.\u003c\/p\u003e\n\u003cp\u003e“I feel like the album has got quite a lot of bottled-summer energy running through it,” says Fionn. It took him two or three albums’ worth of material to find the songs that felt simpatico – the ones that “started to hang out together and fought their way to becoming the album”. Capturing the mood, Fionn wrote the record while staying in Majorca, a place he describes as his “true north”: “There’s a sense of an artistic energy there, where you step back a little from the main drag of bigger cities. You’re sat there in the mountains looking towards the cities, rather than the other way. There’s a kind of focus, a feeling that you’re tuned in to something.”\u003c\/p\u003e\n\u003cp\u003eRegan has fine-tuned a sensibility of his own since the acoustic poetry of his debut, 2006’s acclaimed The End of History. Since then, he has travelled between band-based detours and the gleaming likes of 2011’s 100 Acres of Sycamore, whose worry-worn beauty “Dogwood Blossom” drew new audiences when it found kindred spirits in two TV shows, romantic lockdown hit Normal People and Shane Meadows’s This Is England. Oscar-winning actor Cillian Murphy featured in the video for 2017’s “The Meetings of the Waters”, while elsewhere Regan has been nominated for Mercury, Choice, Meteor Ireland and Shortlist awards, sampled by Bon Iver, photographed by Annie Leibovitz for Vanity Fair and made an honorary member of the Trinity College Literary Society. “I feel really lucky in the sense that the music I make has its own climate or landscape,” says Fionn.\u003c\/p\u003e\n\u003cp\u003eCo-produced with Ian Grimble, O Avalanche steers Regan’s off-the-main-drag feel for climate and landscape towards another creative peak, forging a record to lose yourself in. “It’s like you’re looking into this world where there’s a depth of field, it’s summer, and you’re floating into and out of it,” he says of the album. “The songs can come together in the moment, so it’s not a conscious thing, but when I listen to the record it feels like there’s an eternal optimism about it – a kind of upward-feeling energy.” With the gentlest of touches, O Avalanche will sweep you off your feet.\u003c\/p\u003e","brand":"Fionn Regan Music","offers":[{"title":"Default Title","offer_id":45425392779420,"sku":"FRM1LPC","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_9b5f8386-7607-44c3-8ee1-8358d3a7ddb6.webp?v=1760702779"},{"product_id":"saint-leonard-the-golden-hour","title":"Saint Leonard - The Golden Hour","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FRR24\u003cbr\u003eBarcode: 5061091020006\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Coldwave\/Synth\u003c\/p\u003e\n\u003cp\u003e‘The Golden Hour’ release follows on from the previously released singles within the album ‘The Red Book’ co-composed by Brian Eno, ‘Wits End’ and a double single drop of ‘Martini Symphony’ \u0026amp; ‘Threshold’. Kieran (Saint Leonard) said of the album “I was trying to make music that sounded nothing like any music ever heard before. Which, of course, inevitably leads to the transect of the meridian with Bowie and Eno’s work in Berlin, because that is still fundamentally the benchmark when you come to new musical forms.” Wanting the album to have a “Berlin sound”, Kieran travelled to Germany just as lockdown hit in the UK. During a book reading with his friend in Berlin, novelist Rob Doyle, a chance encounter with Alex \u0026amp; Nathan (Fat Whites) saw the formulation of the band and team that were responsible for creating ‘The Golden Hour’. Kieran recalled ‘That night we went out to the various clubs in the area because Berlin had yet to lockdown and Alex and I had this momentous, slightly altered, three-and-a-half-hour conversation. Then Nathan leaned in, having not said a word all night, and said: ‘But tell me, do you believe in god?’” With god, or certainly fate, on our side, we reconvened two days later at the Gaswerksiedlung studios, overlooking a toxic waste dump where we wrote side one of The Golden Hour in one sitting.’ ‘The Golden Hour’ is a record that pulls you deep into its own fractured state of mind, through the two sides of Low-via-the Labyrinth soundtrack phantasmagoria of Wit’s End, into the zombie Adam Ant nightmare of Bells \u0026amp; Ecstasy and out the other end of closer Marlon Brando’s nihilistic synth pop grandeur. Yet for all the intensity of these fever dreams, there are frequent chinks of light in the darkness and knowing smiles peering from the doorway. After supporting The Libertines on a sold out tour in Germany in February across the 4 cities of Berlin, Wiesbaden, Munich \u0026amp; Cologne, Saint Leonard played two headline shows in London + Margate. ‘The Golden Hour’ looks set to propel Saint Leonard into the next\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eSide A\u003cbr\u003e1. Threshold \u003cbr\u003e2. Always Night \u003cbr\u003e3. Feel To Feel \u003cbr\u003e4. Wit's End \u003cbr\u003e5. The Florist \u003cbr\u003e6. Tell Me The Truth\u003cbr\u003eSide B\u003cbr\u003e7. Bells \u0026amp; Ecstasy \u003cbr\u003e8. Martini Symphony\u003cbr\u003e9. Life Drawing\u003cbr\u003e10. God Give Me Strength\u003cbr\u003e11. The Red Book \u003cbr\u003e12. Red Drink with White I Once Drank a Blue Drink for a Blue Eyed Girl\u003cbr\u003e13. Napoleon's Oracle \u003cbr\u003e14. Marlon Brando\u003cbr\u003e\u003c\/p\u003e","brand":"First Run Records","offers":[{"title":"Default Title","offer_id":45425441177756,"sku":"FRR24","price":29.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_682f4e58-cb3e-43d8-9d4c-1f1e6b347286.jpg?v=1760703745"},{"product_id":"white-magic-for-lovers-the-book-of-lies-orange-viny","title":"White Magic For Lovers - The Book Of Lies [Orange vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: CO15X\u003cbr\u003eBarcode: 5053760138020\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Alternative Pop\u003c\/p\u003e\n\u003cp\u003eFormed in 2024, Brighton-based duo White Magic for Lovers (Anglo-American couple Alfie \u0026amp; Thomas White) released their debut album ‘The Book of Lies’ on Valentine’s Day 2025 via the band’s own Chord Orchard imprint.\u003c\/p\u003e\n\u003cp\u003eWeaving together disparate influences from across the decades (Judee Sill, Broadcast, Mary Lou Williams…) the LP followed three singles, the group supporting the release with live shows alongside C Duncan, The Waeve and Sea Power.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eAxelrod\u003cbr\u003eIf...\u003cbr\u003eA Riddle without a Clue\u003cbr\u003eCount the Rings\u003cbr\u003eThe Edge of Nowhere \u003cbr\u003eSuppose \u003cbr\u003eThe Boy from the Bookshop\u003cbr\u003eThe Book of Lies \u003cbr\u003eWhen the Sky Darkens Down \u003cbr\u003eYour Time Hasn't Come Yet, Baby\u003cbr\u003eIllusion\u003cbr\u003e\u003c\/p\u003e","brand":"Chord Orchard","offers":[{"title":"Default Title","offer_id":45425476075676,"sku":"CO15X","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_c19085e6-cdc7-4374-a625-9a9d4f2ff45c.jpg?v=1760704512"},{"product_id":"horse-lords-arnold-dreyblatt-frkwys-vol-18-extended-field","title":"Horse Lords \u0026 Arnold Dreyblatt - FRKWYS Vol. 18: Extended Field","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FRKWYS18LP\u003cbr\u003eBarcode: 0747742387463\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Alt Rock\u003c\/p\u003e\n\u003cp\u003estandard weight, black vinyl.\u003c\/p\u003e\n\u003cp\u003eExtended Field unites Horse Lords and Arnold Dreyblatt for the eighteenth volume of FRKWYS, an intergenerational collaboration of adventurous musicians drawn to the sonically radiant world of just intonation—an ancient tuning system in which scale intervals are derived from whole-number ratios. Dreyblatt first immersed himself in this approach in New York during the 1970s, while Horse Lords began exploring and applying its possibilities nearly four decades later. Together, they create a vibrant harmonic environment, fueled by a shared devotion to rhythm, achieving a marriage of discreet but related aesthetics for the ages. Dreyblatt is a pioneer of psychoacoustic phenomenon, serving as an assistant to La Monte Young between 1975 and 1977 before studying with the legendary Alvin Lucier at Wesleyan University. He discovered the sonic power of excited strings, retrofitting a double bass with piano wires and striking with a rapid thrum to produce enveloping clouds of metallic overtones. \u003c\/p\u003e\n\u003cp\u003eDreyblatt’s 1982 album Nodal Excitation laid out a sonic blueprint that resides at the heart of his pulsating music today. He eventually moved to Berlin, and has led various ensembles over the years that have amplified and interpreted the compositional scaffolding he built around his ringing tones. In contrast to Dreyblatt’s hyper-focused practice, Horse Lords have built an ecstatic, hybrid sound all their own; hard-driving rhythmic sprawls support a collision of traditional ritual music, free jazz, and spectrally brilliant electronic showers of psychoacoustic sound. After cementing a devoted following with their 2020 album The Common Task, most of the band relocated to Germany in 2021, with guitarist Owen Gardner and bassist Max Eilbacher settling in Berlin, and saxophonist Andrew Bernstein a few hours away in Bavaria. Drummer Sam Haberman remained in Baltimore, although he reconvenes with the band for album recordings, including the 2023 album Comradely Objects, and extended tours Unbeknownst to one another the two parties shared a mutual interest in one another’s music. \u003c\/p\u003e\n\u003cp\u003eIn early 2017 Dreyblatt’s long-time colleague and friend Werner Durand suggested he check out the band. He recalls, “After listening, I quickly replied: ‘Sounds great! A little like my music. I’ve never heard of them!’ I sent a message through their Bandcamp page, and they responded: ‘Hello! Thanks for the note, we’re big fans of your music!’ But it wasn’t until Dreyblatt caught the band in Berlin in October of 2021 that they finally crossed paths. Days later Bernstein proposed a collaboration. This process would unfold slowly but surely; both parties were exceedingly busy, and when the musicians eventually assembled, they had different harmonic conceptions to reconcile and needed someone in the room to fill Haberman’s percussive role. Dreyblatt suggested Andrea Belfi, a venerable Italian drummer and composer based in Berlin.\u003c\/p\u003e\n\u003cp\u003eIn the composing sessions that followed, Horse Lords and Dreyblatt learned the finer points of one another’s harmonic preferences and found ways to fuse them in a single unified sound. “Andrew and Owen proposed structures for navigating my tonal systems,” explains Dreyblatt, “while Max developed weighted algorithmic frequency patterns in SuperCollider.” Many denizens of the tuning universe hold stubbornly strong convictions about what’s right and what’s wrong, so the patience and openness from both parties is quite unusual, with the partnership bringing out fascinating accents and alterations.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Advance\u003cbr\u003eA2. Extended Field\u003cbr\u003eB1. Suspension\u003cbr\u003eB2. Impulse Array\u003cbr\u003e\u003c\/p\u003e","brand":"RVNG INTL","offers":[{"title":"Default Title","offer_id":45425638375580,"sku":"FRKWYS18LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_f337d73f-2c3b-48c4-b5c8-f1343946cdd4.jpg?v=1760708274"},{"product_id":"devin-daniels-grandiose-2lp","title":"Devin Daniels - Grandiose [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: VLG11LP\u003cbr\u003eBarcode: 4062548123180\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003estandard weight, double black LP.\u003c\/p\u003e\n\u003cp\u003eWe are proud to announce Devin Daniel's sophomore release with The Village, Grandiose, available on all platforms 10\/24. A modern jazz-epic composed entirely of original tunes composed by Devin, and performed by quartet of young west coast all-stars: Logan Kane on bass, Myles Martin on drums, and Javier Santiago on keys. Logan was present on Devin's first excursion with The Village, Trio Expeditions. Myles is a frequent collaborator and a staple in premiere LA rhythm sections. Javier and Devin met while attending the Herbie Hancock Institute at UCLA. Right after graduating from the institute, Devin toured with Herbie Hancock and found himself to be the youngest player on legendary stages including the Hollywood Bowl and Walt Disney Hall. Together, the quartet explores grooves, odd-time signatures, post-bop blues, and synthy ambient textures, all pushing each other's boundaries with a sense of freedom and urgency. The first single, “Particle,” features a Miguel Atwood-Ferguson arrangement, performed by a string-quartet, adding a unique chamber influence. The album's second single, “Nightmare Kitten,” contrasts to a Ta brooding melody with dissonant chords over a slow, deliberate groove. Other highlights include the electric energy of “Blink,” the breezy pocket in “Contrivance,” and extended meditations in “Mind 1” and “Mind 2.” Here is the quintessential young Devin Daniels record, tight yet grand in scale, his unique talents on full display from start to finish.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eSide A:\u003cbr\u003e1. Particle\u003cbr\u003e2. Mind 1\u003c\/p\u003e\n\u003cp\u003eSide B:\u003cbr\u003e3. Blink\u003cbr\u003e4. Figment\u003cbr\u003e5. Dios\u003c\/p\u003e\n\u003cp\u003eSide C:\u003cbr\u003e6. NIghtmare Kitten\u003cbr\u003e7. Contrivance\u003cbr\u003e8. Mind 2\u003c\/p\u003e\n\u003cp\u003eSide D:\u003cbr\u003e9. Gravity\u003cbr\u003e10. 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Having worked together on other projects for almost two decades, Miss America, released by We Jazz Records on 21st November, marks their first, pure duo collaboration – a space to engage with a sonic language they’ve been cultivating together for years.\u003c\/p\u003e\n\u003cp\u003eThe album was recorded live, with Qasim crafting real-time electronics and drum set work, and Steph using trumpets and resonating percussion to summon sympathetic vibrations and otherworldly sounds through timpani, snare and water. The trumpet sounds electronically processed, though every sound is acoustic. Both artists wanted to retain the live nature of their process, so what you hear is virtually untouched.\u003c\/p\u003e\n\u003cp\u003eSharing an appetite for experimentalism, theatricality and irreverent collisions of sound and image, Qasim and Steph met in 2008 at CalArts- which was a breeding ground for open creative thought and cross disciplinary collaboration. Often working with directors in the theater program, choreographers, or experimental and character animators, Steph and Qasim’s musical language has a rooting in visual performance art. From their first premiere, costumed together inside a giant two-person dress sculpture that consumed a drum set, to their most recent 2025 audio visual nightmare which explores the horrors of 80s daytime reality talk shows, this duo presents a voice the grimy and the grotesque: a new beauty of questionable acts and character flaws in sound.\u003c\/p\u003e","brand":"We Jazz Records","offers":[{"title":"Default Title","offer_id":45425659379868,"sku":"WJLP84","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_f4f3670a-eeff-4935-829d-843711dcf445.webp?v=1760709337"},{"product_id":"black-jesus-experience-time-telling","title":"Black Jesus eXperience - Time Telling","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: AR179LP\u003cbr\u003eBarcode: 4062548126099\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Ethio-jazz\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Earth To Earth\u003cbr\u003eA2. Lullaby For A Homeless Child\u003cbr\u003eA3. Mansimosa\u003cbr\u003eA4. Stipa\u003cbr\u003eB1.Your Heart Is My Refugee\u003cbr\u003eB2. People Broken People\u003cbr\u003eB3. Bobby‘s Prelude\u003cbr\u003eB4. Alemtsahaye\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGrooving, evocative, richly diverse, and truth seeking. 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Spooky (2:12)\u003cbr\u003e2. Disorder (1:01)\u003cbr\u003e3. Skaters (Short Version) (0:46)\u003cbr\u003e4. The Lake 1 (0:55)\u003cbr\u003e5. The Lake 2 (0:33)\u003cbr\u003e6. The World In Reverse (1:08)\u003cbr\u003e7. Afterwards (1:08)\u003cbr\u003e8. Order (1:10)\u003cbr\u003e9. Twins (1:15)\u003cbr\u003e10. Skaters (3:38)\u003cbr\u003e11. Return (1:35)\u003cbr\u003e12. Emptiness (0:47)\u003cbr\u003e13. These Days (3:36)\u003cbr\u003e14. Jetlag (3:43)\u003cbr\u003e15. Paris Bleu (4:21)\u003cbr\u003e16. These Days (Berlin Version) (3:32)\u003c\/p\u003e\n\u003cp\u003eJim Jarmusch and Anika first crossed paths at the Sacred Bones 15th Anniversary celebration in 2022, where both Anika and SQÜRL performed. Jim was immediately struck by Anika’s performance, while Anika admired Jim as a mentor who had stayed true to his unique vision throughout his career. This mutual respect led to a creative collaboration, which culminated in the haunting soundtrack for Jarmusch’s film Father Mother Sister Brother.\u003c\/p\u003e\n\u003cp\u003eJim first invited Anika to record a cover of Jackson Browne’s “These Days,” inspired by Nico’s iconic version. This fully arranged track, prepared by Anika and featuring the Kaleidoskop string quartet, was recorded in Berlin and appears as a bonus track on the album as “These Days (Berlin Version).” Jim later mixed a more minimal version of the song, adding several electric guitar tracks. While in Berlin, Jim revealed to Anika that the only preexisting track in the film would be Dusty Springfield’s “Spooky.” Anika, who had performed a live version, suggested they cover it. The stripped-back version they created featuring just vocals, upright bass, finger snaps, and a distorted organ riff was chosen to open the film’s credits.\u003c\/p\u003e\n\u003cp\u003eBeyond these covers, much of the film’s score was born out of improvisation. Jim and Anika spent hours improvising together, leading to a second round of recordings in Berlin, where Anika played Wurlitzer and electric guitar and Jim contributed affected electric guitars. Upon returning to New York, Jim shaped these recordings into the short, evocative instrumental pieces that became the film’s score. The very final touches were completed during a residency Jim and Anika spent together in Paris via the Pompidou Center.\u003c\/p\u003e\n\u003cp\u003eThe music for Father Mother Sister Brother is an experimental, collaborative soundscape, not meant to center around or define a single character. 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This fully arranged track, prepared by Anika and featuring the Kaleidoskop string quartet, was recorded in Berlin and appears as a bonus track on the album as “These Days (Berlin Version).” Jim later mixed a more minimal version of the song, adding several electric guitar tracks. While in Berlin, Jim revealed to Anika that the only preexisting track in the film would be Dusty Springfield’s “Spooky.” Anika, who had performed a live version, suggested they cover it. The stripped-back version they created featuring just vocals, upright bass, finger snaps, and a distorted organ riff was chosen to open the film’s credits.\u003c\/p\u003e\n\u003cp\u003eBeyond these covers, much of the film’s score was born out of improvisation. Jim and Anika spent hours improvising together, leading to a second round of recordings in Berlin, where Anika played Wurlitzer and electric guitar and Jim contributed affected electric guitars. Upon returning to New York, Jim shaped these recordings into the short, evocative instrumental pieces that became the film’s score. The very final touches were completed during a residency Jim and Anika spent together in Paris via the Pompidou Center.\u003c\/p\u003e\n\u003cp\u003eThe music for Father Mother Sister Brother is an experimental, collaborative soundscape, not meant to center around or define a single character. Instead, it’s atmospheric, like the air invisibly surrounding the characters.\u003c\/p\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":45425753882780,"sku":"SBR370LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_538085ad-5b84-4c57-9596-5968faa6e9ae.jpg?v=1760710558"},{"product_id":"jim-jarmusch-anika-father-mother-sister-brother-original-music-from-the-film-cd","title":"Jim Jarmusch \u0026 Anika - Father Mother Sister Brother (Original Music from the Film) [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SBR370CD \u003cbr\u003eBarcode: 843563186343\u003cbr\u003eRelease Date: 21 Nov 2025\u003cbr\u003eGenre: Soundtrack\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Spooky (2:12)\u003cbr\u003e2. Disorder (1:01)\u003cbr\u003e3. Skaters (Short Version) (0:46)\u003cbr\u003e4. The Lake 1 (0:55)\u003cbr\u003e5. The Lake 2 (0:33)\u003cbr\u003e6. The World In Reverse (1:08)\u003cbr\u003e7. Afterwards (1:08)\u003cbr\u003e8. Order (1:10)\u003cbr\u003e9. Twins (1:15)\u003cbr\u003e10. Skaters (3:38)\u003cbr\u003e11. Return (1:35)\u003cbr\u003e12. Emptiness (0:47)\u003cbr\u003e13. These Days (3:36)\u003cbr\u003e14. Jetlag (3:43)\u003cbr\u003e15. Paris Bleu (4:21)\u003cbr\u003e16. These Days (Berlin Version) (3:32)\u003c\/p\u003e\n\u003cp\u003eJim Jarmusch and Anika first crossed paths at the Sacred Bones 15th Anniversary celebration in 2022, where both Anika and SQÜRL performed. Jim was immediately struck by Anika’s performance, while Anika admired Jim as a mentor who had stayed true to his unique vision throughout his career. This mutual respect led to a creative collaboration, which culminated in the haunting soundtrack for Jarmusch’s film Father Mother Sister Brother.\u003c\/p\u003e\n\u003cp\u003eJim first invited Anika to record a cover of Jackson Browne’s “These Days,” inspired by Nico’s iconic version. This fully arranged track, prepared by Anika and featuring the Kaleidoskop string quartet, was recorded in Berlin and appears as a bonus track on the album as “These Days (Berlin Version).” Jim later mixed a more minimal version of the song, adding several electric guitar tracks. While in Berlin, Jim revealed to Anika that the only preexisting track in the film would be Dusty Springfield’s “Spooky.” Anika, who had performed a live version, suggested they cover it. The stripped-back version they created featuring just vocals, upright bass, finger snaps, and a distorted organ riff was chosen to open the film’s credits.\u003c\/p\u003e\n\u003cp\u003eBeyond these covers, much of the film’s score was born out of improvisation. Jim and Anika spent hours improvising together, leading to a second round of recordings in Berlin, where Anika played Wurlitzer and electric guitar and Jim contributed affected electric guitars. Upon returning to New York, Jim shaped these recordings into the short, evocative instrumental pieces that became the film’s score. The very final touches were completed during a residency Jim and Anika spent together in Paris via the Pompidou Center.\u003c\/p\u003e\n\u003cp\u003eThe music for Father Mother Sister Brother is an experimental, collaborative soundscape, not meant to center around or define a single character. Instead, it’s atmospheric, like the air invisibly surrounding the characters.\u003c\/p\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":45425753948316,"sku":"SBR370CD","price":12.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_9cb1a190-b0ab-493c-bef4-41aa466300bf.jpg?v=1760710540"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/republic-of-music-21-11-25.oembed","provider":"Horizons Music","version":"1.0","type":"link"}