{"title":"Republic of Music 18.09.26","description":null,"products":[{"product_id":"commodo-deep-harbour","title":"Commodo - Deep Harbour","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: ACRE100\u003cbr\u003eBarcode: 5056321696489\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Dance\/ Electronic\u003c\/p\u003e\n\u003cp\u003eOne of the dubstep scene's unsung heroes, Commodo teams up with jazz innovator Alfa Mist on Deep Harbour, a collaboration that bridges their two worlds, coming out on Black Acre and marking an amazing 100 releases on the label.\u003c\/p\u003e\n\u003cp\u003eThe record explores different yet distinct creative directions: a melodic reimagining of late-2000s dubstep shaped heavily by electric piano, and a darker, more abstract interpretation of jazz-influenced half-step. The EP also includes two reimaginings from Anz; her ‘Safe Place Mix’ offering a more subtle, reflective take, while the ‘Defensive Mix’ delivers a rougher, club-focused approach.\u003c\/p\u003e\n\u003cp\u003e“I’ve admired Alfa Mist’s work for some time and wanted to explore a couple of avenues using keyboards,” says Commodo. “One was a more melodic expansion on the late-2000s dubstep sound, the other was a much darker, dissonant take on a jazz-flavoured half-step.” On the remixes, he adds: “Anz is a real producer’s producer with a broad range, and felt like the perfect remixer for this project.”\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003eA1 Commodo Feat Alfa Mist \"\"Deep Harbour\"\"\u003cbr\u003eA2 Commodo Feat Alfa Mist \"\"Deep Harbour\"\" (Misty Bay Remix)\u003cbr\u003eB1 Commodo Feat Alfa Mist \"\"Deep Harbour\"\" (Anz Safe Place Mix)\u003cbr\u003eB2 Commodo Feat Alfa Mist \"\"Deep Harbour\"\"  (Anz Defensive Mix)\u003cbr\u003e\u003c\/p\u003e","brand":"BLACK ACRE","offers":[{"title":"Default Title","offer_id":46221791690908,"sku":"ACRE100","price":16.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DeepHarbour_SleeveCover_vinylmock-up_1_1_65acdf42-f4da-4755-b9cf-19c0bff05938.jpg?v=1771414146"},{"product_id":"eyre-llew-bloom-cd","title":"EYRE LLEW - Bloom [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: PMGELCD\u003cbr\u003eBarcode: 5060853706820\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Alternative\/Rock\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Bloom\u003cbr\u003e2. Aetos\u003cbr\u003e3. Oban\u003cbr\u003e4. Fireworks\u003cbr\u003e5. Ebanon\u003cbr\u003e6. Everywhere\u003cbr\u003e7. Nova\u003cbr\u003e8. Semper Fi\u003cbr\u003e9. Miningsby\u003cbr\u003e10. Rainbow Bridge\u003cbr\u003e11. Sunblind\u003c\/p\u003e\n\u003cp\u003eFor years, EYRE LLEW were defined by motion.\u003c\/p\u003e\n\u003cp\u003eCities blurred into one another. Borders became routine. Airports, night drives, ferry ports, backstage rooms, festival fields, hotel corridors, and long-distance journeys stitched together into a single continuous life of movement. Success, such as it existed, was measured in miles travelled, crowds gathered, and momentum sustained. The band moved because they had to. Because stopping felt like failure. Because “making it” always seemed to live somewhere just ahead.\u003c\/p\u003e\n\u003cp\u003eThen the world stopped.\u003c\/p\u003e\n\u003cp\u003eLockdown didn’t just interrupt EYRE LLEW’s trajectory; it dismantled it. The relentless forward motion that had shaped their identity for over a decade disappeared overnight. Tours vanished. Plans dissolved. The infrastructure of their lives as musicians collapsed into silence. For a band built on movement, it felt devastating.\u003c\/p\u003e\n\u003cp\u003eBut in the stillness, something else emerged. Space.\u003c\/p\u003e\n\u003cp\u003eSpace to rest.\u003cbr\u003eSpace to reflect.\u003cbr\u003eSpace to recover.\u003cbr\u003eSpace to feel.\u003cbr\u003eSpace to choose differently.\u003c\/p\u003e\n\u003cp\u003eWhat followed wasn’t a dramatic reinvention or a forced comeback narrative — it was a quieter, more human recalibration. A shift away from survival and towards sustainability. Away from proving something, towards building something. Away from chasing momentum, towards choosing meaning.\u003c\/p\u003e\n\u003cp\u003eThat shift became Bloom.\u003c\/p\u003e\n\u003cp\u003eWritten across lockdown and the years that followed, the album is not a record about absence; it’s a record about presence. About love that feels like home. About stillness as strength. About devotion without spectacle. About grief without melodrama. About healing without performative optimism. About growth that doesn’t announce itself loudly, but happens slowly, privately, and honestly.\u003c\/p\u003e\n\u003cp\u003eWhere previous chapters of the band’s story were defined by scale and endurance, Bloom is defined by intimacy and grounding. Its songs are built from small moments rather than big statements: moving cities for love, watching fireworks through a skylight, cycling into blinding sunlight, holding someone through anxiety, losing family dogs, sitting in quiet rooms, imagining futures that feel peaceful rather than impressive.\u003c\/p\u003e\n\u003cp\u003eIt’s an album about choosing to stay. Not just in relationships, but in places, in moments, in emotions, in identity.\u003c\/p\u003e\n\u003cp\u003eSonically, that shift is audible. The music still carries the vastness EYRE LLEW are known for… the cinematic builds, the post-rock weight, the ambient expanses… but it now lives alongside fragility, restraint, silence, and softness. The band no longer sound like they’re trying to overwhelm the listener. They sound like they’re trying to meet them.\u003c\/p\u003e\n\u003cp\u003eBloom isn’t a comeback record.\u003cbr\u003eIt isn’t a reinvention.\u003cbr\u003eIt isn’t a redemption arc.\u003cbr\u003eIt’s a grounding.\u003c\/p\u003e\n\u003cp\u003eAfter years of movement, it is EYRE LLEW learning how to stand still and discovering that this is where the real growth starts.\u003c\/p\u003e","brand":"Penance Music Group","offers":[{"title":"Default Title","offer_id":46787799187612,"sku":"PMGELCD","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_f31a1994-7569-448f-af9b-eba452aaeeee.jpg?v=1777549720"},{"product_id":"eyre-llew-bloom-cloudburst-vinyl","title":"EYRE LLEW - Bloom [Cloudburst vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PMGELLPCB\u003cbr\u003eBarcode: 5060853706851 \u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Alternative\/Rock\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Bloom\u003cbr\u003e2. Aetos\u003cbr\u003e3. Oban\u003cbr\u003e4. Fireworks\u003cbr\u003e5. Ebanon\u003cbr\u003e6. Everywhere\u003cbr\u003e7. Nova\u003cbr\u003e8. Semper Fi\u003cbr\u003e9. Miningsby\u003cbr\u003e10. Rainbow Bridge\u003cbr\u003e11. Sunblind\u003c\/p\u003e\n\u003cp\u003eFor years, EYRE LLEW were defined by motion.\u003c\/p\u003e\n\u003cp\u003eCities blurred into one another. Borders became routine. Airports, night drives, ferry ports, backstage rooms, festival fields, hotel corridors, and long-distance journeys stitched together into a single continuous life of movement. Success, such as it existed, was measured in miles travelled, crowds gathered, and momentum sustained. The band moved because they had to. Because stopping felt like failure. Because “making it” always seemed to live somewhere just ahead.\u003c\/p\u003e\n\u003cp\u003eThen the world stopped.\u003c\/p\u003e\n\u003cp\u003eLockdown didn’t just interrupt EYRE LLEW’s trajectory; it dismantled it. The relentless forward motion that had shaped their identity for over a decade disappeared overnight. Tours vanished. Plans dissolved. The infrastructure of their lives as musicians collapsed into silence. For a band built on movement, it felt devastating.\u003c\/p\u003e\n\u003cp\u003eBut in the stillness, something else emerged. Space.\u003c\/p\u003e\n\u003cp\u003eSpace to rest.\u003cbr\u003eSpace to reflect.\u003cbr\u003eSpace to recover.\u003cbr\u003eSpace to feel.\u003cbr\u003eSpace to choose differently.\u003c\/p\u003e\n\u003cp\u003eWhat followed wasn’t a dramatic reinvention or a forced comeback narrative — it was a quieter, more human recalibration. A shift away from survival and towards sustainability. Away from proving something, towards building something. Away from chasing momentum, towards choosing meaning.\u003c\/p\u003e\n\u003cp\u003eThat shift became Bloom.\u003c\/p\u003e\n\u003cp\u003eWritten across lockdown and the years that followed, the album is not a record about absence; it’s a record about presence. About love that feels like home. About stillness as strength. About devotion without spectacle. About grief without melodrama. About healing without performative optimism. About growth that doesn’t announce itself loudly, but happens slowly, privately, and honestly.\u003c\/p\u003e\n\u003cp\u003eWhere previous chapters of the band’s story were defined by scale and endurance, Bloom is defined by intimacy and grounding. Its songs are built from small moments rather than big statements: moving cities for love, watching fireworks through a skylight, cycling into blinding sunlight, holding someone through anxiety, losing family dogs, sitting in quiet rooms, imagining futures that feel peaceful rather than impressive.\u003c\/p\u003e\n\u003cp\u003eIt’s an album about choosing to stay. Not just in relationships, but in places, in moments, in emotions, in identity.\u003c\/p\u003e\n\u003cp\u003eSonically, that shift is audible. The music still carries the vastness EYRE LLEW are known for… the cinematic builds, the post-rock weight, the ambient expanses… but it now lives alongside fragility, restraint, silence, and softness. The band no longer sound like they’re trying to overwhelm the listener. They sound like they’re trying to meet them.\u003c\/p\u003e\n\u003cp\u003eBloom isn’t a comeback record.\u003cbr\u003eIt isn’t a reinvention.\u003cbr\u003eIt isn’t a redemption arc.\u003cbr\u003eIt’s a grounding.\u003c\/p\u003e\n\u003cp\u003eAfter years of movement, it is EYRE LLEW learning how to stand still and discovering that this is where the real growth starts.\u003c\/p\u003e","brand":"Penance Music Group","offers":[{"title":"Default Title","offer_id":46787800301724,"sku":"PMGELLPCB","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/col_2003c132-3777-4469-b754-5bcfe818b369.jpg?v=1777549719"},{"product_id":"eyre-llew-bloom-firework-vinyl","title":"EYRE LLEW - Bloom [Firework vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PMGELLPFB\u003cbr\u003eBarcode: 5060853706813 \u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Alternative\/Rock\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Bloom\u003cbr\u003e2. Aetos\u003cbr\u003e3. Oban\u003cbr\u003e4. Fireworks\u003cbr\u003e5. Ebanon\u003cbr\u003e6. Everywhere\u003cbr\u003e7. Nova\u003cbr\u003e8. Semper Fi\u003cbr\u003e9. Miningsby\u003cbr\u003e10. Rainbow Bridge\u003cbr\u003e11. Sunblind\u003c\/p\u003e\n\u003cp\u003eFor years, EYRE LLEW were defined by motion.\u003c\/p\u003e\n\u003cp\u003eCities blurred into one another. Borders became routine. Airports, night drives, ferry ports, backstage rooms, festival fields, hotel corridors, and long-distance journeys stitched together into a single continuous life of movement. Success, such as it existed, was measured in miles travelled, crowds gathered, and momentum sustained. The band moved because they had to. Because stopping felt like failure. Because “making it” always seemed to live somewhere just ahead.\u003c\/p\u003e\n\u003cp\u003eThen the world stopped.\u003c\/p\u003e\n\u003cp\u003eLockdown didn’t just interrupt EYRE LLEW’s trajectory; it dismantled it. The relentless forward motion that had shaped their identity for over a decade disappeared overnight. Tours vanished. Plans dissolved. The infrastructure of their lives as musicians collapsed into silence. For a band built on movement, it felt devastating.\u003c\/p\u003e\n\u003cp\u003eBut in the stillness, something else emerged. Space.\u003c\/p\u003e\n\u003cp\u003eSpace to rest.\u003cbr\u003eSpace to reflect.\u003cbr\u003eSpace to recover.\u003cbr\u003eSpace to feel.\u003cbr\u003eSpace to choose differently.\u003c\/p\u003e\n\u003cp\u003eWhat followed wasn’t a dramatic reinvention or a forced comeback narrative — it was a quieter, more human recalibration. A shift away from survival and towards sustainability. Away from proving something, towards building something. Away from chasing momentum, towards choosing meaning.\u003c\/p\u003e\n\u003cp\u003eThat shift became Bloom.\u003c\/p\u003e\n\u003cp\u003eWritten across lockdown and the years that followed, the album is not a record about absence; it’s a record about presence. About love that feels like home. About stillness as strength. About devotion without spectacle. About grief without melodrama. About healing without performative optimism. About growth that doesn’t announce itself loudly, but happens slowly, privately, and honestly.\u003c\/p\u003e\n\u003cp\u003eWhere previous chapters of the band’s story were defined by scale and endurance, Bloom is defined by intimacy and grounding. Its songs are built from small moments rather than big statements: moving cities for love, watching fireworks through a skylight, cycling into blinding sunlight, holding someone through anxiety, losing family dogs, sitting in quiet rooms, imagining futures that feel peaceful rather than impressive.\u003c\/p\u003e\n\u003cp\u003eIt’s an album about choosing to stay. Not just in relationships, but in places, in moments, in emotions, in identity.\u003c\/p\u003e\n\u003cp\u003eSonically, that shift is audible. The music still carries the vastness EYRE LLEW are known for… the cinematic builds, the post-rock weight, the ambient expanses… but it now lives alongside fragility, restraint, silence, and softness. The band no longer sound like they’re trying to overwhelm the listener. They sound like they’re trying to meet them.\u003c\/p\u003e\n\u003cp\u003eBloom isn’t a comeback record.\u003cbr\u003eIt isn’t a reinvention.\u003cbr\u003eIt isn’t a redemption arc.\u003cbr\u003eIt’s a grounding.\u003c\/p\u003e\n\u003cp\u003eAfter years of movement, it is EYRE LLEW learning how to stand still and discovering that this is where the real growth starts.\u003c\/p\u003e","brand":"Penance Music Group","offers":[{"title":"Default Title","offer_id":46787800498332,"sku":"PMGELLPFB","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/sp_07166b3c-0614-4b1e-afe6-213d68294443.jpg?v=1777549715"},{"product_id":"son-lux-out-into-lp","title":"Son Lux - Out Into [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SLANG50605LP\u003cbr\u003eBarcode: 4250506853051\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Indie-Rock, Indie-Pop\u003c\/p\u003e\n\u003cp\u003eBlack vinyl, Single Cover Sleeve, Printed Inner Sleeve\u003c\/p\u003e\n\u003cp\u003eBased in the US, active since 2013. Trio composed of Ryan Lott, Ian Chang and Rafiq Bhatia. Rooted incuriosity and searching for equilibrium of raw emotional intimacy and meticulous electronic constructions, we can say if needed, that Son Lux qualifies under the experimental rock, post-rock, and electronic rock genres.\u003c\/p\u003e\n\u003cp\u003eThey experience their first break with the title “Easy” incl. alt versions by Woodkid (2013) and Lorde (2014).\u003c\/p\u003e\n\u003cp\u003eNominated for Best Original Score with Everything Everywhere All at Once (2022-Daniel Kwan) by The Academy Award® and BAFTA. Son Lux performed at the Oscars for their Best Song nomination along w\/ David Byrne and Stephanie Hsu. More scores: Thunderbolts (Marvel)\u003c\/p\u003e\n\u003cp\u003eIn 2026, Son Lux collaborated with Poppy and Harmony Korine on a new song and video for Bungie Studio’s Marathon (video game)\u003cbr\u003eMultiple synchs incl. The Vow (HBO), Skins (UK) (E4), Baby (Netflix), Good Girls (NBC), American Horror Story (FX)...\u003c\/p\u003e\n\u003cp\u003eOn September 18, Son Lux will release their propulsive ninth studio album, *Out Into*, on City Slang.\u003c\/p\u003e\n\u003cp\u003eLott and his bandmates—guitarist Rafiq Bhatia and percussionist Ian Chang—plunged themselves into the most rhythmically sumptuous, lyrically urgent Son Lux album yet. 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Trio composed of Ryan Lott, Ian Chang and Rafiq Bhatia. Rooted incuriosity and searching for equilibrium of raw emotional intimacy and meticulous electronic constructions, we can say if needed, that Son Lux qualifies under the experimental rock, post-rock, and electronic rock genres.\u003c\/p\u003e\n\u003cp\u003eThey experience their first break with the title “Easy” incl. alt versions by Woodkid (2013) and Lorde (2014).\u003c\/p\u003e\n\u003cp\u003eNominated for Best Original Score with Everything Everywhere All at Once (2022-Daniel Kwan) by The Academy Award® and BAFTA. Son Lux performed at the Oscars for their Best Song nomination along w\/ David Byrne and Stephanie Hsu. More scores: Thunderbolts (Marvel)\u003c\/p\u003e\n\u003cp\u003eIn 2026, Son Lux collaborated with Poppy and Harmony Korine on a new song and video for Bungie Studio’s Marathon (video game)\u003cbr\u003eMultiple synchs incl. 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Valletta Fanfares\u003c\/p\u003e","brand":"Citizen Records","offers":[{"title":"Default Title","offer_id":47098050248860,"sku":"CDZ1LTD","price":41.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_15_b91ee27b-ac90-4ff3-9eb6-25fd62ddb747.jpg?v=1782158037"},{"product_id":"vitalic-flashmob-2026-edition-cd","title":"Vitalic - Flashmob (2026 Edition) [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CD26\u003cbr\u003eBarcode: 3516628521126\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Dance\/Electronic\u003c\/p\u003e\n\u003cp\u003e2026 Edition.\u003c\/p\u003e\n\u003cp\u003eFlashmob is Vitalic's second studio album, released in 2009. This album confirms Vitalic as a major figure in the electronic music scene, proving his ability to reinvent himself while maintaining his signature power. The rock energy of his first album gives way to a more disco-influenced sound, featuring the now-iconic track \"Poison Lips.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. See the Sea (red)\u003cbr\u003e2. Poison Lips\u003cbr\u003e3. Flashmob\u003cbr\u003e4. One above One\u003cbr\u003e5. Still\u003cbr\u003e6. Terminateur Benelux\u003cbr\u003e7. Second Lives\u003cbr\u003e8. Allan Dellon\u003cbr\u003e9. See the Sea (blue)\u003cbr\u003e10. Chicken Lady\u003cbr\u003e11. Your Disco Song\u003cbr\u003e12. Station Mir 2099\u003cbr\u003e13. 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That album saw the band grow in confidence, writing their own songs for the first time. Paddywhackery finds them leaping forwards to create an album that sounds like it’s been made by a band with a tightness and a power that’s unparalleled in music right now. \u003c\/p\u003e\n\u003cp\u003eRecorded in an intense two-week period in Liverpool with producer James Skelly and engineer Chris Taylor, Paddywhackery lets the band’s grand wildness shine through and allows their songs to flow out of the speakers with the kind of verve and potency that will make you - the listener - press play again, and again, and again. \u003c\/p\u003e\n\u003cp\u003eAndrew and Charles Hendy on the album: “It’s mainly about the fact that people would call us “paddywhackery” because we are too Irish or whatever, but it’s all very fucking hip to be Irish the last couple of years, and maybe that’s performative too, it’s very sincere. If all you do is serious songs, it sterilises everything. It becomes like there’s only one human emotion and its seriousness. People are terrified of being laughed at. If people are going to call us paddywhackery anyway, we might as well just call the album Paddywhackery. So its more of a “fuck you” than anything else. We want to spread like a virus and destroy anyone who thinks they are above The Mary Wallopers”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1.    Crowns of England \u003cbr\u003e2.    The Juice \u003cbr\u003e3.    Seán na Sagart \u003cbr\u003e4.    Smuggling the Tin \u003cbr\u003e5.    Castlecoe Hill\u003cbr\u003e6.    The Big Mixer\u003cbr\u003e7.    Worker’s Song \u003cbr\u003e8.    Banks of the Roses \u003cbr\u003e9.    Landlord’s Demise \u003cbr\u003e10. Kit Kat Club \u003cbr\u003e11. 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Catto’s work with jazz and global sounds features with Divine Earth’s visceral ‘Free Soul’ and extended pieces by Venezuelan futurists Insólito Universo and Lausanne Afrobeat collective Professor Wouassa while undiscovered artists include the brilliant UK band Toyface with their epic ‘Potter’s Wheel’.\u003c\/p\u003e\n\u003cp\u003eMore than a producer retrospective, Quatermass Sound Lab is a portrait of an artist whose fingerprints can be found across some of the most adventurous records of the last twenty years, presented on standard edition Black Vinyl LP or CD.\u003c\/p\u003e\n\u003cp\u003e1. Snapped Ankles - Shopping Parade (Malcolm Catto Mix)\u003cbr\u003e2. Cyril Cyril - Les Gens (Malcolm Catto Mix)\u003cbr\u003e3. Little Barrie \u0026amp; Malcolm Catto - Rest In Blue (Early Version)\u003cbr\u003e4. Divine Earth - Free Soul (Malcolm Catto Mix)\u003cbr\u003e5. Hannah Williams \u0026amp; The Affirmations - Late Nights \u0026amp; Heartbreak\u003cbr\u003e6. 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Catto’s work with jazz and global sounds features with Divine Earth’s visceral ‘Free Soul’ and extended pieces by Venezuelan futurists Insólito Universo and Lausanne Afrobeat collective Professor Wouassa while undiscovered artists include the brilliant UK band Toyface with their epic ‘Potter’s Wheel’.\u003c\/p\u003e\n\u003cp\u003eMore than a producer retrospective, Quatermass Sound Lab is a portrait of an artist whose fingerprints can be found across some of the most adventurous records of the last twenty years, presented on standard edition Black Vinyl LP or CD.\u003c\/p\u003e\n\u003cp\u003eA Side\u003cbr\u003eA1. Snapped Ankles - Shopping Parade (Malcolm Catto Mix)\u003cbr\u003eA2. Cyril Cyril - Les Gens (Malcolm Catto Mix)\u003cbr\u003eA3. Little Barrie \u0026amp; Malcolm Catto - Rest In Blue (Early Version)\u003cbr\u003eA4. Toyface - Potter’s Wheel\u003cbr\u003eB Side\u003cbr\u003eB1. Hannah Williams \u0026amp; The Affirmations - Late Nights \u0026amp; Heartbreak\u003cbr\u003eB2. 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Catto’s work with jazz and global sounds features with Divine Earth’s visceral ‘Free Soul’ and extended pieces by Venezuelan futurists Insólito Universo and Lausanne Afrobeat collective Professor Wouassa while undiscovered artists include the brilliant UK band Toyface with their epic ‘Potter’s Wheel’.\u003c\/p\u003e\n\u003cp\u003eMore than a producer retrospective, Quatermass Sound Lab is a portrait of an artist whose fingerprints can be found across some of the most adventurous records of the last twenty years, presented on standard edition Black Vinyl LP or CD.\u003c\/p\u003e\n\u003cp\u003eA Side\u003cbr\u003eA1. Snapped Ankles - Shopping Parade (Malcolm Catto Mix)\u003cbr\u003eA2. Cyril Cyril - Les Gens (Malcolm Catto Mix)\u003cbr\u003eA3. Little Barrie \u0026amp; Malcolm Catto - Rest In Blue (Early Version)\u003cbr\u003eA4. Toyface - Potter’s Wheel\u003cbr\u003eB Side\u003cbr\u003eB1. Hannah Williams \u0026amp; The Affirmations - Late Nights \u0026amp; Heartbreak\u003cbr\u003eB2. Wet Enough - San Pé (Malcolm Catto Mix)\u003cbr\u003eB3. Divine Earth - Free Soul (Malcolm Catto Mix)\u003cbr\u003eB4. D.O.K.\u003cbr\u003e- Valediction\u003cbr\u003eB5. 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Kalma was quick to suggest working with two musicians whom he had never met – International Anthem recording artists Jeremiah Chiu \u0026amp; Marta Sofia Honer, whose critically-acclaimed duo debut Recordings from the Åland Islands had been released just a few months earlier. An invitation was sent to Chiu and\u003cbr\u003eHoner, which was received with great enthusiasm, as Chiu had long been a fan of Kalma’s work, even citing him as a major influence on his approach to electronic music composition.\u003cbr\u003eThe essential structure of the Late Junction collaboration was that the Artists would work together to create around twenty minutes of music.They began passing music back and forth, some that Kalma had started, and some that Honer \u0026amp; Chiu had started, with each adding to or editing the track before returning it to the other.The music would only go back and forth a few times before being finalized. After meeting their twenty minute goal for the program Kalma, Chiu and Honer agreed that they would continue to work together to try to push the Music further.The freshly minted trio felt like there was much more to be said and more work to be done.The Late Junction program was broadcast in September  of 2022. Simultaneously, Kalma, Chiu and Honer began expanding upon the\u003cbr\u003emusic they had started for the purpose of the broadcast, working diligently on the\u003cbr\u003emusic for several months. Their collective approach to this work was born in improvisation and realized via collage-based editing.The end result brings several distinct musical moments — recorded sometimes decades apart — into conversation with one another, forming new narratives from building blocks of old ones.There are snippets of improvised playing from each musician, edited together with recordings that Kalma had made in the 70s at GRM, and even moments of audio notes — like Kalma explaining his ideas — that would make it into the final mixes. LTD Ed repress on “Mullumbimby Blue”Vinyl!\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1.    Ten Hour Wave\u003cbr\u003e2.    Breathing In Three Orbits (Intro)\u003cbr\u003e3.    Breathing In Three Orbits\u003cbr\u003e4.    The Closest Thing To Silence\u003cbr\u003e5.    Dizzy Ditty\u003cbr\u003e6.    Une Ombre Légère\u003cbr\u003e7.    New Air\u003cbr\u003e8.    Écoute Au Loin\u003cbr\u003e9.    A Treasure Chest\u003cbr\u003e10.    Stay Centered\u003cbr\u003e11.    Stack Attack\u003c\/p\u003e","brand":"International Anthem","offers":[{"title":"Default Title","offer_id":47385954418844,"sku":"IARC77LPX","price":29.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_12_814b7fb1-1bb4-49a3-a222-526a6e21c248.jpg?v=1786378361"},{"product_id":"jeremiah-chiu-in-electric-time-2026-edition","title":"Jeremiah Chiu - In Electric Time (2026 Edition)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: IARC74LPX\u003cbr\u003eBarcode: 634457262447\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eLP black vinyl - limited repress with new artwork\u003c\/p\u003e\n\u003cp\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring theVSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help fromVSM founder\/curator Lance Hill. Hill recalls: \"Jeremiah arrived before the engineer showed up.We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any Control method but sounded like they were just calling and responding to each other. They plugged theTascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003cbr\u003eThe resulting album – In ElectricTime - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic Music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In ElectricTime reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-Moment magic of Harmonia. LTD Ed repress w\/ new artwork!\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1.    ElectroComp 101\u003cbr\u003e2.    Seawater Swell\u003cbr\u003e3.    For Voices\u003cbr\u003e4.    Rococco Rondo\u003cbr\u003e5.    A Cloud Song\u003cbr\u003e6.    Rhythm Bell\u003cbr\u003e7.    Brush with Thin Air\u003cbr\u003e8.    Rhythm Serge\u003cbr\u003e9.    State Stone Railway\u003cbr\u003e10.    Transparent Spheres\u003cbr\u003e11.    Echo Arp Hold\u003cbr\u003e12.    In Electric Time\u003c\/p\u003e","brand":"International Anthem","offers":[{"title":"Default Title","offer_id":47385956483228,"sku":"IARC74LPX","price":29.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_15_61d03834-a8e4-4c55-a77c-5630195ae047.jpg?v=1786378802"},{"product_id":"jim-the-curious-case-of-existence-2lp","title":"JIM - The Curious Case Of Existence [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: CHARM7LP \u003cbr\u003eBarcode: 5053760155492\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Indie\/Alt\/Rock\/Metal\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Keeps Me Warm\u003cbr\u003e2. Love Over Gold Feat Edie Baron\u003cbr\u003e3. My Dreams Are Strange\u003cbr\u003e4. Posthumous Love\u003cbr\u003e5. Chalet Café Feat Jason Williamson\u003cbr\u003e6. Wires\u003cbr\u003e7. Hold On To The Word\u003cbr\u003e8. The First Last Dance\u003cbr\u003e9. Play Out To Fade\u003cbr\u003e10. Windmills\u003c\/p\u003e\n\u003cp\u003eWhen the first JIM album Love Makes Magic was released in 2023, it was the end product of an experiment that had begun during the strange days of the pandemic. Cooped up in his studio, James Baron started fiddling about with an as-yet unnamed new album idea. It became Vicious Charm’s first LP release. Labelled variously as Balearic, folktronica, blue-eyed soul and Laurel Canyon, Love Makes Magic was perhaps all and none of those things: a record rooted less in Californian mythology than in Baron’s own musical world, somewhere between Sherwood, Nottingham, classic songwriting, electronic soul and the no-nonsense good times that have long run through his work under his other monikers (principally the anagrammatic Ron Basejam and, of course, Crazy P) One thing was indisputable, it connected with people... and still does.\u003cbr\u003e \u003cbr\u003eThe album was a minor hit, appearing in many a Best of 2023 chart and voted Album of the Year in Bill Brewster’s Furtive 50. A tour and a few memorable festival appearances – his 2024 We Out Here Festival being one of those wonderfully timed ‘moments’ - perfectly captured the horizontal vibes on the album, while injecting some live energy into its delivery. While there was a follow-up remix album for Love Makes Magic, JIM was already preparing a sophomore LP: “I wrote the majority of The Curious Case Of Existence in a couple of months at the beginning of 2024, then it was just a case of making the record over the next couple of years in between everything else.”\u003cbr\u003e \u003cbr\u003eSeveral tracks were overseen by veteran scene godfather Eddie Stevens (Moloko, Sia, Zero 7), who offered ideas, counselling and keyboards when it was most needed. He also recruited the usual Notts-based comrades, including Crazy P drummer Matt Klose, Tim Davies (guitar on ‘Windmills’), Simon Patterson (bass on ‘Windmills’) and buddies Torn Sail (Huw Costin, Henry Claude and John Thompson). And this album sees new vocal collaborators, from both ends of the spectrum. At one end, we have Sleaford Mods’ Jason Williamson, turning up on ‘Chalet Cafe’, with a typically loquacious offering, while at the other extreme, we have Edie Baron, James Baron’s teenage daughter, making her recording debut on the album’s first single ‘Love Over Gold’, on which she makes an indelibly mature addition.\u003cbr\u003e\u003c\/p\u003e","brand":"Vicious Charm","offers":[{"title":"Default Title","offer_id":47424280461468,"sku":"CHARM7LP","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_912191c5-2558-43e9-bfa6-a55758cb11ae.webp?v=1786991393"},{"product_id":"jim-the-curious-case-of-existence-2lp-coloured","title":"JIM - The Curious Case Of Existence [2LP Coloured]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: CHARM7LPG\u003cbr\u003eBarcode: 5053760155508\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Indie\/Alt\/Rock\/Metal\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Keeps Me Warm\u003cbr\u003e2. Love Over Gold Feat Edie Baron\u003cbr\u003e3. My Dreams Are Strange\u003cbr\u003e4. Posthumous Love\u003cbr\u003e5. Chalet Café Feat Jason Williamson\u003cbr\u003e6. Wires\u003cbr\u003e7. Hold On To The Word\u003cbr\u003e8. The First Last Dance\u003cbr\u003e9. Play Out To Fade\u003cbr\u003e10. Windmills\u003c\/p\u003e\n\u003cp\u003eWhen the first JIM album Love Makes Magic was released in 2023, it was the end product of an experiment that had begun during the strange days of the pandemic. Cooped up in his studio, James Baron started fiddling about with an as-yet unnamed new album idea. It became Vicious Charm’s first LP release. Labelled variously as Balearic, folktronica, blue-eyed soul and Laurel Canyon, Love Makes Magic was perhaps all and none of those things: a record rooted less in Californian mythology than in Baron’s own musical world, somewhere between Sherwood, Nottingham, classic songwriting, electronic soul and the no-nonsense good times that have long run through his work under his other monikers (principally the anagrammatic Ron Basejam and, of course, Crazy P) One thing was indisputable, it connected with people... and still does.\u003cbr\u003e \u003cbr\u003eThe album was a minor hit, appearing in many a Best of 2023 chart and voted Album of the Year in Bill Brewster’s Furtive 50. A tour and a few memorable festival appearances – his 2024 We Out Here Festival being one of those wonderfully timed ‘moments’ - perfectly captured the horizontal vibes on the album, while injecting some live energy into its delivery. While there was a follow-up remix album for Love Makes Magic, JIM was already preparing a sophomore LP: “I wrote the majority of The Curious Case Of Existence in a couple of months at the beginning of 2024, then it was just a case of making the record over the next couple of years in between everything else.”\u003cbr\u003e \u003cbr\u003eSeveral tracks were overseen by veteran scene godfather Eddie Stevens (Moloko, Sia, Zero 7), who offered ideas, counselling and keyboards when it was most needed. He also recruited the usual Notts-based comrades, including Crazy P drummer Matt Klose, Tim Davies (guitar on ‘Windmills’), Simon Patterson (bass on ‘Windmills’) and buddies Torn Sail (Huw Costin, Henry Claude and John Thompson). And this album sees new vocal collaborators, from both ends of the spectrum. At one end, we have Sleaford Mods’ Jason Williamson, turning up on ‘Chalet Cafe’, with a typically loquacious offering, while at the other extreme, we have Edie Baron, James Baron’s teenage daughter, making her recording debut on the album’s first single ‘Love Over Gold’, on which she makes an indelibly mature addition.\u003cbr\u003e\u003c\/p\u003e","brand":"Vicious Charm","offers":[{"title":"Default Title","offer_id":47424280821916,"sku":"CHARM7LPG","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_832d9196-29fd-418a-aeb9-53534fe102ae.webp?v=1786991396"},{"product_id":"jo-from-school-grace-flair-and-distance-magenta-vinyl","title":"jo from school  - Grace, Flair and Distance [Magenta Vinyl]","description":"\u003cp\u003eFormat: 12\" EP\u003cbr\u003eCatalogue No.: CC202\u003cbr\u003eBarcode: 5053760156734\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003elimited edition 12\" Magenta Vinyl. Playing speed 45RPM.\u003c\/p\u003e\n\u003cp\u003eA recent signee to Chess Club Records, Jo Geller aka jo from school, finds herself among the independent label’s pedigree of homegrown artists who have gone on to attain major success. Alumni such as Billie Marten, an artist long admired by Jo, as well as Wolf Alice, are just a couple of names who found their initial support through Chess Club.\u003cbr\u003e \u003cbr\u003eAt 22-years-old, jo from school’s graceful, carefully crafted but devastatingly delivered songs hit with an air of maturity that lands far beyond her years. An embrace for spontaneity and imperfection gives her material its character; primarily as an artist focussed on doing things her own way.\u003cbr\u003e \u003cbr\u003eWriting on the piano since the tender age of nine, Jo self-taught herself guitar as a teenager during lockdown, joining the illustrious Brit School: “I was the only musician in my world until I went to Brit School, then I was the worst musician there,” she says. “It gave me a kick. I went from thinking that it was cooler to not care about anything, to realising the more you cared, the cooler and more individual it made you.”\u003cbr\u003e \u003cbr\u003eLargely produced by Rich Cooper (CMAT, Billie Marten), so far both singles from the EP have been supported by BBC Radio 1, Radio 2 \u0026amp; 6Music. Huw Stephen's has invited Jo to feature in his Huw You Are segment airing on 6Music on 29th July, and Jess Iszatt has already had Jo as her Introducing featured artist on BBC Radio London. Rolling Stone UK featured jo as their Play Next artist last month, along with CLASH who just confirmed a Next Wave feature to run on EP release. Outlets like Line of Best Fit, DORK, DIY and Wonderland have all came to the table to champion jo too. We've also seen impressive audience growth in just 2 months – with jo adding more than 3k new followers across platforms since her debut single 'Chicken' was released on 6th May.\u003cbr\u003e \u003cbr\u003eOn the live front, jo was invited by Dirty Hit's Skullcrusher to support on her UK + European headline tour in June, with past supports also including TTSSFU, Daffo, Esme Emerson. Jo has been booked for Night Currents festival in Portsmouth and invited to support 1000 Rabbits, both in October, and will be Playing Estrella Soundhood Festival in London in September too.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Release\u003cbr\u003eA2. Six Years Of Keeping On\u003cbr\u003eA3. Chicken\u003cbr\u003eB1. Underhand\u003cbr\u003eB2. Julia Roberts\u003cbr\u003eB3. Weight\u003cbr\u003e\u003c\/p\u003e","brand":"Chess Club","offers":[{"title":"Default Title","offer_id":47424288784540,"sku":"CC202","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_18349e64-970e-44ac-8600-1f9692706505.webp?v=1786991593"},{"product_id":"tiffany-day-halo-peppermint-coloured-vinyl","title":"Tiffany Day - Halo [peppermint coloured vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: TD1IEX\u003cbr\u003eBarcode: 0840526512959\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003estandard weight, peppermint coloured vinyl for indies’ exclusive retail.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTiffany Day has quickly emerged as one of the most compelling voices in hyper-digital pop, blending emotional chaos, internet-born edge, and forward-thinking production into a sound entirely her own. Born in Toronto and raised in Kansas, Tiffany first broke through with a viral cover of “Hallelujah,” building a YouTube audience of over 500,000 subscribers before graduating high school. She began releasing original music in college, quickly developing a devoted fanbase drawn to her wit, vulnerability, and genre-fluid instincts.\u003cbr\u003eA self-directed creative force, Tiffany has made her live show a defining pillar of her artistry, fusing choreography, visuals, and electronic-driven transitions that push her beyond traditional pop performance. In 2024, she independently funded and sold out several headline shows across a North American tour. She later expanded into the DJ scene, launching BASSFLUFF, a series of standalone events that generated viral moments DJing everywhere from gyms to nail salons.\u003c\/p\u003e\n\u003cp\u003eHer 2025 releases marked a sharp sonic evolution, leaning into electroclash and hyperpop textures. Singles like “BREAKUP,” “TELL ME WHAT I DID,” and “START OVER” generated millions of views across platforms and earned coverage from NME, Ones to Watch, On The Radar, and beyond, positioning her at the forefront of a new wave of digital-native pop artists.\u003c\/p\u003e\n\u003cp\u003eThat momentum culminates in her album HALO, released April 3, 2026 via Broke Records. The project debuted at #1 on the Apple Music Electronic chart and #25 on the Billboard Electronic\/Dance Albums Chart, drawing early co-signs from artists like Laufey and Yunjin (LE SSERAFIM) alongside coverage from Pitchfork, The FADER, NYLON, LA Times, and more. To mark the release, Tiffany staged three headline shows—each of which sold out in under five minutes. With her production across nearly every track, HALO marks Tiffany's most cohesive and ambitious work to date, solidifying her not just as an artist to watch, but as a defining voice in the next era of hyperpop.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. EVERYTHING I'VE EVER WANTED\u003cbr\u003e2. DOIT4ME\u003cbr\u003e3. SAME LA\u003cbr\u003e4. PRETTY4U\u003cbr\u003e5. COPYCAT\u003cbr\u003e6. NO LUCK\u003cbr\u003e7. BREAKUP\u003cbr\u003e8. TELL ME WHAT I DID\u003cbr\u003e9. START OVER\u003cbr\u003e10. LOOK UP\u003cbr\u003e11. AMERICAN GIRL\u003cbr\u003e12. FAREWELL TOLEDO\u003cbr\u003e13. IT'S NOT LIKE THAT ANYMORE\u003c\/p\u003e","brand":"Many Hats","offers":[{"title":"Default Title","offer_id":47424300220572,"sku":"TD1IEX","price":33.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/p_ad914c42-d8d4-4a79-8a04-d41570b9d91f.webp?v=1786991849"},{"product_id":"tiffany-day-halo-coke-bottle-clear-coloured-vinyl","title":"Tiffany Day - Halo\t[coke bottle clear coloured vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: TD11LP\u003cbr\u003eBarcode: 0840526512942\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003estandard weight, coke bottle clear coloured vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTiffany Day has quickly emerged as one of the most compelling voices in hyper-digital pop, blending emotional chaos, internet-born edge, and forward-thinking production into a sound entirely her own. Born in Toronto and raised in Kansas, Tiffany first broke through with a viral cover of “Hallelujah,” building a YouTube audience of over 500,000 subscribers before graduating high school. She began releasing original music in college, quickly developing a devoted fanbase drawn to her wit, vulnerability, and genre-fluid instincts.\u003cbr\u003eA self-directed creative force, Tiffany has made her live show a defining pillar of her artistry, fusing choreography, visuals, and electronic-driven transitions that push her beyond traditional pop performance. In 2024, she independently funded and sold out several headline shows across a North American tour. She later expanded into the DJ scene, launching BASSFLUFF, a series of standalone events that generated viral moments DJing everywhere from gyms to nail salons.\u003c\/p\u003e\n\u003cp\u003eHer 2025 releases marked a sharp sonic evolution, leaning into electroclash and hyperpop textures. Singles like “BREAKUP,” “TELL ME WHAT I DID,” and “START OVER” generated millions of views across platforms and earned coverage from NME, Ones to Watch, On The Radar, and beyond, positioning her at the forefront of a new wave of digital-native pop artists.\u003c\/p\u003e\n\u003cp\u003eThat momentum culminates in her album HALO, released April 3, 2026 via Broke Records. The project debuted at #1 on the Apple Music Electronic chart and #25 on the Billboard Electronic\/Dance Albums Chart, drawing early co-signs from artists like Laufey and Yunjin (LE SSERAFIM) alongside coverage from Pitchfork, The FADER, NYLON, LA Times, and more. To mark the release, Tiffany staged three headline shows—each of which sold out in under five minutes. With her production across nearly every track, HALO marks Tiffany's most cohesive and ambitious work to date, solidifying her not just as an artist to watch, but as a defining voice in the next era of hyperpop.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. EVERYTHING I'VE EVER WANTED\u003cbr\u003e2. DOIT4ME\u003cbr\u003e3. SAME LA\u003cbr\u003e4. PRETTY4U\u003cbr\u003e5. COPYCAT\u003cbr\u003e6. NO LUCK\u003cbr\u003e7. BREAKUP\u003cbr\u003e8. TELL ME WHAT I DID\u003cbr\u003e9. START OVER\u003cbr\u003e10. LOOK UP\u003cbr\u003e11. AMERICAN GIRL\u003cbr\u003e12. FAREWELL TOLEDO\u003cbr\u003e13. IT'S NOT LIKE THAT ANYMORE\u003c\/p\u003e","brand":"Many Hats","offers":[{"title":"Default Title","offer_id":47424300318876,"sku":"TD11LP","price":33.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/g_ce52cbac-a06c-435f-bcbd-c76d7e275afc.webp?v=1786991846"},{"product_id":"temachii-flora-maniia-pink-in-bone-coloured-vinyl","title":"Temachii - Flora Maniia [pink in bone coloured vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: TEMACHII1LP\u003cbr\u003eBarcode: 0840526512645\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003estandard weight, pink in bone coloured vinyl.\u003c\/p\u003e\n\u003cp\u003eTEMACHII creates immersive worlds where music, visual art, nature, and emotion blur together. Evoking the hazy surrealism of a once forgotten dream, the San Antonio-based multi-instrumentalist has built a devoted global audience through ethereal soundscapes, hand-crafted visuals, and songs that feel both deeply personal and universally comforting. Her music pairs ambient textures and dream-pop charm with an intimacy that feels like eavesdropping on an artist in conversation with herself—absorbing influences like Radiohead, Fiona Apple, Mitski and Aphex Twin while remaining less guided by genre than by feeling.\u003cbr\u003e \u003cbr\u003eHer 2023 debut, flora maniia, was anchored by the 50 million-streamed hit “may you never forget me,” blending hypnotic acoustic guitar, lilting synths, and airy vocals into a reflection on love, memory, and the desire to leave a lasting impression. The follow-up LP, akrasiia, arrived later that same year, revealing a more stripped-back side of her sound while preserving the wonder at the heart of her work. Together with 2024 single “not\/lost,” the releases have brought Temachii's art to fans around the world, a reach that feels especially meaningful given her Puerto Rican heritage. More importantly, they have transformed that audience into something more meaningful than simply streams and likes: a space for listeners to feel both safe and seen.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. born into\u003cbr\u003e2. eye gaze\u003cbr\u003e3. lovin' lowly\u003cbr\u003e4. soft n sweet\u003cbr\u003e5. leaf\u003cbr\u003e6. moon girl\u003cbr\u003e7. (prey)\u003cbr\u003e8. 12:00pm\u003cbr\u003e9. little bugs\u003cbr\u003e10. a lamb's lullaby\u003cbr\u003e11. may you never forget me\u003cbr\u003e12. stupid piano\u003c\/p\u003e","brand":"Alternate Side","offers":[{"title":"Default Title","offer_id":47424316833948,"sku":"TEMACHII1LP","price":27.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/c_1f492038-dee4-42dd-8348-d58332737173.webp?v=1786991974"},{"product_id":"mark-chadwick-ouse-dragon-cd","title":"Mark Chadwick - Ouse Dragon [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: OTFCD065\u003cbr\u003eBarcode: 5053760157861\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Alternative, Rock\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e01. Ouse Dragon\u003cbr\u003e02. Chrysanthemums And Diadems\u003cbr\u003e03. The Dance Of The Crows\u003cbr\u003e04. Leap\u003cbr\u003e05. Witness\u003cbr\u003e06. Paxo's Room\u003cbr\u003e07. Ouse Dragon (Acoustic)\u003cbr\u003e08. Chrysanthemums And Diadems (Acoustic)\u003cbr\u003e09. The Dance Of The Crows (Acoustic)\u003cbr\u003e10. Leap (Acoustic)\u003cbr\u003e11. Witness (Acoustic)\u003cbr\u003e12. Paxo's Room (Acoustic)\u003c\/p\u003e\n\u003cp\u003eImagine, but not so hard because it's a true and real adventure, you're visiting a small vibrant town with a river that slowly drifts through hills with buildings ancient and modern. It's been there for a very, very long time but this is your first time. All you have to navigate this place is a pair of headphones and this recording.”\u003c\/p\u003e\n\u003cp\u003eSo says Mark Chadwick, singer, songwriter, lyricist, activist and most commonly known as lead singer of the acclaimed Levellers, of his new solo album, Ouse Dragon.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIt’s a dreamlike and, at times disorientating, collection of six musical pieces that inhabit a leftfield sonic world of electronic soundscapes and ambient textures. Atmospheric and ghostly, it features Mark’s story-telling vocals drawing the listener along over strummed acoustic guitars, drifting keyboards, keening noises and other-worldly instrumentation that is punctuated by bursts of percussion.\u003c\/p\u003e\n\u003cp\u003eShowcasing a very different musical side to Mark from his work with Levellers, the tracks were originally performed in concert last year in Lewes, where the Ouse Dragon tales originate, both ancient and modern. He describes it as a town, “in the forgotten parts of the South of England, its more famous or infamous neighbours cast a shadow, a shadow that fades and pleads for escape when cast upon this odd corner.”\u003c\/p\u003e\n\u003cp\u003eThe album opens with the eerie title track ‘Ouse Dragon’, stretching to almost nine minutes, evoking a strange and chilling mood of magic that permeates the\u003cbr\u003eSouth Downs. ‘Chrysanthemums \u0026amp; Diadems’ follows, a powerful and affecting song, woozy and dramatic, about a local murder which wrongfoots the listeners with an unexpected interruption from the local police.\u003c\/p\u003e\n\u003cp\u003e‘Dance Of The Crows’ moves into a dreamlike acoustic countryside, while ‘Leap’ is perhaps the most conventional song, it’s sweet melodic nature offset by its lyrics of sadness. ‘Bearing Witness’ meanwhile has an insistent folk thrum before the epic closing track ‘Paxos Room’ takes the listener on a journey into the deepest recesses of their dark imaginations\u003c\/p\u003e\n\u003cp\u003e“All of the stories herein are true,” Mark explains. “Murder, abduction, mis-adventures, suicide, possession, spirits and other dimensions. Unknowable but all experienced by the writer. Enjoy the OUSE DRAGON. Headphones and a quiet mind essential”.\u003c\/p\u003e","brand":"On The Fiddle Recordings","offers":[{"title":"Default Title","offer_id":47425122730140,"sku":"OTFCD065","price":14.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_5243daba-2e47-4ec2-9f28-2e38106d560a.webp?v=1786992575"},{"product_id":"kissin-dynamite-kissin-dynamite-cd","title":"Kissin’ Dynamite - Kissin’ Dynamite [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: 2943194KDY\u003cbr\u003eBarcode: 4069977431947\u003cbr\u003eRelease Date: 18 Sep 2026\u003cbr\u003eGenre: Indie\/Alt\/Rock\/Metal\u003c\/p\u003e\n\u003cp\u003eThe internationally acclaimed arena rockers have announced a new album—one that is set to be particularly special, as it simultaneously marks the end of an era and the beginning of a new chapter.\u003cbr\u003eIn an emotional statement shared with fans via social media in August 2025, charismatic frontman Hannes Braun revealed:\u003cbr\u003e“I will be stepping away from the rock ’n’ roll stage and will no longer be the voice behind the microphone of KD.”\u003cbr\u003e“So many fans expressed their wish for one final album with me on vocals. 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From those wishes, the idea for this album gradually became reality,” says Hannes Braun.\u003cbr\u003eThe self-titled album KISSIN’ DYNAMITE features brand-new songs in the band’s signature arena rock hit style, while also revisiting and reimagining selected tracks from their past catalog.\u003cbr\u003eFor September and October 2026, the band has announced three final major arena shows with Hannes Braun as frontman. All three concerts, each with a capacity of 4,000–5,000 attendees, are already close to selling out.\u003cbr\u003eThe band’s ninth studio album, KISSIN’ DYNAMITE, will be released entirely independently. While its predecessor, BACK WITH A BANG! 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Recorded at Jackson Studios in Rickmansworth, Window Shopping could easily be an unknown Sam and Dave cover , whilst Engineer Man has shades of early Move with a classically inspired bass line and window shaking drum fills. Great Double sider for sixties DJs\u003c\/p\u003e\n\u003cp\u003eHOT on the heels of their history re-writing 1969 rock opera 'A Story by The Genesis' (HOG3318) Luton's finest are back again with two previously unreleased 1966\/7 sides from their period as a hard-gigging mod band.\u003c\/p\u003e\n\u003cp\u003eRecorded at Jackson Studios in early 1967 these two tracks sit right on the cusp of Soul covers bands casting an eye to the coming psychedelic future. Whilst 'Window Shopping' is a slice of prime 'bunch of UK scrotes doing Sam and Dave', Engineer Man is an upbeat semi novelty romp, featuring plenty of sound effects beloved of the Jackson Brothers, as featured on their best known sixties recordings by Rainbow Ffolly.\u003c\/p\u003e\n\u003cp\u003eAfter nearly sixty years on the shelf, it's no surprise that some details of these tracks are forgotten, in this case, the name of the singer on Window Shopping! At the time, Jackson advertised a 'Pop Single Workshop' in the back of melody maker, which chimes with keyboard player Christ Stokes' recollection that 'it was a guy who wanted to make a record but didn't have a band or a song, so we backed him on one of ours'. 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Born from a creative process marked by perfectionism and self-doubt, 22 became an exercise in trusting her instincts, releasing control and allowing the music to unfold naturally. 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