{"title":"Republic of Music 14.11.25","description":"","products":[{"product_id":"curses-another-heaven-colour-lp","title":"CURSES - Another Heaven [Colour LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: IDIB777\u003cbr\u003eBarcode: 5053760132851\u003cbr\u003eRelease Date: 14 Nov 2025\u003cbr\u003eGenre: Dance \/ Electronic\u003c\/p\u003e\n\u003cp\u003eStandard weight hot pink vinyl. \u003c\/p\u003e\n\u003cp\u003eBerlin-based New Yorker Luca Venezia, better known as CURSES, has joined the Italians Do It Better family.\u003cbr\u003eThe musician and DJ has signed with the label run by Johnny Jewel and Megan Louise that became known for being home to Chromatics but has since also provided a release outlet lately to Mothermary, Dlina Volny, Causeway, Kid Moxie \u0026amp; Nina, Sally Shapiro, Bark Bark Disco and Love Object.\u003c\/p\u003e\n\u003cp\u003eFor many reasons, the Italians Do It Better union is fitting; known for blending goth rock, new wave, dark disco and synth as exemplified by Venezia’s acclaimed ‘Next Wave Acid Punx’ series of compilations, ‘Another Heaven’ is the third full length CURSES album. Benefitting from Johnny Jewel’s co-production input, it develops on the gloomy vision cemented on the debut ‘Romantic Fiction’.\u003c\/p\u003e\n\u003cp\u003eInformed by Venezia’s love of alternative club music, one of the highlights of ‘Another Heaven’ comes with its title song; this takes its lead from New Order and ‘Bizarre Love Triangle’, but presents it more as an influence rather than the blatant but very good rip off that Nation Of Language’s ‘On Joy Division Street’ was. Expressing his lovestruck joy across seven wonderful minutes, Venezia said “This is a love song dedicated to the lost ones, a ballad for the lost ones to belong. We are always searching for that immortal love, divine romance, a truth to our mystery, and when we find it, we can only assume, this creature so perfect so made for you must be from an ethereal unknown place”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eCaviar\u003cbr\u003eAnother Heaven\u003cbr\u003eHeart \u0026amp; Cane\u003cbr\u003eLike Porcelain\u003cbr\u003eEchoes\u003cbr\u003eElegant Death\u003cbr\u003eHS2G\u003cbr\u003eVanish (Feat. Skelesys)\u003cbr\u003eHelium (Feat. Marie Davidson)\u003cbr\u003e\u003c\/p\u003e","brand":"Italians Do It Better","offers":[{"title":"Default Title","offer_id":45012988952732,"sku":"IDIB777","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_8eb45c4d-3de5-4313-b6c8-f86c8562506c.jpg?v=1760011571"},{"product_id":"born-at-midnite-every-single-time","title":"Born At Midnite - Every Single Time","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: ABT125LP\u003cbr\u003eBarcode: 61297939695 \u003cbr\u003eRelease Date: 14 Nov 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003estandard weight, black vinyl.\u003c\/p\u003e\n\u003cp\u003eBorn At Midnite is the faux-vanity project of Amery Sandford and David Carriere. Jamming strictly ‘post-party’ with a finish line posture – either completing or scrapping a song in a single evening – the Montreal based duo began writing together in late 2018. Employing samplers, tape machines, and an extemporaneous approach to songwriting, the duo establish an eerily familiar atmosphere through an unpolished lens of thin ice. Playing into whilst poking fun at our era’s omnipresent narcissism and self indulgence, the group stitch together an unsponsored sort of ‘product-placement-punk’. Amery Sandford is a visual artist and easy going pop songstress. She recently released her first solo record Amery - Continue As Amery. David Carriere is a producer, songwriter, and guitarist in the bands TOPS and Marci. More of the same dope shit for your wimpy little ear holes..\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1 Alternity\u003cbr\u003eA2 Y o Y\u003cbr\u003eA3 Spotlite\u003cbr\u003eA4 Hearts Working Overtime\u003cbr\u003eA5 Pop Charts\u003cbr\u003eA6 *69\u003c\/p\u003e\n\u003cp\u003eB1 Hawt Heart\u003cbr\u003eB2 Rockstar Raver\u003cbr\u003eB3 Think It Over\u003cbr\u003eB4 Like Fire Like Ice\u003cbr\u003eB5 Cruise Control\u003cbr\u003eB6 Born At Midnite (Every Time)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/N5-eq-T3Nmo\" title=\"Sean Nicholas Savage - Let Me Out\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Arbutus Records","offers":[{"title":"Default Title","offer_id":45297938268316,"sku":"ABT125LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_12_68c7b478-c105-4bcb-80a9-a51ca31f5dad.jpg?v=1757684925"},{"product_id":"storefront-church-ink-oil-2lp","title":"Storefront Church - Ink \u0026 Oil [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: OIL1\u003cbr\u003eBarcode: 5053760138402\u003cbr\u003eRelease Date: 14 Nov 2025\u003cbr\u003eGenre: Pop\u003c\/p\u003e\n\u003cp\u003eElegant pop music. Colossal hooks. Drenched in strings. Think Scott Walker, Perfume Genius, early John Grant. Lyrically it walks on the shady side of the street. Musically it's the real deal.   \u003c\/p\u003e\n\u003cp\u003ePrevious collabs with Perfume Genius, Caroline Polachek, Laetitia Stereolab, Phoebe Bridgers and Deafheaven. Synchs on Dept Q and The Queens Gambit.\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003e1 High Room \u003cbr\u003e2 Faith In Oil \u003cbr\u003e3 Melting Mirror \u003cbr\u003e4 King Of The Lobby \u003cbr\u003e5 Burn The Roses \u003cbr\u003e6 Words In The Rind \u003cbr\u003e7 Coal \u003cbr\u003e8 Manhattan Project \u003cbr\u003e9 Orange Grove \u003cbr\u003e10 Divine Distraction \u003cbr\u003e11 Shadowboxing  \u003cbr\u003e12 Tapping On The Glass \u003c\/p\u003e","brand":"High Room Records","offers":[{"title":"Default Title","offer_id":45317196251292,"sku":"OIL1","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_6535d6ba-1e72-4d9d-a334-740eee12099f.jpg?v=1760011274"},{"product_id":"sister-irene-oconnor-fire-of-gods-love-cd","title":"Sister Irene O'Connor - Fire of God's Love [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: FTS34CD\u003cbr\u003eBarcode: 747742390555\u003cbr\u003eRelease Date: 14 Nov 2025\u003cbr\u003eGenre: World\u003c\/p\u003e\n\u003cp\u003eFire of God’s Love is the legendary 1973 album by Australian nun Sister Irene O’Connor—a sincere, soulful, and unconsciously psychedelic song sequence devoted to self-reflection and awakening the spirit within. A collection of original folk spirituals written by and channelled throughO’Connor with guitar, electric organ, drum machine and her angelic voice, the album was recorded and mixed in an astonishingly futuristic fashion by fellow nun and recording engineer Sister Marimil Lobregat. Freedom ToSpend offers the first authorised reissue of this holy grail since 1976; the album restored and remastered with care and consideration from the best available sources. As a young Roman Catholic nun in the Franciscan Missionaries of Mary order, Sister Irene’s forays into music began in 1953 when she moved from Sydney to a convent in Singapore and began teaching children with learning difficulties. Acquiring an acoustic guitar and learning three simple chords, Irene’s songs blossomed with the children’s enthusiasm. Serendipitously, a parent of one student worked at a commercial radio station in Singapore, and Irene was invited to the station to perform and record in its studio. She went along, wearing her habit and carrying her guitar, and cut her first original song there in 1965. Under the pseudonym Myiriam Frances, to maintain anonymity within her order (“Nuns didn’t do that kind of thing,” noted O’Connor), Phillips released a series of Sister Irene’s records at the tail end of the 1960s\u003c\/p\u003e\n\u003cp\u003eIt was at the convent in Singapore that Sister Irenemet Sister Marimil Lobregat, a fellow Franciscan nun who moved to the island from the Philippines in the early 1960s. More than a decade later, as if by divine intervention, they reconnected at another convent at Point Piper in Sydney. Marimil, also a musician and sound enthusiast, worked at the Catholic Radio and Television Centre in Homebush, in western Sydney, as an audio and visual technician. Sister Irene, faithfully honing her musical craft, and Sister Marimil hatched a plan to meet at the centre over a series of Sunday afternoons, and create the songs that would become Fire of God’s Love. The songs of Fire of God’s Love are sung in an angelic soprano by Sister Irene (with lyrics spanning English, Latin, and Malay) and produced by Sister Marimil, recorded on aTeac 3340S 4-track reel-to-reel. Marimil was instrumental in conjuring the uncanny otherworldliness that permeates the album. The crystalline fabric of Sister Irene’s voice is held exquisitely in a shimmering mosaic of reverb and analogue synthesiser hum, while momentously ringing out like a bell in the darkness, projecting until truth or the divine appears. Themes such as mercy, grace, light, and mystery are punctuated by a gentle acoustic guitar strum and eternal piano notes spinning slowly on a vibrating thread\u003c\/p\u003e\n\u003cp\u003eFor the songs with keyboards, Sister Irene played all the parts live in real time, including the bass pedals. The drum machine was generated by the same organ she played, and performed simultaneously. All of this lends to an atmosphere of heightened presence, an organic flash helmed deep from the subconscious. Originating from ideas created in a quiet convent and sequestered from worldly influence, the liturgical framework of the album is filtered through the intimate devotion of two Sisters — their own interpretation of pop music stripped of pretension and superficial glamour.\u003c\/p\u003e\n\u003cp\u003eThe album’s title, like many of its songs, stems from a Bible verse, in this case Luke 12:49. But Sisters Irene and Marimil ushered it into a space where all spiritualseekers can appreciate the transmission [Or: unusual hermeneutics]. The lyrics address universal needs, wants, and desires: everlasting love and affection, an end to loneliness, a new form of relief, and deliverance from the fear of death. Instead of hymnal forms, Sister Irene, perhaps inadvertently, utilises folk and psychedelia fashionable at the time to deliver a sermon that reads like love letters to a divine presence, speaking to the soul, beyond any formal religion. Fire of God’s Love is an inspiring archive of early electronic experimentation between two women friends and mystics, a documentation of their divine energy channelled in a disciplined way. Upon initial release, it was neither a flat-out success nor a failure, but was met mostly as a curiosity. The pair never made more music together, and in the 50 years since, their one-off collaboration continues to draw listeners in by way of record shop find (whether the original Phillips pressing or sonically superior 1976 reissue on AlbaHouse Communications) or more likely via YouTube, as a stumbled across and feverishly commented-on cult classic. Today, Sister Irene is living in Sydney, Australia, and is happy that new audiences are finding meaning in her music with Sister Marimil. Her story is a testament that you don’t need much to create a visionary, enduring album: a tape recorder, friendship, the Fire of God’s Love to ignite the pathway forward. That might be an aspirational friend, or an earthly companion right beside you. Sister Irene O’Connor’s of God’s Love will be released via Freedom To Spend on November 14 in vinyl ,CD, and digital editions\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Fire (Luke 12:49)\u003cbr\u003eA2. Nature Is A Song\u003cbr\u003eA3. Springtime (In Australia)\u003cbr\u003eA4. Mass—‘Emmanuel’\u003cbr\u003eA5. Messe du Saint Esprit\u003cbr\u003eA6. Light (John 8:12)\u003c\/p\u003e\n\u003cp\u003eB1. O Brother (Matt. 7:1-5)\u003cbr\u003eB2. Mary Was ‘There’\u003cbr\u003eB3. Teenager’s Chorus\u003cbr\u003eB4. O Great Mystery (John 6)\u003cbr\u003eB5. Christ Our King (Col. 1:13)\u003cbr\u003eB6. Keshukoran\u003cbr\u003e\u003c\/p\u003e","brand":"Freedom To Spend (RVNG INTL.)","offers":[{"title":"Default Title","offer_id":45321344876700,"sku":"FTS34CD","price":14.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_a00986ec-d5ff-461b-bbc2-4117f3803771.jpg?v=1758045638"},{"product_id":"sister-irene-oconnor-fire-of-gods-love-lp","title":"Sister Irene O'Connor - Fire of God's Love [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FTS34LP\u003cbr\u003eBarcode: 747742390531\u003cbr\u003eRelease Date: 14 Nov 2025\u003cbr\u003eGenre: World\u003c\/p\u003e\n\u003cp\u003estandard weight, black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFire of God’s Love is the legendary 1973 album by Australian nun Sister Irene O’Connor—a sincere, soulful, and unconsciously psychedelic song sequence devoted to self-reflection and awakening the spirit within. A collection of original folk spirituals written by and channelled throughO’Connor with guitar, electric organ, drum machine and her angelic voice, the album was recorded and mixed in an astonishingly futuristic fashion by fellow nun and recording engineer Sister Marimil Lobregat. Freedom ToSpend offers the first authorised reissue of this holy grail since 1976; the album restored and remastered with care and consideration from the best available sources. As a young Roman Catholic nun in the Franciscan Missionaries of Mary order, Sister Irene’s forays into music began in 1953 when she moved from Sydney to a convent in Singapore and began teaching children with learning difficulties. Acquiring an acoustic guitar and learning three simple chords, Irene’s songs blossomed with the children’s enthusiasm. Serendipitously, a parent of one student worked at a commercial radio station in Singapore, and Irene was invited to the station to perform and record in its studio. She went along, wearing her habit and carrying her guitar, and cut her first original song there in 1965. Under the pseudonym Myiriam Frances, to maintain anonymity within her order (“Nuns didn’t do that kind of thing,” noted O’Connor), Phillips released a series of Sister Irene’s records at the tail end of the 1960s\u003c\/p\u003e\n\u003cp\u003eIt was at the convent in Singapore that Sister Irenemet Sister Marimil Lobregat, a fellow Franciscan nun who moved to the island from the Philippines in the early 1960s. More than a decade later, as if by divine intervention, they reconnected at another convent at Point Piper in Sydney. Marimil, also a musician and sound enthusiast, worked at the Catholic Radio and Television Centre in Homebush, in western Sydney, as an audio and visual technician. Sister Irene, faithfully honing her musical craft, and Sister Marimil hatched a plan to meet at the centre over a series of Sunday afternoons, and create the songs that would become Fire of God’s Love. The songs of Fire of God’s Love are sung in an angelic soprano by Sister Irene (with lyrics spanning English, Latin, and Malay) and produced by Sister Marimil, recorded on aTeac 3340S 4-track reel-to-reel. Marimil was instrumental in conjuring the uncanny otherworldliness that permeates the album. The crystalline fabric of Sister Irene’s voice is held exquisitely in a shimmering mosaic of reverb and analogue synthesiser hum, while momentously ringing out like a bell in the darkness, projecting until truth or the divine appears. Themes such as mercy, grace, light, and mystery are punctuated by a gentle acoustic guitar strum and eternal piano notes spinning slowly on a vibrating thread\u003c\/p\u003e\n\u003cp\u003eFor the songs with keyboards, Sister Irene played all the parts live in real time, including the bass pedals. The drum machine was generated by the same organ she played, and performed simultaneously. All of this lends to an atmosphere of heightened presence, an organic flash helmed deep from the subconscious. Originating from ideas created in a quiet convent and sequestered from worldly influence, the liturgical framework of the album is filtered through the intimate devotion of two Sisters — their own interpretation of pop music stripped of pretension and superficial glamour.\u003c\/p\u003e\n\u003cp\u003eThe album’s title, like many of its songs, stems from a Bible verse, in this case Luke 12:49. But Sisters Irene and Marimil ushered it into a space where all spiritualseekers can appreciate the transmission [Or: unusual hermeneutics]. The lyrics address universal needs, wants, and desires: everlasting love and affection, an end to loneliness, a new form of relief, and deliverance from the fear of death. Instead of hymnal forms, Sister Irene, perhaps inadvertently, utilises folk and psychedelia fashionable at the time to deliver a sermon that reads like love letters to a divine presence, speaking to the soul, beyond any formal religion. Fire of God’s Love is an inspiring archive of early electronic experimentation between two women friends and mystics, a documentation of their divine energy channelled in a disciplined way. Upon initial release, it was neither a flat-out success nor a failure, but was met mostly as a curiosity. The pair never made more music together, and in the 50 years since, their one-off collaboration continues to draw listeners in by way of record shop find (whether the original Phillips pressing or sonically superior 1976 reissue on AlbaHouse Communications) or more likely via YouTube, as a stumbled across and feverishly commented-on cult classic. Today, Sister Irene is living in Sydney, Australia, and is happy that new audiences are finding meaning in her music with Sister Marimil. Her story is a testament that you don’t need much to create a visionary, enduring album: a tape recorder, friendship, the Fire of God’s Love to ignite the pathway forward. That might be an aspirational friend, or an earthly companion right beside you. Sister Irene O’Connor’s of God’s Love will be released via Freedom To Spend on November 14 in vinyl ,CD, and digital editions\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Fire (Luke 12:49)\u003cbr\u003eA2. Nature Is A Song\u003cbr\u003eA3. Springtime (In Australia)\u003cbr\u003eA4. Mass—‘Emmanuel’\u003cbr\u003eA5. Messe du Saint Esprit\u003cbr\u003eA6. Light (John 8:12)\u003c\/p\u003e\n\u003cp\u003eB1. O Brother (Matt. 7:1-5)\u003cbr\u003eB2. Mary Was ‘There’\u003cbr\u003eB3. Teenager’s Chorus\u003cbr\u003eB4. O Great Mystery (John 6)\u003cbr\u003eB5. Christ Our King (Col. 1:13)\u003cbr\u003eB6. Keshukoran\u003cbr\u003e\u003c\/p\u003e","brand":"Freedom To Spend (RVNG INTL.)","offers":[{"title":"Default Title","offer_id":45321344909468,"sku":"FTS34LP","price":33.84,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/lp_87b3ec59-1b5a-470a-9b9c-22a09601d02c.jpg?v=1758045763"},{"product_id":"sister-irene-oconnor-fire-of-gods-love-fire-coloured-vinyl","title":"Sister Irene O'Connor - Fire of God's Love [fire coloured vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FTS34LP1\u003cbr\u003eBarcode: 747742390586\u003cbr\u003eRelease Date: 14 Nov 2025\u003cbr\u003eGenre: World\u003c\/p\u003e\n\u003cp\u003estandard weight, fire coloured vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFire of God’s Love is the legendary 1973 album by Australian nun Sister Irene O’Connor—a sincere, soulful, and unconsciously psychedelic song sequence devoted to self-reflection and awakening the spirit within. A collection of original folk spirituals written by and channelled throughO’Connor with guitar, electric organ, drum machine and her angelic voice, the album was recorded and mixed in an astonishingly futuristic fashion by fellow nun and recording engineer Sister Marimil Lobregat. Freedom ToSpend offers the first authorised reissue of this holy grail since 1976; the album restored and remastered with care and consideration from the best available sources. As a young Roman Catholic nun in the Franciscan Missionaries of Mary order, Sister Irene’s forays into music began in 1953 when she moved from Sydney to a convent in Singapore and began teaching children with learning difficulties. Acquiring an acoustic guitar and learning three simple chords, Irene’s songs blossomed with the children’s enthusiasm. Serendipitously, a parent of one student worked at a commercial radio station in Singapore, and Irene was invited to the station to perform and record in its studio. She went along, wearing her habit and carrying her guitar, and cut her first original song there in 1965. Under the pseudonym Myiriam Frances, to maintain anonymity within her order (“Nuns didn’t do that kind of thing,” noted O’Connor), Phillips released a series of Sister Irene’s records at the tail end of the 1960s\u003c\/p\u003e\n\u003cp\u003eIt was at the convent in Singapore that Sister Irenemet Sister Marimil Lobregat, a fellow Franciscan nun who moved to the island from the Philippines in the early 1960s. More than a decade later, as if by divine intervention, they reconnected at another convent at Point Piper in Sydney. Marimil, also a musician and sound enthusiast, worked at the Catholic Radio and Television Centre in Homebush, in western Sydney, as an audio and visual technician. Sister Irene, faithfully honing her musical craft, and Sister Marimil hatched a plan to meet at the centre over a series of Sunday afternoons, and create the songs that would become Fire of God’s Love. The songs of Fire of God’s Love are sung in an angelic soprano by Sister Irene (with lyrics spanning English, Latin, and Malay) and produced by Sister Marimil, recorded on aTeac 3340S 4-track reel-to-reel. Marimil was instrumental in conjuring the uncanny otherworldliness that permeates the album. The crystalline fabric of Sister Irene’s voice is held exquisitely in a shimmering mosaic of reverb and analogue synthesiser hum, while momentously ringing out like a bell in the darkness, projecting until truth or the divine appears. Themes such as mercy, grace, light, and mystery are punctuated by a gentle acoustic guitar strum and eternal piano notes spinning slowly on a vibrating thread\u003c\/p\u003e\n\u003cp\u003eFor the songs with keyboards, Sister Irene played all the parts live in real time, including the bass pedals. The drum machine was generated by the same organ she played, and performed simultaneously. All of this lends to an atmosphere of heightened presence, an organic flash helmed deep from the subconscious. Originating from ideas created in a quiet convent and sequestered from worldly influence, the liturgical framework of the album is filtered through the intimate devotion of two Sisters — their own interpretation of pop music stripped of pretension and superficial glamour.\u003c\/p\u003e\n\u003cp\u003eThe album’s title, like many of its songs, stems from a Bible verse, in this case Luke 12:49. But Sisters Irene and Marimil ushered it into a space where all spiritualseekers can appreciate the transmission [Or: unusual hermeneutics]. The lyrics address universal needs, wants, and desires: everlasting love and affection, an end to loneliness, a new form of relief, and deliverance from the fear of death. Instead of hymnal forms, Sister Irene, perhaps inadvertently, utilises folk and psychedelia fashionable at the time to deliver a sermon that reads like love letters to a divine presence, speaking to the soul, beyond any formal religion. Fire of God’s Love is an inspiring archive of early electronic experimentation between two women friends and mystics, a documentation of their divine energy channelled in a disciplined way. Upon initial release, it was neither a flat-out success nor a failure, but was met mostly as a curiosity. The pair never made more music together, and in the 50 years since, their one-off collaboration continues to draw listeners in by way of record shop find (whether the original Phillips pressing or sonically superior 1976 reissue on AlbaHouse Communications) or more likely via YouTube, as a stumbled across and feverishly commented-on cult classic. Today, Sister Irene is living in Sydney, Australia, and is happy that new audiences are finding meaning in her music with Sister Marimil. Her story is a testament that you don’t need much to create a visionary, enduring album: a tape recorder, friendship, the Fire of God’s Love to ignite the pathway forward. That might be an aspirational friend, or an earthly companion right beside you. Sister Irene O’Connor’s of God’s Love will be released via Freedom To Spend on November 14 in vinyl ,CD, and digital editions\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Fire (Luke 12:49)\u003cbr\u003eA2. 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The attention to intention and their inviting sonic world connects the music to artists ranging from Alabaster dePlume to Gondwana label boss Matthew Halsall and draws on inspiration from the revered elders of so-called Spiritual jazz: Art Ensemble of Chicago, Pharoah Saunders, Coltrane (Alice and John), and Don Cherry.\u003c\/p\u003e\n\u003cp\u003eThe deep roots of Ancient Infinity Orchestra can be traced back to Ozzy’s childhood. After attending a Buddhist primary school in Brighton, where kids were encouraged to take part in improvised performances during assembly, Ozzy grew up in rural Lincolnshire. By the age of 11 he was teaching himself guitar and percussion and playing in his grandma’s church. At 17 he joined Boston Youth Jazz Orchestra, and then attended Leeds College of Music to study composition. It was here that in 2017 a group of musicians agreed to join seven-hour rehearsals, twice a week, in the shared house that became Ancient Infinity Orchestra’s first HQ. 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Highlights include ‘Chant for Don Cherry’, which he describes as a ‘campfire style’ thank you to Cherry himself and which features high-colour piano lines and gently propellant guitars. “His beautiful, organic music-making deeply affected me. He had a direct link to the magic and he left so much music for us.” ‘The Seeker’ features intricate arrangements where a chorus of voices swoop around the instrumentalists before dropping into an irresistible groove – one for those who loved Floating Points’ collaboration with Pharoah Saunders. Penultimate tune ‘Old Friends’ is a celebration of communality and connection, with players and singers allowing joy to permeate every aspect of the song, with collective whoops and impromptu applause kept from the original recording for us to revel in.\u003c\/p\u003e\n\u003cp\u003eAncient Infinity Orchestra is a gathering of voices, traditions, and energies converging into something timeless. 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