{"title":"Republic of Music 13.11.26","description":null,"products":[{"product_id":"los-bitchos-los-bitchos-friends-vol-1-cd","title":"Los Bitchos - Los Bitchos \u0026 Friends Vol 1 [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: GREAT1CD\u003cbr\u003eBarcode: 4062548148725\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Indie\/Alt\/Rock\u003c\/p\u003e\n\u003cp\u003eDigipak CD\u003c\/p\u003e\n\u003cp\u003eLos Bitchos — a band already defined by the collision of cultures — are taking their cross-continental spirit even\u003cbr\u003efurther with a new album that celebrates global unity through collaboration. Drawing from their own diverse roots — spanning Australia, Turkey, Sweden, and the UK — the band dives deeper into the idea that music is a universal language, one that thrives on exchange, curiosity, and connection. Inviting guest artists from different corners of the world, blending rhythms, textures, and traditions into a vibrant, borderless mix. The record becomes more than an album; it’s a celebration of shared humanity, showing that when cultures meet, they don’t clash — they dance. \u003c\/p\u003e\n\u003cp\u003e“If we don’t learn from each other we can’t progress.” - Los Bitchos\u003c\/p\u003e\n\u003cp\u003eHaving spent the best part of a decade playing together and touring the world, the global cast of collaborators that Los Bitchos have signed up for …\u0026amp; Friends Vol 1 is a testament to the joy and inclusivity they’ve spent their career spreading. Across Vol 1’s nine tracks, former King Gizz tourmate Ambrose Kenny-Smith lends his talents to “Holding Cell”; first single “Hang Up (Pt 2)” features parts from both Black Pumas’ Adrian Quesada and genre-blurring Sudanese-American musician Sinkane; “Conexiones” brings in Peruvian-influenced New Yorkers Chicha Libre, the instrumental “Forest” was co-written by Simon Burke of The Meltdown, and “El Pençe” features vocals sung in Turkish by Kit Sebastian.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA Side\u003cbr\u003e1. Hang Up (Pt 2) (feat. Adrian\u003cbr\u003eQuesada \u0026amp; Sinkane)\u003cbr\u003e2. El Pençe (feat. Kit Sebastian)\u003cbr\u003e3. Walk In Salem\u003cbr\u003e4. Holding Cell (feat. Ambrose\u003cbr\u003eKenny-Smith)\u003cbr\u003eB Side\u003cbr\u003e1. Cross\u003cbr\u003e2. Forest\u003cbr\u003e3. Sunset\u003cbr\u003e4. Conexiones (feat. Chicha Libre)\u003cbr\u003e5. Next Selection (Prelude)\u003c\/p\u003e","brand":"Great! Records In Association With !K7 Music","offers":[{"title":"Default Title","offer_id":47490570289308,"sku":"GREAT1CD","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_251a53ee-e082-4791-9b4a-8a834230695d.jpg?v=1788073983"},{"product_id":"los-bitchos-los-bitchos-friends-vol-1-lp","title":"Los Bitchos - Los Bitchos \u0026 Friends Vol 1 [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: GREAT1LP \u003cbr\u003eBarcode: 4062548147629\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Indie\/Alt\/Rock\u003c\/p\u003e\n\u003cp\u003eBlack Vinyl\u003c\/p\u003e\n\u003cp\u003eLos Bitchos — a band already defined by the collision of cultures — are taking their cross-continental spirit even\u003cbr\u003efurther with a new album that celebrates global unity through collaboration. Drawing from their own diverse roots — spanning Australia, Turkey, Sweden, and the UK — the band dives deeper into the idea that music is a universal language, one that thrives on exchange, curiosity, and connection. Inviting guest artists from different corners of the world, blending rhythms, textures, and traditions into a vibrant, borderless mix. The record becomes more than an album; it’s a celebration of shared humanity, showing that when cultures meet, they don’t clash — they dance. \u003c\/p\u003e\n\u003cp\u003e“If we don’t learn from each other we can’t progress.” - Los Bitchos\u003c\/p\u003e\n\u003cp\u003eHaving spent the best part of a decade playing together and touring the world, the global cast of collaborators that Los Bitchos have signed up for …\u0026amp; Friends Vol 1 is a testament to the joy and inclusivity they’ve spent their career spreading. Across Vol 1’s nine tracks, former King Gizz tourmate Ambrose Kenny-Smith lends his talents to “Holding Cell”; first single “Hang Up (Pt 2)” features parts from both Black Pumas’ Adrian Quesada and genre-blurring Sudanese-American musician Sinkane; “Conexiones” brings in Peruvian-influenced New Yorkers Chicha Libre, the instrumental “Forest” was co-written by Simon Burke of The Meltdown, and “El Pençe” features vocals sung in Turkish by Kit Sebastian.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA Side\u003cbr\u003e1. Hang Up (Pt 2) (feat. Adrian\u003cbr\u003eQuesada \u0026amp; Sinkane)\u003cbr\u003e2. El Pençe (feat. Kit Sebastian)\u003cbr\u003e3. Walk In Salem\u003cbr\u003e4. Holding Cell (feat. Ambrose\u003cbr\u003eKenny-Smith)\u003cbr\u003eB Side\u003cbr\u003e1. Cross\u003cbr\u003e2. Forest\u003cbr\u003e3. Sunset\u003cbr\u003e4. Conexiones (feat. Chicha Libre)\u003cbr\u003e5. Next Selection (Prelude)\u003c\/p\u003e","brand":"Great! Records In Association With !K7 Music","offers":[{"title":"Default Title","offer_id":47490570354844,"sku":"GREAT1LP","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_20028678-e1a9-4da0-95a8-d6a4802ea98e.jpg?v=1788010217"},{"product_id":"moodymann-mahogany-brown-colour-lp","title":"Moodymann - Mahogany Brown [Colour LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PF74XXXV\u003cbr\u003eBarcode: 5060100745558\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Dance\/Electronic\u003c\/p\u003e\n\u003cp\u003e2LP Smokey vinyl\u003c\/p\u003e\n\u003cp\u003eThe debut Peacefrog album from Kenny Dixon Jr. aka Moodymann originally released in 1998 is an album of truly epic proportions, a must have for any and all collectors and lovers of house music. Utilising soul, funk, gospel, and even hip hop production techniques and alternating from mellowed-out disco dubs like \"Mahogany Brown\" and \"Stoneodenjoe” to more raw and dirty tech-house tracks like \"Me and My People's Eyes.”. Mahogany Brown delivers a slice of Black American music that affirms Kenny's reputation as a major influence on house music today.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1 Radio \u003cbr\u003eA2 Sunshine \u003cbr\u003eA3 On The Run \u003cbr\u003e \u003cbr\u003eB1 M.E.A.N.D.N.J.B \u003cbr\u003eB2 Mahogany Brown 5 \u003cbr\u003e \u003cbr\u003eC1 Me And My Peoples Eyes \u003cbr\u003eC2 Stoneodenjoe (House) \u003cbr\u003eC3 Joy Part III D Black Sunday\u003c\/p\u003e","brand":"Peacefrog Records","offers":[{"title":"Default Title","offer_id":47514352582812,"sku":"PF74XXXV","price":41.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_1_8557054b-8dfe-4089-8135-75dc7e4d8043.jpg?v=1788347705"},{"product_id":"wonky-logic-mek-do-mend","title":"Wonky Logic - Mek Do \u0026 Mend","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BWOOD456LP\u003cbr\u003eBarcode: 5060180328078\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Funk\/Hip Hop\/Soul\u003c\/p\u003e\n\u003cp\u003eThis November, Brownswood Recordings will release Mek Do \u0026amp; Mend, the debut album from self-taught producer, multi-instrumentalist, composer and artist Wonky Logic. Although his name may not yet be familiar to everyone, Wonky Logic (AKA Dwayne Kilvington) has spent the past two decades quietly becoming one of the UK's most respected musical collaborators. His career has moved comfortably between London's jazz, electronic and contemporary music scenes, performing and recording with artists including Nala Sinephro, Yussef Dayes, Nightmares On Wax, Shabaka Hutchings and Emma-Jean Thackray. Alongside his work as a producer and composer, he's been musical director for projects with Eddie Chacon, John Carroll Kirby and I.G Culture's LCSM, scored the feature documentary Zandra With A Zed, contributed music to A24's The Smashing Machine, and continues to lead music workshops with young people, refugees and people experiencing incarceration.\u003cbr\u003e \u003cbr\u003eFar more than a collection of compositions, Mek Do \u0026amp; Mend is a deeply personal reflection on the people, places and experiences that have shaped Kilvington throughout his life. It's the story of growing up on a Leeds council estate, where music became both a creative outlet and a way of understanding the world. Making music often meant working with whatever was available: a second-hand keyboard, a makeshift studio desk or ageing equipment that simply had to last a little longer. The title itself came from a conversation with his mother, capturing the resourcefulness that defined his upbringing and continued into the making of the album itself, which was written and produced to a tight deadline around touring, family life and Kilvington's work as a musician and educator.\u003cbr\u003e \u003cbr\u003eBuilt from material spanning more than fifteen years, Mek Do \u0026amp; Mend brings together some of Wonky Logic's earliest compositions alongside brand new pieces written during the making of the record itself. Childhood ideas sit alongside music conceived only months before recording, creating an album that draws together a lifetime of writing rather than documenting a single moment. Running throughout are voice notes from family members, teachers, friends, mentors and collaborators—not simply as interludes, but as a reminder that no creative life is ever self-made. Rather than telling his own story outright, Kilvington invites listeners to discover him through the people who've shaped him: an aunt remembering him playing in church as a child, lifelong friends recalling early experiments making beats together, fellow musicians from different stages of his career and his mother describing him in her own words. Together they reveal the invisible network of relationships, philosophies, communities and experiences behind the music. \"The album exists somewhere between being a biography and an autobiography,\" says Dwayne. \"The biography is in the voice notes and how other people see me. The autobiography is in the music.\"\u003cbr\u003e \u003cbr\u003eThat same philosophy extends to the musicians who appear on the record. Every contributor has played a meaningful role in Wonky Logic's life beyond the studio. Long-time collaborator Luke Wynter, Steam Down drummer Benji Appiah, partner Vanessa Rani, Jonathan Enser, Joe Bristow, Brother Portrait and Nubiya Imani all feature not simply because of their musicianship, but because they form part of the album's story.\u003cbr\u003e \u003cbr\u003eAcross its fourteen tracks, Mek Do \u0026amp; Mend moves effortlessly between dynamic jazz arrangements, pulsating broken rhythms, delicate, twinkling piano passages, interstellar synth textures and elegant brass lines. Album opener and first single 'Strange Attractor' begins with a shimmering introduction before unfolding into an exhilarating surge of rhythm and momentum. Named after the mathematical concept of the same name, it serves as the conceptual point of origin for the album. Written when Kilvington was just seventeen, the composition reflects the idea that even the most unpredictable lives are guided by hidden patterns that often only become visible with time. Second single 'A Thousand Hands' features the unmistakable vocal tones of Brother Portrait, whose cerebral lyricism drifts over a low-slung, constantly shifting groove as woozy synth lines ebb and flow overhead. At its heart, the track celebrates the family, friends, mentors and collaborators whose often unseen influence shapes who we become, echoing the album's belief that every achievement is, in some way, a collective one. LP focus track 'BAME (Beyond All Marginalised Expectations)' is a lush, spiralling composition, brimming with both emotion and resolve. Reclaiming an acronym long imposed on racialised communities in the UK, the piece transforms it into a statement of possibility rather than limitation: a defiant rejection of stereotypes and a refusal to let identity be defined by other people's expectations.\u003cbr\u003e \u003cbr\u003eThe album itself only exists because other people believed in it. Isabel Gracefield made the RAK sessions possible, Rick David brought the record together with his characteristically thoughtful mix, and Gilles Peterson committed to releasing it on Brownswood before hearing any of the music. Away from the stage, Kilvington works with the charity Finding Rhythms, writing and producing original records with people experiencing incarceration, while also leading workshops with Arts Train and Dovetail Orchestra.\u003cbr\u003e \u003cbr\u003eRecorded live in a single day in Studio One at RAK, Mek Do \u0026amp; Mend was mixed by Rick David through an analogue Cadac console before being mastered by Stuart Hawkes at Metropolis. The aim wasn't nostalgia or audiophile perfection, but to create a record people could return to throughout their lives, discovering something new with each listen.\u003cbr\u003e \u003cbr\u003eAs Dwayne puts it: \"I don't want this body of work to be reduced to a jazz record. It's more like a novel about life told through music.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1 - Strange Attractor\u003cbr\u003e2 - Underneath The Same Sky (feat. Vanessa Rani)\u003cbr\u003e3 - Mek Do \u0026amp; Mend\u003cbr\u003e4 - Alchemical\u003cbr\u003e5 - Yellow Red\u003cbr\u003e6 - Man (feat. Nubiya Imani)\u003cbr\u003e7 - Naiyima-Rani\u003cbr\u003e8 - L29\u003cbr\u003e9 - B.A.M.E (Beyond All Marginalised Expectations)\u003cbr\u003e10 - A Thousand Hands (feat. Brother Portrait)\u003cbr\u003e11 - Loan Sharks\u003cbr\u003e12 - Parris\u003cbr\u003e13 - Botanical Support\u003cbr\u003e14 - Made By Many (Outro)\u003c\/p\u003e","brand":"Brownswood","offers":[{"title":"Default Title","offer_id":47544110186652,"sku":"BWOOD456LP","price":23.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/8_52506ad4-be5b-43c9-8c80-d9912f70f9b8.png?v=1788695123"},{"product_id":"dj-heartstring-sentimental-ultra-cd","title":"DJ Heartstring - Sentimental Ultra [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SCDD65CD\u003cbr\u003eBarcode: 5053760159506\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Dance\/ Electronic\u003c\/p\u003e\n\u003cp\u003eDigipak + Jewel Case, 2LP Fuchsia Vinyls\u003c\/p\u003e\n\u003cp\u003eSentimental Ultra marks DJ HEARTSTRING’s debut proper on Steel City Dance Discs, and their first album project, releasing November 13th 2026. Starting life as a mixtape before a happy accident or two took it down a different path, the 15-track album finds the pair chasing not just peak-time euphoria and what they can conjure in a club setting, but everything around it, too. The befores and the afters. The soft and the supercharged. What life felt like when they were young. Featuring collaborations with SWIM, Spriitzz, BAUGRUPPE90, Sam Gellaitry, Saidah, DMA’S, KennyHoopla, Monk, 3NDLES5, David Jackson and secret act, they fold formative years influences such as indie rock, rap, ambient and breakbeat into their sought-after sound, and balance them with contemporary-coded ideas.\u003c\/p\u003e\n\u003cp\u003eThis blend of worlds is at the crux of the album’s concept visually as well. Sentimental Ultra is an exploration blurring the lines of hard and soft, taking inspiration from subculture communities around football hooliganism and skateboarding. The cover is shot by iconic British photographer Ewen Spencer, renowned for his work around Skins, The Streets and more. The collaboration has seen DJ HEARTSTRING land features in Numero Berlin, Notion Mag and other cross-cultural editorial platforms ahead of the album announcement.\u003c\/p\u003e\n\u003cp\u003eTo date, the project has already received various milestones across international radio, including Arielle Free’s Big Whopper for third single ‘Another Year Alone’ and DJ HEARTSTRING landing a coveted BBC R1 Residency in November. Adding to this is the slew of digital looks and accolades for DJ HEARTSTRING’s set recordings including their closing set at Soenda Festival earlier this year which is on 115k views since being published in May 2026, their Melbourne Boiler Room published in 2025 with +1 million views and their Belfast Boiler Room published in 2023 with +1.1 million views. \u003c\/p\u003e\n\u003cp\u003eSince DJ HEARTSTRING’s 2021 debut, when they rollicked through the club door with their Destiny of the Moment and Eternal Euphoria EPs, alongside a slew of self-released, pop-and-R\u0026amp;B-indebted edits, DJ HEARTSTRING have followed their hearts and won over legions more with an emotional dance music style that’s fast become synonymous with their name. \u003c\/p\u003e\n\u003cp\u003eThere’ve been big releases such as 2025’s You Are The Sun, I Am The Sky EP, and buzzy collaborations with fellow synapse-igniters like SWIM, Narciss, southstar and S.C.D.D.’s KETTAMA. The past few years have also seen remixes for Charli XCX and Sam Smith, Romy, Sugababes and Empire of the Sun, sets everywhere from Berghain to London’s 3000-capacity Roundhouse, their own Teenage Dream parties and a must-listen contribution to the BBC Radio 1’s Essential Mix series, which showcased just some of the sonic inspirations behind their signature, like Eurodance and trance, plus heaps of DJ HEARTSTRING material. \u003c\/p\u003e\n\u003cp\u003eAnd now, Sentimental Ultra arrives off the back of DJ HEARTSTRING’s busiest summer to date with landmark festival plays at Awakenings in the Netherlands, Lost Village and Maiden Voyage in the UK, We Love Green in France, Lost Paradise in Belgium, Movement Festival in Detroit and Arc Festival in Chicago. Hot off the heels of their festival run, the Berlin duo show no signs of slowing down with a 3-date Australia tour at the end of September whereby they sold a cumulative 15,500 tickets across Melbourne, Sydney and Perth shows, all on presales. In addition to some pop-up in key markets around album release including Ireland, Scotland, Berlin and London, the Sentimental Ultra official tour also encompasses a European hard ticket run including Belfast’s Telegraph Building (2,000 cap), Brussels’ Braindance (2,000 cap), Paris Phantom (3,400) and DJ HEARTSTRING’s biggest London show to date - Brixton Academy (5,000) - an apt follow-up after selling out Magazine (4,000 cap) weeks in advance in February 2026. \u003c\/p\u003e\n\u003cp\u003eThere’s plenty still in store, and plenty of places to catch them throughout the rest of what’s set to be a landmark year. Shows from Miami to Manchester (for the sold-out KETTAMA presents Steel City Dance Discs WHP takeover) to Dublin’s District X, a hometown Teenage Dreams event and 2 colossal ADE headlines at Dockyard and Sugar Factory  - with more plans bubbling behind the scenes. DJ HEARTSTRING season is well and truly upon us.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING:\u003cbr\u003eA1    DJ HEARTSTRING - Heartcore (Dreams Become Reality)\u003cbr\u003eA2     DJ HEARTSTRING \u0026amp; BAUGRUPPE90 - What Music Felt Like In 2007 \u003cbr\u003eA3     DJ HEARTSTRING \u0026amp; Spriitzz - Sentimental Ultra\u003cbr\u003eA4     DJ HEARTSTRING - You’ve Been On My Mind\u003cbr\u003eB1     DJ HEARTSTRING, Monk, 3NDLES5 \u0026amp; Crazymike - 3AM\/4AM\u003cbr\u003eB2  DJ HEARTSTRING, David Jackson \u0026amp; Lotusgirl3000 - Oxytocin\u003cbr\u003eB3     DJ HEARTSTRING \u0026amp; SWIM - IN2ME\u003cbr\u003eB4     DJ HEARTSTRING - Supersonic Pleasure \u003cbr\u003eC1     DJ HEARTSTRING - Another Year Alone (i love you)\u003cbr\u003eC2     DJ HEARTSTRING - Where There's Light, There's Hope\u003cbr\u003eC3     DJ HEARTSTRING \u0026amp; Sam Gellaitry - So Many Things To Say \u003cbr\u003eC4     DJ HEARTSTRING, DMA’S, Saidah - A Thousand Lies \u003cbr\u003eD1 DJ HEARTSTRING - Healing\u003cbr\u003eD2 DJ HEARTSTRING \u0026amp;  KennyHoopla - All That’s Left Behind\u003cbr\u003eD3 DJ HEARTSTRING \u0026amp; secret act - And Now We Are Strangers \u003c\/p\u003e","brand":"Steel City Dance Discs","offers":[{"title":"Default Title","offer_id":47781695094940,"sku":"SCDD65CD","price":13.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_c50854aa-4cf9-4ecd-9518-0e0be3c61dea.png?v=1790795738"},{"product_id":"dj-heartstring-sentimental-ultra-2lp-fuchsia","title":"DJ Heartstring - Sentimental Ultra [2LP Fuchsia]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: SCDD65LP\u003cbr\u003eBarcode: 5053760159438\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Dance\/ Electronic\u003c\/p\u003e\n\u003cp\u003e2LP Fuchsia Vinyls\u003c\/p\u003e\n\u003cp\u003eSentimental Ultra marks DJ HEARTSTRING’s debut proper on Steel City Dance Discs, and their first album project, releasing November 13th 2026. Starting life as a mixtape before a happy accident or two took it down a different path, the 15-track album finds the pair chasing not just peak-time euphoria and what they can conjure in a club setting, but everything around it, too. The befores and the afters. The soft and the supercharged. What life felt like when they were young. Featuring collaborations with SWIM, Spriitzz, BAUGRUPPE90, Sam Gellaitry, Saidah, DMA’S, KennyHoopla, Monk, 3NDLES5, David Jackson and secret act, they fold formative years influences such as indie rock, rap, ambient and breakbeat into their sought-after sound, and balance them with contemporary-coded ideas.\u003c\/p\u003e\n\u003cp\u003eThis blend of worlds is at the crux of the album’s concept visually as well. Sentimental Ultra is an exploration blurring the lines of hard and soft, taking inspiration from subculture communities around football hooliganism and skateboarding. The cover is shot by iconic British photographer Ewen Spencer, renowned for his work around Skins, The Streets and more. The collaboration has seen DJ HEARTSTRING land features in Numero Berlin, Notion Mag and other cross-cultural editorial platforms ahead of the album announcement.\u003c\/p\u003e\n\u003cp\u003eTo date, the project has already received various milestones across international radio, including Arielle Free’s Big Whopper for third single ‘Another Year Alone’ and DJ HEARTSTRING landing a coveted BBC R1 Residency in November. Adding to this is the slew of digital looks and accolades for DJ HEARTSTRING’s set recordings including their closing set at Soenda Festival earlier this year which is on 115k views since being published in May 2026, their Melbourne Boiler Room published in 2025 with +1 million views and their Belfast Boiler Room published in 2023 with +1.1 million views. \u003c\/p\u003e\n\u003cp\u003eSince DJ HEARTSTRING’s 2021 debut, when they rollicked through the club door with their Destiny of the Moment and Eternal Euphoria EPs, alongside a slew of self-released, pop-and-R\u0026amp;B-indebted edits, DJ HEARTSTRING have followed their hearts and won over legions more with an emotional dance music style that’s fast become synonymous with their name. \u003c\/p\u003e\n\u003cp\u003eThere’ve been big releases such as 2025’s You Are The Sun, I Am The Sky EP, and buzzy collaborations with fellow synapse-igniters like SWIM, Narciss, southstar and S.C.D.D.’s KETTAMA. The past few years have also seen remixes for Charli XCX and Sam Smith, Romy, Sugababes and Empire of the Sun, sets everywhere from Berghain to London’s 3000-capacity Roundhouse, their own Teenage Dream parties and a must-listen contribution to the BBC Radio 1’s Essential Mix series, which showcased just some of the sonic inspirations behind their signature, like Eurodance and trance, plus heaps of DJ HEARTSTRING material. \u003c\/p\u003e\n\u003cp\u003eAnd now, Sentimental Ultra arrives off the back of DJ HEARTSTRING’s busiest summer to date with landmark festival plays at Awakenings in the Netherlands, Lost Village and Maiden Voyage in the UK, We Love Green in France, Lost Paradise in Belgium, Movement Festival in Detroit and Arc Festival in Chicago. Hot off the heels of their festival run, the Berlin duo show no signs of slowing down with a 3-date Australia tour at the end of September whereby they sold a cumulative 15,500 tickets across Melbourne, Sydney and Perth shows, all on presales. In addition to some pop-up in key markets around album release including Ireland, Scotland, Berlin and London, the Sentimental Ultra official tour also encompasses a European hard ticket run including Belfast’s Telegraph Building (2,000 cap), Brussels’ Braindance (2,000 cap), Paris Phantom (3,400) and DJ HEARTSTRING’s biggest London show to date - Brixton Academy (5,000) - an apt follow-up after selling out Magazine (4,000 cap) weeks in advance in February 2026. \u003c\/p\u003e\n\u003cp\u003eThere’s plenty still in store, and plenty of places to catch them throughout the rest of what’s set to be a landmark year. Shows from Miami to Manchester (for the sold-out KETTAMA presents Steel City Dance Discs WHP takeover) to Dublin’s District X, a hometown Teenage Dreams event and 2 colossal ADE headlines at Dockyard and Sugar Factory  - with more plans bubbling behind the scenes. DJ HEARTSTRING season is well and truly upon us.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING:\u003cbr\u003eA1    DJ HEARTSTRING - Heartcore (Dreams Become Reality)\u003cbr\u003eA2     DJ HEARTSTRING \u0026amp; BAUGRUPPE90 - What Music Felt Like In 2007 \u003cbr\u003eA3     DJ HEARTSTRING \u0026amp; Spriitzz - Sentimental Ultra\u003cbr\u003eA4     DJ HEARTSTRING - You’ve Been On My Mind\u003cbr\u003eB1     DJ HEARTSTRING, Monk, 3NDLES5 \u0026amp; Crazymike - 3AM\/4AM\u003cbr\u003eB2  DJ HEARTSTRING, David Jackson \u0026amp; Lotusgirl3000 - Oxytocin\u003cbr\u003eB3     DJ HEARTSTRING \u0026amp; SWIM - IN2ME\u003cbr\u003eB4     DJ HEARTSTRING - Supersonic Pleasure \u003cbr\u003eC1     DJ HEARTSTRING - Another Year Alone (i love you)\u003cbr\u003eC2     DJ HEARTSTRING - Where There's Light, There's Hope\u003cbr\u003eC3     DJ HEARTSTRING \u0026amp; Sam Gellaitry - So Many Things To Say \u003cbr\u003eC4     DJ HEARTSTRING, DMA’S, Saidah - A Thousand Lies \u003cbr\u003eD1 DJ HEARTSTRING - Healing\u003cbr\u003eD2 DJ HEARTSTRING \u0026amp;  KennyHoopla - All That’s Left Behind\u003cbr\u003eD3 DJ HEARTSTRING \u0026amp; secret act - And Now We Are Strangers \u003c\/p\u003e","brand":"Steel City Dance Discs","offers":[{"title":"Default Title","offer_id":47781696503964,"sku":"SCDD65LP","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/lp_ef5a54cb-b486-44ea-aa07-78df90e42e5b.png?v=1790795736"},{"product_id":"la-dispute-vancouver-emerald-with-white-splatter","title":"La Dispute - Vancouver [Emerald with White Splatter]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: LD2VANIEX\u003cbr\u003eBarcode: 0840526512904\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Indie\/Alt\/Rock\u003c\/p\u003e\n\u003cp\u003eEmerald with White Splatter - Indie Retail Exclusive\u003c\/p\u003e\n\u003cp\u003eLa Dispute is an American post-hardcore band formed in Grand Rapids, Michigan in 2004. The band consists of vocalist Jordan Dreyer, guitarist Chad Sterenberg, drummer Brad Vander Lugt, bassist Adam Vass, and guitartist Corey Stroffolino. Known for their intense and emotionally charged sounds, La Dispute has released five studio albums to critical acclaim, including “Somewhere at the Bottom of the River Between Vega and Altair” (2008), “Wildlife” (2011), and “Panorama” (2019). Their music often explores themes of loss, grief, and human relationships through a series of interconnected stories. La Dispute has developed a devoted fanbase and is known for their powerful, unforgettable live performances.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING:\u003cbr\u003e1.    Future Wars\u003cbr\u003e2.    A Word of Welcome and Warning\u003cbr\u003e3.    See You in Vancouver\u003cbr\u003e4.    To Withstand the Force of Storms\u003cbr\u003e5.    He Is Here, He Is Not Afraid\u003cbr\u003e6.    The Surgeon and the Scientist\u003cbr\u003e7.    Fairmount\u003cbr\u003e8.    Untitled\u003c\/p\u003e","brand":"Many Hats","offers":[{"title":"Default Title","offer_id":47801724698780,"sku":"LD2VANIEX","price":27.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_78456a66-74b8-4eb4-ae7b-08fc62d072c4.jpg?v=1791051857"},{"product_id":"land-of-talk-lasts-highlighter-yellow-vinyl","title":"LAND OF TALK - LASTS [Highlighter Yellow Vinyl]","description":"\u003cp\u003eFormat: LP, Highlighter Yellow Vinyl \u003cbr\u003eCatalogue No.: LBJ407LP\u003cbr\u003eBarcode: 0648401040715\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e01. Broken Tongue 3:57\u003cbr\u003e02. Saron 5:06\u003cbr\u003e03. 4:44 3:49\u003cbr\u003e04. Dogs 4:12\u003cbr\u003e05. Cats 4:52\u003cbr\u003e06. Projections 4:32\u003cbr\u003e07. Cedars 4:38\u003cbr\u003e08. Lasts 4:33\u003c\/p\u003e\n\u003cp\u003eLand of Talk is still here. That wasn’t always a guarantee. Over the multi-faceted twenty year history of their project, Lizzie Powell has drifted from and back to music, always interrogating their role as an artist. In the time since 2023’s Performances, they found themselves utterly worn down by the vicissitudes of the music industry and wracked with worry around their aging parents. Yet the music didn’t stop: Powell heard songs in traffic and in birds chirping, in their downstairs neighbor’s daily prayers and in the babble of children on the street. Melodies slowly cohered over time. “Life can become so unbearable, and music is where I go to metabolize it,” they explain. “I know the music was the only thing that was going to help me.” Soon Powell reemerged with the sixth Land of Talk album, LASTS. \u003c\/p\u003e\n\u003cp\u003eLASTS is full of double meanings — both resilience and finality, acting as a noun and a verb. Though LASTS is haunted by crises including climate collapse, political upheaval, and genocide, the mangitude of global turmoil led Powell towards smaller, humane depictions of suffering and grief. As both their parents became ill, Powell reflected on the last time a person might walk, might talk to a loved one. Yet watching their parents near the other side of life’s arc also made Powell consider all they had survived across their own decades on this earth, their new songs channeling both gratitude and rage. LASTS became a phrase, honoring Land of Talk’s circuitous route and all Powell’s reckoned with through the years. “I think of this record as a love letter to life,” they say.\u003c\/p\u003e\n\u003cp\u003eWith everything that’s happened since Land of Talk’s 2006 EP Applause Cheer Boo Hiss and 2008 debut LP Some Are Lakes, Powell would know something about writing a letter to life. Back then, Powell was thrown into the hotbed of indie blog buzz, tied to an array of fellow ascendant Canadian acts in Montreal’s ‘00s scene. Land of Talk soon broke off on their own, following no clean narrative consigned to scene, era, or genre. After a hiatus in the ‘10s, Powell returned to making music with 2017’s Life After Youth, following it with 2020’s Indistinct Conversations and then Performances. With each album, Powell reimagined their approach to songwriting, all while simultaneously celebrating a new freedom after coming out as non-binary and wrestling with the lingering traumas of existing as a non-cis male in the music industry. LASTS picks up where its predecessors left off, wielding unflinching honesty, pensive empathy, and righteous anger alike. \u003c\/p\u003e\n\u003cp\u003eFor Powell, songwriting is a slow process of pulling ideas from the ether — a constant, fluid conversation rather than abrupt flashes of inspiration or any kind of prompt-driven session. Eventually, they collect stray chords and melodies from a trove of voice memos, distilling and often narrowing to a particular instrument — synths on Life After Youth, acoustic guitar on Indistinct Conversations, piano on Performances, and now the smaller parlor acoustic for the intimacy of LASTS. \u003c\/p\u003e\n\u003cp\u003eThe eight songs on LASTS travel through everything that was on Powell’s mind in these years: sexual abuse and grooming in the music industry, the sharp polarity of the beauty they see in their artist peers and the toxicity they see in industry power brokers, the mortality of their parents (“Funeral clothes have been packed a few times,” they say of various close calls), the ongoing process of understanding their identity as a non-binary person. They often forge ahead with the songs in hopes of communing with others who have experienced the same: “Music is medicine for me, and I know that if this song helps me feel better, maybe someone else will feel heard and understood.” \u003c\/p\u003e\n\u003cp\u003eThese were deeply personal new songs even by Land of Talk’s standards, and Powell knew they could only be brought to life with trusted collaborators including drummer Michael Belyea and guitarist\/bassist\/engineer Michael Feuerstack — a longtime friend, consigliere, and influence for Powell. The trio gathered in a cabin in Harrington, a rural region of Quebec two hours northwest of Montreal. “It was important I felt super safe, and I just wanted to make this record with people where I didn’t have to worry about being misunderstood or objectified,” Powell asserts. They arrived with bare-bones demos, and then let the songs reveal themselves over a ten-day session during which most of LASTS was tracked. Though there is a raw, in-the-room quality that conjures the scrappier rock of early Land of Talk albums, there’s also a humid, dreamlike quality to the performances — a sense that something new is gradually emerging over the course of each song, just as Powell’s writing had rested on nothing being certain aside from the magic and mystery of how the ideas arrived to them. \u003c\/p\u003e\n\u003cp\u003eThe end result is an album both lean and winding, allowing Powell’s words and melodies to take centerstage, uncrowded in visceral, shot-no-chaser arrangements. LASTS jumps right in with “Broken Tongue,” a wiry track built on thrumming electric guitar and ghostly synths as Powell rails against the lack of justice for victims of abuse. The trio’s interplay is readily evident in “Saffron” and “4:44,” two earworm songs that also allow themselves to unspool into extended instrumental codas. Early in the record, there are seething tracks like “Dogs” — “Just your basic instinct \/ Even dogs know better,” Powell growls in the chorus, before the song quiets into a plaintive plea of “Leave us alone now” — and later there are more vulnerable, wandering moments. In “Projections” and “Cedars,” Powell ventures deep into their head, inviting their co-conspirators and listeners alike to follow the songs wherever they meander. \u003c\/p\u003e\n\u003cp\u003eIf there’s an end to the journey of LASTS, it’s in the willful imperfection of its closing title track. Powell allowed the song to sit, with all its uncalculated breaths and lack of resolution. That, to them, was part of the point — frustration that some things can never be resolved beyond the recognition we’re not alone, or that we need to keep moving while carrying everything from our past. “I have this sense that everything is unraveling, decaying,” Powell concludes. “These songs are me trying to stay safe, to ride right in the barrel of the wave.” That poignant final image defines LASTS. Drawing upon everything Land of Talk and Powell have been in two decades, the album becomes a document of the simple yet implausible act of survival.\u003c\/p\u003e","brand":"Saddle Creek","offers":[{"title":"Default Title","offer_id":47860442628252,"sku":"LBJ407LP","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/y_1633d24a-acfb-465b-a0e1-ad27caa1e130.jpg?v=1791660886"},{"product_id":"land-of-talk-lasts-cd","title":"LAND OF TALK - LASTS [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: LBJ407CD\u003cbr\u003eBarcode: 0648401040722\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e01. Broken Tongue 3:57\u003cbr\u003e02. Saron 5:06\u003cbr\u003e03. 4:44 3:49\u003cbr\u003e04. Dogs 4:12\u003cbr\u003e05. Cats 4:52\u003cbr\u003e06. Projections 4:32\u003cbr\u003e07. Cedars 4:38\u003cbr\u003e08. Lasts 4:33\u003c\/p\u003e\n\u003cp\u003eLand of Talk is still here. That wasn’t always a guarantee. Over the multi-faceted twenty year history of their project, Lizzie Powell has drifted from and back to music, always interrogating their role as an artist. In the time since 2023’s Performances, they found themselves utterly worn down by the vicissitudes of the music industry and wracked with worry around their aging parents. Yet the music didn’t stop: Powell heard songs in traffic and in birds chirping, in their downstairs neighbor’s daily prayers and in the babble of children on the street. Melodies slowly cohered over time. “Life can become so unbearable, and music is where I go to metabolize it,” they explain. “I know the music was the only thing that was going to help me.” Soon Powell reemerged with the sixth Land of Talk album, LASTS. \u003c\/p\u003e\n\u003cp\u003eLASTS is full of double meanings — both resilience and finality, acting as a noun and a verb. Though LASTS is haunted by crises including climate collapse, political upheaval, and genocide, the mangitude of global turmoil led Powell towards smaller, humane depictions of suffering and grief. As both their parents became ill, Powell reflected on the last time a person might walk, might talk to a loved one. Yet watching their parents near the other side of life’s arc also made Powell consider all they had survived across their own decades on this earth, their new songs channeling both gratitude and rage. LASTS became a phrase, honoring Land of Talk’s circuitous route and all Powell’s reckoned with through the years. “I think of this record as a love letter to life,” they say.\u003c\/p\u003e\n\u003cp\u003eWith everything that’s happened since Land of Talk’s 2006 EP Applause Cheer Boo Hiss and 2008 debut LP Some Are Lakes, Powell would know something about writing a letter to life. Back then, Powell was thrown into the hotbed of indie blog buzz, tied to an array of fellow ascendant Canadian acts in Montreal’s ‘00s scene. Land of Talk soon broke off on their own, following no clean narrative consigned to scene, era, or genre. After a hiatus in the ‘10s, Powell returned to making music with 2017’s Life After Youth, following it with 2020’s Indistinct Conversations and then Performances. With each album, Powell reimagined their approach to songwriting, all while simultaneously celebrating a new freedom after coming out as non-binary and wrestling with the lingering traumas of existing as a non-cis male in the music industry. LASTS picks up where its predecessors left off, wielding unflinching honesty, pensive empathy, and righteous anger alike. \u003c\/p\u003e\n\u003cp\u003eFor Powell, songwriting is a slow process of pulling ideas from the ether — a constant, fluid conversation rather than abrupt flashes of inspiration or any kind of prompt-driven session. Eventually, they collect stray chords and melodies from a trove of voice memos, distilling and often narrowing to a particular instrument — synths on Life After Youth, acoustic guitar on Indistinct Conversations, piano on Performances, and now the smaller parlor acoustic for the intimacy of LASTS. \u003c\/p\u003e\n\u003cp\u003eThe eight songs on LASTS travel through everything that was on Powell’s mind in these years: sexual abuse and grooming in the music industry, the sharp polarity of the beauty they see in their artist peers and the toxicity they see in industry power brokers, the mortality of their parents (“Funeral clothes have been packed a few times,” they say of various close calls), the ongoing process of understanding their identity as a non-binary person. They often forge ahead with the songs in hopes of communing with others who have experienced the same: “Music is medicine for me, and I know that if this song helps me feel better, maybe someone else will feel heard and understood.” \u003c\/p\u003e\n\u003cp\u003eThese were deeply personal new songs even by Land of Talk’s standards, and Powell knew they could only be brought to life with trusted collaborators including drummer Michael Belyea and guitarist\/bassist\/engineer Michael Feuerstack — a longtime friend, consigliere, and influence for Powell. The trio gathered in a cabin in Harrington, a rural region of Quebec two hours northwest of Montreal. “It was important I felt super safe, and I just wanted to make this record with people where I didn’t have to worry about being misunderstood or objectified,” Powell asserts. They arrived with bare-bones demos, and then let the songs reveal themselves over a ten-day session during which most of LASTS was tracked. Though there is a raw, in-the-room quality that conjures the scrappier rock of early Land of Talk albums, there’s also a humid, dreamlike quality to the performances — a sense that something new is gradually emerging over the course of each song, just as Powell’s writing had rested on nothing being certain aside from the magic and mystery of how the ideas arrived to them. \u003c\/p\u003e\n\u003cp\u003eThe end result is an album both lean and winding, allowing Powell’s words and melodies to take centerstage, uncrowded in visceral, shot-no-chaser arrangements. LASTS jumps right in with “Broken Tongue,” a wiry track built on thrumming electric guitar and ghostly synths as Powell rails against the lack of justice for victims of abuse. The trio’s interplay is readily evident in “Saffron” and “4:44,” two earworm songs that also allow themselves to unspool into extended instrumental codas. Early in the record, there are seething tracks like “Dogs” — “Just your basic instinct \/ Even dogs know better,” Powell growls in the chorus, before the song quiets into a plaintive plea of “Leave us alone now” — and later there are more vulnerable, wandering moments. In “Projections” and “Cedars,” Powell ventures deep into their head, inviting their co-conspirators and listeners alike to follow the songs wherever they meander. \u003c\/p\u003e\n\u003cp\u003eIf there’s an end to the journey of LASTS, it’s in the willful imperfection of its closing title track. Powell allowed the song to sit, with all its uncalculated breaths and lack of resolution. That, to them, was part of the point — frustration that some things can never be resolved beyond the recognition we’re not alone, or that we need to keep moving while carrying everything from our past. “I have this sense that everything is unraveling, decaying,” Powell concludes. “These songs are me trying to stay safe, to ride right in the barrel of the wave.” That poignant final image defines LASTS. Drawing upon everything Land of Talk and Powell have been in two decades, the album becomes a document of the simple yet implausible act of survival.\u003c\/p\u003e","brand":"Saddle Creek","offers":[{"title":"Default Title","offer_id":47860444463260,"sku":"LBJ407CD","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/cd_9fdacf97-80b9-4002-8721-c7bd4a7ada2e.jpg?v=1791660879"},{"product_id":"black-market-karma-the-grease-ladder-green-vinyl","title":"Black Market Karma - The Grease Ladder [Green Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: IMP309G\u003cbr\u003eBarcode: 9362299013095\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: INDIE\/ALT\/ROCK\/METAL\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003eSide A\u003cbr\u003e1  Sister Transistor\u003cbr\u003e2  Time Too Little\u003cbr\u003e3  Brain Batter\u003cbr\u003e4  Absent Loves\u003cbr\u003e5  The Grease Ladder\u003cbr\u003e6  The State Of Me\u003cbr\u003eSide B\u003cbr\u003e7  Playground Of You\u003cbr\u003e8  Marching In Reflection\u003cbr\u003e9  Tools Of The Small\u003cbr\u003e10  Always Faithful\u003cbr\u003e11  Brother Combuster\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEnglish psychedelic group Black Market Karma's newest release is the thirteenth in. All of which have been written and produced by band leader and multi instrumentalist Stanley Belton.\u003c\/p\u003e\n\u003cp\u003eThey have collaborated with Sonic Boom (Spacemen 3), The Telescopes, Les Big Byrd and The Underground Youth, and toured with The Black Angels and The Warlocks. Between 2024 and 2026 they released three albums on Fuzz Club Records: “Wobble”, “Mellowmaker” and “Live at Fuzz Club Festival 2025”.\u003c\/p\u003e\n\u003cp\u003e“The Grease Ladder” is eleven tracks of neo psychedelia, psychedelic rock, psychedelic pop and alternative, cut to transparent green vinyl.\u003c\/p\u003e\n\u003cp\u003eSingles “Always Faithful” and “Brother Combuster” will be released with accompanying music videos, and a month long European tour begins mid-September, finishing with a home show in London during release week.\u003c\/p\u003e","brand":"IMPRESSED RECORDINGS","offers":[{"title":"Default Title","offer_id":47860455506076,"sku":"IMP309G","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_bf510617-bb2d-439d-8d8d-5a26e0daf4bd.webp?v=1791661224"},{"product_id":"bradley-thomas-turner-haunted-holiday-party","title":"Bradley Thomas Turner - Haunted Holiday Party","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: LOTO57\u003cbr\u003eBarcode: 5063720161555\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: INDIE\/ALT\/ROCK\/METAL\u003c\/p\u003e\n\u003cp\u003eFollowing the release of Haunted House Party, Bradley Thomas Turner was contacted by the Cryptozoological Society of New York City to create music for their museum’s holiday exhibitions. As enigmatic as they are controversial, the secretive society gave the composer free rein to create music that celebrated their profane (and, according to their critics, pseudoscientific) explorations of the darker side of yuletide folklore. The endeavour was denounced by religious groups, the scientific community and even parts of the cryptozoological community as “blasphemous,” “irresponsible”, and “a dangerous topic to make light of” respectively. Not much is known about the pandemonium that broke out on the night of the opening reception, but one journalist (who has been granted anonymity by request) infiltrated the event and captured the recordings that follow. Death cult ritual? Mishandling of cursed artifacts? Elaborate practical joke? Publicity stunt? No one can (or will) say for sure as no person in attendance has been willing to speak on record. Therefore, we present these recordings so the general public can decide for themselves.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Holiday Party at the Cryptozoological Museum (Entrance) 01:22 video\u003cbr\u003e2. Abominable Snowman 02:38\u003cbr\u003e3. Unholy Night - Mini Exhibit on Ritualistic Holiday Burnings 01:21\u003cbr\u003e4. Coventry Carol for the Dead (Exhibit Hall A - Human Sacrifice as Holiday Tradition) 02:48\u003cbr\u003e5. Hoofsteps Approaching (Mini Exhibit: Malfunctioning Yuletide Countdown Clocks) 01:06\u003cbr\u003e6. Krampus is Coming To Town - Exhibit Hall B 02:58\u003cbr\u003e7. A Last Noel (Mini Exhibit: Collection of Animatronic Christmas Decorations) 01:26\u003cbr\u003e8. Sugar Plum Faeries: Friends or Foes (Exhibit Hall C) 03:08\u003cbr\u003e9. The Bells Toll (Mini Exhibit: Collection of Vintage Holiday Carnival Games and Pinball Machines) 01:14\u003cbr\u003e10. Christmas Luau (Snack Bar) 02:37\u003cbr\u003e11. The Aritifical Aviary 01:04\u003cbr\u003e12. God Rest Their Souls (Closed for Renovations) 02:42\u003cbr\u003e13. Off-Limits Stairwell 01:14\u003cbr\u003e14. Deadly Night (Members Only Ritual Chamber) 02:48\u003cbr\u003e15. Cursed Artifiact Storage Room 01:21\u003cbr\u003e16. Carol of Hells Bells 03:10\u003cbr\u003e17. Escape 01:21\u003cbr\u003e\u003c\/p\u003e","brand":"Library Of The Occult","offers":[{"title":"Default Title","offer_id":47860460847260,"sku":"LOTO57","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_16303181-7e82-469d-89c2-c231c1af698c.jpg?v=1791661432"},{"product_id":"catholic-block-to-remind-myself-i-have-lived-collage-works-2020-2025","title":"Catholic Block - To Remind Myself I Have Lived (Collage Works 2020-2025)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MDR113\u003cbr\u003eBarcode: 5053760161417\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Experimental\u003c\/p\u003e\n\u003cp\u003eLimited Edition LP + A5 Zine\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Day 4\u003cbr\u003e2. I can't\u003cbr\u003e3. If only we had keys\u003cbr\u003e4. Loops #1\u003cbr\u003e5. Track 4\u003cbr\u003e6. If only avoidance was an answer\u003cbr\u003e7. Track 3\u003cbr\u003e8. Nothing in between\u003cbr\u003e9. Se solo bastasse un bacio (nebbia)\u003cbr\u003e10. Eterno abbraccio senza fine\u003cbr\u003e11. Track 5\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAcross To Remind Myself I Have Lived, aquatic sounds drift through hazy electronics and lush bedroom textures, before giving way to harsher, more industrial British landscapes. Voices appear and disappear. Loops seem to circle memories rather than rhythms. Guitar fragments become dream sequences. Domestic spaces open onto something colder and more distant.\u003c\/p\u003e\n\u003cp\u003eThe new album by London-based Michele Tellarini under the Catholic Block moniker gathers works made across five years, moving between composition, improvisation and a more instinctive form of sound collage. Known for his work with concrete punks Qlowski (Feel It Records\/Maple Death) and goth-punks Secrecy (La Vida Es Un Mus), Tellarini approaches this material without the conventions of a traditional song cycle, allowing disparate pieces to find their own connections.\u003c\/p\u003e\n\u003cp\u003eThe first works emerged during the UK lockdown of 2020, as conversations, walks, guitar bits and experiments made at home accumulated into a kind of fragmented diary. The process continued almost unconsciously between other projects, with recordings made across different rooms, machines and cities gradually disappearing into folders, from synth improvisations cut into new shapes to pieces made entirely from MIDI on a laptop. Rediscovered years later, they became traces of a life lived across places, moments and changing states of mind. \u003cbr\u003eThe album's strange coherence comes from this accumulation. Nothing needs to resolve into a conventional song. A fragment can remain a fragment; a provisional title can remain a title. Day 4, Track 3, Track 4 and Track 5 retain something of their original existence as files rather than finished compositions, while the recurring if only pieces suggest thoughts returning in slightly altered forms. Elsewhere, Loop #1 turns repetition into a lo-fi orchestral warble, while Track 5 opens into something closer to cinematic wonder.\u003c\/p\u003e\n\u003cp\u003eThe geographical dimension is equally important. The recordings carry the circumstances of their making without always revealing them: Cumbria, London, Berlin, a family home, a temporary room. The places are embedded in the sound rather than described by it.\u003cbr\u003eCompleted with the if only trilogy, which extends the project into home video and moving image, To Remind Myself I Have Lived becomes a collection of traces rather than a reconstruction of the past,  fragments gathered together simply because they were worth remembering.\u003c\/p\u003e\n\u003cp\u003eThere is something strangely timeless in these works: a quality shared with music that seems to exist slightly outside its own moment, from the intimate, confidential organic realm of Mount Eerie to Bruce Gilbert's more abstract electronic and ambient experiments or the haunting digital world of Holly Herndon. To Remind Myself I Have Lived belongs to that same uncertain space, music that feels both deeply tied to the circumstances of its making and somehow detached from them, music for the lonely that shines with crepuscular clarity. \u003c\/p\u003e","brand":"Maple Death Records","offers":[{"title":"Default Title","offer_id":47860468908188,"sku":"MDR113","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/6_5e2062c6-1a46-485a-b633-9b09f78223b7.webp?v=1791661766"},{"product_id":"internet-girl-yes-white-vinyl","title":"Internet Girl - YES [white vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PACK499\u003cbr\u003eBarcode: 840526518821\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Alt-rap\u003c\/p\u003e\n\u003cp\u003eLP pressed on white vinyl\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003eA1. Yes\u003cbr\u003eA2. All The Same\u003cbr\u003eA3. On The Edge\u003cbr\u003eA4. High As Heaven\u003cbr\u003eA5. Da Business Feat. Kenny Mason\u003cbr\u003eB1. Wake Up\u003cbr\u003eB2. Under Pressure\u003cbr\u003eB3. Keep The Money Coming\u003cbr\u003eB4. You Won’T See\u003cbr\u003eB5. Big San Tony Feat. Ledbyher\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSouth African alt-rap trio Internet Girl have officially announced their debut album, YES, arriving November 13 via PACK. Records. Alongside the announcement, the group has released their new single “DA BUSINESS” featuring Kenny Mason.\u003c\/p\u003e\n\u003cp\u003eA high-energy party anthem, “DA BUSINESS” opens with distorted guitar before chopped vocals briefly pull things back, only for an abrupt beat drop and howling synth to send the track into overdrive. As another synth melody sweeps in, TK cuts through the chaos with an introspective opening verse before Kenny Mason crashes in with a gritty guest verse. Live drums, distorted guitars, and surging synths continue to build around them, turning their vocals into something closer to rage-filled battle chants than traditional rap verses. \u003c\/p\u003e\n\u003cp\u003ePartially written on tour last year, “DA BUSINESS” is the oldest song on YES and one of the album’s few guitar-led tracks. Kenny connected with the trio over DMs months earlier before joining them on the track, bringing Atlanta and South Africa together for one of the album’s most charged moments.  “DA BUSINESS” follows the trio’s recent single “ALL THE SAME,” a swagger-heavy track built around a hypnotic Spanish-language vocal sample and live drums before a heavily distorted bass synth takes over in its final stretch, drawing inspiration from South Africa’s booming taxi rave scene. Together, the two singles offer an early look at the range of YES, moving between the rock, rap, and electronic sounds Internet Girl have made entirely their own. \u003c\/p\u003e\n\u003cp\u003eWritten largely during a week-long trip to South Africa’s Karoo region at the beginning of 2026, YES captures Internet Girl at a turning point. What began as an ad-lib TK would throw into his verses gradually became the philosophy behind the record: saying yes to an idea and committing to it completely, even before there’s any proof it will work. Across the album, that once-delusional confidence begins to feel real as the trio reflect on coming of age, growing more comfortable with themselves, and becoming increasingly assured in the music they make.\u003c\/p\u003e\n\u003cp\u003eThe new release arrives on the heels of a big year for the South African trio, who have brought their high-energy live show to stages around the world, including Pitchfork Music Festival Paris and Boiler Room Soweto, while co-headlining Kiss Kiss Festival in South Africa alongside Basement Jaxx. \u003c\/p\u003e\n\u003cp\u003eRecently, they were announced as part of the NYOKOBOP Festival lineup, where they’ll take the stage in Paris this December. Their viral single “PULL UP” was also announced as part of the official NBA 2K27 soundtrack, and the group provided the music for Adidas and Bafana Bafana’s “Never Lost Our Stripes” campaign, celebrating South Africa’s return to the FIFA World Cup.\u003c\/p\u003e","brand":"Pack.","offers":[{"title":"Default Title","offer_id":47860481163420,"sku":"PACK499","price":22.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_8767a24b-9708-4407-8976-1594a6f6559b.webp?v=1791662131"},{"product_id":"various-artists-la-ola-nocturna-experimental-songs-deviant-pop-from-the-spanish-80-s-2lp","title":"Various Artists - La Ola Nocturna (Experimental Songs \u0026 Deviant Pop From The Spanish 80’s) [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: BJR106LP\u003cbr\u003eBarcode: 7640159730521\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Post-punk, new wave, synth wave, darkwave and experimental electronics\u003c\/p\u003e\n\u003cp\u003eLa Ola Nocturna explores the most adventurous side of Spanish pop in the 1980s. Spanning post-punk, new wave, synth wave, darkwave and experimental electronics, this compilation brings together 25 tracks that capture an Spain in transition, suspended between the euphoria of newfound freedoms after Franco’s dictatorship and the uncertainties of an emerging modernity. \u003c\/p\u003e\n\u003cp\u003eFar beyond the familiar story of Madrid’s Movida, La Ola Nocturna uncovers a rich and often overlooked independent scene where offbeat pop, nocturnal soundscapes, punk feminism, cybernetic utopias, gothic romanticism and DIY experimentation flourished side by side. From Madrid and Barcelona to San Sebastián, Vigo and the Canary Islands, these artists forged a distinctly Spanish musical language, shaped as much by international influences as by the unique context of the country’s democratic transition. \u003c\/p\u003e\n\u003cp\u003eA journey through a decade of freedom, contradictions and relentless creativity, La Ola Nocturna reveals the roots of Spain’s future indie movement while celebrating a generation that turned the night into a laboratory for artistic invention.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Aventuras de Kirlian - En invierno\u003cbr\u003e2. Ciudad Jardín - Homúnculo \u003cbr\u003e3. El Guerrillero Rojo - Vueltas \u003cbr\u003e4. Kremlyn - The Girl Is Mine \u003cbr\u003e5. \u0026amp;Nil - Tilly\u003cbr\u003e6. Los Monaguillosh - Voces en la jungle\u003cbr\u003e7. Aerolíneas Federales - Soy fea \u003cbr\u003e8. Esclarecidos - El muro acabo con Matt (Berlín)\u003cbr\u003e9. Zush \u0026amp; Tres - On the Rooms of Mush \u003cbr\u003e10. M-ak - Atseden une bat \u003cbr\u003e11. Línea Vienesa - Te vas a morir \u003cbr\u003e12. Alphaville - Ataque lateral\u003cbr\u003e13. Víctor Nubla - Cloaca Máxima II\u003cbr\u003e14. Parálisis Permanente - Bacanal \u003cbr\u003e15. Ataque de caspa - La pesca \u003cbr\u003e16. El Aviador Dro y sus obreros especializados - Obsesión\u003cbr\u003e17. Fracción del Ejército Rojo - Apoyo Internacional \u003cbr\u003e18. Aventuras de Kirlian - Marnie la ladrona\u003cbr\u003e19. Javier Segura - Camino largo \u003cbr\u003e20. Esclarecidos - Música para convenios colectivos\u003cbr\u003e21. Mataparda - La llegada del cometa \u003cbr\u003e22. Agrimensor K - Nuevas factorías \u003cbr\u003e23. El Último sueño - Los muebles están volando \u003cbr\u003e24. Alphaville - Paisajes nocturnos\u003cbr\u003e\u003c\/p\u003e","brand":"Bongo Joe Records","offers":[{"title":"Default Title","offer_id":47860498432156,"sku":"BJR106LP","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_4d755917-bdc2-4a11-9e1f-e19f43c51b17.jpg?v=1791662496"},{"product_id":"various-artists-la-ola-nocturna-experimental-songs-deviant-pop-from-the-spanish-80-s-cd","title":"Various Artists - La Ola Nocturna (Experimental Songs \u0026 Deviant Pop From The Spanish 80’s) [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: BJR106CD\u003cbr\u003eBarcode: 7640159730538\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Post-punk, new wave, synth wave, darkwave and experimental electronics\u003c\/p\u003e\n\u003cp\u003eLa Ola Nocturna explores the most adventurous side of Spanish pop in the 1980s. Spanning post-punk, new wave, synth wave, darkwave and experimental electronics, this compilation brings together 25 tracks that capture an Spain in transition, suspended between the euphoria of newfound freedoms after Franco’s dictatorship and the uncertainties of an emerging modernity. \u003c\/p\u003e\n\u003cp\u003eFar beyond the familiar story of Madrid’s Movida, La Ola Nocturna uncovers a rich and often overlooked independent scene where offbeat pop, nocturnal soundscapes, punk feminism, cybernetic utopias, gothic romanticism and DIY experimentation flourished side by side. From Madrid and Barcelona to San Sebastián, Vigo and the Canary Islands, these artists forged a distinctly Spanish musical language, shaped as much by international influences as by the unique context of the country’s democratic transition. \u003c\/p\u003e\n\u003cp\u003eA journey through a decade of freedom, contradictions and relentless creativity, La Ola Nocturna reveals the roots of Spain’s future indie movement while celebrating a generation that turned the night into a laboratory for artistic invention.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Aventuras de Kirlian - En invierno\u003cbr\u003e2. Ciudad Jardín - Homúnculo \u003cbr\u003e3. El Guerrillero Rojo - Vueltas \u003cbr\u003e4. Kremlyn - The Girl Is Mine \u003cbr\u003e5. \u0026amp;Nil - Tilly\u003cbr\u003e6. Los Monaguillosh - Voces en la jungle\u003cbr\u003e7. Aerolíneas Federales - Soy fea \u003cbr\u003e8. Esclarecidos - El muro acabo con Matt (Berlín)\u003cbr\u003e9. Zush \u0026amp; Tres - On the Rooms of Mush \u003cbr\u003e10. M-ak - Atseden une bat \u003cbr\u003e11. Línea Vienesa - Te vas a morir \u003cbr\u003e12. Alphaville - Ataque lateral\u003cbr\u003e13. Víctor Nubla - Cloaca Máxima II\u003cbr\u003e14. Parálisis Permanente - Bacanal \u003cbr\u003e15. Ataque de caspa - La pesca \u003cbr\u003e16. El Aviador Dro y sus obreros especializados - Obsesión\u003cbr\u003e17. Fracción del Ejército Rojo - Apoyo Internacional \u003cbr\u003e18. Aventuras de Kirlian - Marnie la ladrona\u003cbr\u003e19. Javier Segura - Camino largo \u003cbr\u003e20. Esclarecidos - Música para convenios colectivos\u003cbr\u003e21. Mataparda - La llegada del cometa \u003cbr\u003e22. Agrimensor K - Nuevas factorías \u003cbr\u003e23. El Último sueño - Los muebles están volando \u003cbr\u003e24. Alphaville - Paisajes nocturnos\u003cbr\u003e\u003c\/p\u003e","brand":"Bongo Joe Records","offers":[{"title":"Default Title","offer_id":47860499611804,"sku":"BJR106CD","price":16.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_6b810ed6-8057-4b4b-b43c-bc6f3c332708.jpg?v=1791662490"},{"product_id":"veronica-everheart-lighter-in-the-morning-3-2-2lp","title":"Veronica Everheart - Lighter in the Morning (3\/2) [2LP black vinyl, the other on white]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: PACK504\u003cbr\u003eBarcode: 628425433434\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003eOne LP pressed on black vinyl, the other on white.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003eA1. Microcosm\u003cbr\u003eA2. Lyn \u003cbr\u003eA3. Simulacrum \u003cbr\u003eA4. Let Me Go, For It Is Daybreak\u003cbr\u003eA5. Woman (I Long to Be) \u003cbr\u003eB1. NO LOLITA SHIT \u003cbr\u003eB2. 12\/21\u003cbr\u003eB3. Unknowable Distance\u003cbr\u003eB4. 22 \u0026amp; Climbing \u003cbr\u003eB5. The Wounded Table \u003cbr\u003eC1. Friends \/ Friends + Friends\u003cbr\u003eC2. 22 \u0026amp; Climbing (the sound chalk makes Remix) \u003cbr\u003eC3. Unknowable Distance (ideasforconversations Remix) \u003cbr\u003eD1. 12\/21 (Oskie \u0026amp; atlgrandma Remix) \u003cbr\u003eD2. Unknowable Distance (Nikki Nair Remix)\u003cbr\u003eD3. NO LOLITA SHIT (E_DEATH Remix)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eVeronica Everheart has just announced that her new project Lighter in the Morning (3\/2) will be out on November 13th via Pack. Records. The news arrives alongside her link-up with Mumbai-raised electronic artist the sound chalk makes for their new collaborative single, “2222222222222222 + Climbing”. A colorful, club-ready take on “22 \u0026amp; Climbing” from Everheart’s Lighter in the Morning (2\/2) EP, the track is also accompanied by an animated music video for the original song, which was made with Source Filmmaker software from the gaming developer Valve using models from their game series Half-Life.\u003c\/p\u003e\n\u003cp\u003eHailing from Phoenix, Arizona, Veronica Everheart writes and produces all of her own music alongside her creative partner, Justin \"Juni\" Neugeboren, and has built a cult following for a distinct sound that pulls from indie rock, electronic, and folk. Released in May, Lighter in the Morning (2\/2) was led by singles \"NO LOLITA SHIT\", \"Unknowable Distance\", and \"12\/21” and serves as the sister tape to Everheart’s 2024 EP, Lighter in the Morning (1\/2). Now, she’s gearing up to release Lighter in the Morning (3\/2) (Deluxe Edition), curating a slate of leftfield producers that includes ideasforconversations, nikki nair, atlgrandma, E_DEATH, and Oskie (alongside the sound chalk makes) to craft remixes for the project.\u003c\/p\u003e","brand":"Pack.","offers":[{"title":"Default Title","offer_id":47860508786844,"sku":"PACK504","price":36.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_bd9f5926-9424-4e03-94c9-3a05c9ad61c9.webp?v=1791662722"},{"product_id":"constance-tomb-exploding-head-cd","title":"Constance Tomb - Exploding Head [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: 2902492NSL\u003cbr\u003eBarcode: 4051579024924\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Indie \/ Alt \/ Rock\/ Metal\u003c\/p\u003e\n\u003cp\u003eTony Reed is undoubtedly one of those artists whom fans of “heavy music” have, at least unknowingly, encountered on stage or on their turntables at some point. Bands like Pentagram, Mos Generator, Hot Spring Water, and the so-called supergroup Big Scenic Nowhere are just a small part of his discography, which he continues to expand as a producer and mixer.\u003c\/p\u003e\n\u003cp\u003eCONSTANCE TOMB was Tony Reed’s first band, which he founded at age 19 and which was heavily influenced by the gothic movement of the early ’80s. There are recordings online from when they made “boombox recordings” or, later, when he recorded everything “hi-fi” on his own in the garage with just a microphone, preserving it all for posterity on cassettes. You can also find several solo cover versions released under the band’s name. It was a labor of love that Tony Reed never let go of, but there was never a real band that toured or released an album—until now!\u003c\/p\u003e\n\u003cp\u003eNow Tony has breathed new life into his childhood love, CONSTANCE TOMB, and fused his fondness for dark ’80s bands with his heavy metal past. Bands like Southern Cult, Bauhaus, The Cure, Bowie, as well as Black Sabbath and Thin Lizzy have shaped his musical tastes. Now, a mix of old and new songs is being infused with fresh energy, reviving a solo project that had taken on a slightly artificial feel. \u003c\/p\u003e\n\u003cp\u003eWith Bo McConaghie on bass and Christian Roney on drums, the band has already played its first concerts in the northwestern United States to find their sound as a group. Joint rehearsals and studio sessions have given rise to a band that is now tackling its debut album and future tours together.\u003c\/p\u003e\n\u003cp\u003eCrash-heavy post-punk? Riff-driven proto-goth? Dark punk? However you want to categorize it, it’s dark in that genre drawer, and styles blend together in the twilight. The fun and spontaneity within the band are unmistakable, and you might even question the year of release. 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Bands like Southern Cult, Bauhaus, The Cure, Bowie, as well as Black Sabbath and Thin Lizzy have shaped his musical tastes. Now, a mix of old and new songs is being infused with fresh energy, reviving a solo project that had taken on a slightly artificial feel. \u003c\/p\u003e\n\u003cp\u003eWith Bo McConaghie on bass and Christian Roney on drums, the band has already played its first concerts in the northwestern United States to find their sound as a group. Joint rehearsals and studio sessions have given rise to a band that is now tackling its debut album and future tours together.\u003c\/p\u003e\n\u003cp\u003eCrash-heavy post-punk? Riff-driven proto-goth? Dark punk? However you want to categorize it, it’s dark in that genre drawer, and styles blend together in the twilight. The fun and spontaneity within the band are unmistakable, and you might even question the year of release. CONSTANCE TOMB is an exciting newcomer band with nearly four decades of history and an album that sounds both fresh and seasoned. And that’s something special.\u003c\/p\u003e","brand":"Noisolution","offers":[{"title":"Default Title","offer_id":47860532773020,"sku":"2902491NSL","price":29.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_23b5d3ed-c291-4469-9f2d-688a293ef3d9.webp?v=1791663456"},{"product_id":"ed-kuepper-the-exploding-universe-of-ed-kuepper-live-2lp","title":"Ed Kuepper - The Exploding Universe Of Ed Kuepper Live! [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: PMR2025LP\u003cbr\u003eBarcode: 9332727132773\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Indie\/Alt\/Rock\u003c\/p\u003e\n\u003cp\u003e2LP Black Vinyl\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eRecorded at the National Theatre, Melbourne in 2023, on Ed’s first tour focusing on his solo material with a full band for over a decade.  A blistering, expansive performance featuring a terrific line up of musicians, including long time drummer Mark Dawson, bassist Peter Oxley (Sunnyboys), keyboardist Alister Spence, and brass arranger Eamon Dilworth.  This performance is released for the first time and showcases music from Ed’s 50-year career\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKuepper's work with the Saints in the 70's pre-empted the Clash, the Damned and the Sex Pistols, announcing the advent of punk (despite Kuepper steadfastly maintaining a cautious distance from the scene). After leaving the Saints Ed ventured into new musical territory with his post-punk outfit Laughing Clowns and then onto a solo career from 1985.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTRACKLIST: \u003cbr\u003eSide 1\u003cbr\u003e1.King Of Vice \u003cbr\u003e2.Little Fiddle \u003cbr\u003eSide 2 \u003cbr\u003e1.Electrical Storm \u003cbr\u003e2.Sea-Air \u003cbr\u003e3.Not A Soul Around \u003cbr\u003e4.Spartan Spirituals\u003cbr\u003eSide 3 \u003cbr\u003e1.Rainy Night \u003cbr\u003e2.Also Sprach The King Of Euro-Disco \u003cbr\u003eSide 4\u003cbr\u003e1.Honey Steel’s Gold \u003cbr\u003e2.Everything I’ve Got Belongs To You\u003cbr\u003e\n\u003c\/div\u003e","brand":"Remote Control","offers":[{"title":"Default Title","offer_id":47860557185180,"sku":"PMR2025LP","price":35.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_c53e44c5-153d-44e4-9e22-9c461149e662.webp?v=1791663825"},{"product_id":"ed-kuepper-with-mark-dawson-today-wonder","title":"Ed Kuepper With Mark Dawson - Today Wonder","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: PMR1990LP\u003cbr\u003eBarcode: 9332727132735\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: ALTERNATIVE\/ ROCK\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Horse Under Water\u003cbr\u003e2. Always The Woman Pays\u003cbr\u003e3. Everything I've Got Belongs To You\u003cbr\u003e4. What You Don't Know\u003cbr\u003e5. I'd Rather Be The Devil\u003cbr\u003e6. There's Nothing Natural\u003c\/p\u003e\n\u003cp\u003eSide 2\u003cbr\u003eMedley:\u003cbr\u003e 1a. Today Wonder \u003cbr\u003e 1b. Hey Gyp \u003cbr\u003e 1c. White Houses \u003cbr\u003e2. Pretty Mary\u003cbr\u003e3. Eternally Yours\u003cbr\u003e4. If I Were A Carpenter\u003c\/p\u003e\n\u003cp\u003eEd Kuepper - Today Wonder\u003cbr\u003e“I felt like I was breaking a pattern of working with this LP. After several years of playing tight arrangements night after night, I wanted to find something different in the way I was playing and writing. Something more open to spontaneous interpretation basically. “  Ed Kuepper\u003cbr\u003eToday Wonder is the fourth solo album by Australian guitarist and songwriter Ed Kuepper. It was recorded by Kuepper and drummer Mark Dawson and released in 1990.  The album features three of Ed’s best-known tunes; Everything I’ve Got Belongs To You, Horse Underwater and Eternally Yours. \u003cbr\u003eThe album has been long out of print on vinyl and CD and has never been available on the streaming services. The CD and DSP editions come with seven bonus live tracks from a contemporaneous radio session in Holland.\u003cbr\u003e “In many ways this was the release that helped determine part (if not all) of Ed Kuepper's future work. Specifically, it's the way around close, quiet, but still tense and strong performances... The end result's a beauty of a record\"\". Allmusic – four stars\u003cbr\u003e“Remarkable for the nature of the songs themselves, as Kuepper plumbed a personal honesty that most singer\/songwriters wouldn't dare confront… nothing short or revelatory.\"\" Clinton Walker \u003cbr\u003e\u003c\/p\u003e","brand":"Remote Control Records","offers":[{"title":"Default Title","offer_id":47860580188316,"sku":"PMR1990LP","price":27.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_c2aa9da2-d6c6-4d8b-8c24-0b650032ac11.webp?v=1791664336"},{"product_id":"foghat-live-loud-across-the-usa-shaken-stirred-2lp","title":"Foghat - Live \u0026 Loud Across The USA\/Shaken \u0026 Stirred [2LP Gold]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: 2919513MV\u003cbr\u003eBarcode: 4250444195138\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: Indie\/Alt\/Rock\/Metal\u003c\/p\u003e\n\u003cp\u003e2LP Gatefold Gold\u003c\/p\u003e\n\u003cp\u003eThis new album offering captures Foghat where they have always been at their absolute best-on stage. Recorded during performances in cities across America, this powerful live collection highlights a band that continues to play with the passion, chemistry, and fire that have defined Foghat since 1971. Featuring many live recordings being released for the first time, the album is a testament to a group that refuses to slow down. Instead, Foghat remains exactly what it has always been: a great live rock \u0026amp; roll band. \u003c\/p\u003e\n\u003cp\u003eThe second CD Shaken \u0026amp; Stirred by Earl \u0026amp; the Agitators, the blues-rock project featuring Roger Earl, Bryan Bassett, Scott Holt, and Rodney O'Quinn (the curren Foghat line-up). Originally released in 2018, explores the band's shared passion for blues, roots rock, and classic American music. \u003c\/p\u003e\n\u003cp\u003eLive \u0026amp; Loud Across the U.S.A. is not simply another live album. 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Originally released in 2018, explores the band's shared passion for blues, roots rock, and classic American music. \u003c\/p\u003e\n\u003cp\u003eSide A \u003cbr\u003e01. Guess Things Happen That Way \u003cbr\u003e02. Where's The Rock N' Roll \u003cbr\u003e03. Linda Lu  \u003cbr\u003e04. Upside Of Lonely \u003cbr\u003e05. Honey Do List \u003cbr\u003e \u003cbr\u003eSide B \u003cbr\u003e01. Wild Horses   \u003cbr\u003e02. Love Isn’t Kind   \u003cbr\u003e03. Hi-Heel Sneakers \u003cbr\u003e04. 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The album opens with this, the title track; a commanding, locked-in groove with bizarre acid tangents. Two prolific and highly respected figures from the deeper currents of UK electronic music, Norken and Mijaga join forces under a new alias for the intricate, potent, acid-tinged electronics of ‘Arp Pussy’, - album is released on 4 December via Hydrogen Dukebox. Lee Norris and Mick Chillage are hardly newcomers to the world of electronic music. Both have spent decades developing compelling sounds across a multitude of aliases, accumulating a devoted following along the way. Since 2012, the pair have also forged a prolific creative partnership as Autumn Of Communion. Now, a new chapter in that journey begins with ‘Arp Pussy’, their debut album as Norken \u0026amp; Mijaga.\u003c\/p\u003e\n\u003cp\u003eSide A:\u003cbr\u003eA1. Arp Pussy   \u003cbr\u003eA2. Cute \u003cbr\u003eA3. Mirror  \u003c\/p\u003e\n\u003cp\u003eSide B:\u003cbr\u003eB1. Ununitedq  \u003cbr\u003eB2. 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Machines Cry \u003c\/p\u003e","brand":"HYDROGEN DUKEBOX","offers":[{"title":"Default Title","offer_id":47860678000796,"sku":"DUKE222DJV","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/lp_43a9ec7f-4c96-4a92-9bf7-bd6801d7ae43.jpg?v=1791666671"},{"product_id":"adam-gibbons-music-for-motion-pictures-cd","title":"ADAM GIBBONS - MUSIC FOR MOTION PICTURES [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: BMG037CD\u003cbr\u003eBarcode: 5063176137326\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: JAZZ\/ FUNK\/ WORLD\/ FOLK\/ REGGAE\u003c\/p\u003e\n\u003cp\u003eHaving called an indefinite hiatus on Lack of Afro following ‘Love Dealer’ – his most recent release for a project that has carried him through the best part of two decades – Adam Gibbons returns to the place it all began. ‘Music For Motion Pictures’ is Gibbons’ second album under his own name, arriving five years on from 2021’s ‘The Last Bastion’, and it finds him leaning further into a cinematic obsession that predates his releases as Lack of Afro. Before the funk, soul, disco (and much more) of his musical alter-ego took hold, Gibbons aspired to be a film composer, growing up on the scores of John Barry, John Williams, Thomas Newman and, more recently, David Holmes, Daniel Pemberton and Ludwig Göransson. \u003c\/p\u003e\n\u003cp\u003e“The material I put out under my own name is designed to scratch the itch I’ve always had of writing music to picture,” says Gibbons. “A film composer was what I wanted to be – I was obsessed with it for a number of years. I actually thought the Lack of Afro material would be a side project or even a distraction. It ended up being the other way around.” \u003c\/p\u003e\n\u003cp\u003eWhere ‘The Last Bastion’ scored a film that has never existed, ‘Music For Motion Pictures’ takes a different route. It isn’t tied to any picture at all, but plays like one anyway - charting a real relationship track by track. “It’s a soundtrack to a period of time that happened in my life,” Gibbons explains. “It’s not a film – we didn’t record any visuals of what happened – but it’s a musical journal, an audio diary if you will. Each track relates to certain events that happened in \u0026amp; around a relationship I had.” \u003c\/p\u003e\n\u003cp\u003eKnown for close to two decades as Lack of Afro — Adam Gibbons celebrated the final chapter of that part of his career with his biggest ever UK headline tour in November of last year. A multi-instrumentalist, producer and composer, he built the project into one of UK funk and soul's defining names across multiple albums, singles and remixes amassing over 200 million streams and placements on networks including HBO, ABC, Sony Pictures, BBC, ITV, Sky and Warner Brothers, plus ad campaigns for Dyson, Google, Spotify, and Adidas. \u003c\/p\u003e\n\u003cp\u003e1 Saw You On TV\u003cbr\u003e2 Making Playlists\u003cbr\u003e3 Black Coffee\u003cbr\u003e4 Hidden Dinners\u003cbr\u003e5 Dripping In Chemistry\u003cbr\u003e6 Does Your Boyfriend Know?\u003cbr\u003e7 Latin Ping\u003cbr\u003e8 Eddie Redmayne\u003cbr\u003e9 For The Long Term\u003cbr\u003e10 Gone\u003cbr\u003e11 No Phone Call, No Answers\u003cbr\u003e12 Anna Keeps The Artwork\u003cbr\u003e13 Avoidant 24\/7\u003cbr\u003e14 Alfie's Reprise\u003cbr\u003e\u003c\/p\u003e","brand":"BASTION MUSIC GROUP","offers":[{"title":"Default Title","offer_id":47860689207452,"sku":"BMG037CD","price":12.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_526f608c-29f6-4b76-a391-7d78ad88fad9.webp?v=1791666975"},{"product_id":"adam-gibbons-music-for-motion-pictures-lp","title":"ADAM GIBBONS - MUSIC FOR MOTION PICTURES [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BMG037V\u003cbr\u003eBarcode: 5063176136818\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: JAZZ\/ FUNK\/ WORLD\/ FOLK\/ REGGAE\u003c\/p\u003e\n\u003cp\u003eBlack Vinyl, Gatefold sleeve\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHaving called an indefinite hiatus on Lack of Afro following ‘Love Dealer’ – his most recent release for a project that has carried him through the best part of two decades – Adam Gibbons returns to the place it all began. ‘Music For Motion Pictures’ is Gibbons’ second album under his own name, arriving five years on from 2021’s ‘The Last Bastion’, and it finds him leaning further into a cinematic obsession that predates his releases as Lack of Afro. Before the funk, soul, disco (and much more) of his musical alter-ego took hold, Gibbons aspired to be a film composer, growing up on the scores of John Barry, John Williams, Thomas Newman and, more recently, David Holmes, Daniel Pemberton and Ludwig Göransson. \u003c\/p\u003e\n\u003cp\u003e“The material I put out under my own name is designed to scratch the itch I’ve always had of writing music to picture,” says Gibbons. “A film composer was what I wanted to be – I was obsessed with it for a number of years. I actually thought the Lack of Afro material would be a side project or even a distraction. It ended up being the other way around.” \u003c\/p\u003e\n\u003cp\u003eWhere ‘The Last Bastion’ scored a film that has never existed, ‘Music For Motion Pictures’ takes a different route. It isn’t tied to any picture at all, but plays like one anyway - charting a real relationship track by track. “It’s a soundtrack to a period of time that happened in my life,” Gibbons explains. “It’s not a film – we didn’t record any visuals of what happened – but it’s a musical journal, an audio diary if you will. Each track relates to certain events that happened in \u0026amp; around a relationship I had.” \u003c\/p\u003e\n\u003cp\u003eKnown for close to two decades as Lack of Afro — Adam Gibbons celebrated the final chapter of that part of his career with his biggest ever UK headline tour in November of last year. A multi-instrumentalist, producer and composer, he built the project into one of UK funk and soul's defining names across multiple albums, singles and remixes amassing over 200 million streams and placements on networks including HBO, ABC, Sony Pictures, BBC, ITV, Sky and Warner Brothers, plus ad campaigns for Dyson, Google, Spotify, and Adidas. \u003c\/p\u003e\n\u003cp\u003eA1 Saw You On TV\u003cbr\u003eA2 Making Playlists\u003cbr\u003eA3 Black Coffee\u003cbr\u003eA4 Hidden Dinners\u003cbr\u003eA5 Dripping In Chemistry\u003cbr\u003eA6 Does Your Boyfriend Know?\u003cbr\u003eA7 Latin Ping\u003cbr\u003eB1 Eddie Redmayne\u003cbr\u003eB2 For The Long Term\u003cbr\u003eB3 Gone\u003cbr\u003eB4 No Phone Call, No Answers\u003cbr\u003eB5 Anna Keeps The Artwork\u003cbr\u003eB6 Avoidant 24\/7\u003cbr\u003eB7 Alfie's Reprise\u003cbr\u003e\u003c\/p\u003e","brand":"BASTION MUSIC GROUP","offers":[{"title":"Default Title","offer_id":47860689797276,"sku":"BMG037V","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_6c16f0db-5ffa-4563-a6ea-da1fe127d38a.webp?v=1791666978"},{"product_id":"adam-gibbons-music-for-motion-pictures-coke-colour-vinyl","title":"ADAM GIBBONS - MUSIC FOR MOTION PICTURES [Coke colour vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BMG037VB\u003cbr\u003eBarcode: 5063176136817\u003cbr\u003eRelease Date: 13 Nov 2026\u003cbr\u003eGenre: JAZZ\/ FUNK\/ WORLD\/ FOLK\/ REGGAE\u003c\/p\u003e\n\u003cp\u003eLPC: Coke colour vinyl, gatefold sleeve - Indie store exclusive\u003c\/p\u003e\n\u003cp\u003eHaving called an indefinite hiatus on Lack of Afro following ‘Love Dealer’ – his most recent release for a project that has carried him through the best part of two decades – Adam Gibbons returns to the place it all began. ‘Music For Motion Pictures’ is Gibbons’ second album under his own name, arriving five years on from 2021’s ‘The Last Bastion’, and it finds him leaning further into a cinematic obsession that predates his releases as Lack of Afro. Before the funk, soul, disco (and much more) of his musical alter-ego took hold, Gibbons aspired to be a film composer, growing up on the scores of John Barry, John Williams, Thomas Newman and, more recently, David Holmes, Daniel Pemberton and Ludwig Göransson. \u003c\/p\u003e\n\u003cp\u003e“The material I put out under my own name is designed to scratch the itch I’ve always had of writing music to picture,” says Gibbons. “A film composer was what I wanted to be – I was obsessed with it for a number of years. I actually thought the Lack of Afro material would be a side project or even a distraction. It ended up being the other way around.” \u003c\/p\u003e\n\u003cp\u003eWhere ‘The Last Bastion’ scored a film that has never existed, ‘Music For Motion Pictures’ takes a different route. It isn’t tied to any picture at all, but plays like one anyway - charting a real relationship track by track. “It’s a soundtrack to a period of time that happened in my life,” Gibbons explains. “It’s not a film – we didn’t record any visuals of what happened – but it’s a musical journal, an audio diary if you will. Each track relates to certain events that happened in \u0026amp; around a relationship I had.” \u003c\/p\u003e\n\u003cp\u003eKnown for close to two decades as Lack of Afro — Adam Gibbons celebrated the final chapter of that part of his career with his biggest ever UK headline tour in November of last year. 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He composed and arranged twelve of the thirteen tracks on the album. For two of them, he brought in guest musicians: Tanja Conrad on the violin, Anna Rehker on the cello, Philipp Schiepek on the guitar and Didi Lowka on the double bass. He played the accordion, bandoneon, vibrandoneon, piano, trumpet, flugelhorn and trombone himself. The recording took place in his studio in Fischbachau, a tranquil village in the Alps. \u003cbr\u003eHinterseher’s first album, Stay Away and Play! (GLM Music, 2021), grew out of the original idea of recording music using locally available resources during the lockdowns. He has taken this idea further and is now focusing even more radically on his own capabilities, drawing in particular on his very recent daily experiences and inspirations. Between Simple Life and Heavy Nights. \u003c\/p\u003e\n\u003cp\u003eSopa Salada de Patata is dedicated to an incredibly salty potato soup that was served to the musicians of Quadro Nuevo by a supposedly renowned chef before a concert. \u003c\/p\u003e\n\u003cp\u003eAnja Tanja. This piece was dedicated to the two fellow musicians who performed this chamber-style tango featuring bandoneon, violin and cello. \u003c\/p\u003e\n\u003cp\u003eSimple Life. That incredibly liberating feeling of travelling across the Alps on a bike, with a tent and very little luggage in my bags and on my mind. \u003c\/p\u003e\n\u003cp\u003eHeavy Nights. Alone in the studio, struggling hard to find inspiration amidst a huge pile of challenging tasks. A tango plodding along laboriously, accompanied by bandoneon and piano. \u003c\/p\u003e\n\u003cp\u003eLetters from the Dark. Recorded on the wintery Aegean island of Samos with Philipp Schiepek on guitar and Didi Lowka on double bass. One room, one lead sheet, one take. An attempt to find the light in the darkest hour. \u003c\/p\u003e\n\u003cp\u003eMakarska. The Balkans have always been a great source of inspiration for Andreas Hinterseher. A wild ride through the sun-scorched landscapes of Croatia. \u003c\/p\u003e\n\u003cp\u003eEl Dia Que Me Quieras. A tango classic by Carlos Gardel. A joyful celebration of hopelessness, a solo piece for the accordion. \u003c\/p\u003e\n\u003cp\u003eSUN! After a long Central European winter, sailing in the sunshine on the Croatian coast in a small catamaran. Wonderful! \u003c\/p\u003e\n\u003cp\u003eMilonga. Angry, furious and even a little brutal. But the music transforms these destructive emotions into a conciliatory and relaxed conclusion. \u003c\/p\u003e\n\u003cp\u003eMichèle's Valse. Hinterseher’s homage to the musette waltz. A tongue-in-cheek, wistful recollection of the so-called golden age, when, in early 20th-century Paris, accordionists were the pop stars of the music scene and people danced in their thousands to the protagonists’ virtuoso triplets. \u003c\/p\u003e\n\u003cp\u003eHigh Above the Deep Blue Sea. Sitting on a night-time flight. Wearing headphones that block out the sound of the engines, and listening to good music that blends seamlessly with the turbulence at an altitude of 10,000 metres. \u003c\/p\u003e\n\u003cp\u003eGhosted by my Sister. A very personal solo piece for the accordion. \u003c\/p\u003e\n\u003cp\u003eWhy? Anyone who has ever had a pet knows that where there are animals, there is always death. Some animals are special. So special, in fact, that they leave a deeply healing mark on the community in which they live. Their loss leaves a deep void in the lives of those left behind. “Why?” is a requiem for a very special companion. \u003c\/p\u003e\n\u003cp\u003eThe album Simple Life and Heavy Nights is a very honest account of some intense years. From moments of utter darkness to feelings of utter freedom. All packed into a very small space, overlapping, radically intertwined, happening simultaneously and yet somehow liberated.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003e1. Sopa Salada de Patata \u003cbr\u003e2. Anja Tanja \u003cbr\u003e3. Simple Life \u003cbr\u003e4. Heavy Nights \u003cbr\u003e5. Letters From The Dark \u003cbr\u003e6. Makarska \u003cbr\u003e7. El Día Que Me Quieras \u003cbr\u003e8. SUN!\u003cbr\u003e9. Milonga \u003cbr\u003e10. Michèle's Valse \u003cbr\u003e11. High Above the Deep Blue Sea \u003cbr\u003e12. Ghosted By My Sister \u003cbr\u003e13. Why?\u003cbr\u003e\u003c\/p\u003e","brand":"GLM","offers":[{"title":"Default Title","offer_id":47860694876316,"sku":"2944062GLY","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_a8bbd15d-ffba-43af-bd49-e913c5c36d2e.webp?v=1791667149"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/republic-of-music-13-11-26.oembed?page=3","provider":"Horizons Music","version":"1.0","type":"link"}