{"title":"Republic of Music 10.10.25","description":"","products":[{"product_id":"vanessa-wagner-philip-glass-the-complete-piano-etudes-4lp","title":"Vanessa Wagner - Philip Glass: The Complete Piano Etudes [4LP]","description":"\u003cp\u003eFormat: 4 x LP\u003cbr\u003eCatalogue No.: IF1099LP\u003cbr\u003eBarcode: 3516628484216\u003cbr\u003eRelease Date: 10 Oct 2025\u003cbr\u003eGenre: Classical \/ Avant Garde\u003c\/p\u003e\n\u003cp\u003eThe Complete Piano Etudes of Philip Glass available for the first time on vinyl, housed in a 4LP Box set (also available as a 2CD format).\u003c\/p\u003e\n\u003cp\u003eAfter more than thirty years of working with and performing the great repertoire, the music of Philip Glass has, in a way, almost revolutionized my life as a musician,” confides Vanessa Wagner.\u003c\/p\u003e\n\u003cp\u003eAn emblematic artist on the French music scene, winner of a Victoire de la musique award and director of the Chambord and Giverny festivals, Vanessa Wagner is as inspired in her interpretation of Mozart, Debussy, Tchaikovsky and Dusapin as she is alongside Murcof and Rone.\u003c\/p\u003e\n\u003cp\u003eWith her innovative and daring approach, she has established herself as a major influence on the classical music landscape, crossing boundaries and blazing inspiring trails.\u003c\/p\u003e\n\u003cp\u003eA tireless pioneer of new repertoires, she has been exploring the repertoire of minimalist composers for several years. For InFiné, she has dedicated 4 albums to the major figures of this movement, John Adams, Meredith Monk, Brian Eno, Ryūichi Sakamoto, as well as to the new generation Caroline Shaw, Bryce Dessner and Nico Muhly.\u003c\/p\u003e\n\u003cp\u003eAfter giving numerous concerts based on these works, she felt the need to record in their entirety this essential monument in the history of music, which bridges the gap between the 20th and 21st centuries: Philip Glass's 20 Etudes for piano by Philip Glass.\u003c\/p\u003e\n\u003cp\u003eHis approach helps to place these two books in the great repertoire, alongside the great cycles of studies by Ligeti, Debussy, Dusapin, and before them, Chopin and Liszt.\u003c\/p\u003e\n\u003cp\u003ePhilip Glass was born in 1937 and grew up in Baltimore. He studied at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud. 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Etude No. 20\u003c\/p\u003e","brand":"InFiné","offers":[{"title":"Default Title","offer_id":45026339750044,"sku":"IF1099LP","price":117.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_cd56730f-9501-4827-8ed6-c1189519ad9e.jpg?v=1749043497"},{"product_id":"vanessa-wagner-philip-glass-the-complete-piano-etudes-2cd","title":"Vanessa Wagner - Philip Glass: The Complete Piano Etudes [2CD]","description":"\u003cp\u003eFormat: 2 x CD\u003cbr\u003eCatalogue No.: IF1099CD\u003cbr\u003eBarcode: 3516628482823\u003cbr\u003eRelease Date: 10 Oct 2025\u003cbr\u003eGenre: Classical \/ Avant Garde\u003c\/p\u003e\n\u003cp\u003eThe Complete Piano Etudes of Philip Glass available for the first time on vinyl, housed in a 4LP Box set (also available as a 2CD format).\u003c\/p\u003e\n\u003cp\u003eAfter more than thirty years of working with and performing the great repertoire, the music of Philip Glass has, in a way, almost revolutionized my life as a musician,” confides Vanessa Wagner.\u003c\/p\u003e\n\u003cp\u003eAn emblematic artist on the French music scene, winner of a Victoire de la musique award and director of the Chambord and Giverny festivals, Vanessa Wagner is as inspired in her interpretation of Mozart, Debussy, Tchaikovsky and Dusapin as she is alongside Murcof and Rone.\u003c\/p\u003e\n\u003cp\u003eWith her innovative and daring approach, she has established herself as a major influence on the classical music landscape, crossing boundaries and blazing inspiring trails.\u003c\/p\u003e\n\u003cp\u003eA tireless pioneer of new repertoires, she has been exploring the repertoire of minimalist composers for several years. 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Black Mahogani II was a departure from Kenny Dixon Jr's usual house based music and featured cuts from Kenny Dixon Jr's late night jazz band sessions\u003c\/p\u003e\n\u003cp\u003eThe centrepiece is the eighteen minute 'When She Follows', a deep jazz session skittering live drum rolls into an electric Fender Rhodes, loping acoustic bass and distant saxophone all wrapped up in an amorphous vocal that drifts ever onwards like some epic detroit techno cut replayed by Gil Scott Heron's band in 1970. Incredible music.\u003c\/p\u003e\n\u003cp\u003e'Rectify' follows in a similar mode, jazz in a detroit techno framework, while the final two tracks 'Dirty Little Bonus Beats' and 'When She (Reprise)' are revisions of the main cut, the former altering the bassline, adding vocal sighs and more rhythmic drums, while the latter shifts up the tempo with a wigged out techno synth element.\u003c\/p\u003e\n\u003cp\u003eStone, cold.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eWhen She Follows (Original 18 Minute Version) \u003cbr\u003eRectify \u003cbr\u003eDirty Little Bonus Beats \u003cbr\u003eWhen She (Reprise) \u003c\/p\u003e","brand":"Peacefrog","offers":[{"title":"Default Title","offer_id":45104031334556,"sku":"PFGXX57LP","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/unnamed_14_474d80a7-5d7d-4bba-9f37-13c816321f38.jpg?v=1752144978"},{"product_id":"jay-som-belong-lavender-sky-swirl-vinyl","title":"Jay Som - Belong [Lavender Sky Swirl Vinyl]","description":"\u003cp\u003eFormat: LPX\u003cbr\u003eCatalogue No.: LUCKY184LPX\u003cbr\u003eBarcode: 689492232115\u003cbr\u003eRelease Date: 10 Oct 2025\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eLetting the half-decade of life and work since releasing 2019's Anak Ko filter not only into her songs but also her process, Melina Duterte, aka Jay Som, has opened up her music to herself and her memories, writing songs that revisit the sounds of her youth with the benefit of her experience as a musician, producer, and performer. No previous Jay Som album sounds quite like Belong, a gripping 11-song set about self-definition and, well, belonging, that floats between supercharged power-pop hits and hazy ballads, between electronic curiosities and lighters-up anthems. \u003c\/p\u003e\n\u003cp\u003eGrowing up with alt-rock radio outside of San Francisco, Melina memorised the hits of early ’00s pop-punk and emo as a teen. Fittingly, that is Jimmy Eat World’s Jim Adkins, one of those childhood heroes, offering background vocals on \"Float\"; whilst Hayley Williams lends soft harmonies on the arcing “Past Lives”, and Lexi Vega, of Mini Trees, contributes to \"Cards On The Table\", these three are Jay Som’s first-ever guest vocalists, representing Duterte’s push to try new things with people she trusts. \u003c\/p\u003e\n\u003cp\u003eSince her last album, Melina decided to splurge on herself and her lifelong interest in recording. Purchasing a vintage Neve console, she committed herself to becoming more than her own home-recording engineer. Five years later, she now boasts a rich résumé of production and mixing credits, including on Lucy Dacus’ latest album Forever Is A Feeling, guest spots alongside the likes of Troye Sivan, No Rome and beabadoobee, a contribution to A24’s I Saw the TV Glow soundtrack, and a Grammy for her work on The Record by boygenius, the band she subsequently joined as a touring member. Yes, Jay Som itself has been on a bit of a break, but Duterte has been busier than ever.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Cards On The Table \u003cbr\u003e2. Float (feat. Jim Adkins) \u003cbr\u003e3. What You Need \u003cbr\u003e4. Appointments \u003cbr\u003e5. Drop A \u003cbr\u003e6. Past Lives (feat. Hayley Williams) \u003cbr\u003e7. D.H. \u003cbr\u003e8. Casino Stars \u003cbr\u003e9. Meander \/ Sprouting Wings \u003cbr\u003e10. A Million Reasons Why \u003cbr\u003e11. 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Small Talk\u003cbr\u003e2. Hey!\u003cbr\u003e3. Run\u003cbr\u003e4. Spin Wave\u003c\/p\u003e\n\u003cp\u003eOver the last few years, MADMADMAD have built a steady reputation as one of the UK’s most thrilling electronic acts through constant touring and an unbeatable live show that’s cemented their status as true left-of-center innovators in their class. And the Tottenham-hailing trio is just getting started: with a new EP set for release later in 2025 that finds Benji Bouton, Kevin Toublant, and Matt Kelly reinventing their own sound and reflecting the chaos of the world around them, it’s about to be a mad, mad, mad year for anyone who crosses their path—and all the better, too.\u003c\/p\u003e\n\u003cp\u003eMADMADMAD emerged in 2017 out of impromptu late night jam sessions in a North London flat-turn-studio. The result of those DIY excursions was a self-released white-label EP that sold like hotcakes and generated an instant level of buzz for the group along with their energetic performances around the UK—a live presence that led to MADMADMAD opening for electronic pop auteur Róisín Murphy in 2022 and eventually becoming her backing band.\u003c\/p\u003e\n\u003cp\u003eAcross three full-lengths albums, the trio have showcased a beguiling and constantly shapeshifting sound inspired by Black Devil Disco Club and Parliament-Funkadelic’s otherworldly looseness, as well as the early 2000’s electro and the rough-and-ready dance-punk sonics of New York City circa the late 1970s and early 1980s—think Liquid Liquid, ESG, and James Chance and the Contortions with a thoroughly modern coat of paint lovingly splattered atop the framework those bands established. “The New York scene has definitely been a strong influence for us,” the band explain. “It buzzes in all directions, and it’s pretty punk-y on every side of the spectrum.”\u003c\/p\u003e\n\u003cp\u003eTheir latest album, the krautrock-tastic Behavioural Sink Delirium from 2023, paired MADMADMAD with producer Eddie Stevens (Zero 7, Moloko, Róisín Murphy) and—in true spirit to their origins—was recorded in 10 days during the COVID-19 pandemic and fashioned out of over 30 hours of improv sessions. “Everything was going to shambles, which made for a really chaotic album,” Benji recalls, describing the record as “very experimental”—which quite literally applies to the study that the album borrows its title from.\u003c\/p\u003e\n\u003cp\u003e“Scientist John B. Calhoun did this experiment, called Universe 25, where he created a paradise for mice - a community where they’d have everything they needed to thrive,” he explains. “There was a tipping point where it became absolutely chaotic. The mice began getting depressed, cannibalism started, and the fertility rate went down. It felt like what was happening with western society. We’re offered more than we need, and yet some stuff seems to go not quite right.“\u003c\/p\u003e\n\u003cp\u003eAnd the trio’s forthcoming EP finds MADMADMAD taking another left turn in their fascinating discography, diving deep into the sounds of mutant disco and early electronic music to great effect. “We wanted to go back to our dancier roots,” Matt states. “We strayed away from the chaos of the last album and were looking to embrace simplicity; bringing it back to the essence of just bass and drums. We wanted to embrace a pared-down version of what we’ve been doing these past few years.”\u003cbr\u003e\u003c\/p\u003e","brand":"Def Pressé","offers":[{"title":"Default Title","offer_id":45260328894620,"sku":"DPR522CDB","price":10.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_13e5c20c-66f3-4c8e-b1b2-a6cceffa20d1.png?v=1757016182"},{"product_id":"yom-x-ceccaldi-le-rythme-du-silence-cd","title":"Yom x Ceccaldi - Le Rythme Du Silence [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: KOS41CD\u003cbr\u003eBarcode: 3770014204653\u003cbr\u003eRelease Date: 10 Oct 2025\u003cbr\u003eGenre: Classical \/ Experimental\u003c\/p\u003e\n\u003cp\u003eThis is the story of an artist in search of sound and breath: an artist who dares to question the rhythm of silence—an invitation to rethink music, sound, and musical collaboration. This is the story of a journey that, after opening countless paths, has finally found its vessel—and its messengers. Three artists of profound musical truth and radical freedom, merging into an exceptional trio that crosses genres and transcends words in a journey toward pure emotion.\u003cbr\u003e \u003cbr\u003eLe Rythme du Silence  is the culmination of this long search. Yom delivers it here with violinist Théo Ceccaldi and cellist Valentin Ceccaldi—kindred spirits in sound. “I’ve been working on this idea of the ‘rhythm of silence’ for years,” Yom explains. “I first heard the phrase from a Sufi master, describing the foundation of meditation. It struck something deep in me. I’ve practiced meditation for a long time, and we often think of it as a kind of stillness—opposed to noise and life. But in truth, the rhythm of silence enables meditation. It means accepting that the world continues to move and live around you, even as you try to be still. I wanted to compose from that place. To imagine sound as vibratory matter—the primal substance of creation. That required letting go of fixed structures: forgetting melodies, abandoning the idea of a constructed solo. I needed to leave behind music as a system, and touch sound as a living, breathing entity. It took years. Many projects led me elsewhere. But with the Ceccaldi brothers, I finally found the right resonance. Working with them was simply obvious—it was indredibly powerful.”\u003cbr\u003e \u003cbr\u003eYom first rose to prominence reimagining Jewish traditional music with his 2008 debut New King of Klezmer Clarinet. Since then, his path has led through rock (With Love, 2011; You Will Never Die, 2018), electronic utopias (The Empire of Love, 2013), meditative and sacred soundscapes (Prière, 2018), and countless unclassifiable hybrids (Unue, 2009; Green Apocalypse, 2010). It was inevitable that he would eventually cross paths with the free-spirited Théo and Valentin Ceccaldi—two artists who also place collaboration and genre-blurring at the heart of their artistic development. Their projects are always bold, demanding, and full of life (Kutu, Tricollectif, ONJ, Velvet Revolution, Grand Orchestre du Tricot, Lagon Noir, Constantine, etc.). And so, when the three met within the iXi string quartet, something clicked.\u003cbr\u003e“I was seated between the two of them in the quartet,” Yom recalls, “and I could feel their energy flowing from both sides—it was wild! They’re so tuned into each other, they don’t need words. It’s like they’re connected by musical Wi-Fi. The groove happens instantly. They’re precise when they want to be—thanks to their experience in pop-influenced projects —but they can also let go completely, diving into pure sound. That’s exactly what this project needed.”\u003cbr\u003e \u003cbr\u003eWithout a single rehearsal, the trio formed instinctively. They began performing Yom’s compositions live, unfolding them into a single continuous piece, where clarinet and strings stretch the limits of sound and breath.\u003cbr\u003eBowed, plucked, or prepared with clothespins, the Ceccaldi strings engage in a playful and intense dialogue with Yom’s custom B-flat clarinet. Through their imaginative listening and fearless invention, air and space open into a vast new soundscape—one that lies somewhere between meditation and healing music.\u003cbr\u003e \u003cbr\u003e“When Yom shared the concept of the rhythm of silence, we were immediately drawn in,” says cellist Valentin Ceccaldi. “There’s a deep intensity and spiritual commitment in his music that really spoke to me. With this trio, we’re trying to dive into the core of sound—but also to create a kind of communion with the audience. It’s like gradually turning up the volume on silence, and realizing it’s made of countless tiny sounds—the music of particles in motion\" This stripped-down intensity demands full presence—body and mind—of these three musicians, vibrationall y connected in a state close to trance. With them, we enter a journey - not religious, but sacred nonetheless.\u003c\/p\u003e\n\u003cp\u003eThe Rhythm of Silence becomes an echo of our most intimate, most distant inner landscapes. An album—and a trio—to return to without end.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Silent Path (Emergence)\u003cbr\u003eA2. Sacred Lake\u003cbr\u003eA3. The Void\u003cbr\u003eA4. Sacred Light\u003cbr\u003eB1. A Prayer\u003cbr\u003eB2. Angry Prayer\u003cbr\u003eB3. Incantation\u003cbr\u003eB4. Silent Path (Cantique)\u003cbr\u003e\u003c\/p\u003e","brand":"Komos","offers":[{"title":"Default Title","offer_id":45260336398492,"sku":"KOS41CD","price":14.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_1938534f-a0ea-4f96-8502-2131ba4eb596.webp?v=1757017043"},{"product_id":"yom-x-ceccaldi-le-rythme-du-silence-lp","title":"Yom x Ceccaldi - Le Rythme Du Silence [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: KOS41LP\u003cbr\u003eBarcode: 3770014204646\u003cbr\u003eRelease Date: 10 Oct 2025\u003cbr\u003eGenre: Classical \/ Experimental\u003c\/p\u003e\n\u003cp\u003eThis is the story of an artist in search of sound and breath: an artist who dares to question the rhythm of silence—an invitation to rethink music, sound, and musical collaboration. This is the story of a journey that, after opening countless paths, has finally found its vessel—and its messengers. Three artists of profound musical truth and radical freedom, merging into an exceptional trio that crosses genres and transcends words in a journey toward pure emotion.\u003cbr\u003e \u003cbr\u003eLe Rythme du Silence  is the culmination of this long search. Yom delivers it here with violinist Théo Ceccaldi and cellist Valentin Ceccaldi—kindred spirits in sound. “I’ve been working on this idea of the ‘rhythm of silence’ for years,” Yom explains. “I first heard the phrase from a Sufi master, describing the foundation of meditation. It struck something deep in me. I’ve practiced meditation for a long time, and we often think of it as a kind of stillness—opposed to noise and life. But in truth, the rhythm of silence enables meditation. It means accepting that the world continues to move and live around you, even as you try to be still. I wanted to compose from that place. To imagine sound as vibratory matter—the primal substance of creation. That required letting go of fixed structures: forgetting melodies, abandoning the idea of a constructed solo. I needed to leave behind music as a system, and touch sound as a living, breathing entity. It took years. Many projects led me elsewhere. But with the Ceccaldi brothers, I finally found the right resonance. Working with them was simply obvious—it was indredibly powerful.”\u003cbr\u003e \u003cbr\u003eYom first rose to prominence reimagining Jewish traditional music with his 2008 debut New King of Klezmer Clarinet. Since then, his path has led through rock (With Love, 2011; You Will Never Die, 2018), electronic utopias (The Empire of Love, 2013), meditative and sacred soundscapes (Prière, 2018), and countless unclassifiable hybrids (Unue, 2009; Green Apocalypse, 2010). It was inevitable that he would eventually cross paths with the free-spirited Théo and Valentin Ceccaldi—two artists who also place collaboration and genre-blurring at the heart of their artistic development. Their projects are always bold, demanding, and full of life (Kutu, Tricollectif, ONJ, Velvet Revolution, Grand Orchestre du Tricot, Lagon Noir, Constantine, etc.). And so, when the three met within the iXi string quartet, something clicked.\u003cbr\u003e“I was seated between the two of them in the quartet,” Yom recalls, “and I could feel their energy flowing from both sides—it was wild! They’re so tuned into each other, they don’t need words. It’s like they’re connected by musical Wi-Fi. The groove happens instantly. They’re precise when they want to be—thanks to their experience in pop-influenced projects —but they can also let go completely, diving into pure sound. That’s exactly what this project needed.”\u003cbr\u003e \u003cbr\u003eWithout a single rehearsal, the trio formed instinctively. They began performing Yom’s compositions live, unfolding them into a single continuous piece, where clarinet and strings stretch the limits of sound and breath.\u003cbr\u003eBowed, plucked, or prepared with clothespins, the Ceccaldi strings engage in a playful and intense dialogue with Yom’s custom B-flat clarinet. Through their imaginative listening and fearless invention, air and space open into a vast new soundscape—one that lies somewhere between meditation and healing music.\u003cbr\u003e \u003cbr\u003e“When Yom shared the concept of the rhythm of silence, we were immediately drawn in,” says cellist Valentin Ceccaldi. “There’s a deep intensity and spiritual commitment in his music that really spoke to me. With this trio, we’re trying to dive into the core of sound—but also to create a kind of communion with the audience. It’s like gradually turning up the volume on silence, and realizing it’s made of countless tiny sounds—the music of particles in motion\" This stripped-down intensity demands full presence—body and mind—of these three musicians, vibrationall y connected in a state close to trance. With them, we enter a journey - not religious, but sacred nonetheless.\u003c\/p\u003e\n\u003cp\u003eThe Rhythm of Silence becomes an echo of our most intimate, most distant inner landscapes. An album—and a trio—to return to without end.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Silent Path (Emergence)\u003cbr\u003eA2. Sacred Lake\u003cbr\u003eA3. The Void\u003cbr\u003eA4. Sacred Light\u003cbr\u003eB1. A Prayer\u003cbr\u003eB2. Angry Prayer\u003cbr\u003eB3. Incantation\u003cbr\u003eB4. Silent Path (Cantique)\u003cbr\u003e\u003c\/p\u003e","brand":"Komos","offers":[{"title":"Default Title","offer_id":45260336431260,"sku":"KOS41LP","price":29.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_068febf3-054a-4810-944e-a30937380edd.webp?v=1757017046"},{"product_id":"sigma-day-one-cd","title":"Sigma - Day One [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DAYONESCD1\u003cbr\u003eBarcode: 5053760139737\u003cbr\u003eRelease Date: 10 Oct 2025\u003cbr\u003eGenre: Drum and Bass\u003c\/p\u003e\n\u003cp\u003eSigma proudly present DAY ONE - their highly anticipated fourth studio album and their first as independent artists. 2025 has seen Sigma embark on a bold new chapter in their career, starting their own label and embracing the freedom to create on their own terms. With the duo now fully independent, they are taking back control and taking it back to DAY ONE, making the music they love. \u003c\/p\u003e\n\u003cp\u003eDAY ONE embodies this ethos and is inspired by their love of the underground. The gritty jungle beats and anthemic soundscapes of early rave culture that form the foundation of their artistry can all be heard in these 12 songs. From hard-hitting tracks like Chargie and Soundboy, to dancefloor weapons like Magnetic and Outtaspace, all the way through to the orchestral Back To Life, Sigma demonstrates an impressive diversity and quality that showcases their exceptional production skills and studio craft. \u003c\/p\u003e\n\u003cp\u003eDAY ONE is more than an album; it’s a celebration of the duo’s journey and the people who have supported them from the start. Featuring collaborations with legends like Dizzee Rascal and rising stars such as Julia Church, the record balances nostalgia with forward-thinking innovation. “Being independent has brought us back to what it’s all about—making music for the love of it,” the duo says. \u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1 - CHARGIE - SIGMA, SCRUFIZZER, JAMAKABI\u003cbr\u003eA2 - SUPERSTYLIN' - SIGMA, DANNY BYRD, BASSLAYERZ\u003cbr\u003eA3 - R U SLEEPING - SIGMA, DIZZEE RASCAL, COCO\u003cbr\u003eA4 - JUNGLE - SIGMA, STEFFLON DON, YUNG SABER\u003cbr\u003eA5 - LEGENDARY - SIGMA, DYNAMITE MC\u003cbr\u003eA6 - CHEMICALS - SIGMA, MALI-KOA\u003cbr\u003eB1 - MAGNETIC  - SIGMA, JULIA CHURCH\u003cbr\u003eB2 - SOUNDBOY - SIGMA, SWEETIE IRIE, JAMAKABI\u003cbr\u003eB3 - OUTTASPACE - SIGMA\u003cbr\u003eB4 - PICKLE - SIGMA\u003cbr\u003eB5 - BACK TO LIFE - SIGMA, SACHA\u003cbr\u003eB6 - UP ALL NIGHT - SIGMA, GARDNA\u003cbr\u003e\u003c\/p\u003e","brand":"Day Ones Music","offers":[{"title":"Default Title","offer_id":45260341313692,"sku":"DAYONESCD1","price":8.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_8c1320dd-5aef-4e57-abe2-1ec23e07be15.jpg?v=1757017803"},{"product_id":"don-philippe-velvet-breaks","title":"Don Philippe - Velvet Breaks","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SK540LP\u003cbr\u003eBarcode: 8217300540156\u003cbr\u003eRelease Date: 10 Oct 2025\u003cbr\u003eGenre: Dance \/ Electronic\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1 – velvet breaks\u003cbr\u003eA2 – a rip\u003cbr\u003eA3 - fibers displaced\u003cbr\u003eA4 - displacement\u003cbr\u003eA5 - edges\u003cbr\u003eA6 - torn\u003cbr\u003eA7 - unraveling\u003cbr\u003eA8 - exposed\u003cbr\u003eB1 - tension\u003cbr\u003eB2 - at the seams\u003cbr\u003eB3 - stiff\u003cbr\u003eB4 - a rupture\u003cbr\u003eB5 - of composition\u003cbr\u003eB6 - a clear thread\u003cbr\u003eB7 - entanglement\u003cbr\u003eB8 - velvet is broken\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDon Philippe announces new instrumental album Velvet Breaks – out October 10th on Sonar Kollektiv Lo-fi textures meet emotional depth across a meditative, analog- inspired journey. \u003c\/p\u003e\n\u003cp\u003eSonar Kollektiv proudly announces the new album by lo-fi veteran Don Philippe. Titled Velvet Breaks, the fully instrumental record drops October 10th, 2025 on vinyl and digital formats. With its textured production, broken rhythms, and a distinctly analog warmth, Velvet Breaks is a slow-burning, introspective work – a meditation on fragility, erosion, and beauty in decay. \u003c\/p\u003e\n\u003cp\u003eDon Philippe, real name Philippe A. Kayser, brings decades of musical experience to the project. A professional drummer in the 1980s and later active as a pianist and guitarist, Kayser has worked since the 1990s as a composer and producer from his own studio. He is also a co-founder of the legendary German hip-hop group Freundeskreis, a pioneering act that helped define the sound and culture of German rap.\u003c\/p\u003e\n\u003cp\u003eSince 2015, Don Philippe has focused on instrumental hip-hop, releasing over ten solo albums across various independent labels and building a global fanbase on streaming platforms. His music bridges the soulful subtleties of jazz with the grit of classic boom- bap, always delivered with a delicate, cinematic touch.\u003c\/p\u003e\n\u003cp\u003eOn Velvet Breaks, that mastery is on full display. From the crackle of dusty drum loops to the hazy elegance of Rhodes melodies and tape-saturated fragments, the album builds a fragile world where silence and space are just as important as sound. The track titles read like a poetic deconstruction — “fibers displaced,” “torn,” “a rupture, ” “entanglement” — tracing a conceptual journey from tension to release.\u003c\/p\u003e\n\u003cp\u003eThe album unfolds like a narrative, with each track title suggesting a step in a process of unraveling: “fibers displaced,” “edges,” “a rupture,” “tension,” “entanglement” – culminating in the title track, “velvet is broken.”\u003c\/p\u003e\n\u003cp\u003eThere is no need for words here. The beats speak for themselves, telling a story in fragments, textures, and ghostly grooves.\u003cbr\u003e\u003c\/p\u003e","brand":"Sonar Kollektiv","offers":[{"title":"Default Title","offer_id":45260344230044,"sku":"SK540LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_86684f32-1673-4901-bac3-ecf12465ff90.webp?v=1757018149"},{"product_id":"emily-a-sprague-cloud-time","title":"Emily A. Sprague - Cloud Time","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: RVNGNL130LP\u003cbr\u003eBarcode: 00747742387388\u003cbr\u003eRelease Date: 10 Oct 2025\u003cbr\u003eGenre: ALT\u003c\/p\u003e\n\u003cp\u003eEmily A. Sprague’s Cloud Time traces an audio-spiritual journey through time and place, recorded across a long-awaited debut tour of Japan in the fall of 2024. Compiled from environmental improvisations captured in and for the moment, material at once welcoming, responsive, and inimitable, the album distills a voyage guided by psychic wayfaring, unbound presence, and activating performance for a reciprocal exchange with space, listener, and each fully engaged instant. The Japanese tour documented on Cloud Time held an almost mythic significance for Sprague, taking on properties of her own sonic white whale. After many near-departures and dropped plans to play in the country, “the empty spaces of cancelled trips and forgotten music turned into strange little misty spirits that I felt followed by,” she says. “When I began preparing for the tour, I couldn’t shake a sense that the invitation to Japan was more about opening myself up to this new place instead of bringing something into it tightly under my control. Improvisation has always been such a pillar in my music practice, and I really wanted to meet the country, spaces and people through that process.” \u003c\/p\u003e\n\u003cp\u003eTo amplify these intuitive whispers on-stage, Sprague reimagined her time-tested live rig, designed to be as free from error as possible, as a looser, more flexible set up that would allow her to interface with what was essentially a blank sonic canvas every night. Each performance became a collaboration between environment and instinct, Sprague processing the events, energies, and emotions informing the evening through her new sound ecosystem, and projecting an entirely present and unique version of herself to each open-eared and hearted crowd. “It was very much more than\u003cbr\u003ejust an act of playing for me, but a total experience of time and place,” she says. \u003c\/p\u003e\n\u003cp\u003eThe seven long-form pieces that plot the course of Cloud Time, excerpted from over eight hours of recordings archived on the artist’s on-stage recorder and generously shared on the album with no additional mixing and only minimal editing, invite listeners to become still in these deep-rooted moments of presence as the album moves from city to city, venue to venue. Cloud Time chronicles material recorded at each tour stop, Sprague selecting and sequencing the album around mood-based storytelling more so than linear chronology. “I tried to make the whole album flow in the way that any one of the complete live performances did,” she explains, “while also keeping the spirit of the whole thing as a journey.” The result is equal parts travelog, love letter, and impressionistic collage channeled from the potent ferment of a now encased in the glowing amber of memory. \u003c\/p\u003e\n\u003cp\u003eIntrinsically inspired by kankyō ongaku, an environmental music philosophy, known both in and widely outside of Japan that tunes into the similarly expansive ethos as Pauline Oliveros’ deep listening practice and posits the listener as composer, Cloud Time is ambient music that seems to be listening right back, grounded in heartfelt synthesized frequencies that abundantly hold and heal. Pieces like “Nagoya,” “Tokyo 1,” and the ten minute “Matsumoto” in particular hum with the atomic resonance of gently tended landscapes, offering space for tuning way in and dropping far out from perspectives that stifle and bind. Cloud Time is an invitation to embrace each moment as both fleeting and eternal, floating by with nothing to grasp onto and absolutely everything to gain. \u003c\/p\u003e\n\u003cp\u003eThe exercise in acceptance and letting go that Sprague practiced throughout the tour deeply impacted her understanding of self as both a guest and venerable performer. “The process of loving wherever I am, being present and focusing on a clear channel of communication for mind and emotion, rooted so deeply in respect for the space, those within it, and myself, ended up being profoundly healing,” she says. “My vision and hope is that this album can be released as a gift back to anyone who either was or wasn’t there. A cloud time of life passing by.” \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Tokyo 1\u003cbr\u003eA2. Osaka\u003cbr\u003eA3. Nagoya\u003cbr\u003eA4. Matsumoto (Beginning)\u003cbr\u003eB1. Matsumoto (Ending)\u003cbr\u003eB2. Hokkaido\u003cbr\u003eB3. Tokyo 2\u003cbr\u003eB4. 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