{"title":"Republic of Music 03.07.26","description":"","products":[{"product_id":"kruder-dorfmeister-dj-kicks-kruder-dorfmeister-30th-anniversary-box-3lp","title":"Kruder \u0026 Dorfmeister - DJ-Kicks Kruder \u0026 Dorfmeister (30th Anniversary Box) [3LP]","description":"\u003cp\u003eFormat: 3 x LP\u003cbr\u003eCatalogue No.: K7046XXXLP\u003cbr\u003eBarcode: 4062548132182\u003cbr\u003eRelease Date: 31 Jul 2026\u003cbr\u003eGenre: Electronic\u003c\/p\u003e\n\u003cp\u003elimited edition standard weight, 3 x black vinyls packaged in a sepcial box set including original imagery. \u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eLP 01\u003cbr\u003eA1 Herbaliser – A Mother\u003cbr\u003eA2 Small World – Livin’ Free (Soundtrack Mix)\u003cbr\u003eB1 Tango – Spellbound\u003cbr\u003eB2 The Lab Rats – Give My Soul\u003cbr\u003eB3 Statik Sound System – Revolutionary Pilot\u003cbr\u003e \u003cbr\u003eLP 02\u003cbr\u003eC1 JMJ \u0026amp; Flytronix – In Too Deep\u003cbr\u003eC2 Aquasky – Kauna\u003cbr\u003eC3 James Bong – Mr. Kiss Kiss Bong Bong (Big Brothers Dubbing You Full On - Dub Tractor Remix)\u003cbr\u003eD1 Hardfloor presents Dadamnphreaknoizephunk – Dupdope (Dubdope)\u003cbr\u003eD2 Thievery Corporation – Shaolin Satellite\u003cbr\u003eD3 Kruder \u0026amp; Dorfmeister – High Noon\u003cbr\u003e \u003cbr\u003eLP 03\u003cbr\u003eE1 Beanfield – Keep On Believing\u003cbr\u003eE2 Sapien – Que Dolor\u003cbr\u003eE3 Shantel – Bass And Several Cars\u003cbr\u003eF1 Karma – Look Up Dere\u003cbr\u003eF2 Showroom Recordings – Radio Burning Chrome\u003cbr\u003eF3 Kruder \u0026amp; Dorfmeister – Black Baby (DJ-KiCKS)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor its 30th anniversary, Kruder \u0026amp; Dorfmeister’s DJ-Kicks is available for the first time in mixed form on 3LP, remastered by Bernie Grundman and packaged in a special box set including original imagery. Kruder \u0026amp; Dorfmeister's rendition of the series created an era defining moment, which tied together a glowing array of musical registers. The Viennese downtempo royalty blended a fusion of slowed down moments across many genres with rolling Drum and Bass from the likes of Aquasky, the melting acid lines of deep Hardfloor and the 90s boom bap sampling, smoked out atmospherics of Thievery Corporation amongst many more.\u003cbr\u003e \u003cbr\u003eThese masters of mood channeled the sound of a moment with their DJ-Kicks, which still retains a certified cinematic sheen, the patina of the real – curation and mixing at its most playful and refined. It remains to this day one of the most recognizable DJ-Kicks and mixes of all time. Containing two certified cuts from K\u0026amp;D themselves; the wooze is strong on “High Noon” with Dorfmeister's intoxicating jazz flute licks and a trembling harmonica atop a mirage of breaks. Their DJ-Kicks original and legendary tune “Black Baby” closes the mix providing a piece of grandeur, riding off into the distance deep to the vanishing point.\u003cbr\u003e \u003cbr\u003eWhen the mix dropped in 1996, the slo-beat pioneers were among the hottest producers in the dance universe. Even though they only produced two unreleased maxis, names like Count Basie, Bomb The Bass, Alex Reece or United Future Organization had some of their tracks remixed by these exceptional producers. Rumour has it during the work for DJ-Kicks and their debut album they refused doing remixes for U2, Grace Jones, Elvis Costello and the Fantastic Four! ‘DJ-Kicks: Kruder \u0026amp; Dorfmeister’ took its place in the pantheon a long while back, effortless in its ability to traverse sounds, styles and tempos while retaining a selection which remains timelessly recognisable as: Kruder \u0026amp; Dorfmeister.\u003cbr\u003e\u003c\/p\u003e","brand":"!K7","offers":[{"title":"Default Title","offer_id":46610620383388,"sku":"K7046XXXLP","price":56.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_fb0f17f4-3a23-47fa-a34a-79c06770bbf8.jpg?v=1774970200"},{"product_id":"batu-donato-dozzy-exhale-cd","title":"Batu \u0026 Donato Dozzy - Exhale [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: K7466CD\u003cbr\u003eBarcode: 4062548143188\u003cbr\u003eRelease Date: 03 Jul 2026\u003cbr\u003eGenre: Dance\/Electronic\u003c\/p\u003e\n\u003cp\u003eBridging the sound of two distinctive auteurs within modern electronic music, Exhale is the natural convergence of Batu and Donato Dozzy's revered, distinctive sonic signatures. With techno in the broadest sense as a framework, the pair have created an immersive listening experience that celebrates the flashpoint of inspiration and thrives on experimentation.\u003c\/p\u003e\n\u003cp\u003eAs Batu, Omar McCutcheon has made a huge impression on modern club music by channeling the soundsystem-rooted principles of dubstep into inventive mutations that defy easy categorisation. Donato Dozzy has been a leading figure in European techno since the mid 00s, helping pioneer a culture of deeply immersive, subtle dance music charged with ambient atmospheres. The pair first connected in Japan in 2019, discovering a mutual appreciation for each others' work and a curiosity about how their distinct sounds might intersect.\u003c\/p\u003e\n\u003cp\u003eIn February 2025 Batu visited Dozzy's studio in Rome. Within that Aladdin's cave of hardware, the pair mapped out a continuous, instinctive flow of sketches that became the bedrock of Exhale.\u003c\/p\u003e\n\u003cp\u003eBetween Dozzy's gear-focused practice and Batu's detailed software manipulations a dialogue emerged between the duo's distinct styles, making space for each other and learning along the path to a record both unique and innately connected to their respective musical legacies.\u003c\/p\u003e\n\u003cp\u003eThe eight fully-formed pieces that make up Exhale bear the hallmarks of both creators in equal measure. True to their musical mission, there are no one-dimensional approaches taken throughout Exhale. Transcendental sequences are laser-guided by kinetic drum science, and even the most bruising moments are balanced with a delicacy that leads straight to the heart of both producers' profound appeal. The album that has emerged feels like an honest, instinctive celebration of Batu and Dozzy's respective strengths, made all the sharper in unison.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1\/01. Emergence\u003cbr\u003eA2\/02. Spiral\u003cbr\u003eB1\/03. Drift\u003cbr\u003eB2\/04. Off Axis\u003cbr\u003eC1\/05. Swarm\u003cbr\u003eC2\/06. Flicker\u003cbr\u003eD1\/07. Exhale\u003cbr\u003eD2\/08. 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The album that has emerged feels like an honest, instinctive celebration of Batu and Dozzy's respective strengths, made all the sharper in unison.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1\/01. Emergence\u003cbr\u003eA2\/02. Spiral\u003cbr\u003eB1\/03. Drift\u003cbr\u003eB2\/04. Off Axis\u003cbr\u003eC1\/05. Swarm\u003cbr\u003eC2\/06. Flicker\u003cbr\u003eD1\/07. Exhale\u003cbr\u003eD2\/08. 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Ra also continued his touring in Europe with historic gigs in Italy. During this period, Arkestra live performances were often loosely structured into thematic blocks that moved from reflections on jazz history to cosmic “space narrative” sections featuring collective chants, extended Africa\/Egypt-inspired grooves and selections from the Great American Songbook. This recording brings in all of these features with re-imagined versions of standards like ‘Take The “A” Train’, ‘St. Louis Blues’ and title track ‘Over The Rainbow’ alongside rarely recorded Ra compositions like ‘Make Another Mistake’ and ‘Amen Meni Many Amens’. Ra conducted improvisations to guide the listener seamlessly from one musical scene to the next. 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Together, Laurent Bruttin, Antoine Läng, John Menoud and Daniel Zea weave a dense, shifting mass where individual voices dissolve into an organic, almost hallucinatory polyphony. Conceived as a continuum, the album unfolds as a hypnotic flow, a physical and immersive music that moves from mouths to bodies, saturating the surrounding space. 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Census Designated is a staggering display of maturation in every aspect when compared to her previous presentation, to a degree that makes it few and far between in the world of albums.\u003cbr\u003e \u003cbr\u003eDespite the darker palette, Jane steps into a technicolor clarity for the first time. 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Darian Donovan Thomas’ “Sun Thrower” opens the album with an epic 10-minute piece that mixes shimmering ambient textures, soaring saxophone solos, and pumping electronic drums that coalesce into a dream-like memory of dancing. The piece features Thomas on live effects processing, Natalia Warthen on the opening alto solo, and special guest and founding member of ~Nois, Hunter Bockes, on alto saxophone.\u003c\/p\u003e\n\u003cp\u003e“alternate endings.,” a piece expressing rage and frustration around climate change, by composer and guitarist Aeryn Jade “AJ” Santillan, casts the full quartet into the role of a guitar embedded within a post-punk band.\u003c\/p\u003e\n\u003cp\u003eThe three movement album closer, “Running in a Field of Flowers” by saxophone quartet veteran Travis Laplante, reminisces on a time in his life when “he was consciously more connected to the Earth through listening.” A Closer Listen said it best: \"If this is noise, it's a joyful noise.\"\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Sun Thrower\u003cbr\u003e2. alternate endings. (feat. Aeryn Jade Santillan)\u003cbr\u003e3. Invisible (feat. Francisco del Pino)\u003cbr\u003e4. Running in a Field of Flowers: I. Meditation (feat. Nick Zoulek)\u003cbr\u003e5. Running in a Field of Flowers: II. Descent (feat. Nick Zoulek)\u003cbr\u003e6. Running in a Field of Flowers: III. Searing Joy (feat. 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Created with the intention of making a record he’d be excited to discover while digging through crates, Super Stuff stands as a love letter to vinyl culture and deep listening.\u003cbr\u003eDrawing from jazz, soul, and electronic music, the album delivers beat-driven cuts that move fluidly between chill, head-nodding hip-hop instrumentals and ’90s-era jazzy house—all filtered through the unmistakable Sweatson Klank sound. Throughout the record, it becomes clear that Sweatson's deep-rooted passion for record collecting and wide-ranging musical influences are at the heart of a sound that feels both personal and expansive.\u003cbr\u003eSuper Stuff pays homage to the greats while staying fresh, modern, and forward-thinking. This is music built for the discerning listener, collectors, DJs, and anyone who values groove, texture, and timeless production. 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In 2010, Artistic Director Christopher Rountree founded Wild Up with 15 musicians. Today, this GRAMMY®-nominated ensemble comprises 32 performers, with membership ranging from award-winning composers to experts in contemporary techniques, baroque music specialists, activists, studio musicians, indie artists, and educators. Julius Eastman Vol. 5: Gay Guerilla is just the latest thrilling chapter in Wild Up's ongoing Eastman compendium, which has earned three GRAMMY nominations.\u003c\/p\u003e\n\u003cp\u003eIn an oeuvre with no shortage of provocation, Gay Guerrilla stands among Eastman's most daring statements: An epochal work that sanctifies queerness and envisions a genuine revolution of gay liberation. As Eastman shared in remarks preceding Gay Guerrilla’s 1980 premiere: “If there is a cause — and if it is a great cause — those who belong to that cause will sacrifice their blood, because, without blood, there is no cause. So, therefore, that is the reason that I use gay guerrilla, in hopes that I might be one, if called upon to be one.”\u003cbr\u003eWild Up reaffirms the point made by the musicologist and composer Luciano Chessa: “If all of Eastman’s music but this one were to disappear, Gay Guerrilla would still be enough to guarantee him a firm place in the history of twentieth-century music” throughout Vol. 5, drawing out the compositional characteristics and urgent themes that mark Eastman as a singular figure in American Experimentalism: queered allusions to Lutheran hymnals, almost unbearably tense passages of frenzied repetition, and explosions of melodic ecstasy. It’s a testament to the ensemble’s carefully-honed ability to perform Eastman’s idiosyncratic scores in a spirit befitting its creator.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. No. 1, Silence\u003cbr\u003e2. No. 2, All Together\u003cbr\u003e3. No. 3, The Lessing Is Miracle\u003cbr\u003e4. 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