{"title":"ONEJUL19","description":"","products":[{"product_id":"portico-quartet-monument-cd","title":"Portico Quartet - Monument [CD]","description":"\u003cp\u003eFormat: CD Album, CD in card wallet\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: GONDCD043\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5050580753808\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: Nov 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Crossover Jazz\u003c\/p\u003e\n\u003cp\u003e01: Opening\u003cbr\u003e02: Impressions\u003cbr\u003e03: Ultraviolet\u003cbr\u003e04: Ever Present\u003cbr\u003e05: Gateway\u003cbr\u003e06: Monument\u003cbr\u003e07: A.O.E\u003cbr\u003e08: Warm Data\u003cbr\u003e09: Portal\u003cbr\u003e10: On the Light\u003c\/p\u003e\n\u003cp\u003ePortico Quartet announce Monument, the electronic driven follow-up to their acclaimed ambient-minimalist suite Terrain, presenting the band at their most direct\u003cbr\u003e\u003cbr\u003eIt's rare that a band releases two albums within six months of each other, rarer too that while both are so different, they are both as epochal in terms of the band's output as Terrain and Monument are to Portico Quartet. The irony is that Monument, a stripped-back, intentionally direct album, was the album that the band set out to write in May 2020, before the dream like long-form Terrain came into focus. Briefly they were two halves of the same record, but the band ended up developing these two distinct bodies of work concurrently. And although they were written side-by-side and recorded at the same sessions, they are records best understood as distinct from each other, each with opposing ideas and forms.\u003cbr\u003e\u003cbr\u003eMonument is one of Portico Quartet's most accessible, direct records to date. If Terrain addressed the darker side of how Duncan Bellamy and Jack Wyllie made sense of the pandemic, then Monument resonates as an ode to better times. If not quite a dance record, it nonetheless pulses with an energy, radiance and a scalpel sharp focus. Jack Wyllie explains: \"It's possibly our most direct album to date. It's melodic, structured and there's an economy to it that is very efficient. There's not much searching or wastage within the music itself, it is all finalised ideas, precisely sculpted and presented as a polished artefact.\"\u003cbr\u003e\u003cbr\u003eBellamy expands \"Monument sits somewhere between our albums Portico Quartet and Art in the Age of Automation. It has perhaps a more overtly electronic edge to its sound – there are more synthesisers and electronic elements than we have used before and the music is often streamlined and rhythmic\".\u003cbr\u003e\u003cbr\u003eAfter the ethereal, stage-setting of Opening, the album kicks into overdrive with Impressions, a short energetic track that pairs a club influenced groove with hang drum and close, delicate saxophone. It's the balance between these elements that push and pull the track through a selection of melodic and rhythmic re-configurations, contrasting human touch with a machine-like focus. Ultraviolet is a kaleidoscopic, krautrock inspired track with a haunting introduction and an insistent pulse. The wistful Ever Present builds from a simple piano refrain; a nostalgic melody line floats over the top as drums and bass groove insistently underneath, before reaching a euphoric peak. The title track Monument builds around a looping vocal sample, drums and an enigmatic melody, the ending giving way to a gauzy, weaving synth line. The power here is in its economy and luminosity. AOE flips back and forth, like a dial that's been switched. Mining the tension between a pastoral inflected cello and saxophone melody, with an abrupt shift to jilted live drums, wailing delayed saxophone and a flickering synth line. Warm Data comes straight from the same Portico Quartet tradition as older tracks like Current History and Laker-Boo. It's a marriage of instrumental minimalism with drum machines and synths. Finally, the album closes with On The Light, a track that transmits a sense of suspense and freedom, driven by the twitching drums of Bellamy and evocative sax of Wyllie. It offers the perfect bitter-sweet and evocative ending to Portico Quartet's latest Monument.\u003cbr\u003e\u003c\/p\u003e","brand":"Gondwana Records","offers":[{"title":"Default Title","offer_id":40803730751644,"sku":"GONDCD043","price":13.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_7e172680-ccf7-4888-bf32-931e1ba8a327.jpg?v=1630491847"},{"product_id":"stevie-nicks-live-in-concert-the-24-karat-gold-tour-blue-white-splatter-vinyl-limited-edition-2lp-national-album-day-2021","title":"Stevie Nicks - Live In Concert The 24 Karat Gold Tour (Blue \u0026 White Splatter Vinyl - Limited Edition 2LP) (National Album Day 2021)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 2 x LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 4050538705935\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 16 Oct 2021\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Blue \u0026amp; White Splatter Colour Vinyl For National Album Day 2021 - Celebrating Women In Music. 5000 Units for UK. \u003cbr\u003e\u003cbr\u003eStevie Nicks’ solo catalog has sold over 103,000 albums in 2019, including 90,000 in physical alone.\u003cbr\u003e\u003cbr\u003eThe power of her classic legendary hits endures to this day—nearly 2.7 MILLION on demand streams per week, over 150 MILLION total in 2019, and continued radio presence— over 1,700 plays per week \/ over 8 MILLION audience per week and a staggering nearly 450 MILLION in audience for 2019!\u003cbr\u003e\u003cbr\u003eFilmed and recorded in Indianapolis and Pittsburgh in 2017 during the 67 city sold out tour, 24K Gold Live in Concert features her solo hits “Stop Dragging My Heart Around, “Stand Back”, \u0026amp; “Edge Of Seventeen”, as well as Fleetwood Mac’s “Rhiannon” \u0026amp; “Gypsy”.\u003cbr\u003e\u003cbr\u003eIt also includes the first ever live recording of “Crying In The Night”, and other live rarities.\u003cbr\u003e\u003cbr\u003eAvailable exclusively for National Album Day in Limited Edition Blue \u0026amp; White splatter vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide One\u003cbr\u003e1. 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In 2017, she decided it was time to press pause and focus on connecting with herself.\u003cbr\u003e ‘Friends In The Corner EP’, available on transparent vinyl, is ultimately about facing up to tough experiences that led her to pressing that pause button, and the effects of having your\u003cbr\u003econfidence and agency diminished.\u003cbr\u003e The EP features previously released singles ‘Love Not Loving You’ - her bold, buoyant comeback single that transports you to the light at the end of her time away; ‘Friends In The Corner’ on the fragility and hidden nature of mental health struggles; ‘Hollywood’, revealing some of the most challenging experiences she’s had to date, chasing her dreams to Los Angeles as a young\u003cbr\u003esongwriter; ‘Woman’ with its universal message of standing up to the unacceptable; new single ‘Kathleen’, an ode to her grandmother and unheard tracks ‘Courage’, ‘Dance’ and an acoustic version of ‘Kathleen’.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eFriends In The Corner\u003cbr\u003eKathleen\u003cbr\u003eLove Not Loving You\u003cbr\u003eHollywood\u003cbr\u003eDance\u003cbr\u003eWoman\u003cbr\u003eCourage\u003cbr\u003eKathleen (live acoustic)\u003c\/p\u003e","brand":"[PIAS]","offers":[{"title":"Default Title","offer_id":41154816311452,"sku":"PIASR5083LP","price":22.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_4d358c10-634a-45bc-a1fe-aeddf21da8c3.jpg?v=1635754593"},{"product_id":"lets-eat-grandma-two-ribbons-limited-edition-deluxe-black-vinyl-with-exclusive-7","title":"Let's Eat Grandma - Two Ribbons [Limited Edition Deluxe Black Vinyl with Exclusive 7”]","description":"\u003cp\u003eFormat: Limited Edition Deluxe Black Vinyl with Exclusive 7”\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: TRANS565XD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863064679\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 08 Apr 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eLet’s Eat Grandma, the duo composed of songwriters, multi-instrumentalists and vocalists Rosa Walton and Jenny Hollingworth, today announce the release of their third full-length album. Two Ribbons, co-produced by David Wrench and Let’s Eat Grandma, will be released on 8 April 2022 via Transgressive.\u003c\/p\u003e\n\u003cp\u003eTo coincide with the announcement, the pair share the album’s stunning title track and an accompanying video. “Two Ribbons” is the final song on the record and is a slow, melancholic moment of quiet that deviates from their almost industrial dancefloor fillers. The single contains reflections from Jenny on how the pair are still bound together through their compassion for each other, tight as ever, although slightly frayed and world-worn.\u003cbr\u003e\u003cbr\u003eDirected by El Hardwick, the video features the stunning Norfolk countryside, which was a place of real importance to the band when writing this record. \u003cbr\u003e\u003cbr\u003eJenny said the following about the single: “Two Ribbons is a song I wrote to, and about, two of the closest people in my life, and how my relationships with them shifted over time through loss and life changes. It touches on the isolating experience of grieving, our powerlessness in the face of death, and the visceral emotions of grief.\"\u003cbr\u003e\u003cbr\u003eIt follows the release of “Hall Of Mirrors”, an ethereal, glistening pop song about a beautiful, intense moment remembered, which was described by The Sunday Times as “pop-perfect electronica” and came with a hazy, dreamlike video, also directed by El Hardwick.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLet’s Eat Grandma released their second album, I’m All Ears, in 2018. It came out to a blaze of critical glory, thrilled fans who’d been with them since I, Gemini, and won them interested new listeners as they widened their musical scope. They won Album of the Year at the Q Awards along with many end of year list placements, toured relentlessly, played a life-changing set at Coachella, and then… they disappeared. \u003cbr\u003e\u003cbr\u003e​​Two Ribbons tells the story of the last three years from both Jenny and Rosa’s points of view. As a body of work, it is astonishing: a dazzling, heart-breaking, life-affirming and mortality-facing record that reveals their growing artistry and ability to parse intense feeling into lyrics so memorable you’d scribble them on your backpack. The band has been through a lot in the last three years, and Two Ribbons is the artefact that signals some kind of progression out of distressing times; a story of loss, change, and of survival; a proof of life. \u003cbr\u003e\u003cbr\u003eSuch was the intensity of Jenny and Rosa’s bond that when they promoted their first album, they positioned themselves as twins. Friends since early childhood, they had graduated into a teenage friendship that was unbreakable and practically telepathic. Those intense and all-consuming friendships are subject to the same ebbs and flows as any other, and as they grew older the two began to find themselves as individuals, tastes differing here, reactions jarring there. There was a time when both felt a little trapped, and needed to fight to create the space to express themselves as individuals within their relationship. \u003cbr\u003e \u003cbr\u003eAnd so the partnership began to fray. Two Ribbons can be heard as a series of letters between the two of them, taking the place of conversations as they try to make sense of the rift in their relationships. It’s a cathartic blood-letting and a devastating realisation about the fickleness of life. Though it is still very much a Let’s Eat Grandma album, for the first time there are Rosa’s songs and Jenny’s songs. \u003cbr\u003e\u003cbr\u003eBoth Rosa and Jenny found themselves more involved in the production of this album, experimenting with new sounds and diverse instrumentations within the studio, collaborating with David Wrench, also the primary producer of I’m All Ears. On this record Rosa in particular threw herself into the behind the scenes work and driving her own sonic agenda, whilst Jenny sought to synthesise new influences to forge new spaces artistically for the group.\u003cbr\u003e\u003cbr\u003eThe backdrop to Two Ribbons is two women navigating their way through a lot, for the first time without the tiller of each other to guide them. The songs they wrote and eventually brought to each other are little pockets of light in the darkness, signals in the night to show each other how they were feeling and what they had lost. \u003cbr\u003e\u003cbr\u003eTwo Ribbons is an album that treads a fine line expressing the most intimate feelings of, whilst making space for, the different perspectives of two women; an album that says this is not the beginning or the end but part of a never-ending circle. It’s cyclical in nature; there is sadness, and pain, and joy, and hope – and knows that no matter what detours we take, we are all connected.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTwo Ribbons tracklist:\u003cbr\u003eHappy New Year\u003cbr\u003eLevitation\u003cbr\u003eWatching You Go\u003cbr\u003eHall Of Mirrors\u003cbr\u003eInsect Loop\u003cbr\u003eHalf Light\u003cbr\u003eSunday\u003cbr\u003eIn The Cemetery\u003cbr\u003eStrange Conversations\u003cbr\u003eTwo Ribbons\u003cbr\u003e\u003c\/p\u003e","brand":"Transgressive","offers":[{"title":"Default Title","offer_id":41202196414620,"sku":"TRANS565XD","price":34.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/LetsEatGrandma-DeluxeLP.jpg?v=1636624372"},{"product_id":"morcheeba-blackest-blue-the-remixes","title":"MORCHEEBA - BLACKEST BLUE -THE REMIXES","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FAR009RSD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5056032351158\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 15 Jul 22\u003cbr data-mce-fragment=\"1\"\u003eGenre: Dance\/Electronic\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING :\u003cbr\u003eA1. 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Their signature chilled electronic\/organic sound has been border-hopping ever since the London-based band emerged as a household name with a discography spanning three decades. \u003cbr\u003e\u003cbr\u003eWith at least 12 gold and platinum discs \u0026amp; over 350M all time streams, Morcheeba continue to create their own unique sound, a laid-back mix of fusion, funk, and blues with the sweet, fluid vocals of Skye Edwards\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e• Remixes from the acclaimed album “Blackest Blue” \u003cbr\u003e\u003cbr\u003e• Morcheeba enlists Gui Boratto, Kutiman, Voyou and Orbital\u003cbr\u003e\u003c\/p\u003e","brand":"FLY AGARIC RECORDS","offers":[{"title":"Default Title","offer_id":41455010119836,"sku":"FAR009RSD","price":16.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_802b2ac0-aaef-4995-af66-950ff884d334.jpg?v=1645023689"},{"product_id":"haddaway-what-is-love-black-vinyl","title":"HADDAWAY - WHAT IS LOVE [Black Vinyl]","description":"\u003cp\u003eFormat: 12\" Vinyl, Black\u003cbr\u003eCatalogue No.: DOTB-002\u003cbr\u003eRelease Date: 29 Apr 2022\u003cbr\u003eGenre: Euro Dance\u003c\/p\u003e\n\u003cp\u003e2022 OFFICIAL REISSUE\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING:\u003cbr\u003eSIDE A1: What Is Love (7\" Mix)\u003cbr\u003eSIDE A2: What Is Love (12\" Mix)\u003cbr\u003eSIDE B1: What Is Love (Club Mix)\u003cbr\u003eSIDE B2: What Is Love (Refreshmento Extro Mix)\u003c\/p\u003e","brand":"Dance On The Beat","offers":[{"title":"Default Title","offer_id":41534206967964,"sku":"DOTB-002","price":17.1,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/unnamed_f2fe97d1-9960-4cf3-98ce-5c6464b99414.jpg?v=1648063959"},{"product_id":"phil-odgers-ghosts-of-rock-n-roll-1","title":"Phil Odgers - Ghosts Of Rock N Roll","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: VSRLP012\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5024545947212\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 18 Jun 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp\u003eThere’s plenty of stock. Released on vinyl for the first time for Record store day. ‘GHOSTS OF ROCK N ROLL’ is the fifth solo album from Men They Couldn’t Hang frontman Phil Odgers and is preceded by the digital single ‘The Serpent, The Maiden and The Bear’ which hit #5 in the OFFICIAL UK FOLK CHART in September 2021. Beginning as a collection of ukulele led demos, ‘GHOSTS OF ROCK N ROLL’ has endured a stormy birth and its final emergence represents the triumph of resilience over adversity. Originally funded via Pledge Music, the album was nearly strangled at birth by the collapse of Pledge Music in 2018 and the loss of the majority of fan investment. Despite this setback, all fan pledges were still fulfilled and the project relocated to Bandcamp just in time for the pandemic lockdown to prevent any further recording sessions with producer Jim Knight. Finally, the album inched forward over the summer of 2020 only to crash into the second lockdown and then the tragic loss of fellow TMTCH frontman Stefan Cush in February 2021. With such checkered history, ‘GHOSTS OF ROCK N ROLL’ seems an appropriate title and its combination of folky pop and melancholic twang, combined with an ethos of survival, memory and experience create a testament to a life spent sailing the sometimes treacherous waters of Rock and Roll. The vinyl album features guest appearances by Sid Griffin and Bobby Valentino and two extra tracks not available on the CD version. Sleeve design is by visual artist Aly fell and the vinyl album includes a limited-edition art print pencil drawing of Cush and Swill giving it large on stage at Shepherds Bush Empire.\u003c\/p\u003e\n\u003cp\u003eSIDE A 1 The Serpent, the Maiden and the Bear 2 Flower Lady (feat. 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The single, which was initially released digitally in April in support of the people of Ukraine and was #1 in 29 countries, will be available on 7” and CD single. Both formats will also feature a newly reworked version of ‘A Great Day For Freedom’ from the band’s 1994 album, The Division Bell. The track sees David Gilmour and Nick Mason joined by long time Pink Floyd bass player Guy Pratt, with Nitin Sawhney on keyboards and a lead vocal by Andriy Khlyvnyuk of Ukrainian band Boombox. It also has vocal harmonies by Romany and David Gilmour\u003cbr\u003e\u003cbr\u003eWhen the track was first recorded at the end of March, Andriy, who left his band’s US tour to return home and fight for his country, was in a hospital bed in Kyiv recovering from a shrapnel injury. Proceeds for the physical release and the ongoing digital proceeds will go to Ukraine humanitarian relief.\u003cbr\u003e\u003cbr\u003eFor this limited edition release, David Gilmour revisited The Division Bell track ‘A Great Day For Freedom’. He has reworked the song using the original tapes which, as well as David, feature Nick Mason on drums and Richard Wright on keyboards, along with backing vocals from Sam Brown, Claudia Fontaine and Durga McBroom. The artwork for the track ‘The Sunflower Look’ features a painting of the national flower of Ukraine with a twist by the Cuban artist Yosan Leon. The cover is a direct reference to the woman who was seen around the world giving sunflower seeds to Russian soldiers and telling them to carry them in their pockets, so that when they die sunflowers will grow.\u003c\/p\u003e","brand":"PINK FLOYD RECORDS","offers":[{"title":"Default Title","offer_id":41712154116252,"sku":"5054197152047","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image013_76e454d3-1340-4717-9303-390cdef88716.png?v=1655995125"},{"product_id":"various-artists-oonops-drops-150","title":"Various Artists - Oonops Drops - 150","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: OD00545\u003cbr\u003eBarcode: 5050580788770\u003cbr\u003eRelease Date: 08 Jul 2022\u003cbr\u003eGenre: Jazz Rap Hip Hop\u003c\/p\u003e\n\u003cp\u003e01: Bird's Lament - Slick Walk \u0026amp; Sneaky\u003cbr data-mce-fragment=\"1\"\u003e02: Keep Ya Eyes Up - Avantgarde Vak\u003cbr data-mce-fragment=\"1\"\u003e03: Toshi's Bonus Breaks - Toshiyuki Sasaki\u003c\/p\u003e\n\u003cp\u003eFor nearly eight years Oonops is performing his (bi-)monthly vinyl show on Brooklyn Radio in New York. On the 21th March he dropped his 150th episode of \"Oonops Drops\" including exclusive guest mixes from around the globe like Skratch Bastid, Coldcut, Rich Medina, Kutiman, Morcheeba, J.Rawls, Fingathing, Guts, Supreme La Rock, DJ Kaos (The Artifacts), Fat Freddy's Drop, The Reflex, The Herbaliser, Hunger (Gagle), Scratch Perverts and many more. Link to the show and back archive: brooklynradio.com\/oonops-drops\u003cbr\u003e\u003cbr\u003eTime to celebrate this event with an exclusive 45-vinyl like at his 100th episode.\u003cbr\u003e\u003cbr\u003eHe invited artists from his show and network to join him for this multifarious single compilation. Starting on side A with Slick Walk (Merse \u0026amp; DJ Robert Smith) and Sneaky from Fingathing who conjure a heavy scratchy bassy version of Moondog's legendary song \"Bird's Lament\". On the flip DJ and beatproducer Avantgarde Vak from South Korea drops a cool oldschool instrumental track named \"Keep Ya Eyes Up\" before Toshiyuki Sasaki from Japanese Jazz Trio Nautilus is ending this 45 with four precise drum breaks for all beatjugglers out there.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAnd here is little story which Sneaky has to tell you about their version of \"Bird's Lament\":\u003cbr\u003e\u003cbr\u003e..........................................................\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\"Once you label me you negate me\"\u003cbr\u003eKierkegaard\u003cbr\u003e\u003cbr\u003eMusic that is difficult to label no doubt excites the curious mind, and the music of Moondog could well be labelled as such… we can but scratch the surface. So scratch we shall.\u003cbr\u003e\u003cbr\u003eOften referred to as the Viking of the Sixth due to his style and location in NYC as a street musician in the 50s and 60s Louis Thomas Hardin aka Moondog made his own percussion instruments. He conjured music that mixed elements of modern classical with jazz and folk always inbuing a certain childlike innocence and simplicity.\u003cbr\u003e\"Bird's Lament\" his tribute to Charlie \"Bird\" Parker and possibly his most known work has seen several versions and interpretations since it's release on his self titled fifth studio album in 1969. Notably for me in the mid nineties I had his work thrust before me when I was asked by fellow Mancunian Andy Carthy aka Mr Scruff to add some bass to a track based around the sampling of said track. \"Get a move on\" helped spread the Moondog spirit to the club dancefloors and beyond. Since then I have been hooked by his music, an appreciation that continues to grow with every deeper dig and recontextualised listen.\u003cbr\u003e\u003cbr\u003eOver the last few years I have fallen back in love with my old cello which for a long time took second place in my heart to my bass. In these turbulent times of uncertainty I have taken to the streets of Berlin with my cello (which I named Vida) unconsciously channeling the spirit of Moondog's New York street musician lifestyle in search of my own voice. Having learnt from a Berlin luthier that my cello is over 130 yrs old and German in origin I started to imagine her coming into contact with Moondog at some point in his life, unlikely but possible! An idea that ignites a fire of inspiration in me. Connections are always there if we look hard enough in the right places right?\u003cbr\u003e\u003cbr\u003eAfter playing the Bird's Lament melodies over and over on my cello for many years I started jamming it together with my talented berlin flatmate Ric Strakow aka DJ Robert Smith. He brought a killer beat idea to the table and we started incorporating it into a set we were developing… locking into the funky swung rhythmic phrasing patterns it blossomed so we decided to record and produce it together with the help of Smith's Slick Walk production partner Stefan 'Merse' Ulrich (Jazzanova).\u003cbr\u003e\u003cbr\u003eSo, here is the next stage in Moondog's evolution as an influencer.\u003cbr\u003eSlowed and skewed for the head nod b-boys and b-girls made with love for the man and his art.\u003cbr\u003e\u003cbr\u003eSometimes you need a blind gentle giant to show you the way…\u003cbr\u003e\u003cbr\u003e\"Voices of Spring were in chorus. Each voice was singing a song. I could not sing in that chorus until I wrote me a song. I wrote me a song and joined the throng.\"\u003cbr\u003eLouis Thomas Hardin\u003c\/p\u003e","brand":"Oonops Drops","offers":[{"title":"Default Title","offer_id":41717618802844,"sku":"OD00545","price":19.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_7c53daa9-1489-49ad-a66b-de4ba8ba7983.jpg?v=1656236928"},{"product_id":"split-decision-band-crystal-powder-say-woman","title":"SPLIT DECISION BAND - CRYSTAL POWDER \/ SAY WOMAN","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: ZP80\u003cbr\u003eRelease Date: 15 Jul 2022\u003cbr\u003eGenre: Soul \/ Funk\u003c\/p\u003e\n\u003cp\u003eSPLIT DECISION BAND - CRYSTAL POWDER b\/w SAY WOMAN \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe SPLIT DECISION BAND were a soul-funk band from Des Moines, Iowa. They released a standalone single on Network Records in 1978. The band recorded an album’s worth of material around the same time, this only gained a release in 2017 by Now-Again Records. Song choices are in abundance from this project and the excellent Soul Direction label released two brilliant dancers earlier this year. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIZIPHO SOUL continue to ride the wave and take the tempo down several notches with these handpicked beauties - CRYSTAL POWDER - A steppers delight! Cocoa Brown’s buttery vocals shine on this imaginatively themed love song, the ‘Genie three wishes’ monologue simply adds to the overall charm. 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The Skatalites - \"El Pussy Ska\"\u003cbr\u003e2. Carlton \u0026amp; The Shoes - \"Love Me Forever\"\u003cbr\u003e3. Sound Dimension - \"Rockfort Rock\"\u003cbr\u003e4. Johnny Osbourne - \"Sing Jah Stylee\"\u003cbr\u003e5. The Heptones - \"Pretty Looks Isn't All\"\u003cbr\u003eSide 2\u003cbr\u003e1. Slim Smith - \"Rougher Yet\"\u003cbr\u003e2. Lone Ranger - \"Automatic\"\u003cbr\u003e3. Horace Andy - \"Fever\"\u003cbr\u003e4. Prince Jazzbo - \"School\"\u003cbr\u003e5. The Wailers - \"Simmer Down\"\u003cbr\u003eSide 3\u003cbr\u003e1. Burning Spear - \"Rocking Time\"\u003cbr\u003e2. Alton Ellis - \"I'm Just A Guy\"\u003cbr\u003e3. Sugar Minott - \"Oh Mr DC\"\u003cbr\u003e4. Jennifer Lara - \"Consider Me\"\u003cbr\u003eSide 4\u003cbr\u003e1. Don Drummond - \"Confucious\"\u003cbr\u003e2. Michigan \u0026amp; Smiley - \"Rub A Dub Style\"\u003cbr\u003e3. Sound Dimension - \"Full Up\"\u003cbr\u003e4. Dennis Brown - \"No Man Is An Island\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Soul Jazz","offers":[{"title":"Default Title","offer_id":41768455078044,"sku":"SJRLP96C","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_5c6bca69-9f1c-43eb-bd05-abf5804a967f.jpg?v=1657911096"},{"product_id":"various-100-dynamite-ska-soul-rocksteady-funk-in-jamaica-record-store-day-rsd-2022-2lp-yellow-vinyl","title":"VARIOUS - 100% Dynamite!: Ska Soul Rocksteady \u0026 Funk In Jamaica (Record Store Day RSD 2022) [2LP Yellow Vinyl]","description":"\u003cp\u003eFormat: 2 x LP, Yellow Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SJRLP321C\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 9 Jul 22\u003cbr data-mce-fragment=\"1\"\u003eGenre: Reggae Classics\/Ska\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. Willie Williams - \"Armageddon Time\"\u003cbr\u003e2. 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Ken Boothe - \"Is It Because I'm Black\"\u003c\/p\u003e","brand":"Soul Jazz","offers":[{"title":"Default Title","offer_id":41768461238428,"sku":"SJRLP321C","price":44.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_a84f925e-7d88-478c-9b4a-d06e1eb91ba6.jpg?v=1657911424"},{"product_id":"various-artists-wamono-a-to-z-vol-iii-japanese-light-mellow-funk-disco-boogie-1978-1988-selected-by-dj-yoshizawa-dynamite-chintam","title":"Various Artists - WAMONO A to Z Vol. III - Japanese Light Mellow Funk, Disco \u0026 Boogie 1978-1988 (Selected by DJ Yoshizawa Dynamite \u0026 Chintam)","description":"\u003cp\u003eFormat: Vinyl LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: 180GWALP03\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5050580768253\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 15 Jul 22 (back in)\u003cbr data-mce-fragment=\"1\"\u003eGenre: World \/ Reggae \/ Japan\u003c\/p\u003e\n\u003cp\u003e01: Tetsuo Sakurai Kimono\u003cbr\u003e02: Jadoes Friday Night (Extended Dance Mix)\u003cbr\u003e03: Yumi Sato Ame\u003cbr\u003e04: Kiyohiko Ozaki Ojosan Ote Yawaraka Ni\u003cbr\u003e05: Hitomi Tohyama Rainy Driver\u003cbr\u003e06: Sentimental City Romance Hello Suisei\u003cbr\u003e07: Mizuki Koyama Kare Niwa Kanawanai\u003cbr\u003e08: Hitomi Tohyama Sweet Soul Music (Kiss Of Life)\u003c\/p\u003e\n\u003cp\u003eFollowing the highly acclaimed volumes I and II, dig further into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!\u003cbr\u003e\u003cbr\u003e-Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring rarities from Hitomi Tohyama, Jadoes, Yumi Sato, Tetsuo Sakurai and more!\u003cbr\u003e\u003cbr\u003e- Tracks selection by Japanese super diggers and Wamono specialists DJ Yoshizawa Dynamite and Chintam\u003cbr\u003e\u003cbr\u003e- Mastered and cut at Timmion Cutting Lab\u003cbr\u003e\u003cbr\u003e- Artwork by Yoxxx (Tokyo)\u003cbr\u003e\u003cbr\u003e- 180g heavy vinyl pressing, reverse board jacket\u003cbr\u003e\u003cbr\u003eActive as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene.\u003cbr\u003e\u003cbr\u003eAfter many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo's Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa.\u003cbr\u003e\u003cbr\u003eFor this third chapter of the acclaimed Wamono series, Yoshizawa and Chintam unheart some of the best and rarest light mellow funk tunes and disco boogie bangers produced in Japan between 1978 and 1988. 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Taite Imogen)\u003cbr\u003eFiorucci Made Me Hardcore\u003c\/p\u003e\n\u003cp\u003eEdinburgh born, London Based producer Barry Can’t Swim (real name Joshua Mannie) returns to Ninja Tune imprint Technicolour with the announcement of “More Content” - a forthcoming, 4-track EP marking the classically trained artists first solo release for the label. The record is a unique blend of skillfully crafted electronic production mixed with Barry’s trademark Jazz inspired strings and keys, channelling the fluidity and flow of a live performance. \u003cbr\u003e\u003cbr\u003eOpening single ‘God Is The Space Between Us (featuring Taite Imogen)’ is a continuation of one of Barry’s older releases 'Lone Raver'. “They were both written in the same setting, being isolated during lockdown, and feeling reflective” he comments, “I wanted to retain some sounds and elements of ‘Lone Raver’ in this song because I felt like they're part of the same experience”. His inspiration for the track and its title comes from the 90's film “Before Sunrise” in which he pulls this quote as a direct source of influence - “You know I believe if there's any kind of God, it wouldn't be in any of us. Not you or me, but just, this little space in between” - from the film. “I love that quote” he adds, “I think what she's saying is that God and love isn't something you can own or acquire, but something that exists in empty space that connects people. It's always been there, and we tap in and out of it at various points in our lives. That was something I really wanted to articulate with the sound of this song”. \u003cbr\u003e\u003cbr\u003eElsewhere on the record we hear nostalgic and melancholic tones on ‘Can We Still Be Friends?’ featuring fellow producer Laurence Guy - a collaboration that came about organically, being fans of each other's music they got in the studio after bumping into one another one evening. The EP comes to an all consuming high on the 4th and final track ‘Fiorucci Made Me Hardcore’ - aptly named after a 1999 rave documentary by Mark Leckey, capturing Britain's underground club scene - in which Barry takes influence from a mixture of influential UK sounds, from Jungle through to Garage and Dubstep. “Living in London you hear so many different styles of music just walking about, out of cars or flats and shops, I wanted to channel that energy and appreciation of those genres”. \u003cbr\u003e\u003cbr\u003eThe record reflects the lively vigour of recent single ‘Blackpool Boulevard’, released last year in collaboration with rising artist Anish Kumar. The track received amazing support (scoring a spot on the BBC Radio 1 playlist) from the likes of Pete Tong (Top 20 Countdown of 2021’s Essential New Tunes) who described the record as “an utterly infectious modern dancefloor classic”. Additional support came from Danny Howard (Hottest Record), Sarah Story, Clara Amfo, Jaguar, Jack Saunders and Mixmag who voted the track as one of their ‘Best Tracks of the Year’ saying, “The joint tune from the pair brandishes a sublime orchestral lead up to its dancefloor-moving, four-to-the-floor finale”. Barry was also tipped as The Blessed Madonna’s ‘Ones To Watch for 22’, Annie Mac’s ‘New Names for 2021’ and was voted as one of Billboards ‘10 Dance Artists To Watch in 2022’.\u003cbr\u003e\u003cbr\u003eBarry is excited to head off on tour in the coming months with stops in Edinburgh and London, alongside debut shows in Portugal, Italy, Ibiza and the US. 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Lead single ‘HOLIDAY’ from the EP has been spun by Annie Mac, Jack Saunders and Radio 1 Rock Show already in the UK.\u003cbr\u003e\u003cbr\u003eRecorded with producer Mike Elizondo and co-produced by the band’s Brendan Yates, GLOW ON follows TURNSTILE’s 2018 breakthrough album TIME \u0026amp; SPACE, which saw the Baltimore band charting new ground for hardcore, expanding stylistic boundaries and celebrating new possibilities. \u003cbr\u003e\u003cbr\u003eWith GLOW ON that utopic vision is fully realized; 15 tracks devoid of borders, boundaries, or entry obstacles, only abundant imagination, heart, and grooves plucked from all corners of the musical spectrum. GLOW ON includes the singles “HOLIDAY,” “MYSTERY,” “NO SURPRISE,” and “T.L.C. (TURNSTILE LOVE CONNECTION) from TURNSTILE’s recent TURNSTILE LOVE CONNECTION EP. GLOW ON also includes guest features from Blood Orange on “ALIEN LOVE CALL,” “LONELY DEZIRES,” with additional vocal contributions on “ENDLESS.”\u003cbr\u003e\u003cbr\u003e“TURNSTILE has the ability to lure even the most poptimistic listener with spectacular hooks,” affirmed NPR remarking on the band’s single “HOLIDAY,” while The FADER named the track one of the 20 Best Rock Songs Right Now. Stereogum declared, “If you’re gonna go big, you might as well go gigantic, and with ‘MYSTERY’ TURNSTILE sound like they’re about to be huge.”\u003cbr\u003e\u003cbr\u003eBringing superhuman energy to the stage, TURNSTILE are scheduled to perform a string of sold-out headline shows this summer in the US, followed by appearances at next year at Spain’s Primavera Sound on 6\/5, France’s Hellfest on 6\/23, and the UK’s Outbreak Festival on 6\/24.\u003cbr\u003e\u003cbr\u003eAlways more appeal than demand, more liberation than limitation, TURNSTILE extended their hand in 2018 with TIME \u0026amp; SPACE. 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After all, a jubilee is a celebration of the passage of time—a festival to usher in the hope of a new era in brilliant technicolor. Zauner’s first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment, while Soft Sounds From Another Planet took the grief she held from her mother‘s death and used it as a conduit to explore the cosmos. Now, at the start of a new decade, Japanese Breakfast is ready to fight for happiness, an all-too-scarce resource in our seemingly crumbling world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJubilee finds Michelle Zauner embracing ambition and, with it, her boldest ideas and songs yet. Inspired by records like Bjork’s Homogenic, Zauner delivers bigness throughout -- big ideas, big textures, colors, sounds and feelings. At a time when virtually everything feels extreme, Jubilee sets its sights on maximal joy, imagination, and exhilaration. It is, in Michelle Zauner’s words, “a record about fighting to feel. I wanted to re-experience the pure, unadulterated joy of creation…The songs are about recalling the optimism of youth and applying it to adulthood. They’re about making difficult choices, fighting ignominious impulses and honoring commitments, confronting the constant struggle we have with ourselves to be better people.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout Jubilee, Zauner pours her own life into the universe of each song to tell real stories, and allowing those universes, in turn, to fill in the details. Joy, change, evolution—these things take real time, and real effort. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd Japanese Breakfast is here for it.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1. Paprika\u003cbr data-mce-fragment=\"1\"\u003e2. Be Sweet\u003cbr data-mce-fragment=\"1\"\u003e3. 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The Daisy\u003cbr data-mce-fragment=\"1\"\u003e2. Love Divide\u003cbr data-mce-fragment=\"1\"\u003e3. Revellers\u003cbr data-mce-fragment=\"1\"\u003e4. A Brand New Start\u003cbr data-mce-fragment=\"1\"\u003e5. XXX Olympiad\u003cbr data-mce-fragment=\"1\"\u003e6. Grub\u003cbr data-mce-fragment=\"1\"\u003e7. Spatter\/Splatter\u003cbr data-mce-fragment=\"1\"\u003e8. Morning Sun In A Dusty Room\u003cbr data-mce-fragment=\"1\"\u003e9. Run\u003cbr data-mce-fragment=\"1\"\u003e10. Life In A Mind\u003cbr data-mce-fragment=\"1\"\u003e11. Thresho_1.0\u003cbr data-mce-fragment=\"1\"\u003e12. Thresho_1.1\u003c\/p\u003e","brand":"Brainfeeder","offers":[{"title":"Default Title","offer_id":42303885738140,"sku":"BF113","price":25.25,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BFDNL113D_PACKSHOT_3000_60caf509-831f-4a27-ac0e-a08e648019aa.jpg?v=1674680314"},{"product_id":"khruangbin-leon-bridges-texas-moon-12-vinyl","title":"Khruangbin \u0026 Leon Bridges - Texas Moon [12\" Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 12\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC254lp\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656605155418\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 23 [back in]\u003cbr data-mce-fragment=\"1\"\u003eGenre: Psych\/Garage Rock\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAn extension of the two’s chart-topping four-song Texas Sun journey, Texas Moon is an introspective stroll through the dark. “Without joy, there can be no real perspective on sorrow,” says Khruangbin. “Without sunlight, all this rain keeps things from growing. How can you have the sun without the moon?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlso in conjunction with the news Khruangbin and Leon Bridges present the video for “B-Side,” a wandering Western shot in the J. Lorraine Ghost Town and directed by Philip Andelman starring the artists all for the very first time. Watch here.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCrediting their mutual home state for inspiration, Texas Moon pensively examines Texas’ musical perception, while paying homage to the marriage of country and R\u0026amp;B that’s become synonymous with the lone star state. Propelled by rolling guitar licks, conga and bongo, lead single “B-Side” meditates on meeting in a dream and frolics across the nearing contemplative nighttime state with its longing’s joy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElsewhere on Texas Moon, the artists channel a newly intimate musical scope that’s illustrated most dramatically when the spacy sensuality of the minimalistic “Chocolate Hills” leads into the stark spirituality addressed on “Father Father,” a reminder of both acts’ gospel roots. Over a simple rolling guitar figure, Bridges pleads with the heavens—“Look at the mess that I made\/Just a man with unclean hands”—only to be reminded of God’s eternal love.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Khruangbin, one song in particular was indicative of the trust that Bridges put in them. “The song ‘Doris’ is about his grandmother making the transition from this world to the next realm,” says Johnson. “It’s a very somber, very deep record. And when someone places that kind of work into your hands, the last thing you want to do is junk it up, overproduce it, or do too much. We treated it with the respect it deserved, and treated Doris with the respect she deserves.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s like a short story...,” Lee says of the music. “And it leaves room to continue having these stories together. It’s not Khruangbin, it’s not Leon, it’s this world we created together.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUpon its release, Texas Sun soared to the No. 1 slot on Billboard’s Emerging Artists Chart along with landing the No.1 on spot on “Americana\/Folk Albums,” No. 2 on “Vinyl Albums,” No. 4 on “Top Rock Albums” and No. 6 on “Top R\u0026amp;B Albums.” Significantly, both parties’ musical\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKhruangbin’s most recent studio album, Mordechai, moved their own vocals to the forefront, a change they readily admit was a direct result of working with Bridges. Their sound was also tapped for remix\/reinterpretation of a Paul McCartney song for the McCartney III Imagined project. Meanwhile, in addition to his genre-defying Grammy-nominated album Gold-Digger’s Sound, Bridges has put out several other challenging, shared collaborative tracks, including work with John Mayer, Lucky Daye and most recently Jazmine Sullivan. Each of the artists appeared recently on Austin City Limits and will tour throughout the new year.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTexas Moon Track Listing\u003cbr data-mce-fragment=\"1\"\u003e1. Doris\u003cbr data-mce-fragment=\"1\"\u003e2.B-Side\u003cbr data-mce-fragment=\"1\"\u003e3.Chocolate Hills\u003cbr data-mce-fragment=\"1\"\u003e4. Father Father\u003cbr data-mce-fragment=\"1\"\u003e5. Mariella\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"300\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/CgugkEB-q_Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42340565811356,"sku":"DOC254lp","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_1a82952c-a40c-45be-87ea-011e7c974274.jpg?v=1676238957"},{"product_id":"v-a-heavenly-remixes-1","title":"V\/A - Heavenly Remixes 1","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: HVNLP188\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863045159\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 10 Dec 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e-2LP\u003cbr\u003e-180g vinyl\u003cbr\u003e-Printed inners\u003cbr\u003e-Download included\u003c\/p\u003e\n\u003cp\u003eHere at Heavenly Recordings we are fired up to announce details of ‘Heavenly Remixes Vol 1 \u0026amp; 2’, a pair of albums documenting some of our label's finest remixes over our 30 + year history. The LP editions are double LP's on black vinyl. Volume 1 features Heavenly artists remixed by Underworld, Greg \u0026amp; Che Wilson, Parrot \u0026amp; Cocker Too, Time \u0026amp; Space Machine, Mother, Andy Votel and more...\u003cbr\u003e\u003cbr\u003eHeavenly was all but founded on the art of the remix; the label’s sadly departed friend Andrew Weatherall remixed the first ever release, and the label has built up an immense catalogue in the intervening years that demonstrates all that is good about the art form and on Friday 10th December 2021 the label release Heavenly Remixes Vol 1 \u0026amp; 2, a brace of albums documenting this long history.\u003cbr\u003e\u003cbr\u003eA label forged in the white-hot heat of post-acid house Britain, these Heavenly remixes are perfectly weighted with respect and irreverence, the remixer in each case carefully chosen to add heft to the song - the tracks across the 2 albums are curated, remixed and delivered with love (and a teensy bit of impertinence) and are a glimpse into the catalogue of one the UK’s finest independent labels. \u003cbr\u003e\u003cbr\u003eThere may well be no rhyme, nor reason, to how these compilations have been put together, beyond the fact that they are assembled with love, an innate understanding of the power of great pop music, and a skilled marriage of song and remixer.\u003cbr\u003e\u003cbr\u003eThere is no sense of order to Volume 1. You’ll find a smattering of older tracks: album openers Saint Etienne are taken on a Poseidon Adventure with Underworld, who inject ‘Cool Kids of Death’ with typically manic energy. Elsewhere, ’90s Brum duo Mother add dancefloor pzazz to Espiritu’s innate glamour on an all-funked-up reworking of ‘Los Americanos’, and Mark Lusardi’s remix of Moonflowers’ ‘Get Higher’ is an early Heavenly classic. \u003cbr\u003e\u003cbr\u003eOn ‘Terracotta Warrior’, a perfect, psyched-out, Mancunian union is created betwixt Jimi Goodwin and Andy Votel, whilst Goodwin cohort Simon Aldred, in his Cherry Ghost guise, receives a proper Tamla-Motowning from Richard Norris (aka Time \u0026amp; Space Machine) on an inspired cover of Cece Peniston’s glam-house hit, ‘Finally’.\u003cbr\u003e\u003cbr\u003eThere are several of Heavenly’s current darlings there too. One of the most exciting young British prospects, Yorkshire’s Working Men’s Club, effectively remix themselves, as Minsky Rock — WMC’s Syd Minsky-Sargeant and producer Ross Orton — cleave ‘X’ into a riotous industrial racket. Jagwar Ma’s Jono Ma takes the Kraftwerkian leitmotif on ‘Automatic’ and drives the Australian jazz-funkers Mildlife down an electro-convulsive psychedelic tunnel (thankfully no-one was harmed during the making of this remix); Sheffield’s DJ Parrot and Jarvis Cocker deliver one of the outstanding remixes of 2018, turning Baxter Dury’s ‘Miami’ into a lovelorn minor opera; and, making its first appearance on vinyl, David Holmes’ Unloved project is taken on a panoramic Welsh waltz thanks to Gwenno. \u003cbr\u003e\u003cbr\u003eThough not purposely themed, beyond being judiciously chosen as the catalogue’s finest gems, there’s a tiny hint of psychedelia about Volume 2 that is hard to ignore. Firstly, there are the acid contributions from Gabe Gurnsey, who knows his way around a coruscating bassline, and from Graham Massey, whose impeccable credentials in 808 State are brought to bear on ‘Valleys’, by young turks Working Men’s Club (acid house being modern psychedelia, whether the rock press approves or not). \u003cbr\u003e\u003cbr\u003eJono Ma, meanwhile, flips Night Beats’ amazing ‘Sunday Mourning’ into ‘Warm Leatherette’ on benzos, creating a disorienting glimpse of a dystopian Sunday that most definitely doesn’t include a genteel read of the papers and a nice cup of tea. On the other side of the miasma is Beyond The Wizard’s Sleeve’s redemptive re-interpretation of M. Craft’s ‘Chemical Trails’, which, alongside Boy Azooga’s ‘Face Behind Her Cigarette’ (Mikey Young remix), Gwenno’s ‘Chwlydro’ (R. Seiliog remix) and and Katy J. 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Cherry Ghost – Finally (Time \u0026amp; Space Machine Edit)\u003c\/p\u003e","brand":"Heavenly Recordings","offers":[{"title":"Default Title","offer_id":42489729876124,"sku":"HVNLP188","price":30.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Remixes1_a6af89d7-34c2-4c60-839c-e35b32cf383a.jpg?v=1683972517"},{"product_id":"tyler-the-creator-goblin-1","title":"TYLER THE CREATOR - Goblin","description":"CATALOGUE NO. XLLP 529\u003cbr\u003eBARCODE - 634904052911\u003cbr\u003eFORMAT - 2xLP - gatefold\u003cbr\u003eRELEASE DATE 19 Jul 22 (back in)\u003cbr\u003eGenres - Hip Hop\/R\u0026amp;B\u003cbr\u003e\u003cbr\u003eTrack Listing\u003cbr\u003eA1. Goblin\u003cbr\u003eA2. Yonkers\u003cbr\u003eA3. She\u003cbr\u003eA4. Radicals\u003cbr\u003eB1. Translyvania\u003cbr\u003eB2. Nightmare\u003cbr\u003eB3. Tron Cat\u003cbr\u003eB4. Her\u003cbr\u003eC1. Sandwitches\u003cbr\u003eC2. Fish\u003cbr\u003eC3. Analog\u003cbr\u003eC4. 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Featuring Danny Brown, Mac Miller, Earl Sweatshirt, Raekwon, Scarface, Domo Genesis, Ab-Soul, Polyester the Saint, BJ The Chicago Kid, Big Time Watts, G-Wiz, Casey Veggies, Sulaiman, Meechy Darko \u0026amp; Freddie Kane. Freddie Gibbs is the product of violent, drug-laden streets but unlike most rappers with similar resumes, he brings the block to the booth without inhibition or an exaggerated rap persona. Piñata, a 17 track collaboration with producer Madlib, is the best distillation yet of his transparent approach to making music, combining an at times stark honesty with electrifying talent as a lyricist and performer. Piñata is “a gangster Blaxploitation film on wax,” says Gibbs, who came up on the streets of Gary, Indiana, the disregarded city previously best known for producing Michael Jackson. Here he is joined by Mac Miller, Earl Sweatshirt, Raekwon, Scarface, Domo Genesis, Ab-Soul and a host of others in setting his soliloquies of the streets alongside film snippets and dusted funk, soul and prog musical tapestries. While this is the latest in a series of single-artist collaborations for Madlib, after Jaylib (J Dilla), Madvillainy (MF Doom) and the street-centric O.J. Simpson with Detroit’s Guilty Simpson, the pairing is unique as it is the first time for Gibbs working with just one producer. On Piñata, where Gibbs can shift from textbook lessons in robbing and drugging on trackslike “Scarface” and “Knicks,” to perhaps the album’s most personal song, “Broken,” a collaboration with Scarface, who, along with Tupac, DMX and 50 Cent, make up the rapper’s own Mount Rushmore of MCs (“You’re getting a hurricane of all those motherfuckers hitting you at once when you listen to Freddie Gibbs,” he says). “Deeper,” a Gibbs favorite and the third single from the album after “Thuggin’” (2012) and “Shame,” (2013) is an ode to hip-hop in the mold of Common’s “I Used to Love H.E.R.”; “High,” featuring Danny Brown, is self-explanatory and just what you would expect from Gibbs, Madlib and one of Detroit’s finest; while on “Real,” Gibbs addresses an old score just as Michael Corleone settled all family business on baptism day. As a producer, Madlib, quite simply, is music, and ten years into his career—a time when other artists become comfortable—Gibbs remains restless, focused, with an eye on the competition and their position relative to his ascent. This is because mentally, he’s still on the corner hustling, which would be the downfall of the average rapper. With Piñata, Gibbs confirms that he is anything but average.\u003c\/p\u003e\n\u003cp\u003eSIDE A 1. Supplier 2. Scarface 3. Deeper 4. High ft. Danny Brown 5. Harold’s SIDE B 6. Bomb ft. Raekwon 7. Shitsville 8. Thuggin’ 9. Real 10. Uno SIDE C 11. Robes ft. Domo Genesis \u0026amp; Earl Sweatshirt 12. Broken ft. Scarface 13. Lakers ft. Ab-Soul \u0026amp; Polyester the Saint SIDE D 14. Knicks 15. Shame ft. BJ The Chicago Kid 16. Watts ft. Big Time Watts 17. Piñata ft. Domo Genesis, G-Wiz, Casey Veggies, Sulaiman, Meechy Darko, \u0026amp; Mac Miller.\u003c\/p\u003e","brand":"Madlib Invazion","offers":[{"title":"Default Title","offer_id":43488732348572,"sku":"MMS022LP","price":41.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FreddieGibbs_Madlib-Pinata_77f4d0dd-6997-4f79-ac0e-e4a161b7542c.jpg?v=1713186415"},{"product_id":"david-sylvian-sleepwalkers-lp","title":"David Sylvian - Sleepwalkers [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LPGRON256\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060238638289 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 10 Jun 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Ambient\/Drone\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eSleepwalkers\u003cbr data-mce-fragment=\"1\"\u003eMoney For All\u003cbr data-mce-fragment=\"1\"\u003eDo You Know Me Now?\u003cbr data-mce-fragment=\"1\"\u003eAngels\u003cbr data-mce-fragment=\"1\"\u003eWorld Citizen - I Won’t Be Disappointed\u003cbr data-mce-fragment=\"1\"\u003eFive Lines\u003cbr data-mce-fragment=\"1\"\u003eThe Day the Earth Stole Heaven\u003cbr data-mce-fragment=\"1\"\u003eModern Interiors\u003cbr data-mce-fragment=\"1\"\u003eExit \/ Delete\u003cbr data-mce-fragment=\"1\"\u003ePure Genius\u003cbr data-mce-fragment=\"1\"\u003eWonderful World\u003cbr data-mce-fragment=\"1\"\u003eTransit\u003cbr data-mce-fragment=\"1\"\u003eWorld Citizen\u003cbr data-mce-fragment=\"1\"\u003eThe World Is Everything\u003cbr data-mce-fragment=\"1\"\u003eThermal\u003cbr data-mce-fragment=\"1\"\u003eSugarfuel\u003cbr data-mce-fragment=\"1\"\u003eTrauma\u003c\/p\u003e","brand":"Gronland","offers":[{"title":"Default Title","offer_id":43602708791452,"sku":"LPGRON256","price":31.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Sleepwalkers_Packshots-12_1af47ad5-906d-4383-9e28-1c3fa4f5b36d.jpg?v=1714298710"},{"product_id":"jamiroquai-travelling-without-moving-25th-anniversary-2lp-yellow-vinyl","title":"Jamiroquai - Travelling Without Moving 25th Anniversary [2LP Yellow Vinyl]","description":"\u003cp\u003eFormat: 2LP - 180g YELLOW VINYL\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eCatalogue No.: 19439905091\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eBarcode: 194399050910\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRelease Date: 21 Jan 2022\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eBack in stock: 24 Jan 24\u003c\/p\u003e\n\u003cp\u003eGenre: Dance \/ Funk\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e2021 marks 25 years since Jamiroquai released their seminal funk\/pop classic ‘Travelling Without Moving’ into the world, featuring the classic singles ‘Virtual Insanity’ and ‘Cosmic Girl’ . The album has since sold over 8 million sales worldwide, cementing Jamiroquai into the musical landscape. 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