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Heartbreaker\u003cbr\u003eA4. Mess Around \u003cbr\u003eA5. Sinner's Prayer\u003cbr\u003eA6. The Midnight Hour \u003cbr\u003eA7. Greenbacks\u003cbr\u003eB1. Bags Of Blues\u003cbr\u003eB2. The Man I Love \u003cbr\u003eB3. Doodlin'\u003cbr\u003eC1. Mary Ann\u003cbr\u003eC2. I've Got a Woman \u003cbr\u003eC3. Hallelujah, I Love Her So\u003cbr\u003eC4. Lonely Avenue \u003cbr\u003eC5. It's Alright\u003cbr\u003eC6. Am I Blue \u003cbr\u003eD1. What’d I Say (parts I \u0026amp; II)\u003cbr\u003eD2. Come Rain or Come Shine\u003cbr\u003eD3. Hit the Road Jack\u003cbr\u003eD4. Let The Good Times Roll\u003cbr\u003eD5. Unchain My Heart\u003cbr\u003eD6. Georgia on My Mind\u003cbr\u003e\u003cbr\u003eLP FORMAT DETAILS: Pressed on standard weight black vinyl\u003cbr\u003e\u003cbr\u003eRaymond Charles Robinson was not just a legend, “the genius”, a “force of nature” and “a presence”. He was also pure energy, the source of a radiant glow that dazzled everyone who ever came near him. His passion for music, women, and rhythm, coupled with his love of life and laughter, were ingredients that made his work a monument of 20th century culture. He left essential traces – in jazz, blues, soul and R\u0026amp;B – because music is something inseparable and Ray lived its rhythms from the inside. \u003cbr\u003e\u003cbr\u003eBorn in poverty, raised in America’s racist South, blind at seven and an orphan at 15, Ray had all it took to be a success… Those attributes, plus a few titles in his case that he’d recorded for Swing Time, made such an impression on Ahmet Ertegun that he signed Ray to Atlantic in 1952. The next ten years forged the legend of Ray Charles. And now, six decades later, the tracks on this album are still hits hummed by all generations.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Masters of Jazz","offers":[{"title":"Default Title","offer_id":39806053515420,"sku":"MOJ120","price":20.14,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/RayCharles-EssentialWorks_1952-1961.jpg?v=1619801254"},{"product_id":"miles-davis-jazz-monuments","title":"Miles Davis - Jazz Monuments","description":"\u003cp\u003eFormat: 4LP Box Set\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: JM1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 3760300314029\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 9th July 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING: \u003cbr\u003e\u003cbr\u003eSIDE A\u003cbr\u003e1.Deception (Birth of the Cool)\u003cbr\u003eMiles Davis - March 9, 1950, Miles Davis (tp), J. J. Johnson (tb), Gunther Schuller (F.Hrn), Bill Barber (tba), Lee Konitz (as), Gerry Mulligan (bs), John Lewis (p), Al McKibbon (b), Max Roach (d)\u003cbr\u003e02:49\u003cbr\u003e2. Move (Birth of the Cool)\u003cbr\u003eDenzil Best\u003cbr\u003e02:35\u003cbr\u003e3. Jeru (Birth of the Cool)\u003cbr\u003eGerry Mulligan\u003cbr\u003e03:14\u003cbr\u003e4. Godchild (Birth of the Cool)\u003cbr\u003eGeorge Wallington - January 21, 1949, Miles Davis (tp), Kai Winding (tb), Junior Collins (F.Hrn), Bill Barber (tba), Lee Konitz (as), Gerry Mulligan (bs), Al Haig (p), Joe Shulman (b), Max Roach (d)\u003cbr\u003e03:11\u003cbr\u003e5. Moondreams (Birth of the Cool)\u003cbr\u003eChummy McGregor, Johnny Mercer - March 9, 1950, Miles Davis (tp), J. J. Johnson (tb), Gunther Schuller (F.Hrn), Bill Barber (tba), Lee Konitz (as), Gerry Mulligan (bs), John Lewis (p), Al McKibbon (b), Max Roach (d)\u003cbr\u003e03:21\u003cbr\u003e6. Venus de Milo (Birth of the Cool)\u003cbr\u003eGerry Mulligan\u003cbr\u003e03:14\u003cbr\u003e7. Boplicity (Birth of the Cool)\u003cbr\u003eCleo Henry - April 22, 1949, Miles Davis (tp), J. J. Johnson (tb), Sandy Siegelstein (F.Hrn), Bill Barber (tba), Lee Konitz (as), Gerry Mulligan (bs), John Lewis (p), Nelson Boyd (b), Kenny Clarke (d)\u003cbr\u003e03:03\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e1. Whispering (Walking 1954)\u003cbr\u003eJohn Schonburger - January 17, 1951, Miles Davis (tp), Bennie Green (tb), Sonny Rollins (ts), John Lewis (p), Percy Heath (b), Roy Haynes (d)\u003cbr\u003e03:02\u003cbr\u003e2. Walking (Walking 1954)\u003cbr\u003eRichard Carpenter - April 29, 1954, Miles Davis (tp), Jay Jay Johnson (tb), Lucky Thompson (ts), Horace Silver (p), Percy Heath (b), Kenny Clarke (d)\u003cbr\u003e13:28\u003cbr\u003e3. It Never Entered My Mind (Walking 1954)\u003cbr\u003eRichard Rogers - March 6, 1954, Miles Davis (tp), Horace Silver (p), Percy Heath (b), Art Blakey (d)\u003cbr\u003e04:04\u003cbr\u003e\u003cbr\u003eSIDE C\u003cbr\u003e1. Bags’ Groove (Miles Davis \u0026amp; Thelonious Monk)\u003cbr\u003eMilt Jackson\u003cbr\u003e11:23\u003cbr\u003e2. The Man I Love (Miles Davis \u0026amp; Thelonious Monk)\u003cbr\u003eGeorge Gershwin - December 24, 1954, The Miles Davis All Stars : Miles Davis (tp), Milt Jackson (vib), Thelonious Monk (p), Percy Heath (b), Kenny Clarke (d)\u003cbr\u003e08:05\u003cbr\u003eSIDE D\u003cbr\u003e1. Milestones (Miles Davis \u0026amp; John Coltrane)\u003cbr\u003eMiles Davis - February 4, 1958, The Miles Davis Sextet : Miles Davis (tp), Julian “Cannonball” Adderley (as), John Coltrane (ts), Red Garland (p), Paul Chambers (b), Philly Joe Jones (d)\u003cbr\u003e05:46\u003cbr\u003e2. Dear Old Stockholm (Miles Davis \u0026amp; John Coltrane)\u003cbr\u003etrad, arr. Stan Getz - June 5, 1956, The Miles Davis Quintet : Miles Davis (tp), John Coltrane (ts), Red Garland (p), Paul Chambers (b), Philly Jo Jones (d)\u003cbr\u003e07:51\u003cbr\u003e3. Round Midnight (Miles Davis \u0026amp; John Coltrane)\u003cbr\u003eThelonious Monk - September 10, 1956, The Miles Davis Quintet : Miles Davis (tp), John Coltrane (ts), Red Garland (p), Paul Chambers (b), Philly Jo Jones (d)\u003cbr\u003e05:58\u003cbr\u003e\u003cbr\u003eSIDE E\u003cbr\u003e1. Ascenseur pour l’échafaud - thème (Ascenseur pour l’échafaud 1957)\u003cbr\u003eMiles Davis - December 4, 1957, Miles Davis (tp), Barney Wilen (ts), René Urtreger (p), Pierre Michelot (b), Kenny Clark (d), from the movie Ascenseur Pour L’échafaud\u003cbr\u003e02:51\u003cbr\u003e2. L’assassinat de Carala (Ascenseur pour l’échafaud 1957)\u003cbr\u003eMiles Davis - December 4, 1957, Miles Davis (tp), Barney Wilen (ts), René Urtreger (p), Pierre Michelot (b), Kenny Clark (d), from the movie Ascenseur Pour L’échafaud\u003cbr\u003e02:12\u003cbr\u003e3. Florence sur les Champs Elysées (Ascenseur pour l’échafaud 1957)\u003cbr\u003eMiles Davis - December 4, 1957, Miles Davis (tp), Barney Wilen (ts), René Urtreger (p), Pierre Michelot (b), Kenny Clark (d), from the movie Ascenseur Pour L’échafaud\u003cbr\u003e02:54\u003cbr\u003e4. Autumn Leaves (Ascenseur pour l’échafaud 1957)\u003cbr\u003eJoseph Kosma, Johnny Mercer - March 9, 1958, Miles Davis (tp), Julian “Cannonball” Adderley (as), Hank Jones (p), Sam Jones (b), Art Blakey (d)\u003cbr\u003e10:59\u003cbr\u003e\u003cbr\u003eSIDE F\u003cbr\u003e1. Summertime (Miles Davis \u0026amp; Gil Evans 1957 ~ 1961)\u003cbr\u003eGeorge Gershwin - August 4, 1958, Gil Evans (arr, cond); Miles Davis (bgl), Ernie Royal, Bernie Glow, Johnny Coles, Louis Mucci (tp), Dick Hixon, Frank Rehak, Jimmy Cleveland, Joe Bennett (tb), Willie Ruff, Julius Watkins, Gunther Schuller (cor), Bill Bar\u003cbr data-mce-fragment=\"1\"\u003e03:21\u003cbr data-mce-fragment=\"1\"\u003e2. Concierto de Aranjuez (Miles Davis \u0026amp; Gil Evans 1957 ~ 1961)\u003cbr data-mce-fragment=\"1\"\u003e3. Joaquin Rodrigo - November 20, 1959, Gil Evans (arr, cond); Miles Davis (bgl, tp), Ernie Royal, Bernie Glow, Louis Mucci, Taft Jordan (tp), Dick Hixon, Frank Rehak (tb), Jimmy Buffington, John Barrows, Earl Chapin (cor), Jimmy McAllister (tu), Al Block, E\u003cbr data-mce-fragment=\"1\"\u003e16:22\u003cbr data-mce-fragment=\"1\"\u003e4. New Rumba (Miles Davis \u0026amp; Gil Evans 1957 ~ 1961)\u003cbr data-mce-fragment=\"1\"\u003eAhmad Jamal - May 23, 1957, Gil Evans (arr, cond); Miles Davis (bgl), Ernie Royal, Bernie Glow, Louis Mucci, Taft Jordan, Johnny Carisi (tp), Frank Rehak, Jimmy Cleveland, Joe Bennett (tb), Tom Mitchell (b, tb), Willie Ruff, Jimmy Buffington (cor), Bill B\u003cbr data-mce-fragment=\"1\"\u003e04:36\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE G\u003cbr data-mce-fragment=\"1\"\u003e1. So What (Kind of Blue 1959)\u003cbr data-mce-fragment=\"1\"\u003eMiles Davis - March 2, 1959, Miles Davis (tp), Julian “Cannonball” Adderley (as), John Coltrane (as), Bill Evans (p), Paul Chambers (b), Jimmy Cobb (d)\u003cbr data-mce-fragment=\"1\"\u003e09:25\u003cbr data-mce-fragment=\"1\"\u003e2. All Blues (Kind of Blue 1959)\u003cbr data-mce-fragment=\"1\"\u003eMiles Davis - April 22, 1959, Miles Davis (tp), Julian “Cannonball” Adderley (as), John Coltrane (as), Bill Evans (p), Paul Chambers (b), Jimmy Cobb (d)\u003cbr data-mce-fragment=\"1\"\u003e11:36\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE H\u003cbr data-mce-fragment=\"1\"\u003e1. Neo (Live 1961)\u003cbr data-mce-fragment=\"1\"\u003eMiles Davis - April 22, 1961, at the Black Hawk Club, San Francisco, Miles Davis (tp), Hank Mobley (ts), Wynton Kelly (p), Paul Chambers (b), Jimmy Cobb (d)\u003cbr data-mce-fragment=\"1\"\u003e12:42\u003cbr data-mce-fragment=\"1\"\u003e2. Teo (Live 1961)\u003cbr data-mce-fragment=\"1\"\u003eMiles Davis - May 19, 1961, at Carnegie Hall, The Miles Davis Quintet : Miles Davis (tp), Hank Mobley (ts), Wynton Kelly (p), Paul Chambers (b), Jimmy Cobb (d)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLP FORMAT DETAILS: 4 x 12\" (140g) in full colour sleeves, housed in a box, and includes an 8 page booklet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4-vinyl limited edition box set including a 33 x 33 8-page booklet featuring the biography of Miles Davis but also anecdotes and extracts from interviews over the entire period of the set. All the tracks included in this box have been remastered for the occasion:\u003cbr data-mce-fragment=\"1\"\u003e• Vinyl 1\u003cbr data-mce-fragment=\"1\"\u003eSide A - BIRTH OF THE COOL\u003cbr data-mce-fragment=\"1\"\u003eSide B - WALKING 1954\u003cbr data-mce-fragment=\"1\"\u003e• Vinyl 2\u003cbr data-mce-fragment=\"1\"\u003eSide C - MILES DAVIS \u0026amp; THELONIOUS MONK\u003cbr data-mce-fragment=\"1\"\u003eSide D - MILES DAVIS \u0026amp; JOHN COLTRANE\u003cbr data-mce-fragment=\"1\"\u003e• Vinyl 3\u003cbr data-mce-fragment=\"1\"\u003eSide E - ASCENSEUR POUR L’ÉCHAFAUD 1957\u003cbr data-mce-fragment=\"1\"\u003eSide F - MILES DAVIS \u0026amp; GIL EVANS 1957 ~ 1961\u003cbr data-mce-fragment=\"1\"\u003e• Vinyl 4\u003cbr data-mce-fragment=\"1\"\u003eSide G - KIND OF BLUE 1959\u003cbr data-mce-fragment=\"1\"\u003eSide H - LIVE 1961\u003cbr data-mce-fragment=\"1\"\u003e~\u003cbr data-mce-fragment=\"1\"\u003eThirty years after his disappearance, Miles Davis, both the man and his character, is still a subject for debate and controversy. And haven’t we heard that before with all artists? But when it comes to the importance of his contribution to music in the 20th century there is only unanimity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEveryone says, sure, he was the greatest trumpeter. Other opinions are that he left the world of jazz behind him in 1965. It’s also said he was the catalyst of every decade from 1949 to 1989; that he revolutionised jazz, and brought it out of the ghetto; that he buried jazz; that he was the most important musician of his century... Each of those statements has its share of truth. Whichever way\u003c\/p\u003e\n\u003cp\u003eyou look at him, he remains a major figure in jazz and in 20th century music overall. Miles surpassed (or at least equalled) the importance of both Louis Armstrong and Duke Ellington for the simple reason that he addressed not only the jazz world but all worlds of music, and that he created (among other things) a fusion of the spheres people knew as jazz, blues, rock and pop, and spoke to every audience, either in turn or collectively.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere was a dinner at the White House during which a perfectly respectable lady, married to a politician no doubt, asked Miles what he did for a living. With some annoyance Miles replied, “Well I’ve changed music five or six times, so I guess that’s what I’ve done [...] now tell me what have you done of any importance, other than be white? [...] You tell me what your claim to fame is.” The provocative tone in Miles’ words lifted the veil over his refusal to be hassled, his revulsion against America’s treatment of Black people, and Miles’ awareness of his own importance in the world of music. Even when speaking, Miles maintained the art of synthesis.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the beginning – this was 1944 – there was a concert in St Louis, Missouri where Miles heard Charlie Parker and Dizzy Gillespie for the first time. “Man, that shit was terrible, I mean Dizzy Gillespie, Charlie ‘Yardbird' Parker, Buddy Anderson, Gene Ammons, Lucky Thompson and Art Blakey, all together in one band [...] that shit was all up in my body and that’s what I wanted to hear [...] and me up there playing with them.1” Miles was 18, he’d been playing trumpet for years and now he knew that this was what he wanted to play, and nothing else: to play with Bird! A year later he’d turned 19 and he was in New York, where he learned it all, up there alongside Bird and Dizzy.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Masters Of Jazz","offers":[{"title":"Default Title","offer_id":40212155269276,"sku":"JM1","price":60.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_dab5d75f-642a-4c62-80ae-db63c84642b7.jpg?v=1624032372"},{"product_id":"nina-simone-1957-1962-the-essential-works","title":"NINA SIMONE - 1957-1962: THE ESSENTIAL WORKS","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: MOJ105\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 3760300310755\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: Oct 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eA1 My Baby Just Cares For Me 3:37\u003cbr\u003eA2 Love Me Or Leave Me 3:21\u003cbr\u003eA3 I Love You Porgy 4:09\u003cbr\u003eA4 Little Girl Blue 4:18\u003cbr\u003eA5 Mood Indigo 4:01\u003cbr\u003eB1 Blue Prelude 3:21\u003cbr\u003eB2 Stomping At The Savoy 2:10\u003cbr\u003eB3 You’ve Been Gone Too Long 2:12\u003cbr\u003eB4 That’s Him Over There 2:31\u003cbr\u003eB5 He’s Got The Whole World In His Hands 3:10\u003cbr\u003eB6 African Mailman 3:08\u003cbr\u003eC1 Wild Is The Wind 3:27\u003cbr\u003eC2 The Other Woman 3:01\u003cbr\u003eC3 Summertime 2:48\u003cbr\u003eC4 Exactly Like You 3:14\u003cbr\u003eC5 I Don’t Want Him, You Can Have Him 5:48\u003cbr\u003eC6 Fine And Mellow 3:32\u003cbr\u003eD1 Work Song 2:36\u003cbr\u003eD2 Just Say I Love Him 6:38\u003cbr\u003eD3 Do Nothin’ Till You Hear From Me 2:49\u003cbr\u003eD4 Something To Live For 2:55\u003cbr\u003eD5 Can’t Get Out Of This Mood 2:34\u003cbr\u003eD6 Solitaire 3:27\u003c\/p\u003e","brand":"Masters Of Jazz","offers":[{"title":"Default Title","offer_id":41049328255132,"sku":"MOJ105","price":16.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_d3fa8e53-ee3a-4143-8b27-96855637d8ee.jpg?v=1633704500"},{"product_id":"louis-armstrong-1926-1959-the-essential-works","title":"LOUIS ARMSTRONG - 1926-1959: THE ESSENTIAL WORKS","description":"Format: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: MOJ106\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 3760300310762\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: Oct 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz","brand":"Masters Of Jazz","offers":[{"title":"Default Title","offer_id":41049330319516,"sku":"MOJ106","price":22.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_ddef413c-a538-4e9f-87d3-5d9712761fda.jpg?v=1633704523"},{"product_id":"peggy-lee-essential-works-1941-1960","title":"Peggy Lee - Essential Works 1941-1960","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: MOJ119\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 3760300312520\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 22 Apr 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. How Deep is The Ocean\u003cbr\u003eA2. Elmer's Tune\u003cbr\u003eA3. I Got it Bad...\u003cbr\u003eA4. How Long Has This Been Going On\u003cbr\u003eA5. Somebody Nobody Loves\u003cbr\u003eA6. Somebody Else Is Taking My Place\u003cbr\u003eA7. Blues in the Night\u003cbr\u003eB1. Why Don't You Do Right\u003cbr\u003eB2. Waiting For The Train To Come In\u003cbr\u003eB3. Baby (Is What He Calls Me) \u003cbr\u003eB4. Someone Loves Me\u003cbr\u003eB5. There'll Be Some Changes Made\u003cbr\u003eB6. Them There Eyes\u003cbr\u003eB7. Everybody Loves Somebody\u003cbr\u003eC1. I'm Confessin'\u003cbr\u003eC2. Love Me or Leave Me\u003cbr\u003eC3. Sorry Baby You Let My Love Get Cold \u003cbr\u003eC4. Black Coffee\u003cbr\u003eC5. Johnny Guitar\u003cbr\u003eC6. Love, You Didn't Do Right By Me\u003cbr\u003eC7. Alright Okay You Win\u003cbr\u003eD1. Fever\u003cbr\u003eD2. You Are Mine You \u003cbr\u003eD3. Lullaby in Rhythm\u003cbr\u003eD4. My Man\u003cbr\u003eD5. You Came A Long Way From St Louis (live)\u003cbr\u003eD6. I Love Being Here With You\u003cbr\u003eD7. Fly Me To The Moon\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePressed on standard weight black double vinyl\u003c\/p\u003e\n\u003cp\u003ePeggy Lee had an unhappy childhood, which seems to be a necessary figure in the success stories of the show business world. Born Norma Doloris Egström, she lost her mother at the age of 4 and was brought up by a stepmother who treated her as a slave. At 7, she cooks, cleans the house, bakes bread, milks the cows, beats butter, does the laundry, at 8 she runs the house 7 days a week, and has to look after the newborn and between time she is beaten, because what she is doing is not good enough. But she has her happy moments, since as soon as she can, she joins her father at work, too drunk to work, she does her job. \u003cbr\u003e\u003cbr\u003eOn another front, Roosevelt declares war on Germany. But now, this life builds a strength of character and a capacity for revolt which will be the weapons that will lead Peggy to the top. The 28 tracks on this album are simply 28 masterpieces that she performs with Benny Goodman, Dave Barbour, Pete Candoli and others.\u003cbr\u003e\u003c\/p\u003e","brand":"Masters of Jazz","offers":[{"title":"Default Title","offer_id":41563064631452,"sku":"MOJ119","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_9ae88ab9-77a3-4e9e-8e23-43fe0c62e4e0.jpg?v=1649233528"},{"product_id":"les-mccann-featuring-lou-rawls-essential-works-1960-1962","title":"Les McCann featuring Lou Rawls - Essential Works 1960-1962","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: MOJ118\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 3760300312490\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 06 May 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003ePressed on standard weight black double vinyl\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING: \u003cbr\u003eA1. Vacushna\u003cbr\u003eA2. Fish This Week but Next Week Chitlings\u003cbr\u003eA3. For Carl Perkins\u003cbr\u003eA4. The Truth\u003cbr\u003eB1. A Little ¾ For God and Co.\u003cbr\u003eB2. Oat Meal\u003cbr\u003eB3. Little Girl from Casper\u003cbr\u003eB4. Chip Monk\u003cbr\u003eC1. One More Ham Hock Please\u003cbr\u003eC2. Gone On and Get That Church\u003cbr\u003eC3. Pia\u003cbr\u003eD1. They Call it Stormy Monday\u003cbr\u003eD2. God Bless The Child\u003cbr\u003eD3. Willow Weep For Me\u003cbr\u003eD4. Lost and Lookin'\u003cbr\u003eD5. Blues is a Woman\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eColeman Leslie McCann, known as Les McCann, is arguably the most soulful jazz pianist of the sixties. All you have to do to be convinced of this is to go and listen to him, all business ceasing, with Eddie Harris, in concert in Montreux, on June 21, 1969. This recording is a monument in the history of soul jazz. \u003cbr\u003e\u003cbr\u003eBut before this concert, the trio of Les McCann with Herbie Lewis and Ron Jefferson, imposed a new style characterized by joy and pleasure, to play, to groove, to listen. Impossible in a Les McCann concert not to participate in his joy, in his desire to share, impossible not to beat time. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe recordings of this album from 1960 to 1962 are a turning point which participates in the swing of jazz into a new world. If today, the world of jazz includes all soul music, it is because some musicians like Les McCann naturally, in the early sixties, abolished borders and classifications.\u003c\/p\u003e","brand":"Masters of Jazz","offers":[{"title":"Default Title","offer_id":41583684485276,"sku":"MOJ118","price":9.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_62a6be3e-44f8-47a4-840d-14b78cf25525.jpg?v=1649944744"},{"product_id":"thelonious-monk-essential-works-1952-1962","title":"Thelonious Monk - Essential Works 1952 – 1962","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: MOJ124\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 3760300318157\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 24 Jun 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003ePressed on standard weight black double vinyl.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr\u003eA1. Little Rootie Tootie\u003cbr\u003eA2. Monk’s Dream\u003cbr\u003eA3. Sweet And Lovely\u003cbr\u003eA4. Hornin’ In\u003cbr\u003eA5. Bemsha Swing\u003cbr\u003eA6. Smoke Gets In Your Eyes\u003cbr\u003eB1. Round About Midnight\u003cbr\u003eB2. I Mean You\u003cbr\u003eB3. Epistrophy\u003cbr\u003eB4. Misterioso\u003cbr\u003eB5. Well, You Needn’t\u003cbr\u003eB6. April In Paris\u003cbr\u003eB7. Straight No Chaser\u003cbr\u003eC1. Caravan\u003cbr\u003eC2. I Got It Bad And That Ain’t Good\u003cbr\u003eC3. It Don’t Mean A Thing\u003cbr\u003eC4. Solitude\u003cbr\u003eD1. Blue Monk\u003cbr\u003eD2. Straight No Chaser\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThelonious Sphere Monk was unique as a composer and instrumentalist, a New York spirit formed and matured in the heart of the city where his family had lived since he was four years old. A cosmopolitan capital like New York, in the throes of becoming the centre of the world, did not form spirits in the same way as a midsized Midwestern city does.\u003c\/p\u003e\n\u003cp\u003eFrom the beginning of his youngest days as a jazz musician, Monk was treading a unique personal path. At twenty he was already outside the norm, and by the Forties he’d been christened the “high priest of bebop.” But he’d already moved elsewhere, taking a road that nobody knew. No sooner had he played a part, with distinction, in the evolution of bebop (without earning the recognition he deserved) than he strayed from that path to find another that nobody could identify, for the obvious reason that he did not recycle the recipes developed by bebop musicians. To him, they belonged to the past, even if that bebop was still too obscure for a large majority of white jazz fans. \u003cbr\u003e\u003cbr\u003eWhat Monk wanted was to explore the new lands of music. He wanted to play a unique jazz for the public, and offer people his music; not in the comfort of the tried and tested formula, but through discovery, creation and invention. Monk was on a permanent quest for a new aesthetic. \u003cbr\u003e\u003cbr\u003eA great number of jazz musicians rightly consider him the foremost of their kind.\u003cbr\u003e\u003c\/p\u003e","brand":"Masters of Jazz","offers":[{"title":"Default Title","offer_id":41670508478620,"sku":"MOJ124","price":15.28,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_026e10e6-0ccd-4fcb-adeb-2ae4bb7e53c4.png?v=1654007809"},{"product_id":"charles-mingus-essential-works-1955-1959","title":"Charles Mingus - Essential Works 1955-1959","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: MOJ123\u003cbr\u003eBarcode: 3760300318140\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 23 \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eSep \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2022\u003c\/span\u003e\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003ePressed on standard weight black double vinyl.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST:\u003cbr data-mce-fragment=\"1\"\u003eA1. Boogie Stop Shuffle\u003cbr data-mce-fragment=\"1\"\u003eA2. Better Git It In Your Soul\u003cbr data-mce-fragment=\"1\"\u003eA3. Goodbye Pork Pie Hat\u003cbr data-mce-fragment=\"1\"\u003eA4. Self-Portrait in Three Colors\u003cbr data-mce-fragment=\"1\"\u003eB1. Pithecanthropus Erectus\u003cbr data-mce-fragment=\"1\"\u003eB2. Tensions\u003cbr data-mce-fragment=\"1\"\u003eB3. Tijuana Gift Shop\u003cbr data-mce-fragment=\"1\"\u003eC1. Nostalgia In Times Square\u003cbr data-mce-fragment=\"1\"\u003eC2. Jump Monk\u003cbr data-mce-fragment=\"1\"\u003eD1. Dizzy Moods\u003cbr data-mce-fragment=\"1\"\u003eD2. Haitian Fight Song\u003cbr data-mce-fragment=\"1\"\u003eD3. Profile of Jackie\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eCHARLES MINGUS (1922 – 1979)\u003c\/p\u003e\n\u003cp\u003eAt the end of the Fifties, hard bop was something else looking for a way out. The inexorable cycle of avant-garde trends needed renewal. These were years when both sides of the Atlantic saw wide-reaching deconstruction in philosophy, painting and music. Everything that seemed to belong to a healthy, normal, established order was seen with the most scrupulous scepticism. \u003cbr\u003e\u003cbr\u003eIn the history of art, successive pivotal years have always had an artificial aspect while at the same time they have revealed the state of an art that would define a new aesthetic. 1913… 1922 … 1959 … The Shape of Jazz to Come, Kind of Blue, Time Out, Ah Um … When creative minds decoded the structures of an art that was current, it was time to discover new ones. Charles Mingus was one of those who deconstructed, a creator and inventor who marked out a path for the other artists to come. \u003cbr\u003e\u003cbr\u003eThe pieces gathered in this album bear witness to his creative abilities and also to his outrageousness. Each of them connects hard bop with the jazz of the Sixties. Jazz beyond the norm, as was his own temperament.\u003cbr\u003e\u003c\/p\u003e","brand":"Masters of Jazz","offers":[{"title":"Default Title","offer_id":41805443563676,"sku":"MOJ123","price":12.22,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_8734d51d-b012-45c0-a5aa-a34cf1bb6f3d.webp?v=1659110694"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/masters-of-jazz.oembed","provider":"Horizons Music","version":"1.0","type":"link"}