{"title":"Lasgo 131023","description":"","products":[{"product_id":"king-crimson-larks-tongues-in-aspic-50th-anniversay-4-disc-blu-ray-cd-box-the-complete-recording-sessions-dolby-atmos-2023-mixes","title":"King Crimson - Larks’ Tongues In Aspic 50th Anniversay 4 DISC  Blu Ray CD box  (The Complete Recording Sessions · Dolby Atmos ·2023 Mixes)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 4 DISC BluRay CD set\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: KCXP5015\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 0633367795823\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 13 Oct 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eProgressive Rock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e50th anniversary edition of King Crimson’s classic 1973 album\u003c\/p\u003e\n\u003cp\u003e2 x Blu-Ray discs include:- All new 2023 mixes in Dolby Atmos, DTS-HD MA Surround (5.1) \u0026amp; 24\/96 LPCM stereo. \u003cbr\u003e\u003cbr\u003eElemental mixes, instrumental mixes and 30th anniversary master in 24\/96 LPCM Stereo.\u003cbr\u003e\u003cbr\u003eComplete 1973 recording sessions in 24\/96 LPCM Stereo. \u003cbr\u003e\u003cbr\u003e2 CDs include:- the 2023 mixes in stereo \u0026amp; instrumental forms, elemental mixes and selected master reels.\u003cbr\u003e\u003cbr\u003ePackaged in two gatefold sleeves with booklet in a rigid exterior slipcase\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e• 50th anniversary edition of King Crimson’s classic 1973 album\u003cbr\u003e• Blu-Ray I features all-new 2023 mixes in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and Hi-Res Stereo by Steven Wilson\u003cbr\u003e• Blu-Ray I also features the new Elemental Mixes by David Singleton\u003cbr\u003e• Blu-Ray II contains the complete recordings of every session recorded for the album. All of this material has been newly mixed from the original performances and is presented on disc for the first time in Hi-Res 24\/96 stereo.\u003cbr\u003e• Additionally, Blu-Ray II includes Hi-Res stereo mixes of the original stereo masters \u0026amp; David Singleton’s audio documentary of the album recording “Keep That One, Nick” as previously included on the 2012 boxed set. These are the sole inclusions on the disc to have been issued previously.\u003cbr\u003e• CD1 includes the 2023 stereo mix and instrumentals of the album \u003cbr\u003e• CD2 includes the elemental mixes and selected master reels \u003cbr\u003e• Presented as a 2 x gatefold sleeve edition containing the individual discs plus booklet with new sleeve-notes by King Crimson biographer Sid Smith packaged in a rigid slipcase\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“This band is more King Crimson than it's ever been. All the original ideals and aspirations are there - love respect and compatible ideas. It’s a magic band!” – Robert Fripp, July, 1972\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e Bill Bruford ~ David Cross ~ Robert Fripp ~ Jamie Muir ~ John Wetton \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWhen, in July 1972, Melody Maker revealed that Bill Bruford \u0026amp; John Wetton were joining King Crimson – from Yes \u0026amp; Family respectively, it was front page news. Also joining were Jamie Muir – a key figure in London’s jazz scene \u0026amp; David Cross – from the band Waves. Fripp’s claims about the band’s ‘magic’ were to be put to the test that autumn when, following a three night stint at the Zoom Club, Frankfurt \u0026amp; TV appearance on Bremen’s Beat Club, the band undertook an extensive UK tour, which ran from the end of October through to mid-December. With the exception of the encore “21st Century Schizoid Man”, the material was all new, with a heavier emphasis on improvisation than had ever been utilised by any major UK rock group on a headlining tour. The developing material for Larks’ Tongues in Aspic was premiered to a succession of audiences who, for the most part, had bought tickets expecting to hear something else entirely (encore notwithstanding) but who responded to the challenging set with enthusiasm. \u003cbr\u003e\u003cbr\u003eRecorded from mid-January to the beginning of February \u0026amp; released in late March of 1973, Larks’ Tongues in Aspic became one of the most acclaimed of King Crimson’s albums as well as establishing its reputation as a key album from one of rock music’s most significant years. After a handful of further UK concerts, Jamie Muir left the band with the remaining quartet working with ever greater success until Summer 1974 when Fripp placed the band on indefinite hiatus.\u003cbr\u003e\u003cbr\u003eAlmost half a century after its release, Steven Wilson undertook the job of mixing the album for Dolby Atmos and, in the process, prepared new stereo \u0026amp; 5.1 mixes. The new stereo \u0026amp; 5.1 mixes – no doubt informed by the more adventurous mix techniques allowed by the Atmos process – are quite different in approach, more expansive than the earlier mixes as released in 2012, while still retaining and enhancing the core power of the original material. \u003cbr\u003e\u003cbr\u003eThe Atmos mixes allow a fresh glimpse of the vast scope of the individual material \u0026amp; performances as recorded for the album. The key to understanding this album, which Atmos illustrates most obviously, but is also present in all of Steven’s new mixes, David’s Elemental mixes \u0026amp; Alex \u0026amp; David’s mixes of the sessions material, is that this music was always this big, complex, interwoven series of soundscapes \u0026amp; while it was, in 1973, released in stereo on vinyl, CD \u0026amp; 8Track cartridge, it’s only in recent years with, first the 2012 stereo \u0026amp; Surround mixes \u0026amp; now the Atmos\/Elemental\/Complete Sessions mixes that the available mix options \u0026amp; domestic consumption audio options have grown sufficiently to both contain \u0026amp; present the material to its fullest possible extent.\u003cbr\u003e\u003cbr\u003eWhile Steven was working on this aspect of the material Alex R. Mundy and David Singleton at DGM were mixing every single take of the original studio sessions. These unreleased early takes are presented not as traditionally blended pieces, but with maximum separation, mimicking the experience of sitting in the studio with the individual elements being performed around you. The “Elemental mixes” apply this same approach to the main album takes. An excitingly fresh view on the familiar, with the focus often falling in unusual places, some originally hidden, some unused. Four of the album’s core tracks feature: extended mixes of Larks’ 1 and Talking Drum along with Easy Money \u0026amp; Larks’ 2. \u003cbr\u003e\u003cbr\u003eThis material is all presented on Blu-Ray I of the set.\u003cbr\u003e\u003cbr\u003eBlu-Ray II presents every single session recording from the original studio dates, all newly mixed from the multitrack tapes and presented in date of recording order, in Hi-Res 24\/96 stereo – a vast collection of previously unheard studio material from the seminal recording.\u003cbr\u003e\u003cbr\u003eAlso included on this disc are the original album mix (30th anniversary master) \u0026amp; the audio documentary “Keep that one, Nick” – as compiled by David Singleton for the 2012 boxed set. These two inclusions are the only previously released titles on this set.\u003cbr\u003e\u003cbr\u003eIt’s no coincidence that many of the pieces from the album became staples of performance for the most recent King Crimson line-ups (2014 – 2021). The material first performed to unsuspecting concert attendees in 1972, first recorded \u0026amp; released in 1973 \u0026amp; beloved of King Crimson fans ever since, has aged remarkably well. That material is now presented in its most complete edition to date, with all of the material on the CDs \u0026amp; almost all of the material on the Blu-Rays (see track-listing below), previously unreleased.\u003cbr\u003e\u003cbr\u003eIn 2023, it still has the capacity to astound the ears.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e www.dgmlive.com\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTRACKLISTING:-\u003cbr\u003e\u003cbr\u003eBlu-ray I - NTSC, All Zones (ABC), playable on all BD players \u0026amp; drives Dolby Atmos, DTS-HD MA 5.1 \u0026amp; LPCM Stereo 24\/96, all previously unreleased:\u003cbr\u003e\u003cbr\u003eLarks' Tongues in Aspic - 2023 mixes. Dolby Atmos, DTS HD-MA 5.1 Surround, LPCM 24.96 Stereo\u003cbr\u003e \u003cbr\u003e1. Larks' Tongues in Aspic, Part One \u003cbr\u003e2. Book of Saturday \u003cbr\u003e3. Exiles \u003cbr\u003e4. Easy Money \u003cbr\u003e5. The Talking Drum \u003cbr\u003e6. Larks' Tongues in Aspic, Part Two\u003cbr\u003e \u003cbr\u003e Elemental Mixes (24\/96 Stereo)\u003cbr\u003e \u003cbr\u003e1. Larks' Tongues in Aspic, Part One \u003cbr\u003e2. Easy Money \u003cbr\u003e3. The Talking Drum \u003cbr\u003e4. Larks' Tongues in Aspic, Part Two \u003cbr\u003e\u003cbr\u003e Instrumental Mixes (24\/96 Stereo)\u003cbr\u003e \u003cbr\u003e1. Book of Saturday \u003cbr\u003e2. Exiles \u003cbr\u003e3. Easy Money \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eBlu-ray II - NTSC, All Zones (ABC), playable on all BD players \u0026amp; drives Dolby Atmos, DTS-HD MA 5.1 \u0026amp; LPCM Stereo 24\/96, all previously unreleased except *\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOriginal Masters (24\/96 Stereo) *\u003cbr\u003e \u003cbr\u003e 30th Anniversary Master \u003cbr\u003e \u003cbr\u003e1. Larks' Tongues in Aspic, Part One \u003cbr\u003e2. Book of Saturday \u003cbr\u003e3. Exiles \u003cbr\u003e4. Easy Money \u003cbr\u003e5. The Talking Drum \u003cbr\u003e6. Larks' Tongues in Aspic, Part Two \u003cbr\u003e \u003cbr\u003e The Session Reels \u003cbr\u003e \u003cbr\u003e1. \"Keep That One, Nick\" * \u003cbr\u003e \u003cbr\u003e Complete Recording Sessions (24\/96 Stereo)\u003cbr\u003e \u003cbr\u003e January 16th, 1973 \u003cbr\u003eLarks’ I - Takes 1 to 10 \u003cbr\u003e Larks’ I - Takes 12 to 18 \u0026amp; 20 to 22 \u003cbr\u003e Larks’ II - Take 1 \u003cbr\u003e Book Of Saturday - Take 1 \u003cbr\u003e Book Of Saturday - Take 1 Overdubs \u0026amp; 2nd Main Vocal Take \u003cbr\u003e \u003cbr\u003e January 17th, 1973 \u003cbr\u003eLarks’ I - Edit 2 Takes 1 to 11 \u003cbr\u003e Larks’ I - Edit 2 Take 12 \u0026amp; Overdubs \u003cbr\u003e Larks’ I - 4\/4 Section Remake Takes 1 to 4 \u003cbr\u003e Larks’ I - 4\/4 Section Remake Takes 5 to 9 \u0026amp; 11 to 17 \u003cbr\u003e Larks’ I - 2nd Edit Takes 1 to 6 \u003cbr\u003e Larks’ I - 2nd Edit Take 1 with Overdubs \u003cbr\u003e \u003cbr\u003e January 18th, 1973\u003cbr\u003e Larks’ I - Bill Drum Check \u003cbr\u003e Larks’ I - Jamie Drum Check \u003cbr\u003e Larks’ II - Takes 1 \u0026amp; 2 \u003cbr\u003e \u003cbr\u003e January 19th, 1973 \u003cbr\u003eLarks’ I - 7\/8 Section Remake Takes 1 to 5 \u003cbr\u003e Larks’ I - 4\/4 Section Remake Takes 1 to 9 \u003cbr\u003e \u003cbr\u003e January 20th, 1973 \u003cbr\u003eLarks’ I - 4\/4 Section 2nd Remake Takes 10 to 20 \u003cbr\u003e\u003cbr\u003eJanuary 21st, 1973\u003cbr\u003e Larks’ I - 4\/4 Section 2nd Remake Takes 21 to 26 \u003cbr\u003e\u003cbr\u003e January 23rd, 1973 \u003cbr\u003eEasy Money - Takes 1 to 9 \u003cbr\u003e Easy Money - Takes 10 \u0026amp; 11 \u003cbr\u003e Jamie Various Atmosphere Takes \u003cbr\u003e Jamie More Atmosphere Takes \u003cbr\u003e \u003cbr\u003e January 24th, 1973\u003cbr\u003e Easy Money - Remake Takes 1 to 6 \u003cbr\u003e Easy Money - Remake Takes 7 to 9 \u003cbr\u003e Intermezzo Takes 1 to 6 \u003cbr\u003e Intermezzo Takes 7 to 16 \u003cbr\u003e Intermezzo Takes 19 to 25 \u003cbr\u003e \u003cbr\u003e January 25th, 1973\u003cbr\u003e The Talking Drum - Takes 1 to 3 \u003cbr\u003e The Talking Drum - Take 3 (Complete) \u003cbr\u003e Larks’ I - 2nd Edit Takes 1 to 5 \u003cbr\u003e Larks’ I - Final Edit Remake Non Takes \u003cbr\u003e \u003cbr\u003e January 26th, 1973\u003cbr\u003e Exiles - Takes 1 to 3 \u003cbr\u003e Exiles - Takes 5 \u0026amp; 6 \u003cbr\u003e Exiles - Master Reel Take 4 Backing \u003cbr\u003e Exiles - Master Reel Take 4 Overdubs 1 \u003cbr\u003e Exiles - Master Reel Take 4 Overdubs 2 \u003cbr\u003e Exiles - Master Reel Take 4 Vocal Overdubs \u003cbr\u003e \u003cbr\u003e January 30th, 1973\u003cbr\u003e The Talking Drum - Remake Takes 1 to 6 \u003cbr\u003e Larks’ I - Master Bass Drums Percussion 4\/4 section \u003cbr\u003e Larks’ I - Master Bass Drums Percussion 7\/8 section \u003cbr\u003e Larks’ I - Master Guitar 4\/4 Section Pass 1 \u003cbr\u003e Larks’ I - Master Guitar 4\/4 Section Pass 2 \u003cbr\u003e Larks’ I - Master Guitar 4\/4 Section Pass 3 \u003cbr\u003e Larks’ I - Master Guitar and Violin 7\/8 Section \u003cbr\u003e Larks’ I - Master Intermezzo Part 1 \u003cbr\u003e Larks’ I - Master Intermezzo Part 1 Overdubs \u003cbr\u003e Larks’ I - Master Intermezzo Part 2 \u003cbr\u003e Larks’ I - Master Introduction David \u0026amp; Jamie \u003cbr\u003e Larks’ I - Master Introduction Overdubs \u003cbr\u003e Larks’ I - Master Last Section Newspaper Readings \u003cbr\u003e Larks’ I - Master Lead Guitar Overdubs \u003cbr\u003e Larks’ I - Master Opening Bass, Drums, Guitar, Percussion \u003cbr\u003e Larks’ I - Master Opening Violin and Guitar \u003cbr\u003e Larks’ I - Master Last Section Violin And Guitar \u003cbr\u003e \u003cbr\u003e January 31st, 1973\u003cbr\u003e Easy Money - Master Ambient Overdubs to the End \u003cbr\u003e Easy Money - Master Backing Track to the End \u003cbr\u003e Easy Money - Master Intro Backing Track \u003cbr\u003e Easy Money - Master Intro Jamie Overdubs \u003cbr\u003e Easy Money - Master Intro Vocal Overdubs \u003cbr\u003e Easy Money - Master Vocal Overdubs to the End \u003cbr\u003e The Talking Drum - Master Reel Backing Track \u003cbr\u003e The Talking Drum - Master Reel Overdubs \u003cbr\u003e Larks’ II - Master Reel Backing Track \u003cbr\u003e Larks’ II - Master Reel Overdubs \u003cbr\u003e Larks’ II - Master Reel Violin Solos \u003cbr\u003e \u003cbr\u003e February 1st, 1973\u003cbr\u003e Book Of Saturday - Takes 1 to 3 \u0026amp; 5 to 10 \u003cbr\u003e Book Of Saturday - Master Reel Bass Pass 1, Guitar, Violin \u003cbr\u003e Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs \u003cbr\u003e Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs \u003cbr\u003e\u003cbr\u003eCDs: All material newly mixed\/released\u003cbr\u003eCD 1 Larks' Tongues in Aspic (2023 Mix and Instrumentals)\u003cbr\u003e1. Larks' Tongues in Aspic, Part One\u003cbr\u003e2. Book of Saturday\u003cbr\u003e3. Exiles\u003cbr\u003e4. Easy Money\u003cbr\u003e5. The Talking Drum\u003cbr\u003e6. Larks' Tongues in Aspic, Part Two\u003cbr\u003e7. Book of Saturday\u003cbr\u003e8. Exiles\u003cbr\u003e9. Easy Money\u003cbr\u003e \u003cbr\u003eCD 2 Larks' Tongues in Aspic (Elemental Mixes and Selected Master Reels)\u003cbr\u003e1. Larks' Tongues in Aspic, Part One\u003cbr\u003e2. Easy Money\u003cbr\u003e3. The Talking Drum \u003cbr\u003e4. Larks' Tongues in Aspic, Part Two\u003cbr\u003e5. Exiles - Master Reel Take 4 Backing\u003cbr\u003e6. Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs\u003cbr\u003e7. Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs \u003cbr\u003e\u003c\/p\u003e","brand":"PANEGYRIC","offers":[{"title":"Default Title","offer_id":42620701737116,"sku":"KCXP5015","price":43.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KCXP5015_cover.jpg?v=1692306070"},{"product_id":"tito-puente-barabarita-salsa-salsa","title":"TITO PUENTE - Barabarita \/ Salsa Salsa","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: INWOODDJ001\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0655390616357\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 13 Oct 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: International\u003c\/p\u003e\n\u003cp\u003eIn The Woods Records will be releasing on 45rpm DJ vinyl all the Tito Puente and his Orchestra tracks from the compact disc ‘Salsa Salsa‘.\u003c\/p\u003e\n\u003cp\u003eThe lacquers for these records were cut by Geoff Pesche in his Mothership, Cutting Room 5 at Abbey Road Studios in St John’s Wood Road, London, England ! ‘The Beatles Studio‘\u003c\/p\u003e\n\u003cp\u003eThe vinyl was pressed by The Vinyl Factory on The Famous EMI 1400’s ! ‘The Beatles Presses‘.\u003c\/p\u003e\n\u003cp\u003eUp until now these recordings were very rare and hard to find audiophile recordings, rare and hard to find no more !\u003c\/p\u003e\n\u003cp\u003eThe first DJ 45rpm Vinyl releases of these recordings !\u003c\/p\u003e\n\u003cp\u003eLiner notes on inner sleeve in English, Spanish and Japanese !\u003c\/p\u003e\n\u003cp\u003eIn Tito’s words ‘Salsa Pure‘ !\u003c\/p\u003e\n\u003cp\u003eTito received 5 Grammy Awards in a career that spanned 6 decades in which he made over 120 albums !\u003c\/p\u003e\n\u003cp\u003eIf you live in the USA and speak Spanish Tito would be your Elvis, Sinatra or Michael Jackson !\u003c\/p\u003e\n\u003cp\u003eThis was his favourite ‘Salsa Pure‘ big band recording !\u003c\/p\u003e\n\u003cp\u003eTito was widely considered to be the godfather of Latin Jazz and Salsa, devoting his life to performing Latin music and earning the reputation as ‘The Master of Percussion‘.\u003c\/p\u003e\n\u003cp\u003eAfter the first days recording Tito revelled in the new digital medium and invited some of his friends for the second day ! Dizzy Gillespie, Ray Barretto, Mongo Santamaria, Eddy Murphy, Patato Valdez and many more to Ralph Mercado’s Club Broadway 96 on 96th Street and Broadway in New York City ! It was a sight to see and what a sound to hear, Tito and his 23 piece orchestra, 4 trumpets, 3 saxes and 3 trombones and a percussion and rhythm section to die for !\u003c\/p\u003e\n\u003cp\u003eSamples galore for the young music makers in their bedrooms, slam this record on your 5.1 surround sound and Tito Puente and his Orchestra perform for you in your living room ! We hope you enjoy Tito’s genius ! Play this record loud and listen to the silences ! ! !\u003c\/p\u003e","brand":"IN THE WOODS","offers":[{"title":"Default Title","offer_id":42660677517468,"sku":"INWOODDJ001","price":19.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0655390616357.jpg?v=1695062343"},{"product_id":"chelsea-chelsea","title":"CHELSEA - Chelsea","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: RRS208\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 8055515235180\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 13 Oct 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Punk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormed in 1976, legendary punk outfit Chelsea was assembled by the owners of the Acme Attractions boutique with Gene October as frontman; guitarist Billy Idol, bassist Tony James and drummer John Towe soon split to form Generation X, but their loss was Chelsea’s gain, with debut single ‘Right To Work’ rated one of the best punk songs of all time. Though their self-titled debut LP didn’t surface until 1979, when punk was waning, there is plenty to savour in October’s forceful vocals and James Stevenson’s powerful guitar licks, plus a plausible take of Jimmy Cliff’s ‘Many Rivers To Cross.’ A punk classic, ripe for rediscovery!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSIDE A\u003cbr\u003e1. I’m On Fire\u003cbr\u003e2. Decide\u003cbr\u003e3. Free The\u003cbr\u003eFighters\u003cbr\u003e4. Your Toy\u003cbr\u003e5. Fools \u0026amp;\u003cbr\u003eSoldiers\u003cbr\u003eSIDE B\u003cbr\u003e1. All The Downs\u003cbr\u003e2. Government\u003cbr\u003e3. Twelve Men\u003cbr\u003e4. Many Rivers\u003cbr\u003e5. Trouble Is The Day\u003c\/span\u003e\u003c\/p\u003e","brand":"RADIATION REISSUES","offers":[{"title":"Default Title","offer_id":42663727562908,"sku":"RRS208","price":17.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/8055515235197.jpg?v=1695303627"},{"product_id":"chelsea-chelsea-coloured-vinyl","title":"CHELSEA - Chelsea (Coloured Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: RRS208CV\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 8055515235197 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 13 Oct 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Punk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormed in 1976, legendary punk outfit Chelsea was assembled by the owners of the Acme Attractions boutique with Gene October as frontman; guitarist Billy Idol, bassist Tony James and drummer John Towe soon split to form Generation X, but their loss was Chelsea’s gain, with debut single ‘Right To Work’ rated one of the best punk songs of all time. Though their self-titled debut LP didn’t surface until 1979, when punk was waning, there is plenty to savour in October’s forceful vocals and James Stevenson’s powerful guitar licks, plus a plausible take of Jimmy Cliff’s ‘Many Rivers To Cross.’ A punk classic, ripe for rediscovery!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSIDE A\u003cbr\u003e1. I’m On Fire\u003cbr\u003e2. Decide\u003cbr\u003e3. Free The \u003cbr\u003eFighters\u003cbr\u003e4. Your Toy\u003cbr\u003e5. Fools \u0026amp; \u003cbr\u003eSoldiers\u003cbr\u003eSIDE B\u003cbr\u003e1. All The Downs\u003cbr\u003e2. Government\u003cbr\u003e3. Twelve Men\u003cbr\u003e4. Many Rivers\u003cbr\u003e5. Trouble Is The Day\u003c\/span\u003e\u003c\/p\u003e","brand":"RADIATION REISSUES","offers":[{"title":"Default Title","offer_id":42663727792284,"sku":"RRS208CV","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/8055515235197_06fc8bd0-9127-49df-91c0-6be7fa82b110.jpg?v=1695303653"},{"product_id":"chet-baker-blues-for-a-reason-feat-warne-marsh-1-bonus-track-special-gatefold-edition","title":"CHET BAKER - Blues For A Reason (Feat. Warne Marsh) (+1 Bonus Track) (Special Gatefold Edition)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: CC1010LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 8435395503782\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 13 Oct 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt’s strange to think that two of the greatest stars of “cool jazz,” Chet Baker and Warne Mash, would never record together, given that they were nearly the same age, and that they both rose to fame in Los Angeles around the same period. However, that would have been the case if Gerry Teekens, \u003cbr\u003efounder of the Criss Cross label, had never had the bright idea of bringing them together in 1984. Surprisingly, they would end up cutting their only collaborative album, Blues for a Reason, in Monster, The Netherlands! 180-GRAM VIRGIN VINYL LP – THE COMPLETE ALBUM + 1 BONUS TRACK APPEARING FOR THE FIRST TIME EVER ON VINYL – SPECIAL GATEFOLD EDITION **** AllMusic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide A\u003cbr\u003eWELL SPOKEN 9:10\u003cbr\u003eIF YOU COULD SEE ME NOW 5:37\u003cbr\u003eWE KNOW IT’S LOVE 6:32\u003cbr\u003eLOOKING GOOD TONIGHT [Take 2] 5:23*\u003cbr\u003eSide B\u003cbr\u003eLOOKING GOOD TONIGHT 8:31\u003cbr\u003eIMAGINATION 7:35\u003cbr\u003eBLUES FOR A REASON 8:40\u003cbr\u003e*Bonus track. For the first time on vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"CRISS CROSS","offers":[{"title":"Default Title","offer_id":42663732412572,"sku":"CC1010LP","price":25.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/8435395503782.jpg?v=1695303999"},{"product_id":"courtney-pine-journey-to-the-urge-within","title":"COURTNEY PINE - Journey To The Urge Within","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: AOR-001-ST\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5070002387107\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 13 Oct 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003e1986 Classic. Essential for Jazz collectors. HQ remastering at Gearbox\u003c\/p\u003e\n\u003cp\u003eThis album is widely regarded as a landmark recording in the history of British jazz. Pine, a talented saxophonist and composer, had already established himself as a leading figure in the London jazz scene through his work with bands like the Jazz Warriors.\u003cbr\u003eThe album marked Pine’s first solo outing as a bandleader, and it showcased his unique style of jazz. Featuring a mix of original compositions and covers, including Pine’s take Horace Silver’s “Peace”, Wayne Shorter’s “Dolores” and The Real Thing’s “Children Of The Ghetto”.\u003cbr\u003eA rare instance where a cover version supersedes the original, making. The album was a critical and commercial success upon its release, earning Pine widespread acclaim and helping to establish him as one of the most innovative and exciting young musicians on the British jazz scene. The album remains a classic of the genre and a testament to Pine’s creative vision and virtuosity as a performer and composer.\u003cbr\u003eA refreshing reboot of British Jazz that gave rise to and inspiration to so many of today’s contemporary British Jazz artists. Presenting a new roadmap for the British Jazz scene, its DNA flows through the British Jazz scene to this day\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003cbr\u003eMiss - Interpret\u003cbr\u003eI Believe\u003cbr\u003ePeace\u003cbr\u003eDolores\u003cbr\u003eAs We Would Say\u003cbr\u003eSIDE B\u003cbr\u003eChildren Of The Ghetto\u003cbr\u003eWhen, Where, How \u0026amp; Why\u003cbr\u003eC.G.C.\u003cbr\u003eSeen\u003cbr\u003eSunday Song\u003c\/p\u003e","brand":"ANALOGUE OCTOBER","offers":[{"title":"Default Title","offer_id":42663733166236,"sku":"AOR-001-ST","price":34.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_e6a002dc-5ad5-430d-9cd6-7e069536d122.jpg?v=1695304093"},{"product_id":"susan-cadogan-you-dont-love-me-no-no-no-7-vinyl","title":"SUSAN CADOGAN\t- You Don't Love Me (No No No) [7\" Vinyl]","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: JS7S384\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 4560236310343\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 13 Oct 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Reggae\u003c\/p\u003e\n\u003cp\u003eStone cold lovers rock classic. Japanese pressing\u003c\/p\u003e","brand":"BURNING SOUNDS","offers":[{"title":"Default Title","offer_id":42663735001244,"sku":"JS7S384","price":35.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/4560236310343.jpg?v=1695304288"},{"product_id":"king-crimson-larks-tongues-in-aspic-50th-anniversay-2lp-the-complete-recording-sessions-dolby-atmos-2023-mixes","title":"King Crimson - Larks’ Tongues In Aspic 50th Anniversay (2LP) (The Complete Recording Sessions · Dolby Atmos ·2023 Mixes)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 2 x LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: KCLPX2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 0633367795915\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 13 Oct 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eProgressive Rock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e50th anniversary edition of King Crimson’s classic 1973 album\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e• LP1 - Steven Wilson mix\u003cbr\u003e• LP2 - David Singleton Elemental mixes\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e• 50th anniversary edition of King Crimson’s classic 1973 album\u003cbr\u003e• 2LP set pressed on 200-gram audiophile vinyl\u003cbr\u003e• LP1 features all new 2023 stereo mixes by Steven Wilson \u003cbr\u003e• LP2 features all new 2023 elemental mixes by David Singleton\u003cbr\u003e• Cut by Jason Mitchell at Loud Mastering.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis band is more King Crimson than it's ever been. All the original ideals and aspirations are there - love respect and compatible ideas. It’s a magic band!” – Robert Fripp, July, 1972\u003cbr\u003e\u003cbr\u003e Bill Bruford ~ David Cross ~ Robert Fripp ~ Jamie Muir ~ John Wetton\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen, in July 1972, Melody Maker revealed that Bill Bruford \u0026amp; John Wetton were joining King Crimson – from Yes \u0026amp; Family respectively, it was front page news. Also joining were Jamie Muir – a key figure in London’s jazz scene \u0026amp; David Cross – from the band Waves. Fripp’s claims about the band’s ‘magic’ were to be put to the test that autumn when, following a three night stint at the Zoom Club, Frankfurt \u0026amp; TV appearance on Bremen’s Beat Club, the band undertook an extensive UK tour, which ran from the end of October through to mid-December. With the exception of the encore “21st Century Schizoid Man”, the material was all new, with a heavier emphasis on improvisation than had ever been utilised by any major UK rock group on a headlining tour. The developing material for Larks’ Tongues in Aspic was premiered to a succession of audiences who, for the most part, had bought tickets expecting to hear something else entirely (encore notwithstanding) but who responded to the challenging set with enthusiasm. \u003cbr\u003e\u003cbr\u003eRecorded from mid-January to the beginning of February \u0026amp; released in late March of 1973, Larks’ Tongues in Aspic became one of the most acclaimed of King Crimson’s albums as well as establishing its reputation as a key album from one of rock music’s most significant years. After a handful of further UK concerts, Jamie Muir left the band with the remaining quartet working with ever greater success until Summer 1974 when Fripp placed the band on indefinite hiatus.\u003cbr\u003e\u003cbr\u003eAlmost half a century after its release, Steven Wilson undertook the job of mixing the album for Dolby Atmos, in the process, preparing new stereo \u0026amp; 5.1 mixes. The new stereo mixes are presented on the first LP of this 2LP set and are – no doubt informed by the more adventurous mix techniques allowed by the Atmos process – quite different in approach, more expansive than the earlier mixes as released in 2012, while still retaining and enhancing the core power of the original material.\u003cbr\u003e\u003cbr\u003eWhile Steven was working on this aspect of the material Alex R. Mundy and David Singleton at DGM were mixing every single take of the original studio sessions. These unreleased early takes are presented not as traditionally blended pieces, but with maximum separation, mimicking the experience of sitting in the studio with the individual elements being performed around you. The “Elemental mixes” apply this same approach to the main album takes. An excitingly fresh view on the familiar, with the focus often falling in unusual places, some originally hidden, some unused. Four of the album’s core tracks feature, forming LP2 of the set with extended mixes of Larks’ 1 and Talking Drum joined by Easy Money \u0026amp; Larks’ 2. \u003cbr\u003e\u003cbr\u003eIt’s no coincidence that many of these pieces (all in the case of LP2) became staples of performance for the most recent King Crimson line-ups (2014 – 2021). The material first performed to unsuspecting concert attendees in 1972, first recorded \u0026amp; released in 1973 \u0026amp; beloved of King Crimson fans ever since, has aged remarkably well. \u003cbr\u003e\u003cbr\u003eIn 2023, it still has the capacity to astound the ears.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTRACKLISTING:-\u003cbr\u003e\u003cbr\u003eLP1: 2023 Mixes by Steven Wilson\u003cbr\u003eSide A\u003cbr\u003e1. Larks' Tongues in Aspic, Part One \u003cbr\u003e2. Book of Saturday \u003cbr\u003e3. Exiles \u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e1. Easy Money \u003cbr\u003e2. The Talking Drum \u003cbr\u003e3. Larks' Tongues in Aspic, Part Two\u003cbr\u003e\u003cbr\u003eLP 2: 2023 Elemental Mixes by David Singleton\u003cbr\u003eSide C\u003cbr\u003e1. Larks' Tongues in Aspic, Part One \u003cbr\u003e2. Easy Money \u003cbr\u003e\u003cbr\u003eSide D\u003cbr\u003e1. The Talking Drum \u003cbr\u003e2. Larks' Tongues in Aspic, Part Two\u003c\/p\u003e","brand":"PANEGYRIC","offers":[{"title":"Default Title","offer_id":42761272197276,"sku":"KCLPX2023","price":33.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/image002_2_c8e8f0ff-17d7-4e87-a0ff-b63d49cf75ca.jpg?v=1698170576"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/lasgo-131023.oembed","provider":"Horizons Music","version":"1.0","type":"link"}