{"title":"Lasgo 070826","description":null,"products":[{"product_id":"jododen-cellskracksmemoarer","title":"JoDöden - Cellskräcksmemoarer","description":"\u003cp\u003eFormat: 12\" Album\u003cbr\u003eCatalogue No.: NVP103LP\u003cbr\u003eBarcode: 7350142980313\u003cbr\u003eRelease Date: 07 Aug 2026\u003cbr\u003eGenre: Folk\u003c\/p\u003e\n\u003cp\u003e1 Reflektioner Från Kurkkiovuoma\u003cbr\u003e2 Symfoni Klaustrofobi\u003cbr\u003e3 Applicering Av Norrländskt Vemod\u003cbr\u003e4 Kronisk Konfys\u003cbr\u003e5 Utomkroppslig Metamorfos\u003c\/p\u003e","brand":"Nordvis","offers":[{"title":"Default Title","offer_id":45249643643036,"sku":"NVP103LP","price":22.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/9_87baf651-57d6-49df-850b-952e9a131bd3.webp?v=1756651982"},{"product_id":"ian-dury-4000-weeks-holiday","title":"Ian Dury - 4000 Weeks’ Holiday","description":"\u003cp\u003eCat. no: DEMREC1346\u003cbr\u003eFormat: LP \u003cbr\u003eBarcode: 5014797913615\u003cbr\u003eRelease Date: 07 Aug 2026\u003cbr\u003eGenre: \u003cspan\u003eRock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDemon Records as part of a wider and ongoing catalogue initiative are pleased to be making the album ‘4000 Weeks’ Holiday’ available once more on classic black vinyl, long out of print since 1990 other than within ‘The Vinyl Collection’ Box Set released in 2014.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in 1984, this was the second album released by Polydor and the first and only to be billed to Ian Dury \u0026amp; The Music Students. Songwriting duties were shared between Ian Dury, Russell Hardy, Rod Melvin and a young American songwriter\/multi-instrumentalist Michael McEvoy. Whilst performed by effectively a new line up there were many familiar \u003cbr\u003enames who worked on ‘4000 Weeks’ Holiday’. Though Chas Jankel did not write any of the songs, he did play lead guitar as a guest whilst Ed Speight and Geoff Castle, who had played on Dury's seminal New Boots and Panties!! LP in 1977, guested on guitar and Moog synthesizer. The sessions also featured celebrated reggae\/ska trombone player Rico Rodriguez MBE, whilst most of the recordings were performed by the 'Music Students', made up of McEvoy, Rhys-Jones, drummer Tag Lamche and saxophonist Jamie \u003cbr\u003eTalbot. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe single \"Really Glad You Came\" was released and the band performed on National TV inc The Tube. The album also contains \"Peter the Painter\" written on request from British Pop artist Peter Blake, Dury’s former teacher at London's Royal College of Art. Blake was having an exhibition at The Tate Gallery, London and asked Dury to compose a theme tune for it. \"Peter the Painter\" was that theme tune.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe cover art, one of the last ever designed by Barney Bubbles featured Ian Dury with the Campaign for Nuclear Disarmament (CND) logo (the peace sign) into his hair – in 1984 Ian was an official face for the campaign group in Britain.\u003c\/p\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1 You're My Inspiration\u003cbr\u003e2 Friends\u003cbr\u003e3 Tell Your Daddy\u003cbr\u003e4 Peter The Painter\u003cbr\u003e5 Ban The Bomb\u003cbr\u003eSide 2\u003cbr\u003e6 Percy The Poet\u003cbr\u003e7 Very Personal\u003cbr\u003e8 Take Me To The Cleaners\u003cbr\u003e9 The Man With No Face\u003cbr\u003e10 Really Glad You Came\u003c\/p\u003e","brand":"Demon Records","offers":[{"title":"Default Title","offer_id":46485263483036,"sku":"DEMREC1346","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DEMREC1346_IanDury-4000WH_LP_2D_Pack_Front-Sticker.jpg?v=1772903273"},{"product_id":"al-muirhead-still-cookin-at-90","title":"AL MUIRHEAD - STILL COOKIN' AT 90","description":"\u003cp\u003eFormat: Vinyl \/ 12\" Album\u003cbr\u003eCatalogue No: CR116V\u003cbr\u003eBarcode: 0760137199229\u003cbr\u003eRelease Date: 07 Aug 2026\u003cbr\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eTrack Listing\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDancing On the Ceiling\u003c\/li\u003e\n\u003cli\u003eMy Shining Hour\u003c\/li\u003e\n\u003cli\u003eMoonlight in Vermont\u003c\/li\u003e\n\u003cli\u003eCorcovado\u003c\/li\u003e\n\u003cli\u003eAll the Things You Are\u003c\/li\u003e\n\u003cli\u003eMore Than You Know\u003c\/li\u003e\n\u003cli\u003eI Thought About You\u003c\/li\u003e\n\u003cli\u003eWhat a Wonderful World\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Chronograph Records","offers":[{"title":"Default Title","offer_id":46754017018012,"sku":"CR116V","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0760137199229.jpg?v=1777207131"},{"product_id":"flo-therapy-at-the-club-midnight-blue-lp","title":"FLO - Therapy At The Club [MIDNIGHT BLUE LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: EMIV2156\u003cbr\u003eBarcode: 199957621946\u003cbr\u003eRelease Date: 07 Aug 2026\u003cbr\u003eGenre: Hip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003eFLO’s Sophomore Album Therapy At The Club Is now available to pre-order for July 24th\u003c\/p\u003e\n\u003cp\u003eProduct Spec\u003c\/p\u003e\n\u003cp\u003eNeon Blue vinyl, single outer sleeve, paper inner sleeve, 12\" insert, sticker\u003c\/p\u003e\n\u003cp\u003eFLO are leading the modern revival of the British girl group — and doing so at a scale not seen in over two decades. With over half a billion global streams, the trio have delivered the highest-selling tour by a British girl group in more than 20 years, becoming the first since the Spice Girls to reach that milestone. They are also the first British girl group to receive a Grammy nomination in two decades, alongside three MOBO nominations in 2026, cementing their status as both a commercial and cultural force. Rather than simply revisiting the past, FLO are reshaping the possibilities for what a contemporary girl group can be.\u003c\/p\u003e\n\u003cp\u003eComprised of Renée Downer, Stella Quaresma and Jorja Douglas, FLO’s story is one of intention, craft and deep-rooted connection. The trio had long been aware of one another through theatre school circles, social media and shared creative worlds before coming together as a group in 2019. That early familiarity quickly grew into a sisterhood, shaped behind the scenes through years of studio work, vocal development and trust. Raised by strong single mothers and immersed in performance from a young age, each member brings resilience, emotional intelligence and discipline into the group — qualities that underpin both their sound and their dynamic.\u003c\/p\u003e\n\u003cp\u003eIndividually, FLO’s balance comes from contrast. Renée is the group’s compass: composed, business-minded and creatively precise, grounding the trio with clarity and vision. Stella is the spark and the glue — sociable, emotionally intuitive and collaborative — shaped by a childhood between England and Mozambique where music was communal, expressive and felt. Jorja is the fire: outspoken, instinctive and vocally commanding, with a natural ear for harmony and arrangement. Their roles shift and evolve, but together they form a unit built on mutual respect, honesty and shared authorship.\u003c\/p\u003e\n\u003cp\u003eThat chemistry is central to FLO’s music. Drawing from classic R\u0026amp;B and soul while pushing it forward through modern production, their sound centres vocal harmony, emotional nuance and storytelling that reflects the realities of young womanhood. FLO reject the idea that strength requires emotional distance; instead, they explore power through vulnerability, confidence and control. From independence and self-worth to intimacy and desire, their writing is direct and unapologetically theirs. As Jorja puts it, FLO are “the brains, the heart and the soul” behind everything they do.\u003c\/p\u003e\n\u003cp\u003eThe success of their debut album marked a defining moment — not only for FLO, but for British pop more broadly. It confirmed the appetite for harmony-led, female-fronted groups operating with creative agency, and propelled FLO onto global stages, from sold-out headline tours to major festivals and international television. Along the way they have earned respect from R\u0026amp;B legends and peers alike, performing during Grammy Week for icons including Mariah Carey, Brandy and Chaka Khan, and showcasing their vocal chemistry on NPR’s Tiny Desk — a moment that further underlined the trio’s technical precision and emotional depth.\u003c\/p\u003e\n\u003cp\u003eWith their next chapter, Therapy At The Club, FLO expand this emotional honesty into a fully realised creative universe. The concept reimagines the club not just as a place of nightlife, but as a site of release, confession and self-possession — encompassing the moments before, during and after the night out. From mirror affirmations and pre-game chaos, to late-night Uber conversations, dance-floor catharsis and the clarity of the morning after, Therapy At The Club captures how women process desire, heartbreak, confidence and healing in real time, together. It is both fantasy and reality: cinematic, fashion-led and emotionally raw, grounded in sisterhood as a form of survival.\u003c\/p\u003e\n\u003cp\u003eSonically, the new music leans into dark, euphoric R\u0026amp;B and pop with sharper edges, built on vocal mastery and diaristic storytelling. Lead single “Leak It” sets the tone for the era — playful, charged and unapologetically self-aware — exploring what happens when desire spills over, secrets surface and control is reclaimed. Across the new songs, FLO move fluidly between intimacy and euphoria, turning the club into a space where vulnerability is power and feeling everything is the point.\u003c\/p\u003e\n\u003cp\u003eAs a trio built on discipline, joy and deep creative trust, FLO represent a new model for the British girl group: one rooted in authorship, harmony and cultural impact. Balancing softness with strength and ambition with authenticity, they are shaping the future of R\u0026amp;B and pop on their own terms. FLO are not looking backwards — they are setting the standard for what comes next.\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":46816874922140,"sku":"EMIV2156","price":24.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Front-Cover-Blue-Vinyl.jpg?v=1778076803"},{"product_id":"bill-withers-live-at-carnegie-hall-2lp-coloured","title":"Bill Withers - Live At Carnegie Hall (2LP Coloured)","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: MOVLP432C\u003cbr\u003eBarcode: 8719262041639\u003cbr\u003eRelease Date: 07 Aug 2026\u003cbr\u003eGenre: Soul\u003c\/p\u003e\n\u003cp\u003e180 gram audiophile vinyl\u003cbr\u003eDeluxe sleeve with linen laminate finish\u003cbr\u003eBill Withers' only live album featuring evergreens such as \"Ain't No Sunshine\", \"Lean On Me\", and \"Grandma's Hands\"\u003cbr\u003eAlso contains songs only appearing on this live set such as \"World Keeps Going Around\" and \"I Can't Write Left-Handed\"\u003cbr\u003eRanked #27 on Rolling Stone’s list of 50 Greatest Live Albums of All Time\u003cbr\u003eIncludes 4-page booklet featuring liner notes on Bill Withers written by Ahmir “Questlove” Thompson and reflections by Aloe Blacc\u003cbr\u003eLimited edition of 5000 individually numbered copies on translucent magenta coloured vinyl\u003c\/p\u003e\n\u003cp\u003eBill Withers was a modest, gentle, and yet towering musical figure responsible for some of the most important, universally known soul hits ever written.\u003c\/p\u003e\n\u003cp\u003eIt’s no wonder that “Just the Two of Us” and “Ain’t No Sunshine” won him two Grammy awards and undoubtedly played a huge role in getting him inducted into both the Songwriters and Rock and Roll Hall of Fame.\u003c\/p\u003e\n\u003cp\u003eLive at Carnegie Hall is Withers' only live album, recorded on October 6, 1973 but not released until April 21, 1973.\u003c\/p\u003e\n\u003cp\u003eThe fact that Bill got to play his heartfelt and honest soul at one of the most prestigious venues for both classical and pop music speaks volumes: his first two records Just As I Am and Still Bill were really that influential.\u003c\/p\u003e\n\u003cp\u003eWithers here appears on stage with an ensemble of only the best session musicians the 1970s had to offer: Melvin Dunlap, Ray Jackson, James Gadson, Benorce Blackmon, and Bobbye Hall, at the time one of the few female session percussionists. They all had worked together on Still Bill and had the knack for expanding Bill's intimate songs to fit a hall of that size and stature. And as far as the recording goes, no corners were cut; it really feels like you're up there with them.\u003c\/p\u003e\n\u003cp\u003eThe set features evergreens such as \"Ain't No Sunshine\", \"Lean On Me\", \"Grandma's Hands\", but also tunes that are only available as part of this live set, such as \"World Keeps Going Around\" and \"I Can't Write Left-Handed\".\u003c\/p\u003e\n\u003cp\u003eBill Withers Live at Carnegie Hall is available as a limited edition of 5000 individually numbered copies on translucent magenta coloured vinyl and includes printed inner sleeves and a 4-page booklet featuring liner notes on Bill Withers written by Ahmir “Questlove” Thompson and reflections by Aloe Blacc.\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. Use Me\u003cbr\u003e2. Friend Of Mine\u003cbr\u003e3. Ain't No Sunshine\u003cbr\u003e4. 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Harlem\/Cold Baloney\u003c\/p\u003e","brand":"music on vinyl","offers":[{"title":"Default Title","offer_id":46822901514396,"sku":"MOVLP432C","price":36.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/image006_9ebf8a95-1f84-4c71-9467-f80fe614b6bb.png?v=1778175287"},{"product_id":"various-artists-defected-in-the-house-ibiza-2026-lp","title":"Various Artists - Defected In The House Ibiza 2026 [LP]","description":"\u003cp\u003eCat. no: ITH81LP\u003cbr\u003eFormat: LP\u003cbr\u003eBarcode: 826194715373\u003cbr\u003eRelease Date: 07 Aug 2026\u003cbr\u003eGenre: Dance\u003c\/p\u003e\n\u003cp\u003eCompiled and mixed by Andy Daniell, this very special, limited edition triple mix CD package captures the true sound of a Defected night at Chinois Ibiza this Summer\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith track inclusions from the summer anthems 'Edge of Desire' by Jonas Blue and Fish Go Deep's 'The Cure \u0026amp; The Cause', backed by huge dancefoor hits from Dusky, Route 94, Eliza Rose and John Summit, the three mixes refect the energy and spirit of a night at Defected.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes a 36cm square foldout Defected Pacha Ibiza 2026 poster.\u003c\/p\u003e\n\u003cp\u003eDisc 1\u003cbr\u003eSide 1\u003cbr\u003eA1 . Jonas Blue \u0026amp; Malive - Edge of Desire\u003cbr\u003eA2 . Nick Curly - Underground (Danny P \u0026amp; Caleb Laurenson Remix)\u003cbr\u003eSide 2\u003cbr\u003eB1 . Emanuel Satie - Give It All\u003cbr\u003eB2 . Dam Swindle - Hey Mister\u003cbr\u003eDisc 2\u003cbr\u003eSide 3\u003cbr\u003eC1 . Route 94 - 4Get The Girl\u003cbr\u003eC2 . Jordan Peak - Front 2 Back\u003cbr\u003eSide 4\u003cbr\u003eD1 . Eliza Rose x The Trip - Weekend (L.P. Rhythm Remix)\u003cbr\u003eD2 . The White Lamp - It's You (Ron Basejam Remix)\u003cbr\u003eDisc 3\u003cbr\u003eSide 5\u003cbr\u003eE1 . Groove Armada - Love's Theme\u003cbr\u003eE2 . Paisley Jensen - Work Dat\u003cbr\u003eSide 6\u003cbr\u003eF1 . ANOTR - Stop The Music\u003cbr\u003eF2 . Honey Dijon \u0026amp; Tim K featuring John Mendelsohn - Thunda (Rampa Remix)\u003c\/p\u003e","brand":"Defected","offers":[{"title":"Default Title","offer_id":47049016869020,"sku":"ITH81LP","price":41.97,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_53adf765-2675-47a8-a170-c6e10388eef3.jpg?v=1781264960"},{"product_id":"sidious-malefic-necropolis-coloured-vinyl","title":"Sidious - Malefic Necropolis [Coloured Vinyl]","description":"\u003cp\u003eFormat: 12\" Album Coloured Vinyl\u003cbr\u003eCatalogue No.: IFPV053CS\u003cbr\u003eBarcode: 0786727800436\u003cbr\u003eRelease Date: 07 Aug 2026\u003cbr\u003eGenre: Death\u003c\/p\u003e\n\u003cp\u003e1 Shears of Atropos\u003cbr\u003e2 Rotborn Terror\u003cbr\u003e3 Inversion and Collapse\u003cbr\u003e4 Cosmossuary\u003cbr\u003e5 Grave\u003cbr\u003e6 Crows Atop the Gallows\u003cbr\u003e7 Vortex of Boundless Unlight\u003cbr\u003e8 Sanguineous Art\u003cbr\u003e9 Bloodlust Command Infinite\u003c\/p\u003e","brand":"Immortal Frost Productions","offers":[{"title":"Default Title","offer_id":47137063731356,"sku":"IFPV053CS","price":42.73,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/3_cbbcf85d-0fca-4a31-8a91-44ef9dc18a1f.jpg?v=1782850570"},{"product_id":"various-fully-nowhere-a-world-resources-archive-2lp","title":"Various - Fully Nowhere: A World Resources Archive [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: WOE025LP\u003cbr\u003eBarcode: 5055869552325\u003cbr\u003eRelease Date: 07 Aug 2026\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eWorld Of Echo is proud to announce the release of Fully Nowhere: a World Resources Archive, compiling material drawn from limited lathe 7” singles and LPs released by the Aotearoa\/New Zealand label, World Resources, predominantly across the 1990s. Supplemented by previously unreleased archival recordings, and material drawn from recent sessions, it’s a revelatory listen, a judicious selection of drone, noise pop, fractured electronics and laminal improvisation from the small community of musicians surrounding the legendary Wellington free noise trio, Surface of the Earth, whose membership drove World Resources.\u003cbr\u003eIt’s music that hasn’t found its way into too many ears until now. The World Resources catalogue was both small in its number of releases, and miniscule in edition. The lathe-cuts they released, all made in a record cutting studio in the small Southern Alps town of Geraldine by DIY vinyl manufacturer Peter King, typically didn’t make their way beyond a tiny clutch of devoted collectors – if that. It took the re-release of Surface of the Earth’s 1995 double LP, firstly on CD by Bruce Russell’s Corpus Hermeticum, then again on Utech and finally on vinyl by Black Editions, to draw attention to the body of music made by the World Resources crew. At which point, you may wonder – how to hear this music? The story of the resurrection of World Resources begins, in earnest, with the reappearance of Paul Toohey’s K-Group project in 2017. This, alongside the Black Editions reissue, a small World Resources retrospective exhibition in Hastings, and the subsequent release of contemporary material by Surface of the Earth, K-Group, and Donald Smith’s Destrifan, got things moving. Toohey played a few K-Group shows in Europe in 2019 and 2023, plus an instore at World Of Echo; then there was a Surface of the Earth tour of Europe in 2025.\u003cbr\u003eThe plan for Fully Nowhere was hatched around that World Of Echo show in 2023. It has taken some time to come together, testament both to the attention to detail and deep patience that’s typical of everything World Resources. This is music, and art, that has never felt the need to hurry itself; Surface of the Earth’s recordings are known for their glacial pacing and organic development, three streams of guitar tone (and\/or electronics) slowly coaxed into juxtaposition.\u003cbr\u003eThe real marvel of Fully Nowhere is the breadth of the undertaking and the openness of the music, even though each discrete World Resources release typically explores one space in some detail. It opens with the submerged, indistinct noise of one of Toohey’s solo projects, Gorgecop, the first 7” singles on the label. “They got reviewed by Nick Cain in [NZ fanzine] de\/create,” Toohey recalls. “He said they sounded ‘fully nowhere’.” Even this early, you can hear Toohey’s music developing – the first single is a scrum of battered loops; the second, far more enveloping. “It felt like a bit of a breakthrough, less tentative than earlier efforts, and a nod to the German stuff I liked.”\u003cbr\u003eFrom there, it’s a significant leap into different terrain with Lucky Stars, Donald Smith’s noise pop project. While a few Lucky Stars songs have leaked out during intervening years, via online compilations and the like, it’s a thrill to hear the hermetic melancholy of this music in a focused dose – you can draw some lines between these songs and the Xpressway aesthetic, Shrimper Records, and flying saucer attack, but it has its own, diffident drowsiness.\u003cbr\u003eThere are other projects present here, too: Tony McGurk, the third member of Surface of the Earth, contributes four solo recordings as Sewer; two tracks, “Hospital” and “Smell Of A Man’s Room,” were notionally released on World Resources, though as Toohey recalls, the edition of twenty singles “never made it out of his flat.” The two remaining tracks are more recent, one recorded at the Gaiety Theatre in Wairoa. There are also edits from two releases by New Zealand Guitar Orchestra, where members of Surface of the Earth and Dress (a post-Garbage \u0026amp; The Flowers outfit), along with friends, recorded two free noise albums, The Bad Shed and Skoda. Toohey’s second solo project, K-Group, contributes as well, along with a collaboration between K-Group and NZ home electronics pioneer Omit. Finally, of course, there is the ‘host’ outfit, Surface of the Earth, whose glorious, irradiated, geological drones still feel sublimely oneiric. Hearing this music fall into place, yet still feel wildly out of time, and somehow completely sui generis, it’s not hard to figure why their extant recorded material is held in such high regard. The material here spans decades, from a ‘single edit’ of “Shield”, recorded in the nineties, through to extractions from the trio’s Stepdown Gallery sessions at Hastings Art Centre, in 2024. It’s testament to Surface of the Earth’s intensity and surety of vision that the temporality here is as smudged and eternal as the music.\u003cbr\u003eFully Nowhere is arranged loosely chronologically and ends with a recent piece from Smith’s Destrifan project. In this way, the archive points onward and outward; this music is far from over, the archive lives and breathes. Listening over and over again to this music, in quiet thrall to its renegade spirit, its documentation of the visions of a tight-knit crew of unassuming artists from Wellington, I keep wondering: How did they do this, and how did they know to do it both so neatly, and yet so organically? Fully Nowhere, now here, is a radiance of tone, a blossom of sound, a haze of days.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide A.\u003cbr\u003e1. Gorgecop - Quapa-Extension\u003cbr\u003e2. Gorgecop - Slower Power\u003cbr\u003e3. Gorgecop - Squid\u003cbr\u003e4. Gorgecop - Strontium\u003cbr\u003e5. 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