{"title":"Kudos 13122024","description":"","products":[{"product_id":"various-artists-begging-the-moon-phleng-thai-sakon-luk-krung-1945-1960","title":"Various Artists - Begging the Moon: Phleng Thai Sakon \u0026 Luk Krung, 1945-1960 [Cassette]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: DEATH063\u003cbr\u003eBarcode: 5050580794276\u003cbr\u003eRelease Date: 13 Dec 2024\u003cbr\u003eGenre: World\/Reggae\/Asia\u003c\/p\u003e\n\u003cp\u003e01: It's Not Raining All over the Sky - Somyot Tassanphan\u003cbr data-mce-fragment=\"1\"\u003e02: Deceived - Wongchan Pairot\u003cbr data-mce-fragment=\"1\"\u003e03: Wedding Tomorrow - Ruangthong Thonglantom\u003cbr data-mce-fragment=\"1\"\u003e04: Begging the Moon - Wongchan Pairot\u003cbr data-mce-fragment=\"1\"\u003e05: Touch - Songphan Kwanphoon0\u003cbr data-mce-fragment=\"1\"\u003e06: Majesty Above the Sky - Komin Nilwong\u003cbr data-mce-fragment=\"1\"\u003e07: Look - Poonsak Pattayakosol\u003cbr data-mce-fragment=\"1\"\u003e08: Sorry Letter - Phongsri Woranuch\u003cbr data-mce-fragment=\"1\"\u003e09: Frightening - Phon Pornphakdee\u003cbr data-mce-fragment=\"1\"\u003e10: One Love - Thanongsak Phakdithewa\u003cbr data-mce-fragment=\"1\"\u003e11: Lonely - Wongchan Pairot\u003cbr data-mce-fragment=\"1\"\u003e12: Swan and Crow - Ruangthong Thonglantom \u0026amp; Winai Chulabusapa\u003cbr data-mce-fragment=\"1\"\u003e13: The Farmstead Awaits You - Phongsri Woranuch\u003cbr data-mce-fragment=\"1\"\u003e14: Poor Homeless People - Chen Yenkhae\u003cbr data-mce-fragment=\"1\"\u003e15: Love Me for a Long Time - Nanta Pitanilapalin \u0026amp; Naris Aree\u003cbr data-mce-fragment=\"1\"\u003e16: Beyond Desire - Suwanna Seneewong\u003c\/p\u003e\n\u003cp\u003eBegging the Moon is a collection focused upon an early-to-mid 20th century style of Thai popular song, commonly named Phleng Thai sakon (meaning \"song which is both Thai and universal\"). With recordings taken from the end of WWII until the start of the 1960s, many of these tracks may also be referred to as Luk krung (meaning \"child of the city\") a more urbanised style of popular song that is in contrast to the Thai country music known as Luk thung (\"child of the field\").\u003cbr\u003e\u003cbr\u003eFollowing the Thai cultural revolution of the 1930s and the following reign of west-leaning premier Plaek Phibunsongkhram, Thai culture began to adopt more and more western influences - with Thai traditional and classical music starting to incorporate western notation and particularly Jazz-orientated themes. Thai folk melodies were also adapted to create \"ramwong\" - a merging of popular western dance music styles such as the tango or rumba, spear-headed at the time by the pioneering Suntaraporn band.\u003cbr\u003e\u003cbr\u003eIn the years following the end of WWII, the Phleng Thai sakon began to gradually develop sub-genres such as phleng talad (market songs) or phleng chiwit (life songs) focused on rural topics, and sung with rural accents. A little while later this would lead to a formal demarcation in the music - with the polished and western ballad-orientated music known as Luk krung, and the more traditional\/country style now dubbed Luk thung. The gap between the two would then widen, both musically and culturally, right up to the present day.\u003cbr\u003e\u003cbr\u003eThe recordings compiled here can broadly be categorised as being in the former Luk krung style, though some tracks may touch on rural subjects and motifs. However that is not to say they are overpowered by western musical influence - many of these tracks display potent aspects of traditional Thai music within their beguiling and romantic arrangements.\u003cbr\u003e\u003cbr\u003eThanks to Peter Doolan\/Monrakplengthai.\u003c\/p\u003e","brand":"Death Is Not The End","offers":[{"title":"Default Title","offer_id":42071345922204,"sku":"DEATH063","price":12.6,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_82dd4bc6-d583-41d9-93ce-b4ba028d569b.jpg?v=1665484993"},{"product_id":"omniscence-the-raw-factor","title":"Omniscence - The Raw Factor","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BS0121LP\u003cbr\u003eBarcode: 8718627141212\u003cbr\u003eRelease Date: 13 Dec 2024\u003cbr\u003eGenre: Old School Rap Hip Hop\u003c\/p\u003e\n\u003cp\u003eOriginally scheduled for release way back in March 1996, \"The Raw Factor\" by North Carolina native Omniscence is one of the last of the unreleased mid-90's albums to see the light of day. Despite being awarded The Source's coveted \"Hip Hop Quotable\" and dropping two well-received singles (\"Amazin\" and \"Touch Y'all\"), record label politics meant the full-length \"The Raw Factor\" album was never released and fans were left wondering what might have been.\u003c\/p\u003e\n\u003cp\u003e28 years later, \"The Raw Factor\" is finally being released on vinyl, CD and digital stores. Featuring punchline-driven lyrics from Omniscence delivered in his unmistakable cadence, and backed by head-nodding production from Fanatic, the album is a must-own for fans of 90's Hip Hop.\u003c\/p\u003e\n\u003cp\u003eOmniscence haunted the same early 90's cyphers and stages that many lyrical greats from the era had to cross. With a gruff delivery and equal adeptness with punchlines and metaphors, his high finish at the 1994 edition Battle For World Supremacy at the New Music Seminar assured heads across the culture were watching. After this, Omniscence locked in with producer Fanatic (who also laced tracks for Notorious B.I.G., Ma$e and Michael Jackson). The result was \"The Raw Factor\" album, fifteen plus tracks of jazzed out boom-bap, replete with crackin' drums.\u003c\/p\u003e\n\u003cp\u003eNow Below System Records has not only given the album its first deluxe physical release (including 2xLP, CD and digital) as well as a slew of bonus\/unreleased tracks.\u003c\/p\u003e\n\u003cp\u003e01: Amazin' (Kakalak Remix) - Omniscence\u003cbr\u003e02: Nuff Love - Omniscence\u003cbr\u003e03: Raw Factor - Omniscence\u003cbr\u003e04: This Year (feat. Big Kap) - Omniscence\u003cbr\u003e05: If You Got Beef - Omniscence\u003cbr\u003e06: My Main Man - Omniscence\u003cbr\u003e07: Represent (feat. Lil Kalef) - Omniscence\u003cbr\u003e08: When I Make Parole (feat. Rock of Brick Flava) - Omniscence\u003cbr\u003e09: I'm On Mine - Omniscence\u003cbr\u003e10: Was It Just You - Omniscence\u003cbr\u003e11: We Lust For The Papes - Omniscence\u003cbr\u003e12: I Gotta Maintain - Omniscence\u003cbr\u003e13: Touch Y'all - Omniscence\u003cbr\u003e14: Wrecognize - Omniscence\u003cbr\u003e15: Freestyle After A Philly - Omniscence\u003cbr\u003e16: Touch Y'all (Remix) [feat. Sadat X] - Omniscence\u003cbr\u003e17: Stage Presence (feat. Toz Torcha) - Omniscence\u003cbr\u003e18: Rap vs Crack - Omniscence\u003cbr\u003e19: Turn The Party Out - Omniscence\u003cbr\u003e20: We Live That Shit - Omniscence\u003c\/p\u003e","brand":"Below System Records","offers":[{"title":"Default Title","offer_id":44642930851996,"sku":"BS0121LP","price":34.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_ebda0012-0467-4c94-9f61-4a8814551561.jpg?v=1733829122"},{"product_id":"various-artists-begging-the-moon-phleng-thai-sakon-luk-krung-1945-1960-lp","title":"Various Artists - Begging the Moon: Phleng Thai Sakon \u0026 Luk Krung, 1945-1960 [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DEATH063LP\u003cbr\u003eBarcode: 5050580837591\u003cbr\u003eRelease Date: 13 Dec 2024\u003cbr\u003eGenre: World\/Reggae\/Asia\u003c\/p\u003e\n\u003cp\u003e01: It's Not Raining All over the Sky - Somyot Tassanphan\u003cbr data-mce-fragment=\"1\"\u003e02: Deceived - Wongchan Pairot\u003cbr data-mce-fragment=\"1\"\u003e03: Wedding Tomorrow - Ruangthong Thonglantom\u003cbr data-mce-fragment=\"1\"\u003e04: Begging the Moon - Wongchan Pairot\u003cbr data-mce-fragment=\"1\"\u003e05: Touch - Songphan Kwanphoon0\u003cbr data-mce-fragment=\"1\"\u003e06: Majesty Above the Sky - Komin Nilwong\u003cbr data-mce-fragment=\"1\"\u003e07: Look - Poonsak Pattayakosol\u003cbr data-mce-fragment=\"1\"\u003e08: Sorry Letter - Phongsri Woranuch\u003cbr data-mce-fragment=\"1\"\u003e09: Frightening - Phon Pornphakdee\u003cbr data-mce-fragment=\"1\"\u003e10: One Love - Thanongsak Phakdithewa\u003cbr data-mce-fragment=\"1\"\u003e11: Lonely - Wongchan Pairot\u003cbr data-mce-fragment=\"1\"\u003e12: Swan and Crow - Ruangthong Thonglantom \u0026amp; Winai Chulabusapa\u003cbr data-mce-fragment=\"1\"\u003e13: The Farmstead Awaits You - Phongsri Woranuch\u003cbr data-mce-fragment=\"1\"\u003e14: Poor Homeless People - Chen Yenkhae\u003cbr data-mce-fragment=\"1\"\u003e15: Love Me for a Long Time - Nanta Pitanilapalin \u0026amp; Naris Aree\u003cbr data-mce-fragment=\"1\"\u003e16: Beyond Desire - Suwanna Seneewong\u003c\/p\u003e\n\u003cp\u003eBegging the Moon is a collection focused upon an early-to-mid 20th century style of Thai popular song, commonly named Phleng Thai sakon (meaning \"song which is both Thai and universal\"). With recordings taken from the end of WWII until the start of the 1960s, many of these tracks may also be referred to as Luk krung (meaning \"child of the city\") a more urbanised style of popular song that is in contrast to the Thai country music known as Luk thung (\"child of the field\").\u003cbr\u003e\u003cbr\u003eFollowing the Thai cultural revolution of the 1930s and the following reign of west-leaning premier Plaek Phibunsongkhram, Thai culture began to adopt more and more western influences - with Thai traditional and classical music starting to incorporate western notation and particularly Jazz-orientated themes. Thai folk melodies were also adapted to create \"ramwong\" - a merging of popular western dance music styles such as the tango or rumba, spear-headed at the time by the pioneering Suntaraporn band.\u003cbr\u003e\u003cbr\u003eIn the years following the end of WWII, the Phleng Thai sakon began to gradually develop sub-genres such as phleng talad (market songs) or phleng chiwit (life songs) focused on rural topics, and sung with rural accents. A little while later this would lead to a formal demarcation in the music - with the polished and western ballad-orientated music known as Luk krung, and the more traditional\/country style now dubbed Luk thung. The gap between the two would then widen, both musically and culturally, right up to the present day.\u003cbr\u003e\u003cbr\u003eThe recordings compiled here can broadly be categorised as being in the former Luk krung style, though some tracks may touch on rural subjects and motifs. However that is not to say they are overpowered by western musical influence - many of these tracks display potent aspects of traditional Thai music within their beguiling and romantic arrangements.\u003cbr\u003e\u003cbr\u003eThanks to Peter Doolan\/Monrakplengthai.\u003c\/p\u003e","brand":"Death Is Not The End","offers":[{"title":"Default Title","offer_id":44642962440348,"sku":"DEATH063LP","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_8b027fb8-25bc-4079-9687-a29080773803.jpg?v=1733829510"},{"product_id":"various-artists-debemos-apoyar-lo-que-es-nuestro-punk-sudamericano-1981-1990-cassette","title":"Various Artists - ¡Debemos Apoyar Lo Que Es Nuestro! Punk Sudamericano, 1981-1990 [Cassette]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: DEATH086\u003cbr\u003eBarcode: 5050580838055\u003cbr\u003eRelease Date: 13 Dec 2024\u003cbr\u003eGenre: Old School Punk\u003c\/p\u003e\n\u003cp\u003eAnother cassette-only mixtape in Death Is Not The End's series in partnership with Philadelphia's World Gone Mad, this time surveying South American punk and post-punk between '81 \u0026amp; '90 - featuring bands from Colombia, Peru, Ecuador, Chile, Paraguay, Uruguay and Argentina.\u003c\/p\u003e","brand":"Death Is Not The End","offers":[{"title":"Default Title","offer_id":44642969452700,"sku":"DEATH086","price":13.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_2a7a7abd-d9c3-4aa4-b007-4ce6b2c7d2c1.jpg?v=1733829768"},{"product_id":"hoch-ma-toch-two-neat-geometries-cassette","title":"Hoch Ma Toch - Two Neat Geometries [Cassette]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: NOG016\u003cbr\u003eBarcode: 5050580836303\u003cbr\u003eRelease Date: 13 Dec 2024\u003cbr\u003eGenre: Ambient\u003c\/p\u003e\n\u003cp\u003eHoch Ma Toch is a solo project from Scottish singer and producer Drew Wright. Previously a member of Macca-Talla Nan Creag, he played a central role in creating both their critically acclaimed and sold out albums. Devised in collaboration with Firecracker Records and Forestry Commission Scotland, their project brought to life the shamanic spirit of pre-historic sites through improvised vocals, electronics, ancient instruments and drones. Wright has also released music as Wounded Knee, collaborating with National Galleries of Scotland, Benbecula Records, Distance Records and others.\u003c\/p\u003e\n\u003cp\u003eTwo Neat Geometries is Wright's first release on Old Technology Records and marks a turn from the processed vocals that marked his previous work to a sound based on electronics that takes inspiration from Scottish Poet Norman MacCaig, the wild Scottish outdoors and the spirit of improvisation, among other sources. The album can certainly be described as psychedelic and bewitching, with repeated listens offering layer upon layer of new textures and deeply hidden changes.\u003c\/p\u003e\n\u003cp\u003e“Shimmering and expansive”\u003cbr\u003e— Phonica Records\u003c\/p\u003e\n\u003cp\u003e“An earthily rich and ancient sense of soul.”\u003cbr\u003e— Boomkat\u003c\/p\u003e\n\u003cp\u003e“Immersive, evocative and imaginative.”\u003cbr\u003eMat Anniss — Juno\u003c\/p\u003e\n\u003cp\u003e“It all sounds like an invitation to beam up into a higher realm.”\u003cbr\u003eMat Anniss — Juno\u003c\/p\u003e\n\u003cp\u003e“A shadow world of liquid phaser whips, bubbling bass pads, and vibratory drones.”\u003cbr\u003e— The Sun Lounge\u003c\/p\u003e\n\u003cp\u003e“Digitalised, fragmented, vapourised into the future, like AI particles shot out towards brave new worlds.”\u003cbr\u003eDr Rob — Test Pressing\u003c\/p\u003e\n\u003cp\u003e01: To Win Peaks - Hoch Ma Toch\u003cbr\u003e02: Kukicha - Hoch Ma Toch\u003cbr\u003e03: Milrovian Pursuits - Hoch Ma Toch\u003cbr\u003e04: Two Neat Geometries - Hoch Ma Toch\u003cbr\u003e05: Vagus Nerve - Hoch Ma Toch\u003cbr\u003e06: Doubts \u0026amp; Confusion - Hoch Ma Toch\u003cbr\u003e07: Eviscerate Your Memory - Hoch Ma Toch\u003cbr\u003e08: Skies Benign - Hoch Ma Toch\u003c\/p\u003e","brand":"Old Technology","offers":[{"title":"Default Title","offer_id":44642971222172,"sku":"NOG016","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_b4a518cc-93f5-4463-ac55-e9cbe8ebd581.jpg?v=1733829937"},{"product_id":"sam-annand-cupar-grain-silo","title":"Sam Annand - Cupar Grain Silo","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: BH021V\u003cbr\u003eBarcode: 5050580833432\u003cbr\u003eRelease Date: 13 Dec 2024\u003cbr\u003eGenre: Ambient\u003c\/p\u003e\n\u003cp\u003e'Cupar Grain Silo' is Sam Annand's first release on the Blackford Hill label. Its nine tracks blur the lines between ambient electronica and sonic history, as synthesised melodies and rhythms reverberate through the extreme acoustics of the disused Cupar Grain Silo in Scotland. Built in 1964 as a sugar store, the silo towers 60 metres above the surrounding Fife countryside. Its industrial life was short: in 1971 it was closed, and barring a short period as a grain store, remained empty for decades.\u003c\/p\u003e\n\u003cp\u003eIn 2014, Sam Annand was given access to the silo as part of the Resono project, set up to study a series of highly reverberant locations across Scotland. The ambitious industrial architecture of the Cupar Grain Silo has given the space a reverberation time of 36.5 seconds. This measurement describes the time a sound takes to decay or 'fade away' in a closed space. To put this in perspective, the Cupar Grain Silo reverb time is around three times longer than that in cathedrals like York Minster and St Paul's.\u003c\/p\u003e\n\u003cp\u003e\"The acoustics are immediately noticeable when climbing the ladder into the main chamber\", Sam says. \"The sound of your voice begins to circle around and above you, inviting you to shout, clap and bang objects to excite the space into revealing its intimidating architectural voice.\"\u003c\/p\u003e\n\u003cp\u003eSam began to experiment with musical compositions which responded to the unique acoustics of the silo space. He used impulse responses – a short, sharp sound like a gunshot – to record these acoustics, allowing him to experiment with the silo's reverb in his production. Sam's compositions were performed using a modular synth system, a Roland Juno-6 polyphonic synthesizer and a bowed ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\"Chords can be constructed in time by hanging successive single notes in the air,\" Sam describes, \"The flutter echoes from the immediate cylindrical walls can be used to create bursts of scattering spatial imagery and harmonic blooms, following short percussive moments.\"\u003c\/p\u003e\n\u003cp\u003eOriginally recorded on 21st May 2016, 'Cupar Grain Silo' is now released on 12\" vinyl with an accompanying booklet of imagery and essays. The compositions are at once true to the unique architectural acoustics of the silo whilst also being playful and experimental with the creative possibilities it offered. Arpeggiated melodies ebb and fall across extended call-and-response shapes formed by the silo's reverb; modular drum patterns crackle like dying machinery; whilst bowed drones waver and wash over.\u003c\/p\u003e\n\u003cp\u003e\"We all love reverberation,\" reflects Prof. Peter Stollery, Professor of Composition and Electroacoustic Music at the University of Aberdeen, on the project. \"As kids, we play in it – yelling in forests and caves, surreptitiously dropping objects in huge churches – mouths wide open at the lingering smears of sound which come back to us.\"\u003c\/p\u003e\n\u003cp\u003eIn 'Cupar Grain Silo', Sam Annand has harnessed the extraordinary acoustics of the disused silo to tap into this sense of joy and amazement that reverberation can bring.\u003c\/p\u003e\n\u003cp\u003e01: Juno-6 Chord Progression - Sam Annand\u003cbr\u003e02: Cartesian Sequence Pt. 1 - Sam Annand\u003cbr\u003e03: Cartesian Percussion Pattern - Sam Annand\u003cbr\u003e04: Waveshape Sequence - Sam Annand\u003cbr\u003e05: Bandpass Sequence - Sam Annand\u003cbr\u003e06: Cartesian Sequence Pt. 2 - Sam Annand\u003cbr\u003e07: PWM VCPan - Sam Annand\u003cbr\u003e08: Bowed Instruments - Sam Annand\u003cbr\u003e09: Waveguide Pattern - Sam Annand\u003cbr\u003e\u003c\/p\u003e","brand":"Blackford Hill","offers":[{"title":"Default Title","offer_id":44642973286556,"sku":"BH021V","price":20.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_f69e29f4-46ea-451e-a20f-2a0ed9b27f31.jpg?v=1733830378"},{"product_id":"bottling-house-bottling-house-cassette","title":"Bottling House - Bottling House [Cassette]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: TTW171\u003cbr\u003eBarcode: 5050580833371\u003cbr\u003eRelease Date: 13 Dec 2024\u003cbr\u003eGenre: Ambient\u003c\/p\u003e\n\u003cp\u003e01: I - Bottling House\u003cbr\u003e02: II - Bottling House\u003c\/p\u003e\n\u003cp\u003eWhen the quartet of Luke Martin, Gabriel Salomon, Klaus Janek and Andy Graydon gathered to record an afternoon of sessions in Andy's studio, it was both the result of years of cultivation and an afterthought. Klaus and Andy had been long-time, and now long-distance, collaborators since their shared years in Berlin. That city was also where Andy was introduced to Gabriel at one of his solo performances by their mutual friend, the painter Paul McDevitt. Years passed, and cities. After meeting and working together in Boston, Luke and Andy both found themselves transplanted to Minneapolis. And by happenstance Gabriel arrived a few years later. A new conversation was just starting to emerge when Klaus announced his arrival, stopping by on a North American tour. Suddenly the four got a chance to listen and play together performing on a bill at a local gallery, in one configuration or another, for the first time. Packing up after that show, Klaus leaned over to ask, \"isn't there a moment we could meet again, to play?\"\u003c\/p\u003e\n\u003cp\u003e\"When?\"\u003c\/p\u003e\n\u003cp\u003e\"It would have to be tomorrow.\"\u003c\/p\u003e\n\u003cp\u003e\"I'll be in the studio.\"\u003c\/p\u003e\n\u003cp\u003e\"Where's that?\"\u003c\/p\u003e\n\u003cp\u003e\"Old brewery building, the bottling house.\"\u003c\/p\u003e\n\u003cp\u003eNothing was expected, and so anything was possible. The circumstances lent their gathering an impromptu but grounded feeling, a unique mix of chance encounter and reunion. As befits an opening encounter, the focus was as often on listening to the unfolding sonic conversation as it was on making a recording. Everyone seemed to intuit the direction despite not knowing where they were headed. The four faced each other in a loose circle surrounded by speakers and microphones pointed haphazardly, as likely to catch the dog padding around curiously as the bowing of strings or rattling of a cymbal. The permissive spirit of the day was declared early, just before rolling, when Gabriel asked if we should close the studio windows or leave them open. \"You know what my answer is,\" replied Luke. If it's in the nature of a recording to become fixed, to be bottled up, let us at least leave open the windows to hear what might be coming next.\u003c\/p\u003e\n\u003cp\u003eAndy Graydon is an artist and filmmaker. His work is concerned with natural and social ecologies and with sound and listening as creative practices. His work has been presented internationally including shows at the New Museum; Mass MoCA; Berlinische Galerie, Berlin; Frye Art Museum, Seattle; and the Honolulu Biennial.\u003c\/p\u003e\n\u003cp\u003eKlaus Janek practices composition and performance on double bass and electronics in real time. In his work he searches for the balance between aesthetics and discourse. Klaus has performed at concerts and festivals in the EU, USA, Canada, Japan, Switzerland, Russia, China, Malaysia, Brazil and Rwanda and has collaborated with dance, theatre, sound and radio art and album formats.\u003c\/p\u003e\n\u003cp\u003eLuke Martin is an experimental musician and writer living in Minneapolis. He plays guitar, sine generator and no-input mixing board, often with people in and around the Wandelweiser Group, and is part of the ensembles Ordinary Affects and Short Americans. Luke's work focuses on silence and the relation between music and truth.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGabriel Saloman is an interdisciplinary artist, musician and scholar whose work explores the relationship between noise, protest and power. For over two decades he has performed and recorded experimental music under his own name and in collaborations, performing internationally, composing for film and dance, and producing nearly 100 recordings. His solo work has been released by Beacon Sound, Infinite Grayscale, Miasmah, and Shelter Press. He currently records and performs with transmission artist Anna Friz, and as one half of the allegedly legendary noise duo Yellow Swans.\u003c\/p\u003e","brand":"The Tapeworm","offers":[{"title":"Default Title","offer_id":44642996355228,"sku":"TTW171","price":8.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_6c245158-a816-44a7-9827-1e228b310ef6.jpg?v=1733830764"},{"product_id":"tv-sunsets-ghost-in-a-broken-shell-cassette","title":"TV Sunsets - Ghost In A Broken Shell [Cassette]","description":"\u003cp\u003eFormat: Cassette\u003cbr\u003eCatalogue No.: TTW172\u003cbr\u003eBarcode: 5050580833418\u003cbr\u003eRelease Date: 13 Dec 2024\u003cbr\u003eGenre: Synth Pop\u003c\/p\u003e\n\u003cp\u003e01: Ghost In A Broken Shell (I-IV) - TV Sunsets\u003cbr\u003e02: Ghost In A Broken Shell (V-VIII) - TV Sunsets\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMichał Jan Kozłowski is a post-conceptual artist born in Warsaw, Poland in 1986. He began making music at the beginning of the millennium, founding rockabilly band Flymen, releasing tracks on punk labels and gigging throughout the early decade of the 2000s. Later in London he started an improvised noise duo, Unknown Unknowns, with fellow visual artist James Lander and with those who wish to remain anonymous. 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But with charm; \"Hotel Echo\" echoes and channels earlier insane attempts to dance to farmersmanual. Voices drive the rhythm, underpinned by drones and bleeps. Like a vocal road drill it stays implanted long after it's gone.\u003c\/p\u003e\n\u003cp\u003e\"Delta Charlie\" repairs the damage; the sounds of the sea ally with processed shortwave. Voices gently guide you through the undulation and the drone dispels the haunting of the previous experience.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"The Tapeworm","offers":[{"title":"Default Title","offer_id":44643009527964,"sku":"TTW174","price":8.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_48b39e88-30b2-4972-b60d-285a12077277.jpg?v=1733831429"},{"product_id":"lynda-dawn-11th-hour-1","title":"Lynda Dawn - 11th Hour","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FDR001\u003cbr\u003eBarcode: 5050580841406\u003cbr\u003eRelease Date: 11 Apr 25\u003cbr\u003eGenre: Funk\u003c\/p\u003e\n\u003cp\u003eLondon-based vocalist, songwriter, and producer Lynda Dawn returns with her signature blend of classic soul grooves and contemporary R\u0026amp;B. Since her critically acclaimed debut At First Light (2019) and the collector's-favourite Roses (2021), Lynda has cultivated a loyal following, establishing herself as a notable voice in the UK soul scene.\u003c\/p\u003e\n\u003cp\u003eHer highly anticipated sophomore project 11th Hour, showcases eight tracks that delve into themes of love, transformation, and self-discovery. Led by the groove-laden single Where You Are (produced by Al Dobson Jr.) and the standout title track 11th Hour, the release has already received major support from BBC Radio 6 Music, BBC Radio 1Xtra, Jazz FM, and more. Celebrated with a sold-out headline show at Barbican on October 4th, Dawn continues to attract praise from fans and music icons alike, including Azymuth, Patrice Rushen, Jimmy Jam, and Arthur Verocai.\u003c\/p\u003e\n\u003cp\u003e11th Hour is now available on vinyl, offering a timeless addition for aficionados of funk, soul, and jazz.\u003c\/p\u003e\n\u003cp\u003e01: Cosmic Symphonic (Intro) - Lynda Dawn\u003cbr\u003e02: Where You Are - Lynda Dawn\u003cbr\u003e03: Play Fair - Lynda Dawn\u003cbr\u003e04: Memories (Interlude) - Lynda Dawn\u003cbr\u003e05: Love Is Callin' - Lynda Dawn\u003cbr\u003e06: Do You Dream? - Lynda Dawn\u003cbr\u003e07: 11th Hour - Lynda Dawn\u003cbr\u003e08: Altogether (Reprise) [feat. 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