{"title":"Integral BIS 21MAY2024 1","description":"","products":[{"product_id":"mica-levi-blue-alibi","title":"Mica Levi - Blue Alibi","description":"\u003cp\u003eLabel: N\/A (self-released)\u003cbr data-mce-fragment=\"1\"\u003eCat No: xris02lp\u003cbr data-mce-fragment=\"1\"\u003eUPC: 5060263723493\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 21 May 2024 (back in)\u003cbr\u003eGenre: alternative, experimental\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSpec: Black vinyl in uncoated printed inner sleeve in printed reverse board 3mm spine outer sleeve, retail sticker, download card\u003cbr data-mce-fragment=\"1\"\u003eBoxlot: 20\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eSide A\u003cbr data-mce-fragment=\"1\"\u003e1. Whack (feat. CURL)\u003cbr data-mce-fragment=\"1\"\u003e2. Rose\u003cbr data-mce-fragment=\"1\"\u003e3. Liquorice (feat. Relax Kevin)\u003cbr data-mce-fragment=\"1\"\u003e4. Sticks \u0026amp; Stones (feat. 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Download card insert.\u003c\/p\u003e\n\u003cp\u003eThree years in the making, Netflix’s Yasuke is a six-episode anime series created by Bronx-bred and Japan-based television animation creator, producer, and director LeSean Thomas (Cannon Busters, Children of Ether, The Boondocks) and starring actor \/ executive producer LaKeith Stanfield (Atlanta, Sorry To Bother You) as the voice of the title character. Yasuke tells the story of a samurai warrior of African descent in a fantastical alternate universe version of feudal Japan full of magic, mechs, and of course, swordplay.\u003cbr\u003e\u003cbr\u003eA dream project for the producer, Flying Lotus consulted on the story, working alongside renowned anime creators Studio MAPPA as an executive producer on the project. The skillset of the GRAMMY AWARD winning producer is on complete display on the album, hybridizing synth melodies, bass lines and machine generated drum patterns while exploring new sonic territory -- traditional Japanese percussion instruments like the taiko and hyōshigi and west African percussion — a nod to the Afro-Japanese, feudal yet futuristic world Yasuke inhabits.\u003cbr\u003e\u003cbr\u003e\"You haven't really heard an anime score do a \"Blade Runner\" thing, he says, \"I was like, ‘let me try and get into the headspace of that' but also there were several things that were part of the recipe for me. I thought about when Dilla would sample [Isao] Tomita and people like Vangelis, and how he had a [signature] sound when he did that sort of thing.\"\u003c\/p\u003e","brand":"Warp","offers":[{"title":"Default Title","offer_id":39795401031836,"sku":"WARPLP334","price":21.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/WARP334_Packshot_1400_1_298cbb6a-a9eb-4095-934e-88bf42ef0da4.jpg?v=1619689854"},{"product_id":"autechre-lp5","title":"Autechre - LP5","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 2 x LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: WARPLP66R\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 0801061806613\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 21 May 2024 (back in)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Experimental\/Electronic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSpec: 2 x LP in die cut card inner sleeves, in wide spine outer sleeve with thumb cut and embossed cover, postcard sticker insert, download card insert\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1 Acroyear2\u003cbr\u003e2 777\u003cbr\u003e3 Rae\u003cbr\u003e4 Melve\u003cbr\u003e5 Vose In\u003cbr\u003e6 Fold4,Wrap5\u003cbr\u003e7 Under BOAC\u003cbr\u003e8 Corc\u003cbr\u003e9 Caliper Remote\u003cbr\u003e10 Arch Carrier\u003cbr\u003e11 Drane2\u003c\/p\u003e","brand":"Warp","offers":[{"title":"Default Title","offer_id":41047933812892,"sku":"WARPLP66R","price":28.51,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/AE_LP5.jpg?v=1633686674"},{"product_id":"oren-ambarchi-johan-berthling-andreas-werliin-ghosted","title":"Oren Ambarchi, Johan Berthling, Andreas Werliin - Ghosted","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: DC838\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 0781484083818\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 21 May 2024 (back in)\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e It was November 2018 that Oren Ambarchi, Johan Berthling and Andreas Werliin met at Studio Rymden, in a quiet, pretty suburban district of Stockholm, to make the music that became ‘Ghosted’. They can’t remember exactly when it was made because that time - the when and where that it was recorded - doesn’t really matter anymore. Now the music of ‘Ghosted’ exists in the intention of a shared moment of playing, a clearly delineated time, put forth with a steady flow of small details on bass, guitar and drums, in a remarkable display of rhythmic flexibility within a minimal framework. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Oren and Johan have met many times onstage and off since 2003, with several duo recordings to their credit, as well as additional encounters in the group Fire!  with Mats Gustafsson and drummer Andreas Werliin. A while back, Oren and Johan decided to reconvene in the studio for a furthering of the thought process that they’d come to on the second Ambarchi \/ Berthling collaboration, 2015’s ‘Tongue Tied’. As Andreas had mixed that session, it felt right to have him on kit - he’d already been intimately involved in the process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e The music they all play together in Fire! is, to put it mildly, loud. This session, they sensed an opportunity to explore different dynamics - to tap, perhaps, a shared inner ECM space. Studio Rymden sits on an upper floor of the building it’s located in, and the light coming through the windows was pleasant on that day. They set up, picked out some amps (including the best-sounding Leslie speaker Oren’s ever heard) and got started. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Rooting in the rich tonality and repeating figures of Johan’s acoustic (and sometimes electric) bass, the four tracks that make up ‘Ghosted’ act as variations on a theme, unspooling continuously over the course of 39 minutes with the terse flow of krautrock jams - closely observed percussive riffs and repetitions that build continuously with subtle shifts as they move forward, with the small details flying expansively in and out across the stereo spectrum. Oren’s guitar often sounds with an organ-like tone, with notes of fire and glass wafting out over the percolation and permutation in Johan and Andreas’ rhythms. These men have been playing long enough to, without any real words, shape their improvisations with short- and long-term goals. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Performances that day ranged from almost five minutes to almost sixteen. With an eye toward further expansion, they’d invited the legendary Swedish reed player Christer Bothén, whose knowledge of the guimbri and donso n’goni was incisively shared with the great Don Cherry some fifty years ago. Christer plays donso n’goni on the first track, and his parts sync like cogs in a watch, revolving in fluid coordination with Oren, Johan and Andreas. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Mixed and mastered by Joe Talia at Good Mixture, Berlin, ‘Ghosted’ highlights the intimate dialogue between players, as well as the careful curation of space between them. It is rare to think of silence in relation to music where everyone is constantly playing - and yet, listening to this, we do. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Once it was all done, Pål Dybwik’s misty, nocturnal basketball court images seemed to embody the spirit of the album, while once more steering it in a direction that nobody had stopped to imagine, because this was just something in the air\u003c\/span\u003e\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":41521717543068,"sku":"DC838","price":28.8,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_f68a27b9-7937-4e71-8f2e-549dd581c279.jpg?v=1647633305"},{"product_id":"bitchin-bajas-switched-on-ra-1","title":"Bitchin Bajas - Switched On Ra","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DC851\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0781484085119\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 21 May 2024 (back in)\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003e A year after the cassette-only release of ‘Switched On Ra’, another format has fallen from whatever kind of rare ether Bitchin Bajas occupy when they’re at home. The LP edition of ‘Switched On Ra’ bears all the same riches (only richer of course) in its grooves, adding a lovely screen-printed rendering of the graphics to its larger-than-cassette-cosmos dimensions. \u003cbr\u003e ‘Switched On Ra’ is the outcome of a typical Bajas exercise: pouring some out for the pioneers that came before (as they’ve done with Bitchitronics and their participation in the annual Chicago performance of ‘In C’ over the years). It’s a nice way to get a flow - they play a little of themselves, then some for the pioneers, then a little more for the band. Before long, they’re playing with the inspirations twined, as they can only come from within. \u003cbr\u003e For ‘Switched On Ra’, this meant a deep delve into the song-book of one of their soul-predecessors, Sun Ra, whose music is literally written in the Bajas DNA. Digging into this music sounded wild on paper: the drone synth group taking on the Arkestra harmonies and Ra’s loose grooves? The trick was to get that sense of rhythm to translate across the spectrum, from Ra to Bajas, in a way that worked for them both. \u003cbr\u003e Their rearrangements of the tunes went good - up and down the EQ band, they were finding the round sounds and jagged edges that brought Ra’s music into their own thing. Then at the last minute, there was another twist - why not pay tribute to the Queen herself, and think of the arrangements with a Wendy Carlos vibe? A little side homage? After all, ‘Switched on Bach’ was visionary, bringing analogue synths from the outside all the way into the mainstream in the late 60s - and this take on Ra’s meant to take him to new ears everywhere. \u003cbr\u003e Sun Ra of course was his own kind of original keyboard visionary, using electric keyboards in the late 40s and 50s to fill a role in jazz that had traditionally been played on acoustic piano only. Once he’d done so, he took his writing in directions inspired by the electricity, places no one had thought to go before then. Doing what he did on the keys was a stand for individuality that became the background radiation of his journey through the cosmos; the search for a place beyond earthly dominance. \u003cbr\u003e Bitchin Bajas have been content to dominate in a microtonal world, usually without a single chord to be found anywhere. But here, they step up righteously, their vibe triangulated as they bring Ra’s music forward with some Wendy Carlos style, making an unexpected space for all to thrive. There’s a real feeling of joy as these collected signals bounce off the platter and through the speakers into your space. \u003cbr\u003e To get this unique colloid exactly right, Bitchin Bajas used nineteen different keyboards. They abstained from deploying their arsenal of reed and woodwind instruments: everything had to be on the keys. 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Like A Good Old Friend sees him follow up 2019’s debut album Only Diamonds Cut\u003cbr\u003eDiamonds with a six track EP that effortlessly traverses electronic, dance, alternative and rap influences whilst retaining a playful, carefree attitude.\u003cbr\u003e\u003cbr\u003eVegyn created an impact on a global level through collaborating with Frank Ocean on his seminal Endless and Blonde projects, a partnership that  lives on with Vegyn co-hosting Ocean’s Blonded\u003cbr\u003eshow. Vegyn’s other production credits, collaborations and remixes include Travis Scott, Kali Uchis, Dean Blunt, KUČKA, Duval Timothy,\u003cbr\u003eJohn Glacier, SebastiAn (Ed Banger), Porches. \u003c\/p\u003e\n\u003cp\u003eVinyl Tracklist:\u003cbr\u003eSide A\u003cbr\u003e1. I See You Sometimes (feat. Jeshi)\u003cbr\u003e2. Like A Good Old Friend\u003cbr\u003e3. So Much Time - So Little Time\u003cbr\u003eSide B\u003cbr\u003e4. B4 The Computer Crash\u003cbr\u003e5. Mushroom Abolitionist\u003cbr\u003e6. Sometimes I Feel Like I’m Ruining Songs\u003c\/p\u003e","brand":"PLZ Make It Ruins","offers":[{"title":"Default Title","offer_id":42340540219548,"sku":"PLZ032","price":13.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Vegyn-LikeAGoodOldFriend-Cover_762b60b5-f95d-44bd-a1c2-575d845614e6.jpg?v=1676236550"},{"product_id":"various-artists-artificial-intelligence","title":"Various Artists - Artificial Intelligence","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: WARPLP6R\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5056614700459\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 21 May 2024 (back in)\u003cbr data-mce-fragment=\"1\"\u003eGenre: Balearic\/Downtempo\u003c\/p\u003e\n\u003cp\u003e First time available on vinyl in 30 years.\u003cbr\u003e Includes rare early tracks by Aphex Twin (as The Dice Man), Autechre, Richie Hawtin (as UP!), B12 (as Musicology) and Alex Paterson (The Orb), the latter featuring co-production from Jimmy Cauty (The KLF).\u003cbr\u003e First release in Warp’s 1992 - 1994 ‘Artificial Intelligence’ series that consisted of ‘Artificial Intelligence’, ‘Surfing On Sine Waves’ by Polygon Window, ‘Bytes’ by Black Dog Productions, ‘Electro-Soma’ by B12, ‘Dimension Intrusio’n by F.U.S.E., ‘Ginger’ by Speedy J, ‘Incunabula’ by Autechre, and ‘Artificial Intelligence II’.\u003cbr\u003e Original gatefold sleeve reconstructed by The Designers Republic.\u003cbr\u003e Album re-cut by Beau Thomas at Ten Eight Seven Mastering on classic black wax.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eThe Dice Man - Polygon \u003cbr\u003eWindow\u003cbr\u003eMusicology - Telefone 529\u003cbr\u003eAutechre - Crystal\u003cbr\u003eI.A.O - The Clan\u003cbr\u003eSpeedy J - De-Orbit \u003cbr\u003eMusicology - Premonition\u003cbr\u003eUP! - Spiritual High\u003cbr\u003eAutechre - The Egg\u003cbr\u003eDr Alex Paterson - Loving You Live\u003c\/p\u003e","brand":"Warp","offers":[{"title":"Default Title","offer_id":42538533290140,"sku":"WARPLP6R","price":26.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_3c38b455-7dff-44e9-9523-ce9fba8cd947.jpg?v=1687599808"},{"product_id":"high-llamas-hey-panda-lp","title":"High Llamas - Hey Panda [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DC901\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0781484090113\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 21 May 2024 (back in)\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOpened up by the delirious alchemy of contemporary pop music, Sean O’Hagan leaps back into life with High Llamas, with a set of killer tunes reflecting on dimensional levels how definitions change over time. Arranged by Sean and produced with mix collaborator Fryars to engage the eardrums in non-stop new possibilities, Hey Panda radiates optimism inspired by the joys and sorrows felt in former lifetimes and the diverse conundrums of today alike.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHigh Llamas present Hey Panda - a modern pop music\/deep listening experience that could only issue forth from their personal quadrant of the galaxy. Hey Panda projects soulfully through an enervating abstract of today’s popular music; the sound of the Llamas’ stately melodies and expressive ditties laid open – blissfully shattered – with drums and vocals hitting different, burning sounds and contemporary production twists pulling the ear at every turn.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor the past few decades, High Llamas have trafficked in contemporary pop sounds directed toward the avant end of the spectrum as much as not. But here the message was clear. Llamas’ composer-in-residence Sean O’Hagan was determined to let go. Hey Panda does just that, with a set of tunes reflecting on multiple levels how definitions change over the course of a lifetime, radiating an optimism derived from the diverse conundrums of today.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEight years since their last release, the pop musical Here Come The Rattling Trees, High Llamas have reinvented themselves again, mixing their peerless harmonic voice with what Sean regards as the “extraordinarily good” production sounds of today on Hey Panda.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eChoosing not to look backward to former golden ages celebrated in earlier Llamas eras, Sean’s instead found himself opened up by the sounds of music brought into the house by his adult children and the sounds encountered at sessions for which he’s recently written arrangements. In addition to the more traditional contributions he made to The Coral’s Sea of Mirrors album, plus his score for the Safdie brothers’ 2022 film production, Funny Pages, Sean’s drawn great inspiration through working with Fryars, Rae Morris, King Krule, Pearl and The Oyster, while also soaking up the work of Tierra Whack and Chicago's Pivot Gang, and being cheered on from a distance by longtime admirer Tyler The Creator.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThus, Sean’s producer procedural has evolved again, with upgrades first detected in his 2019 solo effort, Radum Calls, Radum Calls. With a cover of Billie Eilish’s “Wish You Were Gay” arranged for Bill Callahan and Bonnie Prince Billy’s Blind Date Party, along with his COVID-era solo single, “The Wild Are Welcome”, Sean has leveled up again and again, leading to the delirious revelations of Hey Panda.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHey Panda’s wide reach is aided by two co-writes from Bonnie ‘Prince’ Billy, (who bonded with Sean over a shared love of gospel soul during writing sessions), guest vocals from Rae Morris and Sean’s daughter Livvy, production twists from Fryars and the stalwart, flexible presence of High Llamas.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor all of its sense of departure, Hey Panda is a movement in the High Llamas oeuvre that’s been a long time in development. Aspects of soul music were addressed at the time of Can Cladders; similarly, aspects of electronic dance music were in the mix in the late 90s, around the time of Cold and Bouncy. But nothing up to now has refocused the music of High Llamas so completely. Sharing the impulse of late-period Miles Davis and Quincy Jones, with further inspiration from Steve Lacy, SZA, Sault, No Name and Ezra Collective, among many others, Sean O’Hagan and High Llamas are living joyfully in the new and the now, with Hey Panda.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTRACK LISTING\u003cbr data-mce-fragment=\"1\"\u003eHey Panda\u003cbr data-mce-fragment=\"1\"\u003eFall Off the Mountain\u003cbr data-mce-fragment=\"1\"\u003eBade Amey\u003cbr data-mce-fragment=\"1\"\u003eSisters Friends (featuring Rae Morris)\u003cbr data-mce-fragment=\"1\"\u003eHow the Best Was Won (featuring Bonnie \"Prince\" Billy)\u003cbr data-mce-fragment=\"1\"\u003eThe Grade\u003cbr data-mce-fragment=\"1\"\u003eYoga Goat\u003cbr data-mce-fragment=\"1\"\u003eStone Cold Slow\u003cbr data-mce-fragment=\"1\"\u003eToriafan\u003cbr data-mce-fragment=\"1\"\u003eHungriest Man (featuring Bonnie \"Prince\" Billy)\u003cbr data-mce-fragment=\"1\"\u003eThe Water Moves\u003cbr data-mce-fragment=\"1\"\u003eLa Masse (featuring Fryars)\u003c\/span\u003e\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":42856934211740,"sku":"DC901","price":25.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DC9013DPACK.jpg?v=1701116852"},{"product_id":"six-organs-of-admittance-time-is-glass-lp","title":"Six Organs of Admittance - Time is Glass [LP]","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DC869\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 781484086918\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 21 May 2024 (back in)\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock, Experimental, Folk\u003c\/p\u003e\n\u003cp\u003eOnce again, Six Organs of Admittance showcases the intricate tangle of fingers on the fretboard and flash of lens flare slicing the air, as the future arcs 360 degrees around to become a part of the past as well. Oscillations in this glass bowl ripple outward eternally, but are rooted on the ground where all the creatures are moving and communing; humans too. An intimate cosmic expression, file under: rural-industrial psych, ecosystem goth. \u003cbr\u003e\u003cbr\u003ePRESS RELEASE TEXT\u003cbr\u003eWith Time is Glass, Six Organs of Admittance is captured once again in the intricate tangle of the fretboards, soaring in open skies above. Like lens flare cutting through the speakers; spiderwebs cracking the windshield that holds back all the onrushing reality. Blowing the dust away, cutting a new path for cognition. As is always endeavored...\u003cbr\u003e\u003cbr\u003eAfter 20 years of living on the road in different places, Six Organs of Admittance had returned home to Humboldt County — a far country, to some, but still part of the world through which creatures of all kinds are moving through and contributing to. And some of them are human. Alone together — forming connection and exchange out of thought and expression — no different from the people on the other side of the Redwood Curtain. It was there, where Six Organs had long ago emerged, in the name of everything cycling, of circles that spiral concentrically and remain unbroken, the new music was conceived.\u003cbr\u003e\u003cbr\u003eIn moments, it was as if the future had somehow wrapped around 360 degrees; elsewhere, the systems and patterns inside the writing and recording only became evident later — like a recognition that cumulus and nimbus clouds which passed through the sky the day before contained familiar shapes. Informing the songs accordingly as he went, Ben picked up on modes both musical and lyrical, threading backward through the time of Six Organs of Admittance. Almost marinating in it as a way of life. Working on the music and the vocals, then spending some time with them while stepping away from them. Walking the dog and coming back to them. Time is Glass is made of that kind of time. Alone time.\u003cbr\u003e\u003cbr\u003eRecorded in the visceral environs of home, Time is Glass is sharply focused, even as misty impressionist mountains float through the background. Sweet and spiny, “The Mission” sings its purpose, before turning abruptly to the orchestral rumble of “Hephaestus”: rural industrial psychedelia, ecosystem goth, synths arcing to lift a helplessly earthbound community into the firmament above. Winding almost imperceptibly back into song with “Slip Away”, the time of the record becomes clear, moves fluidly, relaxed but aware, from event to event. People and things coming around again. The intuit, passing through wormholes and time, sounding deep then dissolving\u003cbr\u003einto the universal. The acoustic sounds ringing, layered suddenly, then clear again. Explosions of a new kind of distortion. Ecstatic melodies. Communing. The space of a day. The space of a season. Time is Glass, and Six Organs of Admittance is here and will be here, again.\u003cbr\u003e\u003cbr\u003eTrack Listing\u003cbr\u003eThe Mission\u003cbr\u003eHephaestus\u003cbr\u003eSlip Away\u003cbr\u003ePilar\u003cbr\u003eTheophany Song\u003cbr\u003eMy Familiar\u003cbr\u003eSpinning In A River\u003cbr\u003eSummer’s Last Rays\u003cbr\u003eNew Year’s Song\u003cbr\u003e\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":43047144620188,"sku":"DC869","price":22.97,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DC8693DPACKPLAIN.jpg?v=1706500249"},{"product_id":"creation-rebel-rebel-vibrations-lp","title":"Creation Rebel - Rebel Vibrations [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: ONULP158\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 5060263727217\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 21 May 2024 (back in)\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Reggae\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1LP Black Vinyl, printed inner sleeve\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA rare early album by Creation Rebel back in print for the first time since 1979. Rebel Vibrations was originally issued by the pre-On-U Sound label Hitrun. The rhythms stem from one of the first recording sessions organised by maverick producer Adrian Sherwood, taking advantage of ace Jamaican drummer Lincoln “Style” Scott, sticksman for the Roots Radics, visiting the UK for the first time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePairing him up with UK-based players such as Crucial Tony, Lizard Logan, Doctor Pablo and Clifton Morrison, the result is a set of tough and uncompromising dub tunes, or as Sherwood describes it: “a structure of\u003cbr\u003esuppressed rhythms and unique possibilities in sonic space.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRe-cut by Frank Merritt at The Carvery for maximum dynamics. Includes printed inner sleeve with liner notes and archival photo, plus download card for the full album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr data-mce-fragment=\"1\"\u003e1. Rebel Vibration\u003cbr data-mce-fragment=\"1\"\u003e2. Jungle Affair\u003cbr data-mce-fragment=\"1\"\u003e3. Hunger And Strife\u003cbr data-mce-fragment=\"1\"\u003e4. Ian Smith Rock (Dub)\u003cbr data-mce-fragment=\"1\"\u003e5. Diverse Doctor\u003cbr data-mce-fragment=\"1\"\u003e6. Mountain Melody\u003cbr data-mce-fragment=\"1\"\u003e7. Black Lion Dub\u003cbr data-mce-fragment=\"1\"\u003e8. Doctor’s Remedy\u003cbr\u003e\u003c\/p\u003e","brand":"On-U Sound","offers":[{"title":"Default Title","offer_id":43072427294876,"sku":"ONULP158","price":26.14,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/RebelVibrations_Vinyl_Mockup.jpg?v=1707213872"},{"product_id":"oren-ambarchi-johan-berthling-andreas-werliin-ghosted-ii-2lp","title":"Oren Ambarchi, Johan Berthling, Andreas Werliin - Ghosted II [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: DC917\u003cbr\u003eBarcode: 781484091714\u003cbr\u003eRelease Date: 21 May 2024 (back in)\u003cbr\u003eGenre: Modern Classical \/ Jazz\u003c\/p\u003e\n\u003cp\u003eAn utterly unique guitar\/bass\/drums triad: the guitar sounds like anything but a guitar; bass and drums simultaneously insistent and relaxed. Telepathic group-think opens a window to fresh fields of fusion: funk-jazz heads, polyrhythmic skeletons, ambient pastorals, post-kraut drones and shimmering soundtrack reveries. A music of sustained tension and deep atmosphere, marked by subtle, shifting dynamics playing out in an open sound field.\u003cbr\u003e\u003cbr\u003ePRESS RELEASE TEXT\u003cbr\u003eMissing out on that super-chill, uber-jittery minimal groove thing? Let’s get real, real Ghosted again.\u003cbr\u003e\u003cbr\u003eOren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade – and both Johan and Andreas played on Oren’s Live Hubris as well. Oren and Johan began music-making together back in the early aughts – but it wasn’t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it’s time for the “dreaded follow up album”! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.\u003cbr\u003e\u003cbr\u003eJust kidding! As we’ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other’s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.\u003cbr\u003e\u003cbr\u003eThat’s just what they did — and it should be no surprise at all that the new Ambarchi\/ Berthling\/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get together — a further recombination of elements, a new expedition through alternative angles... there’s always more, and incredibly, it’s all improvised, with next-to-nothing prepared going in and minimal overdubs after they’ve laid things down. References are shared in shorthand, with just a single word, like “Santana,” or “Police” acting as working titles for certain pieces on this record (have a guess!). It’s a disservice to call them jams: above and beyond the innate feel of the songs, there’s a strong sense of structure, informed by the band’s communal aesthetic, and edified immeasurably by their time spent in concert the last couple years.\u003cbr\u003e\u003cbr\u003eAs noted at the top, these guys balance their music improbably between a relaxed feel and a nervy resolve, as each member holds down their corner in an open sound field. Making Ghosted II, the band found that there’s a different kind of tension making something for an established project rather than the kind one feels making something for the first time — and they used this new variety, as before, as a kind of fuel — driving their terse minimalism fruit-fully through the process of succumbing to and then transcending guilty pleasures. 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