{"title":"int160623","description":"","products":[{"product_id":"lea-sen-you-of-now-pt-2-white-lp","title":"Léa Sen - You Of Now, Pt. 2 [White LP]","description":"\u003cp\u003eFormat: White LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PTKF1384-3\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0720841138433\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 16 Jun 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003eA1 Dragonfly ʚĭɞ\u003cbr\u003eA2 Again\u003cbr\u003eA3 Luv Him (about u)\u003cbr\u003eB1 (no)\u003cbr\u003eB2 Hellcat\u003c\/p\u003e\n\u003cp\u003eOn her forthcoming EP ‘You Of Now, Pt. 2,’ Léa Sen runs through themes as heavy as they are relatable: quarrel with the self, contradictions, feelings of desire, and more. This new batch of deeply complex and resilient tracks showcase Sen’s extensive sonic palette as a guitarist, singer-songwriter, producer and mixer.\u003cbr\u003e\u003cbr\u003eOften with little more than a few chords gently placed with atmospheric restraint amongst pulsing synths, Sen communicates the peace that comes with knowing that it's ok to not be perfect. Highlights like “Dragonfly ʚĭɞ” and “Luv Him (about u)” explore experiences that are deeply real, confronting head-on the unsavory parts of life and of her own mind. “On this EP, I was just a bit more honest with myself about who I am, and how flawed I am. But no matter how flawed I am, I still care for myself.” she says.\u003cbr\u003e\u003cbr\u003e‘You Of Now, Pt. 2’ follows last year’s ‘You of Now, Pt 1,’ which earned critical acclaim from FADER, The Guardian, Crack Magazine, Dummy, Notion, The Independent and more. Sen has received radio support on BBC 6Music, Radio 1, 1Xtra and Apple Music 1, and a nomination as an AIM Award One To Watch in association with BBC Introducing.\u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":42343440482460,"sku":"PTKF1384-3","price":12.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/01_LEA-SEN_YOU-OF-NOW-PT-2_PRODUCT-MOCKS_FRONT.jpg?v=1676380462"},{"product_id":"emeli-sande-john-grant-the-endless-coloured-ways-the-songs-of-nick-drake-emeli-sande-john-grant","title":"Emeli Sandé \/ John Grant - The Endless Coloured Ways: The Songs of Nick Drake","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 7\" Vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: BRS73lp\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 0810098500098\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Folk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Endless Coloured Ways is a collection of songs by legendary singer\/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range\u003cbr\u003eof different backgrounds, genres, age groups and audiences. From Fontaines D.C to Guy Garvey, and Aurora to Feist, each artist has offered their own incredible take on a timeless classic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracks\u003cbr\u003eSIDE A:\u003cbr\u003e1. One Of These Things First - Emeli Sandé\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr\u003e2. 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Sat here, in 2023, things don’t seem to be getting any better. There's the cost of living crisis and political meltdowns; we're in deep water with global warming and to top it all there’s a war on our doorstep.\u003cbr\u003e\u003cbr\u003eBack in 2018 everything seemed less complicated. Sure, there was stuff to get riled about, but we knew nothing about what was to come. ‘Mr Dynamite’ was a fairground ride into the dark corners of a world that was on the brink of being blitzed in a blender. It was a record teetering on the edge. Five years down the line you’d expect the follow-up, ‘Yawning Abyss’, would double-down and bring the white-knuckled, teeth-gritted fury of the last five years to the boil. And yet…\u003cbr\u003e\u003cbr\u003eA quick recap? No problem. Wrangler + John Grant = Creep Show. And Creep Show? “A band of musical misfits who have found a voice or two,” says Wrangler’s Ben “Benge” Edwards, whose Bond villain studio on the edge of a moorland is Creep Show Grand Central as well as home to an analogue synth arsenal that could sink ships.\u003cbr\u003e\u003cbr\u003eLet’s talk about the new album. What is the ‘Yawning Abyss’? You might well ask. According to Mal, it’s “a cosmic event horizon that I can see from my attic window when stand on a chair”. Yeah. Thanks. “On this album,” offers Benge, feet firmly on the floor, “Wrangler wrangled some vintage synths, mostly Roland, Moog, and the ‘Crystal Machine’ - then John Grant joined in the fun at Memetune Studios where lots of musical experiments were carried out. Then Mal and John ran off to Iceland with the master tapes and recorded a load of madcap vocals. Back at Memetune, me and Phil were left to try and make sense of it all. Which wasn’t hard because what they did in Iceland was totally magnificent.”\u003cbr\u003e\u003cbr\u003eWhere ‘Mr Dynamite’ was menace, a melange of mangled voices, with Grant and Mallinder being heavily treated, pitched up or down, rendering their contributions largely indistinguishable, ‘Yawning Abyss’ takes a more direct approach. You hesitate to say feelgood, but there’s a skip in the step here for sure.\u003cbr\u003e\u003cbr\u003eThe title track plays John Grant’s vocal straight. Completely. It’s good, so very good. Like ‘Axel F’ covered by Vangelis. The delicious shimmering synths of ‘Bungalow’ also plays those Grant pipes with a straight bat. ‘Matinee’ delves into darker very funky territory. With Mal upfront it comes on like ‘The Crackdown’. 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And Creep Show? “A band of musical misfits who have found a voice or two,” says Wrangler’s Ben “Benge” Edwards, whose Bond villain studio on the edge of a moorland is Creep Show Grand Central as well as home to an analogue synth arsenal that could sink ships.\u003cbr\u003e\u003cbr\u003eLet’s talk about the new album. What is the ‘Yawning Abyss’? You might well ask. According to Mal, it’s “a cosmic event horizon that I can see from my attic window when stand on a chair”. Yeah. Thanks. “On this album,” offers Benge, feet firmly on the floor, “Wrangler wrangled some vintage synths, mostly Roland, Moog, and the ‘Crystal Machine’ - then John Grant joined in the fun at Memetune Studios where lots of musical experiments were carried out. Then Mal and John ran off to Iceland with the master tapes and recorded a load of madcap vocals. Back at Memetune, me and Phil were left to try and make sense of it all. 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Available to pre-order from Friday March 31st, these #Danniiversary editions celebrate Neon Nights with new artwork and liner notes, bonus tracks and b-sides, unarchived mixes and a swathe of newly commissioned remixes.\u003cbr\u003e\u003cbr\u003eFirst released in 2003, Neon Nights perfectly captured the dance-pop zeitgeist of its time. Propelled by a veritable pick and mix of the European dance production scene, the album spawned four UK Top 10 smashes with 'Who Do You Love Now?' (No.3), 'Put A Needle On It' (No.7), 'I Begin To Wonder’' (No.2) and 'Don't Wanna Lose This Feeling' (No.5). The album debuted at No.8 on the UK Official Albums Chart and was certified Gold, and in Dannii’s native Australia it was nominated for Best Pop Release at the 2003 ARIA Music Awards.\u003cbr\u003e\u003cbr\u003eAfter Dannii’s previous album Girl had paved a blueprint for pop dance crossovers of the noughties, Dannii had parted ways with her label, and had not released music for almost half a decade. Dannii was philosophical then and now, “I knew the crazy world of music was not always fair, but I also knew I’d had amazing experiences and done a lot of awesome stuff. I didn’t think my music career was going to come back, and that was fine. I just thought: ‘Well, that was it.’”\u003cbr\u003e\u003cbr\u003eOut of the blue, an invite from Pete Tong would provide an unexpected catalyst. As A\u0026amp;R at London Records, Tong asked Dannii to collaborate with Dutch duo Riva on a rework of their club hit ‘Stringer’. The resultant single ‘Who Do You Love Now?’, would be a worldwide smash.\u003cbr\u003e\u003cbr\u003eThe single’s success was infused with the dance energy of Ibiza, with many live gigs at iconic venues that were the start of great friendships with the mega Summer Residence DJs, Carl Cox and Roger Sanchez. 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Available to pre-order from Friday March 31st, these #Danniiversary editions celebrate Neon Nights with new artwork and liner notes, bonus tracks and b-sides, unarchived mixes and a swathe of newly commissioned remixes. \u003cbr\u003e\u003cbr\u003eFirst released in 2003, Neon Nights perfectly captured the dance-pop zeitgeist of its time. Propelled by a veritable pick and mix of the European dance production scene, the album spawned four UK Top 10 smashes with 'Who Do You Love Now?' (No.3), 'Put A Needle On It' (No.7), 'I Begin To Wonder’' (No.2) and 'Don't Wanna Lose This Feeling' (No.5). The album debuted at No.8 on the UK Official Albums Chart and was certified Gold, and in Dannii’s native Australia it was nominated for Best Pop Release at the 2003 ARIA Music Awards. \u003cbr\u003e\u003cbr\u003eAfter Dannii’s previous album Girl had paved a blueprint for pop dance crossovers of the noughties, Dannii had parted ways with her label, and had not released music for almost half a decade. Dannii was philosophical then and now, “I knew the crazy world of music was not always fair, but I also knew I’d had amazing experiences and done a lot of awesome stuff. I didn’t think my music career was going to come back, and that was fine. I just thought: ‘Well, that was it.’”\u003cbr\u003e\u003cbr\u003eOut of the blue, an invite from Pete Tong would provide an unexpected catalyst. As A\u0026amp;R at London Records, Tong asked Dannii to collaborate with Dutch duo Riva on a rework of their club hit ‘Stringer’. The resultant single ‘Who Do You Love Now?’, would be a worldwide smash. \u003cbr\u003e\u003cbr\u003eThe single’s success was infused with the dance energy of Ibiza, with many live gigs at iconic venues that were the start of great friendships with the mega Summer Residence DJs, Carl Cox and Roger Sanchez. Dannii was once again upfront and centre in both pop and club culture. \u003cbr\u003e\u003cbr\u003eDannii was signed up by London Records for an album deal and work on Neon Nights commenced. “With Girl, I was given wings,” Dannii says now of the recording process. “With Neon Nights, I was allowed to fly.” \u003cbr\u003e\u003cbr\u003eWriting and recording sessions saw her flying in and out of Sweden, Paris and London, working with fresh teams like Murlyn and Neïmo, along with longstanding collaborators like Terry Ronald and Ian Masterson and co-writer Karen Poole.\u003cbr\u003e\u003cbr\u003eIn one interview at the time Dannii mentioned that along with the influence of current sounds, artists informing the album included pivotal acts in Dannii’s own musical upbringing, such as Madonna, Scritti Politti and Kraftwerk. \u003cbr\u003e\u003cbr\u003e\"When I first released Neon Nights I was overwhelmed,” Dannii recalls, some twenty years on. “I was running around promoting and it was hard to catch a moment to enjoy it all — but even then, I knew that one day I’d be able to look back on it all, and I’d be able to think: ‘Wow. 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The nominations Dannii received during this period reflected the album’s electronic lineage, including Best Worldwide Single at Dancestar Awards for ‘I Begin to Wonder’, and two nominations at the WMC International Dance Music Awards. \u003cbr\u003e\u003cbr\u003eTo this day, Neon Nights stands up as a compelling set of bonafide dancefloor bangers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDISC 1 - CD \u003cbr\u003ePUT THE NEEDLE ON IT \u003cbr\u003eCREEP \u003cbr\u003eBEGIN TO SPIN ME ROUND \u003cbr\u003eHEY (SO WHAT) \u003cbr\u003eFOR THE RECORD \u003cbr\u003eMIGHTY FINE \u003cbr\u003eON THE LOOP \u003cbr\u003ePUSH \u003cbr\u003eMYSTIFIED \u003cbr\u003eDON’T WANNA LOSE THIS GROOVE \u003cbr\u003eVIBE ON \u003cbr\u003eA PIECE OF TIME \u003cbr\u003eWHO DO YOU LOVE NOW?\u003cbr\u003eIT WON’T WORK OUT \u003cbr\u003eCOME AND GET IT (RADIO VERSION) \u003cbr\u003eBLAME IT ON THE MUSIC \u003cbr\u003eHIDE AND SEEK \u003cbr\u003eNERVOUS \u003cbr\u003eGOODBYE SONG \u003cbr\u003eJUST CAN’T GIVE YOU UP \u003cbr\u003eVIVA L’AMOUR \u003cbr\u003e \u003cbr\u003eDISC 2 - DVD \u003cbr\u003eWHO DO YOU LOVE NOW? \u003cbr\u003ePUT THE NEEDLE ON IT\u003cbr\u003eI BEGIN TO WONDER \u003cbr\u003eDON’T WANNA LOSE THIS FEELING \u003cbr\u003eBEGIN TO SPIN ME ROUND\u003cbr\u003eDON’T WANNA LOSE THIS GROOVE\u003cbr\u003eWHO DO YOU LOVE NOW? (ON TOP OF THE POPS) \u003cbr\u003ePUT THE NEEDLE ON IT (ON TOP OF THE POPS)\u003cbr\u003eI BEGIN TO WONDER (ON TOP OF THE POPS) \u003cbr\u003eDON’T WANNA LOSE THIS FEELING (ON TOP OF THE POPS) \u003cbr\u003eHITS MEDLEY (ON THE CBBC JUNIOR GREAT NORTH RUN PARTY\u003cbr\u003e\u003c\/p\u003e","brand":"London Records","offers":[{"title":"Default Title","offer_id":42421361213596,"sku":"LMS5521940","price":24.02,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/DANNIICDDVDNOBG.png?v=1680035457"},{"product_id":"neu-neu-2-picture-disc","title":"NEU! - NEU ! 2 [Picture Disc]","description":"\u003cp\u003eFormat: LP, Picture Disc\u003cbr\u003eCatalogue No.: LPGRONIIP\u003cbr\u003eBarcode: 5060238639736\u003cbr\u003eRelease Date: 16 Jun 2023\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eFür Immer\u003cbr\u003eSpitzenqualität\u003cbr\u003eGedenkminute (für A+K)\u003cbr\u003eLila Engel (lilac Angel)\u003cbr\u003eNeuschnee 78\u003cbr\u003eSuper 16\u003cbr\u003eNeuschnee\u003cbr\u003eCassetto\u003cbr\u003eSuper 78\u003cbr\u003eHallo Excentrico\u003cbr\u003eSuper\u003c\/p\u003e\n\u003cp\u003eSpecial limited edition picture disc celebrating the 50th anniversary of this legendary record. Must have fan item for all fans of NEU! and Krautrock.\u003c\/p\u003e","brand":"Gronland","offers":[{"title":"Default Title","offer_id":42433127612572,"sku":"LPGRONIIP","price":30.56,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/NEU_2_2023_pictureDISK_packshot.jpg?v=1680539218"},{"product_id":"texas-the-very-best-of-1989-2023-2lp","title":"Texas - The Very Best Of 1989 - 2023 [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: PIASR5167LP\u003cbr\u003eBarcode: 5400863119836\u003cbr\u003eRelease Date: 16 Jun 2023\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eTEXAS - THE VERY BEST OF 1989 – 2023. FEATURING 24 CLASSIC TEXAS TRACKS \u0026amp; INCLUDES THE NEW SINGLES ‘AFTER ALL’ \u0026amp; ‘KEEP ON TALKING’. PRESSED ON DOUBLE BLACK VINYL. THE OUTER SLEEVE IS PRINTED ON STUNNING BESPOKE GOLD COLOUR MIRROR BOARD CARD. THE PRINTED INNER SLEEVES CONTAIN PHOTO COLLAGE WITH FULL LYRICS \u0026amp; CREDITS.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe one with Wu--Tang Clan. The five that were Top 10 singles from one album. The one with Alan Rickman in the video. The one that was an inspired Al Green cover. The two written with diverse titans of American music, Dallas Austin and Gregg Alexander. The one that was remixed by Giorgio Moroder. The une that helped give them their first French Number One album. The segued pair that, according to the woman at the front, makes their live audiences go “absolutely fuckin’ apeshit”. The one with the video directed by Peter Kay. The other one with Wu-Tang Clan. The one that gave them, straight out of the gate, a Top 10 single with their first ever release. The club banger with a killer Donna Summer sample. The one that ended up the theme song to a top-rating American sitcom. And the one recorded last year in Alabama’s legendary Muscle Shoals Fame Studio that lifts the lid on an exciting fresh chapter…\u003cbr\u003e\u003cbr\u003eTexas: The Very Best Of 1989-2023 has all of the above, and more, not least its two brand new tracks.\u003cbr\u003e\u003cbr\u003eUp first as a single is the nailed-on singalong that is After All, a song so stomping that the video features the frontwoman – on drums. Then there’s Keep On Talking, a foot-shuffling cover of the 1965 Northern Soul deep-cut Keep On Talking, written by Dan Penn and Spooner Oldham – and produced by Oldham in Muscle Shoals.\u003cbr\u003e\u003cbr\u003eHere are 24 diamonds from a glittering career, in the year that they’ve been booked for a prestigious Pyramid Stage slot on the opening day of Glastonbury.\u003cbr\u003e\u003cbr\u003eThey are Texas and, 34 years since they recorded I Don’t Want A Lover then watched, gobsmacked, as it reached Number Eight, even they’re surprised at just how many roads the Scottish band have travelled. It was a point brought brilliantly home to Sharleen Spiteri over the last year, as Texas crisscrossed the world on an 11-month tour.\u003cbr\u003e\u003cbr\u003e“You're imagining the audience and you think, oh, it's gonna be old people,” begins the singer and songwriter who’s been leading from the front for a quarter of a century. “And it wasn’t. The real shocker was, there were loads of twentysomethings. Then you forget that when some of our songs came out, they were the kids on the school run. So they would have heard us on the radio. Then there's the new stuff that came out when they were a bit older. So we're getting massively mixed audiences.”\u003cbr\u003e\u003cbr\u003eThe result: “You really couldn't put your finger on what a Texas audience is.”\u003cbr\u003e\u003cbr\u003eTo be fair, the Glaswegians have been playing with those expectations for as long as they’ve been a band. Spiteri recalls the initial response to their radical-seeming collaboration with Wu-Tang Clan on a remix of Say What You Want. In its original form, it was the lead single from 1997’s six times platinum White On Blonde – the band’s fourth album and first UK Number One – and was followed by four more smashes: Halo, Black Eyed Boy, Put Your Arms Around Me and Insane, all included here.\u003cbr\u003e\u003cbr\u003eThat collab with the rap kings of Staten Island took Texas onto the cover of style mag THE FACE, and onto the stage of the 1998 BRIT Awards. “But when we did that, at first people were, like, yeah, whatever, this is some fancy hook-up. It wasn't – and it isn't. The fact is, we stayed friends, and we made a documentary with RZA in 2019.”\u003cbr\u003e\u003cbr\u003eMore than that: they remained in tune, too. During the recording of 2021’s Hi album – which, entering the charts at Number 3, became Texas’s highest-ranking album since 1999’s The Hush – RZA and Ghostface Killah suggested the acts collaborate again. As it happened, Spiteri and songwriting partner Johnny McElhone had written a song that would be perfect for the Wu-Tang, and for the album title. \"The song Hi is quite Morricone with its guitar theme and this idea of these wild west guys coming into town, a little bit badass. And that was totally Wu-Tang.”\u003cbr\u003e\u003cbr\u003eIronically (or, even, unironically), given their name, the band have other American adventures represented on the new compilation. In Demand’s sublime soul was conjured by Texas in Atlanta and Miami with Dallas Austin (that enough US cities and states for one sentence?), the R\u0026amp;B production supremo behind multiple legendary acts including TLC and Boyz II Men.\u003cbr\u003e\u003cbr\u003eTalk about range: also from 2000, the sinuous shimmer of Inner Smile was written with American melodic supremo Gregg Alexander, he of New Radicals’ You Get What You Give (the best American pop song of the ’90s? discuss). For Spiteri, though, those detours were anything but – although she admits that, for OG Texas, they were rock or die.\u003cbr\u003e\u003cbr\u003e“I remember doing Wogan years ago and Ben Elton was standing in for him. Ben reminded me of this when I saw him just before Christmas, but he introduced us as 'pop sensation Texas'. And I went up to him and said: ‘Excuse me, could you please not refer to us as a pop band?’ Now if somebody called us a pop band, I'd be like, fucking rock on mate!\" she laughs.\u003cbr\u003e\u003cbr\u003eThen there was the curious afterlife of So Called Friend. It cut through in America, having such traction that it became the theme tune to Ellen DeGeneres’ hit sitcom Ellen.\u003cbr\u003e\u003cbr\u003eThere’s more screen star power sprinkled across Texas’s back catalogue as represented in The Very Best Of 1989-2023. The video for the aforesaid In Demand features Spiteri’s dear friend, the late, lamented actor Alan Rickman. As for the video for Sleep, the final single from 2005’s Red Book (and another Top 10), it was made by Peter Kay after the comic and Spiteri bonded at the Live 8 all-star concert in Edinburgh.\u003cbr\u003e\u003cbr\u003e“We did it in the club that Phoenix Nights was shot in. And Peter scripted, directed, starred, edited, everything – he did everything on that video on his own. He was phenomenal. A friend for life.” And when Spiteri’s duet partner on that beautiful song, legendary (and legendarily selective) Blue Nile singer Paul Buchanan had opted not to appear in the video, Kay’s a pretty good stand-in, right?\u003cbr\u003e\u003cbr\u003eMeanwhile, across all their albums, Texas were reliably killing it in mainland Europe. Jump On Board (2017) was a chart-topping triumph in France, its ascent aided by the snake-hipped funk of Let’s Work It Out, “which literally you couldn't get off the radio in France”. But, again, what an afterlife. Now, when they perform that song live, complete with Spiteri doing the video’s “stupid dance” (her words, not ours), they go straight into ace Hi cut Mr Haze. That dancefloor classic is rocket-powered by deft deployment of a sample of Donna Summer’s Love's Unkind. Cue, as the woman said, a crowd going Absolutely Fucking Apeshit.\u003cbr\u003e\u003cbr\u003eHow did Texas secure that sample? They called the man himself. Giorgio Moroder had remixed Summer Son (long before his Daft Punk-minted rebirth. Just sayin’), so Spiteri had him on speed-dial. Dr Disco said nessun problema, and Texas had another stormer for their already mighty live set.\u003cbr\u003e\u003cbr\u003e“And then there’s the GBX \u0026amp; Paul Keenan remix of Mr Haze. Pure Glasgow!” hoots Spiteri. “We religiously play it at the end of the show. I love singing that song, I have my full Tina Turner moment!”\u003cbr\u003e\u003cbr\u003eFinally, while we’re on the dancefloor: in another full-circle moment, shout out to two elegant soul covers on The Very Best Of. Texas’s take on Al Green’s Tired of Being Alone was a standalone hit for the band in 1992, and early evidence of the full range of Spiteri’s vocal. Two decades on, they’ve gone back to the well, dipping in for their cover Keep On Talking, with Spooner Oldham on production keys. And there’s more where that came from – watch this Texas-sized space.\u003cbr\u003e\u003cbr\u003eAnd all those, of course, are just some of the highlights studded across this 24-track compilation. But was there no room for that other, more recent moment of showbiz sparkle, on another great cover, from their incredible back catalogue? We’re talking, of course, about Sharleen Spiteri’s Hogmanay duet with Dame Judi Dench on a cover of ABBA’s Waterloo. Talk about viral.\u003cbr\u003e\u003cbr\u003e“Ha ha!” Spiteri laughs gamely. “Oh my God, I was so drunk. She was so drunk! Everybody thinks she was playing the goddamn piano! The piano was playing its fucking self! That's why she's such a good actress! Man, she's so good. She's a lovely person, and so naughty. We'd just had dinner and we came through and that piano was playing, and she jumps on it. The two of us are laughing but we didn't know that someone was filming it. And he put on his Instagram unbeknown to us.\u003cbr\u003e\u003cbr\u003e“We were at lunch the next day, and my phone was vibrating off the hook. I thought somebody had died. My mate is texting: ‘I'm in Mexico and you're on the BBC News!’ I showed it to Judi and she goes: ‘Good God, if only we'd known, we'd have practised!’ She's just wonderful.”\u003cbr\u003e\u003cbr\u003eJudi for Glastonbury!\u003cbr\u003e\u003cbr\u003e“Well, we're hoping to get another surprise for Glastonbury…”\u003cbr\u003e\u003cbr\u003eFinally, then: as Sharleen Spiteri looks back over these tracks of her years, what’s the overall sensation? Satisfaction of a job well done? The best is yet to come?\u003cbr\u003e\u003cbr\u003e“No’ bad for a hairdresser fae Glasgow!” she shoots back, an old joke but still a good one (and a true one). “But I gotta be honest: I still feel like I'm really close to the beginning. And the energy and the vibe between us all – as a band I don't think we've ever been happier, and I don't think we've ever been tighter. And I don't think we've ever been more definite about who we are.”\u003cbr\u003e\u003cbr\u003eWho are they? They are Texas, and they make hits.\u003cbr\u003e\u003c\/p\u003e","brand":"[PIAS] Recordings","offers":[{"title":"Default Title","offer_id":42470076383388,"sku":"PIASR5167LP","price":31.68,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TEXASBESTOF_LP_black_v2.png?v=1682368409"},{"product_id":"texas-the-very-best-of-1989-2023-2cd","title":"Texas - The Very Best Of 1989 - 2023 [2CD]","description":"\u003cp\u003eFormat: 2 x CD\u003cbr\u003eCatalogue No.: PIASR5167CD\u003cbr\u003eBarcode: 5400863119850\u003cbr\u003eRelease Date: 16 Jun 2023\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eTEXAS - THE VERY BEST OF 1989 – 2023. FEATURING 24 CLASSIC TEXAS TRACKS \u0026amp; INCLUDES THE NEW SINGLES ‘AFTER ALL’ \u0026amp; ‘KEEP ON TALKING’. ON 2 X GOLD CD. HOUSED IN STUNNING BESPOKE 6-PANEL GOLD COLOUR MIRROR BOARD DIGISLEVE. INCLUDES A 12 PAGE BOOKLET WITH PHOTO COLLAGE WITH FULL LYRICS \u0026amp; CREDITS.\u003c\/p\u003e\n\u003cp\u003eThe one with Wu--Tang Clan. The five that were Top 10 singles from one album. The one with Alan Rickman in the video. The one that was an inspired Al Green cover. The two written with diverse titans of American music, Dallas Austin and Gregg Alexander. The one that was remixed by Giorgio Moroder. The une that helped give them their first French Number One album. The segued pair that, according to the woman at the front, makes their live audiences go “absolutely fuckin’ apeshit”. The one with the video directed by Peter Kay. The other one with Wu-Tang Clan. The one that gave them, straight out of the gate, a Top 10 single with their first ever release. The club banger with a killer Donna Summer sample. The one that ended up the theme song to a top-rating American sitcom. And the one recorded last year in Alabama’s legendary Muscle Shoals Fame Studio that lifts the lid on an exciting fresh chapter…\u003cbr\u003e\u003cbr\u003eTexas: The Very Best Of 1989-2023 has all of the above, and more, not least its two brand new tracks.\u003cbr\u003e\u003cbr\u003eUp first as a single is the nailed-on singalong that is After All, a song so stomping that the video features the frontwoman – on drums. Then there’s Keep On Talking, a foot-shuffling cover of the 1965 Northern Soul deep-cut Keep On Talking, written by Dan Penn and Spooner Oldham – and produced by Oldham in Muscle Shoals.\u003cbr\u003e\u003cbr\u003eHere are 24 diamonds from a glittering career, in the year that they’ve been booked for a prestigious Pyramid Stage slot on the opening day of Glastonbury.\u003cbr\u003e\u003cbr\u003eThey are Texas and, 34 years since they recorded I Don’t Want A Lover then watched, gobsmacked, as it reached Number Eight, even they’re surprised at just how many roads the Scottish band have travelled. It was a point brought brilliantly home to Sharleen Spiteri over the last year, as Texas crisscrossed the world on an 11-month tour.\u003cbr\u003e\u003cbr\u003e“You're imagining the audience and you think, oh, it's gonna be old people,” begins the singer and songwriter who’s been leading from the front for a quarter of a century. “And it wasn’t. The real shocker was, there were loads of twentysomethings. Then you forget that when some of our songs came out, they were the kids on the school run. So they would have heard us on the radio. Then there's the new stuff that came out when they were a bit older. So we're getting massively mixed audiences.”\u003cbr\u003e\u003cbr\u003eThe result: “You really couldn't put your finger on what a Texas audience is.”\u003cbr\u003e\u003cbr\u003eTo be fair, the Glaswegians have been playing with those expectations for as long as they’ve been a band. Spiteri recalls the initial response to their radical-seeming collaboration with Wu-Tang Clan on a remix of Say What You Want. In its original form, it was the lead single from 1997’s six times platinum White On Blonde – the band’s fourth album and first UK Number One – and was followed by four more smashes: Halo, Black Eyed Boy, Put Your Arms Around Me and Insane, all included here.\u003cbr\u003e\u003cbr\u003eThat collab with the rap kings of Staten Island took Texas onto the cover of style mag THE FACE, and onto the stage of the 1998 BRIT Awards. “But when we did that, at first people were, like, yeah, whatever, this is some fancy hook-up. It wasn't – and it isn't. The fact is, we stayed friends, and we made a documentary with RZA in 2019.”\u003cbr\u003e\u003cbr\u003eMore than that: they remained in tune, too. During the recording of 2021’s Hi album – which, entering the charts at Number 3, became Texas’s highest-ranking album since 1999’s The Hush – RZA and Ghostface Killah suggested the acts collaborate again. As it happened, Spiteri and songwriting partner Johnny McElhone had written a song that would be perfect for the Wu-Tang, and for the album title. \"The song Hi is quite Morricone with its guitar theme and this idea of these wild west guys coming into town, a little bit badass. And that was totally Wu-Tang.”\u003cbr\u003e\u003cbr\u003eIronically (or, even, unironically), given their name, the band have other American adventures represented on the new compilation. In Demand’s sublime soul was conjured by Texas in Atlanta and Miami with Dallas Austin (that enough US cities and states for one sentence?), the R\u0026amp;B production supremo behind multiple legendary acts including TLC and Boyz II Men.\u003cbr\u003e\u003cbr\u003eTalk about range: also from 2000, the sinuous shimmer of Inner Smile was written with American melodic supremo Gregg Alexander, he of New Radicals’ You Get What You Give (the best American pop song of the ’90s? discuss). For Spiteri, though, those detours were anything but – although she admits that, for OG Texas, they were rock or die.\u003cbr\u003e\u003cbr\u003e“I remember doing Wogan years ago and Ben Elton was standing in for him. Ben reminded me of this when I saw him just before Christmas, but he introduced us as 'pop sensation Texas'. And I went up to him and said: ‘Excuse me, could you please not refer to us as a pop band?’ Now if somebody called us a pop band, I'd be like, fucking rock on mate!\" she laughs.\u003cbr\u003e\u003cbr\u003eThen there was the curious afterlife of So Called Friend. It cut through in America, having such traction that it became the theme tune to Ellen DeGeneres’ hit sitcom Ellen.\u003cbr\u003e\u003cbr\u003eThere’s more screen star power sprinkled across Texas’s back catalogue as represented in The Very Best Of 1989-2023. The video for the aforesaid In Demand features Spiteri’s dear friend, the late, lamented actor Alan Rickman. As for the video for Sleep, the final single from 2005’s Red Book (and another Top 10), it was made by Peter Kay after the comic and Spiteri bonded at the Live 8 all-star concert in Edinburgh.\u003cbr\u003e\u003cbr\u003e“We did it in the club that Phoenix Nights was shot in. And Peter scripted, directed, starred, edited, everything – he did everything on that video on his own. He was phenomenal. A friend for life.” And when Spiteri’s duet partner on that beautiful song, legendary (and legendarily selective) Blue Nile singer Paul Buchanan had opted not to appear in the video, Kay’s a pretty good stand-in, right?\u003cbr\u003e\u003cbr\u003eMeanwhile, across all their albums, Texas were reliably killing it in mainland Europe. Jump On Board (2017) was a chart-topping triumph in France, its ascent aided by the snake-hipped funk of Let’s Work It Out, “which literally you couldn't get off the radio in France”. But, again, what an afterlife. Now, when they perform that song live, complete with Spiteri doing the video’s “stupid dance” (her words, not ours), they go straight into ace Hi cut Mr Haze. That dancefloor classic is rocket-powered by deft deployment of a sample of Donna Summer’s Love's Unkind. Cue, as the woman said, a crowd going Absolutely Fucking Apeshit.\u003cbr\u003e\u003cbr\u003eHow did Texas secure that sample? They called the man himself. Giorgio Moroder had remixed Summer Son (long before his Daft Punk-minted rebirth. Just sayin’), so Spiteri had him on speed-dial. Dr Disco said nessun problema, and Texas had another stormer for their already mighty live set.\u003cbr\u003e\u003cbr\u003e“And then there’s the GBX \u0026amp; Paul Keenan remix of Mr Haze. Pure Glasgow!” hoots Spiteri. “We religiously play it at the end of the show. I love singing that song, I have my full Tina Turner moment!”\u003cbr\u003e\u003cbr\u003eFinally, while we’re on the dancefloor: in another full-circle moment, shout out to two elegant soul covers on The Very Best Of. Texas’s take on Al Green’s Tired of Being Alone was a standalone hit for the band in 1992, and early evidence of the full range of Spiteri’s vocal. Two decades on, they’ve gone back to the well, dipping in for their cover Keep On Talking, with Spooner Oldham on production keys. And there’s more where that came from – watch this Texas-sized space.\u003cbr\u003e\u003cbr\u003eAnd all those, of course, are just some of the highlights studded across this 24-track compilation. But was there no room for that other, more recent moment of showbiz sparkle, on another great cover, from their incredible back catalogue? We’re talking, of course, about Sharleen Spiteri’s Hogmanay duet with Dame Judi Dench on a cover of ABBA’s Waterloo. Talk about viral.\u003cbr\u003e\u003cbr\u003e“Ha ha!” Spiteri laughs gamely. “Oh my God, I was so drunk. She was so drunk! Everybody thinks she was playing the goddamn piano! The piano was playing its fucking self! That's why she's such a good actress! Man, she's so good. She's a lovely person, and so naughty. We'd just had dinner and we came through and that piano was playing, and she jumps on it. The two of us are laughing but we didn't know that someone was filming it. And he put on his Instagram unbeknown to us.\u003cbr\u003e\u003cbr\u003e“We were at lunch the next day, and my phone was vibrating off the hook. I thought somebody had died. My mate is texting: ‘I'm in Mexico and you're on the BBC News!’ I showed it to Judi and she goes: ‘Good God, if only we'd known, we'd have practised!’ She's just wonderful.”\u003cbr\u003e\u003cbr\u003eJudi for Glastonbury!\u003cbr\u003e\u003cbr\u003e“Well, we're hoping to get another surprise for Glastonbury…”\u003cbr\u003e\u003cbr\u003eFinally, then: as Sharleen Spiteri looks back over these tracks of her years, what’s the overall sensation? Satisfaction of a job well done? The best is yet to come?\u003cbr\u003e\u003cbr\u003e“No’ bad for a hairdresser fae Glasgow!” she shoots back, an old joke but still a good one (and a true one). “But I gotta be honest: I still feel like I'm really close to the beginning. And the energy and the vibe between us all – as a band I don't think we've ever been happier, and I don't think we've ever been tighter. And I don't think we've ever been more definite about who we are.”\u003cbr\u003e\u003cbr\u003eWho are they? They are Texas, and they make hits.\u003c\/p\u003e","brand":"[PIAS] Recordings","offers":[{"title":"Default Title","offer_id":42470076940444,"sku":"PIASR5167CD","price":9.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/TEXASBESTOF_CD_sq.png?v=1682368427"},{"product_id":"augustus-pablo-pablo-meets-mr-bassie","title":"Augustus Pablo - Pablo Meets Mr. Bassie","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr\u003eCatalogue No.: RT0395S\u003cbr\u003eBarcode: 191402039573\u003cbr\u003eRelease Date: 16 Jun 2023\u003cbr\u003eGenre: Dub\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1978, this version has been remastered and cut by Marco Perry (Bjork, Dennis Bovell, Massive Attack). The 7” will be released on 16th June and is limited to 1,500 copies worldwide.\u003cbr\u003e\u003cbr\u003e“This is the re-release of our second ever Rough Trade single release. Richard Scott was working with us, developing a mail order and then a distribution company, and had deep Jamaican connections as he had been part of the management team for Third World.\u003cbr\u003e\u003cbr\u003eHe made a deal with Joan Higgins, a 15-year-old relative of Augustus Pablo, who worked the Saturday shift in Pablo’s Kingston Record shop. A man called Everton Da Silva was also involved, perhaps as a go between.\u003cbr\u003e\u003cbr\u003eI always maintained this is one of the best ever Rough Trade releases, if not actually the best. One of my very bad jokes is that it was all downhill from this point. In any case it’s a monumental record, and very likely justification for the whole enterprise.” - Geoff Travis, 2023\u003cbr\u003e\u003cbr\u003eTRACKLISTING\u003cbr\u003ePablo Meets Mr. Bassie\u003cbr\u003eMr. Bassie Special!\u003c\/p\u003e","brand":"Rough Trade Records","offers":[{"title":"Default Title","offer_id":42472545452188,"sku":"RT0395S","price":9.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Augustus-Pablo-Product-shot.jpg?v=1682537603"},{"product_id":"sheila-chandra-weaving-my-ancestors-voices-cd","title":"Sheila Chandra - Weaving My Ancestors' Voices [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: CDRW24X\u003cbr\u003eBarcode: 884108012802\u003cbr\u003eRelease Date: 16 Jun 2023\u003cbr\u003eGenre: Techno House\u003c\/p\u003e\n\u003cp\u003eThis pioneering Asian singer explores the territories of her spiritual ancestors. An intensely beautiful album celebrating the first and ultimate instrument – the voice. \u003cbr\u003e\u003cbr\u003eThese re-issues provide a chance for listeners to (re)discover the work of Shelia Chandra, one of the most original and trailblazing artists of her generation.\u003cbr\u003eSheila Chandra’s 1992 debut album for Real World, Weaving My Ancestors’ Voices begins a trilogy that cements her as one of the most accomplished musicians of her generation. Chandra finds the common ground between vocal traditions, to embody the timelessness of the human voice. With this one ubiquitous instrument, she proves to us both the universality of its capacity to express human emotion and the uniqueness of her personal vision. Her self-expression has the capacity to move listeners as much now, and long into the future, just as radically as it did upon its first release.   Includes a reinterpretation of Chandra’s first hit and the seed of her boundary-breaking career, 'Ever So Lonely.' \u003cbr\u003e \u003cbr\u003eAll formats have updated artwork, including new sleeve notes. \u003cbr\u003e\u003cbr\u003e“Already well known to world music connoisseurs, Chandra could also attain modern-rock play with this sharply produced set.” Billboard (USA)\u003cbr\u003e\u003cbr\u003e“This is a breath-taking tapestry of uncommon beauty.” \u003cbr\u003eChicago Tribune (USA)\u003c\/p\u003e\n\u003cp\u003e1. Speaking in Tongues I\u003cbr\u003e2. Dhyana and Donalogue\u003cbr\u003e3a. Nana\u003cbr\u003e3b. The Dreaming\u003cbr\u003e4. Ever So Lonely \/ Eyes \/ Ocean\u003cbr\u003e5. The Enchantment\u003cbr\u003e6. The Call\u003cbr\u003e7. Bhajan\u003cbr\u003e8. Speaking in Tongues II\u003cbr\u003e9. Sacred Stones\u003cbr\u003e10. 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An intensely beautiful album celebrating the first and ultimate instrument – the voice. \u003cbr\u003e\u003cbr\u003eThese re-issues provide a chance for listeners to (re)discover the work of Shelia Chandra, one of the most original and trailblazing artists of her generation.\u003cbr\u003eSheila Chandra’s 1992 debut album for Real World, Weaving My Ancestors’ Voices begins a trilogy that cements her as one of the most accomplished musicians of her generation. Chandra finds the common ground between vocal traditions, to embody the timelessness of the human voice. With this one ubiquitous instrument, she proves to us both the universality of its capacity to express human emotion and the uniqueness of her personal vision. Her self-expression has the capacity to move listeners as much now, and long into the future, just as radically as it did upon its first release.   Includes a reinterpretation of Chandra’s first hit and the seed of her boundary-breaking career, 'Ever So Lonely.' \u003cbr\u003e \u003cbr\u003eAll formats have updated artwork, including new sleeve notes. \u003cbr\u003e\u003cbr\u003e“Already well known to world music connoisseurs, Chandra could also attain modern-rock play with this sharply produced set.” Billboard (USA)\u003cbr\u003e\u003cbr\u003e“This is a breath-taking tapestry of uncommon beauty.” \u003cbr\u003eChicago Tribune (USA)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP\u003cbr\u003eSide A\u003cbr\u003eA1. Speaking in Tongues I\u003cbr\u003eA2. Dhyana and Donalogue\u003cbr\u003eA3a. Nana\u003cbr\u003eA3b. The Dreaming\u003cbr\u003eA4. Ever So Lonely \/ Eyes \/ Ocean\u003cbr\u003eA5. The Enchantment\u003cbr\u003eSide B\u003cbr\u003eB1. The Call\u003cbr\u003eB2. Bhajan\u003cbr\u003eB3. Speaking in Tongues II\u003cbr\u003eB4. Sacred Stones\u003cbr\u003eB5. 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It is a listening experience that attunes us not only to the music contained within the record but to the music of the world around us. A startlingly original examination of the usually taken-for-granted drone itself. \u003c\/p\u003e\n\u003cp\u003eAll formats have updated artwork, including new sleeve notes.\u003c\/p\u003e\n\u003cp\u003eFor Sheila Chandra, the power of the drone holds no limits. \u003cbr\u003eBillboard\u003c\/p\u003e\n\u003cp\u003eA kind of somnambulistic heaven... a quiet kind of beauty \u003cbr\u003eQ Magazine\u003c\/p\u003e\n\u003cp\u003eThe final part of her trilogy, she's produced her bravest album yet. \u003cbr\u003eThe Guardian\u003c\/p\u003e\n\u003cp\u003eChandra has created the DIY album, but you can only get out of it as much as you’re prepared to put in. It’ll leave you speechless.\u003cbr\u003eMOJO\u003c\/p\u003e\n\u003cp\u003eEntrancing: simultaneously eerie and soothing, ancient and modern.\u003cbr\u003eThe Daily Telegraph\u003c\/p\u003e\n\u003cp\u003eABoneCroneDrone 1\u003cbr\u003eABoneCroneDrone 2\u003cbr\u003eABoneCroneDrone 3\u003cbr\u003eABoneCroneDrone 4\u003cbr\u003eABoneCroneDrone 5\u003cbr\u003eABoneCroneDrone 6\u003c\/p\u003e","brand":"Real World","offers":[{"title":"Default Title","offer_id":42474508222620,"sku":"CDRW56X","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ABoneCroneDrone.png?v=1682624245"},{"product_id":"sheila-chandra-abonecronedrone-lp-1","title":"Sheila Chandra - ABoneCroneDrone [LP]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue No.: LPRW56X\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode: 884108012871\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre: Techno House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eABoneCroneDrone is Sheila Chandra’s most radically experimental solo voice work and the closing chapter of her trilogy of albums for Real World.\u003c\/p\u003e\n\u003cp\u003eThese re-issues provide a chance for listeners to (re)discover the work of Shelia Chandra, one of the most original and trailblazing artists of her generation.\u003c\/p\u003e\n\u003cp\u003eSix tracks of pure voice and drone, playing as a seamless suite of encompassing ambience and whispered vocals hinting at the worlds within them, ABoneCroneDrone gives voice to Chandra’s creative world, viewed through the harmonics of the drone. It is a listening experience that attunes us not only to the music contained within the record but to the music of the world around us. A startlingly original examination of the usually taken-for-granted drone itself. \u003c\/p\u003e\n\u003cp\u003eAll formats have updated artwork, including new sleeve notes.\u003c\/p\u003e\n\u003cp\u003eFor Sheila Chandra, the power of the drone holds no limits. \u003cbr\u003eBillboard\u003c\/p\u003e\n\u003cp\u003eA kind of somnambulistic heaven... a quiet kind of beauty \u003cbr\u003eQ Magazine\u003c\/p\u003e\n\u003cp\u003eThe final part of her trilogy, she's produced her bravest album yet. \u003cbr\u003eThe Guardian\u003c\/p\u003e\n\u003cp\u003eChandra has created the DIY album, but you can only get out of it as much as you’re prepared to put in. 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They are both a snapshot of an innovative singer at her highest performative power, as well as a record of an ineffable sound that has yet to be replicated, and likely never will. When we drop the needle on The Zen Kiss we reach ever-closer to that special moment of Chandra giving voice to her innermost music, to her communion between the singer and those of us being sung to. ”I lend the listener my unwavering presence and present-moment attention, my understanding of the musical forms I’m working with, and my skill. But they lend me their hearts.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll formats have updated artwork, including new sleeve notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“With a dexterous tonal range that's as bright as lightning and bold as a summer cloudburst, she weaves a near-climatic spell so lovely and haunting it becomes its own environment.” \u003cbr\u003eBillboard\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. La Sagesse \u003cbr\u003e(Women, I’m Callling You)\u003cbr\u003e2. Speaking in Tongues III\u003cbr\u003e3. Waiting\u003cbr\u003e4. Shehnai Song\u003cbr\u003e5. Love It Is A Killing Thing\u003cbr\u003e6. Speaking in Tongues IV\u003cbr\u003e7. Woman and Child\u003cbr\u003e8. En Mireal del Penal\u003cbr\u003e9. A Sailor's Life\u003cbr\u003e10.Abbess Hildegard\u003cbr\u003e11. 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They are both a snapshot of an innovative singer at her highest performative power, as well as a record of an ineffable sound that has yet to be replicated, and likely never will. When we drop the needle on The Zen Kiss we reach ever-closer to that special moment of Chandra giving voice to her innermost music, to her communion between the singer and those of us being sung to. ”I lend the listener my unwavering presence and present-moment attention, my understanding of the musical forms I’m working with, and my skill. But they lend me their hearts.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll formats have updated artwork, including new sleeve notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“With a dexterous tonal range that's as bright as lightning and bold as a summer cloudburst, she weaves a near-climatic spell so lovely and haunting it becomes its own environment.”\u003cbr\u003eBillboard\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide A\u003cbr\u003eA1. La Sagesse \u003cbr\u003e(Women, I’m Callling You)\u003cbr\u003eA2. Speaking in Tongues III\u003cbr\u003eA3. Waiting\u003cbr\u003eA4. Shehnai Song\u003cbr\u003eA5. Love It Is A Killing Thing\u003cbr\u003eA6. Speaking in Tongues IV\u003cbr\u003eSide B\u003cbr\u003eB1. Woman and Child\u003cbr\u003eB1. En Mireal del Penal\u003cbr\u003eB3. A Sailor's Life\u003cbr\u003eB4. Abbess Hildegard\u003cbr\u003eB5. 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But maybe it’s just that I knew what I wanted to write about from the beginning.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIDE A: \u003cbr\u003eJejune Stars (Companion Version)\u003cbr\u003eFirewall (Companion Version)\u003cbr\u003eWhen You Were Mine \u003cbr\u003eSIDE B: \u003cbr\u003eApproximate Sunlight (Companion Version)\u003cbr\u003eA Machine Spiritual (The People’s Key) (Companion Version)\u003cbr\u003eBeginner’s Mind (Companion Version)\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42485677162652,"sku":"DOC312lp-C1","price":22.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/doc312_1.png?v=1683630358"},{"product_id":"bright-eyes-the-peoples-key-cd","title":"Bright Eyes - The People's Key [CD]","description":"\u003cp\u003e\u003cspan\u003eFormat: CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: DOC298cd\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 0656605159829\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of the things that struck Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. This last wave contains, in Noise Floor, early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in Cassadaga and The People’s Key, the band’s most polished and sophisticated albums. When Bright Eyes toured Cassadega they performed an epic 7 sold-out nights at NYC’s Town Hall. What’s more grown-up rockstar than that? And yet …“Thematically those early songs are not that different than the songs I make now,” Oberst says, shaking his head.\u003cbr\u003e“There’s something affirming and disheartening about it. It’s like, have I really changed or grown? But maybe it’s just that I knew what I wanted to write about from the beginning.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIDE B: \u003cbr\u003eA Machine Spiritual (In The People’s Key)\u003cbr\u003eTriple Spiral\u003cbr\u003eBeginner’s Mind\u003cbr\u003eLadder Song\u003cbr\u003eOne For You, One For Me\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIDE A: \u003cbr\u003eFirewall\u003cbr\u003eShell Games\u003cbr\u003eJejune Stars\u003cbr\u003eApproximate Sunlight \u003cbr\u003eHaile Sellassie \u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42485677326492,"sku":"DOC298cd","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_747bf498-b5ca-4803-ab0c-218ab38ad1a6.jpg?v=1683630465"},{"product_id":"bright-eyes-the-peoples-key-tangerine-orange-vinyl","title":"Bright Eyes - The People's Key [Tangerine Orange Vinyl]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP, Tangerine Orange Vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: DOC298lp-C1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 0656605159836\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of the things that struck Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. This last wave contains, in Noise Floor, early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in Cassadaga and The People’s Key, the band’s most polished and sophisticated albums. When Bright Eyes toured Cassadega they performed an epic 7 sold-out nights at NYC’s Town Hall. What’s more grown-up rockstar than that? And yet …“Thematically those early songs are not that different than the songs I make now,” Oberst says, shaking his head.\u003cbr\u003e“There’s something affirming and disheartening about it. It’s like, have I really changed or grown? 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Not sonically, of course, but conceptually. This last wave contains, in Noise Floor, early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in Cassadaga and The People’s Key, the band’s most polished and sophisticated albums. When Bright Eyes toured Cassadega they performed an epic 7 sold-out nights at NYC’s Town Hall. What’s more grown-up rock-star than that? And yet …“Thematically those early songs are not that different than the songs I make now,” Oberst says, shaking his head. “There’s something affirming and disheartening about it. It’s like, have I really changed or grown? But maybe it’s just that I knew what I wanted to write about from the beginning.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIDE A: \u003cbr\u003eNunca Seré Feliz Otra Vez (Companion Version)\u003cbr\u003eThe Vanishing Act (Companion Version)\u003cbr\u003eSoon You Will Be Leaving Your Man (Companion Version)\u003cbr\u003eSIDE B: \u003cbr\u003e1. Blue Angels Air Show (Companion Version)\u003cbr\u003e2. I Will Be Grateful for this Day (Companion Version)\u003cbr\u003e3. Motion Sickness (Companion Version)\u003cbr\u003e4. I Won’t Ever Be Happy Again (Companion Version)\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42485678211228,"sku":"DOC313lp-C1","price":22.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/doc313_1.png?v=1683630368"},{"product_id":"bright-eyes-noise-floor-rarities-1998-2005-cd","title":"Bright Eyes - Noise Floor (Rarities: 1998-2005) [CD]","description":"\u003cp\u003e\u003cspan\u003eFormat: CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: DOC294cd\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 0656605159423\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre:  Alternative\/Experimental\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of the things that struck Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. This last wave contains, in Noise Floor, early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in Cassadaga and The People’s Key, the band’s most polished and sophisticated albums. When Bright Eyes toured Cassadega they performed an epic 7 sold-out nights at NYC’s Town Hall. What’s more grown-up rock-star than that? And yet …“Thematically those early songs are not that different than the songs I make now,” Oberst says, shaking his head. “There’s something affirming and disheartening about it. It’s like, have I really changed or grown? But maybe it’s just that I knew what I wanted to write about from the beginning.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMirrors and Fevers\u003cbr\u003eI Will Be Grateful for This Day\u003cbr\u003eTrees Get Wheeled Away\u003cbr\u003eDrunk Kid Catholic\u003cbr\u003eSpent on Rainy Days\u003cbr\u003eThe Vanishing Act\u003cbr\u003e\u003cbr\u003eSoon You Will Be Leaving Your Man\u003cbr\u003eBlue Angels Air Show\u003cbr\u003eWeather Reports\u003cbr\u003eSeashell Tale\u003cbr\u003eBad Blood\u003cbr\u003e\u003cbr\u003eAmy in the White Coat\u003cbr\u003eDevil Town\u003cbr\u003eI’ve Been Eating (For You)\u003cbr\u003eHappy Birthday to Me (February 15)\u003cbr\u003eMotion Sickness\u003cbr\u003e\u003cbr\u003eAct of Contrition\u003cbr\u003eHungry For A Holiday\u003cbr\u003eWhen The Curious Girl Realizes She Is Under Glass Again\u003cbr\u003eEntry Way Song\u003cbr\u003eIt’s Cool, We Can Still Be Friends\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42485678473372,"sku":"DOC294cd","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_cdd8aebf-28ab-4e58-8190-ff582fb7fa10.jpg?v=1683630332"},{"product_id":"bright-eyes-noise-floor-rarities-1998-2005-champagne-wave-vinyl-2lp","title":"Bright Eyes - Noise Floor (Rarities: 1998-2005) [Champagne Wave Vinyl 2LP]","description":"\u003cp\u003e\u003cspan\u003eFormat: 2 x LP, Champagne Wave Vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: DOC294lp-C1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 0656605159430\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre:  Alternative\/Experimental\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of the things that struck Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. This last wave contains, in Noise Floor, early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in Cassadaga and The People’s Key, the band’s most polished and sophisticated albums. When Bright Eyes toured Cassadega they performed an epic 7 sold-out nights at NYC’s Town Hall. What’s more grown-up rock-star than that? And yet …“Thematically those early songs are not that different than the songs I make now,” Oberst says, shaking his head. “There’s something affirming and disheartening about it. It’s like, have I really changed or grown? But maybe it’s just that I knew what I wanted to write about from the beginning.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIDE A:\u003cbr\u003eMirrors and Fevers \u003cbr data-mce-fragment=\"1\"\u003eI Will Be Grateful for This Day\u003cbr data-mce-fragment=\"1\"\u003eTrees Get Wheeled Away\u003cbr data-mce-fragment=\"1\"\u003eDrunk Kid Catholic\u003cbr data-mce-fragment=\"1\"\u003eSpent on Rainy Days\u003cbr data-mce-fragment=\"1\"\u003eThe Vanishing Act\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIDE B: \u003cbr\u003eSoon You Will Be Leaving Your Man\u003cbr\u003eBlue Angels Air Show\u003cbr\u003eWeather Reports\u003cbr\u003eSeashell Tale\u003cbr\u003eBad Blood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIDE C: \u003cbr\u003eAmy in the White Coat\u003cbr\u003eDevil Town\u003cbr\u003eI’ve Been Eating (For You)\u003cbr\u003eHappy Birthday to Me (February 15)\u003cbr\u003eMotion Sickness\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIDE D: \u003cbr\u003eAct of Contrition\u003cbr\u003eHungry For A Holiday\u003cbr\u003eWhen The Curious Girl Realizes She Is Under Glass Again\u003cbr\u003eEntry Way Song\u003cbr\u003eIt’s Cool, We Can Still Be Friends\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42485678604444,"sku":"DOC294lp-C1","price":37.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/doc294.mock.LP-c1.jpg?v=1683630203"},{"product_id":"bright-eyes-cassadaga-a-companion-opaque-gold-vinyl","title":"Bright Eyes - Cassadaga: A Companion [Opaque Gold Vinyl]","description":"\u003cp\u003e\u003cspan\u003eFormat: 12\" Vinyl, Opaque Gold Vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: DOC311lp-C1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 0656605161136\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of the things that struck Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. 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Gatefold Remus sleeve with printed inner and marketing sticker. \u003cbr\u003e Picture disc format features the Official Bootleg Edition tracklisting, with two key mash-up versions following the trends of the day. ‘Begin To Spin Me Round’ mashes Dannii’s ‘I Begin To Wonder’ with Dead or Alive’s Number One hit, ‘You Spin Me Round (Like A Record)’. ‘Don’t Wanna Lose This Groove’ mashes Dannii’s ‘Don’t Wanna Lose This Feeling’ with Madonna’s ‘Into The Groove’, her first formally approved sample usage. Features new mash-up artwork by Argentinian graphic artist and collagist Molokid. 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roll.\u003cbr\u003e LP available on red coloured vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eIf I Try To Leave\u003cbr\u003eForgiving Ties\u003cbr\u003eGrey Matter\u003cbr\u003eIf She Could Only See Me \u003cbr\u003eNow\u003cbr\u003eRunning From Love\u003cbr\u003eOnce In A Lifetime\u003cbr\u003eDisgrace\u003cbr\u003eMy Ship\u003cbr\u003eA Light Can Go Out In The Heart\u003cbr\u003eThe Real Thing\u003c\/p\u003e","brand":"ATO (UK)","offers":[{"title":"Default Title","offer_id":42495795757212,"sku":"ATO0642CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_bfe5d470-9264-4e25-a208-6f72de6f63c7.jpg?v=1684518125"},{"product_id":"deer-tick-emotional-contracts-red-coloured-vinyl","title":"Deer Tick - Emotional Contracts [Red coloured vinyl]","description":"\u003cp\u003eFormat: LP, Red\u003cbr\u003eCatalogue No.: ATO0642\u003cbr\u003eBarcode: 0880882552619\u003cbr\u003eRelease Date: 16 Jun 2023\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003e Deer Tick’s first new body of work since 2017, ‘Emotional Contracts’ is their most collaborative to date, and sees all four members operating at peak songwriter power.\u003cbr\u003e Produced by Dave Fridmann, the 10 song set features guest musicians like Steve Berlin (Los Lobos) and background vocals from Courtney Marie Andrews, Vanessa Carlton, Kam Franklin,\u003cbr\u003eAngela Miller, and Sheree Smith. \u003cbr\u003e Deer Tick’s ATO Records debut adds an even greater vitality to their feverish collection of timeless rock \u0026amp; 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You\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Default Title","offer_id":42495798116508,"sku":"WIGLP124X","price":24.46,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_8f92e5c8-1cda-4fbf-8a73-8072a20043ab.jpg?v=1684519010"},{"product_id":"the-kills-midnight-boom-15-year-anniversary-transparent-blue-vinyl","title":"The Kills - Midnight Boom [15 Year Anniversary Transparent Blue vinyl]","description":"\u003cp\u003e\u003cspan\u003eFormat: Coloured Vinyl LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: WIGLP184X\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 0887828018437\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e On ‘Midnight Boom’, The Kills subtly and organically fused pop, glam, blues, art-punk and hip-hop, in a manner that flits between light and dark, funny and morbid, experimental and cute.\u003cbr\u003e 15th anniversary Transparent Blue vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003eU.R.A. Fever\u003cbr\u003eCheap And Cheerful\u003cbr\u003eTape Song\u003cbr\u003eGetting Down\u003cbr\u003eLast Day Of Magic\u003cbr\u003eHook And Line\u003cbr\u003eBlack Balloon\u003cbr\u003eM.E.X.I.C.O.\u003cbr\u003eSour Cherry\u003cbr\u003eAlphabet Pony\u003cbr\u003eWhat New York Used To Be\u003cbr\u003eGoodnight Bad Morning\u003c\/span\u003e\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Default Title","offer_id":42495798149276,"sku":"WIGLP184X","price":24.46,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_4b388e5f-4a3d-4545-9faf-af2ad3c6c3c8.jpg?v=1684519055"},{"product_id":"marcel-dettmann-electric-drive-standard-sleeve","title":"Marcel Dettmann - Electric Drive [Standard Sleeve]","description":"\u003cp\u003e\u003cspan\u003eFormat: 12\" Vinyl \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.:  FRO006\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 5060845322076\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre: Techno\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Following on from the release of his first album in 10 years in 2022, the expansive ‘Fear Of Programming’, Berlin techno icon Marcel Dettmann today returns to announce a brand new EP, ‘Electric Drive’. His first release via fabric Originals, the flagship label from global club entity fabric.\u003cbr\u003e A full-bodied cut of driving, digitised techno, ‘Electric Drive’ thrives on intensity from the outset. Pairing a hypnotic yet truly dynamic synth centrepiece with a hard-hitting, no nonsense percussive line, the track strips Dettmann’s signature sound to its raw elements - presenting an incendiary DJ tool that can ignite the potency of any set by force.\u003cbr\u003e After spanning a host of genres within ‘Fear Of Programming’, Marcel Dettmann’s ‘Electric Drive’ finds one of techno’s most revered names returning to pure dancefloor ferocity. 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Letters to Bach","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: BLV7931\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 3700187679316\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre: Modern Classical\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e The great Israeli singer made a stunning comeback: an album of songs inspired by the music of Bach that she sings with breathtaking grace and virtuosity.\u003cbr\u003e Produced by Quincy Jones, ‘Letters to Bach’ is now available on vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003eThe Race - Invention #1\u003cbr\u003eVertigo - Invention #5\u003cbr\u003eAll of the Angels - Cantata #140\u003cbr\u003eOh, Mama Dear - Invention #13\u003cbr\u003eNo, Baby - 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Jahz Armando\u003cbr\u003eThe Art Of Brutalism\u003cbr\u003eI Can Change feat. Ladybird In Paris\u003cbr\u003eThe Army Band\u003c\/span\u003e\u003c\/p\u003e","brand":"Groenland Records","offers":[{"title":"Default Title","offer_id":42495801852060,"sku":"LPGRON276","price":20.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_ae2c03d6-c396-45bb-9104-f05181facf39.jpg?v=1684519583"},{"product_id":"royal-thunder-rebuilding-the-mountain-lp","title":"Royal Thunder - Rebuilding The Mountain [LP]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: SPINE800023P\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 5401148000238\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre: Rock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Atlanta-based rock trio of Mlny Parsonz (vocals, guitar), Josh Weaver (bass) and Evan Diprima (drums) deliver a powerful build of darting, bluesy riffs and booming, soulful vocals that encapsulate the visceral and spirited sound of Royal Thunder. Their first release since the critically acclaimed ‘WICK’, ‘Rebuilding The Mountain’ is a welcome return for the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Speaking about the upcoming new album, guitarist Josh Weaver says, “it was really a special time writing and working on this record. There were a lot of hardships we had prior to the pandemic and during, as everyone experienced. The band dissolved and toxic behavior became a priority over the music, addiction being the number one factor for things falling apart. We reconnected with our drummer, Evan Diprima, during the pandemic. We agreed that we needed to get our priorities straight and do the band uncompromisingly right, as in right for us. There was a huge void in us, not playing. We started writing our album immediately. We surrendered our heart and soul to each song. It felt good to work hard and create, to have what felt like a second chance to be a band again. We are thankful for the music and the healing it has brought us. We hope that the music will be a source of hope, inspiration, and\u003cbr\u003ehealing to all that hear it.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Alongside the announcement of the new album, the band have released a new music video for a new song lifted from the upcoming album; Fade. The new song is the second single to be released from the upcoming album, following on from The Knife, which was released in November last year. Speaking about one of the new songs, ‘Fade’, vocalist \/ bassist Mlny Parsonz shared, “‘Fade’ is a reminder to me that despite the exchange of positive and negative energy, we can heal all of our connections. We don’t have to live with our pain, we have the power to change how we interact with it and others.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Recorded at West End Sound in Atlanta, ‘Rebuilding The Mountain’ was engineered by Tom Tapley and Miles Landrum and co-produced by Royal Thunder and Tom Tapley. It marks the first time the band have recorded live in the studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Available on CD, a choice of Beige or Gold coloured vinyl LP, or black vinyl LP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003eDrag Me\u003cbr\u003eThe Knife\u003cbr\u003eNow Here No Where\u003cbr\u003eTwice\u003cbr\u003ePull\u003cbr\u003eLive To Live\u003cbr\u003eMy Ten\u003cbr\u003eFade\u003cbr\u003eThe King\u003cbr\u003eDead Star\u003c\/span\u003e\u003c\/p\u003e","brand":"Spinefarm","offers":[{"title":"Default Title","offer_id":42495805259932,"sku":"SPINE800023P","price":23.04,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_7f493ba3-a335-41f9-a311-3dab51125ee5.jpg?v=1684520064"},{"product_id":"royal-thunder-rebuilding-the-mountain-ltd-edition-gold-coloured-vinyl","title":"Royal Thunder - Rebuilding The Mountain [Ltd Edition Gold coloured vinyl]","description":"\u003cp\u003e\u003cspan\u003eFormat: Coloured Vinyl LP (Gold)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: SPINE800025P\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 5401148000252\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre: Rock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Atlanta-based rock trio of Mlny Parsonz (vocals, guitar), Josh Weaver (bass) and Evan Diprima (drums) deliver a powerful build of darting, bluesy riffs and booming, soulful vocals that encapsulate the visceral and spirited sound of Royal Thunder. Their first release since the critically acclaimed ‘WICK’, ‘Rebuilding The Mountain’ is a welcome return for the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Speaking about the upcoming new album, guitarist Josh Weaver says, “it was really a special time writing and working on this record. There were a lot of hardships we had prior to the pandemic and during, as everyone experienced. The band dissolved and toxic behavior became a priority over the music, addiction being the number one factor for things falling apart. We reconnected with our drummer, Evan Diprima, during the pandemic. We agreed that we needed to get our priorities straight and do the band uncompromisingly right, as in right for us. There was a huge void in us, not playing. We started writing our album immediately. We surrendered our heart and soul to each song. It felt good to work hard and create, to have what felt like a second chance to be a band again. We are thankful for the music and the healing it has brought us. We hope that the music will be a source of hope, inspiration, and\u003cbr\u003ehealing to all that hear it.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Alongside the announcement of the new album, the band have released a new music video for a new song lifted from the upcoming album; Fade. The new song is the second single to be released from the upcoming album, following on from The Knife, which was released in November last year. Speaking about one of the new songs, ‘Fade’, vocalist \/ bassist Mlny Parsonz shared, “‘Fade’ is a reminder to me that despite the exchange of positive and negative energy, we can heal all of our connections. We don’t have to live with our pain, we have the power to change how we interact with it and others.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Recorded at West End Sound in Atlanta, ‘Rebuilding The Mountain’ was engineered by Tom Tapley and Miles Landrum and co-produced by Royal Thunder and Tom Tapley. It marks the first time the band have recorded live in the studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Available on CD, a choice of Beige or Gold coloured vinyl LP, or black vinyl LP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003eDrag Me\u003cbr\u003eThe Knife\u003cbr\u003eNow Here No Where\u003cbr\u003eTwice\u003cbr\u003ePull\u003cbr\u003eLive To Live\u003cbr\u003eMy Ten\u003cbr\u003eFade\u003cbr\u003eThe King\u003cbr\u003eDead Star\u003c\/span\u003e\u003c\/p\u003e","brand":"Spinefarm","offers":[{"title":"Default Title","offer_id":42495805292700,"sku":"SPINE800025P","price":33.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_7a249963-6cca-43c6-9f48-196f2d73289c.png?v=1684520147"},{"product_id":"royal-thunder-rebuilding-the-mountain-ltd-edition-beige-coloured-vinyl","title":"Royal Thunder - Rebuilding The Mountain [Ltd Edition Beige coloured vinyl]","description":"\u003cp\u003e\u003cspan\u003eFormat: Coloured Vinyl LP (Beige) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: SPINE800024P\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 5401148000245\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre: Rock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Atlanta-based rock trio of Mlny Parsonz (vocals, guitar), Josh Weaver (bass) and Evan Diprima (drums) deliver a powerful build of darting, bluesy riffs and booming, soulful vocals that encapsulate the visceral and spirited sound of Royal Thunder. Their first release since the critically acclaimed ‘WICK’, ‘Rebuilding The Mountain’ is a welcome return for the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Speaking about the upcoming new album, guitarist Josh Weaver says, “it was really a special time writing and working on this record. There were a lot of hardships we had prior to the pandemic and during, as everyone experienced. The band dissolved and toxic behavior became a priority over the music, addiction being the number one factor for things falling apart. We reconnected with our drummer, Evan Diprima, during the pandemic. We agreed that we needed to get our priorities straight and do the band uncompromisingly right, as in right for us. There was a huge void in us, not playing. We started writing our album immediately. We surrendered our heart and soul to each song. It felt good to work hard and create, to have what felt like a second chance to be a band again. We are thankful for the music and the healing it has brought us. We hope that the music will be a source of hope, inspiration, and\u003cbr\u003ehealing to all that hear it.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Alongside the announcement of the new album, the band have released a new music video for a new song lifted from the upcoming album; Fade. The new song is the second single to be released from the upcoming album, following on from The Knife, which was released in November last year. Speaking about one of the new songs, ‘Fade’, vocalist \/ bassist Mlny Parsonz shared, “‘Fade’ is a reminder to me that despite the exchange of positive and negative energy, we can heal all of our connections. We don’t have to live with our pain, we have the power to change how we interact with it and others.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Recorded at West End Sound in Atlanta, ‘Rebuilding The Mountain’ was engineered by Tom Tapley and Miles Landrum and co-produced by Royal Thunder and Tom Tapley. It marks the first time the band have recorded live in the studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Available on CD, a choice of Beige or Gold coloured vinyl LP, or black vinyl LP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003eDrag Me\u003cbr\u003eThe Knife\u003cbr\u003eNow Here No Where\u003cbr\u003eTwice\u003cbr\u003ePull\u003cbr\u003eLive To Live\u003cbr\u003eMy Ten\u003cbr\u003eFade\u003cbr\u003eThe King\u003cbr\u003eDead Star\u003c\/span\u003e\u003c\/p\u003e","brand":"Spinefarm","offers":[{"title":"Default Title","offer_id":42495805325468,"sku":"SPINE800024P","price":24.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_a0afc3fa-ba15-4318-9b04-621ee6c2be25.jpg?v=1684520238"},{"product_id":"royal-thunder-rebuilding-the-mountain-cd","title":"Royal Thunder - Rebuilding The Mountain [CD]","description":"\u003cp\u003e\u003cspan\u003eFormat: CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCatalogue No.: SPINE800022P\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eBarcode: 5401148000221\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGenre: Rock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Atlanta-based rock trio of Mlny Parsonz (vocals, guitar), Josh Weaver (bass) and Evan Diprima (drums) deliver a powerful build of darting, bluesy riffs and booming, soulful vocals that encapsulate the visceral and spirited sound of Royal Thunder. Their first release since the critically acclaimed ‘WICK’, ‘Rebuilding The Mountain’ is a welcome return for the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Speaking about the upcoming new album, guitarist Josh Weaver says, “it was really a special time writing and working on this record. There were a lot of hardships we had prior to the pandemic and during, as everyone experienced. The band dissolved and toxic behavior became a priority over the music, addiction being the number one factor for things falling apart. We reconnected with our drummer, Evan Diprima, during the pandemic. We agreed that we needed to get our priorities straight and do the band uncompromisingly right, as in right for us. There was a huge void in us, not playing. We started writing our album immediately. We surrendered our heart and soul to each song. It felt good to work hard and create, to have what felt like a second chance to be a band again. We are thankful for the music and the healing it has brought us. We hope that the music will be a source of hope, inspiration, and\u003cbr\u003ehealing to all that hear it.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Alongside the announcement of the new album, the band have released a new music video for a new song lifted from the upcoming album; Fade. The new song is the second single to be released from the upcoming album, following on from The Knife, which was released in November last year. Speaking about one of the new songs, ‘Fade’, vocalist \/ bassist Mlny Parsonz shared, “‘Fade’ is a reminder to me that despite the exchange of positive and negative energy, we can heal all of our connections. We don’t have to live with our pain, we have the power to change how we interact with it and others.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Recorded at West End Sound in Atlanta, ‘Rebuilding The Mountain’ was engineered by Tom Tapley and Miles Landrum and co-produced by Royal Thunder and Tom Tapley. It marks the first time the band have recorded live in the studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Available on CD, a choice of Beige or Gold coloured vinyl LP, or black vinyl LP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003eDrag Me\u003cbr\u003eThe Knife\u003cbr\u003eNow Here No Where\u003cbr\u003eTwice\u003cbr\u003ePull\u003cbr\u003eLive To Live\u003cbr\u003eMy Ten\u003cbr\u003eFade\u003cbr\u003eThe King\u003cbr\u003eDead Star\u003c\/span\u003e\u003c\/p\u003e","brand":"Spinefarm","offers":[{"title":"Default Title","offer_id":42495805358236,"sku":"SPINE800022P","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_39b12e8b-315f-48aa-a5e4-8a3f7d93167c.png?v=1684520085"},{"product_id":"queens-of-the-stone-age-in-times-new-roman-2lp-clear-blue-vinyl","title":"Queens Of The Stone Age - In Times New Roman [2LP Clear Blue Vinyl]","description":"\u003cp\u003eFormat: 2 x LP, Clear Blue Vinyl\u003cbr\u003eCatalogue No.: OLE1947LP5\u003cbr\u003eBarcode: 19140119470\u003cbr\u003eRelease Date: 16 Jun 2023\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eQueens of the Stone Age have announced their long-awaited 8th studio album, In Times New Roman… out June 16th on Matador.\u003cbr\u003e\u003cbr\u003eIn Times New Roman... is raw, at times brutal and not recommended for the faint of heart. And yet, it’s perhaps the most beautiful and definitely the most rewarding album in their epic discography. Founder Joshua Homme's most acerbic lyrics to date are buoyed by the instantly identifiable QOTSA sonic signature, expanded and embellished with new and unprecedented twists in virtually every song. With In Times New Roman… we see that sometimes one needs to look beneath scars and scabs to see beauty, and sometimes the scabs and scars are the beauty.\u003cbr\u003e\u003cbr\u003eFeeling a bit out of place, and having difficulty finding music they could relate to, the members of QOTSA did as they are wont to do: In Times New Roman… is the sound of a band creating the music its own members want to hear, while giving the rest of us a sonic forum in which to congregate. “The world’s gonna end in a month or two,\" sings Homme, begging the question: What do you want to do to with the time you’ve got left? Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman and Jon Theodore may not be able to save us, but they’re giving us a place to ride it out.\u003cbr\u003e\u003cbr\u003eIn Times New Roman… was recorded and mixed at Homme’s own Pink Duck (RIP), with additional recording at Shangri-La. The album was produced by Queens of the Stone Age and mixed by Mark Rankin. The album will be available across all digital platforms and on vinyl and CD on June 16th. Artwork and double LP gatefold packaging designed by long time collaborator Boneface. 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distributed at random, in a gatefold glow-in-the-dark jacket and foldout poster, with zoetrope labels and side-D etching.\u003cbr\u003e “‘Circuital’ feels like the culmination of the sonic adventures that began with ‘Z’ - while also capturing the power and dynamics that have made MMJ one of the greatest live bands of their generation.” - Rolling Stone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSETTING SUN EDITION 🌅\u003cbr\u003e• The original Grammy® nominated album plus 10 unreleased demos\u003cbr\u003e• 3xLP’s on orange vinyl mixed with bright transparent yellow swirl\u003cbr\u003e• Glow-in-the-dark triple gatefold jacket w\/expanded artwork\u003cbr\u003e• Zoetrope LP labels\u003cbr\u003e• Fold-out poster with unreleased photos\u003cbr\u003e• Owl graphic side etching\u003cbr\u003e\u003cbr\u003eLUCIFER’S BEACH EDITION 👹\u003cbr\u003e• The original Grammy® nominated album plus 10 unreleased demos\u003cbr\u003e• 3xLP’s on opaque blue and ultra-clear “marble” colored vinyl\u003cbr\u003e• Glow-in-the-dark triple gatefold jacket w\/expanded artwork\u003cbr\u003e• Zoetrope LP labels\u003cbr\u003e• Fold-out poster with unreleased photos\u003cbr\u003e• Owl graphic side etching\u003cbr\u003e\u003cbr\u003eINNER LIGHT EDITION 🔆\u003cbr\u003e• The original Grammy® nominated album plus 10 unreleased demos\u003cbr\u003e• 3xLP’s on neon magenta vinyl mixed with ultra-clear swirl\u003cbr\u003e• Glow-in-the-dark triple gatefold jacket w\/expanded artwork\u003cbr\u003e• Zoetrope LP labels\u003cbr\u003e• Fold-out poster with unreleased photos\u003cbr\u003e• Owl graphic side etching\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003eVictory Dance\u003cbr\u003eCircuital\u003cbr\u003eThe Day Is Coming\u003cbr\u003eWonderful (The Way I Feel)\u003cbr\u003eOutta My System\u003cbr\u003eHoldin on to Black Metal\u003cbr\u003eFirst Light\u003cbr\u003eYou Wanna Freak Out\u003cbr\u003eSlow Slow Tune\u003cbr\u003eMovin Away\u003cbr\u003eWonderful (Jim Electronic Demo)\u003cbr\u003eCircuital First (Band Demo)\u003cbr\u003eOutta My System (Puppet Demo)\u003cbr\u003eThe Day Is Coming (Jim Demo)\u003cbr\u003eVictory Dance (Jim Demo)\u003cbr\u003eMovin’ Away (Jim Demo)\u003cbr\u003eSlow Slow Tune (Band Demo)\u003cbr\u003eFirst Light (Band Demo)\u003cbr\u003eYou Wanna Freak Out (Band Demo)\u003cbr\u003eHoldin on to Black Metal (Jim Demo)\u003c\/span\u003e\u003c\/p\u003e","brand":"ATO (UK)","offers":[{"title":"Default Title","offer_id":43728254533788,"sku":"ATO0616LP","price":18.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_54a51959-49c0-42de-a236-285b2d34a5ce.png?v=1716312216"},{"product_id":"queens-of-the-stone-age-in-times-new-roman-2lp-black-vinyl-1","title":"Queens Of The Stone Age - In Times New Roman [2LP Black Vinyl]","description":"\u003cp\u003eFormat: 2 x LP, Black\u003cbr\u003eCatalogue No.: OLE1947LP\u003cbr\u003eBarcode: 191401194716\u003cbr\u003eRelease Date: 16 Jun 2023\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eQueens of the Stone Age have announced their long-awaited 8th studio album, In Times New Roman… out June 16th on Matador.\u003cbr\u003e\u003cbr\u003eIn Times New Roman... is raw, at times brutal and not recommended for the faint of heart. And yet, it’s perhaps the most beautiful and definitely the most rewarding album in their epic discography. Founder Joshua Homme's most acerbic lyrics to date are buoyed by the instantly identifiable QOTSA sonic signature, expanded and embellished with new and unprecedented twists in virtually every song. With In Times New Roman… we see that sometimes one needs to look beneath scars and scabs to see beauty, and sometimes the scabs and scars are the beauty.\u003cbr\u003e\u003cbr\u003eFeeling a bit out of place, and having difficulty finding music they could relate to, the members of QOTSA did as they are wont to do: In Times New Roman… is the sound of a band creating the music its own members want to hear, while giving the rest of us a sonic forum in which to congregate. “The world’s gonna end in a month or two,\" sings Homme, begging the question: What do you want to do to with the time you’ve got left? Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman and Jon Theodore may not be able to save us, but they’re giving us a place to ride it out.\u003cbr\u003e\u003cbr\u003eIn Times New Roman… was recorded and mixed at Homme’s own Pink Duck (RIP), with additional recording at Shangri-La. The album was produced by Queens of the Stone Age and mixed by Mark Rankin. The album will be available across all digital platforms and on vinyl and CD on June 16th. Artwork and double LP gatefold packaging designed by long time collaborator Boneface. LP vinyl will be available globally in black, green, red, silver and blue.\u003cbr\u003e\u003cbr\u003eTracklisting\u003cbr\u003eObscenery\u003cbr\u003ePaper Machete\u003cbr\u003eNegative Space\u003cbr\u003eTime \u0026amp; Place\u003cbr\u003eMade to Parade\u003cbr\u003eCarnavoyeur\u003cbr\u003eWhat the Peephole Say\u003cbr\u003eSicily\u003cbr\u003eEmotion Sickness\u003cbr\u003eStraight Jacket Fitting\u003c\/p\u003e","brand":"Matador Records","offers":[{"title":"Default Title","offer_id":44562992693404,"sku":"OLE1947LP","price":37.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1x1QOTSALP_GateFold2_blackcopy.jpg?v=1683804598"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/int160623.oembed?page=2","provider":"Horizons Music","version":"1.0","type":"link"}