{"title":"INT140423","description":"","products":[{"product_id":"fenne-lily-big-picture-cassette","title":"Fenne Lily - Big Picture [Cassette]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Cassette\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC329cass\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605163970\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA gorgeous and gripping portrait of Fenne’s last two years, Big Picture was pieced together in an effort to self-soothe. Tracked live in co-producer Brad Cook’s North Carolina studio, the album delineates the phases of love and becomes a map of comfort vs claustrophobia. Though its creation took place amid personal and global turmoil, the ruminative yet candid Big Picture is Fenne’s most cohesive, resolute work to date, both lyrically and sonically. “This isn’t a sad album — it’s about as uplifting as my way of doing things will allow,” she says. “These songs explore worry and doubt and letting go, but those themes are framed brightly.” With confidence and quiet strength, each track provides an insight into Fenne’s ever-changing view of love and, ultimately, its redefinition — love as a process, not something to be lost and found. While the album was written alone in Fenne’s Bristol flat – a fact intentionally reflected in its compact sonic quality – Big Picture was transformed from a solitary venture into a unifying collaboration during the recording process when she was joined by her touring band, Melina Dutere of Jay Som (mixing), Christian Lee Hutson (guitar and co production), and Katy Kirby (vocals). Notably, these 10 songs are Fenne’s first and only to have been written over the course of a relationship; 2018’s On Hold and 2020’s BREACH both confront the pain of retrospection, saying goodbye to a love that’s gone. Big Picture does the exact opposite — rooted firmly in the present, it traces the narrative of two people trying their hardest not to implode, together. “This album is an observation of the way I think about love, the self[1]examination that comes with closeness and the responsibilities involved in being a big part of someone else’s small(er) world,” summarizes Fenne. “It was written in a place of relative emotional stability – stability that felt unstable because of its newness, but also because of the global context. 2020 was the year of letting go, but we’d all already let go of so much and nothing felt like mine anymore. Writing always did, though, so that’s what I chose to do.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A:\u003cbr data-mce-fragment=\"1\"\u003e1) Map of Japan\u003cbr data-mce-fragment=\"1\"\u003e2) Dawncolored Horse\u003cbr data-mce-fragment=\"1\"\u003e3) Lights Light Up\u003cbr data-mce-fragment=\"1\"\u003e4) 2+2\u003cbr data-mce-fragment=\"1\"\u003e5) Superglued\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6) Henry\u003cbr data-mce-fragment=\"1\"\u003e7) Pick\u003cbr data-mce-fragment=\"1\"\u003e8) In My Own Time\u003cbr data-mce-fragment=\"1\"\u003e9) Red Deer Day\u003cbr data-mce-fragment=\"1\"\u003e10) Half Finished\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292541063324,"sku":"DOC329cass","price":7.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_9e775a48-2cd7-487f-bc67-8cf67c122c42.jpg?v=1674163969"},{"product_id":"fenne-lily-big-picture-ultramarine-vinyl","title":"Fenne Lily - Big Picture [Ultramarine Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Ultramarine Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC329lp-C1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605163932\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA gorgeous and gripping portrait of Fenne’s last two years, Big Picture was pieced together in an effort to self-soothe. Tracked live in co-producer Brad Cook’s North Carolina studio, the album delineates the phases of love and becomes a map of comfort vs claustrophobia. Though its creation took place amid personal and global turmoil, the ruminative yet candid Big Picture is Fenne’s most cohesive, resolute work to date, both lyrically and sonically. “This isn’t a sad album — it’s about as uplifting as my way of doing things will allow,” she says. “These songs explore worry and doubt and letting go, but those themes are framed brightly.” With confidence and quiet strength, each track provides an insight into Fenne’s ever-changing view of love and, ultimately, its redefinition — love as a process, not something to be lost and found. While the album was written alone in Fenne’s Bristol flat – a fact intentionally reflected in its compact sonic quality – Big Picture was transformed from a solitary venture into a unifying collaboration during the recording process when she was joined by her touring band, Melina Dutere of Jay Som (mixing), Christian Lee Hutson (guitar and co production), and Katy Kirby (vocals). Notably, these 10 songs are Fenne’s first and only to have been written over the course of a relationship; 2018’s On Hold and 2020’s BREACH both confront the pain of retrospection, saying goodbye to a love that’s gone. Big Picture does the exact opposite — rooted firmly in the present, it traces the narrative of two people trying their hardest not to implode, together. “This album is an observation of the way I think about love, the self[1]examination that comes with closeness and the responsibilities involved in being a big part of someone else’s small(er) world,” summarizes Fenne. “It was written in a place of relative emotional stability – stability that felt unstable because of its newness, but also because of the global context. 2020 was the year of letting go, but we’d all already let go of so much and nothing felt like mine anymore. Writing always did, though, so that’s what I chose to do.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A:\u003cbr data-mce-fragment=\"1\"\u003e1) Map of Japan\u003cbr data-mce-fragment=\"1\"\u003e2) Dawncolored Horse\u003cbr data-mce-fragment=\"1\"\u003e3) Lights Light Up\u003cbr data-mce-fragment=\"1\"\u003e4) 2+2\u003cbr data-mce-fragment=\"1\"\u003e5) Superglued\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6) Henry\u003cbr data-mce-fragment=\"1\"\u003e7) Pick\u003cbr data-mce-fragment=\"1\"\u003e8) In My Own Time\u003cbr data-mce-fragment=\"1\"\u003e9) Red Deer Day\u003cbr data-mce-fragment=\"1\"\u003e10) Half Finished\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292541391004,"sku":"DOC329lp-C1","price":24.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_e916ce31-23e9-43e7-bb5d-d841d758f533.jpg?v=1674163980"},{"product_id":"fenne-lily-big-picture-black-vinyl","title":"Fenne Lily - Big Picture [Black Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC329lp\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605163918\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA gorgeous and gripping portrait of Fenne’s last two years, Big Picture was pieced together in an effort to self-soothe. Tracked live in co-producer Brad Cook’s North Carolina studio, the album delineates the phases of love and becomes a map of comfort vs claustrophobia. Though its creation took place amid personal and global turmoil, the ruminative yet candid Big Picture is Fenne’s most cohesive, resolute work to date, both lyrically and sonically. “This isn’t a sad album — it’s about as uplifting as my way of doing things will allow,” she says. “These songs explore worry and doubt and letting go, but those themes are framed brightly.” With confidence and quiet strength, each track provides an insight into Fenne’s ever-changing view of love and, ultimately, its redefinition — love as a process, not something to be lost and found. While the album was written alone in Fenne’s Bristol flat – a fact intentionally reflected in its compact sonic quality – Big Picture was transformed from a solitary venture into a unifying collaboration during the recording process when she was joined by her touring band, Melina Dutere of Jay Som (mixing), Christian Lee Hutson (guitar and co production), and Katy Kirby (vocals). Notably, these 10 songs are Fenne’s first and only to have been written over the course of a relationship; 2018’s On Hold and 2020’s BREACH both confront the pain of retrospection, saying goodbye to a love that’s gone. Big Picture does the exact opposite — rooted firmly in the present, it traces the narrative of two people trying their hardest not to implode, together. “This album is an observation of the way I think about love, the self[1]examination that comes with closeness and the responsibilities involved in being a big part of someone else’s small(er) world,” summarizes Fenne. “It was written in a place of relative emotional stability – stability that felt unstable because of its newness, but also because of the global context. 2020 was the year of letting go, but we’d all already let go of so much and nothing felt like mine anymore. Writing always did, though, so that’s what I chose to do.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A:\u003cbr data-mce-fragment=\"1\"\u003e1) Map of Japan\u003cbr data-mce-fragment=\"1\"\u003e2) Dawncolored Horse\u003cbr data-mce-fragment=\"1\"\u003e3) Lights Light Up\u003cbr data-mce-fragment=\"1\"\u003e4) 2+2\u003cbr data-mce-fragment=\"1\"\u003e5) Superglued\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6) Henry\u003cbr data-mce-fragment=\"1\"\u003e7) Pick\u003cbr data-mce-fragment=\"1\"\u003e8) In My Own Time\u003cbr data-mce-fragment=\"1\"\u003e9) Red Deer Day\u003cbr data-mce-fragment=\"1\"\u003e10) Half Finished\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292541718684,"sku":"DOC329lp","price":22.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_c8fc8edf-028b-45ad-bca6-84250a94154f.jpg?v=1674164001"},{"product_id":"fenne-lily-big-picture-cd","title":"Fenne Lily - Big Picture [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC329cd\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605163925\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp\u003eA gorgeous and gripping portrait of Fenne’s last two years, Big Picture was pieced together in an effort to self-soothe. Tracked live in co-producer Brad Cook’s North Carolina studio, the album delineates the phases of love and becomes a map of comfort vs claustrophobia. Though its creation took place amid personal and global turmoil, the ruminative yet candid Big Picture is Fenne’s most cohesive, resolute work to date, both lyrically and sonically. “This isn’t a sad album — it’s about as uplifting as my way of doing things will allow,” she says. “These songs explore worry and doubt and letting go, but those themes are framed brightly.” With confidence and quiet strength, each track provides an insight into Fenne’s ever-changing view of love and, ultimately, its redefinition — love as a process, not something to be lost and found. While the album was written alone in Fenne’s Bristol flat – a fact intentionally reflected in its compact sonic quality – Big Picture was transformed from a solitary venture into a unifying collaboration during the recording process when she was joined by her touring band, Melina Dutere of Jay Som (mixing), Christian Lee Hutson (guitar and co production), and Katy Kirby (vocals). Notably, these 10 songs are Fenne’s first and only to have been written over the course of a relationship; 2018’s On Hold and 2020’s BREACH both confront the pain of retrospection, saying goodbye to a love that’s gone. Big Picture does the exact opposite — rooted firmly in the present, it traces the narrative of two people trying their hardest not to implode, together. “This album is an observation of the way I think about love, the self[1]examination that comes with closeness and the responsibilities involved in being a big part of someone else’s small(er) world,” summarizes Fenne. “It was written in a place of relative emotional stability – stability that felt unstable because of its newness, but also because of the global context. 2020 was the year of letting go, but we’d all already let go of so much and nothing felt like mine anymore. Writing always did, though, so that’s what I chose to do.”\u003c\/p\u003e\n\u003cp\u003eSIDE A:\u003cbr\u003e1) Map of Japan\u003cbr\u003e2) Dawncolored Horse\u003cbr\u003e3) Lights Light Up\u003cbr\u003e4) 2+2\u003cbr\u003e5) Superglued\u003c\/p\u003e\n\u003cp\u003eSIDE B:\u003cbr\u003e6) Henry\u003cbr\u003e7) Pick\u003cbr\u003e8) In My Own Time\u003cbr\u003e9) Red Deer Day\u003cbr\u003e10) Half Finished\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292542013596,"sku":"DOC329cd","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_6b28a633-d7a6-4088-ae84-5c7095aa7d02.jpg?v=1674164011"},{"product_id":"josienne-clarke-onliness-cd","title":"JOSIENNE CLARKE - ONLINESS [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: CPR08CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060926880075\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. The Tangled Tree\u003cbr data-mce-fragment=\"1\"\u003e2. Only Me Only\u003cbr data-mce-fragment=\"1\"\u003e3. It Would Not Be a Rose\u003cbr data-mce-fragment=\"1\"\u003e4. Ghost Light\u003cbr data-mce-fragment=\"1\"\u003e5. Silverline\u003cbr data-mce-fragment=\"1\"\u003e6. Bells Ring\u003cbr data-mce-fragment=\"1\"\u003e7. Something Familiar\u003cbr data-mce-fragment=\"1\"\u003e8. The Birds\u003cbr data-mce-fragment=\"1\"\u003e9. Homemade heartache\u003cbr data-mce-fragment=\"1\"\u003e10. Chicago\u003cbr data-mce-fragment=\"1\"\u003e11. Things I didn’t Need\u003cbr data-mce-fragment=\"1\"\u003e12. Bathed In Light\u003cbr data-mce-fragment=\"1\"\u003e13. Anyone But Me\u003cbr data-mce-fragment=\"1\"\u003e14. I Never Learned French\u003cbr data-mce-fragment=\"1\"\u003e15. Done\u003cbr data-mce-fragment=\"1\"\u003e16. Workhorse\u003cbr data-mce-fragment=\"1\"\u003e17. Words Were Never the Answer\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn her own words, Josienne Clarke viewed her 2021 album – A Small Unknowable Thing – as a leap into the abyss. Finally free from the industry structure that had been built around her over the preceding decade and more, she released the album via her own label, Corduroy Punk Records, and handled every aspect of the album’s writing, recording, and release herself, on her own terms. Free from her previous role as one-half of a duo and losing the genre constraints she was quickly and lazily placed within, she came out of that chapter emboldened – but still not truly free.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom her home on Scotland’s Isle of Bute, Josienne began thinking about the idea of reclamation. Cutting her teeth in an industry that so often works against the artist it's supposed to support – and with a lingering idea in the wake of Taylor Swift’s ‘Taylor’s Version’ project – Josienne began revisiting the songs in her back catalogue that felt buried somehow; that had never had the spotlight she felt they deserved, for myriad reasons. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnliness is both a wholesome project and a spellbinding work in its own right. Opening with one of her earliest compositions – ‘The Tangled Tree’ – and closed by a brand-new song, it presents a career retrospective viewed through a new lens. The album is comprised of reworked versions of fan favourites and hidden gems from a back catalogue that always glimmered, but this time they’re entirely hers, carrying everything from booming drums to intimate acoustic guitars, with Josienne's powerful yet, at times, fragile voice whispering and screaming straight into the listeners ear.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Corduroy Punk Records","offers":[{"title":"Default Title","offer_id":42301142106268,"sku":"CPR08CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Onliness_Packshot.jpg?v=1674555751"},{"product_id":"josienne-clarke-onliness-lp","title":"JOSIENNE CLARKE - ONLINESS [LP]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: CPR08LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060926880068\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. The Tangled Tree \u003cbr\u003e2. Only Me Only \u003cbr\u003e3. It Would Not Be a Rose \u003cbr\u003e4. Ghost Light \u003cbr\u003e5. Silverline \u003cbr\u003e6. Bells Ring \u003cbr\u003e7. Something Familiar \u003cbr\u003e8. The Birds \u003cbr\u003e9. Homemade heartache \u003cbr\u003e10. Chicago \u003cbr\u003e11. Things I didn’t Need \u003cbr\u003e12. Bathed In Light \u003cbr\u003e13. Anyone But Me \u003cbr\u003e14. I Never Learned French \u003cbr\u003e15. Done \u003cbr\u003e16. Workhorse \u003cbr\u003e17. Words Were Never the Answer \u003cbr\u003e\u003cbr\u003eIn her own words, Josienne Clarke viewed her 2021 album – A Small Unknowable Thing – as a leap into the abyss. Finally free from the industry structure that had been built around her over the preceding decade and more, she released the album via her own label, Corduroy Punk Records, and handled every aspect of the album’s writing, recording, and release herself, on her own terms. Free from her previous role as one-half of a duo and losing the genre constraints she was quickly and lazily placed within, she came out of that chapter emboldened – but still not truly free.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom her home on Scotland’s Isle of Bute, Josienne began thinking about the idea of reclamation. Cutting her teeth in an industry that so often works against the artist it's supposed to support – and with a lingering idea in the wake of Taylor Swift’s ‘Taylor’s Version’ project – Josienne began revisiting the songs in her back catalogue that felt buried somehow; that had never had the spotlight she felt they deserved, for myriad reasons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnliness is both a wholesome project and a spellbinding work in its own right. Opening with one of her earliest compositions – ‘The Tangled Tree’ – and closed by a brand-new song, it presents a career retrospective viewed through a new lens. The album is comprised of reworked versions of fan favourites and hidden gems from a back catalogue that always glimmered, but this time they’re entirely hers, carrying everything from booming drums to intimate acoustic guitars, with Josienne's powerful yet, at times, fragile voice whispering and screaming straight into the listeners ear.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Corduroy Punk Records","offers":[{"title":"Default Title","offer_id":42301142171804,"sku":"CPR08LP","price":27.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Onliness_Packshot_ff17abf9-b6cc-4b54-90c4-2ae248954206.jpg?v=1674555762"},{"product_id":"petite-noir-motherfather-limited-edition-clear-vinyl","title":"Petite Noir - MotherFather [Limited Edition Clear Vinyl]","description":"\u003cp\u003eFormat: Limited Edition Clear Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: ROYA013LPC\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5056614700398 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003ePetite Noir is the Congolese musician and artist Yannick Ilunga. Born in Belgium,raised in South Africa, and now based between London and Paris, Ilunga is the architect of Noirwave – a musical and cultural movement that draws creative energy from punk aesthetics and the fragmented identity of today’s African diaspora.\u003cbr\u003e\u003cbr\u003eMotherFather is his long-awaited second album, and it has a subtitle: ‘The darkness is comforting sometimes’. As Ilungna explains: “It’s about going through the darkness. But it’s also about rebirth. Because the dark times are needed for us to grow.”\u003cbr\u003e\u003cbr\u003eIt features production by Dave Sitek of TV On The Radio, CID RIM, Moshik Kop, Tropics, and a guest feature from rising star Sampa The Great, and Grammy-nominated Florida jazz musician Theo Croker.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCD Tracklist:\u003cbr\u003e01 777\u003cbr\u003e02 Blurry (feat. Sampa The Great)\u003cbr\u003e03 Numbers\u003cbr\u003e04 Concrete Jungle\u003cbr\u003e05 Skit\u003cbr\u003e06 Finding Paradise\u003cbr\u003e07 Simple Things (feat. Theo Croker)\u003cbr\u003e08 Lili\u003cbr\u003e09 Best One\u003cbr\u003e10 Love Is War\u003cbr\u003e11 Play (feat. Dave Sitek)\u003c\/p\u003e","brand":"Roya","offers":[{"title":"Default Title","offer_id":42314242162844,"sku":"ROYA013LPC","price":22.32,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_f89bc3cf-e13c-40a3-a2e1-44220605042e.png?v=1675195225"},{"product_id":"petite-noir-motherfather-cd","title":"Petite Noir - MotherFather [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: ROYA013CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5056614700404\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePetite Noir is the Congolese musician and artist Yannick Ilunga. Born in Belgium,raised in South Africa, and now based between London and Paris, Ilunga is the architect of Noirwave – a musical and cultural movement that draws creative energy from punk aesthetics and the fragmented identity of today’s African diaspora.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMotherFather is his long-awaited second album, and it has a subtitle: ‘The darkness is comforting sometimes’. As Ilungna explains: “It’s about going through the darkness. But it’s also about rebirth. Because the dark times are needed for us to grow.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt features production by Dave Sitek of TV On The Radio, CID RIM, Moshik Kop, Tropics, and a guest feature from rising star Sampa The Great, and Grammy-nominated Florida jazz musician Theo Croker.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklists\u003cbr data-mce-fragment=\"1\"\u003e1 777\u003cbr data-mce-fragment=\"1\"\u003e2 Blurry (feat. Sampa The Great)\u003cbr data-mce-fragment=\"1\"\u003e3 Numbers\u003cbr data-mce-fragment=\"1\"\u003e4 Concrete Jungle\u003cbr data-mce-fragment=\"1\"\u003e5 Skit\u003cbr data-mce-fragment=\"1\"\u003e6 Finding Paradise\u003cbr data-mce-fragment=\"1\"\u003e7 Simple Things (feat. 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A deluxe vinyl edition will be pressed as a 2 x LP edition on Yellow vinyl and featuring bonus demos and live session recordings. \u003cbr\u003e\u003cbr\u003eThe Hidden Cameras burst onto the Toronto music scene in the early 2000’s boasting an irresistible combination of pop and queer sensibilities. Playing self-proclaimed ‘Gay Church Folk Music’ a new genre of their own making and songs ranging from haunted, aching ballads to foot-stomping anthems, the band’s outrageous stage shows packed such disparate venues as sweaty dance bars, art museums, working porn cinemas as well as many churches. Fronted by lead singer-songwriter Joel Gibb, the ensemble continues its musical provocations to this day, with Berlin now as its centre of gravity.\u003cbr\u003e\u003cbr\u003eThe Hidden Cameras will perform anniversary shows around Europe and the UK in March and April 2023 to co-incide with the reissue of ‘The Smell Of Our Own’, including a show at eartH, London with original string player Owen Pallett on April 10th, full tour dates below.\u003cbr\u003e\u003cbr\u003eThe Hidden Cameras had yet to release a note of commercially available music when, in early 2002, they became among the most discussed and celebrated unsigned bands in the history of their native Toronto. By the close of the year, they had been the subject of uncommonly sensational features in The Globe and Mail (Canada’s national newspaper) as well as in every daily and weekly in Toronto. 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But within that wisdom comes the realization that there is no finish line, no destination or static end point to life while you’re living it, and Forever Means collects songs from the Big Time sessions that hold this common theme. 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It was co-produced by the group and Chris Coady, and was originally released on August 28, 2015. It contains the band’s most famous tune, ‘Space Song’, a viral hit for the band, with over 700 million streams worldwide to date.\u003cbr\u003e Now available on 140g vinyl with red metallic foil outer\u003cbr\u003esleeve. \u003cbr\u003e Beach House wrote the majority of the record between autumn 2013 and 2014; ‘10:37’ was one of the first songs to be written during this period. The album was recorded at Studio in the Country in Bogalusa, Louisiana over two months from November 2014 to January 2015. It was co-produced by Chris Coady, who worked on the band’s previous two records, ‘Teen Dream’ (2010) and ‘Bloom’. Prior to joining the band in the studio, they sent him phone recordings of some of their in-progress songs. For the\u003cbr\u003esong ‘Days of Candy’, they hired eight singers from Pearl River Community College to create a 24-part choir. After completing that song and ‘Levitation’, the band knew they had the album’s closing and opening tracks, respectively, and considered the record completed. The album was mixed at Sunset Sound in Hollywood, California, except ‘Beyond Love’, which was mixed at Sonic Ranch in Tornillo, Texas.\u003cbr\u003e “‘Depression Cherry’ shows a return to simplicity, with songs structured around a melody and a few instruments, with live drums playing a far lesser role. With the growing success of Teen Dream and Bloom, the larger stages and bigger rooms naturally drove us towards a louder, more aggressive place; a place farther from our natural tendencies. Here, we continue to let ourselves evolve while fully ignoring the commercial context in which we\u003cbr\u003eexist.” - Beach House\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eLevitation\u003cbr\u003eSparks\u003cbr\u003eSpace Song\u003cbr\u003eBeyond Love\u003cbr\u003e10:37\u003cbr\u003ePPP\u003cbr\u003eWildflower\u003cbr\u003eBluebird\u003cbr\u003eDays of Candy\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":42403671441564,"sku":"BELLA500VB","price":23.38,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_abcac00c-30da-47a5-8fdb-3a6542b8a9bf.jpg?v=1679062864"},{"product_id":"dave-okumu-feat-the-7-generations-i-came-from-love-2lp","title":"Dave Okumu feat. 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It was friend and mentor Lexxx who sparked the soul searching that kicked off his next record after he told Okumu that he was trying to explain who Okumu was but struggled to summarise his vast catalogue.\u003cbr\u003e “There are all these ways into these aspects of who I am and I felt like he was saying, it would be so cool if you could find out how to say who you are in a comprehensive way.” Okumu took on that challenge and in response devised his sophomore release, ‘I Came From Love’, a tapestry of Black experience that explores ancestry, the legacy of slavery, what it means to exist in an unjust society, and Okumu’s own family history.\u003cbr\u003e The album writing and demoing process began in January\u003cbr\u003e2021 at Lexxx’s East Sussex studio The Barn, while early recordings were completed at Okumu’s studio with Tom Skinner on drums, Nick Ramm on keys, and Aviram Barath on synths. On ‘I Came From Love’, Okumu calls on a star-studded array of guests, including Eska, Kwabs, Wesley Joseph, Robert Stillman, Anthony Joseph, Byron Wallen, Raven Bush and Grace Jones.\u003cbr\u003e Rather than release solely under his name, Okumu has\u003cspan\u003e \u003c\/span\u003echosen the moniker Dave Okumu And The 7 Generations, which Okumu sees as “my actual ancestors, the ancestors of others, my musical ancestors, and my descendants.” Sonically the album hits a kaleidoscopic frenzy of notes, rocketing through bass heavy rhythms, neo soul-tinged cries and frenetic spoken word passages.\u003cbr\u003e The album is a body of work presented in chapters; ‘You\u003cspan\u003e \u003c\/span\u003eSurvived So I Might Live’ (tracks 1-4), ‘The Intolerable\u003cspan\u003e \u003c\/span\u003eSuffering Of (The) Other’ (5-8), ‘Seduced By Babylon’ (9-11), and ‘Cave Of Origins’ (12-14).\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eTwo Things\u003cbr\u003e7 Generations\u003cbr\u003eBlood Ah Go Run\u003cbr\u003eStreets\u003cbr\u003eMy Negritude\u003cbr\u003eThe Cost\u003cbr\u003ePrison\u003cbr\u003eBlack Firework\u003cbr\u003eScenes\u003cbr\u003eAmnesia\u003cbr\u003eGet Out\u003cbr\u003eThe Struggle\u003cbr\u003eEyes On Me\u003cbr\u003eAbaka\u003cbr\u003eA Paradise\u003c\/p\u003e","brand":"Transgressive","offers":[{"title":"Default Title","offer_id":42403729473692,"sku":"TRANS616X","price":28.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_7971e6ea-c5ae-4f6e-a94a-e1bce3701fe5.jpg?v=1679067048"},{"product_id":"dave-okumu-feat-the-7-generations-i-came-from-love-cd","title":"Dave Okumu feat. 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It was friend and mentor Lexxx who sparked the soul searching that kicked off his next record after he told Okumu that he was trying to explain who Okumu was but struggled to summarise his vast catalogue.\u003cbr\u003e “There are all these ways into these aspects of who I am and I felt like he was saying, it would be so cool if you could find out how to say who you are in a comprehensive way.” Okumu took on that challenge and in response devised his sophomore release, ‘I Came From Love’, a tapestry of Black experience that explores ancestry, the legacy of slavery, what it means to exist in an unjust society, and Okumu’s own family history.\u003cbr\u003e The album writing and demoing process began in January\u003cbr\u003e2021 at Lexxx’s East Sussex studio The Barn, while early recordings were completed at Okumu’s studio with Tom Skinner on drums, Nick Ramm on keys, and Aviram Barath on synths. 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Out of the small Welsh town of Wrexham, a band called Neck Deep wrote and recorded their debut EP in 2012 in an attic \/ home studio and unleashed it to the world. That EP, ‘Rain In July’, turned 10 years old in 2022. To celebrate, the band are releasing the EP for the first time on vinyl as a standalone release. Red vinyl.\u003cbr\u003e Featuring the first song the band ever wrote \/ recorded, ‘What Did You Expect?’, the EP captures the brash and bold energy of a band with nothing to lose and nothing to prove.\u003cbr\u003e Fast and full of teenage angst and emotion, and proudly flying the tongue in cheek ‘Generic Pop Punk’ moniker, the EP catapulted the band into being one of the most talked about sensations in the pop punk world and shined a light onto the UK\u003cbr\u003epop punk scene emerging in the early 2010s. But it would be the emo acoustic ballad, ‘A Part Of Me’, a duet with Laura Whiteside, that permanently shifted the scene. The song cemented ‘Rain In\u003cbr\u003eJuly’ as a classic and essential debut release.\u003cbr\u003e Celebrating the 10 year anniversary vinyl release and ongoing legacy of the band, Neck Deep will be playing sold out EP shows around the When We Were Young Festival this autumn.\u003cbr\u003e For fans of Blink 182, Green Day, The Story So Far.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eKick It\u003cbr\u003eSilver Lining\u003cbr\u003eWhat Did You Expect?\u003cbr\u003eOver and Over\u003cbr\u003eA Part Of Me (feat. Laura Whiteside)\u003cbr\u003eI Couldn’t Wait To Leave 6 Months Ago\u003cbr\u003eAll Hype, No Heart\u003c\/p\u003e","brand":"Hopeless","offers":[{"title":"Default Title","offer_id":42403731603612,"sku":"HR6683-1","price":30.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/2_ad04f84b-434b-468e-a93e-10db8525c264.webp?v=1679067235"},{"product_id":"temples-exotico-cd","title":"Temples - Exotico [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ATO0638CD\u003cbr\u003eBarcode: 5400863101602\u003cbr\u003eRelease Date: 14 Apr 2023\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e Produced by Sean Ono Lennon, Temples’ fourth full length album takes place in a mystical setting, an impossibly utopic island dreamed up by singer \/ guitarist James Bagshaw, bassist Tom Walmsley, keyboardist \/ guitarist Adam Smith, and drummer Rens Ottink.\u003cbr\u003e With its resplendent collage of psychedelia and Krautrock and time-bending dream pop, ‘Exotico’ brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Kettering-bred Temples as one of today’s most forward-thinking and endlessly inventive rock bands.\u003cbr\u003e Mixed by Dave Fridmann (Beach House, Spoon, The Flaming Lips) and mainly recorded at Lennon’s studio in upstate New York, ‘Exotico’ continues the collaboration begun on Temples’ Lennon-produced 2020 single ‘Paraphernalia’.\u003cbr\u003e Although Temples created portions of ‘Exotico’ at their home studio back in England, their 12 days of sessions at Lennon’s studio marked a significant departure from the self-contained approach they’d adhered to since their debut album ‘Sun Structures’ (a 2014 release The Quietus likened to a series of “woozy daydreams that will embed themselves further in with each listen”).\u003cbr\u003e Double LP in 300gsm gatefold sleeve with matt machine\u003cbr\u003evarnish.\u003cbr\u003e Available to independent retailers on pink opaque double vinyl in 300gsm gatefold sleeve with matt machine varnish.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eLiquid Air\u003cbr\u003eGamma Rays\u003cbr\u003eExotico\u003cbr\u003eSultry Air\u003cbr\u003eCicada\u003cbr\u003eOval Stones\u003cbr\u003eSlow Days\u003cbr\u003eCrystal Hall\u003cbr\u003eHead In The Clouds\u003cbr\u003eGiallo\u003cbr\u003eInner Space\u003cbr\u003eMeet Your Maker\u003cbr\u003eTime Is A Light\u003cbr\u003eFading Actor\u003cbr\u003eAfterlife\u003cbr\u003eMovements Of Time\u003c\/p\u003e","brand":"ATO Records","offers":[{"title":"Default Title","offer_id":42403752345756,"sku":"ATO0638CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/2_a037a76c-e1c0-48cf-8a4e-24172b193a78.jpg?v=1679069531"},{"product_id":"temples-exotico-2lp-pink-vinyl","title":"Temples - Exotico [2LP Pink Vinyl]","description":"\u003cp\u003eFormat: 2 x LP, Coloured Vinyl \u003cbr\u003eCatalogue No.: ATO0638C \u003cbr\u003eBarcode: 5400863101596\u003cbr\u003eRelease Date: 14 Apr 2023\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e Produced by Sean Ono Lennon, Temples’ fourth full length\u003cspan\u003e \u003c\/span\u003ealbum takes place in a mystical setting, an impossibly\u003cspan\u003e \u003c\/span\u003eutopic island dreamed up by singer \/ guitarist James Bagshaw, bassist Tom Walmsley, keyboardist \/ guitarist Adam Smith, and drummer Rens Ottink.\u003cbr\u003e With its resplendent collage of psychedelia and Krautrock\u003cspan\u003e \u003c\/span\u003eand time-bending dream pop, ‘Exotico’ brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Kettering-bred Temples as one of today’s most forward-thinking and endlessly inventive rock bands.\u003cbr\u003e Mixed by Dave Fridmann (Beach House, Spoon, The\u003cspan\u003e \u003c\/span\u003eFlaming Lips) and mainly recorded at Lennon’s studio in upstate New York, ‘Exotico’ continues the collaboration begun on Temples’ Lennon-produced 2020 single ‘Paraphernalia’.\u003cbr\u003e Although Temples created portions of ‘Exotico’ at their\u003cspan\u003e \u003c\/span\u003ehome studio back in England, their 12 days of sessions at Lennon’s studio marked a significant departure from the self-contained approach they’d adhered to since their debut album ‘Sun Structures’ (a 2014 release The Quietus likened to a series of “woozy daydreams that will embed themselves further in with each listen”).\u003cbr\u003e Double LP in 300gsm gatefold sleeve with matt machine\u003cbr\u003evarnish.\u003cbr\u003e Available to independent retailers on pink opaque double vinyl in 300gsm gatefold sleeve with matt machine varnish.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eLiquid Air\u003cbr\u003eGamma Rays\u003cbr\u003eExotico\u003cbr\u003eSultry Air\u003cbr\u003eCicada\u003cbr\u003eOval Stones\u003cbr\u003eSlow Days\u003cbr\u003eCrystal Hall\u003cbr\u003eHead In The Clouds\u003cbr\u003eGiallo\u003cbr\u003eInner Space\u003cbr\u003eMeet Your Maker\u003cbr\u003eTime Is A Light\u003cbr\u003eFading Actor\u003cbr\u003eAfterlife\u003cbr\u003eMovements Of Time\u003c\/p\u003e","brand":"ATO Records","offers":[{"title":"Default Title","offer_id":42403752444060,"sku":"ATO0638C","price":25.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_e78dc926-013d-4880-8793-5ded9491a323.webp?v=1679069523"},{"product_id":"temples-exotico-2lp-black-vinyl","title":"Temples - Exotico [2LP Black Vinyl]","description":"\u003cp\u003eFormat: 2 x LP \u003cbr\u003eCatalogue No.: ATO0638\u003cbr\u003eBarcode: 5400863101589\u003cbr\u003eRelease Date: 14 Apr 2023\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e Produced by Sean Ono Lennon, Temples’ fourth full length\u003cspan\u003e \u003c\/span\u003ealbum takes place in a mystical setting, an impossibly\u003cspan\u003e \u003c\/span\u003eutopic island dreamed up by singer \/ guitarist James Bagshaw, bassist Tom Walmsley, keyboardist \/ guitarist Adam Smith, and drummer Rens Ottink.\u003cbr\u003e With its resplendent collage of psychedelia and Krautrock\u003cspan\u003e \u003c\/span\u003eand time-bending dream pop, ‘Exotico’ brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Kettering-bred Temples as one of today’s most forward-thinking and endlessly inventive rock bands.\u003cbr\u003e Mixed by Dave Fridmann (Beach House, Spoon, The\u003cspan\u003e \u003c\/span\u003eFlaming Lips) and mainly recorded at Lennon’s studio in upstate New York, ‘Exotico’ continues the collaboration begun on Temples’ Lennon-produced 2020 single ‘Paraphernalia’.\u003cbr\u003e Although Temples created portions of ‘Exotico’ at their\u003cspan\u003e \u003c\/span\u003ehome studio back in England, their 12 days of sessions at Lennon’s studio marked a significant departure from the self-contained approach they’d adhered to since their debut album ‘Sun Structures’ (a 2014 release The Quietus likened to a series of “woozy daydreams that will embed themselves further in with each listen”).\u003cbr\u003e Double LP in 300gsm gatefold sleeve with matt machine\u003cbr\u003evarnish.\u003cbr\u003e Available to independent retailers on pink opaque double vinyl in 300gsm gatefold sleeve with matt machine varnish.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eLiquid Air\u003cbr\u003eGamma Rays\u003cbr\u003eExotico\u003cbr\u003eSultry Air\u003cbr\u003eCicada\u003cbr\u003eOval Stones\u003cbr\u003eSlow Days\u003cbr\u003eCrystal Hall\u003cbr\u003eHead In The Clouds\u003cbr\u003eGiallo\u003cbr\u003eInner Space\u003cbr\u003eMeet Your Maker\u003cbr\u003eTime Is A Light\u003cbr\u003eFading Actor\u003cbr\u003eAfterlife\u003cbr\u003eMovements Of Time\u003c\/p\u003e","brand":"ATO Records","offers":[{"title":"Default Title","offer_id":42403752509596,"sku":"ATO0638","price":25.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_3293851d-8f00-4fc4-8c1f-97c9b7826c28.png?v=1679069633"},{"product_id":"xylouris-white-the-forest-in-me-cd","title":"Xylouris White - The Forest in Me [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DC867CD\u003cbr\u003eBarcode: 0781484086727\u003cbr\u003eRelease Date: 14 Apr 2023\u003cbr\u003eGenre: Folk\u003c\/p\u003e\n\u003cp\u003e Once the listener has set the needle down on the record and heard for themselves the intimacies and impressionism, abstraction and unfiltered emotion found in ‘The Forest In Me’, Xylouris White’s fifth album release (and first since 2019’s ‘The Sisypheans’), one may wonder what was the mood of the room in which this music came to be. Only three people can say for sure, and even then...\u003cbr\u003e Guy Picciotto: “In late 2019, we had begun taking steps to working on new material.\u003cspan\u003e \u003c\/span\u003eIn a haphazard fashion, Jim and I started tracking drums in my basement, cutting them up into shapes with no set landing in mind. Some of it we sent to Giorgos in Crete - he responded with his lyra and his lute. Without intention we had initiated a process that would soon become more ruthlessly mandated by the world events that\u003cspan\u003e \u003c\/span\u003eseparated and isolated us to three corners of the globe in the following year.”\u003cbr\u003e Giorgos Xylouris: “Every harmonic is a fallen tree trunk that I climb over. I’m stepping\u003cspan\u003e \u003c\/span\u003ein muddy waters in the woods or coming to a clearing - that is part of the journey I take whether I am playing music with an audience or recording alone. It’s a journey around the forest of my inner self. That’s how I see it.”\u003cbr\u003e Jim White: “I ended up in the pandemic in rural Australia on care duty and then back\u003cspan\u003e \u003c\/span\u003ein Melbourne alone in a house with an imminent, ultimately very long lockdown.”\u003cbr\u003e Giorgos: “The past several years created a very particular situation that none of us\u003cspan\u003e \u003c\/span\u003ehad ever lived through, in such seclusion in our homes and within ourselves. In the isolation I found other wrinkles\/folds in my inner being. That helped create this music, as did the unusual way we went about recording.”\u003cbr\u003e Jim: “The night before the curfew I acquired some mics from a studio and bought an interface. And learnt to record. And tracked. George tracked in Crete. Guy, in New York, helped assemble the structures and find combinations.”\u003cbr\u003e Giorgos: “So every note, every phrase, every instrument came from in and around\u003cspan\u003e \u003c\/span\u003eour inner forests.”\u003cbr\u003e Guy: “On previous projects our customary way of working was to be in one room all\u003cspan\u003e \u003c\/span\u003etogether; an inward facing triangle of instant communication leading to marathon sessions from which we would build an archive from which to sculpt the records, finding the binding lines that connected the statements we were trying to make.”\u003cbr\u003e Giorgos: “Using whatever instruments I had with me in the studio at home, in the\u003cspan\u003e \u003c\/span\u003esilence I discovered things I hadn’t had the peace to uncover previously. I saw that music isn’t static, moving only in its usual ways within the parameters of its centrifugal force–it can move a long way further in other directions.”\u003cbr\u003e Guy: “With this record we still had that stash to draw from but now we were also\u003cspan\u003e \u003c\/span\u003eadding material composed from this enforced new geometry; this different, wider triangle where we each assumed different roles than we had previously with writing, engineering, arranging all mixed up like finger paints.”\u003cbr\u003e Giorgos: “While we were recording, I noticed that the music had a certain solitude about it, both from the title and from inside. That led us to find more music from within that we had not yet discovered.”\u003cbr\u003e Jim: “The idea emerged, naturally nourished and nourishing a record with none of our usual angles and themes, no verbal language, no angst nor sudden dynamics, a more subtle structure. And we found ‘The Forest In Me’.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eSecond Sister\u003cbr\u003eLatin White\u003cbr\u003eSeeing the Everyday\u003cbr\u003eMissing Heart\u003cbr\u003eTails of Time\u003cbr\u003eNight Club\u003cbr\u003eForest In Me\u003cbr\u003eRed Wine\u003cbr\u003eUnderworld\u003cbr\u003eWitnessed by Angels\u003cbr\u003eMemories and Souvenirs\u003cbr\u003eLong Doll\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":42403752542364,"sku":"DC867CD","price":11.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_1423b053-275d-4059-9907-29b93cde0a06.jpg?v=1679069744"},{"product_id":"xylouris-white-the-forest-in-me-lp","title":"Xylouris White - The Forest in Me [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DC867\u003cbr\u003eBarcode: 0781484086710\u003cbr\u003eRelease Date: 14 Apr 2023\u003cbr\u003eGenre: Folk\u003c\/p\u003e\n\u003cp\u003e Once the listener has set the needle down on the record and heard for themselves the intimacies and impressionism, abstraction and unfiltered emotion found in ‘The Forest In Me’, Xylouris White’s fifth album release (and first since 2019’s ‘The Sisypheans’), one may wonder what was the mood of the room in which this music came to be. Only three people can say for sure, and even then... \u003cbr\u003e Guy Picciotto: “In late 2019, we had begun taking steps to working on new material. In a haphazard fashion, Jim and I started tracking drums in my basement, cutting them up into shapes with no set landing in mind. Some of it we sent to Giorgos in Crete - he responded with his lyra and his lute. Without intention we had initiated a process that would soon become more ruthlessly mandated by the world events that separated and isolated us to three corners of the globe in the following year.” \u003cbr\u003e Giorgos Xylouris: “Every harmonic is a fallen tree trunk that I climb over. I’m stepping in muddy waters in the woods or coming to a clearing - that is part of the journey I take whether I am playing music with an audience or recording alone. It’s a journey around the forest of my inner self. That’s how I see it.” \u003cbr\u003e Jim White: “I ended up in the pandemic in rural Australia on care duty and then back in Melbourne alone in a house with an imminent, ultimately very long lockdown.” \u003cbr\u003e Giorgos: “The past several years created a very particular situation that none of us had ever lived through, in such seclusion in our homes and within ourselves. In the isolation I found other wrinkles\/folds in my inner being. That helped create this music, as did the unusual way we went about recording.” \u003cbr\u003e Jim: “The night before the curfew I acquired some mics from a studio and bought an interface. And learnt to record. And tracked. George tracked in Crete. Guy, in New York, helped assemble the structures and find combinations.” \u003cbr\u003e Giorgos: “So every note, every phrase, every instrument came from in and around our inner forests.” \u003cbr\u003e Guy: “On previous projects our customary way of working was to be in one room all together; an inward facing triangle of instant communication leading to marathon sessions from which we would build an archive from which to sculpt the records, finding the binding lines that connected the statements we were trying to make.” \u003cbr\u003e Giorgos: “Using whatever instruments I had with me in the studio at home, in the silence I discovered things I hadn’t had the peace to uncover previously. I saw that music isn’t static, moving only in its usual ways within the parameters of its centrifugal force–it can move a long way further in other directions.” \u003cbr\u003e Guy: “With this record we still had that stash to draw from but now we were also adding material composed from this enforced new geometry; this different, wider triangle where we each assumed different roles than we had previously with writing, engineering, arranging all mixed up like finger paints.” \u003cbr\u003e Giorgos: “While we were recording, I noticed that the music had a certain solitude about it, both from the title and from inside. That led us to find more music from within that we had not yet discovered.” \u003cbr\u003e Jim: “The idea emerged, naturally nourished and nourishing a record with none of our usual angles and themes, no verbal language, no angst nor sudden dynamics, a more subtle structure. And we found ‘The Forest In Me’.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eSecond Sister\u003cbr\u003eLatin White\u003cbr\u003eSeeing the Everyday\u003cbr\u003eMissing Heart\u003cbr\u003eTails of Time\u003cbr\u003eNight Club\u003cbr\u003eForest In Me\u003cbr\u003eRed Wine\u003cbr\u003eUnderworld\u003cbr\u003eWitnessed by Angels\u003cbr\u003eMemories and Souvenirs\u003cbr\u003eLong Doll\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":42403752607900,"sku":"DC867","price":20.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_07bddd76-7677-4037-99e8-edd8b2fa93e9.jpg?v=1679069747"},{"product_id":"telex-telex-clamshell-boxset-6cd","title":"Telex - Telex [Clamshell Boxset 6CD]","description":"\u003cp\u003eFormat: 6CD Box Set\u003cbr\u003eCatalogue No.: TELEXBOX1CD\u003cbr\u003eBarcode: 5400863068271\u003cbr\u003eRelease Date: 14 Apr 2023\u003cbr\u003eGenre: Coldwave\/Synth\u003c\/p\u003e\n\u003cp\u003e Following 2021’s compilation, ‘This is Telex’, Telex return with a CD and vinyl boxset of their full catalogue of studio albums: ‘Looking For Saint Tropez’, ‘Neurovision’, ‘Sex’, ‘Wonderful World’, ‘Looney Tunes’ and ‘How Do You Dance?’.\u003cbr\u003e These studio albums have all been remastered and newly mixed by band members Dan Lacksman and Michel Moers, keeping the spirit of the original tracks whilst adding a freshness to produce a definitive version of each album. 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The boxset is a timeline of the Belgian synthpop\u003cspan\u003e \u003c\/span\u003etrio’s career, from their 1979 debut up to their last studio\u003cspan\u003e \u003c\/span\u003ealbum ‘How Do You Dance?’ (2006).\u003cbr\u003e Six CDs in gatefold wallets packaged in a clamshell box with 20-page stitched booklet.\u003cbr\u003e Six coloured vinyl LPs - LP1 on white vinyl, LP2 red vinyl, LP3 orange vinyl, LP4 yellow vinyl, LP5 purple vinyl, LP6\u003cspan\u003e \u003c\/span\u003egreen vinyl - with 12-page booklet and digital download code.\u003cbr\u003e “If you can find a copy of ‘Looking For Saint Tropez’ - or\u003cspan\u003e \u003c\/span\u003eeither of their best ofs - you’re in for an electro treat.” - The Guardian\u003cbr\u003e “Telex’s bubbly energy and club-ready rhythms were just\u003cspan\u003e \u003c\/span\u003eas influential to the first wave of techno and house DJs\u003cspan\u003e \u003c\/span\u003eand producers.” - Pitchfork\u003c\/p\u003e\n\u003cp\u003eLP1 ‘Looking For Saint Tropez \u003cbr\u003e(Remastered)’\u003cbr\u003eMoskow Diskow\u003cbr\u003ePakmoväst\u003cbr\u003eCafé de la jungle\u003cbr\u003eÇa plane pour moi\u003cbr\u003eSome Day \/ Un jour\u003cbr\u003eSomething To Say\u003cbr\u003eRock Around The Clock\u003cbr\u003eVictime de la societe\u003cbr\u003eTwist À Saint-Tropez\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLP2 ‘Neurovision (Remastered)’\u003cbr\u003eA\/B\u003cbr\u003eRéalité\u003cbr\u003eCliché\u003cbr\u003eEn route vers de nouvelles aventures\u003cbr\u003eTour de France\u003cbr\u003eWe Are All Getting Old\u003cbr\u003eMy Time\u003cbr\u003ePlus de distance (More Than Distance)\u003cbr\u003eEuro-Vision\u003cbr\u003eDance To The Music\u003cbr\u003eLakelele\u003cbr\u003eSoul Waves\u003c\/p\u003e\n\u003cp\u003eLP3 ‘Sex (Remastered)’\u003cbr\u003eBrainwash\u003cbr\u003eDrama, Drama\u003cbr\u003eHaven’t We Met Somewhere Before\u003cbr\u003eLong Holiday\u003cbr\u003eThe Man With The Answer\u003cbr\u003eCarbon Copy\u003cbr\u003eExercise Is Good For You\u003cbr\u003eDream-O-Mat\u003cbr\u003eDummy\u003cbr\u003eSigmund Freud’s Party\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLP4 ‘Wonderful World’ (Remastered)’\u003cbr\u003eL’amour toujours\u003cbr\u003eSo Sad\u003cbr\u003eRaised By Snakes\u003cbr\u003eIt Could Happen To You\u003cbr\u003eSecond Hand\u003cbr\u003eTell Me It’s A Dream\u003cbr\u003eVertigo\u003cbr\u003eThe Voice\u003cbr\u003eRadio-Radio\u003cbr\u003eWonderful World\u003c\/p\u003e\n\u003cp\u003eLP5 ‘Looney Tunes (Remastered)’\u003cbr\u003eI Don’t Like Music\u003cbr\u003eTemporary Chicken\u003cbr\u003eSpike Jones\u003cbr\u003eBeautiful Li(f)e\u003cbr\u003eDingo Bells\u003cbr\u003eI Want Your Brain\u003cbr\u003eBaby, When?\u003cbr\u003ePeanuts\u003cbr\u003eHappy End (I Wanna)\u003cbr\u003eRendez-vous dans l’espace\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLP6 ‘How Do You Dance? 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