{"title":"INT090922","description":"","products":[{"product_id":"built-to-spill-when-the-wind-forgets-your-name-lp","title":"Built To Spill - When The Wind Forgets Your Name [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: SP1510\u003cbr\u003eBarcode: 098787151015\u003cbr\u003eRelease Date: 30 Jan 2026\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eSince its inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of incredible musicians making music and playing live together. “I wanted to switch the line-up for many reasons. Each time we finish a record I want the next one to sound totally different. It’s fun to play with people who bring in new styles and ideas,” says Martsch. “And it’s nice to be in a band with people who aren’t sick of me yet.”\u003c\/p\u003e\n\u003cp\u003eFollowing several albums and EPs on Pacific Northwest independent labels, including the unmistakably canonical indie rock classic, There’s Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more, inarguably great albums during that time – Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band’s impeccable recorded catalogue is the entry point, Built to Spill live is an essential FORCE of its own: heavy, psychedelic, melodic and visceral tunes blaring from amps that sound as if they’re powered by Mack trucks.\u003c\/p\u003e\n\u003cp\u003eNow in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch’s unbelievably great new album (and also his eighth full-length)... with a fresh new label. “I’m psyched: I’ve wanted to be on Sub Pop since I was a teenager. And I think I’m the first fifty year-old they’ve ever signed.” (The rumours' are true, we love quinquagenarians…)\u003c\/p\u003e\n\u003cp\u003eMartsch concludes, “Making When the Wind Forgets Your Name was such a great experience. I had an It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.\u003c\/p\u003e\n\u003cp\u003e1. Gonna Lose\u003cbr\u003e2. Fool’s Gold\u003cbr\u003e3. Understood\u003cbr\u003e4. Elements\u003cbr\u003e5. Rock Steady\u003cbr\u003e6. Spiderweb\u003cbr\u003e7. Never Alright\u003cbr\u003e8. Alright\u003cbr\u003e9. Comes a Day\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":41577156018332,"sku":"SP1510","price":18.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BTS_packshot_BlackVinyl.jpg?v=1649760726"},{"product_id":"built-to-spill-when-the-wind-forgets-your-name-cd","title":"Built To Spill - When The Wind Forgets Your Name [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SPCD1510\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 098787151022\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 30 Jan 2026\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSince its inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of incredible musicians making music and playing live together. “I wanted to switch the line-up for many reasons. Each time we finish a record I want the next one to sound totally different. It’s fun to play with people who bring in new styles and ideas,” says Martsch. “And it’s nice to be in a band with people who aren’t sick of me yet.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFollowing several albums and EPs on Pacific Northwest independent labels, including the unmistakably canonical indie rock classic, There’s Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more, inarguably great albums during that time – Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band’s impeccable recorded catalogue is the entry point, Built to Spill live is an essential FORCE of its own: heavy, psychedelic, melodic and visceral tunes blaring from amps that sound as if they’re powered by Mack trucks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch’s unbelievably great new album (and also his eighth full-length)... with a fresh new label. “I’m psyched: I’ve wanted to be on Sub Pop since I was a teenager. And I think I’m the first fifty year-old they’ve ever signed.” (The rumours' are true, we love quinquagenarians…)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMartsch concludes, “Making When the Wind Forgets Your Name was such a great experience. I had an It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. Gonna Lose\u003cbr data-mce-fragment=\"1\"\u003e2. Fool’s Gold\u003cbr data-mce-fragment=\"1\"\u003e3. Understood\u003cbr data-mce-fragment=\"1\"\u003e4. Elements\u003cbr data-mce-fragment=\"1\"\u003e5. Rock Steady\u003cbr data-mce-fragment=\"1\"\u003e6. Spiderweb\u003cbr data-mce-fragment=\"1\"\u003e7. Never Alright\u003cbr data-mce-fragment=\"1\"\u003e8. Alright\u003cbr data-mce-fragment=\"1\"\u003e9. Comes a Day\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":41577156346012,"sku":"SPCD1510","price":9.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BtS_CD_MockUp_closeup.jpg?v=1649760739"},{"product_id":"opus-kink-til-the-stream-runs-dry","title":"Opus Kink - 'Til The Stream Runs Dry","description":"\u003cp\u003eFormat: 12\" EP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: NSWN063\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863081669\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 04 Nov 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Punk\/Hardcore\u003c\/p\u003e\n\u003cp\u003eBrighton sextet Opus Kink share debut EP ‘‘Til The Stream Runs Dry’, set for release ________ via Nice Swan Records (Sports Team, Pip Blom, FUR, English Teacher).\u003cbr\u003e\u003cbr\u003e Partnering up with the cult indie label for their first extended release, the enigmatic collective – comprised of Angus Rogers, Sam Abbo, Fin Abbo, Jed Morgans, Jazz Pope \u0026amp; Jack Banjo Courtney – lend a blend a dizzying array of influences in their ever-evolving enigmatic style, producing an experimental patchwork of explosive material that’s consistently earned widespread plaudits since bursting onto the scene.\u003cbr\u003e\u003cbr\u003eWith EP lead singles ‘I Love You, Baby’, ‘The Unrepentant Soldier’ and ‘Dog Stay Down’ attracting praise from all corners of the press landscape (NME, DIY, So Young, Dork, Clash, Gigwise), not to mention countless BBC 6 Music (Steve Lamacq, Lauran Laverne) spins, the six-piece are clearly primed for a busy summer. Having already ticked off live dates alongside label-mates Malady and Mandrake Handshake, in addition to a sold-out headliner at London’s legendary 100 Club last month, the band have a slew of festival appearances lined up in the months to come, as well as shows with FEET and Bull.\u003cbr\u003e\u003cbr\u003eDetailing their EP, Opus Kink stated: “You may begin by dipping one stained and rancid toe, but you know that once those waters have been tasted there’s only one way to go – into the stream, away down the valley like flotsam and windfall. Here lie six songs of bad love, ill winds, possession, stagnation and earthly delights”.\u003cbr\u003e\u003cbr\u003eOpus Kink’s ‘‘Til The Stream Runs Dry’ (EP) is out __________ via Nice Swan Records and will be available on all digital platforms now.\u003cbr\u003e\u003cbr\u003e“Horn-fuelled filth-funk, where punk \u0026amp; jazz combine in grimy circumstances” NME\u003cbr\u003e\u003cbr\u003e“A land where growled-jazz meets the blues in a showdown to end all perceptions of genre…Opus Kink have succeeded in turning listeners on their head” So Young\u003cbr\u003e\u003cbr\u003e“A frenetic groove-filled glimpse of what’s to come” DIY\u003cbr\u003e\u003cbr\u003e“Intense blast of guitar pop” Clash\u003cbr\u003e\u003cbr\u003e “There is a sense that they are still only just beginning to hit their stride” M Magazine\u003cbr\u003e\u003cbr\u003eOpus Kink Online\u003cbr\u003e\u003cbr\u003eFacebook \/ Twitter \/ Instagram \/ Spotify\u003cbr\u003e\u003cbr\u003eOpus Kink is Angus Rogers (lead vocals, guitars), Sam Abbo (bass, backing vocals), Fin Abbo (drums, percussion), Jazz Pope (keys, synth, backing vocals), Jack Banjo Courtney (trumpet), Jed Morgans (saxophone)\u003c\/p\u003e","brand":"Nice Swan Recordings","offers":[{"title":"Default Title","offer_id":41745500471452,"sku":"NSWN063","price":17.98,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/opuskinkmockup.png?v=1657098689"},{"product_id":"sarah-davachi-two-sisters-cd","title":"Sarah Davachi - Two Sisters [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LMVCD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060263729051\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eElectronic \/ Ambient\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2CD casebound w\/ 24 page booklet\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTwo Sisters is the latest release on Sarah Davachi’s Late Music imprint with a collection of nine extended compositions for chamber ensemble and solo pipe organ. The expanded instrumentation on this album includes carillon (a keyboard instrument comprised of very large cast-iron bells), choir, string quartet, low woodwinds, and trombone quartet, alongside sine tones and electronic drones. Among the pipe organs featured on the album is an extremely rare Italian tracker organ from 1742, housed now in the Southwest desert region of the United States. Davachi is accompanied in these recordings by a formidable group of musicians and interpreters, including Johnny Chang, Judith Hamann, Rebecca Lane, Andrew McIntosh, Mattie Barbier, Tiffany Ng, Jessika Kenney, Dorothy Berry, and the ensemble Apartment House. The carillon that sounds on the piece ‘Hall of Mirrors’ is the third largest in the world, with its heaviest bell weighing approximately twelve Imperial tons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe compositions of Two Sisters are all guided by a certain harmonic language and by a series of modal and cadential structures that have deeply preoccupied Davachi’s solo and chamber writing for the past several years. Perceptions of suspension and resolution are in some cases severely extended over a long period of time and in other cases are made to be circular, so as to undo the more typical sensations of sonic progression and pacing. Timbral homogeneity within the instrumentation and instrumental register of each piece is also of particular importance here, shifting the listener’s focus to the nuances of gradual variation as it happens texturally, microtonally, and acoustically. In fact, it is the collective goal of these compositions to induce a heightened harmonic and temporal space for both the listener and the player in equal parts; to give reverence to the practice of listening, to the active construction of space, and to the experience of moderated time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVarious non-equal tuning systems are also observed in these compositions, including several forms of septimal just intonation, a “well” temperament, and the standard quarter-comma meantone temperament that Davachi often gives particular preference to. Iteration – that is, the notion that repetition with even the slightest deviations in articulation can reveal an endless capacity for altered perception – has been a constant influence in her work, and becomes especially meaningful in the context of tuning, where sustained intervallic patterns vary greatly depending on their function within the system. In most cases across Two Sisters, there is a constancy of chordal structure that is shifted in a unique way simply through voicing, as in the continual exchange of dyads that constitute the movement of the piece ‘En Bas Tu Vois’, for instance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eConceptually, there is a loose thread that runs through the compositional methods of Two Sisters, influenced by the allegory of ‘temperance’ in a minimalist aesthetic sense: “one foot on land, one foot in the water”, as it were, caught in the perpetual balance of restraint as delight and necessity. There are mirrored sonic and structural images throughout the album, also reflected in the iconography of the cover: the satyr and the subject, the shared gaze between head and body, the dialogue between cerebral and physical response, as above so below. It’s like there’s two sisters of faith and chance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBIOGRAPHY\u003cbr data-mce-fragment=\"1\"\u003eAs a composer and performer of electroacoustic music, Sarah Davachi's work is concerned with the close intricacies of intimate aural space, utilizing extended durations and simple harmonic structures that emphasize subtle variations in texture, overtone complexity, psychoacoustic phenomena, and temperament and intonation. Similarly informed by minimalist tenets of the 1960s and 1970s, baroque leanings toward slow-moving chordal suspensions, and experimental production practices of the recording studio environment, in her sound is manifest an experience that lessens apprehension of consonance and dissonance in likeness of the familiar and the distant. Davachi has toured extensively across the globe and has shared the stage with artists such as Grouper, the London Contemporary Orchestra, William Basinski, Oren Ambarchi, Ariel Kalma, the BBC Scottish Symphony Orchestra, Jessica Moss, Donald Buchla, Alessandro Cortini, Ian William Craig, Kara-lis Coverdale, Aaron Dilloway, Robert Aiki Aubrey Lowe, Ellen Arkbro, Loren Connors and filmmaker Paul Clipson. Between 2007 and 2017, Davachi also had the unique opportunity to work for the National Music Centre in Canada as an interpreter and content developer of their collection of acoustic and electronic keyboard instruments. She has held artist residencies at The Banff Centre for the Arts (Banff, Canada), STEIM (Amsterdam, Netherlands), WORM (Rotterdam, Netherlands), EMS (Stockholm, Sweden), OBORO (Montréal, Canada), MESS (Melbourne, Australia), and with the Bozzini Quartet (Montréal, Canada). Davachi is currently a doctoral candidate in musicology at UCLA – where she works on the aesthetic phenomenology of musical instruments and timbre in popular, experimental, and early music – and is based in Los Angeles, California.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDISC 1 \u003cbr\u003e1. Hall of Mirrors\u003cbr\u003e2. Alas, Departing\u003cbr\u003e3. Vanity of Ages\u003cbr\u003e4. Icon Studies I\u003cbr\u003e5. Harmonies in Bronze\u003cbr\u003e\u003cbr\u003eDISC 2\u003cbr\u003e1. Harmonies in Green\u003cbr\u003e2. Icon Studies II\u003cbr\u003e3. En Bas Tu Vois\u003cbr\u003e4. O World and the Clear Song\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"Sarah Davachi - En Bas Tu Vois\" src=\"https:\/\/www.youtube.com\/embed\/qVxvuunIr_s\" height=\"360\" width=\"640\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.youtube.com\/embed\/qVxvuunIr_s\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"LATE MUSIC","offers":[{"title":"Default Title","offer_id":41745555292316,"sku":"LMVCD","price":27.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/CDLayout.jpg?v=1657100250"},{"product_id":"sarah-davachi-two-sisters-lp","title":"Sarah Davachi - Two Sisters [LP]","description":"\u003cp\u003eFormat: 2LP (+ DL)\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LMVLP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060263729044\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Electronic \/ Ambient\u003c\/p\u003e\n\u003cp\u003eBlack Vinyl 2LP Gatefold w\/ 20 page booklet + download card\u003c\/p\u003e\n\u003cp\u003eTwo Sisters is the latest release on Sarah Davachi’s Late Music imprint with a collection of nine extended compositions for chamber ensemble and solo pipe organ. The expanded instrumentation on this album includes carillon (a keyboard instrument comprised of very large cast-iron bells), choir, string quartet, low woodwinds, and trombone quartet, alongside sine tones and electronic drones. Among the pipe organs featured on the album is an extremely rare Italian tracker organ from 1742, housed now in the Southwest desert region of the United States. Davachi is accompanied in these recordings by a formidable group of musicians and interpreters, including Johnny Chang, Judith Hamann, Rebecca Lane, Andrew McIntosh, Mattie Barbier, Tiffany Ng, Jessika Kenney, Dorothy Berry, and the ensemble Apartment House. The carillon that sounds on the piece ‘Hall of Mirrors’ is the third largest in the world, with its heaviest bell weighing approximately twelve Imperial tons.\u003cbr\u003e\u003cbr\u003eThe compositions of Two Sisters are all guided by a certain harmonic language and by a series of modal and cadential structures that have deeply preoccupied Davachi’s solo and chamber writing for the past several years. Perceptions of suspension and resolution are in some cases severely extended over a long period of time and in other cases are made to be circular, so as to undo the more typical sensations of sonic progression and pacing. Timbral homogeneity within the instrumentation and instrumental register of each piece is also of particular importance here, shifting the listener’s focus to the nuances of gradual variation as it happens texturally, microtonally, and acoustically. In fact, it is the collective goal of these compositions to induce a heightened harmonic and temporal space for both the listener and the player in equal parts; to give reverence to the practice of listening, to the active construction of space, and to the experience of moderated time.\u003cbr\u003e\u003cbr\u003eVarious non-equal tuning systems are also observed in these compositions, including several forms of septimal just intonation, a “well” temperament, and the standard quarter-comma meantone temperament that Davachi often gives particular preference to. Iteration – that is, the notion that repetition with even the slightest deviations in articulation can reveal an endless capacity for altered perception – has been a constant influence in her work, and becomes especially meaningful in the context of tuning, where sustained intervallic patterns vary greatly depending on their function within the system. In most cases across Two Sisters, there is a constancy of chordal structure that is shifted in a unique way simply through voicing, as in the continual exchange of dyads that constitute the movement of the piece ‘En Bas Tu Vois’, for instance.\u003cbr\u003e\u003cbr\u003eConceptually, there is a loose thread that runs through the compositional methods of Two Sisters, influenced by the allegory of ‘temperance’ in a minimalist aesthetic sense: “one foot on land, one foot in the water”, as it were, caught in the perpetual balance of restraint as delight and necessity. There are mirrored sonic and structural images throughout the album, also reflected in the iconography of the cover: the satyr and the subject, the shared gaze between head and body, the dialogue between cerebral and physical response, as above so below. It’s like there’s two sisters of faith and chance.\u003cbr\u003e\u003cbr\u003eBIOGRAPHY\u003cbr\u003eAs a composer and performer of electroacoustic music, Sarah Davachi's work is concerned with the close intricacies of intimate aural space, utilizing extended durations and simple harmonic structures that emphasize subtle variations in texture, overtone complexity, psychoacoustic phenomena, and temperament and intonation. Similarly informed by minimalist tenets of the 1960s and 1970s, baroque leanings toward slow-moving chordal suspensions, and experimental production practices of the recording studio environment, in her sound is manifest an experience that lessens apprehension of consonance and dissonance in likeness of the familiar and the distant. Davachi has toured extensively across the globe and has shared the stage with artists such as Grouper, the London Contemporary Orchestra, William Basinski, Oren Ambarchi, Ariel Kalma, the BBC Scottish Symphony Orchestra, Jessica Moss, Donald Buchla, Alessandro Cortini, Ian William Craig, Kara-lis Coverdale, Aaron Dilloway, Robert Aiki Aubrey Lowe, Ellen Arkbro, Loren Connors and filmmaker Paul Clipson. Between 2007 and 2017, Davachi also had the unique opportunity to work for the National Music Centre in Canada as an interpreter and content developer of their collection of acoustic and electronic keyboard instruments. She has held artist residencies at The Banff Centre for the Arts (Banff, Canada), STEIM (Amsterdam, Netherlands), WORM (Rotterdam, Netherlands), EMS (Stockholm, Sweden), OBORO (Montréal, Canada), MESS (Melbourne, Australia), and with the Bozzini Quartet (Montréal, Canada). Davachi is currently a doctoral candidate in musicology at UCLA – where she works on the aesthetic phenomenology of musical instruments and timbre in popular, experimental, and early music – and is based in Los Angeles, California.\u003c\/p\u003e\n\u003cp\u003eA1. Hall of Mirrors\u003cbr\u003eA2. Alas, Departing\u003cbr\u003eA3. Vanity of Ages\u003cbr\u003e\u003cbr\u003eB1. Icon Studies I\u003cbr\u003eB2. Harmonies in Bronze\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eC1. Harmonies in Green\u003cbr\u003eC2. Icon Studies II\u003cbr\u003e\u003cbr\u003eD1. En Bas Tu Vois\u003cbr\u003eD2. O World and the Clear Song\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Sarah Davachi - En Bas Tu Vois\" src=\"https:\/\/www.youtube.com\/embed\/qVxvuunIr_s\" height=\"360\" width=\"640\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"LATE MUSIC","offers":[{"title":"Default Title","offer_id":41745555390620,"sku":"LMVLP","price":35.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BlackVinyl_Book.jpg?v=1657100258"},{"product_id":"sudan-archives-natural-brown-prom-queen-black-lp","title":"Sudan Archives - Natural Brown Prom Queen [Black LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: STH2449-1LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0659457244910\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Hip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e• Natural Brown Prom Queen is Sudan Archives’ second album following her widely celebrated 2019 debut Athena.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Over its 18 epic and ambitious tracks, Natural Brown Prom Queen shows a new side to Sudan Archives: Brittney Parks or Britt, the girl-next-door.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• On this album, Sudan explores themes of race, womanhood and family.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Natural Brown Prom Queen features the singles “Home Maker” and “Selfish Soul”, released in Spring 2022 to great acclaim\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Available on standard black vinyl, indies Orange Dream vinyl and CD.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e• Violinist, singer, songwriter and producer Sudan Archives is back with her second album Natural Brown Prom Queen, the follow up to her hit debut Athena.\u003cbr data-mce-fragment=\"1\"\u003e• Campaign creative to centre around visual themes of Prom and Y2K.\u003cbr data-mce-fragment=\"1\"\u003e• Campaign also includes a wide range of video content including music videos by top-tier directors including Jocelyn Anquetil (King Krule, Bree Runway), Agusta YR (Remi Wolf) and Trey Lyons (Kehlani, Audrey Nuna).\u003cbr data-mce-fragment=\"1\"\u003e• Sudan Archives recently appeared on Neneh Cherry’s covers album The Versions and Ocean Child: Songs of Yoko Ono (both 2022).\u003cbr data-mce-fragment=\"1\"\u003e• Touring includes festivals in Aug\/Sept (End of the Road, All Points East, Forwards) and headliner in Oct\/Nov (500+ cap venues in US, UK \u0026amp; Europe).\u003cbr data-mce-fragment=\"1\"\u003e• Press for singles “Home Maker” and “Selfish Soul” in New York Times, Pitchfork (Best New Track), Clash, Line of Best Fit, COLORS, The Needle Drop, and many more.\u003cbr data-mce-fragment=\"1\"\u003e• Radio for singles “Home Maker” and “Selfish Soul”: BBC 6 Music, SiriusXMU, Radio Nova, FIP, and many more.\u003cbr data-mce-fragment=\"1\"\u003e• Gatefold 2LP with childhood photos of Sudan on the inner sleeves. Vinyl editions are standard, galaxy-effect orange vinyl (indies), translucent gold (Rough Trade), and black.\u003cbr data-mce-fragment=\"1\"\u003e• Sudan Archives has been selected as a 2022 YouTube Foundry artist.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist\u003cbr data-mce-fragment=\"1\"\u003e1. Home Maker\u003cbr data-mce-fragment=\"1\"\u003e2. NBPQ (Topless)\u003cbr data-mce-fragment=\"1\"\u003e3. Is This Real? (Can You Hear Yourself?)\u003cbr data-mce-fragment=\"1\"\u003e4. Ciara\u003cbr data-mce-fragment=\"1\"\u003e5. Selfish Soul\u003cbr data-mce-fragment=\"1\"\u003e6. Loyal (EDD)\u003cbr data-mce-fragment=\"1\"\u003e7. OMG BRITT\u003cbr data-mce-fragment=\"1\"\u003e8. ChevyS10\u003cbr data-mce-fragment=\"1\"\u003e9. Copycat (Broken Notions)\u003cbr data-mce-fragment=\"1\"\u003e10. It’s Already Done\u003cbr data-mce-fragment=\"1\"\u003e11. FLUE\u003cbr data-mce-fragment=\"1\"\u003e12. TDLY (Homegrown Land)\u003cbr data-mce-fragment=\"1\"\u003e13. Do Your Thing (Refreshing Springs)\u003cbr data-mce-fragment=\"1\"\u003e14. Freakalizer\u003cbr data-mce-fragment=\"1\"\u003e15. Homesick \u2028(Gorgeous \u0026amp; Arrogant)\u003cbr data-mce-fragment=\"1\"\u003e16. Milk Me\u003cbr data-mce-fragment=\"1\"\u003e17. Yellow Brick Road\u003cbr data-mce-fragment=\"1\"\u003e18. #513\u003c\/p\u003e","brand":"stones Throw","offers":[{"title":"Default Title","offer_id":41748156285084,"sku":"STH2449-1LP","price":33.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/STH2449SudanArchives-NaturalBrownPromQueenvinyl-black.png?v=1657185890"},{"product_id":"sudan-archives-natural-brown-prom-queen-cd","title":"Sudan Archives - Natural Brown Prom Queen [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: STH2449-2CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0659457244927\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Hip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003e• Natural Brown Prom Queen is Sudan Archives’ second album following her widely celebrated 2019 debut Athena. \u003cbr\u003e\u003cbr\u003e• Over its 18 epic and ambitious tracks, Natural Brown Prom Queen shows a new side to Sudan Archives: Brittney Parks or Britt, the girl-next-door. \u003cbr\u003e\u003cbr\u003e• On this album, Sudan explores themes of race, womanhood and family. \u003cbr\u003e\u003cbr\u003e• Natural Brown Prom Queen features the singles “Home Maker” and “Selfish Soul”, released in Spring 2022 to great acclaim\u003cbr\u003e\u003cbr\u003e• Available on standard black vinyl, indies Orange Dream vinyl and CD.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e• Violinist, singer, songwriter and producer Sudan Archives is back with her second album Natural Brown Prom Queen, the follow up to her hit debut Athena. \u003cbr\u003e• Campaign creative to centre around visual themes of Prom and Y2K. \u003cbr\u003e• Campaign also includes a wide range of video content including music videos by top-tier directors including Jocelyn Anquetil (King Krule, Bree Runway), Agusta YR (Remi Wolf) and Trey Lyons (Kehlani, Audrey Nuna).\u003cbr\u003e• Sudan Archives recently appeared on Neneh Cherry’s covers album The Versions and Ocean Child: Songs of Yoko Ono (both 2022).\u003cbr\u003e• Touring includes festivals in Aug\/Sept (End of the Road, All Points East, Forwards) and headliner in Oct\/Nov (500+ cap venues in US, UK \u0026amp; Europe).\u003cbr\u003e• Press for singles “Home Maker” and “Selfish Soul” in New York Times, Pitchfork (Best New Track), Clash, Line of Best Fit, COLORS, The Needle Drop, and many more.\u003cbr\u003e• Radio for singles “Home Maker” and “Selfish Soul”: BBC 6 Music, SiriusXMU, Radio Nova, FIP, and many more. \u003cbr\u003e• Gatefold 2LP with childhood photos of Sudan on the inner sleeves. Vinyl editions are standard, galaxy-effect orange vinyl (indies), translucent gold (Rough Trade), and black. \u003cbr\u003e• Sudan Archives has been selected as a 2022 YouTube Foundry artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1. Home Maker \u003cbr\u003e2. NBPQ (Topless)\u003cbr\u003e3. Is This Real? (Can You Hear Yourself?)\u003cbr\u003e4. Ciara \u003cbr\u003e5. Selfish Soul\u003cbr\u003e6. Loyal (EDD)\u003cbr\u003e7. OMG BRITT\u003cbr\u003e8. ChevyS10\u003cbr\u003e9. Copycat (Broken Notions)\u003cbr\u003e10. It’s Already Done\u003cbr\u003e11. FLUE \u003cbr\u003e12. TDLY (Homegrown Land)\u003cbr\u003e13. Do Your Thing (Refreshing Springs)\u003cbr\u003e14. Freakalizer\u003cbr\u003e15. Homesick \u2028(Gorgeous \u0026amp; Arrogant)\u003cbr\u003e16. Milk Me\u003cbr\u003e17. Yellow Brick Road\u003cbr\u003e18. #513\u003cbr\u003e\u003c\/p\u003e","brand":"stones Throw","offers":[{"title":"Default Title","offer_id":41748159791260,"sku":"STH2449-2CD","price":13.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/SA_NBPQ_DIGITAL_RGB_a44e41f0-bf5f-491d-ad4b-b1c219a9e080.jpg?v=1657185923"},{"product_id":"a-certain-ratio-ep-acr","title":"A Certain Ratio - EP:ACR","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: CDSTUMM484\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 5400863082802\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e A Certain Ratio presents ‘EP:ACR’, the unity of their EP trilogy series on CD. This includes ‘ACR:EPA’, ‘ACR:EPC’ and ‘ACR:EPR’, and will be the first time that these 2021 titles are made available on CD.\u003cbr\u003e The first part is ‘EPA’, dedicated to Denise Johnson. It features the band’s final recordings with Denise and came about when they used up some remaining time booked in the studio for a\u003cbr\u003eday jam with no fixed agenda, and the result is something very special.\u003cbr\u003e Next up is ‘EPC’, a collaboration EP with Andy Meecham (Emperor Machine), Maria Uzor from Sink Ya Teeth, Jacknife Lee, and Chris Massey (who remixed their song ‘Dirty Boy’ back in 2019). The whole EP is dedicated to longtime ACR friend Andrew Weatherall, the inspiration for the song ‘Guv’nor’, which the band describe as “a collaboration in spirit.”\u003cbr\u003e The final piece of the trilogy is ‘EPR’, which was recorded with the internal brief that ‘anything goes’. EPR includes Part 2 and Part 1 (in that order!) of the mesmerising ‘$ouls In The City’,\u003cbr\u003efollowed by the insanely catchy ‘Night People’, ‘Big Boy Pants’ and the final track ‘Downtime Vibes’, a hypnotic piece of repetitive rhythms built up around a set of chimes that Jez found in the back of his car.\u003cbr\u003e CD in card Ecopac with booklet and sleeve notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklisting\u003cbr\u003eWonderland (Jam 6)\u003cbr\u003eKeep it Together (Jam 5)\u003cbr\u003eDown and Dirty (Jam 2)\u003cbr\u003eFeel No Fear (Jam 1)\u003cbr\u003eEmperor Machine (ACR vs The Emperor Machine)\u003cbr\u003eThe Guv’nor\u003cbr\u003eYOYOGRIP (Long)\u003cbr\u003eMusik Kontrol (ACR vs Massey)\u003cbr\u003e$ouls in The City Part 2 \u0026amp; 1\u003cbr\u003eNight People\u003cbr\u003eBig Boy Pants\u003cbr\u003eDowntime Vibes\u003c\/span\u003e\u003c\/p\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":41842560925852,"sku":"CDSTUMM484","price":15.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_b5a83fbc-15c3-4cf4-9a0d-06e6be8a32cd.webp?v=1660405617"},{"product_id":"a-certain-ratio-loco-live-at-hope-mills-studios","title":"A Certain Ratio - Loco Live at Hope Mills Studios","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: MCDSTUMM454\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863067823\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003e A Certain Ratio present their recording of the ‘Loco Live at Hope Mill Studios’ session, originally a live stream of the band’s sensational 2020 album ‘ACR Loco’.\u003cbr\u003e After a 12-year hiatus releasing albums, ‘ACR Loco’ was created by a confident and revitalised ACR. The band had jumped back into the studio after their most successful tour in over 20 years to\u003cbr\u003erecord ‘ACR Loco’, and in the lead up to the release, they filmed and recorded this live session at the heart of the Manchester music scene - Hope Mill Studios. The session featured Maria Uzor of Sink Ya Teeth on vocals and the recorded vocals of the much-missed Denise Johnson.\u003cbr\u003e “‘ACR Loco’ feels more than anything like a celebration - the long awaited re-arrival of one of the best bands to ever bring post-punk to the dancefloor.” - Treble\u003cbr\u003e “Ladies and gentlemen, welcome to ‘ACR:Loco’, a forward-looking genre-defying slice of musical majesty.” - Narc\u003cbr\u003e “On their first new album in over a decade, Manchester’s funkiest post-punk band offer an imperfect distillation of their 40-year legacy, updating their classic sound with nods to\u003cbr\u003econtemporary beat-driven music and political strife.” - Pop Matters\u003cbr\u003e Available on CD in Eco card packaging.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eFriends Around Us (Live at Hope Mill Studios)\u003cbr\u003eBouncy Bouncy (Live at Hope Mill Studios)\u003cbr\u003eYo Yo Gi (Live at Hope Mill Studios)\u003cbr\u003eSupafreak (Live at Hope Mill Studios)\u003cbr\u003eAlways In Love (Live at Hope Mill Studios)\u003cbr\u003eFamily (Live at Hope Mill Studios)\u003cbr\u003eGet A Grip (Live at Hope Mill Studios)\u003cbr\u003eBerlin (Live at Hope Mill Studios)\u003cbr\u003eWhat’s Wrong (Live at Hope Mill Studios)\u003cbr\u003eTaxi Guy (Live at Hope Mill Studios)\u003c\/p\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":41842563711132,"sku":"MCDSTUMM454","price":15.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_a09fab4e-9d8a-49cc-8c2f-c336dfcb1c0d.jpg?v=1660405723"},{"product_id":"bitchin-bajas-bajascillators-cassette","title":"Bitchin Bajas - Bajascillators [Cassette]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Cassette\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DC781C\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0781484078142\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e ‘Amorpha’, a side-long shower of synthetic bells and bass, as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003epatterns interlock and repeat and the beat within the bar lines\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eshifts constantly, forms a new, latest miniature of infinity. You flip\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eit, and ‘Geomancy’ resets you, starting anew, with heavy drift and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edrone leading into a space of shorter broken lines and Middle\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEastern tonalities, that roll back into ether again - new spaces, but\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emysteriously consonant with the vibe.\u003cbr data-mce-fragment=\"1\"\u003e ‘Bajascillators’ arrives almost five years since their last official full-length, 2017’s ‘Bajas Fresh’. In the eight years prior to ‘Bajas\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFresh’, Bitchin Bajas issued seven albums, plus cassettes, EPs,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esingles… wave after wave of analogue synth tones and zones\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eextending into a stratospheric arc. Each release its own\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eheadspace, shape and timbre, each one sliding naturally into their\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eimplacable, eternal gene pool.\u003cbr data-mce-fragment=\"1\"\u003e Following the flow, always, the Bajas went ever-deeper-and higher\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eon these records, whether making soundtracks or collaborating with Bonnie ‘Prince’ Billy, using only fortune cookie fortunes as a libretto. Plus engagement, with a steady stream of shows and tours around the world; live re-airings and expansions of the space captured in their records as they continued to grow and flow - all the way through, really, to the present moment.\u003cbr data-mce-fragment=\"1\"\u003e Plus, there have been releases since 2017 - a split 12”, a 7”\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esingle, digital track release and two ‘Cuts’ cassettes, plus the all-covers cassette release ‘Switched On Ra’. But the overall number\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eof releases, plus the five years between long players, implies a potential distance between phases, a new line in the sand. The sound of Bajascillators bear this out. How couldn’t it? Compared to 2017, this is a different world.\u003cbr data-mce-fragment=\"1\"\u003e Mastered directly from half-inch analogue tape, ‘Bajascillators’\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efloats transparently from the speakers, its expansive grooves\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egathering resonance and building momentum over the four sides,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efrom genesis to re-conclusion, cascading ecstatically. The elastic magic of time at its brightest. As the world keeps turning, so too do Bitchin Bajas, in the same unknowable way. You can’t explain it - just keep turning.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eAmorpha\u003cbr data-mce-fragment=\"1\"\u003eGeomancy\u003cbr data-mce-fragment=\"1\"\u003eWorld B. Free\u003cbr data-mce-fragment=\"1\"\u003eQuakenbrück\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":41842573705372,"sku":"DC781C","price":13.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_f1da43bb-18f9-47ab-9cd7-789eb6894750.jpg?v=1660406122"},{"product_id":"bitchin-bajas-bajascillators-2lp","title":"Bitchin Bajas - Bajascillators [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DC781 \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0781484078111\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003e ‘Amorpha’, a side-long shower of synthetic bells and bass, as patterns interlock and repeat and the beat within the bar lines shifts constantly, forms a new, latest miniature of infinity. You flip it, and ‘Geomancy’ resets you, starting anew, with heavy drift and drone leading into a space of shorter broken lines and Middle Eastern tonalities, that roll back into ether again - new spaces, but mysteriously consonant with the vibe. \u003cbr\u003e ‘Bajascillators’ arrives almost five years since their last official full-length, 2017’s ‘Bajas Fresh’. In the eight years prior to ‘Bajas Fresh’, Bitchin Bajas issued seven albums, plus cassettes, EPs, singles… wave after wave of analogue synth tones and zones extending into a stratospheric arc. Each release its own headspace, shape and timbre, each one sliding naturally into their implacable, eternal gene pool. \u003cbr\u003e Following the flow, always, the Bajas went ever-deeper-and higher on these records, whether making soundtracks or collaborating with Bonnie ‘Prince’ Billy, using only fortune cookie fortunes as a libretto. Plus engagement, with a steady stream of shows and tours around the world; live re-airings and expansions of the space captured in their records as they continued to grow and flow - all the way through, really, to the present moment. \u003cbr\u003e Plus, there have been releases since 2017 - a split 12”, a 7” single, digital track release and two ‘Cuts’ cassettes, plus the all-covers cassette release ‘Switched On Ra’. But the overall number of releases, plus the five years between long players, implies a potential distance between phases, a new line in the sand. The sound of Bajascillators bear this out. How couldn’t it? Compared to 2017, this is a different world. \u003cbr\u003e Mastered directly from half-inch analogue tape, ‘Bajascillators’ floats transparently from the speakers, its expansive grooves gathering resonance and building momentum over the four sides, from genesis to re-conclusion, cascading ecstatically. The elastic magic of time at its brightest. As the world keeps turning, so too do Bitchin Bajas, in the same unknowable way. You can’t explain it - just keep turning.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eAmorpha\u003cbr\u003eGeomancy\u003cbr\u003eWorld B. Free\u003cbr\u003eQuakenbrück\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":41842573934748,"sku":"DC781","price":37.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_7538fbef-ff33-443b-8862-1fb5c4080537.jpg?v=1660406137"},{"product_id":"built-to-spill-when-the-wind-forgets-your-name-cassette","title":"Built to Spill - When The Wind Forgets Your Name [Cassette]","description":"\u003cp\u003eFormat: Cassette\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SPCS1510\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0098787151046\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eSince its inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of incredible musicians making music and playing live together. “I wanted to switch the line-up for many reasons. Each time we finish a record I want the next one to sound totally different. It’s fun to play with people who bring in new styles and ideas,” says Martsch. “And it’s nice to be in a band with people who aren’t sick of me yet.”\u003cbr\u003e\u003cbr\u003eFollowing several albums and EPs on Pacific Northwest independent labels, including the unmistakably canonical indie rock classic, There’s Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more, inarguably great albums during that time – Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band’s impeccable recorded catalogue is the entry point, Built to Spill live is an essential FORCE of its own: heavy, psychedelic, melodic and visceral tunes blaring from amps that sound as if they’re powered by Mack trucks.\u003cbr\u003e\u003cbr\u003eNow in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch’s unbelievably great new album (and also his eighth full-length)... with a fresh new label. “I’m psyched: I’ve wanted to be on Sub Pop since I was a teenager. And I think I’m the first fifty year-old they’ve ever signed.” (The rumours' are true, we love quinquagenarians…)\u003cbr\u003e\u003cbr\u003eMartsch concludes, “Making When the Wind Forgets Your Name was such a great experience. I had an It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.\u003cbr\u003e\u003cbr\u003e1. Gonna Lose\u003cbr\u003e2. Fool’s Gold\u003cbr\u003e3. Understood\u003cbr\u003e4. Elements\u003cbr\u003e5. Rock Steady\u003cbr\u003e6. Spiderweb\u003cbr\u003e7. Never Alright\u003cbr\u003e8. Alright\u003cbr\u003e9. Comes a Day\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":41842597429404,"sku":"SPCS1510","price":9.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_33822ff7-aa1b-413a-8862-d5c14ba4acb3.jpg?v=1660406407"},{"product_id":"gabe-gurnsey-diablo-cd","title":"Gabe Gurnsey - Diablo [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PHLP16CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863063108\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Techno\u003c\/p\u003e\n\u003cp\u003e Gabe Gurnsey announces his new album, ‘Diablo’, due for release via Phantasy. “‘Push’ is all about lustful energy,” Gurnsey says of the album opener. “Recreating that immediate feeling of connection with someone and knowing it’s going to take you on some twisted euphoric journey. Where will we end up?”\u003c\/p\u003e\n\u003cp\u003e Close your eyes and listen to Gabe Gurnsey’s latest offering, ‘Diablo’. You might be transported to a German autobahn after nightfall, strobe lights flashing in your private imaginarium. Or perhaps to a dimly lit basement, getting your top off as sound cascades off concrete walls. ‘Diablo’ moves in unexpected directions, and you quickly realise you can relax and trust it to make you feel extremely good. We’re in a place of giddy echoes, 808 boings, sexy-menacing vocals and soft throbs, with lyrics full of pleasure and desire; like proper rave lyrics, they are in turn filthy, grandiose, devotional, and cryptic.\u003c\/p\u003e\n\u003cp\u003e ‘Diablo’ is the follow-up to Gurnsey’s acclaimed 2018 debut, ‘Physical’, on Erol Alkan’s Phantasy Sound. Where ‘Physical’ followed the arc of a night out in a linear way, ‘Diablo’ expands time, slows it down and opens it up, showing a quiet confidence and progression, and making judicious use of Gurnsey’s girlfriend, Tilly Morris, whose role is that of both muse and collaborator. “I wanted Tilly to dominate on ‘Diablo’,” Gurnsey explains. “I wanted her to have free rein. This album works because of her influence, her input.”\u003c\/p\u003e\n\u003cp\u003e Morris - who was also featured on ‘Physical’ - sings on most of ‘Diablo’’s tracks, contributed to the lyrics, melodies, and synths, and her image is the album artwork. An album with such a level of collaboration only feels this good when you can really trust somebody. “This record is formed out of a lot of trust and lust,” Gurnsey says. “And I think it's very honest in a lot of ways, in terms of letting go, in terms of exploring, just in terms of being a bit fucking happy.”\u003c\/p\u003e\n\u003cp\u003e Listening to ‘Diablo’, it’s striking just how much is being said with so little, its sparse instrumentation being offset with simple but devastating arrangements, and vocals that bring the humanity of the music to life. “Tilly’s been really great at assessing where I’m at: ‘Yeah, that's cool. That’s shite.’ We work together. I’ll come up with a melody or an idea for a vocal and then I’ll leave her to it and she’ll just add stuff. We’re both big fans of that manipulated vocal sound.”\u003c\/p\u003e\n\u003cp\u003e Perhaps the biggest change for Gabe is that he is no longer a drummer, a role he thrived in as a member of Factory Floor, whose uncompromising approach to electronic music made them one of the UK’s most energetic live acts. ‘Physical’ still contained plenty of his tough syncopated rhythms, but on ‘Diablo’ he’s mainly programming them rather than stuck behind the traps. “It just didn’t really suit it as much,” he confesses. “It didn't really need it.” Nonetheless, rhythm is still at the centre of his songwriting process. “100% start with the drums - and bass. And then the melody. That’s always the foundation. Get the drums right, and you’re pretty much on your way, aren’t you?”\u003c\/p\u003e\n\u003cp\u003e ‘Diablo’ is an urban record, and you can hear and feel that city edge on every track, most of them pure dancefloor fire. On ‘Blessings’ Gabe’s vocal channels a post-futurist Donna Summer as the song drives towards Munich’s Hansa studios for an evening rendezvous with Giorgio Moroder. Tilly’s confessional vocal on ‘Higher Estates’ pushes and pulses through the sublime pleasure of urban squalor. The drum-less ‘To Love In A Sea Of Fire’ contains little more than a coruscating bass and synth pads to accompany the lure of Tilly’s sarcastic drawl.\u003c\/p\u003e\n\u003cp\u003e Title track ‘Diablo’ sees Gabe and Tilly deliver a disembodied duet, love-sparring like a postapocalyptic Donny \u0026amp; Marie Osmond - they reprise this routine on ‘So Sweet’ (which is anything but): “I’m breaking at the thought of your love, I’m shaking at the thought of your mind.” ‘Power Passion’ has a touch of wine bar and a hint of Daft Punk and ‘You Remind Me’ is all sharp little squelches, stutters, and swooning sunrise vocals. ‘Give Me’ shifts from demand (“Give me your loving”) to begging (“Give me your loving”) in the sweetest and sexiest way. ‘To The Room’ closes the record with a sinister softness, glimpses through a doorway into other possibilities.\u003c\/p\u003e\n\u003cp\u003e You’ll hear all sorts of influences here, from Peaches, Detroit techno, deep house, electro, Suicide and Eurythmics. It’s a generous stew which shows its appreciation for his forebears without ever being overshadowed by them. “I love the’80s,” he admits. “It’s been a big influence. There’s just something quite melancholy about that era, isn't there?” Let’s face it, most of the best dance music has that minor-key sadness, channelled to perfection by Gurnsey and Morris.\u003c\/p\u003e\n\u003cp\u003e 2LP pressed on neon pink vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003ePush\u003cbr\u003eHey Diablo\u003cbr\u003ePower Passion\u003cbr\u003eYou Remind Me\u003cbr\u003eI Love A Sea On Fire\u003cbr\u003eGive Me\u003cbr\u003eBlessings\u003cbr\u003eHigher Estates\u003cbr\u003eSo Sweet\u003cbr\u003eTo The Room\u003c\/p\u003e","brand":"Phantasy Sound \/ [PIAS]","offers":[{"title":"Default Title","offer_id":41842613158044,"sku":"PHLP16CD","price":15.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_2dc60156-53f9-40e2-9e42-b47d6e9631b5.jpg?v=1660406826"},{"product_id":"gabe-gurnsey-diablo-neon-pink-coloured-vinyl","title":"Gabe Gurnsey - Diablo [Neon Pink coloured vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 2 x LP, Neon Pink coloured vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PHLP16\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863063078\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Techno\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Gabe Gurnsey announces his new album, ‘Diablo’, due for release via Phantasy. “‘Push’ is all about lustful energy,” Gurnsey says of the album opener. “Recreating that immediate feeling of connection with someone and knowing it’s going to take you on some twisted euphoric journey. Where will we end up?”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Close your eyes and listen to Gabe Gurnsey’s latest offering, ‘Diablo’. You might be transported to a German autobahn after nightfall, strobe lights flashing in your private imaginarium. Or perhaps to a dimly lit basement, getting your top off as sound cascades off concrete walls. ‘Diablo’ moves in unexpected directions, and you quickly realise you can relax and trust it to make you feel extremely good. We’re in a place of giddy echoes, 808 boings, sexy-menacing vocals and soft throbs, with lyrics full of pleasure and desire; like proper rave lyrics, they are in turn filthy, grandiose, devotional, and cryptic.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e ‘Diablo’ is the follow-up to Gurnsey’s acclaimed 2018 debut, ‘Physical’, on Erol Alkan’s Phantasy Sound. Where ‘Physical’ followed the arc of a night out in a linear way, ‘Diablo’ expands time, slows it down and opens it up, showing a quiet confidence and progression, and making judicious use of Gurnsey’s girlfriend, Tilly Morris, whose role is that of both muse and collaborator. “I wanted Tilly to dominate on ‘Diablo’,” Gurnsey explains. “I wanted her to have free rein. This album works because of her influence, her input.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Morris - who was also featured on ‘Physical’ - sings on most of ‘Diablo’’s tracks, contributed to the lyrics, melodies, and synths, and her image is the album artwork. An album with such a level of collaboration only feels this good when you can really trust somebody. “This record is formed out of a lot of trust and lust,” Gurnsey says. “And I think it's very honest in a lot of ways, in terms of letting go, in terms of exploring, just in terms of being a bit fucking happy.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Listening to ‘Diablo’, it’s striking just how much is being said with so little, its sparse instrumentation being offset with simple but devastating arrangements, and vocals that bring the humanity of the music to life. “Tilly’s been really great at assessing where I’m at: ‘Yeah, that's cool. That’s shite.’ We work together. I’ll come up with a melody or an idea for a vocal and then I’ll leave her to it and she’ll just add stuff. We’re both big fans of that manipulated vocal sound.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Perhaps the biggest change for Gabe is that he is no longer a drummer, a role he thrived in as a member of Factory Floor, whose uncompromising approach to electronic music made them one of the UK’s most energetic live acts. ‘Physical’ still contained plenty of his tough syncopated rhythms, but on ‘Diablo’ he’s mainly programming them rather than stuck behind the traps. “It just didn’t really suit it as much,” he confesses. “It didn't really need it.” Nonetheless, rhythm is still at the centre of his songwriting process. “100% start with the drums - and bass. And then the melody. That’s always the foundation. Get the drums right, and you’re pretty much on your way, aren’t you?”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e ‘Diablo’ is an urban record, and you can hear and feel that city edge on every track, most of them pure dancefloor fire. On ‘Blessings’ Gabe’s vocal channels a post-futurist Donna Summer as the song drives towards Munich’s Hansa studios for an evening rendezvous with Giorgio Moroder. Tilly’s confessional vocal on ‘Higher Estates’ pushes and pulses through the sublime pleasure of urban squalor. The drum-less ‘To Love In A Sea Of Fire’ contains little more than a coruscating bass and synth pads to accompany the lure of Tilly’s sarcastic drawl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Title track ‘Diablo’ sees Gabe and Tilly deliver a disembodied duet, love-sparring like a postapocalyptic Donny \u0026amp; Marie Osmond - they reprise this routine on ‘So Sweet’ (which is anything but): “I’m breaking at the thought of your love, I’m shaking at the thought of your mind.” ‘Power Passion’ has a touch of wine bar and a hint of Daft Punk and ‘You Remind Me’ is all sharp little squelches, stutters, and swooning sunrise vocals. ‘Give Me’ shifts from demand (“Give me your loving”) to begging (“Give me your loving”) in the sweetest and sexiest way. ‘To The Room’ closes the record with a sinister softness, glimpses through a doorway into other possibilities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e You’ll hear all sorts of influences here, from Peaches, Detroit techno, deep house, electro, Suicide and Eurythmics. It’s a generous stew which shows its appreciation for his forebears without ever being overshadowed by them. “I love the’80s,” he admits. “It’s been a big influence. There’s just something quite melancholy about that era, isn't there?” Let’s face it, most of the best dance music has that minor-key sadness, channelled to perfection by Gurnsey and Morris.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e 2LP pressed on neon pink vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr\u003ePush\u003cbr\u003eHey Diablo\u003cbr\u003ePower Passion\u003cbr\u003eYou Remind Me\u003cbr\u003eI Love A Sea On Fire\u003cbr\u003eGive Me\u003cbr\u003eBlessings\u003cbr\u003eHigher Estates\u003cbr\u003eSo Sweet\u003cbr\u003eTo The Room\u003c\/p\u003e","brand":"Phantasy Sound \/ [PIAS]","offers":[{"title":"Default Title","offer_id":41842613321884,"sku":"PHLP16","price":32.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_7673e71e-beb1-41de-b131-11ec221cff4d.jpg?v=1660406837"},{"product_id":"jockstrap-i-love-you-jennifer-b-cd","title":"Jockstrap - I Love You Jennifer B [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: RT0329CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0191402032925\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Pop\u003c\/p\u003e\n\u003cp\u003e London-based duo Jockstrap (Georgia Ellery and Taylor Skye) release their hotly anticipated debut full-length record, ‘I Love You Jennifer B’, via Rough Trade Records.\u003cbr\u003e Jockstrap previously hinted at ‘I Love You Jennifer B’’s impending release with their previous singles ‘50\/50’ and ‘Concrete Over Water’. Both of which were playlisted by BBC Radio 6 Music and received universal acclaim at national and international press.\u003cbr\u003e The cosmic accompanying video for ‘Concrete Over Water’ was premiered at an exclusive screening at The Castle Cinema, Hackney, followed by another of Jockstrap’s iconic parties at The Glove That Fits.\u003cbr\u003e Commenting on the impending album release, Jockstrap’s Georgia Ellery and Taylor Skye said: “‘I Love You Jennifer B’ is a collection of Jockstrap tracks that have been 3 years in the making. Everything on it is pretty singular sounding so we hope there is a track on there for everyone and something that speaks to you and says ‘I’m a banger.’” Skye added of ‘Glasgow’ (their new single): “‘Glasgow’ is our coming of age, moving forward, long-distance, travelling, beautiful bosk, wonderful thicket song.” And Ellery said of the song’s subject: “Glasgow is a great city, perhaps my favourite in the UK! Only downside is that it’s so damn cold all the time.”\u003cbr\u003e When Georgia Ellery and Taylor Skye make music as Jockstrap, the process and result has one definition: pure modern pop alchemy. With their debut album ‘I Love You Jennifer B’, Jockstrap will cement themselves as one of the most vital young groups to emerge from London’s melting pot of musical cultures in years.\u003cbr\u003e The vinyl format includes a sticker sheet.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eNeon\u003cbr\u003eJennifer B\u003cbr\u003eGreatest Hits\u003cbr\u003eWhat’s It All About?\u003cbr\u003eConcrete Over Water\u003cbr\u003eAngst\u003cbr\u003eDebra\u003cbr\u003eGlasgow\u003cbr\u003eLancaster Court\u003cbr\u003e50\/50 (Extended)\u003c\/p\u003e","brand":"Rough Trade Records","offers":[{"title":"Default Title","offer_id":41842623742108,"sku":"RT0329CD","price":13.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_281befbb-c939-47be-b17a-8b30cad849c3.png?v=1660407256"},{"product_id":"jockstrap-i-love-you-jennifer-b-lp","title":"Jockstrap - I Love You Jennifer B [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: RT0329LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0191402032918\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Pop\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e London-based duo Jockstrap (Georgia Ellery and Taylor Skye) release their hotly anticipated debut full-length record, ‘I Love You Jennifer B’, via Rough Trade Records.\u003cbr data-mce-fragment=\"1\"\u003e Jockstrap previously hinted at ‘I Love You Jennifer B’’s impending release with their previous singles ‘50\/50’ and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e‘Concrete Over Water’. Both of which were playlisted by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBBC Radio 6 Music and received universal acclaim at national and international press.\u003cbr data-mce-fragment=\"1\"\u003e The cosmic accompanying video for ‘Concrete Over Water’ was premiered at an exclusive screening at The Castle Cinema, Hackney, followed by another of Jockstrap’s iconic parties at The Glove That Fits.\u003cbr data-mce-fragment=\"1\"\u003e Commenting on the impending album release, Jockstrap’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eGeorgia Ellery and Taylor Skye said: “‘I Love You Jennifer\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eB’ is a collection of Jockstrap tracks that have been 3 years in the making. Everything on it is pretty singular sounding so we hope there is a track on there for everyone and something that speaks to you and says ‘I’m a banger.’” Skye added of ‘Glasgow’ (their new single): “‘Glasgow’ is our coming of age, moving forward, long-distance, travelling, beautiful bosk, wonderful thicket\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esong.” And Ellery said of the song’s subject: “Glasgow is a great city, perhaps my favourite in the UK! Only downside is that it’s so damn cold all the time.”\u003cbr data-mce-fragment=\"1\"\u003e When Georgia Ellery and Taylor Skye make music as Jockstrap, the process and result has one definition: pure modern pop alchemy. With their debut album ‘I Love You Jennifer B’, Jockstrap will cement themselves as one of the most vital young groups to emerge from London’s melting pot of musical cultures in years.\u003cbr data-mce-fragment=\"1\"\u003e The vinyl format includes a sticker sheet.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eNeon\u003cbr data-mce-fragment=\"1\"\u003eJennifer B\u003cbr data-mce-fragment=\"1\"\u003eGreatest Hits\u003cbr data-mce-fragment=\"1\"\u003eWhat’s It All About?\u003cbr data-mce-fragment=\"1\"\u003eConcrete Over Water\u003cbr data-mce-fragment=\"1\"\u003eAngst\u003cbr data-mce-fragment=\"1\"\u003eDebra\u003cbr data-mce-fragment=\"1\"\u003eGlasgow\u003cbr data-mce-fragment=\"1\"\u003eLancaster Court\u003cbr data-mce-fragment=\"1\"\u003e50\/50 (Extended)\u003c\/p\u003e","brand":"Rough Trade Records","offers":[{"title":"Default Title","offer_id":41842623971484,"sku":"RT0329LP","price":22.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_a8e8665e-49b2-4c76-8e9b-0d994b01624f.jpg?v=1660407269"},{"product_id":"jonathan-jeremiah-horsepower-for-the-streets-cd","title":"Jonathan Jeremiah - Horsepower For The Streets [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PIASD5069CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863081294\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e London-based British singer songwriter Jonathan Jeremiah confirms his new album, his second for [PIAS] Recordings, ‘Horsepower For The Streets’.\u003cbr\u003e Contains the singles ‘Horsepower For The Streets’ and ‘Restless Heart’.\u003cbr\u003e Much of ‘Horsepower For The Streets’ was written in Saint-Pierre-De-Côle, the countryside beyond Bordeaux, during breaks in Jeremiah’s first tour of France, before the album was recorded in a\u003cbr\u003erenovated monumental church in Amsterdam, with Amsterdam Sinfonietta, a 20-piece string orchestra.\u003cbr\u003e For fans of Michael Kiwanuka, Black Pumas, Villagers, Charles Bradley.\u003cbr\u003e Radio - 6 Music Guy Garvey, Cerys Mathews, Huw Stephens.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eHorsepower For The Streets\u003cbr\u003eYou Make Me Feel This Way\u003cbr\u003eCut A Black Diamond\u003cbr\u003eSmall Mercies\u003cbr\u003eThe Rope\u003cbr\u003eRestless Heart\u003cbr\u003eYoungblood\u003cbr\u003eTen-storey Falling\u003cbr\u003eEarly Warning Sign\u003cbr\u003eLucky\u003cbr\u003eSirens In The Silence\u003c\/p\u003e","brand":"[PIAS] Recordings Germany","offers":[{"title":"Default Title","offer_id":41842633212060,"sku":"PIASD5069CD","price":15.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_37931623-a210-4d03-afb6-93aba3dcdd4d.jpg?v=1660407488"},{"product_id":"jonathan-jeremiah-horsepower-for-the-streets-lp","title":"Jonathan Jeremiah - Horsepower For The Streets [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PIASD5069LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863081300\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e London-based British singer songwriter Jonathan Jeremiah confirms his new album, his second for [PIAS] Recordings, ‘Horsepower For The Streets’.\u003cbr data-mce-fragment=\"1\"\u003e Contains the singles ‘Horsepower For The Streets’ and ‘Restless Heart’.\u003cbr data-mce-fragment=\"1\"\u003e Much of ‘Horsepower For The Streets’ was written in Saint-Pierre-De-Côle, the countryside beyond Bordeaux, during breaks in Jeremiah’s first tour of France, before the album was recorded in a\u003cbr data-mce-fragment=\"1\"\u003erenovated monumental church in Amsterdam, with Amsterdam Sinfonietta, a 20-piece string orchestra.\u003cbr data-mce-fragment=\"1\"\u003e For fans of Michael Kiwanuka, Black Pumas, Villagers, Charles Bradley.\u003cbr data-mce-fragment=\"1\"\u003e Radio - 6 Music Guy Garvey, Cerys Mathews, Huw Stephens.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eHorsepower For The Streets\u003cbr data-mce-fragment=\"1\"\u003eYou Make Me Feel This Way\u003cbr data-mce-fragment=\"1\"\u003eCut A Black Diamond\u003cbr data-mce-fragment=\"1\"\u003eSmall Mercies\u003cbr data-mce-fragment=\"1\"\u003eThe Rope\u003cbr data-mce-fragment=\"1\"\u003eRestless Heart\u003cbr data-mce-fragment=\"1\"\u003eYoungblood\u003cbr data-mce-fragment=\"1\"\u003eTen-storey Falling\u003cbr data-mce-fragment=\"1\"\u003eEarly Warning Sign\u003cbr data-mce-fragment=\"1\"\u003eLucky\u003cbr data-mce-fragment=\"1\"\u003eSirens In The Silence\u003c\/p\u003e","brand":"[PIAS] Recordings Germany","offers":[{"title":"Default Title","offer_id":41842633539740,"sku":"PIASD5069LP","price":28.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_13daecb6-6a92-4886-8c5c-a0e2a3ac0255.jpg?v=1660407501"},{"product_id":"marlon-williams-my-boy-lp","title":"Marlon Williams - My Boy [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC277LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605157719\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e ‘My Boy’, the third solo record from New Zealand singer \/ songwriter Marlon Williams, announces an artist emerging anew. Gone is the solemn, country-indebted crooner with the velvet voice - in his place comes a playful, shapeshifting creature.\u003cbr data-mce-fragment=\"1\"\u003e Following the release of his second album, 2018’s ‘Make Way For Love’, Williams’ toured the world, playing major festivals\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand collaborating with Lorde, Yo-Yo Ma and Florence Welch. He also forged a fledgling acting career with roles in films ‘The True History of the Kelly Gang’ and Netflix series ‘Sweet Tooth’, as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewell as a cameo in the Oscar-winning film ‘A Star Is Born’.\u003cbr data-mce-fragment=\"1\"\u003e ‘My Boy’ parlays this flush of worldly experience into a vivid\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erecord as spirited and kinetic as the unfolding life of its\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eperformer. “I’ve always explored different character elements in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emy music,” says Williams. “And the more I get into acting, the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emore tricks I’m learning about representation and presentation.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eTo get braver and bolder with exploring shifting contexts and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003enew ways of doing things.”\u003cbr data-mce-fragment=\"1\"\u003e As the pandemic paused global travel, Williams found himself at\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehome in New Zealand, reconnecting with family and friends.\u003cbr data-mce-fragment=\"1\"\u003eSoon new demos and lyrical themes emerged: of self-identity and escapism; tribalism and a gnarled family tree; and ruminations on the role of masculinity and mateship.\u003cbr data-mce-fragment=\"1\"\u003e Co-produced with Tom Healy and recorded at Roundhead\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eStudios in New Zealand, ‘My Boy’ finds Williams leading a new\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eband through a set of genre-hopping tunes: from the cheery\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esway of ‘My Boy’ and chugging ‘80s noir sheen of ‘Thinking Of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNina’, to the charging synth of ‘River Rival’, and the sultry pop\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ejam ‘Don’t Go Back’. All this sonic and emotional whiplash is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eintentional, and ultimately ‘My Boy’ sees Williams having fun,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eeven while interrogating the behaviours of himself and those\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003earound him.\u003cbr data-mce-fragment=\"1\"\u003e Previous performances \/ features for Conan, Later… with Jools\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHolland, Tiny Desk, NPR.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eMy Boy\u003cbr data-mce-fragment=\"1\"\u003eEasy Does It\u003cbr data-mce-fragment=\"1\"\u003eRiver Rival\u003cbr data-mce-fragment=\"1\"\u003eMy Heart The Wormhole\u003cbr data-mce-fragment=\"1\"\u003ePrinces Walk\u003cbr data-mce-fragment=\"1\"\u003eDon’t Go Back\u003cbr data-mce-fragment=\"1\"\u003eSoft Boys Make The Grade\u003cbr data-mce-fragment=\"1\"\u003eThinking Of Nina\u003cbr data-mce-fragment=\"1\"\u003eMorning Crystals\u003cbr data-mce-fragment=\"1\"\u003eTrips\u003cbr data-mce-fragment=\"1\"\u003ePromises\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41842641305756,"sku":"DOC277LP","price":26.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_4e5f9559-0e6b-4bda-946c-118daafee598.webp?v=1660407787"},{"product_id":"marlon-williams-my-boy-cd","title":"Marlon Williams - My Boy [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC277CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605157726\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp\u003e ‘My Boy’, the third solo record from New Zealand singer \/ songwriter Marlon Williams, announces an artist emerging anew. Gone is the solemn, country-indebted crooner with the velvet voice - in his place comes a playful, shapeshifting creature.\u003cbr\u003e Following the release of his second album, 2018’s ‘Make Way For Love’, Williams’ toured the world, playing major festivals and collaborating with Lorde, Yo-Yo Ma and Florence Welch. He also forged a fledgling acting career with roles in films ‘The True History of the Kelly Gang’ and Netflix series ‘Sweet Tooth’, as well as a cameo in the Oscar-winning film ‘A Star Is Born’.\u003cbr\u003e ‘My Boy’ parlays this flush of worldly experience into a vivid record as spirited and kinetic as the unfolding life of its performer. “I’ve always explored different character elements in my music,” says Williams. “And the more I get into acting, the more tricks I’m learning about representation and presentation. To get braver and bolder with exploring shifting contexts and new ways of doing things.”\u003cbr\u003e As the pandemic paused global travel, Williams found himself at home in New Zealand, reconnecting with family and friends.\u003cbr\u003eSoon new demos and lyrical themes emerged: of self-identity and escapism; tribalism and a gnarled family tree; and ruminations on the role of masculinity and mateship.\u003cbr\u003e Co-produced with Tom Healy and recorded at Roundhead Studios in New Zealand, ‘My Boy’ finds Williams leading a new band through a set of genre-hopping tunes: from the cheery sway of ‘My Boy’ and chugging ‘80s noir sheen of ‘Thinking Of Nina’, to the charging synth of ‘River Rival’, and the sultry pop jam ‘Don’t Go Back’. All this sonic and emotional whiplash is intentional, and ultimately ‘My Boy’ sees Williams having fun, even while interrogating the behaviours of himself and those around him.\u003cbr\u003e Previous performances \/ features for Conan, Later… with Jools Holland, Tiny Desk, NPR.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eMy Boy\u003cbr\u003eEasy Does It\u003cbr\u003eRiver Rival\u003cbr\u003eMy Heart The Wormhole\u003cbr\u003ePrinces Walk\u003cbr\u003eDon’t Go Back\u003cbr\u003eSoft Boys Make The Grade\u003cbr\u003eThinking Of Nina\u003cbr\u003eMorning Crystals\u003cbr\u003eTrips\u003cbr\u003ePromises\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41842641502364,"sku":"DOC277CD","price":13.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_5bd21c2a-d7f9-42a6-bfc7-71668f8bccfe.jpg?v=1660407798"},{"product_id":"the-midnight-heroes-cd","title":"The Midnight - Heroes [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: COUNTCD234\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5054429155976\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Coldwave\/Synth\u003c\/p\u003e\n\u003cp\u003e On their new album, ‘Heroes’, The Midnight fuse cinematic synths, arena rock chords and euphoric pop hooks with slivers of Springsteen. 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Includes digital download code.\u003cbr data-mce-fragment=\"1\"\u003e Translucent blue tape cassette housed in library case with fold out J-card insert.\u003cbr data-mce-fragment=\"1\"\u003e “Without question, one of the next iconic rock acts of the\u003cbr data-mce-fragment=\"1\"\u003egeneration… The Midnight’s performance has transcended to a jaw-dropping level.” - The Express (5*\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elive review)\u003cbr data-mce-fragment=\"1\"\u003e “Big soundscapes, dreamy vocals, and saxophone solos -\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efor years.” - BBC\u003cbr data-mce-fragment=\"1\"\u003e Their immersive world-building has attracted a rabid fanbase that is now over 1M strong across profiles - grown by over 45% since the last album release, ‘Monsters’, in 2020.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eGolden Gate\u003cbr data-mce-fragment=\"1\"\u003eBrooklyn. Friday. Love.\u003cbr data-mce-fragment=\"1\"\u003eHeartbeat\u003cbr data-mce-fragment=\"1\"\u003eA Place of Her Own\u003cbr data-mce-fragment=\"1\"\u003eHeroes\u003cbr data-mce-fragment=\"1\"\u003eHeart Worth Breaking\u003cbr data-mce-fragment=\"1\"\u003eLoved by You\u003cbr data-mce-fragment=\"1\"\u003eAerostar\u003cbr data-mce-fragment=\"1\"\u003eChange Your Heart or Die\u003cbr data-mce-fragment=\"1\"\u003eAvalanche\u003cbr data-mce-fragment=\"1\"\u003eSouvenir\u003cbr data-mce-fragment=\"1\"\u003ePhotograph\u003cbr data-mce-fragment=\"1\"\u003eEnergy Never Dies, It Just Transforms\u003c\/p\u003e","brand":"Counter Records","offers":[{"title":"Default Title","offer_id":41842656903324,"sku":"COUNTCAS234","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_04083e7e-3007-4e65-a5f2-c5c9eb6ec922.jpg?v=1660408377"},{"product_id":"mikado-koko-songs-to-our-other-selves-cd","title":"Mikado Koko - Songs To Our Other Selves [CD]","description":"\u003cp\u003eFormat: CD \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: CAL003CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5016958101183\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003e Japanese outsider avant-gardist, poet and producer, Mikado Koko, presents a new album ‘Songs To Our Other Selves’. The album is an exploration and continuation of Penny Rimbaud’s\u003cbr\u003eclassic fifty-track album ‘Acts of Love’, released in 1984.\u003cbr\u003e Penny Rimbaud composed, arranged and produced ‘Acts of Love’ with assistance from keyboardist Paul Ellis. The album consists of fifty short poems set to contemporary classical music,\u003cbr\u003eperformed by Eve Libertine and Paul Ellis, and is accompanied by a book of fifty collages by artist Gee Vaucher. Koko’s production takes Rimbaud’s classic work to new sonic territory whilst\u003cbr\u003emaintaining the integrity and concepts behind ‘Acts of Love’.\u003cbr\u003e For ‘Songs To Our Other Selves’, Koko has selected twenty tracks to extend Rimbaud’s short haiku-like bursts of energy into a fierce juggle of cutups and electronica, each track becoming a\u003cbr\u003epiece in its own right, yet somehow maintaining the poetic intensity of Rimbaud’s originals. Koko’s adaptations maintain the dramatic intensity of Rimbaud’s work, in particular allowing Libertine’s dynamically expressive vocal performances to demand attention whilst introducing glitchy, mind-bending electronic elements, warping Rimbaud’s recordings into otherworldly, surreal sounds.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eTrack 01\u003cbr\u003eTrack 02\u003cbr\u003eTrack 03\u003cbr\u003eTrack 04\u003cbr\u003eTrack 05\u003cbr\u003eTrack 06\u003cbr\u003eTrack 07\u003cbr\u003eTrack 08\u003cbr\u003eTrack 09\u003cbr\u003eTrack 10\u003cbr\u003eTrack 11\u003cbr\u003eTrack 12\u003cbr\u003eTrack 13\u003cbr\u003eTrack 14\u003cbr\u003eTrack 15\u003cbr\u003eTrack 16\u003cbr\u003eTrack 17\u003cbr\u003eTrack 18\u003cbr\u003eTrack 19\u003cbr\u003eTrack 20\u003c\/p\u003e","brand":"Caliban Sounds","offers":[{"title":"Default Title","offer_id":41842660147356,"sku":"CAL003CD","price":13.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_c27d1825-d7e6-4ca5-b2f7-dec70503a6ce.jpg?v=1660408512"},{"product_id":"oliver-sim-hideous-bastard-cd","title":"Oliver Sim - 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All three have been out of print on vinyl since the mid-1990s, with original pressings going for considerable amounts at the ol’ junk shop.\u003c\/p\u003e\n\u003cp\u003e The band’s 1990 debut, ‘Smoke ‘em if You Got ‘em’, made quite the first impression with frantic stand-up bass, fiery guitar playing, and the Rev’s wild howls stirring up a volatile cocktail of ‘50s rockabilly, punk energy, and sly humour. AllMusic said of the\u003cbr\u003ealbum, “it’s all sleaze, it’s all wrong, and it’s all so very, very right,” while, on encountering the hit single ‘Psychobilly Freakout’, Beavis and Butthead raved “This dude is weird!” “Yeah, yeah, he’s like… our kind of people.”\u003c\/p\u003e\n\u003cp\u003e 1993’s ‘The Full Custom Gospel Sounds Of’ stepped things up a bit, with fuller production by fellow Texan Gibby Haynes of the Butthole Surfers. In addition to the hilarious ‘Bales of Cocaine’, the album features the furious ‘400 Bucks’, the atmospheric creeper ‘The Devil’s Chasing Me’ and ‘Wiggle Stick’. On seeing the video for the latter, Beavis declared, accurately, “Yes! This guy RULES!” while Butthead agreed, “Yeah… this guy ROCKS! ROCKS!!”\u003c\/p\u003e\n\u003cp\u003e 1994’s ‘Liquor In The Front’ gets even more aggressive - heavy, even - sonically, with production by Ministry’s Al Jourgensen and the high-velocity opening pairing of the high-velocity instrumental ‘Big Sky’ and the blistering lament ‘Baddest Of The Bad’. The highest selling of the Rev’s first three albums, ‘Liquor In The Front’ was originally co-released with Interscope Records, with the album hitting #18 on the Billboard Heatseekers chart and the single ‘One Time For Me’ hitting #40 on the Modern Rock chart. 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All three have been out of print on vinyl since the mid-1990s, with original pressings going for considerable amounts at the ol’ junk shop.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e The band’s 1990 debut, ‘Smoke ‘em if You Got ‘em’, made quite the first impression with frantic stand-up bass, fiery guitar playing, and the Rev’s wild howls stirring up a volatile cocktail of ‘50s rockabilly, punk energy, and sly humour. AllMusic said of the\u003cbr data-mce-fragment=\"1\"\u003ealbum, “it’s all sleaze, it’s all wrong, and it’s all so very, very right,” while, on encountering the hit single ‘Psychobilly Freakout’, Beavis and Butthead raved “This dude is weird!” “Yeah, yeah, he’s like… our kind of people.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e 1993’s ‘The Full Custom Gospel Sounds Of’ stepped things up a bit, with fuller production by fellow Texan Gibby Haynes of the Butthole Surfers. 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In the words of AllMusic, “for sheer crank, nothing in his catalog can touch it.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e ‘Liquor In The Front’ features embossed single LP jacket with custom dust sleeve, pressed on Crystal Vellum vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e ‘Smoke ‘em if You Got ‘em’ features single LP jacket pressed on clear vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e ‘The Full Custom Gospel Sounds Of’ features single LP jacket pressed on Coke\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBottle clear vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Full Custom Gospel Sounds Of’\u003cbr\u003eWiggle Stick\u003cbr\u003e400 Bucks\u003cbr\u003eThe Devil’s Chasing Me\u003cbr\u003eLiving On The Edge (Of Houston)\u003cbr\u003eYou Can’t Gey Away From Me\u003cbr\u003eBeer:30\u003cbr\u003eBig Little Baby\u003cbr\u003eLonesome Train Whistle\u003cbr\u003eBales Of Cocaine\u003cbr\u003eLoaded Gun\u003cbr\u003eNurture My Pig\u003cbr\u003eGin \u0026amp; Tonic Blues\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":41842681741468,"sku":"SP202","price":26.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_b8aaa908-0e1d-4f7c-8590-6461639ff671.webp?v=1660409406"},{"product_id":"santigold-spirituals-picture-disc","title":"Santigold - Spirituals [Picture Disc]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Picture Disc\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LJR001LP-C1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0617308020922\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e ‘Spirituals’ is Santigold’s first full-length album since 2016’s ‘99¢’ and was mostly recorded during the 2020 lockdown. “All of a sudden there I was with three small children out of school - just-turned-two-year-old twins and a six-year-old - I was cooking, cleaning, doing laundry and changing diapers from\u003cbr data-mce-fragment=\"1\"\u003emorning to night, with three little kids coming in and out of my bed throughout each night like musical chairs. I was losing touch with the artist me, stuck in a part of myself that was too small. I felt the other parts of me were shrinking, disappearing.”\u003cbr data-mce-fragment=\"1\"\u003e Santigold struggled but succeeded in defining a space in which she could centre herself and collaborate virtually with producers and contributors: Rostam, Boys Noize, Dre Skull, P2J, Nick Zinner,\u003cbr data-mce-fragment=\"1\"\u003eSBTRKT, JakeOne, Illangelo, Doc McKinney, Psymun, Ricky Blaze, Lido, Ray Brady, and Ryan Olson. “Recording this album was a way back to myself after being stuck in survival mode. It wasn’t\u003cbr data-mce-fragment=\"1\"\u003euntil I made the space to create that I realized I wasn’t only creating music but a lifeline,” she says.\u003cbr data-mce-fragment=\"1\"\u003e California was on fire, we were hiding from a plague, the social justice protests were unfolding. “I’d never written lyrics faster in my life. After having total writer’s block, they started pouring out. I decided to create the future, to look towards where we are going, to create beauty and pull towards that beauty.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eI need that for myself, but it’s also there for whoever\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eelse needs it.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eMy Horror\u003cbr data-mce-fragment=\"1\"\u003eNothing\u003cbr data-mce-fragment=\"1\"\u003eHigh Priestess\u003cbr data-mce-fragment=\"1\"\u003eUshers of the New World\u003cbr data-mce-fragment=\"1\"\u003eWitness\u003cbr data-mce-fragment=\"1\"\u003eShake\u003cbr data-mce-fragment=\"1\"\u003eThe Lasty\u003cbr data-mce-fragment=\"1\"\u003eNo Paradise\u003cbr data-mce-fragment=\"1\"\u003eAin’t Ready\u003cbr data-mce-fragment=\"1\"\u003eFall First\u003c\/p\u003e","brand":"Little Jerk Records","offers":[{"title":"Default Title","offer_id":41842684526748,"sku":"LJR001LP-C1","price":32.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_b1f45122-2f2e-4b48-bccf-0fdfe43aa4ce.jpg?v=1660409544"},{"product_id":"santigold-spirituals-cd","title":"Santigold - Spirituals [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LJR001CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0617308032680\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Sep 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Hip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003e ‘Spirituals’ is Santigold’s first full-length album since 2016’s ‘99¢’ and was mostly recorded during the 2020 lockdown. “All of a sudden there I was with three small children out of school - just-turned-two-year-old twins and a six-year-old - I was cooking, cleaning, doing laundry and changing diapers from\u003cbr\u003emorning to night, with three little kids coming in and out of my bed throughout each night like musical chairs. I was losing touch with the artist me, stuck in a part of myself that was too small. I felt the other parts of me were shrinking, disappearing.”\u003cbr\u003e Santigold struggled but succeeded in defining a space in which she could centre herself and collaborate virtually with producers and contributors: Rostam, Boys Noize, Dre Skull, P2J, Nick Zinner,\u003cbr\u003eSBTRKT, JakeOne, Illangelo, Doc McKinney, Psymun, Ricky Blaze, Lido, Ray Brady, and Ryan Olson. “Recording this album was a way back to myself after being stuck in survival mode. It wasn’t\u003cbr\u003euntil I made the space to create that I realized I wasn’t only creating music but a lifeline,” she says.\u003cbr\u003e California was on fire, we were hiding from a plague, the social justice protests were unfolding. “I’d never written lyrics faster in my life. After having total writer’s block, they started pouring out. I decided to create the future, to look towards where we are going, to create beauty and pull towards that beauty. I need that for myself, but it’s also there for whoever else needs it.”\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eMy Horror\u003cbr\u003eNothing\u003cbr\u003eHigh Priestess\u003cbr\u003eUshers of the New World\u003cbr\u003eWitness\u003cbr\u003eShake\u003cbr\u003eThe Lasty\u003cbr\u003eNo Paradise\u003cbr\u003eAin’t Ready\u003cbr\u003eFall First\u003c\/p\u003e","brand":"Little Jerk Records","offers":[{"title":"Default Title","offer_id":41842684821660,"sku":"LJR001CD","price":13.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_24bd6bbc-13b7-4e57-af54-5e413bd3f93b.jpg?v=1660409557"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/int090922.oembed?page=2","provider":"Horizons Music","version":"1.0","type":"link"}