{"title":"INT070423","description":"","products":[{"product_id":"wednesday-rat-saw-god-cd","title":"Wednesday - Rat Saw God [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC328cd\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605162829\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eA Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter\/ vocalist\/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet’s new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album’s ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap\/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman’s voice slicing through the din.\u003c\/p\u003e\n\u003cp\u003eRat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic\u003cbr\u003ewater bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It’s not really bright enough to see in front of you, but in that stretch of inky void – somehow – you see everything.\u003c\/p\u003e\n\u003cp\u003eThe songs on Rat Saw God don’t recount epics, just the everyday.\u003cbr\u003eThey’re true, they’re real life, blurry and chaotic and strange – which is in-line with Hartzman’s own ethos: “Everyone’s story is worthy,” she says, plainly. “Literally every life story is worth writing down, because people are so fascinating.”\u003c\/p\u003e\n\u003cp\u003eBut the thing about Rat Saw God - and about any Wednesday song, really - is you don’t necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it’s all in the details – how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen – but it’s mostly the way those tiny moments add up into a song or album or a person.\u003c\/p\u003e\n\u003cp\u003eSIDE A: \u003cbr\u003e1) Hot Rotten Grass Smell\u003cbr\u003e2) Bull Believer\u003cbr\u003e3) Got Shocked\u003cbr\u003e4) Formula One\u003cbr\u003e5) Chosen to Deserve\u003cbr\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6) Bath County\u003cbr data-mce-fragment=\"1\"\u003e7) Quarry\u003cbr data-mce-fragment=\"1\"\u003e8) Turkey Vultures\u003cbr data-mce-fragment=\"1\"\u003e9) What’s So Funny\u003cbr data-mce-fragment=\"1\"\u003e10) TV in the Gas Pump\u003cbr\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292485750940,"sku":"DOC328cd","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc328.wednesday.ratsawgod.cd.mock.jpg?v=1674162083"},{"product_id":"wednesday-rat-saw-god-cassette","title":"Wednesday - Rat Saw God [Cassette]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Cassette\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC328cass \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0674012922720\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter\/ vocalist\/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet’s new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album’s ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap\/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman’s voice slicing through the din.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic\u003cbr data-mce-fragment=\"1\"\u003ewater bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It’s not really bright enough to see in front of you, but in that stretch of inky void – somehow – you see everything.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe songs on Rat Saw God don’t recount epics, just the everyday.\u003cbr data-mce-fragment=\"1\"\u003eThey’re true, they’re real life, blurry and chaotic and strange – which is in-line with Hartzman’s own ethos: “Everyone’s story is worthy,” she says, plainly. “Literally every life story is worth writing down, because people are so fascinating.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut the thing about Rat Saw God - and about any Wednesday song, really - is you don’t necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it’s all in the details – how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen – but it’s mostly the way those tiny moments add up into a song or album or a person.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1) Hot Rotten Grass Smell\u003cbr data-mce-fragment=\"1\"\u003e2) Bull Believer\u003cbr data-mce-fragment=\"1\"\u003e3) Got Shocked\u003cbr data-mce-fragment=\"1\"\u003e4) Formula One\u003cbr data-mce-fragment=\"1\"\u003e5) Chosen to Deserve\u003cbr data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6) Bath County\u003cbr data-mce-fragment=\"1\"\u003e7) Quarry\u003cbr data-mce-fragment=\"1\"\u003e8) Turkey Vultures\u003cbr data-mce-fragment=\"1\"\u003e9) What’s So Funny\u003cbr data-mce-fragment=\"1\"\u003e10) TV in the Gas Pump\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292486045852,"sku":"DOC328cass","price":7.34,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc328.wednesday.ratsawgod.cassette.jpg?v=1674162097"},{"product_id":"wednesday-rat-saw-god-black-lp","title":"Wednesday - Rat Saw God [Black LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Black LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC328lp\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605162812\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter\/ vocalist\/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet’s new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album’s ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap\/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman’s voice slicing through the din.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic\u003cbr data-mce-fragment=\"1\"\u003ewater bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It’s not really bright enough to see in front of you, but in that stretch of inky void – somehow – you see everything.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe songs on Rat Saw God don’t recount epics, just the everyday.\u003cbr data-mce-fragment=\"1\"\u003eThey’re true, they’re real life, blurry and chaotic and strange – which is in-line with Hartzman’s own ethos: “Everyone’s story is worthy,” she says, plainly. “Literally every life story is worth writing down, because people are so fascinating.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut the thing about Rat Saw God - and about any Wednesday song, really - is you don’t necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it’s all in the details – how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen – but it’s mostly the way those tiny moments add up into a song or album or a person.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1) Hot Rotten Grass Smell\u003cbr data-mce-fragment=\"1\"\u003e2) Bull Believer\u003cbr data-mce-fragment=\"1\"\u003e3) Got Shocked\u003cbr data-mce-fragment=\"1\"\u003e4) Formula One\u003cbr data-mce-fragment=\"1\"\u003e5) Chosen to Deserve\u003cbr data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6) Bath County\u003cbr data-mce-fragment=\"1\"\u003e7) Quarry\u003cbr data-mce-fragment=\"1\"\u003e8) Turkey Vultures\u003cbr data-mce-fragment=\"1\"\u003e9) What’s So Funny\u003cbr data-mce-fragment=\"1\"\u003e10) TV in the Gas Pump\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292486602908,"sku":"DOC328lp","price":22.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc328.wednesday.ratsawgod.lp.mock.black.jpg?v=1674162107"},{"product_id":"wednesday-rat-saw-god-purple-lp","title":"Wednesday - Rat Saw God [Purple LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat:  Purple LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC328lp-c1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605162836\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter\/ vocalist\/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet’s new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album’s ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap\/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman’s voice slicing through the din.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic\u003cbr data-mce-fragment=\"1\"\u003ewater bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It’s not really bright enough to see in front of you, but in that stretch of inky void – somehow – you see everything.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe songs on Rat Saw God don’t recount epics, just the everyday.\u003cbr data-mce-fragment=\"1\"\u003eThey’re true, they’re real life, blurry and chaotic and strange – which is in-line with Hartzman’s own ethos: “Everyone’s story is worthy,” she says, plainly. “Literally every life story is worth writing down, because people are so fascinating.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut the thing about Rat Saw God - and about any Wednesday song, really - is you don’t necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it’s all in the details – how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen – but it’s mostly the way those tiny moments add up into a song or album or a person.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1) Hot Rotten Grass Smell\u003cbr data-mce-fragment=\"1\"\u003e2) Bull Believer\u003cbr data-mce-fragment=\"1\"\u003e3) Got Shocked\u003cbr data-mce-fragment=\"1\"\u003e4) Formula One\u003cbr data-mce-fragment=\"1\"\u003e5) Chosen to Deserve\u003cbr data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6) Bath County\u003cbr data-mce-fragment=\"1\"\u003e7) Quarry\u003cbr data-mce-fragment=\"1\"\u003e8) Turkey Vultures\u003cbr data-mce-fragment=\"1\"\u003e9) What’s So Funny\u003cbr data-mce-fragment=\"1\"\u003e10) TV in the Gas Pump\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292486963356,"sku":"DOC328lp-c1","price":23.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc328.wednesday.ratsawgod.lp.mock.c1.jpg?v=1674162120"},{"product_id":"wednesday-rat-saw-god-clear-sunspot-lp","title":"Wednesday - Rat Saw God [Clear Sunspot LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Clear Sunspot\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC328lp-c4\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605162805\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter\/ vocalist\/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet’s new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album’s ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap\/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman’s voice slicing through the din.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic\u003cbr data-mce-fragment=\"1\"\u003ewater bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It’s not really bright enough to see in front of you, but in that stretch of inky void – somehow – you see everything.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe songs on Rat Saw God don’t recount epics, just the everyday.\u003cbr data-mce-fragment=\"1\"\u003eThey’re true, they’re real life, blurry and chaotic and strange – which is in-line with Hartzman’s own ethos: “Everyone’s story is worthy,” she says, plainly. “Literally every life story is worth writing down, because people are so fascinating.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut the thing about Rat Saw God - and about any Wednesday song, really - is you don’t necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it’s all in the details – how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen – but it’s mostly the way those tiny moments add up into a song or album or a person.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1) Hot Rotten Grass Smell\u003cbr data-mce-fragment=\"1\"\u003e2) Bull Believer\u003cbr data-mce-fragment=\"1\"\u003e3) Got Shocked\u003cbr data-mce-fragment=\"1\"\u003e4) Formula One\u003cbr data-mce-fragment=\"1\"\u003e5) Chosen to Deserve\u003cbr data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6) Bath County\u003cbr data-mce-fragment=\"1\"\u003e7) Quarry\u003cbr data-mce-fragment=\"1\"\u003e8) Turkey Vultures\u003cbr data-mce-fragment=\"1\"\u003e9) What’s So Funny\u003cbr data-mce-fragment=\"1\"\u003e10) TV in the Gas Pump\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292487323804,"sku":"DOC328lp-c4","price":24.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc328.wednesday.ratsawgod.lp.mock.c4.jpg?v=1674162133"},{"product_id":"wednesday-twin-plagues","title":"Wednesday - Twin Plagues","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDOC327lp\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e0656605162713\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I’m not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing. But, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don’t remember how, or why. They simply arrived, as if we’d been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I’d needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves. There is the trick of nostalgia that I spend a lot of time playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn’t paired with something that approaches a type of rigorous honesty.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut if I may go back to all of these ideas of nostalgia and our old,\u003cbr data-mce-fragment=\"1\"\u003etricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of “The Burned Down Dairy Queen” when Karly sings I was hiding in a room in my mind \/ and I made me take a look at myself. Because if you, like me, have been avoiding mirrors – both metaphorical and real – this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSo, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when “Birthday Song” gets good and loud and singalong-able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let “Ghost Of A Dog” churn and rattle you to some nighttime realization that you couldn’t have had in silence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut, even on top of all of this, on top of all the pleasures and the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emercies that the sounds on this album might afford. I hope and think,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etoo, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e—Hanif Abdurraqib\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1) Twin Plagues\u003cbr data-mce-fragment=\"1\"\u003e2) Handsome Man\u003cbr data-mce-fragment=\"1\"\u003e3) The Burned Down Dairy Queen\u003cbr data-mce-fragment=\"1\"\u003e4) Cliff\u003cbr data-mce-fragment=\"1\"\u003e5) How Can You Live if You Can’t\u003cbr data-mce-fragment=\"1\"\u003eLove How Can You if You Do\u003cbr data-mce-fragment=\"1\"\u003e6) Cody’s Only\u003cbr data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e7) Toothache\u003cbr data-mce-fragment=\"1\"\u003e8) Birthday Song\u003cbr data-mce-fragment=\"1\"\u003e9) One More Last One\u003cbr data-mce-fragment=\"1\"\u003e10) Three Sisters\u003cbr data-mce-fragment=\"1\"\u003e11) Gary’s\u003cbr data-mce-fragment=\"1\"\u003e12) Ghost of A Dog\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292508393628,"sku":"DOC327lp","price":22.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc327.wednesday.twinplagues.standard.mock.jpg?v=1674162836"},{"product_id":"wednesday-i-was-trying-to-describe-you-to-someone","title":"Wednesday - I Was Trying to Describe You to Someone","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC326lp\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605162614\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eI Was Trying to Describe You to Someone is Wednesday’s second fulllength album \u0026amp; first as a full band. The Asheville, NC quintet (guitarist\/ vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz \u0026amp; drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman’s bell-clear vocals \u0026amp; wisps of half-recalled memories \u0026amp; literary references that make up her lyrics. I Was Trying to Describe You to Someone’s eight songs meld elements of shoegaze, grunge, indie pop \u0026amp; southern American culture into a uniquely personal style of modern rock music that resonates with power \u0026amp; tenderness.\u003c\/p\u003e\n\u003cp\u003eThe ever-darkening \u0026amp; deepening of Wednesdays’ sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, \u0026amp; their continued collaboration with MJ Lenderman (who lends backing vocals to the songs “Billboard” \u0026amp; “November”). I Was Trying to Describe You to Someone was recorded at Hartzman’s home with engineering assistance from her roommate Colin Miller. The depth \u0026amp; clarity of the recordings balance the distorted volume of Wednesday’s live performances with the intimacy of Hartzman’s voice. Her words hold the center of the chaos, unobscured by the power of the band.\u003c\/p\u003e\n\u003cp\u003eHartzman describes her lyrics as “attempts to access old personal memories \u0026amp; do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O’Connor, David Berman \u0026amp; Tom Robbins, \u0026amp; movies like Steel Magnolias.\u003c\/p\u003e\n\u003cp\u003eSIDE A:\u003cbr\u003e1) Fate is…\u003cbr data-mce-fragment=\"1\"\u003e2) Billboard\u003cbr data-mce-fragment=\"1\"\u003e3) Love Has No Pride (Condemned)\u003cbr data-mce-fragment=\"1\"\u003e4) Underneath\u003c\/p\u003e\n\u003cp\u003eSIDE B:\u003cbr\u003e5) November\u003cbr\u003e6) Maura\u003cbr\u003e8) Coyote\u003cbr\u003e9) Revenge of the Lawn\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":42292508721308,"sku":"DOC326lp","price":22.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc326.wednesday.iwttdyts.standard.mock.jpg?v=1674162848"},{"product_id":"yaeji-with-a-hammer-black-vinyl","title":"Yaeji - With A Hammer [Black Vinyl]","description":"\u003cp\u003eFormat: LP, Black Vinyl\u003cbr\u003eCatalogue No.: XL1291LP\u003cbr\u003eBarcode: 191404129111\u003cbr\u003eRelease Date: 07 Apr 2023\u003cbr\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003eToday NYC-via-Seoul artist Yaeji, whose introspective, genre-pushing tracks have made her a global icon occupying a space all her own, announces the details of her debut album With A Hammer, out April 7th on XL Recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDreamt up across New York, London and Seoul, With A Hammer sees Yaeji contending with a lifetime’s worth of both societal and self-imposed repression. The resulting 13-track full-length from the producer, vocalist, DJ, visual-artist and creative director is an exploration of shapeshifting sonics - blending Yaeji’s original dance music roots with Korean indie rock, electronica and pop from the ‘90s and early 2000s.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eWith A Hammer follows Yaeji’s journey as she wades through the murkiness of sorrow and doubt and releases the frenzy of anger, with the help of a metaphorical hammer - Hammer Lee - which she wields to smash the rigid rules, expectations, and barriers that have prevented her from speaking her fullest truth. Through this transformative process she eventually meets the thrilling self-determination and hope that awaits on the other side, and invites her listeners and fans to do the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYaeji enlisted some close friends to join her on the record as features, including British musician Loraine James, up and coming Baltimore singer Nourished By Time, plus NYC-based producers K Wata, Enayet from Yaeji’s extended crew SLINK NYC. Yaeji once again floats back and forth between English and Korean to convey what’s on her heart with the utmost sincerity. It’s in this sincerity, deep care and awareness that Yaeji is seen in the U.S. and Korea as a musical renegade who has carved out her own world that exists in-between the traditional and conventional, the personal and the universal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter breaking out with her 2017 debut EPs that featured singles “Raingurl” and “Drink I’m Sippin On,” Yaeji featured on Charli XCX’s 2019 album Charli, produced remixes for Dua Lipa, and Robyn, collaborated with the beloved Seoul-based polymath OHHYUK for stand-alone singles “29” and “Year to Year”, headlined her own and festival stages around the world, and launched her bespoke lifestyle webstore JI-MART. Born in Flushing, Queens in 1993, she has roots in Seoul, Tokyo, Atlanta, and New York City, all serving as the backdrop for her singular, hybrid-sound that synthesizes influences of Korean indie rock and electronica, late ‘90s and early 2000s hip hop and R\u0026amp;B, and leftfield bass and techno. With her critically-acclaimed 2020 mixtape WHAT WE DREW 우리가 그려왔던, she sharpened her vision as a musician who is creatively unbounded by language and geography, leading to collaborations with timeless entities such as PAC-MAN. Named by Pitchfork as one of the “25 Artists Shaping the Future of Music” in 2022, she’s also graced the cover of Crack, The FADER, MixMag, and Burdock, among others, and has been featured in programming at the V\u0026amp;A Museum, Serpentine Gallery, and MoMA PS1. Her highly anticipated debut album, With A Hammer, sees Yaeji excavating her inner world with full force, smashing everything in order to build it back up into the true visions of her dreams.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eSubmerge FM\u003cbr data-mce-fragment=\"1\"\u003eFor Granted\u003cbr data-mce-fragment=\"1\"\u003eFever\u003cbr data-mce-fragment=\"1\"\u003ePassed Me By\u003cbr data-mce-fragment=\"1\"\u003eWith A Hammer\u003cbr data-mce-fragment=\"1\"\u003eI’ll Remember For Me, I’ll Remember For You\u003cbr data-mce-fragment=\"1\"\u003eDone (Let’s Get It)\u003cbr data-mce-fragment=\"1\"\u003eReady or Not\u003cbr data-mce-fragment=\"1\"\u003eMichin\u003cbr data-mce-fragment=\"1\"\u003eAway x5\u003cbr data-mce-fragment=\"1\"\u003eHappy\u003cbr data-mce-fragment=\"1\"\u003e1 Thing To Smash\u003cbr data-mce-fragment=\"1\"\u003eBe Alone In This\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":42292522025116,"sku":"XL1291LP","price":30.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/YaejiBlackFront.jpg?v=1674163362"},{"product_id":"yaeji-with-a-hammer-hot-pink-vinyl","title":"Yaeji - With A Hammer [Hot Pink Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP, Hot Pink Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: XL1291LPE\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 191404129104\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday NYC-via-Seoul artist Yaeji, whose introspective, genre-pushing tracks have made her a global icon occupying a space all her own, announces the details of her debut album With A Hammer, out April 7th on XL Recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDreamt up across New York, London and Seoul, With A Hammer sees Yaeji contending with a lifetime’s worth of both societal and self-imposed repression. The resulting 13-track full-length from the producer, vocalist, DJ, visual-artist and creative director is an exploration of shapeshifting sonics - blending Yaeji’s original dance music roots with Korean indie rock, electronica and pop from the ‘90s and early 2000s.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith A Hammer follows Yaeji’s journey as she wades through the murkiness of sorrow and doubt and releases the frenzy of anger, with the help of a metaphorical hammer - Hammer Lee - which she wields to smash the rigid rules, expectations, and barriers that have prevented her from speaking her fullest truth. Through this transformative process she eventually meets the thrilling self-determination and hope that awaits on the other side, and invites her listeners and fans to do the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYaeji enlisted some close friends to join her on the record as features, including British musician Loraine James, up and coming Baltimore singer Nourished By Time, plus NYC-based producers K Wata, Enayet from Yaeji’s extended crew SLINK NYC. Yaeji once again floats back and forth between English and Korean to convey what’s on her heart with the utmost sincerity. It’s in this sincerity, deep care and awareness that Yaeji is seen in the U.S. and Korea as a musical renegade who has carved out her own world that exists in-between the traditional and conventional, the personal and the universal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter breaking out with her 2017 debut EPs that featured singles “Raingurl” and “Drink I’m Sippin On,” Yaeji featured on Charli XCX’s 2019 album Charli, produced remixes for Dua Lipa, and Robyn, collaborated with the beloved Seoul-based polymath OHHYUK for stand-alone singles “29” and “Year to Year”, headlined her own and festival stages around the world, and launched her bespoke lifestyle webstore JI-MART. Born in Flushing, Queens in 1993, she has roots in Seoul, Tokyo, Atlanta, and New York City, all serving as the backdrop for her singular, hybrid-sound that synthesizes influences of Korean indie rock and electronica, late ‘90s and early 2000s hip hop and R\u0026amp;B, and leftfield bass and techno. With her critically-acclaimed 2020 mixtape WHAT WE DREW 우리가 그려왔던, she sharpened her vision as a musician who is creatively unbounded by language and geography, leading to collaborations with timeless entities such as PAC-MAN. Named by Pitchfork as one of the “25 Artists Shaping the Future of Music” in 2022, she’s also graced the cover of Crack, The FADER, MixMag, and Burdock, among others, and has been featured in programming at the V\u0026amp;A Museum, Serpentine Gallery, and MoMA PS1. Her highly anticipated debut album, With A Hammer, sees Yaeji excavating her inner world with full force, smashing everything in order to build it back up into the true visions of her dreams.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eSubmerge FM\u003cbr data-mce-fragment=\"1\"\u003eFor Granted\u003cbr data-mce-fragment=\"1\"\u003eFever\u003cbr data-mce-fragment=\"1\"\u003ePassed Me By\u003cbr data-mce-fragment=\"1\"\u003eWith A Hammer\u003cbr data-mce-fragment=\"1\"\u003eI’ll Remember For Me, I’ll Remember For You\u003cbr data-mce-fragment=\"1\"\u003eDone (Let’s Get It)\u003cbr data-mce-fragment=\"1\"\u003eReady or Not\u003cbr data-mce-fragment=\"1\"\u003eMichin\u003cbr data-mce-fragment=\"1\"\u003eAway x5\u003cbr data-mce-fragment=\"1\"\u003eHappy\u003cbr data-mce-fragment=\"1\"\u003e1 Thing To Smash\u003cbr data-mce-fragment=\"1\"\u003eBe Alone In This\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":42292522057884,"sku":"XL1291LPE","price":32.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/YaejiPinkSide.jpg?v=1674163364"},{"product_id":"yaeji-with-a-hammer-cd","title":"Yaeji - With A Hammer [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: XL1291CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 191404129128\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday NYC-via-Seoul artist Yaeji, whose introspective, genre-pushing tracks have made her a global icon occupying a space all her own, announces the details of her debut album With A Hammer, out April 7th on XL Recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDreamt up across New York, London and Seoul, With A Hammer sees Yaeji contending with a lifetime’s worth of both societal and self-imposed repression. The resulting 13-track full-length from the producer, vocalist, DJ, visual-artist and creative director is an exploration of shapeshifting sonics - blending Yaeji’s original dance music roots with Korean indie rock, electronica and pop from the ‘90s and early 2000s.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith A Hammer follows Yaeji’s journey as she wades through the murkiness of sorrow and doubt and releases the frenzy of anger, with the help of a metaphorical hammer - Hammer Lee - which she wields to smash the rigid rules, expectations, and barriers that have prevented her from speaking her fullest truth. Through this transformative process she eventually meets the thrilling self-determination and hope that awaits on the other side, and invites her listeners and fans to do the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYaeji enlisted some close friends to join her on the record as features, including British musician Loraine James, up and coming Baltimore singer Nourished By Time, plus NYC-based producers K Wata, Enayet from Yaeji’s extended crew SLINK NYC. Yaeji once again floats back and forth between English and Korean to convey what’s on her heart with the utmost sincerity. It’s in this sincerity, deep care and awareness that Yaeji is seen in the U.S. and Korea as a musical renegade who has carved out her own world that exists in-between the traditional and conventional, the personal and the universal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter breaking out with her 2017 debut EPs that featured singles “Raingurl” and “Drink I’m Sippin On,” Yaeji featured on Charli XCX’s 2019 album Charli, produced remixes for Dua Lipa, and Robyn, collaborated with the beloved Seoul-based polymath OHHYUK for stand-alone singles “29” and “Year to Year”, headlined her own and festival stages around the world, and launched her bespoke lifestyle webstore JI-MART. Born in Flushing, Queens in 1993, she has roots in Seoul, Tokyo, Atlanta, and New York City, all serving as the backdrop for her singular, hybrid-sound that synthesizes influences of Korean indie rock and electronica, late ‘90s and early 2000s hip hop and R\u0026amp;B, and leftfield bass and techno. With her critically-acclaimed 2020 mixtape WHAT WE DREW 우리가 그려왔던, she sharpened her vision as a musician who is creatively unbounded by language and geography, leading to collaborations with timeless entities such as PAC-MAN. Named by Pitchfork as one of the “25 Artists Shaping the Future of Music” in 2022, she’s also graced the cover of Crack, The FADER, MixMag, and Burdock, among others, and has been featured in programming at the V\u0026amp;A Museum, Serpentine Gallery, and MoMA PS1. Her highly anticipated debut album, With A Hammer, sees Yaeji excavating her inner world with full force, smashing everything in order to build it back up into the true visions of her dreams.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eSubmerge FM\u003cbr data-mce-fragment=\"1\"\u003eFor Granted\u003cbr data-mce-fragment=\"1\"\u003eFever\u003cbr data-mce-fragment=\"1\"\u003ePassed Me By\u003cbr data-mce-fragment=\"1\"\u003eWith A Hammer\u003cbr data-mce-fragment=\"1\"\u003eI’ll Remember For Me, I’ll Remember For You\u003cbr data-mce-fragment=\"1\"\u003eDone (Let’s Get It)\u003cbr data-mce-fragment=\"1\"\u003eReady or Not\u003cbr data-mce-fragment=\"1\"\u003eMichin\u003cbr data-mce-fragment=\"1\"\u003eAway x5\u003cbr data-mce-fragment=\"1\"\u003eHappy\u003cbr data-mce-fragment=\"1\"\u003e1 Thing To Smash\u003cbr data-mce-fragment=\"1\"\u003eBe Alone In This\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":42292522123420,"sku":"XL1291CD","price":10.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/YaejiCDOpen.jpg?v=1674163366"},{"product_id":"emma-tricca-aspirin-sun-lp","title":"Emma Tricca - Aspirin Sun [LP]","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BELLA1368V\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863079741\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eLP TRACKLIST: \u003cbr\u003e1 1 Devotion\u003cbr\u003e1 2 Christodora House\u003cbr\u003e1 3 Autumn's Fiery Tongue\u003cbr\u003e1 4 Leaves\u003cbr\u003e2 5 King Blixa\u003cbr\u003e2 6 Ruben's House\u003cbr\u003e2 7 Through The Poet's Eyes\u003cbr\u003e2 8 Space And Time\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e140g Black Vinyl\u003cbr\u003e3mm Spined Sleeve | 350gsm | Matt Machine Varnish \u003cbr\u003eBlack Paper Inner Sleeve \u003cbr\u003ePrinted Insert | 180gsm Offset Art Paper\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“It felt like I was driving through tunnels,” Emma Tricca says of her fourth album – her first for Bella Union. A phosphorescent panorama of undulating colour, shape and sound. \u003cbr\u003e\u003cbr\u003eAs with any transformation, it is this sense of movement that underpins Aspirin Sun and its bold new form, ebbing and flowing, continually unfurling. The tunnels led the Italian-born, London-based singer-songwriter towards something expansive and far-reaching: an entirely new and experimental collection of songs. \u003cbr\u003e\u003cbr\u003eThis new psychedelic horizon could only be fully brought to life by a band she calls her family. The same musicians she collaborated with on her 2018 outing, St. Peter: Sonic Youth’s Steve Shelley, Dream Syndicate guitarist Jason Victor, and bass player Pete Galub. All three musicians brought something unique to the record.\u003cbr\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":42292551680156,"sku":"BELLA1368V","price":25.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BELLA1368V-EmmaTricca-AspirinSun_15.jpg?v=1674164360"},{"product_id":"emma-tricca-aspirin-sun-cd","title":"Emma Tricca - Aspirin Sun [CD]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: BELLA1368CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 5400863079758\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCD TRACKLIST:\u003cbr\u003e1 Devotion\u003cbr\u003e2 Christodora House\u003cbr\u003e3 Autumn's Fiery Tongue\u003cbr\u003e4 Leaves\u003cbr\u003e5 King Blixa\u003cbr\u003e6 Ruben's House\u003cbr\u003e7 Through The Poet's Eyes\u003cbr\u003e8 Space And Time\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e“It felt like I was driving through tunnels,” Emma Tricca says of her fourth album – her first for Bella Union. A phosphorescent panorama of undulating colour, shape and sound. \u003cbr\u003e\u003cbr\u003eAs with any transformation, it is this sense of movement that underpins Aspirin Sun and its bold new form, ebbing and flowing, continually unfurling. The tunnels led the Italian-born, London-based singer-songwriter towards something expansive and far-reaching: an entirely new and experimental collection of songs. \u003cbr\u003e\u003cbr\u003eThis new psychedelic horizon could only be fully brought to life by a band she calls her family. The same musicians she collaborated with on her 2018 outing, St. Peter: Sonic Youth’s Steve Shelley, Dream Syndicate guitarist Jason Victor, and bass player Pete Galub. All three musicians brought something unique to the record.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":42292551909532,"sku":"BELLA1368CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_9f13042b-ac8a-4d9d-8acf-fb5e1b5e1cef.jpg?v=1674164371"},{"product_id":"blondshell-blondshell-cd","title":"Blondshell - Blondshell [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PTKF3033-2\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0720841303329\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\/Indie\u003c\/p\u003e\n\u003cp\u003eCD housed in a cardboard wallet featuring photos.\u003c\/p\u003e\n\u003cp\u003eIn the past few years, 25-year-old Sabrina Teitelbaum has transformed into a songwriter without fear. The loud-quiet excavations that comprise her hook-filled debut as Blondshell don’t only stare traumas in the eye—they tear them at the root and shake them, bringing precise detail to colossal feelings. They’re clear-eyed statements of and about digging your way toward confidence, self-possession, and relief.\u003cbr\u003eSabrina shed her previous, pop-leaning project, Baum, and the process emboldened her. Subtracting self-consciousness became a catalyst for the lucid songs of Blondshell, on which her experiences all coalesce to form her truest expressions of self yet. “It was me, as a person, in my songs,” she says. When she showed a few to producer Yves Rothman (Yves Tumor, Girlpool, Porches), he encouraged her to write an album, joining a chorus of friends saying, “This is you.”\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e\u003cbr\u003e1 Veronica Mars\u003cbr\u003e\u003cbr\u003e2 Kiss City\u003cbr\u003e\u003cbr\u003e3 Olympus\u003cbr\u003e4 Salad\u003cbr\u003e5 Sepsis\u003cbr\u003e6 Sober Together\u003cbr\u003e7 Joiner\u003cbr\u003e8 Tarmac\u003cbr\u003e9 Dangerous\u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":42294007824540,"sku":"PTKF3033-2","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/01_BLONDSHELL_CD-MOCK_FRONT.jpg?v=1674219899"},{"product_id":"blondshell-blondshell-lp","title":"Blondshell - Blondshell [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP, Standard Black\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PTKF3033-1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0720841303312\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\/Indie\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis 140g LP is housed in a jacket and printed inner sleeve featuring photos and lyrics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the past few years, 25-year-old Sabrina Teitelbaum has transformed into a songwriter without fear. The loud-quiet excavations that comprise her hook-filled debut as Blondshell don’t only stare traumas in the eye—they tear them at the root and shake them, bringing precise detail to colossal feelings. They’re clear-eyed statements of and about digging your way toward confidence, self-possession, and relief.\u003cbr data-mce-fragment=\"1\"\u003eSabrina shed her previous, pop-leaning project, Baum, and the process emboldened her. Subtracting self-consciousness became a catalyst for the lucid songs of Blondshell, on which her experiences all coalesce to form her truest expressions of self yet. “It was me, as a person, in my songs,” she says. When she showed a few to producer Yves Rothman (Yves Tumor, Girlpool, Porches), he encouraged her to write an album, joining a chorus of friends saying, “This is you.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003cbr\u003e\u003cbr\u003eA1. Veronica Mars\u003cbr\u003eA2. Kiss City\u003cbr\u003eA3. Olympus\u003cbr\u003eA4. Salad\u003cbr\u003eA5. Sepsis\u003cbr\u003eB1. Sober Together\u003cbr\u003eB2. Joiner\u003cbr\u003eB3. Tarmac\u003cbr\u003eB4. Dangerous\u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":42294008053916,"sku":"PTKF3033-1","price":20.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/01_BLONDSHELL_LP-MOCK_FRONT.jpg?v=1674219946"},{"product_id":"blondshell-blondshell-clear-vinyl","title":"Blondshell - Blondshell [Clear Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP, Limited Edition Clear \/ Indies Only\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PTKF3033-3\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0720841303336\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\/Indie\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis 140g LP, pressed on clear vinyl, is housed in a jacket and printed inner sleeve featuring photos and lyrics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the past few years, 25-year-old Sabrina Teitelbaum has transformed into a songwriter without fear. The loud-quiet excavations that comprise her hook-filled debut as Blondshell don’t only stare traumas in the eye—they tear them at the root and shake them, bringing precise detail to colossal feelings. They’re clear-eyed statements of and about digging your way toward confidence, self-possession, and relief.\u003cbr data-mce-fragment=\"1\"\u003eSabrina shed her previous, pop-leaning project, Baum, and the process emboldened her. Subtracting self-consciousness became a catalyst for the lucid songs of Blondshell, on which her experiences all coalesce to form her truest expressions of self yet. “It was me, as a person, in my songs,” she says. When she showed a few to producer Yves Rothman (Yves Tumor, Girlpool, Porches), he encouraged her to write an album, joining a chorus of friends saying, “This is you.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003cbr\u003e\u003cbr\u003eA1. Veronica Mars\u003cbr\u003eA2. Kiss City\u003cbr\u003eA3. Olympus\u003cbr\u003eA4. Salad\u003cbr\u003eA5. Sepsis\u003cbr\u003eB1. Sober Together\u003cbr\u003eB2. Joiner\u003cbr\u003eB3. Tarmac\u003cbr\u003eB4. Dangerous\u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":42294008250524,"sku":"PTKF3033-3","price":26.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/03_BLONDSHELL_LP-MOCK_CLEAR_FRONT.jpg?v=1674220040"},{"product_id":"mudhoney-plastic-eternity-lp","title":"Mudhoney - Plastic Eternity [LP]","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SP1445\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 098787144512\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eStandard Black for all accounts\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSingle-LP jacket with custom dust sleeve\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTrack listing:\u003cbr\u003eSouvenir of My Trip\u003cbr\u003eAlmost Everything\u003cbr\u003eCascades of Crap\u003cbr\u003eFlush the Fascists\u003cbr\u003eMove Under\u003cbr\u003eSevered Dreams in the Sleeper Cell\u003cbr\u003eHere Comes the Flood\u003cbr\u003eHuman Stock Capital\u003cbr\u003eTom Herman's Hermits\u003cbr\u003eOne or Two\u003cbr\u003eCry Me an Atmospheric River\u003cbr\u003ePlasticity\u003cbr\u003eLittle Dogs\u003c\/p\u003e\n\u003cp\u003eHighlights: \u003cbr\u003e\u003cbr\u003eBrand new album from Seattle rock pioneers Mudhoney. Since their 1988 debut - the rip-roaring Sub Pop single “Touch Me, I’m Sick” - Mudhoney have consistently delivered the caustic fusion of punk, hard rock, and psychedelia the world needs and deserves, and Plastic Eternity is a new height in their vast discography. \u003cbr\u003eOn Spotify, Mudhoney has 245k followers, 448k monthly listeners.\u003cbr\u003eExtensive press and radio album campaigns begin January 24, 2023.\u003cbr\u003eHometown: Seattle, WA\u003cbr\u003e \u003cbr\u003eThe world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured COVID. The apocalypse is stupider than anyone could’ve predicted.\u003cbr\u003e\u003cbr\u003eFortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle \u0026amp; Pop! in Seattle with longtime producer Johnny Sangster.\u003cbr\u003e\u003cbr\u003eFrom taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix (“Cry Me An Atmospheric River”) to a driving rock and roll song about taking drugs meant for livestock (“Here Comes the Flood”) to a classic punk attack on treating humans like livestock (“Human Stock Capital”), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020’s. It also contains a genuine love song in closing track “Little Dogs,” an ode to the simple joys of hanging out with tiny canines.\u003cbr\u003e\u003cbr\u003eMudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm’s sharply funny lyrics as potent a combination as they’ve been since the band’s formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm’s answer is simple.\u003cbr\u003e\u003cbr\u003e“We like each other, and we like being in a band together,” says Arm. “Some people have poker night or whatever the fuck, and they have the excuse to get together with their friends. For us, this [band] is that. This is what we do.”\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":42299146207388,"sku":"SP1445","price":19.87,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Mudhoney_PlasticEternity_1500.jpg?v=1674491992"},{"product_id":"mudhoney-plastic-eternity-cd","title":"Mudhoney - Plastic Eternity [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SPCD1445\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 098787144529\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eGatefold alt-pack\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTrack listing:\u003cbr data-mce-fragment=\"1\"\u003eSouvenir of My Trip\u003cbr data-mce-fragment=\"1\"\u003eAlmost Everything\u003cbr data-mce-fragment=\"1\"\u003eCascades of Crap\u003cbr data-mce-fragment=\"1\"\u003eFlush the Fascists\u003cbr data-mce-fragment=\"1\"\u003eMove Under\u003cbr data-mce-fragment=\"1\"\u003eSevered Dreams in the Sleeper Cell\u003cbr data-mce-fragment=\"1\"\u003eHere Comes the Flood\u003cbr data-mce-fragment=\"1\"\u003eHuman Stock Capital\u003cbr data-mce-fragment=\"1\"\u003eTom Herman's Hermits\u003cbr data-mce-fragment=\"1\"\u003eOne or Two\u003cbr data-mce-fragment=\"1\"\u003eCry Me an Atmospheric River\u003cbr data-mce-fragment=\"1\"\u003ePlasticity\u003cbr data-mce-fragment=\"1\"\u003eLittle Dogs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHighlights:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBrand new album from Seattle rock pioneers Mudhoney. Since their 1988 debut - the rip-roaring Sub Pop single “Touch Me, I’m Sick” - Mudhoney have consistently delivered the caustic fusion of punk, hard rock, and psychedelia the world needs and deserves, and Plastic Eternity is a new height in their vast discography.\u003cbr data-mce-fragment=\"1\"\u003eOn Spotify, Mudhoney has 245k followers, 448k monthly listeners.\u003cbr data-mce-fragment=\"1\"\u003eExtensive press and radio album campaigns begin January 24, 2023.\u003cbr data-mce-fragment=\"1\"\u003eHometown: Seattle, WA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured COVID. The apocalypse is stupider than anyone could’ve predicted.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle \u0026amp; Pop! in Seattle with longtime producer Johnny Sangster.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix (“Cry Me An Atmospheric River”) to a driving rock and roll song about taking drugs meant for livestock (“Here Comes the Flood”) to a classic punk attack on treating humans like livestock (“Human Stock Capital”), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020’s. It also contains a genuine love song in closing track “Little Dogs,” an ode to the simple joys of hanging out with tiny canines.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm’s sharply funny lyrics as potent a combination as they’ve been since the band’s formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm’s answer is simple.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“We like each other, and we like being in a band together,” says Arm. “Some people have poker night or whatever the fuck, and they have the excuse to get together with their friends. For us, this [band] is that. This is what we do.”\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":42299148468380,"sku":"SPCD1445","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Mudhoney_PlasticEternity_CD_MockUp.jpg?v=1674492346"},{"product_id":"mudhoney-plastic-eternity-audio-cassette","title":"Mudhoney - Plastic Eternity [Audio Cassette]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Audio Cassette\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SPCS1445\u003cbr data-mce-fragment=\"1\"\u003eBarcode: Audio Cassette\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFour-panel J card in clear case\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTrack listing:\u003cbr data-mce-fragment=\"1\"\u003eSouvenir of My Trip\u003cbr data-mce-fragment=\"1\"\u003eAlmost Everything\u003cbr data-mce-fragment=\"1\"\u003eCascades of Crap\u003cbr data-mce-fragment=\"1\"\u003eFlush the Fascists\u003cbr data-mce-fragment=\"1\"\u003eMove Under\u003cbr data-mce-fragment=\"1\"\u003eSevered Dreams in the Sleeper Cell\u003cbr data-mce-fragment=\"1\"\u003eHere Comes the Flood\u003cbr data-mce-fragment=\"1\"\u003eHuman Stock Capital\u003cbr data-mce-fragment=\"1\"\u003eTom Herman's Hermits\u003cbr data-mce-fragment=\"1\"\u003eOne or Two\u003cbr data-mce-fragment=\"1\"\u003eCry Me an Atmospheric River\u003cbr data-mce-fragment=\"1\"\u003ePlasticity\u003cbr data-mce-fragment=\"1\"\u003eLittle Dogs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHighlights:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBrand new album from Seattle rock pioneers Mudhoney. Since their 1988 debut - the rip-roaring Sub Pop single “Touch Me, I’m Sick” - Mudhoney have consistently delivered the caustic fusion of punk, hard rock, and psychedelia the world needs and deserves, and Plastic Eternity is a new height in their vast discography.\u003cbr data-mce-fragment=\"1\"\u003eOn Spotify, Mudhoney has 245k followers, 448k monthly listeners.\u003cbr data-mce-fragment=\"1\"\u003eExtensive press and radio album campaigns begin January 24, 2023.\u003cbr data-mce-fragment=\"1\"\u003eHometown: Seattle, WA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured COVID. The apocalypse is stupider than anyone could’ve predicted.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle \u0026amp; Pop! in Seattle with longtime producer Johnny Sangster.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix (“Cry Me An Atmospheric River”) to a driving rock and roll song about taking drugs meant for livestock (“Here Comes the Flood”) to a classic punk attack on treating humans like livestock (“Human Stock Capital”), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020’s. It also contains a genuine love song in closing track “Little Dogs,” an ode to the simple joys of hanging out with tiny canines.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm’s sharply funny lyrics as potent a combination as they’ve been since the band’s formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm’s answer is simple.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“We like each other, and we like being in a band together,” says Arm. “Some people have poker night or whatever the fuck, and they have the excuse to get together with their friends. For us, this [band] is that. This is what we do.”\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":42299148730524,"sku":"SPCS1445","price":9.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_786875d5-8926-44a8-bfda-6e45b82bde96.jpg?v=1674492354"},{"product_id":"mudhoney-plastic-eternity-limited-loser-edition-on-silver-vinyl","title":"Mudhoney - Plastic Eternity [Limited Loser Edition on Silver Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Limited Loser Edition on Silver Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SP1445X\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 098787144505\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePackaging: Single-LP jacket with custom dust sleeve\u003cbr\u003eLimited Loser Edition on silver vinyl\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTrack listing:\u003cbr data-mce-fragment=\"1\"\u003eSouvenir of My Trip\u003cbr data-mce-fragment=\"1\"\u003eAlmost Everything\u003cbr data-mce-fragment=\"1\"\u003eCascades of Crap\u003cbr data-mce-fragment=\"1\"\u003eFlush the Fascists\u003cbr data-mce-fragment=\"1\"\u003eMove Under\u003cbr data-mce-fragment=\"1\"\u003eSevered Dreams in the Sleeper Cell\u003cbr data-mce-fragment=\"1\"\u003eHere Comes the Flood\u003cbr data-mce-fragment=\"1\"\u003eHuman Stock Capital\u003cbr data-mce-fragment=\"1\"\u003eTom Herman's Hermits\u003cbr data-mce-fragment=\"1\"\u003eOne or Two\u003cbr data-mce-fragment=\"1\"\u003eCry Me an Atmospheric River\u003cbr data-mce-fragment=\"1\"\u003ePlasticity\u003cbr data-mce-fragment=\"1\"\u003eLittle Dogs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHighlights:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBrand new album from Seattle rock pioneers Mudhoney. Since their 1988 debut - the rip-roaring Sub Pop single “Touch Me, I’m Sick” - Mudhoney have consistently delivered the caustic fusion of punk, hard rock, and psychedelia the world needs and deserves, and Plastic Eternity is a new height in their vast discography.\u003cbr data-mce-fragment=\"1\"\u003eOn Spotify, Mudhoney has 245k followers, 448k monthly listeners.\u003cbr data-mce-fragment=\"1\"\u003eExtensive press and radio album campaigns begin January 24, 2023.\u003cbr data-mce-fragment=\"1\"\u003eHometown: Seattle, WA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured COVID. The apocalypse is stupider than anyone could’ve predicted.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle \u0026amp; Pop! in Seattle with longtime producer Johnny Sangster.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix (“Cry Me An Atmospheric River”) to a driving rock and roll song about taking drugs meant for livestock (“Here Comes the Flood”) to a classic punk attack on treating humans like livestock (“Human Stock Capital”), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020’s. 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This is what we do.”\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":42299149025436,"sku":"SP1445X","price":23.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Mudhoney_PlasticEternity_EULoser_MockUp.jpg?v=1674492316"},{"product_id":"bimbocore-bimbocore-vol-2-pink-lp","title":"Scene Queen - BIMBOCORE VOL. 2 [PINK LP]","description":"\u003cp\u003eFormat: LP, Pink\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: HR6772-1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 790692677214\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eIt's not often that an artist creates something so unique and unpredictable that an entire genre is created because of it, but here we are, Scene Queen and BIMBOCORE Vol. 2 have arrived. Fed up with a genre of music filled with gatekeepers and judgmental hard rock purists, Scene Queen has unleashed the most daring, provocative, indefinable music the world has ever seen. Following up her viral hit \"Pink Rover\" with a second smash - this time a collaboration with pop artists, Set It Off, called \"Barbie \u0026amp; Ken\", Scene Queen has planted her stiletto deep into the metal world and won't let up. In Scene Queen's world, one can wear pink and like \"girly things\" while guttarly screaming relatable lyrics over a metal riff. Blending metal, hard rock, and explosive pop, Scene Queen is making music for a genreless TikTok generation - the alt kids, the misfits, and the ones that don't fit in. With a heavy following on TikTok and a wildly entertaining live show that is an experience of a lifetime, BIMBOCORE Vol. 2 is the sophomore release of a young scene kid emerging into the leader of a movement. Welcome to your scene, queen.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: 1. Pink Whitney 2. Pink G-String 3. Pink Cocaine 4. Pink Barbie Bandaid 5. The Rapture (but it’s Pink) [feat. Mothica] 6. Barbie \u0026amp; Ken (feat. Set It Off) 7. Pink Hotel\u003c\/p\u003e","brand":"Hopeless","offers":[{"title":"Default Title","offer_id":42309272666268,"sku":"HR6772-1","price":26.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/790692677214.jpg?v=1675018996"},{"product_id":"dicky-continental-un-cd","title":"Dicky Continental - Un… [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: AJXCD677\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 0676499067741\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Electronic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDicky Con4nental is Rich Thair – drummer and co-founder of pioneering band Red Snapper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album – Un, is the sound of Rich’s live drums and percussion, field recordings from travels, dirty breaks and samples from his chao4c record collec4on.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe two singles taken from the album (Make Them Disappear and Split) both feature the luxurious vocals of Jo Sims.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere’s a live string quartet, broken piano and the sounds of malfunc4oning vintage equipment from Rich’s studio for a unique sonic soundscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklisting:*\u003cbr data-mce-fragment=\"1\"\u003e1. Make Them\u003cbr data-mce-fragment=\"1\"\u003eDisappear (Ft. Jo\u003cbr data-mce-fragment=\"1\"\u003eSims)\u003cbr data-mce-fragment=\"1\"\u003e2. Simon Says\u003cbr data-mce-fragment=\"1\"\u003e3. Honeysuckle\u003cbr data-mce-fragment=\"1\"\u003e4. Split (ft. Jo Simms)\u003cbr data-mce-fragment=\"1\"\u003e5. Evolution 2\u003cbr data-mce-fragment=\"1\"\u003e6. Chico Florres\u003cbr data-mce-fragment=\"1\"\u003e7. Broken Piano\u003cbr data-mce-fragment=\"1\"\u003e8. Mavron\u003cbr data-mce-fragment=\"1\"\u003e9. Pike\u003cbr data-mce-fragment=\"1\"\u003e10. The Graveyard of\u003cbr data-mce-fragment=\"1\"\u003eAmbition\u003cbr data-mce-fragment=\"1\"\u003e11. Hammersmith\u003c\/span\u003e\u003c\/p\u003e","brand":"Acid Jazz","offers":[{"title":"Default Title","offer_id":42316588155036,"sku":"AJXCD677","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/3_2cb60885-533a-4820-af16-e503da754e05.png?v=1675282860"},{"product_id":"dicky-continental-un-lp","title":"Dicky Continental - Un… [LP]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: AJXLP677\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 0676499067758\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Electronic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDicky Con4nental is Rich Thair – drummer and co-founder of pioneering band Red Snapper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album – Un, is the sound of Rich’s live drums and percussion, field recordings from travels, dirty breaks and samples from his chao4c record collec4on. \u003cbr\u003e \u003cbr\u003eThe two singles taken from the album (Make Them Disappear and Split) both feature the luxurious vocals of Jo Sims. \u003cbr\u003e \u003cbr\u003eThere’s a live string quartet, broken piano and the sounds of malfunc4oning vintage equipment from Rich’s studio for a unique sonic soundscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklisting:* \u003cbr\u003e1. Make Them \u003cbr\u003eDisappear (Ft. Jo \u003cbr\u003eSims) \u003cbr\u003e2. Simon Says \u003cbr\u003e3. Honeysuckle \u003cbr\u003e4. Split (ft. Jo Simms) \u003cbr\u003e5. Evolution 2 \u003cbr\u003e6. Chico Florres\u003cbr\u003e7. Broken Piano \u003cbr\u003e8. Mavron\u003cbr\u003e9. Pike \u003cbr\u003e10. The Graveyard of \u003cbr\u003eAmbition \u003cbr\u003e11. Hammersmith\u003c\/span\u003e\u003c\/p\u003e","brand":"Acid Jazz","offers":[{"title":"Default Title","offer_id":42316588187804,"sku":"AJXLP677","price":25.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/3_be1e047f-50b2-452d-a9b0-6f6f46001869.png?v=1675282868"},{"product_id":"desire-marea-on-the-romance-of-being-lp","title":"Desire Marea - On the Romance of Being  [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: STUMM477\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863077983\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePressed on double vinyl with etching on side D. Artwork by Athi-Patra Ruga.\u003cbr\u003eIncludes 8 page booklet\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Amandawe, South Africa-based artist Desire Marea returns with his transformative second album, On the Romance of Being.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImmersed in the communal, ceremonial and healing qualities of music, this record is the next epoch from the multidisciplinary artist and follows his acclaimed solo eponymous debut. Recorded live with an ensemble of 13 musicians, On the Romance of Being consists of 8 movements that sonically sprawl across post-gospel, spiritual jazz, black classical and the ancient music of the Nguni and Ndau peoples and elicits a sincere conversation between the erotic and spiritual.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAvailable on double vinyl and CD with artwork by Athi-Patra Ruga.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVINYL TRACKLIST\u003cbr\u003eA1 Ezulwini\u003cbr\u003eA2 Be Free\u003cbr\u003eA3 Makhukhu\u003cbr\u003eB1 Mfula\u003cbr\u003eB2 Arrival\u003cbr\u003eB3 Rah (feat. Zoë Modiga)\u003cbr\u003eC1 Skhathi\u003cbr\u003eC2 Banzi\u003c\/p\u003e","brand":"mute","offers":[{"title":"Default Title","offer_id":42342158106780,"sku":"STUMM477","price":31.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/DesireMarea_OntheRomanceofBeing.jpg?v=1676325758"},{"product_id":"desire-marea-on-the-romance-of-being-cd","title":"Desire Marea - On the Romance of Being  [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: CDSTUMM477\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863078003\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003ePackaged in a card sleeve\u003cbr\u003eIncludes 12 page booklet\u003c\/p\u003e\n\u003cp\u003eThe Amandawe, South Africa-based artist Desire Marea returns with his transformative second album, On the Romance of Being.\u003cbr\u003e\u003cbr\u003eImmersed in the communal, ceremonial and healing qualities of music, this record is the next epoch from the multidisciplinary artist and follows his acclaimed solo eponymous debut. Recorded live with an ensemble of 13 musicians, On the Romance of Being consists of 8 movements that sonically sprawl across post-gospel, spiritual jazz, black classical and the ancient music of the Nguni and Ndau peoples and elicits a sincere conversation between the erotic and spiritual.\u003cbr\u003e\u003cbr\u003eAvailable on double vinyl and CD with artwork by Athi-Patra Ruga.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCD TRACKLIST\u003cbr\u003e1 Ezulwini\u003cbr\u003e2 Be Free\u003cbr\u003e3 Makhukhu\u003cbr\u003e4 Mfula\u003cbr\u003e5 Arrival\u003cbr\u003e6 Rah (feat. Zoë Modiga)\u003cbr\u003e7 Skhathi\u003cbr\u003e8 Banzi\u003c\/p\u003e","brand":"mute","offers":[{"title":"Default Title","offer_id":42342160400540,"sku":"CDSTUMM477","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/DesireMarea_OntheRomanceofBeing_04334cdc-c12d-43c3-8a63-434a878e6670.jpg?v=1676325855"},{"product_id":"magnolia-electric-co-sojourner-4lp","title":"Magnolia Electric Co. - Sojourner [4LP]","description":"\u003cp\u003eFormat: 4 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SC150lp\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605015019\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eFor the first time on vinyl and returning from a long time out-of-print, Secretly Canadian is proud to re-present The Sojourner Box Set from Magnolia Electric Co.\u003c\/p\u003e\n\u003cp\u003eThe four LPs that comprise The Sojourner Box Set are from four distinct recording sessions that Magnolia Electric Co. undertook following the release of their debut studio album, What Comes After The Blues. From these, sophomore album Fading Trails was born. But the four sessions, in full, chart the celestial map of Magnolia Electric Co.: its constellations and shooting stars, its Americana stompers and lean folk dirges. And, of course, the center of gravity that is Jason Molina’s mournful, incomparable voice. \u003c\/p\u003e\n\u003cp\u003eThe session known as “Nashville Moon” was recorded by Steve Albini at his Electrical Audio studios in Chicago, Illinois. The session known as “Sun Session” was recorded at the legendary Sun Studios in Memphis, Tennessee. The session known as “Black Ram” was recorded by David Lowery at his Sound Of Music studios in Richmond, Virginia and features an entirely different cast of characters including Lowery, Rick Alverson, Andrew Bird, Molly Blackbird, Miguel Urbiztondo and Alan Weatherhead. The session known as “Shohola” was recorded by Jason Molina alone, with\u003cbr\u003ea guitar and microphone. \u003c\/p\u003e\n\u003cp\u003eWith LP covers drawn from original box illustrations and with the original box’s poster included, this LP edition of The Sojourner Box Set delivers for the most ambitious and robust Magnolia Electric Co. release to date.\u003c\/p\u003e\n\u003cp\u003eNashville Moon\u003cbr\u003eSide A\u003cbr\u003e1. Lonesome Valley\u003cbr\u003e2. Montgomery\u003cbr\u003e3. Don’t Fade on Me\u003cbr\u003e4. Hammer Down\u003cbr\u003e5. No Moon on the Water\u003cbr\u003e6. Nashville Moon\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e7. What Comes After the Blues\u003cbr\u003e8. Don’t This Look Like the Dark\u003cbr\u003e9. North Star\u003cbr\u003e10. Bowery\u003cbr\u003e11. 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The Spell\u003cbr\u003e6. Take One Thing Along\u003cbr\u003e7. The Lamb’s Song\u003cbr\u003e8. Roll the Wheel\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Default Title","offer_id":42372858642588,"sku":"SC150lp","price":130.03,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_0039bb56-46bb-4d9d-9dcc-81ab948af388.jpg?v=1677533236"},{"product_id":"ben-gregory-episode-cd","title":"Ben Gregory - episode [CD]","description":"\u003cp\u003e\u003cspan\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: TRANS668CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863093488\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e ‘episode’ is the debut solo album from Ben Gregory. An album expansive in scope that explores the singer’s own relationship with close family, personal identity and mental health.\u003cbr\u003e Produced by Ben with Blaine Harrisson of the Mystery Jets, the album juxtaposes expansive pieces such as ‘Blue Sea Blue’, which is, by turns, Nine Inch Nails, King Crimson and The 1975, and\u003cbr\u003eintimate moments such as ‘Mother’s Son’, which applies modern production styles to the intimacy of Elliot Smith’s raw confessionals, all centred by the unique vocals, devotion to melody and prodigious musicality of this most special of artists.\u003cbr\u003e Following the dissolvement of his prior group, Blaenavon, and his experiences of being sectioned, this is an album of real candour, bravery and also optimism from an artist refreshed and\u003cbr\u003ehopeful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003estorm of conversation\u003cbr\u003eblue sea blue\u003cbr\u003e((fall away 'til morn..))\u003cbr\u003emanifest*\u003cbr\u003edeathbed hangover\u003cbr\u003emother's son\u003cbr\u003esmoke\u003cbr\u003egod bless you\u003c\/span\u003e\u003c\/p\u003e","brand":"Transgressive","offers":[{"title":"Default Title","offer_id":42393429344412,"sku":"TRANS668CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/2_b88da3e8-1796-463d-b1b8-ba7a1b40c509.jpg?v=1678470848"},{"product_id":"ben-gregory-episode-lp","title":"Ben Gregory - episode [LP]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: TRANS668X\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863093495\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e ‘episode’ is the debut solo album from Ben Gregory. An album expansive in scope that explores the singer’s own relationship with close family, personal identity and mental health.\u003cbr\u003e Produced by Ben with Blaine Harrisson of the Mystery Jets, the album juxtaposes expansive pieces such as ‘Blue Sea Blue’, which is, by turns, Nine Inch Nails, King Crimson and The 1975, and\u003cbr\u003eintimate moments such as ‘Mother’s Son’, which applies modern production styles to the intimacy of Elliot Smith’s raw confessionals, all centred by the unique vocals, devotion to melody and prodigious musicality of this most special of artists.\u003cbr\u003e Following the dissolvement of his prior group, Blaenavon, and his experiences of being sectioned, this is an album of real candour, bravery and also optimism from an artist refreshed and\u003cbr\u003ehopeful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003estorm of conversation\u003cbr\u003eblue sea blue\u003cbr\u003e((fall away 'til morn..))\u003cbr\u003emanifest*\u003cbr\u003edeathbed hangover\u003cbr\u003emother's son\u003cbr\u003esmoke\u003cbr\u003egod bless you\u003c\/span\u003e\u003c\/p\u003e","brand":"Transgressive","offers":[{"title":"Default Title","offer_id":42393429475484,"sku":"TRANS668X","price":23.04,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_0ad0a44e-2a7e-4432-988c-8ba47e7150c2.jpg?v=1678470860"},{"product_id":"daughter-stereo-mind-game-cd","title":"Daughter - Stereo Mind Game [CD]","description":"\u003cp\u003e\u003cspan\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: 4AD0512CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0191400051225\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Elena Tonra isn’t a keen swimmer, but oceans pervade ‘Stereo Mind Game’. It’s a matter of distance. Daughter’s third record, the band’s first studio album for seven years, grapples with what it means to be separated, from loved ones and too from yourself. \u003cbr\u003e “Oh it will likely kill me \/ That I must live \/ Without you \/ Because I can’t swim,” Tonra sings, whisper-like, on ‘Isolation’. It’s a classic Daughter song that basks elegantly in deepest despair. Yet here there’s a sense of something beyond despair too. “I’ll compose myself \/ I’ll get over it,” Tonra continues. On ‘Stereo Mind Game’, Daughter tend to sorrow by fixing it in time. Doing so makes it more real, like the flower - dried, pressed and remembered - on the album’s cover. \u003cbr\u003e Daughter - the trio comprising Tonra, Igor Haefeli and Remi Aguilella - formed in 2010. After releasing two studio albums, ‘If You Leave’ (2013) and ‘Not to Disappear’ (2016), and the video game soundtrack, ‘Music From Before the Storm’ (2017), they chose to take some time off. But not before jamming together in Los Angeles, in between a support tour with The National and their first headline shows in South America. It was here that a new album started to germinate. \u003cbr\u003e Over the next couple of years - during which they worked on their own projects, including Tonra’s solo record as Ex:Re - Daughter met occasionally to write together in studios in London, Portland and in San Diego, where Haefeli lived for six months in 2019. The record’s central romantic figure is someone Tonra met out there when she visited from London. They shared a significant connection, but she knew the Atlantic lay between them. \u003cbr\u003e It’s this that she sings about on ‘Be On Your Way’, a longing but resilient song about an enduring connection that is also undefinable. Where previous Daughter songs mourned old relationships, here Tonra is accepting of whatever the future brings. “A friend said to me recently: just because something ends, doesn’t mean that it wasn’t real,” she says. Haefeli likens the revelation to the pressed flower image: “It’s still there. It still exists. It grew that spring.” \u003cbr\u003e Daughter began recording the album’s twelve songs in earnest in 2021. Haefeli, who lives in Bristol, met with Tonra at Middle Farm Studios in Devon. Aguilella, who is based in Portland, Oregon, recorded his drum parts in Bocce Studio in Vancouver, Washington. Haefeli produced a number of the songs, while Tonra produced ‘Junkmail’. They co-produced the rest. \u003cbr\u003e The longing to close physical distances - a feeling that only grew during the pandemic - has seeped into many of these tracks. On ‘Wish I Could Cross the Sea’ we hear voice notes from Tonra’s young niece and nephew, who live in Italy. ‘(Missed Calls)’ features another voice note, in which a friend describes a dream. Fed through some modular effects, it becomes glitchy, and haunting. These messages, attempts at connection from loved ones you’re unable to see, “can pull you out of the well,” Tonra says - but only if you pick up the phone. \u003cbr\u003e When you let others in, beauty can arise. Deep feeling comes from the bows of the 12 Ensemble, the London-based string orchestra, who play on many of the album’s tracks. Arranged by Haefeli and Tonra, and orchestrated by Josephine Stephenson, their parts were - fittingly - recorded at The Pool, a space in Bermondsey, south London, which is a former swimming spot. A brass quartet also brings a new sonic warmth to ‘Neptune’ and ‘To Rage’. \u003cbr\u003e And for the first time, Tonra’s is not a lone voice. On ‘Dandelion’, which glistens with Haefeli’s chime-like guitars and Aguilella’s rousing drums, Tonra plays call and response with herself. Haefeli leads some vocal lines on the exhilarating ‘Future Lover’, and on Neptune, a choir appears. These vocalists are the string players of the 12 Ensemble. “It’s one of my favourite moments of the record,” Tonra says, “when suddenly, the crowd joins. It’s a very lonely song. But even when I’ve felt the most alone, arms have reached out to me.” \u003cbr\u003e In order to maintain relationships with others, we must first make peace with ourselves. ‘Party’ recounts a significant moment: the night that made Tonra realise she wanted to give up alcohol. It’s a topic she has written about before, but she needed distance to see it clearly. Haefeli borrows her image: “This time you had climbed out of the well,” he says, “and were looking back down.” It’s the song she’s most proud of, and the\u003cbr\u003eone that lends its lyrics to the album title (“Some stereo mind game I play with myself”), which refers to the conflicting voices we all have in our heads. \u003cbr\u003e While Daughter’s previous work found power in emotional honesty, ‘Stereo Mind Game’ welcomes opposing feelings. “It’s about not working in absolutes,” Haefeli says. After more than a decade spent depicting the darkest emotions, Daughter have made their most optimistic record yet. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e LP pressed on Eco black vinyl. Also available to independent retailers on Eco coloured vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003eIntro\u003cbr\u003eBe On Your Way\u003cbr\u003eParty\u003cbr\u003eDandelion\u003cbr\u003eNeptune\u003cbr\u003eSwim Back\u003cbr\u003eJunkmail\u003cbr\u003eFuture Lover\u003cbr\u003e(Missed Calls)\u003cbr\u003eIsolation\u003cbr\u003eTo Rage\u003cbr\u003eWish I Could Cross The Sea\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":42393433276572,"sku":"4AD0512CD","price":10.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_99878cb3-922d-4508-b3c1-b6916cba3d77.webp?v=1678471127"},{"product_id":"daughter-stereo-mind-game-eco-coloured-vinyl","title":"Daughter - Stereo Mind Game [ECO COLOURED VINYL]","description":"\u003cp\u003e\u003cspan\u003eFormat: Coloured Vinyl LP \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: 4AD0512LPE\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0191400051201\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Elena Tonra isn’t a keen swimmer, but oceans pervade ‘Stereo Mind Game’. It’s a matter of distance. Daughter’s third record, the band’s first studio album for seven years, grapples with what it means to be separated, from loved ones and too from yourself.\u003cbr\u003e “Oh it will likely kill me \/ That I must live \/ Without you \/ Because I can’t swim,” Tonra sings, whisper-like, on ‘Isolation’. It’s a classic Daughter song that basks elegantly in deepest despair. Yet here there’s a sense of something beyond despair too. “I’ll compose myself \/ I’ll get over it,” Tonra continues. On ‘Stereo Mind Game’, Daughter tend to sorrow by fixing it in time. Doing so makes it more real, like the flower - dried, pressed and remembered - on the album’s cover.\u003cbr\u003e Daughter - the trio comprising Tonra, Igor Haefeli and Remi Aguilella - formed in 2010. After releasing two studio albums, ‘If You Leave’ (2013) and ‘Not to Disappear’ (2016), and the video game soundtrack, ‘Music From Before the Storm’ (2017), they chose to take some time off. But not before jamming together in Los Angeles, in between a support tour with The National and their first headline shows in South America. It was here that a new album started to germinate.\u003cbr\u003e Over the next couple of years - during which they worked on their own projects, including Tonra’s solo record as Ex:Re - Daughter met occasionally to write together in studios in London, Portland and in San Diego, where Haefeli lived for six months in 2019. The record’s central romantic figure is someone Tonra met out there when she visited from London. They shared a significant connection, but she knew the Atlantic lay between them.\u003cbr\u003e It’s this that she sings about on ‘Be On Your Way’, a longing but resilient song about an enduring connection that is also undefinable. Where previous Daughter songs mourned old relationships, here Tonra is accepting of whatever the future brings. “A friend said to me recently: just because something ends, doesn’t mean that it wasn’t real,” she says. Haefeli likens the revelation to the pressed flower image: “It’s still there. It still exists. It grew that spring.”\u003cbr\u003e Daughter began recording the album’s twelve songs in earnest in 2021. Haefeli, who lives in Bristol, met with Tonra at Middle Farm Studios in Devon. Aguilella, who is based in Portland, Oregon, recorded his drum parts in Bocce Studio in Vancouver, Washington. Haefeli produced a number of the songs, while Tonra produced ‘Junkmail’. They co-produced the rest.\u003cbr\u003e The longing to close physical distances - a feeling that only grew during the pandemic - has seeped into many of these tracks. On ‘Wish I Could Cross the Sea’ we hear voice notes from Tonra’s young niece and nephew, who live in Italy. ‘(Missed Calls)’ features another voice note, in which a friend describes a dream. Fed through some modular effects, it becomes glitchy, and haunting. These messages, attempts at connection from loved ones you’re unable to see, “can pull you out of the well,” Tonra says - but only if you pick up the phone.\u003cbr\u003e When you let others in, beauty can arise. Deep feeling comes from the bows of the 12 Ensemble, the London-based string orchestra, who play on many of the album’s tracks. Arranged by Haefeli and Tonra, and orchestrated by Josephine Stephenson, their parts were - fittingly - recorded at The Pool, a space in Bermondsey, south London, which is a former swimming spot. A brass quartet also brings a new sonic warmth to ‘Neptune’ and ‘To Rage’.\u003cbr\u003e And for the first time, Tonra’s is not a lone voice. On ‘Dandelion’, which glistens with Haefeli’s chime-like guitars and Aguilella’s rousing drums, Tonra plays call and response with herself. Haefeli leads some vocal lines on the exhilarating ‘Future Lover’, and on Neptune, a choir appears. These vocalists are the string players of the 12 Ensemble. “It’s one of my favourite moments of the record,” Tonra says, “when suddenly, the crowd joins. It’s a very lonely song. But even when I’ve felt the most alone, arms have reached out to me.”\u003cbr\u003e In order to maintain relationships with others, we must first make peace with ourselves. ‘Party’ recounts a significant moment: the night that made Tonra realise she wanted to give up alcohol. It’s a topic she has written about before, but she needed distance to see it clearly. Haefeli borrows her image: “This time you had climbed out of the well,” he says, “and were looking back down.” It’s the song she’s most proud of, and the\u003cbr\u003eone that lends its lyrics to the album title (“Some stereo mind game I play with myself”), which refers to the conflicting voices we all have in our heads.\u003cbr\u003e While Daughter’s previous work found power in emotional honesty, ‘Stereo Mind Game’ welcomes opposing feelings. “It’s about not working in absolutes,” Haefeli says. After more than a decade spent depicting the darkest emotions, Daughter have made their most optimistic record yet.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e LP pressed on Eco black vinyl. Also available to independent retailers on Eco coloured vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003cbr\u003eIntro\u003cbr\u003eBe On Your Way\u003cbr\u003eParty\u003cbr\u003eDandelion\u003cbr\u003eNeptune\u003cbr\u003eSwim Back\u003cbr\u003eJunkmail\u003cbr\u003eFuture Lover\u003cbr\u003e(Missed Calls)\u003cbr\u003eIsolation\u003cbr\u003eTo Rage\u003cbr\u003eWish I Could Cross The Sea\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":42393433440412,"sku":"4AD0512LPE","price":25.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_c7faf6ec-85b9-4713-95a9-316dfd46351a.jpg?v=1678471140"},{"product_id":"daughter-stereo-mind-game-eco-black-vinyl","title":"Daughter - Stereo Mind Game [ECO BLACK VINYL]","description":"\u003cp\u003e\u003cspan\u003eFormat: LP \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: 4AD0512LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0191400051218\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Elena Tonra isn’t a keen swimmer, but oceans pervade ‘Stereo Mind Game’. It’s a matter of distance. Daughter’s third record, the band’s first studio album for seven years, grapples with what it means to be separated, from loved ones and too from yourself.\u003cbr\u003e “Oh it will likely kill me \/ That I must live \/ Without you \/ Because I can’t swim,” Tonra sings, whisper-like, on ‘Isolation’. It’s a classic Daughter song that basks elegantly in deepest despair. Yet here there’s a sense of something beyond despair too. “I’ll compose myself \/ I’ll get over it,” Tonra continues. On ‘Stereo Mind Game’, Daughter tend to sorrow by fixing it in time. Doing so makes it more real, like the flower - dried, pressed and remembered - on the album’s cover.\u003cbr\u003e Daughter - the trio comprising Tonra, Igor Haefeli and Remi Aguilella - formed in 2010. After releasing two studio albums, ‘If You Leave’ (2013) and ‘Not to Disappear’ (2016), and the video game soundtrack, ‘Music From Before the Storm’ (2017), they chose to take some time off. But not before jamming together in Los Angeles, in between a support tour with The National and their first headline shows in South America. It was here that a new album started to germinate.\u003cbr\u003e Over the next couple of years - during which they worked on their own projects, including Tonra’s solo record as Ex:Re - Daughter met occasionally to write together in studios in London, Portland and in San Diego, where Haefeli lived for six months in 2019. The record’s central romantic figure is someone Tonra met out there when she visited from London. They shared a significant connection, but she knew the Atlantic lay between them.\u003cbr\u003e It’s this that she sings about on ‘Be On Your Way’, a longing but resilient song about an enduring connection that is also undefinable. Where previous Daughter songs mourned old relationships, here Tonra is accepting of whatever the future brings. “A friend said to me recently: just because something ends, doesn’t mean that it wasn’t real,” she says. Haefeli likens the revelation to the pressed flower image: “It’s still there. It still exists. It grew that spring.”\u003cbr\u003e Daughter began recording the album’s twelve songs in earnest in 2021. Haefeli, who lives in Bristol, met with Tonra at Middle Farm Studios in Devon. Aguilella, who is based in Portland, Oregon, recorded his drum parts in Bocce Studio in Vancouver, Washington. Haefeli produced a number of the songs, while Tonra produced ‘Junkmail’. They co-produced the rest.\u003cbr\u003e The longing to close physical distances - a feeling that only grew during the pandemic - has seeped into many of these tracks. On ‘Wish I Could Cross the Sea’ we hear voice notes from Tonra’s young niece and nephew, who live in Italy. ‘(Missed Calls)’ features another voice note, in which a friend describes a dream. Fed through some modular effects, it becomes glitchy, and haunting. These messages, attempts at connection from loved ones you’re unable to see, “can pull you out of the well,” Tonra says - but only if you pick up the phone.\u003cbr\u003e When you let others in, beauty can arise. Deep feeling comes from the bows of the 12 Ensemble, the London-based string orchestra, who play on many of the album’s tracks. Arranged by Haefeli and Tonra, and orchestrated by Josephine Stephenson, their parts were - fittingly - recorded at The Pool, a space in Bermondsey, south London, which is a former swimming spot. A brass quartet also brings a new sonic warmth to ‘Neptune’ and ‘To Rage’.\u003cbr\u003e And for the first time, Tonra’s is not a lone voice. On ‘Dandelion’, which glistens with Haefeli’s chime-like guitars and Aguilella’s rousing drums, Tonra plays call and response with herself. Haefeli leads some vocal lines on the exhilarating ‘Future Lover’, and on Neptune, a choir appears. These vocalists are the string players of the 12 Ensemble. “It’s one of my favourite moments of the record,” Tonra says, “when suddenly, the crowd joins. It’s a very lonely song. But even when I’ve felt the most alone, arms have reached out to me.”\u003cbr\u003e In order to maintain relationships with others, we must first make peace with ourselves. ‘Party’ recounts a significant moment: the night that made Tonra realise she wanted to give up alcohol. It’s a topic she has written about before, but she needed distance to see it clearly. Haefeli borrows her image: “This time you had climbed out of the well,” he says, “and were looking back down.” It’s the song she’s most proud of, and the\u003cbr\u003eone that lends its lyrics to the album title (“Some stereo mind game I play with myself”), which refers to the conflicting voices we all have in our heads.\u003cbr\u003e While Daughter’s previous work found power in emotional honesty, ‘Stereo Mind Game’ welcomes opposing feelings. “It’s about not working in absolutes,” Haefeli says. After more than a decade spent depicting the darkest emotions, Daughter have made their most optimistic record yet.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e LP pressed on Eco black vinyl. 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This is released alongside the new pressing of ‘Intoxicated Women’ and follows ‘Sketches From The Book Of The Dead’ and ‘Four (Acts of Love)’ released earlier in 2023.\u003cbr\u003e Originally released on 24th June 2016, ‘Delirium Tremens’ was Mick Harvey's resumption of his series translating Serge Gainsbourg’s songs into English after a 20 year hiatus. Both volume one (‘Intoxicated Man’) and two (‘Pink Elephants’) are cherished classics and introduced English speakers to one of the most legendary songwriters of the 20th century.\u003cbr\u003e The album covers a wide cross-section of Gainsbourg material, from 1976’s ‘The Man With The Cabbage Head’ (‘L’homme à Tête De Chou’) to ‘Deadly Tedium’ (‘Ce Mortel Ennui’) and ‘Coffee Colour’ (‘Couleur Café’) from the late 1950s and early 1960s.\u003cbr\u003e “Many of the songs I have recorded are ones I had hoped to translate the first time I approached this material but I just thought they would be ones that were too hard to translate. 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Here Harvey has called upon guest singers Channthy Kak (Cambodian Space Project), Australian singers Xanthe Waite (Terry, Primo!), Sophia Brous, Lyndelle-Jayne Spruyt and Jess Ribeiro and the German chanteuse Andrea Schroeder plus a special appearance by Harvey’s son, Solomon.\u003cbr\u003e The digital download includes two bonus tracks: ‘The Homely Ones’ (‘Les Petits Boudins’) featuring Xanthe Waite and ‘Lost Loves’ (‘Les Amours Perdues’).\u003cbr\u003e Praise for ‘Intoxicated Women’: “As with any Harvey project, the musicianship is of the highest, yet understated, order.” - Clash Magazine; “‘Intoxicated Women’ makes you fall in love with Gainsbourg and his women all over again.” - MOJO; “In short: superb” - Q \u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eIch Liebe Dich... 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