{"title":"Int050424","description":"","products":[{"product_id":"khruangbin-a-la-sala-cd","title":"Khruangbin - A LA SALA [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DOC357CD\u003cbr\u003eBarcode: 656605165721\u003cbr\u003eRelease Date: 05 Apr 2024\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eKhruangbin’s fourth studio album, A La Sala (“To the Room” in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. If 2020’s Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band’s musical reputation far and wide, then A La Sala is the measured morning after. It’s a gorgeously airy record completed only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It’s a window onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe trio’s collective musical DNA, the years spent constructing it in Houston’s local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there’s a freshness to A La Sala’s instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world’s external wonders. Where prior albums strived towards music’s polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin’s sonic touch-points — whether spaghetti-western film scores (on “Fifteen Fifty-Three”), West African discos (on “Pon Pón”), G-funk fantasias (“Todavía Viva”), living room dancing moments (the first single, “A Love International”), or even ambient found-sounds (on “Farolim de Felgueiras and throughout the album”) — are ingrained characteristics. This is who they are! Unique and huge (and growing), ambitious and driven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKhruangbin’s aspirations and commitment to playful creativity even extends to A La Sala’s vinyl packages, of which there will be seven distinctive covers and color-sets. Designed by the band using Marko’s multitude of travelog photos, the images are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances that illuminate what is going on inside. Each cover image comes with a matching color vinyl. These too are all about looking out and looking back, in order to better look ahead.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFirst studio album by Khruangbin since 2020, marking a return to their fundamental creative make up – Laura Lee, Mark Speer, Donald “DJ” Johnson.\u003cbr data-mce-fragment=\"1\"\u003eVinyl editions feature limited-edition LP colors and die-cut covers revealing a unique slipcase with front and back images exclusive to each pressing; each is a special edition\u003cbr data-mce-fragment=\"1\"\u003eWorldwide touring planned for 2024 includes extensive US\/CAN dates, high billing with major festivals, and multi-night stands covering 15,000+ tickets in many markets.\u003cbr data-mce-fragment=\"1\"\u003eOver 6M monthly Spotify listeners with over 650M US streams, 375k+ US physical sales and over 1.2B streams ATD worldwide\u003cbr data-mce-fragment=\"1\"\u003eSocial: 1,600,00+ Spotify, 725,000+ Instagram; 222,000+ Youtube\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eTracklist\u003cbr data-mce-fragment=\"1\"\u003eSIDE A\u003cbr data-mce-fragment=\"1\"\u003e1.Fifteen Fifty-Three\u003cbr data-mce-fragment=\"1\"\u003e2.May Ninth\u003cbr data-mce-fragment=\"1\"\u003e3.Ada Jean\u003cbr data-mce-fragment=\"1\"\u003e4.Farolim de Felgueiras\u003cbr data-mce-fragment=\"1\"\u003e5.Pon Pón\u003cbr data-mce-fragment=\"1\"\u003e6.Todavía Viva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE B\u003cbr data-mce-fragment=\"1\"\u003e1.Juegos y Nubes\u003cbr data-mce-fragment=\"1\"\u003e2.Hold Me Up (Thank You)\u003cbr data-mce-fragment=\"1\"\u003e3.Caja de la Sala\u003cbr data-mce-fragment=\"1\"\u003e4.Three From Two\u003cbr data-mce-fragment=\"1\"\u003e5.A Love International\u003cbr data-mce-fragment=\"1\"\u003e6.Les Petits Gris\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":43009344110748,"sku":"DOC357CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/doc357.khruangbin.ALS.mock.CD.1.jpg?v=1705378793"},{"product_id":"khruangbin-a-la-sala-black-vinyl","title":"Khruangbin - A LA SALA [Black Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC357LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656605165714\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Apr 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKhruangbin’s fourth studio album, A La Sala (“To the Room” in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. If 2020’s Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band’s musical reputation far and wide, then A La Sala is the measured morning after. It’s a gorgeously airy record completed only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It’s a window onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe trio’s collective musical DNA, the years spent constructing it in Houston’s local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there’s a freshness to A La Sala’s instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world’s external wonders. Where prior albums strived towards music’s polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin’s sonic touch-points — whether spaghetti-western film scores (on “Fifteen Fifty-Three”), West African discos (on “Pon Pón”), G-funk fantasias (“Todavía Viva”), living room dancing moments (the first single, “A Love International”), or even ambient found-sounds (on “Farolim de Felgueiras and throughout the album”) — are ingrained characteristics. This is who they are! Unique and huge (and growing), ambitious and driven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKhruangbin’s aspirations and commitment to playful creativity even extends to A La Sala’s vinyl packages, of which there will be seven distinctive covers and color-sets. Designed by the band using Marko’s multitude of travelog photos, the images are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances that illuminate what is going on inside. Each cover image comes with a matching color vinyl. These too are all about looking out and looking back, in order to better look ahead.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFirst studio album by Khruangbin since 2020, marking a return to their fundamental creative make up – Laura Lee, Mark Speer, Donald “DJ” Johnson.\u003cbr data-mce-fragment=\"1\"\u003eVinyl editions feature limited-edition LP colors and die-cut covers revealing a unique slipcase with front and back images exclusive to each pressing; each is a special edition\u003cbr data-mce-fragment=\"1\"\u003eWorldwide touring planned for 2024 includes extensive US\/CAN dates, high billing with major festivals, and multi-night stands covering 15,000+ tickets in many markets.\u003cbr data-mce-fragment=\"1\"\u003eOver 6M monthly Spotify listeners with over 650M US streams, 375k+ US physical sales and over 1.2B streams ATD worldwide\u003cbr data-mce-fragment=\"1\"\u003eSocial: 1,600,00+ Spotify, 725,000+ Instagram; 222,000+ Youtube\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist\u003cbr data-mce-fragment=\"1\"\u003eSIDE A\u003cbr data-mce-fragment=\"1\"\u003e1.Fifteen Fifty-Three\u003cbr data-mce-fragment=\"1\"\u003e2.May Ninth\u003cbr data-mce-fragment=\"1\"\u003e3.Ada Jean\u003cbr data-mce-fragment=\"1\"\u003e4.Farolim de Felgueiras\u003cbr data-mce-fragment=\"1\"\u003e5.Pon Pón\u003cbr data-mce-fragment=\"1\"\u003e6.Todavía Viva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE B\u003cbr data-mce-fragment=\"1\"\u003e1.Juegos y Nubes\u003cbr data-mce-fragment=\"1\"\u003e2.Hold Me Up (Thank You)\u003cbr data-mce-fragment=\"1\"\u003e3.Caja de la Sala\u003cbr data-mce-fragment=\"1\"\u003e4.Three From Two\u003cbr data-mce-fragment=\"1\"\u003e5.A Love International\u003cbr data-mce-fragment=\"1\"\u003e6.Les Petits Gris\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":43009344176284,"sku":"DOC357LP","price":27.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/doc357.khruangbin.ALS.LP.jpg?v=1705378798"},{"product_id":"khruangbin-a-la-sala-soleil-vinyl","title":"Khruangbin - A LA SALA [Soleil Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP, Coloured\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC357LP-C1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656605165738\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Apr 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKhruangbin’s fourth studio album, A La Sala (“To the Room” in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. If 2020’s Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band’s musical reputation far and wide, then A La Sala is the measured morning after. It’s a gorgeously airy record completed only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It’s a window onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe trio’s collective musical DNA, the years spent constructing it in Houston’s local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there’s a freshness to A La Sala’s instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world’s external wonders. Where prior albums strived towards music’s polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin’s sonic touch-points — whether spaghetti-western film scores (on “Fifteen Fifty-Three”), West African discos (on “Pon Pón”), G-funk fantasias (“Todavía Viva”), living room dancing moments (the first single, “A Love International”), or even ambient found-sounds (on “Farolim de Felgueiras and throughout the album”) — are ingrained characteristics. This is who they are! Unique and huge (and growing), ambitious and driven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKhruangbin’s aspirations and commitment to playful creativity even extends to A La Sala’s vinyl packages, of which there will be seven distinctive covers and color-sets. Designed by the band using Marko’s multitude of travelog photos, the images are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances that illuminate what is going on inside. Each cover image comes with a matching color vinyl. These too are all about looking out and looking back, in order to better look ahead.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFirst studio album by Khruangbin since 2020, marking a return to their fundamental creative make up – Laura Lee, Mark Speer, Donald “DJ” Johnson.\u003cbr data-mce-fragment=\"1\"\u003eVinyl editions feature limited-edition LP colors and die-cut covers revealing a unique slipcase with front and back images exclusive to each pressing; each is a special edition\u003cbr data-mce-fragment=\"1\"\u003eWorldwide touring planned for 2024 includes extensive US\/CAN dates, high billing with major festivals, and multi-night stands covering 15,000+ tickets in many markets.\u003cbr data-mce-fragment=\"1\"\u003eOver 6M monthly Spotify listeners with over 650M US streams, 375k+ US physical sales and over 1.2B streams ATD worldwide\u003cbr data-mce-fragment=\"1\"\u003eSocial: 1,600,00+ Spotify, 725,000+ Instagram; 222,000+ Youtube\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist\u003cbr data-mce-fragment=\"1\"\u003eSIDE A\u003cbr data-mce-fragment=\"1\"\u003e1.Fifteen Fifty-Three\u003cbr data-mce-fragment=\"1\"\u003e2.May Ninth\u003cbr data-mce-fragment=\"1\"\u003e3.Ada Jean\u003cbr data-mce-fragment=\"1\"\u003e4.Farolim de Felgueiras\u003cbr data-mce-fragment=\"1\"\u003e5.Pon Pón\u003cbr data-mce-fragment=\"1\"\u003e6.Todavía Viva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE B\u003cbr data-mce-fragment=\"1\"\u003e1.Juegos y Nubes\u003cbr data-mce-fragment=\"1\"\u003e2.Hold Me Up (Thank You)\u003cbr data-mce-fragment=\"1\"\u003e3.Caja de la Sala\u003cbr data-mce-fragment=\"1\"\u003e4.Three From Two\u003cbr data-mce-fragment=\"1\"\u003e5.A Love International\u003cbr data-mce-fragment=\"1\"\u003e6.Les Petits Gris\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":43009344241820,"sku":"DOC357LP-C1","price":27.52,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/doc357.khruangbin.ALS.LP-c1.jpg?v=1705378801"},{"product_id":"khruangbin-a-la-sala-gold-vinyl","title":"Khruangbin - A LA SALA [Gold Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP, Coloured\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC357LP-C6\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656605165790\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Apr 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKhruangbin’s fourth studio album, A La Sala (“To the Room” in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. If 2020’s Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band’s musical reputation far and wide, then A La Sala is the measured morning after. It’s a gorgeously airy record completed only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It’s a window onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe trio’s collective musical DNA, the years spent constructing it in Houston’s local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there’s a freshness to A La Sala’s instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world’s external wonders. Where prior albums strived towards music’s polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin’s sonic touch-points — whether spaghetti-western film scores (on “Fifteen Fifty-Three”), West African discos (on “Pon Pón”), G-funk fantasias (“Todavía Viva”), living room dancing moments (the first single, “A Love International”), or even ambient found-sounds (on “Farolim de Felgueiras and throughout the album”) — are ingrained characteristics. This is who they are! Unique and huge (and growing), ambitious and driven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKhruangbin’s aspirations and commitment to playful creativity even extends to A La Sala’s vinyl packages, of which there will be seven distinctive covers and color-sets. Designed by the band using Marko’s multitude of travelog photos, the images are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances that illuminate what is going on inside. Each cover image comes with a matching color vinyl. These too are all about looking out and looking back, in order to better look ahead.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFirst studio album by Khruangbin since 2020, marking a return to their fundamental creative make up – Laura Lee, Mark Speer, Donald “DJ” Johnson.\u003cbr data-mce-fragment=\"1\"\u003eVinyl editions feature limited-edition LP colors and die-cut covers revealing a unique slipcase with front and back images exclusive to each pressing; each is a special edition\u003cbr data-mce-fragment=\"1\"\u003eWorldwide touring planned for 2024 includes extensive US\/CAN dates, high billing with major festivals, and multi-night stands covering 15,000+ tickets in many markets.\u003cbr data-mce-fragment=\"1\"\u003eOver 6M monthly Spotify listeners with over 650M US streams, 375k+ US physical sales and over 1.2B streams ATD worldwide\u003cbr data-mce-fragment=\"1\"\u003eSocial: 1,600,00+ Spotify, 725,000+ Instagram; 222,000+ Youtube\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist\u003cbr data-mce-fragment=\"1\"\u003eSIDE A\u003cbr data-mce-fragment=\"1\"\u003e1.Fifteen Fifty-Three\u003cbr data-mce-fragment=\"1\"\u003e2.May Ninth\u003cbr data-mce-fragment=\"1\"\u003e3.Ada Jean\u003cbr data-mce-fragment=\"1\"\u003e4.Farolim de Felgueiras\u003cbr data-mce-fragment=\"1\"\u003e5.Pon Pón\u003cbr data-mce-fragment=\"1\"\u003e6.Todavía Viva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE B\u003cbr data-mce-fragment=\"1\"\u003e1.Juegos y Nubes\u003cbr data-mce-fragment=\"1\"\u003e2.Hold Me Up (Thank You)\u003cbr data-mce-fragment=\"1\"\u003e3.Caja de la Sala\u003cbr data-mce-fragment=\"1\"\u003e4.Three From Two\u003cbr data-mce-fragment=\"1\"\u003e5.A Love International\u003cbr data-mce-fragment=\"1\"\u003e6.Les Petits Gris\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":43009344307356,"sku":"DOC357LP-C6","price":27.52,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/doc357.khruangbin.ALS.LP-c6_JLP_UK.jpg?v=1705378805"},{"product_id":"khruangbin-a-la-sala-audio-cassette","title":"Khruangbin - A LA SALA [Audio Cassette]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Audio Cassette\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC357CASS\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 674012926346\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Apr 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKhruangbin’s fourth studio album, A La Sala (“To the Room” in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. If 2020’s Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band’s musical reputation far and wide, then A La Sala is the measured morning after. It’s a gorgeously airy record completed only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It’s a window onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe trio’s collective musical DNA, the years spent constructing it in Houston’s local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there’s a freshness to A La Sala’s instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world’s external wonders. Where prior albums strived towards music’s polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin’s sonic touch-points — whether spaghetti-western film scores (on “Fifteen Fifty-Three”), West African discos (on “Pon Pón”), G-funk fantasias (“Todavía Viva”), living room dancing moments (the first single, “A Love International”), or even ambient found-sounds (on “Farolim de Felgueiras and throughout the album”) — are ingrained characteristics. This is who they are! Unique and huge (and growing), ambitious and driven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKhruangbin’s aspirations and commitment to playful creativity even extends to A La Sala’s vinyl packages, of which there will be seven distinctive covers and color-sets. Designed by the band using Marko’s multitude of travelog photos, the images are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances that illuminate what is going on inside. Each cover image comes with a matching color vinyl. These too are all about looking out and looking back, in order to better look ahead.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFirst studio album by Khruangbin since 2020, marking a return to their fundamental creative make up – Laura Lee, Mark Speer, Donald “DJ” Johnson.\u003cbr data-mce-fragment=\"1\"\u003eVinyl editions feature limited-edition LP colors and die-cut covers revealing a unique slipcase with front and back images exclusive to each pressing; each is a special edition\u003cbr data-mce-fragment=\"1\"\u003eWorldwide touring planned for 2024 includes extensive US\/CAN dates, high billing with major festivals, and multi-night stands covering 15,000+ tickets in many markets.\u003cbr data-mce-fragment=\"1\"\u003eOver 6M monthly Spotify listeners with over 650M US streams, 375k+ US physical sales and over 1.2B streams ATD worldwide\u003cbr data-mce-fragment=\"1\"\u003eSocial: 1,600,00+ Spotify, 725,000+ Instagram; 222,000+ Youtube\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist\u003cbr data-mce-fragment=\"1\"\u003eSIDE A\u003cbr data-mce-fragment=\"1\"\u003e1.Fifteen Fifty-Three\u003cbr data-mce-fragment=\"1\"\u003e2.May Ninth\u003cbr data-mce-fragment=\"1\"\u003e3.Ada Jean\u003cbr data-mce-fragment=\"1\"\u003e4.Farolim de Felgueiras\u003cbr data-mce-fragment=\"1\"\u003e5.Pon Pón\u003cbr data-mce-fragment=\"1\"\u003e6.Todavía Viva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE B\u003cbr data-mce-fragment=\"1\"\u003e1.Juegos y Nubes\u003cbr data-mce-fragment=\"1\"\u003e2.Hold Me Up (Thank You)\u003cbr data-mce-fragment=\"1\"\u003e3.Caja de la Sala\u003cbr data-mce-fragment=\"1\"\u003e4.Three From Two\u003cbr data-mce-fragment=\"1\"\u003e5.A Love International\u003cbr data-mce-fragment=\"1\"\u003e6.Les Petits Gris\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":43009344503964,"sku":"DOC357CASS","price":10.33,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/doc357.khruangbin.ALS.cass.jpg?v=1705378809"},{"product_id":"broken-chanter-chorus-of-doubt-clear-vinyl","title":"Broken Chanter  Chorus of Doubt [Clear Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: CHEM268\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5063176020017\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Apr 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDavid MacGregor’s Broken Chanter bristle with energy and empathy on their incendiary third album Chorus Of Doubt. Recorded over 2023’s spring and summer months in Chemikal Underground’s in-house studio Chem 19 by Paul Savage.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing frequent collaborators Charlotte Printer, Bart Owl and Martin Johnston, Broken Chanter’s world is populated by hope and vitriol rendered in ecstatic rock music, visceral post-punk, terse agit-Funk, and soaring choruses. The most immediate Broken Chanter record to date, Chorus Of Doubt is David MacGregor’s open love letter to never giving up, a personal road map out of collective lethargy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“A chorus of doubt often soundtracks those who hope for better, as it comes from the press, those in power, and anyone who has in an interest in the status quo being presented as the least bad, and only, option. A chorus of doubt can also come from within your own head. Both need to be challenged and drowned out. These are songs that look to reassure the listener that better things are possible, despite the managed decline we are constantly offered as the only option, and that small personal actions when performed together can affect real change.\" David MacGregor (Broken Chanter).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe clear vinyl includes a 320kbps download card.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTour Dates -\u003cbr data-mce-fragment=\"1\"\u003e11 Apr – EDINBURGH Summerhall\u003cbr data-mce-fragment=\"1\"\u003e12 Apr – ABERDEEN Tunnels\u003cbr data-mce-fragment=\"1\"\u003e13 Apr – DUNDEE Beat Generator\u003cbr data-mce-fragment=\"1\"\u003e20 Apr – GLASGOW Stereo\u003cbr data-mce-fragment=\"1\"\u003eEnglish, Welsh \u0026amp; Irish Dates throughout May and June TBA imminently\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eDon’t You Think That Something Needs To Be Done?\u003cbr data-mce-fragment=\"1\"\u003eYou’ve Got To Stop Worrying All The Time\u003cbr data-mce-fragment=\"1\"\u003eThe Rain Doesn’t Only Fall On You\u003cbr data-mce-fragment=\"1\"\u003eCostner Interjection\u003cbr data-mce-fragment=\"1\"\u003eSomething More Useful Than Flowers\u003cbr data-mce-fragment=\"1\"\u003eKnock My Pan In\u003cbr data-mce-fragment=\"1\"\u003eWho’s Asking?\u003cbr data-mce-fragment=\"1\"\u003eGloom Bop\u003cbr data-mce-fragment=\"1\"\u003eYour Latest Moment Of Alarming Clarity\u003cbr data-mce-fragment=\"1\"\u003eActual Bonehead Contact\u003cbr data-mce-fragment=\"1\"\u003eSo Much For The End Of History (I’m Still Here)\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"Default Title","offer_id":43027534643356,"sku":"CHEM268","price":24.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChorusOfDoubtVinylMockUp.jpg?v=1705927254"},{"product_id":"broken-chanter-chorus-of-doubt-cd","title":"Broken Chanter - Chorus of Doubt [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: CHEM268CD\u003cbr\u003eBarcode: 5063176020123\u003cbr\u003eRelease Date: 05 Apr 2024\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003eDavid MacGregor’s Broken Chanter bristle with energy and empathy on their incendiary third album Chorus Of Doubt. Recorded over 2023’s spring and summer months in Chemikal Underground’s in-house studio Chem 19 by Paul Savage.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing frequent collaborators Charlotte Printer, Bart Owl and Martin Johnston, Broken Chanter’s world is populated by hope and vitriol rendered in ecstatic rock music, visceral post-punk, terse agit-Funk, and soaring choruses. The most immediate Broken Chanter record to date, Chorus Of Doubt is David MacGregor’s open love letter to never giving up, a personal road map out of collective lethargy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“A chorus of doubt often soundtracks those who hope for better, as it comes from the press, those in power, and anyone who has in an interest in the status quo being presented as the least bad, and only, option. A chorus of doubt can also come from within your own head. Both need to be challenged and drowned out. These are songs that look to reassure the listener that better things are possible, despite the managed decline we are constantly offered as the only option, and that small personal actions when performed together can affect real change.\" David MacGregor (Broken Chanter).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe clear vinyl includes a 320kbps download card.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTour Dates -\u003cbr data-mce-fragment=\"1\"\u003e11 Apr – EDINBURGH Summerhall\u003cbr data-mce-fragment=\"1\"\u003e12 Apr – ABERDEEN Tunnels\u003cbr data-mce-fragment=\"1\"\u003e13 Apr – DUNDEE Beat Generator\u003cbr data-mce-fragment=\"1\"\u003e20 Apr – GLASGOW Stereo\u003cbr data-mce-fragment=\"1\"\u003eEnglish, Welsh \u0026amp; Irish Dates throughout May and June TBA imminently\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eDon’t You Think That Something Needs To Be Done?\u003cbr data-mce-fragment=\"1\"\u003eYou’ve Got To Stop Worrying All The Time\u003cbr data-mce-fragment=\"1\"\u003eThe Rain Doesn’t Only Fall On You\u003cbr data-mce-fragment=\"1\"\u003eCostner Interjection\u003cbr data-mce-fragment=\"1\"\u003eSomething More Useful Than Flowers\u003cbr data-mce-fragment=\"1\"\u003eKnock My Pan In\u003cbr data-mce-fragment=\"1\"\u003eWho’s Asking?\u003cbr data-mce-fragment=\"1\"\u003eGloom Bop\u003cbr data-mce-fragment=\"1\"\u003eYour Latest Moment Of Alarming Clarity\u003cbr data-mce-fragment=\"1\"\u003eActual Bonehead Contact\u003cbr data-mce-fragment=\"1\"\u003eSo Much For The End Of History (I’m Still Here)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"Default Title","offer_id":43027536150684,"sku":"CHEM268CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/5063176020284_5e70a5eb-8799-4ecb-8fae-b814e1879697.jpg?v=1705927269"},{"product_id":"fabiana-palladino-fabiana-palladino-cd","title":"Fabiana Palladino - Fabiana Palladino [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: PAULINST0023CD\u003cbr\u003eBarcode: 0191404702321\u003cbr\u003eRelease Date: 05 Apr 2024\u003cbr\u003eGenre: \u003cspan data-mce-fragment=\"1\"\u003eR\u0026amp;B, Soul, Pop and Disco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFabiana Palladino announces full details of her hotly anticipated self-titled debut album. The UK vocalist, songwriter, multi-instrumentalist and producer will release Fabiana Palladino on 5 April 2024 via Paul Institute \/ XL Recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMade in the wake of the end of a long relationship, the album is an intimate record that sees Fabiana Palladino confront complex questions about love, loneliness and normativity in relationships. The result is a 10-track full-length of shapeshifting sonics that draws inspiration from the big R\u0026amp;B, Soul, Pop and Disco studio productions of the 80s and 90s and filters them through a modern lens. Written and self-produced by Palladino, the album features performances from renowned musicians and close friends including Paul Institute co-founder Jai Paul, her father and legendary session bassist Pino Palladino, brother and Yussef Dayes bassist Rocco Palladino, renowned drummer Steve Ferrone and strings from Rob Moose.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpeaking on the new music and forthcoming album, Fabiana Palladino says:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“A central theme of the album is aloneness. Whether it’s a song where I’m searching for connection with someone else, or trying to embrace the aloneness, it tends to come back to me, who I am when I’m alone, what I feel when I really look inwards. I’d say it’s a pretty introspective record overall. The songs are often about trying to go deeper into yourself, exploring your true feelings and how they then relate to and affect your relationships with others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stay With Me Through The Night” is the first song I wrote for the album. It was at the end of a tricky period where I hadn’t written music for nearly two years, and it came out in a bit of a flood, I barely even remember where or how I wrote it, but I knew it was going to be an important song for me. It ended up being the centrepiece of the album, a song that encapsulates a lot of the feeling and emotion of the rest of the record and musically it brings old together with new, which became a theme across the record…a way of combining my influences with a modern perspective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRhythmically the feeling of the song comes from funk and disco, I was thinking about the piano playing of Patrice Rushen and Michael McDonald, Chaka Khan’s ‘What Cha’ Gonna Do For Me’, Bernard Edwards bass playing on Chic’s ‘Good Times’, and The Bee Gees ‘Spirits Having Flown’ but we tried to take the track somewhere else in other aspects of the production to bring out the big feelings in the song. It situates us in the emotional world that I tried to create for the rest of the album.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFabiana Palladino first broke out in 2017 as one of Paul Institute’s founding artists after her shadowy R\u0026amp;B-influenced spectral pop reached Jai Paul, who founded the label alongside his brother A.K. Paul. Releasing three singles in four years, she caught the ear of critics - Pitchfork likened “Mystery” to “a scratch track from a big-budget 80s studio that’s been smuggled out on reel-to-reel tape” – but Palladino’s output remained slight. The intervening years have seen her working as an in-demand session musician for the likes of Jessie Ware, Sampha, SBTRKT and Laura Groves while intensely striving for pop perfection in her own music. Last year, she formed part of Jai Paul’s band for his live debut (which she also supported solo) on his hugely celebrated comeback tour.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eABOUT FABIANA PALLADINO:\u003cbr data-mce-fragment=\"1\"\u003eFor more or less a brand-new artist, Fabiana Palladino faces an unusual level of anticipation. The London musician broke out in 2017 as one of the Paul Institute’s founding artists after her shadowy, classicist R\u0026amp;B influenced pop reached Jai Paul, who started the label alongside his brother A. K. Paul. Releasing just three singles in four years, she caught the ear of critics – Pitchfork likened “Mystery” to “a scratch track from a big-budget 80s studio that’s been smuggled out on reel-to-reel tape” – but Palladino’s output remained slight while she worked as an in-demand session musician for the likes of SBTRKT and Jessie Ware, cycling from one tour to the next. This year, she formed part of Jai’s band for his live debut (which she also supported), the most wildly awaited performances in years. “I’m taking it one bit at a time because it is very strange and a bit overwhelming,” says Palladino.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll the while, she was intensively working on her self-titled debut album - Fabiana Palladino - in secret. Written and produced by Palladino, it has been a long time coming, partially because of her playing commitments but also because of her perfectionism. “I have a horrible fear of putting something out and regretting it,” she admits. Covid slowed things too, amplifying the sense of loneliness and isolation that runs through the album, in which she confronts how a life should look in the absence of traditional relationship and family structures. Made in the wake of the end of a long relationship, it’s an intimate, after-dark record that exudes the toughness and femininity of Janet Jackson circa Control and Annie Lennox on DIVA, exerts the classic songwriting of Kate Bush and Joni Mitchell and subverts the classic romantic Motown duets of Marvin Gaye and Tammi Terrell to unpick normativity in relationships.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePalladino’s references are all big studio records, a sound that she strove for while self-recording at home and in the XL studio. “I wanted to push myself production-wise,” she says. “I wanted high-production value sounds because I grew up listening to music that was made in studios, played by great musicians and recorded by brilliant engineers, and I really appreciate that.” This sleek, distinctive record is testament to her growing confidence as a producer, encouraged, says Palladino, by Jai. Early on, she would send him demos and ask him to produce them. “He would say, ‘You’ve already produced it – it’s there.’ Palladino’s dad, Pino Palladino, is one of history’s most famous session men: she learned from him the integrity it takes to work on other people’s ideas, and gradually understood how to apply it to her own work. “I like creating other people’s vision, being solid and consistent,” she says. “Being an artist is a totally different headspace.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s one that Palladino seems to conjure effortlessly. The self-titled album feels like a classic pop album: its nimble melodies haunting and sensual, the writing elegantly whittled down to turn complex questions about desire and satisfaction into immediate hooks. “I’m getting closer \/ Still it’s on my mind \/ What we’re all about \/ ‘Cos I don’t even know if I want you around,” she sings on “Closer”, which gasps and glints as two would-be lovers dance around a grey area. “When I go to sleep I’m tired but I can’t dream any more,” she sings on “I Can’t Dream Anymore”, thrust forward by heaving bass that resonates with exhaustion and frustration at the uncertainty. “I had a significant relationship that ended followed by a period of a few years of like: what the hell am I doing?” she says. “People are getting married and having kids around you, and I was not in that at all. There’s a certain amount of pain in having to accept that that’s not the way it’s gone. But also: how can I embrace that and create power for myself? I feel amazing about it now, and so happy that my life has gone in that way.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFabiana Palladino underscores that push and pull. “The songwriting is relatively traditional,” says Palladino, “but the production isn’t. It’s trying to disrupt certain expectations.” Palladino’s pop career is finally taking flight but that doesn’t mean the anticipation is over.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e1. Closer\u003cbr data-mce-fragment=\"1\"\u003e2. Can You Look In The Mirror?\u003cbr data-mce-fragment=\"1\"\u003e3. I Can’t Dream Anymore\u003cbr data-mce-fragment=\"1\"\u003e4. Give Me A Sign\u003cbr data-mce-fragment=\"1\"\u003e5. I Care\u003cbr data-mce-fragment=\"1\"\u003e6. Stay With Me Through The Night\u003cbr data-mce-fragment=\"1\"\u003e7. Shoulda\u003cbr data-mce-fragment=\"1\"\u003e8. Deeper\u003cbr data-mce-fragment=\"1\"\u003e9. In The Fire\u003cbr data-mce-fragment=\"1\"\u003e10. Forever\u003c\/p\u003e","brand":"Paul Institute","offers":[{"title":"Default Title","offer_id":43030386016412,"sku":"PAULINST0023CD","price":10.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FP_CD_Gatefold_Front.jpg?v=1706044864"},{"product_id":"fabiana-palladino-fabiana-palladino-lp","title":"Fabiana Palladino - Fabiana Palladino [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PAULINST0023LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0191404702314\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Apr 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: \u003cspan data-mce-fragment=\"1\"\u003eR\u0026amp;B, Soul, Pop and Disco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFabiana Palladino announces full details of her hotly anticipated self-titled debut album. The UK vocalist, songwriter, multi-instrumentalist and producer will release Fabiana Palladino on 5 April 2024 via Paul Institute \/ XL Recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMade in the wake of the end of a long relationship, the album is an intimate record that sees Fabiana Palladino confront complex questions about love, loneliness and normativity in relationships. The result is a 10-track full-length of shapeshifting sonics that draws inspiration from the big R\u0026amp;B, Soul, Pop and Disco studio productions of the 80s and 90s and filters them through a modern lens. Written and self-produced by Palladino, the album features performances from renowned musicians and close friends including Paul Institute co-founder Jai Paul, her father and legendary session bassist Pino Palladino, brother and Yussef Dayes bassist Rocco Palladino, renowned drummer Steve Ferrone and strings from Rob Moose.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpeaking on the new music and forthcoming album, Fabiana Palladino says:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“A central theme of the album is aloneness. Whether it’s a song where I’m searching for connection with someone else, or trying to embrace the aloneness, it tends to come back to me, who I am when I’m alone, what I feel when I really look inwards. I’d say it’s a pretty introspective record overall. The songs are often about trying to go deeper into yourself, exploring your true feelings and how they then relate to and affect your relationships with others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stay With Me Through The Night” is the first song I wrote for the album. It was at the end of a tricky period where I hadn’t written music for nearly two years, and it came out in a bit of a flood, I barely even remember where or how I wrote it, but I knew it was going to be an important song for me. It ended up being the centrepiece of the album, a song that encapsulates a lot of the feeling and emotion of the rest of the record and musically it brings old together with new, which became a theme across the record…a way of combining my influences with a modern perspective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRhythmically the feeling of the song comes from funk and disco, I was thinking about the piano playing of Patrice Rushen and Michael McDonald, Chaka Khan’s ‘What Cha’ Gonna Do For Me’, Bernard Edwards bass playing on Chic’s ‘Good Times’, and The Bee Gees ‘Spirits Having Flown’ but we tried to take the track somewhere else in other aspects of the production to bring out the big feelings in the song. It situates us in the emotional world that I tried to create for the rest of the album.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFabiana Palladino first broke out in 2017 as one of Paul Institute’s founding artists after her shadowy R\u0026amp;B-influenced spectral pop reached Jai Paul, who founded the label alongside his brother A.K. Paul. Releasing three singles in four years, she caught the ear of critics - Pitchfork likened “Mystery” to “a scratch track from a big-budget 80s studio that’s been smuggled out on reel-to-reel tape” – but Palladino’s output remained slight. The intervening years have seen her working as an in-demand session musician for the likes of Jessie Ware, Sampha, SBTRKT and Laura Groves while intensely striving for pop perfection in her own music. Last year, she formed part of Jai Paul’s band for his live debut (which she also supported solo) on his hugely celebrated comeback tour.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eABOUT FABIANA PALLADINO:\u003cbr data-mce-fragment=\"1\"\u003eFor more or less a brand-new artist, Fabiana Palladino faces an unusual level of anticipation. The London musician broke out in 2017 as one of the Paul Institute’s founding artists after her shadowy, classicist R\u0026amp;B influenced pop reached Jai Paul, who started the label alongside his brother A. K. Paul. Releasing just three singles in four years, she caught the ear of critics – Pitchfork likened “Mystery” to “a scratch track from a big-budget 80s studio that’s been smuggled out on reel-to-reel tape” – but Palladino’s output remained slight while she worked as an in-demand session musician for the likes of SBTRKT and Jessie Ware, cycling from one tour to the next. This year, she formed part of Jai’s band for his live debut (which she also supported), the most wildly awaited performances in years. “I’m taking it one bit at a time because it is very strange and a bit overwhelming,” says Palladino.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll the while, she was intensively working on her self-titled debut album - Fabiana Palladino - in secret. Written and produced by Palladino, it has been a long time coming, partially because of her playing commitments but also because of her perfectionism. “I have a horrible fear of putting something out and regretting it,” she admits. Covid slowed things too, amplifying the sense of loneliness and isolation that runs through the album, in which she confronts how a life should look in the absence of traditional relationship and family structures. Made in the wake of the end of a long relationship, it’s an intimate, after-dark record that exudes the toughness and femininity of Janet Jackson circa Control and Annie Lennox on DIVA, exerts the classic songwriting of Kate Bush and Joni Mitchell and subverts the classic romantic Motown duets of Marvin Gaye and Tammi Terrell to unpick normativity in relationships.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePalladino’s references are all big studio records, a sound that she strove for while self-recording at home and in the XL studio. “I wanted to push myself production-wise,” she says. “I wanted high-production value sounds because I grew up listening to music that was made in studios, played by great musicians and recorded by brilliant engineers, and I really appreciate that.” This sleek, distinctive record is testament to her growing confidence as a producer, encouraged, says Palladino, by Jai. Early on, she would send him demos and ask him to produce them. “He would say, ‘You’ve already produced it – it’s there.’ Palladino’s dad, Pino Palladino, is one of history’s most famous session men: she learned from him the integrity it takes to work on other people’s ideas, and gradually understood how to apply it to her own work. “I like creating other people’s vision, being solid and consistent,” she says. “Being an artist is a totally different headspace.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s one that Palladino seems to conjure effortlessly. The self-titled album feels like a classic pop album: its nimble melodies haunting and sensual, the writing elegantly whittled down to turn complex questions about desire and satisfaction into immediate hooks. “I’m getting closer \/ Still it’s on my mind \/ What we’re all about \/ ‘Cos I don’t even know if I want you around,” she sings on “Closer”, which gasps and glints as two would-be lovers dance around a grey area. “When I go to sleep I’m tired but I can’t dream any more,” she sings on “I Can’t Dream Anymore”, thrust forward by heaving bass that resonates with exhaustion and frustration at the uncertainty. “I had a significant relationship that ended followed by a period of a few years of like: what the hell am I doing?” she says. “People are getting married and having kids around you, and I was not in that at all. There’s a certain amount of pain in having to accept that that’s not the way it’s gone. But also: how can I embrace that and create power for myself? I feel amazing about it now, and so happy that my life has gone in that way.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFabiana Palladino underscores that push and pull. “The songwriting is relatively traditional,” says Palladino, “but the production isn’t. It’s trying to disrupt certain expectations.” Palladino’s pop career is finally taking flight but that doesn’t mean the anticipation is over.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e1. Closer\u003cbr data-mce-fragment=\"1\"\u003e2. Can You Look In The Mirror?\u003cbr data-mce-fragment=\"1\"\u003e3. I Can’t Dream Anymore\u003cbr data-mce-fragment=\"1\"\u003e4. Give Me A Sign\u003cbr data-mce-fragment=\"1\"\u003e5. I Care\u003cbr data-mce-fragment=\"1\"\u003e6. Stay With Me Through The Night\u003cbr data-mce-fragment=\"1\"\u003e7. Shoulda\u003cbr data-mce-fragment=\"1\"\u003e8. Deeper\u003cbr data-mce-fragment=\"1\"\u003e9. In The Fire\u003cbr data-mce-fragment=\"1\"\u003e10. Forever\u003c\/p\u003e","brand":"Paul Institute","offers":[{"title":"Default Title","offer_id":43030386114716,"sku":"PAULINST0023LP","price":21.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Vinyl_Front.jpg?v=1706044878"},{"product_id":"fabiana-palladino-fabiana-palladino-transparent-red-vinyl","title":"Fabiana Palladino - Fabiana Palladino [Transparent Red Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP, Coloured\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PAULINST0023LPE\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0191404702338\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Apr 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: \u003cspan data-mce-fragment=\"1\"\u003eR\u0026amp;B, Soul, Pop and Disco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFabiana Palladino announces full details of her hotly anticipated self-titled debut album. The UK vocalist, songwriter, multi-instrumentalist and producer will release Fabiana Palladino on 5 April 2024 via Paul Institute \/ XL Recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMade in the wake of the end of a long relationship, the album is an intimate record that sees Fabiana Palladino confront complex questions about love, loneliness and normativity in relationships. The result is a 10-track full-length of shapeshifting sonics that draws inspiration from the big R\u0026amp;B, Soul, Pop and Disco studio productions of the 80s and 90s and filters them through a modern lens. Written and self-produced by Palladino, the album features performances from renowned musicians and close friends including Paul Institute co-founder Jai Paul, her father and legendary session bassist Pino Palladino, brother and Yussef Dayes bassist Rocco Palladino, renowned drummer Steve Ferrone and strings from Rob Moose.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpeaking on the new music and forthcoming album, Fabiana Palladino says:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“A central theme of the album is aloneness. Whether it’s a song where I’m searching for connection with someone else, or trying to embrace the aloneness, it tends to come back to me, who I am when I’m alone, what I feel when I really look inwards. I’d say it’s a pretty introspective record overall. The songs are often about trying to go deeper into yourself, exploring your true feelings and how they then relate to and affect your relationships with others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stay With Me Through The Night” is the first song I wrote for the album. It was at the end of a tricky period where I hadn’t written music for nearly two years, and it came out in a bit of a flood, I barely even remember where or how I wrote it, but I knew it was going to be an important song for me. It ended up being the centrepiece of the album, a song that encapsulates a lot of the feeling and emotion of the rest of the record and musically it brings old together with new, which became a theme across the record…a way of combining my influences with a modern perspective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRhythmically the feeling of the song comes from funk and disco, I was thinking about the piano playing of Patrice Rushen and Michael McDonald, Chaka Khan’s ‘What Cha’ Gonna Do For Me’, Bernard Edwards bass playing on Chic’s ‘Good Times’, and The Bee Gees ‘Spirits Having Flown’ but we tried to take the track somewhere else in other aspects of the production to bring out the big feelings in the song. It situates us in the emotional world that I tried to create for the rest of the album.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFabiana Palladino first broke out in 2017 as one of Paul Institute’s founding artists after her shadowy R\u0026amp;B-influenced spectral pop reached Jai Paul, who founded the label alongside his brother A.K. Paul. Releasing three singles in four years, she caught the ear of critics - Pitchfork likened “Mystery” to “a scratch track from a big-budget 80s studio that’s been smuggled out on reel-to-reel tape” – but Palladino’s output remained slight. The intervening years have seen her working as an in-demand session musician for the likes of Jessie Ware, Sampha, SBTRKT and Laura Groves while intensely striving for pop perfection in her own music. Last year, she formed part of Jai Paul’s band for his live debut (which she also supported solo) on his hugely celebrated comeback tour.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eABOUT FABIANA PALLADINO:\u003cbr data-mce-fragment=\"1\"\u003eFor more or less a brand-new artist, Fabiana Palladino faces an unusual level of anticipation. The London musician broke out in 2017 as one of the Paul Institute’s founding artists after her shadowy, classicist R\u0026amp;B influenced pop reached Jai Paul, who started the label alongside his brother A. K. Paul. Releasing just three singles in four years, she caught the ear of critics – Pitchfork likened “Mystery” to “a scratch track from a big-budget 80s studio that’s been smuggled out on reel-to-reel tape” – but Palladino’s output remained slight while she worked as an in-demand session musician for the likes of SBTRKT and Jessie Ware, cycling from one tour to the next. This year, she formed part of Jai’s band for his live debut (which she also supported), the most wildly awaited performances in years. “I’m taking it one bit at a time because it is very strange and a bit overwhelming,” says Palladino.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll the while, she was intensively working on her self-titled debut album - Fabiana Palladino - in secret. Written and produced by Palladino, it has been a long time coming, partially because of her playing commitments but also because of her perfectionism. “I have a horrible fear of putting something out and regretting it,” she admits. Covid slowed things too, amplifying the sense of loneliness and isolation that runs through the album, in which she confronts how a life should look in the absence of traditional relationship and family structures. Made in the wake of the end of a long relationship, it’s an intimate, after-dark record that exudes the toughness and femininity of Janet Jackson circa Control and Annie Lennox on DIVA, exerts the classic songwriting of Kate Bush and Joni Mitchell and subverts the classic romantic Motown duets of Marvin Gaye and Tammi Terrell to unpick normativity in relationships.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePalladino’s references are all big studio records, a sound that she strove for while self-recording at home and in the XL studio. “I wanted to push myself production-wise,” she says. “I wanted high-production value sounds because I grew up listening to music that was made in studios, played by great musicians and recorded by brilliant engineers, and I really appreciate that.” This sleek, distinctive record is testament to her growing confidence as a producer, encouraged, says Palladino, by Jai. Early on, she would send him demos and ask him to produce them. “He would say, ‘You’ve already produced it – it’s there.’ Palladino’s dad, Pino Palladino, is one of history’s most famous session men: she learned from him the integrity it takes to work on other people’s ideas, and gradually understood how to apply it to her own work. “I like creating other people’s vision, being solid and consistent,” she says. “Being an artist is a totally different headspace.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s one that Palladino seems to conjure effortlessly. The self-titled album feels like a classic pop album: its nimble melodies haunting and sensual, the writing elegantly whittled down to turn complex questions about desire and satisfaction into immediate hooks. “I’m getting closer \/ Still it’s on my mind \/ What we’re all about \/ ‘Cos I don’t even know if I want you around,” she sings on “Closer”, which gasps and glints as two would-be lovers dance around a grey area. “When I go to sleep I’m tired but I can’t dream any more,” she sings on “I Can’t Dream Anymore”, thrust forward by heaving bass that resonates with exhaustion and frustration at the uncertainty. “I had a significant relationship that ended followed by a period of a few years of like: what the hell am I doing?” she says. “People are getting married and having kids around you, and I was not in that at all. There’s a certain amount of pain in having to accept that that’s not the way it’s gone. But also: how can I embrace that and create power for myself? I feel amazing about it now, and so happy that my life has gone in that way.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFabiana Palladino underscores that push and pull. “The songwriting is relatively traditional,” says Palladino, “but the production isn’t. It’s trying to disrupt certain expectations.” Palladino’s pop career is finally taking flight but that doesn’t mean the anticipation is over.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e1. Closer\u003cbr data-mce-fragment=\"1\"\u003e2. Can You Look In The Mirror?\u003cbr data-mce-fragment=\"1\"\u003e3. I Can’t Dream Anymore\u003cbr data-mce-fragment=\"1\"\u003e4. Give Me A Sign\u003cbr data-mce-fragment=\"1\"\u003e5. I Care\u003cbr data-mce-fragment=\"1\"\u003e6. Stay With Me Through The Night\u003cbr data-mce-fragment=\"1\"\u003e7. Shoulda\u003cbr data-mce-fragment=\"1\"\u003e8. Deeper\u003cbr data-mce-fragment=\"1\"\u003e9. In The Fire\u003cbr data-mce-fragment=\"1\"\u003e10. Forever\u003c\/p\u003e","brand":"Paul Institute","offers":[{"title":"Default Title","offer_id":43030386180252,"sku":"PAULINST0023LPE","price":22.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Vinyl_Front_red.jpg?v=1706044889"},{"product_id":"various-artists-eccentric-soul-consolidated-productions-vol-1-2lp-car-a-mel-coloured-vinyl","title":"Various Artists - Eccentric Soul: Consolidated Productions Vol. 1  (2LP Car-A-Mel Coloured Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 2LP, Car-A-Mel Coloured Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: NUM092lp-C1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 825764109222\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 04 Apr 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Funk, Soul\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOperating in the farthest margins of L.A.’s cutthroat music business from 1961-1991, Mel A lexander’s Consolidated Productions was among the longest running Black-owned independent record conglomerates of the 20th\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecentury. Caught up in a confusing web of imprints—including Ajax, A ngel Town, Car-A-Mel, Emanuel, and Kris—this first volume\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egathers 28 smoldering R\u0026amp;B cuts by the likes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLee Harvey, B.B. Carter, Marilyn Calloway,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDel Reys, Deb Tones, De Velles, Gene Russell’s Trio, Jimmy “Preacher” Ellis, and Ty Karim.\u003cbr data-mce-fragment=\"1\"\u003eRemastered from the original 1\/4” tapes, Consolidated Productions Vol. I includes carefully researched annotation, discography, and photographs from a vital producer.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTrack Listing\u003cbr data-mce-fragment=\"1\"\u003eSIDE A\u003cbr data-mce-fragment=\"1\"\u003eJames Foster \u0026amp; The L.A. Untouchables - The Time Has Come\u003cbr data-mce-fragment=\"1\"\u003eThe Del-Reys - Don’t You Know\u003cbr data-mce-fragment=\"1\"\u003eThe L.A Untouchables - Money Man\u003cbr data-mce-fragment=\"1\"\u003eSpider Walker - I’m Mad\u003cbr data-mce-fragment=\"1\"\u003eThe Del-Reys - Walk Proud\u003cbr data-mce-fragment=\"1\"\u003eBilly Williams - So Called Friend (Oh! What A Friend)\u003cbr data-mce-fragment=\"1\"\u003eTy Karim - Lighten Up Baby\u003cbr data-mce-fragment=\"1\"\u003eSIDE B\u003cbr data-mce-fragment=\"1\"\u003eB.B. Carter - Cool It Baby\u003cbr data-mce-fragment=\"1\"\u003eMarilyn Calloway \u0026amp; The 4-Silvertones - My Lover\u003cbr data-mce-fragment=\"1\"\u003eDeb Tones \u0026amp; The Del-Reys - Knock On Wood\u003cbr data-mce-fragment=\"1\"\u003eThe De Velles - Misery\u003cbr data-mce-fragment=\"1\"\u003eAnn Stacy - Don’t You Fool Me\u003cbr data-mce-fragment=\"1\"\u003eB.B. Carter - Leave Me Alone\u003cbr data-mce-fragment=\"1\"\u003eMarilyn Calloway \u0026amp; The 4-Silvertones - Shut Up (Demo)\u003cbr data-mce-fragment=\"1\"\u003eSIDE C\u003cbr data-mce-fragment=\"1\"\u003eJimmy “Preacher” Ellis -(C’mon) Dance To The Drumbeat\u003cbr data-mce-fragment=\"1\"\u003eThe LA Untouchables- Acey Deucey\u003cbr data-mce-fragment=\"1\"\u003eGene Russell’s Trio - Doin’ The Snake Hips\u003cbr data-mce-fragment=\"1\"\u003eThe De Velles - Let’s Do The Hunch\u003cbr data-mce-fragment=\"1\"\u003eGene Russell’s Trio - Jet Set\u003cbr data-mce-fragment=\"1\"\u003eDynamic Duo and The Penguiness - Turkey Trot\u003cbr data-mce-fragment=\"1\"\u003eGene Russell’s Trio - Foggy Bottom)\u003cbr data-mce-fragment=\"1\"\u003eSIDE D\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey - Only True Love\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey - Need Of Love\u003cbr data-mce-fragment=\"1\"\u003eLee Jones - I Got To See My Baby\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey - Prove It\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey and The L.A. Untouchables - My Assurance\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey and The L.A. Untouchables - If I’m Dreaming\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey - False Pride\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":43070722637980,"sku":"NUM092lp-C1","price":33.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/NUM092C1Mock.jpg?v=1707152929"},{"product_id":"various-artists-eccentric-soul-consolidated-productions-vol-1-2lp-standard-black-vinyl","title":"Various Artists - Eccentric Soul: Consolidated Productions Vol. 1  (2LP Standard Black Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: \u003cspan data-mce-fragment=\"1\"\u003e2LP, Standard Black Vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: NUM092lp\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 825764109215\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 04\u003cspan\u003e \u003c\/span\u003eApr\u003cspan\u003e \u003c\/span\u003e2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Funk, Soul\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOperating in the farthest margins of L.A.’s cutthroat music business from 1961-1991, Mel A lexander’s Consolidated Productions was among the longest running Black-owned independent record conglomerates of the 20th\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecentury. Caught up in a confusing web of imprints—including Ajax, A ngel Town, Car-A-Mel, Emanuel, and Kris—this first volume\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egathers 28 smoldering R\u0026amp;B cuts by the likes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLee Harvey, B.B. Carter, Marilyn Calloway,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDel Reys, Deb Tones, De Velles, Gene Russell’s Trio, Jimmy “Preacher” Ellis, and Ty Karim.\u003cbr data-mce-fragment=\"1\"\u003eRemastered from the original 1\/4” tapes, Consolidated Productions Vol. I includes carefully researched annotation, discography, and photographs from a vital producer.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTrack Listing\u003cbr data-mce-fragment=\"1\"\u003eSIDE A\u003cbr data-mce-fragment=\"1\"\u003eJames Foster \u0026amp; The L.A. Untouchables - The Time Has Come\u003cbr data-mce-fragment=\"1\"\u003eThe Del-Reys - Don’t You Know\u003cbr data-mce-fragment=\"1\"\u003eThe L.A Untouchables - Money Man\u003cbr data-mce-fragment=\"1\"\u003eSpider Walker - I’m Mad\u003cbr data-mce-fragment=\"1\"\u003eThe Del-Reys - Walk Proud\u003cbr data-mce-fragment=\"1\"\u003eBilly Williams - So Called Friend (Oh! What A Friend)\u003cbr data-mce-fragment=\"1\"\u003eTy Karim - Lighten Up Baby\u003cbr data-mce-fragment=\"1\"\u003eSIDE B\u003cbr data-mce-fragment=\"1\"\u003eB.B. Carter - Cool It Baby\u003cbr data-mce-fragment=\"1\"\u003eMarilyn Calloway \u0026amp; The 4-Silvertones - My Lover\u003cbr data-mce-fragment=\"1\"\u003eDeb Tones \u0026amp; The Del-Reys - Knock On Wood\u003cbr data-mce-fragment=\"1\"\u003eThe De Velles - Misery\u003cbr data-mce-fragment=\"1\"\u003eAnn Stacy - Don’t You Fool Me\u003cbr data-mce-fragment=\"1\"\u003eB.B. Carter - Leave Me Alone\u003cbr data-mce-fragment=\"1\"\u003eMarilyn Calloway \u0026amp; The 4-Silvertones - Shut Up (Demo)\u003cbr data-mce-fragment=\"1\"\u003eSIDE C\u003cbr data-mce-fragment=\"1\"\u003eJimmy “Preacher” Ellis -(C’mon) Dance To The Drumbeat\u003cbr data-mce-fragment=\"1\"\u003eThe LA Untouchables- Acey Deucey\u003cbr data-mce-fragment=\"1\"\u003eGene Russell’s Trio - Doin’ The Snake Hips\u003cbr data-mce-fragment=\"1\"\u003eThe De Velles - Let’s Do The Hunch\u003cbr data-mce-fragment=\"1\"\u003eGene Russell’s Trio - Jet Set\u003cbr data-mce-fragment=\"1\"\u003eDynamic Duo and The Penguiness - Turkey Trot\u003cbr data-mce-fragment=\"1\"\u003eGene Russell’s Trio - Foggy Bottom)\u003cbr data-mce-fragment=\"1\"\u003eSIDE D\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey - Only True Love\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey - Need Of Love\u003cbr data-mce-fragment=\"1\"\u003eLee Jones - I Got To See My Baby\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey - Prove It\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey and The L.A. Untouchables - My Assurance\u003cbr data-mce-fragment=\"1\"\u003eLee Harvey and The L.A. 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Released in 2014, debuting #14 on Billboard 200 \u0026amp; #1 on Independent albums chart, Imaginary Enemy, is the sixth studio album by The Used. Production and mixing handled by John Feldman, the album “burns bright and fast” writes Allmusic. This album see the band introduce and incorporate pop and dance infused beats that would later reappear in latter albums Lyrically with, Imaginary Enemy, the band have written “fist-pumping”\u003cbr\u003eanti-establishment anthems to rally and the lead a protest.\u003cbr\u003e\u003cbr\u003eUtah’s The Used are Bert McCraken, Jepha, Dan Whitesides, \u0026amp; Joey Bradford and released their latest album in 2023. 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Vulnerable, is the fifth studio album by The Used. Production and mixing handled by John Feldman.” There are so many kids out there who are special in their own way, and I want people to understand that this record is for the misfits and for the outcasts and for anyone who’s never really fit in. There’s a place for all of us in this world. We can all find it if we just keep looking.” says front man Bert McCracken to Alt Press.\u003cbr\u003e\u003cbr\u003eUtah’s The Used are Bert McCraken, Jepha, Dan Whitesides, \u0026amp; Joey Bradford and released their latest album in 2023. 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Kimbie’s founding members Dominic Maker \u0026amp; Kai Campos began work on their first proper album together since 2017’s Love What Survives – the decision was\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emade to leave London. Campos and Maker relocated for a month to a town in the middle of a desert. The resulting album, finished in London with longtime confidante Dillip Harris\u003cbr data-mce-fragment=\"1\"\u003eand their band mates Andrea Balency-Béarn and Marc Pell, is 37 minutes of Mount Kimbie at simultaneously their most daring and their most\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egiddily infectious.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTRACKLISTING\u003cbr data-mce-fragment=\"1\"\u003e01 The Trail\u003cbr data-mce-fragment=\"1\"\u003e02 Dumb Guitar\u003cbr data-mce-fragment=\"1\"\u003e03 Shipwreck\u003cbr data-mce-fragment=\"1\"\u003e04 Boxing (Feat. 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Kimbie’s founding members Dominic Maker \u0026amp; Kai Campos began work on their first proper album together since 2017’s Love What Survives – the decision was\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emade to leave London. Campos and Maker relocated for a month to a town in the middle of a desert. The resulting album, finished in London with longtime confidante Dillip Harris\u003cbr data-mce-fragment=\"1\"\u003eand their band mates Andrea Balency-Béarn and Marc Pell, is 37 minutes of Mount Kimbie at simultaneously their most daring and their most\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egiddily infectious.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTRACKLISTING\u003cbr data-mce-fragment=\"1\"\u003e01 The Trail\u003cbr data-mce-fragment=\"1\"\u003e02 Dumb Guitar\u003cbr data-mce-fragment=\"1\"\u003e03 Shipwreck\u003cbr data-mce-fragment=\"1\"\u003e04 Boxing (Feat. 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Kimbie’s founding members Dominic Maker \u0026amp; Kai Campos began work on their first proper album together since 2017’s Love What Survives – the decision was made to leave London. Campos and Maker relocated for a month to a town in the middle of a desert. The resulting album, finished in London with longtime confidante Dillip Harris\u003cbr\u003eand their band mates Andrea Balency-Béarn and Marc Pell, is 37 minutes of Mount Kimbie at simultaneously their most daring and their most giddily infectious.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e01 The Trail\u003cbr\u003e02 Dumb Guitar\u003cbr\u003e03 Shipwreck\u003cbr\u003e04 Boxing (Feat. King Krule)\u003cbr\u003e05 Got Me\u003cbr\u003e06 A Figure In The Surf\u003cbr\u003e07 Fishbrain\u003cbr\u003e08 Yukka Tree\u003cbr\u003e09 Empty And Silent (Feat. 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The album has been expanded onto a double LP for audio clarity and contains 4 bonus tracks. Brick red pressing. Recorded and produced by Pink Floyd engineer Andy Jackson, the audio is via analogue transfer to 96khz\/24 bit by John Dent at Loud, with vinyl mastering by Geoff Pesche at Abbey Road.\u003cbr\u003e\u003cbr\u003eFormed in 1984, Fields of the Nephilim is the creation of vocalist and front man Carl McCoy. Highly influential, especially in the world of goth, but also within the metal and electronic genres, their legacy endures to this day. You can hear their influence on bands like Swans, Godspeed! You Black Emperor, Explosions In The Sky, Wolves in The Throne Room, Behemoth and more. The band’s unique sound, an apocalyptic fusion of Victorian underworld meets Sergio Leone Spaghetti Western, had an appearance to match (wide-brimmed hats, long duster coats and cowboy boots, usually black and smothered in white flour as a substitute for dust), and set them apart from their contemporaries. Elizium is one of their most beautiful albums and considered by many to be their best. As The Quietus wrote, “it was both their most accessible and their most experimental work, concluding and consolidating the Nephilim’s five-year shamanic journey. Lead-off single and opening track ‘For Her Light’ featured a lengthy mid- section that anticipated the apocalyptic post-rock of Godspeed! You Black Emperor (unsurprisingly, it failed to chart), and the album featured some of the band’s hardest rock in the wah-overload of ‘Submission,’ as well as further incorporating dance elements – more successfully and organically than many of their peers, it must be said - on second single ‘Sumerland’.” Louder Sound also called “Sumerland” their “greatest ever track”.\u003cbr\u003e\u003cbr\u003eTracklisting\u003cbr\u003eA1. (Dead But Dreaming)\u003cbr\u003eA2. For Her Light\u003cbr\u003eA3. At The Gates Of Silent Memory\u003cbr\u003eA4. (Paradise Regained)\u003cbr\u003eB1. Submission\u003cbr\u003eB2. Sumerland (What Dreams May Come)\u003cbr\u003eC1. Wail Of Sumer\u003cbr\u003eC2. And There Will Your Heart Be Also\u003cbr\u003eC3. Sumerland -Single Version *\u003cbr\u003eD1. For Her Light -Two *\u003cbr\u003eD2. Submission Two -The Dub Posture *\u003cbr\u003eD3. Sumerland -Dreamed Version *\u003cbr\u003e* bonus tracks\u003cbr\u003e\u003c\/p\u003e","brand":"Beggars Banquet","offers":[{"title":"Default Title","offer_id":43134038409372,"sku":"BBQ2537LPX","price":38.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/FieldsOfTheNephilim_Elizium_LP_brick_1.jpg?v=1709070088"},{"product_id":"ancient-vvisdom-master-of-the-stone-cd","title":"Ancient Vvisdom - Master Of The Stone [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: REX2401CD\u003cbr\u003eBarcode: 8076001024019\u003cbr\u003eRelease Date: 05 Apr 2024\u003cbr\u003eGenre: Metal\u003c\/p\u003e\n\u003cp\u003e Following their latest opus, ‘Mundus’ (2019), Nathan Opposition and Michael Jochum, from the US occult rock \/ metal band Ancient Vvisdom, present their most comprehensive work to date.\u003cbr\u003e They took the new songs to Mercinary Studios, Cleveland, Ohio, and recorded them with producer Noah (Nunslaughter), who did a fantastic job capturing the sound and essence of the band.\u003cbr\u003e ‘Master Of The Stone’ also features a few guest musicians - Vanek from the amazing band Midnight did a guest guitar solo on the track ‘Ashes From On High’, Matt Sorg, from the band Ringworm, performed a guest solo on ‘Sold My Soul To Satan’ and Noah played guitar on a few tracks as well.\u003cbr\u003e Ancient Vvisdom provide the world of occult rock and doom metal with another exquisite record to satisfy the demonic and satanic cravings.\u003cbr\u003e With excellent and rich sounding production values, Ancient Vvisdom are back to reclaim their place as one of the best occult rock bands in the scene.\u003cbr\u003e For fans of Danzig, Midnight, Venom, Budgie, White Zombie, Baroness, Ghost, Electric Wizard, Black Sabbath, Ringworm, Nunslaughter, Pentagram, The Obsessed, Trouble, Blue Oyster Cult, Alice Cooper, Cathedral, Demon Head.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eSold My Soul To Satan\u003cbr\u003eThe Adversary\u003cbr\u003eApollyon\u003cbr\u003eWorld’s Demise\u003cbr\u003eAshes From On High\u003cbr\u003eMaster Of The Stone\u003cbr\u003eDemon Est Deus Inverses\u003cbr\u003eThe Devil’s Sermon\u003c\/p\u003e","brand":"Argonauta Records","offers":[{"title":"Default Title","offer_id":43177905684636,"sku":"REX2401CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_377a4bb6-8ef6-40da-9eaa-0fb777323ebd.jpg?v=1709929112"},{"product_id":"animal-collective-prospect-hummer-ep-black-vinyl-version","title":"Animal Collective - Prospect Hummer EP [Black vinyl version]","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: AC103T\u003cbr\u003eBarcode: 0194606010317\u003cbr\u003eRelease Date: 05 Apr 2024\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e Long out of print, Animal Collective’s classic EP from May 2005.\u003cbr\u003e Available to independent retailers re-pressed on black vinyl.\u003cbr\u003e Three of the EP’s four tracks feature cult singer songwriter, Vashti Bunyan.\u003cbr\u003e ‘Prospect Hummer’ was recorded by their friend Rusty Santos (who co-produced ‘Sung Tongs’) at Idle Luxury studios in London over three days in April 2004, whilst the band were embarking on their second UK \/ European tour around their seminal ‘Sung Tongs’ album.\u003cbr\u003e The ‘Prospect Hummer’ EP was released a year later, just a handful of months before their breakthrough album, ‘Feels’.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eIt’s You\u003cbr\u003eProspect Hummer\u003cbr\u003eBaleen Sample\u003cbr\u003eI Remember Learning How to Dive\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Default Title","offer_id":43177907355804,"sku":"AC103T","price":26.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_9c2b2ef3-42c3-4378-9645-3eb81313c33e.jpg?v=1709929198"},{"product_id":"bartees-strange-magic-boy-black-and-white-coloured-vinyl","title":"Bartees Strange - Magic Boy [Black and white coloured vinyl]","description":"\u003cp\u003eFormat: Coloured Vinyl LP\u003cbr\u003eCatalogue No.: HWY-074\u003cbr\u003eBarcode: 0632662462416\u003cbr\u003eRelease Date: 05 Apr 2024\u003cbr\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e “It seems like the sky’s the limit with him. He’s got big things ahead…” - Bryce Dessner, The National\u003cbr\u003e Bartees Strange has been one of the most significant indie artists to break out in the post-Pandemic era. He debuted with ‘Say Goodbye to Pretty Boy’, an album length collection of The National songs released in March 2020, on the cusp of the Pandemic. Later that year came his first LP, ‘Mustang’, which was named in endless year-end Best Of lists, including those from Pitchfork, Stereogum, Rolling Stone and NPR Music. He quickly signed to 4AD, and his debut for the label, ‘Farm To Table’, turned him into a club headliner and an arena-sized opening act with genre-defining artists such as The National, boygenius, Phoebe Bridgers and Courtney Barnett.\u003cbr\u003e The vinyl-exclusive release, ‘Magic Boy’, represents the Bartees story before this story began -33 1\/2 minutes of recordings created before he entered the public eye, with eight out of ten never previously released. It finds his ever-malleable sound touching on genres like coffee house folk (‘IDK’, ‘Best Of You’, ‘You’re Here’), emo troubadour (‘Count It Back’, ‘Little Brother’), and wigged-out experimentation (‘Eat Your Heart Out’). Appended with two tracks previously available only as digital B-sides from ‘Say Goodbye’ (‘HAGS’, ‘Going Going’), ‘Magic Boy’ reads as a kind of ‘lost’ album for someone shaping up to be a major voice in indie music.\u003cbr\u003e Bartees’ story is a fairy tale of independent community and a triumph of efforts to diversify what the word ‘indie rock’ even means, reclaiming it for Black artists. The ‘Magic Boy’ LP is a fine way to celebrate Bartees Strange’s explosive trajectory, especially following his run of dates opening for The National at arenas across Europe in Autumn 2023.\u003cbr\u003e For fans of L’Rain, The National, Kara Jackson, boygenius, Bon Iver, The Beths, TV on the Radio, Alvvays.\u003cbr\u003e Pressed on ‘Colour In Colour’ black vinyl in a clear base.\u003cbr\u003e Package design by Scott Devendorf of The National.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eIDK\u003cbr\u003eGoing Going\u003cbr\u003eHAGS\u003cbr\u003eBest Of You\u003cbr\u003eEat Your Heart Out\u003cbr\u003eYou’re Here (feat. Project \u003cbr\u003eDiem)\u003cbr\u003eCount It Back\u003cbr\u003eGet Over It (feat. Lizzie No)\u003cbr\u003eLittle Brother\u003cbr\u003eGoing Going (Reprise)\u003c\/p\u003e","brand":"Brassland","offers":[{"title":"Default Title","offer_id":43177911812252,"sku":"HWY-074","price":25.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_43b61efa-98aa-4db7-b792-14dbbe17682e.png?v=1709929377"},{"product_id":"grace-cummings-ramona-cd","title":"Grace Cummings - Ramona [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: ATO0663CD \u003cbr\u003eBarcode: 5400863151928\u003cbr\u003eRelease Date: 05 Apr 2024\u003cbr\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp\u003e The latest album from Australian singer \/ songwriter Grace Cummings, ‘Ramona’ is a work of raw truth rendered in its most beautiful form.\u003cbr\u003e In a departure from the self-produced approach of her 2019 debut, ‘Refuge Cove’, and its 2022 follow-up ‘Storm Queen’ - the Melbourne-based artist worked with producer Jonathan Wilson (Angel Olsen, Father John Misty, Margo Price) and dreamed up a lavishly orchestrated sound that fully accommodates the depth and scope of her vocal prowess.\u003cbr\u003e With its visceral reflection on grief and self-destruction and emotional violence, ‘Ramona’ brings a stunning new grandeur to Cummings’ music while refusing to soften or temper its humanity.\u003cbr\u003e LP pressed on gold vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eSomething Going ‘Round\u003cbr\u003eOn and On\u003cbr\u003eI’m Getting Married to The War\u003cbr\u003eLove and the Canyon\u003cbr\u003eWork Today (and Tomorrow)\u003cbr\u003eEverybody’s Somebody\u003cbr\u003eCommon Man\u003cbr\u003eWithout You\u003cbr\u003eRamona\u003cbr\u003eA Precious Thing\u003cbr\u003eHelp is on its Way\u003c\/p\u003e","brand":"ATO Records","offers":[{"title":"Default Title","offer_id":43177923674268,"sku":"ATO0663CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_aa41862f-c633-4829-9501-085f456a17fd.jpg?v=1709929665"},{"product_id":"grace-cummings-ramona-gold-coloured-vinyl","title":"Grace Cummings - 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Now available on purple vinyl.\u003cbr\u003e “Fans of early Bosstones would like this a lot, and the band get extra points for not succumbing to easy novelty lyrics, instead writing about the more introspective sides of life and love” - Reno Gazette\u003cbr\u003e Released in 2002, the eleven energetic anthems on ‘Yellow #5’ were self-produced by Mustard Plug for maximum fun. The album features fan favourite tracks, including ‘Not Enough’, ‘Just A Minute’ and ‘In Your Face’. Following ‘Yellow #5’, Mustard Plug continued to tour the world, bringing ska and punk to the people.\u003cbr\u003e For fans of Skankin’ Pickle, Voodoo Glow Skulls, Against All Authority.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eNot Enough\u003cbr\u003eGet It Goin’ On\u003cbr\u003eThe Park\u003cbr\u003eYou Want It, We Got It\u003cbr\u003eAlready Gone\u003cbr\u003eSafe\u003cbr\u003eJust a Minute\u003cbr\u003eNo One But Myself\u003cbr\u003eYour Secret\u003cbr\u003eIn Your Face\u003cbr\u003eSorry Now\u003c\/p\u003e","brand":"Hopeless Records","offers":[{"title":"Default Title","offer_id":43177927639196,"sku":"HR7056-1","price":31.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/0_118cea6e-f0f8-453d-b1c2-90696f78c64b.webp?v=1709929994"},{"product_id":"dj-shadow-endtroducing-half-speed-master-cut-2024-2lp-1","title":"DJ Shadow - Endtroducing… Half Speed Master Cut 2024 [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PIASC1061DLP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863157159\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Apr 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Hip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003eAs the first-ever album composed entirely of sampled material, \"Endtroducing.....\" is a landmark in the history of electronic music. 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