{"title":"int0423","description":"","products":[{"product_id":"kerala-dust-violet-drive-cd","title":"KERALA DUST - VIOLET DRIVE [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: PIASR1350CD\u003cbr\u003eBarcode: 5400863096045\u003cbr\u003eRelease Date: 17 Feb 2023\u003cbr\u003eGenre: Indie Electronic \/ Rock\u003c\/p\u003e\n\u003cp\u003eKerala Dust was formed in London in 2016. Growing up on the sounds of CAN, The Velvet Underground and Tom Waits while spending blurry mornings in nightclubs, the band combines those disparate influences of psychedelic rock, blues and techno into one. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKerala Dust are Edmund Kenny on vocals\/electronics Harvey Grant on keys Lawrence Howarth on guitar. Their live performances are a constant conversation around the sounds from the studio. Pieces are re-interpreted, looped, dismantled, and put back together again. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince first touring in 2017, Kerala Dust have played over 150 international shows in the USA, Europe, Mexico, Russia, Turkey, Dom. Republic and many more countries. Events such as DGTL (Tel Aviv), Dockville (Hamburg), Lightning in a Bottle (California), Kater Blau (Berlin), Tropico (Mexico), Sonar (Barcelona) are but a few in a long list of festivals and nightclubs that Kerala Dust have played in only a couple of years. The members of Kerala Dust work from their studio in Berlin. The album ‘Light, West’ was released in 2020. The concert film ‘Live, West’ was released in 2021.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Play It Again Sam","offers":[{"title":"Default Title","offer_id":42050687402140,"sku":"PIASR1350CD","price":13.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/AlbumCover_55a6bf5a-152e-42b6-a81d-7804dfe57980.jpg?v=1665172154"},{"product_id":"kerala-dust-violet-drive-black-vinyl","title":"KERALA DUST - VIOLET DRIVE [Black Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Black Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PIASR1350LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863094997\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24 Mar 23\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie Electronic \/ Rock\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKerala Dust was formed in London in 2016. Growing up on the sounds of CAN, The Velvet Underground and Tom Waits while spending blurry mornings in nightclubs, the band combines those disparate influences of psychedelic rock, blues and techno into one.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKerala Dust are Edmund Kenny on vocals\/electronics Harvey Grant on keys Lawrence Howarth on guitar. Their live performances are a constant conversation around the sounds from the studio. Pieces are re-interpreted, looped, dismantled, and put back together again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince first touring in 2017, Kerala Dust have played over 150 international shows in the USA, Europe, Mexico, Russia, Turkey, Dom. Republic and many more countries. Events such as DGTL (Tel Aviv), Dockville (Hamburg), Lightning in a Bottle (California), Kater Blau (Berlin), Tropico (Mexico), Sonar (Barcelona) are but a few in a long list of festivals and nightclubs that Kerala Dust have played in only a couple of years. The members of Kerala Dust work from their studio in Berlin. The album ‘Light, West’ was released in 2020. The concert film ‘Live, West’ was released in 2021.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Play It Again Sam","offers":[{"title":"Default Title","offer_id":42050688024732,"sku":"PIASR1350LP","price":25.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_4dce9c43-dc2c-4c43-9d74-cf1df937d529.jpg?v=1674241539"},{"product_id":"kerala-dust-violet-drive-gold-standard-vinyl","title":"KERALA DUST - VIOLET DRIVE [Gold Standard Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Gold Standard Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PIASR1350LPX\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863095680\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 24 Mar 23\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie Electronic \/ Rock\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKerala Dust was formed in London in 2016. Growing up on the sounds of CAN, The Velvet Underground and Tom Waits while spending blurry mornings in nightclubs, the band combines those disparate influences of psychedelic rock, blues and techno into one.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKerala Dust are Edmund Kenny on vocals\/electronics Harvey Grant on keys Lawrence Howarth on guitar. Their live performances are a constant conversation around the sounds from the studio. Pieces are re-interpreted, looped, dismantled, and put back together again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince first touring in 2017, Kerala Dust have played over 150 international shows in the USA, Europe, Mexico, Russia, Turkey, Dom. Republic and many more countries. Events such as DGTL (Tel Aviv), Dockville (Hamburg), Lightning in a Bottle (California), Kater Blau (Berlin), Tropico (Mexico), Sonar (Barcelona) are but a few in a long list of festivals and nightclubs that Kerala Dust have played in only a couple of years. The members of Kerala Dust work from their studio in Berlin. The album ‘Light, West’ was released in 2020. The concert film ‘Live, West’ was released in 2021.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Play It Again Sam","offers":[{"title":"Default Title","offer_id":42050688647324,"sku":"PIASR1350LPX","price":25.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/KD_VD_LP_gold_1.jpg?v=1674241569"},{"product_id":"orbital-optical-delusion-cd","title":"ORBITAL - OPTICAL DELUSION (CD)","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LMS5521858\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060555218584\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Electronica\u003c\/p\u003e\n\u003cp\u003eCD : 1 x CD, Gatefold sleeve UV gloss finish + Black Inner sleeve.\u003cbr\u003e\u003cbr\u003eTRACKLIST CD:\u003cbr\u003e1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)\u003cbr\u003e2. Day One (feat. Dina Ipavic)\u003cbr\u003e3. Are You Alive? (feat. Penelope Isles)\u003cbr\u003e4. You Are The Frequency (feat. The Little Pest)\u003cbr\u003e5. The New Abnormal\u003cbr\u003e6. Home (feat. Anna B Savage)\u003cbr\u003e7. Dirty Rat – With Sleaford Mods\u003cbr\u003e8. Requiem For The Pre Apocalypse\u003cbr\u003e9. What A Surprise (feat. The Little Pest)\u003cbr\u003e10. Moon Princess (feat. Coppe)\u003cbr\u003e\u003cbr\u003eLegendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.\u003cbr\u003eEarlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”\u003cbr\u003e\u003cbr\u003e“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”\u003cbr\u003e\u003cbr\u003eYou many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.\u003cbr\u003e\u003cbr\u003e“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.\u003cbr\u003e\u003cbr\u003e“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”\u003cbr\u003e\u003cbr\u003eHence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.\u003cbr\u003e\u003cbr\u003eNow with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.\u003cbr\u003e\u003cbr\u003eAnd it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital\/blaming everyone at the bottom of the English Channel\/blaming everyone who doesn’t look like a fried animal.”\u003cbr\u003e\u003cbr\u003eAlso key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.\u003cbr\u003e\u003cbr\u003e“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”\u003cbr\u003e\u003cbr\u003e?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.\u003cbr\u003e\u003cbr\u003eThe pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”\u003cbr\u003e\u003cbr\u003eBut Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.\u003cbr\u003e\u003cbr\u003eIn another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.\u003cbr\u003e\u003cbr\u003eThere are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.\u003c\/p\u003e","brand":"London Records","offers":[{"title":"Default Title","offer_id":42119578779804,"sku":"LMS5521858","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/LMS5521858.jpg?v=1666949396"},{"product_id":"orbital-optical-delusion-2lp-black-vinyl","title":"ORBITAL - OPTICAL DELUSION (2LP, Black Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 2 x LP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: LMS5521859\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 5060555218591\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Electronica\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDOUBLE BLACK LP : 2 x 140 G Black Vinyl , Sleeve \u0026amp; 2 x Heavy Weight Printed Inner with UV Gloss Finish\u003cbr\u003e\u003cbr\u003eTRACKLIST DOUBLE VINYLS:\u003cbr\u003eA1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)\u003cbr\u003eA2. Day One (feat. Dina Ipavic)\u003cbr\u003eA3. Are You Alive? (feat. Penelope Isles)\u003cbr\u003eB1. You Are The Frequency (feat. The Little Pest)\u003cbr\u003eB2. The New Abnormal\u003cbr\u003eC1. Home (feat. Anna B Savage)\u003cbr\u003eC2. Dirty Rat\u003cbr\u003eC3. Requiem For The Pre-Apocalypse\u003cbr\u003eD1. What A Surprise (feat. The Little Pest)\u003cbr\u003eD2. Moon Princess (feat. Coppe)\u003cbr\u003e\u003cbr\u003eLegendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.\u003cbr\u003eEarlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”\u003cbr\u003e\u003cbr\u003e“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”\u003cbr\u003e\u003cbr\u003eYou many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.\u003cbr\u003e\u003cbr\u003e“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.\u003cbr\u003e\u003cbr\u003e“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”\u003cbr\u003e\u003cbr\u003eHence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.\u003cbr\u003e\u003cbr\u003eNow with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.\u003cbr\u003e\u003cbr\u003eAnd it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital\/blaming everyone at the bottom of the English Channel\/blaming everyone who doesn’t look like a fried animal.”\u003cbr\u003e\u003cbr\u003eAlso key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.\u003cbr\u003e\u003cbr\u003e“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”\u003cbr\u003e\u003cbr\u003e?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.\u003cbr\u003e\u003cbr\u003eThe pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBut Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.\u003cbr\u003e\u003cbr\u003eIn another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.\u003cbr\u003e\u003cbr\u003eThere are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.\u003c\/p\u003e","brand":"London Records","offers":[{"title":"Default Title","offer_id":42119579500700,"sku":"LMS5521859","price":28.31,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/LMS5521859.jpg?v=1666949407"},{"product_id":"orbital-optical-delusion-2lp-collector-white-vinyl","title":"ORBITAL - OPTICAL DELUSION (2LP, Collector White Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 2 x LP, White\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: LMS5521861\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 5060555218614\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Electronica\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 x Solid White LP, 5mm spine Sleeve UV Gloss Finish, 2x Heavy Weight Printed Inner Sleeve UV Gloss finish, marketing sticker.\u003cbr\u003e\u003cbr\u003eTRACKLIST DOUBLE VINYLS:\u003cbr\u003eA1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)\u003cbr\u003eA2. Day One (feat. Dina Ipavic)\u003cbr\u003eA3. Are You Alive? (feat. Penelope Isles)\u003cbr\u003eB1. You Are The Frequency (feat. The Little Pest)\u003cbr\u003eB2. The New Abnormal\u003cbr\u003eC1. Home (feat. Anna B Savage)\u003cbr\u003eC2. Dirty Rat\u003cbr\u003eC3. Requiem For The Pre-Apocalypse\u003cbr\u003eD1. What A Surprise (feat. The Little Pest)\u003cbr\u003eD2. Moon Princess (feat. Coppe)\u003cbr\u003e\u003cbr\u003eLegendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.\u003cbr\u003eEarlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”\u003cbr\u003e\u003cbr\u003e“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”\u003cbr\u003e\u003cbr\u003eYou many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.\u003cbr\u003e\u003cbr\u003e“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.\u003cbr\u003e\u003cbr\u003e“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”\u003cbr\u003e\u003cbr\u003eHence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.\u003cbr\u003e\u003cbr\u003eNow with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.\u003cbr\u003e\u003cbr\u003eAnd it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital\/blaming everyone at the bottom of the English Channel\/blaming everyone who doesn’t look like a fried animal.”\u003cbr\u003e\u003cbr\u003eAlso key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.\u003cbr\u003e\u003cbr\u003e“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”\u003cbr\u003e\u003cbr\u003e?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.\u003cbr\u003e\u003cbr\u003eThe pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”\u003cbr\u003e\u003cbr\u003eBut Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.\u003cbr\u003e\u003cbr\u003eIn another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.\u003cbr\u003e\u003cbr\u003eThere are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.\u003c\/span\u003e\u003c\/p\u003e","brand":"London Records","offers":[{"title":"Default Title","offer_id":42119579697308,"sku":"LMS5521861","price":30.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/LMS5521861.jpg?v=1666949418"},{"product_id":"ogassa-ogassa-original-vol-1","title":"Ogassa – Ogassa Original (Vol. 1)","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: AJXLP702\u003cbr\u003eBarcode: 0676499070253\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: International\u003c\/p\u003e\n\u003cp\u003eOver the past couple of years Acid Jazz have been re-issuing releases from the enigmatic 'Albarika Store' label, a goldmine in Afro cuts from Benin, West Africa. The latest instalment is the ultra-rare 'Ogassa Original (Vol. 1), the first LP from obscure but ultimately brilliant Porto Novo group, Ogassa from 1978. Like many Albarika releases, it was recorded at EMI Lagos, giving a depth and fidelity that stands out in the realm of Afro rarities. Reissued in full with the original artwork for the very first time, a must have for Afro collectors and completists alike. Pre-order now!\u003cbr\u003e\u003cbr\u003eTracklist:\u003cbr\u003eA1. Avalale\u003cbr\u003eA2. Ogassa Story\u003cbr\u003eB1. Production Vido Tche\u003cbr\u003eB2. Gbe We Gnin Wa Bio\u003c\/p\u003e","brand":"Acid Jazz","offers":[{"title":"Default Title","offer_id":42291902513308,"sku":"AJXLP702","price":25.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_f74e26e9-b7b6-496b-94f3-0b645273d86e.jpg?v=1674148562"},{"product_id":"avey-tare-7s-cd","title":"Avey Tare - 7s [CD]","description":"\u003cp\u003eFormat: CD \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: WIGCD518\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0887828051823\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e During the first week of January 2021, Avey Tare began making regular drives to his friend Adam McDaniel’s Drop of Sun Studios in Asheville, NC to give guts and flesh and colour to the skeletal\u003cbr\u003edemos he’d made at home the year prior. \u003cbr\u003e The plot for ‘7s’, Avey’s fourth solo album, was set: trusting, intuitive, exploratory collaboration among friends, after a Winter without it.\u003cbr\u003e These songs are like overstuffed jelly jars, cracking so that the sweetness oozes out into unexpected shapes. Still, the sweetness - that is, Avey’s compulsory hooks - remains at the centre, the joy\u003cbr\u003einside these Rorschach blots.\u003cbr\u003e If Animal Collective have forever been defined by their charming inscrutability, Avey surrenders to a new intimacy and candour with ‘7s’. \u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eInvisible Darlings\u003cbr\u003eLips At Night\u003cbr\u003eThe Musical\u003cbr\u003eHey Bog\u003cbr\u003eSweeper’s Grin\u003cbr\u003eNeurons\u003cbr\u003eCloud Stop Rest Start\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Default Title","offer_id":42294696509596,"sku":"WIGCD518","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_1c17f395-a8cc-4c4f-8439-06903bd993e6.jpg?v=1674242236"},{"product_id":"avey-tare-7s-lp","title":"Avey Tare - 7s [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: WIGLP518\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0887828051816\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e During the first week of January 2021, Avey Tare began making regular drives to his friend Adam McDaniel’s Drop of Sun Studios in Asheville, NC to give guts and flesh and colour to the skeletal\u003cbr data-mce-fragment=\"1\"\u003edemos he’d made at home the year prior. \u003cbr data-mce-fragment=\"1\"\u003e The plot for ‘7s’, Avey’s fourth solo album, was set: trusting, intuitive, exploratory collaboration among friends, after a Winter without it.\u003cbr data-mce-fragment=\"1\"\u003e These songs are like overstuffed jelly jars, cracking so that the sweetness oozes out into unexpected shapes. Still, the sweetness - that is, Avey’s compulsory hooks - remains at the centre, the joy\u003cbr data-mce-fragment=\"1\"\u003einside these Rorschach blots.\u003cbr data-mce-fragment=\"1\"\u003e If Animal Collective have forever been defined by their charming inscrutability, Avey surrenders to a new intimacy and candour with ‘7s’. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eInvisible Darlings\u003cbr data-mce-fragment=\"1\"\u003eLips At Night\u003cbr data-mce-fragment=\"1\"\u003eThe Musical\u003cbr data-mce-fragment=\"1\"\u003eHey Bog\u003cbr data-mce-fragment=\"1\"\u003eSweeper’s Grin\u003cbr data-mce-fragment=\"1\"\u003eNeurons\u003cbr data-mce-fragment=\"1\"\u003eCloud Stop Rest Start\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Default Title","offer_id":42294697558172,"sku":"WIGLP518","price":24.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_16370dc1-b7c7-4d80-ac1d-b8abae23e96c.jpg?v=1674242256"},{"product_id":"avishai-cohen-sensitive-hours-shaot-regishot-cd","title":"Avishai Cohen - 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Sensitive Hours -Shaot Regishot [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BLV7844\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 3700187678449\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Previously unreleased outside of Israel, ‘Sensitive Hours - Shaot Regishot’, the Gold album recorded in Hebrew by Avishai Cohen between ‘Gently Disturbed’ and ‘Aurora’, is now available\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eeverywhere, on digipack CD and 180g vinyl.\u003cbr data-mce-fragment=\"1\"\u003e For the first time in his career, Avishai didn’t make\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ean instrumental album. ‘Sensitive Hours - Shaot Regishot’ is an album of beautiful songs that he writes and performs, strongly influenced by jazz, some traditional music, revealing a voice with\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emultiple accents and an incredible charm.\u003cbr data-mce-fragment=\"1\"\u003e An essential milestone in his already rich discography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eYo M’enamori D’un Ayre\u003cbr data-mce-fragment=\"1\"\u003eAhava Hadasha\u003cbr data-mce-fragment=\"1\"\u003eEzamer Be Shovchin \/\u003cbr data-mce-fragment=\"1\"\u003eAdama\u003cbr data-mce-fragment=\"1\"\u003eShuvi Elay\u003cbr data-mce-fragment=\"1\"\u003eYad Anuga\u003cbr data-mce-fragment=\"1\"\u003eShalom Aleichem\u003cbr data-mce-fragment=\"1\"\u003eShaot Regishot\u003cbr data-mce-fragment=\"1\"\u003eDror Ykra\u003cbr data-mce-fragment=\"1\"\u003eEl Hatzipor\u003cbr data-mce-fragment=\"1\"\u003eSi Kanamaia\u003cbr data-mce-fragment=\"1\"\u003eTzaadi\u003cbr data-mce-fragment=\"1\"\u003ePuncha Puncha\u003cbr data-mce-fragment=\"1\"\u003eShalom Aleichem (Radio\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEdit)\u003c\/p\u003e","brand":"Believe Recordings","offers":[{"title":"Default Title","offer_id":42294704537756,"sku":"BLV7844","price":18.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_961963c4-cfb5-4fa0-b264-3092bea88c20.jpg?v=1674242393"},{"product_id":"deus-how-to-replace-it-cd","title":"dEUS - How To Replace It [CD]","description":"\u003cp\u003eFormat: CD \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PIASB820CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863092610\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e dEUS have never really had a philosophy. Never wanted one. Yet they’ve remained true to certain guiding principles. “You don’t want to repeat yourself, but you have your style,” says Tom Barman, frontman and genial leader of the cult Belgian art-rockers. “You want to try new stuff  and just react to whatever feels fresh at the time.” So it is with ‘How To Replace It’, their eighth studio album and first in ten years; distinctive and inventive, melodic yet defiantly off-kilter. Unique. And above all, unmistakably dEUS.\u003cbr\u003e Even that title - mysterious, oblique - scans as being fantastically unknowable, hinting at a deep sense of wisdom. “I like the openness of it,” says Barman. Follow the lyrical clues, and you might conclude ‘it’ concerns romance and ageing; squint a little, and you might alight on modernity being the malaise described. Either way, fuelling intrigue is by design. “It’s a question, it’s an\u003cbr\u003eanswer… it’s up to the listener to decide.” \u003cbr\u003e For the previous two records, jam sessions were long and structured - five days a week, noon till 6pm - with songs being moulded and developed over time. But for the ‘How To Replace It’ sessions, Barman shook things up. “We had short, explosive jams. Very concentrated,” he says. “And when I heard something, I’d retreat with our engineers and do the heavy lifting. That’s how the album came together.”\u003cbr\u003e Twenty-eight years after their debut record, dEUS remain indie stalwarts, pushing ever forward, endlessly curious and creatively restless.\u003cbr\u003e Produced by Adam Noble (Liam Gallagher, Biffy Clyro, Placebo).\u003cbr\u003e European tour March - April 2023, plus summer festival dates.\u003cbr\u003e Available pressed on clear or black vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eHow To Replace It\u003cbr\u003eMust Have Been New\u003cbr\u003eMan Of The House\u003cbr\u003e1989\u003cbr\u003eFaux Bamboo\u003cbr\u003eDream Is a Giver\u003cbr\u003ePirates\u003cbr\u003eSimple Pleasures\u003cbr\u003eNever Get You High\u003cbr\u003eCadillac\u003cbr\u003eLove Breaks Down\u003cbr\u003eLe Blues Polaire\u003c\/p\u003e","brand":"[PIAS] Recordings Belgium","offers":[{"title":"Default Title","offer_id":42294735831196,"sku":"PIASB820CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_6c27273f-dd57-450c-89bd-8c6188eec3ee.jpg?v=1674243005"},{"product_id":"deus-how-to-replace-it-2lp-clear-vinyl","title":"dEUS - How To Replace It [2LP Clear Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Coloured Vinyl 2LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PIASB820LPC\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863092634\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e dEUS have never really had a philosophy. Never wanted\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eone. Yet they’ve remained true to certain guiding principles. “You don’t want to repeat yourself, but you have your style,” says Tom Barman, frontman and genial leader of the cult Belgian art-rockers. “You want to try new stuff  and just react to whatever feels fresh at the time.” So it is with ‘How To Replace It’, their eighth studio album and first in ten years; distinctive and inventive, melodic yet defiantly off-kilter. Unique. And above all, unmistakably dEUS.\u003cbr data-mce-fragment=\"1\"\u003e Even that title - mysterious, oblique - scans as being\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efantastically unknowable, hinting at a deep sense of wisdom. “I like the openness of it,” says Barman. Follow the lyrical clues, and you might conclude ‘it’ concerns romance and ageing; squint a little, and you might alight on modernity being the malaise described. Either way, fuelling intrigue is by design. “It’s a question, it’s an\u003cbr data-mce-fragment=\"1\"\u003eanswer… it’s up to the listener to decide.” \u003cbr data-mce-fragment=\"1\"\u003e For the previous two records, jam sessions were long and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estructured - five days a week, noon till 6pm - with songs\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebeing moulded and developed over time. But for the ‘How To Replace It’ sessions, Barman shook things up. “We had short, explosive jams. Very concentrated,” he says. “And when I heard something, I’d retreat with our engineers and do the heavy lifting. That’s how the album came together.”\u003cbr data-mce-fragment=\"1\"\u003e Twenty-eight years after their debut record, dEUS remain\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eindie stalwarts, pushing ever forward, endlessly curious and creatively restless.\u003cbr data-mce-fragment=\"1\"\u003e Produced by Adam Noble (Liam Gallagher, Biffy Clyro,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePlacebo).\u003cbr data-mce-fragment=\"1\"\u003e European tour March - April 2023, plus summer festival\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edates.\u003cbr data-mce-fragment=\"1\"\u003e Available pressed on clear or black vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eHow To Replace It\u003cbr data-mce-fragment=\"1\"\u003eMust Have Been New\u003cbr data-mce-fragment=\"1\"\u003eMan Of The House\u003cbr data-mce-fragment=\"1\"\u003e1989\u003cbr data-mce-fragment=\"1\"\u003eFaux Bamboo\u003cbr data-mce-fragment=\"1\"\u003eDream Is a Giver\u003cbr data-mce-fragment=\"1\"\u003ePirates\u003cbr data-mce-fragment=\"1\"\u003eSimple Pleasures\u003cbr data-mce-fragment=\"1\"\u003eNever Get You High\u003cbr data-mce-fragment=\"1\"\u003eCadillac\u003cbr data-mce-fragment=\"1\"\u003eLove Breaks Down\u003cbr data-mce-fragment=\"1\"\u003eLe Blues Polaire\u003c\/p\u003e","brand":"[PIAS] Recordings Belgium","offers":[{"title":"Default Title","offer_id":42294735995036,"sku":"PIASB820LPC","price":25.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_fa3690e4-cef8-4552-9580-8b6c6e66b0f5.jpg?v=1674243020"},{"product_id":"deus-how-to-replace-it-2lp","title":"dEUS - How To Replace It [2LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 2LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PIASB820LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863092627\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e dEUS have never really had a philosophy. Never wanted\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eone. Yet they’ve remained true to certain guiding principles. “You don’t want to repeat yourself, but you have your style,” says Tom Barman, frontman and genial leader of the cult Belgian art-rockers. “You want to try new stuff  and just react to whatever feels fresh at the time.” So it is with ‘How To Replace It’, their eighth studio album and first in ten years; distinctive and inventive, melodic yet defiantly off-kilter. Unique. And above all, unmistakably dEUS.\u003cbr data-mce-fragment=\"1\"\u003e Even that title - mysterious, oblique - scans as being\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efantastically unknowable, hinting at a deep sense of wisdom. “I like the openness of it,” says Barman. Follow the lyrical clues, and you might conclude ‘it’ concerns romance and ageing; squint a little, and you might alight on modernity being the malaise described. Either way, fuelling intrigue is by design. “It’s a question, it’s an\u003cbr data-mce-fragment=\"1\"\u003eanswer… it’s up to the listener to decide.” \u003cbr data-mce-fragment=\"1\"\u003e For the previous two records, jam sessions were long and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estructured - five days a week, noon till 6pm - with songs\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebeing moulded and developed over time. But for the ‘How To Replace It’ sessions, Barman shook things up. “We had short, explosive jams. Very concentrated,” he says. “And when I heard something, I’d retreat with our engineers and do the heavy lifting. That’s how the album came together.”\u003cbr data-mce-fragment=\"1\"\u003e Twenty-eight years after their debut record, dEUS remain\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eindie stalwarts, pushing ever forward, endlessly curious and creatively restless.\u003cbr data-mce-fragment=\"1\"\u003e Produced by Adam Noble (Liam Gallagher, Biffy Clyro,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePlacebo).\u003cbr data-mce-fragment=\"1\"\u003e European tour March - April 2023, plus summer festival\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edates.\u003cbr data-mce-fragment=\"1\"\u003e Available pressed on clear or black vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eHow To Replace It\u003cbr data-mce-fragment=\"1\"\u003eMust Have Been New\u003cbr data-mce-fragment=\"1\"\u003eMan Of The House\u003cbr data-mce-fragment=\"1\"\u003e1989\u003cbr data-mce-fragment=\"1\"\u003eFaux Bamboo\u003cbr data-mce-fragment=\"1\"\u003eDream Is a Giver\u003cbr data-mce-fragment=\"1\"\u003ePirates\u003cbr data-mce-fragment=\"1\"\u003eSimple Pleasures\u003cbr data-mce-fragment=\"1\"\u003eNever Get You High\u003cbr data-mce-fragment=\"1\"\u003eCadillac\u003cbr data-mce-fragment=\"1\"\u003eLove Breaks Down\u003cbr data-mce-fragment=\"1\"\u003eLe Blues Polaire\u003c\/p\u003e","brand":"[PIAS] Recordings Belgium","offers":[{"title":"Default Title","offer_id":42294736322716,"sku":"PIASB820LP","price":25.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_03563f86-0b07-4216-a00b-f348d7dc7048.jpg?v=1674243042"},{"product_id":"i-jordan-sherelle-m1-m3-getoutofmymind-standard-sleeve","title":"I. JORDAN \u0026 SHERELLE - M1, M3 \/ GETOUTOFMYMIND [Standard Sleeve]","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FRO004 \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060845322045\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003e Within the last couple of years, the UK has seen a paradigm shift in the electrifying sounds permeating from its clubs that have seen a ripple effect worldwide, calling to mind the revolution ignited by pioneers of the 1990s.\u003cbr\u003e Adopting a no-holds barred attitude to their high-octane output in their respective styles, SHERELLE and I. JORDAN have acted as two of the forebearers of the UK scene; releasing music that maximises emotion and maximises euphoria on dancefloors globally.\u003cbr\u003e Now the duo come together to announce their first collaborative release, ‘M1, M3’ \/ ‘GETOUTOFMYMIND’, on fabric Originals, the\u003cbr\u003eflagship label from world-renowned club entity fabric.\u003cbr\u003e Online - Targeted Facebook, Instagram \u0026amp; Google campaigns.\u003cbr\u003e Club Promotion - Posters displayed in fabric nightclub (averages approx. 6000 visitors per week).\u003cbr\u003e Tourdates - SHERELLE: February 3 London The Fold, March 4 Sheffield FØRGE, 18 Brighton Patterns; I. JORDAN: February 3 London The Fold.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eI. JORDAN - M1, M3\u003cbr\u003eSHERELLE - GETOUTOFMYMIND\u003c\/p\u003e","brand":"Fabric Worldwide","offers":[{"title":"Default Title","offer_id":42294738747548,"sku":"FRO004","price":14.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_9d69a025-5a8a-44aa-8098-9578703d62de.jpg?v=1674243086"},{"product_id":"jennifer-touch-midnight-proposals","title":"Jennifer Touch - Midnight Proposals","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FATLP171\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0600116517111\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Electro\u003c\/p\u003e\n\u003cp\u003e Berlin artist Jennifer Touch returns with her second album, ‘Midnight Proposals’, via FatCat Records.\u003cbr\u003e Touch was reading ‘Grapes of Wrath’ by John Steinbeck when she started to work on ‘Midnight Proposals’. “The whole settlers movement touched me, and I really felt like a cowboy whilst writing and recording these songs,” she explains. It reminded her of her great-grandparents’ story, and the house they built in the 30s that was her sanctuary as a child. “As cosy as it was, I always yearned for somewhere else, to find myself and my own place to settle.”\u003cbr\u003e Full of hope and mystery, ‘Midnight Proposals’ is a selection of songs that both celebrate and question the romance of this illusion, documenting a very human desire to search for our people and our safe place.\u003cbr\u003e For a reinvigorated Touch, it marks the next stop of a journey\u003cbr\u003eboth artistically and sonically. “These are my dark proposals to\u003cbr\u003ethe world,” she proclaims. “So come and join me around the\u003cbr\u003efire!”\u003cbr\u003e Unlike biographical debut album ‘Behind the Wall’, which took years to pen, ‘Midnight Proposals’ was written in an explosion of energy and creativity and completed in just four months. Touch spent a few weeks prior sorting her set-up from her Berlin studio and gathering the tools she needed to complete the record. “I didn’t know what was going to happen, I just said to the universe: hey, I’m here and I’m your vessel. It was a like a trip or something and I really don’t remember the process, but I love every song on it.”\u003cbr\u003e “Unique and compelling” - Consequence of Sound\u003cbr\u003e “Irresistible” - High Snobiety\u003cbr\u003e “Touch effortlessly weaves her influences amid the cold thuds you’d associate with the clubs of Germany” - Loud \u0026amp; Quiet\u003cbr\u003e “Raw, crushing beats underpin grand portentous chords” - MOJO\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eSummerchild\u003cbr\u003eRumor\u003cbr\u003eA Day\u003cbr\u003ePrayer\u003cbr\u003eSacred Type\u003cbr\u003eGudrun\u003cbr\u003eTwisted\u003cbr\u003eSoft \u0026amp; Dark\u003cbr\u003eShot Shot\u003cbr\u003eAlready There\u003cbr\u003eArt\u003cbr\u003eSold Out\u003cbr\u003eStrings\u003c\/p\u003e","brand":"FatCat Records","offers":[{"title":"Default Title","offer_id":42294765944988,"sku":"FATLP171","price":23.04,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_0e447ed5-2623-46fb-a851-1cf2ffd8cfde.jpg?v=1674243456"},{"product_id":"jesse-malin-the-fine-art-of-self-destruction-20th-anniversary-edition-2lp","title":"Jesse Malin - The Fine Art Of Self Destruction (20th Anniversary Edition) [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: TPLP380LTDX\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5016958102616\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003e “Malin writes vivid songs with killer tunes and sings them with scary conviction… There is simply nothing more you can demand from a great rock record.” - The Times (★★★★★)\u003cbr\u003e Released in 2003, Jesse Malin’s acclaimed debut ‘The Fine Art of Self Destruction’ “wasn’t named for drug or alcohol abuse,” says Malin. “It was more  about a personal wreckage when I looked back on my life, from my parents’ divorce to failed relationships, broken up bands, dropping out of school, crashing cars, breaking things. It was more of a spiritual journey in some sense. This record is definitely one of my favorites.”\u003cbr\u003e To celebrate the album’s 20th Anniversary, ‘The Fine Art of Self Destruction’ is reissued and paired with a bonus disc of alternative versions, reimagined and re-recorded with Malin’s longtime band.\u003cbr\u003e The bonus album was produced by Derek Cruz and engineered by Geoff Sanoff, who worked on Jesse’s recent albums ‘Sunset Kids’ and ‘Sad and Beautiful World’.\u003cbr\u003e Press - Features in Rolling Stone, Classic Rock.\u003cbr\u003e Radio - 6 Music Don Letts, BBC Radio Scotland Iain Anderson.\u003cbr\u003e Tourdates - February 15 Glasgow Stereo, 16 Manchester The Pink Room, 17 London The Garage.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eLP1\u003cbr\u003eQueen of the Underworld\u003cbr\u003eTKO\u003cbr\u003eWendy\u003cbr\u003eDownliner\u003cbr\u003eBrooklyn\u003cbr\u003eThe Fine Art of Self Destruction\u003cbr\u003eRiding on the Subway\u003cbr\u003eHigh Lonesome\u003cbr\u003eSolitaire\u003cbr\u003eAlmost Grown\u003cbr\u003eXmas\u003cbr\u003eCigarettes and Violets\u003c\/p\u003e\n\u003cp\u003eLP2\u003cbr\u003eBrooklyn (Walt Whitman in the Trash)\u003cbr\u003eRiding On The Subway ’22\u003cbr\u003eDownliner (Afterglow Version)\u003cbr\u003eHigh Lonesome (PBR Vacation)\u003cbr\u003eCigarettes and Violets ’22\u003cbr\u003eAlmost Grown (Busker Version)\u003cbr\u003eSolitaire (Song for Kelly Keller)\u003cbr\u003eQueen Of The Underworld (Cantina Version)\u003cbr\u003eXmas, Etc.\u003c\/p\u003e","brand":"One Little Independent Records","offers":[{"title":"Default Title","offer_id":42294772629660,"sku":"TPLP380LTDX","price":29.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_4f29593f-1db0-43f6-b713-b7c6e307330f.jpg?v=1674243572"},{"product_id":"jon-hassell-further-fictions-2cd","title":"Jon Hassell - Further Fictions [2CD]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 2 x CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: NDEYA10CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060263728924\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Ambient\/Drone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Three new archival releases from Ndeya that showcase Jon Hassell and group in the late 1980s exploring a radical tangent on his Fourth World sensibility. \u003cbr\u003e During this period Hassell was inspired by the increasingly innovative production techniques being used in hip-hop, in particular the hyper-collaged sampledelic barrage of the Bomb Squad’s work with Public Enemy, hearing it as a kind of extension of the tape splicing that Teo Macero brought to his work with Miles Davis. He began to incorporate more of this aesthetic into his own music, playing over loops of his own performances and riffing on angular juxtapositions of noise, rhythm and melody. \u003cbr\u003e The resulting sonic stew is a kind of futuristic sci-fi funk with an appropriately melted production aesthetic - instruments and samples jumping to the forefront then disappearing in the manner of the best dub records. \u003cbr\u003e ‘Further Fictions’ is a double CD anthology of the music on the vinyl editions, with a disc devoted to each album in hardbound book style spot gloss packaging, and an extensive booklet containing sleevenotes and archival images. \u003cbr\u003e ‘The Living City’ captures the Jon Hassell Group in September 1989, performing as part of an audio-visual installation inside the World Financial Center Winter Garden in New York City, with Brian Eno mixing the band live. \u003cbr\u003e ‘Psychogeography’ is a situationist re-thinking of the 1990 ‘City: Works Of Fiction’ album, a carefully edited sequence of alternate takes, demos and studio jams put together by Jon Hassell in 2014 using Debordian philosophy as his guide. \u003cbr\u003e ‘The Living City’ and ‘Psychogeography’ are being made on vinyl for the first time, each album cut across four sides by Stefan Betke aka Pole and presented as deluxe gatefold vinyl editions with spot gloss covers and printed inner sleeves containing commentary from Hassell, Eno and new interviews with some of the other musicians involved, alongside archival images from the period and download card for the full album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr\u003eIturi\u003cbr\u003eAlchemistry\u003cbr\u003eAdedara Rising\u003cbr\u003eMashujaa\u003cbr\u003eParadise Now\u003cbr\u003eNightsky\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAerial View\u003cbr\u003eNeon Night (Rain)\u003cbr\u003eCityism Superdub\u003cbr\u003eHarambe\u003cbr\u003eFreeway\u003cbr\u003eCuba Libre\u003cbr\u003eMidnight\u003cbr\u003eWaterfront District\u003cbr\u003eFavela\u003cbr\u003eEmerald City\u003cbr\u003eCloud-Shaped Time\u003c\/span\u003e\u003c\/p\u003e","brand":"Ndeya","offers":[{"title":"Default Title","offer_id":42294805528732,"sku":"NDEYA10CD","price":22.32,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_9720afdd-6eb1-44e3-b8c9-541d27550e1d.jpg?v=1674244054"},{"product_id":"jon-hassell-the-living-city-live-at-the-winter-garden-17-september-1989","title":"Jon Hassell - The Living City [Live at the Winter Garden 17 September 1989]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 2LP \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: NDEYA8LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060263728894\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Ambient\/Drone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Three new archival releases from Ndeya that showcase Jon Hassell and group in the late 1980s exploring a radical tangent on his Fourth World sensibility.\u003cbr data-mce-fragment=\"1\"\u003e During this period Hassell was inspired by the increasingly innovative production techniques being used in hip-hop, in particular the hyper-collaged sampledelic barrage of the Bomb Squad’s work with Public Enemy, hearing it as a kind of extension of the tape splicing that Teo Macero brought to his work with Miles Davis. He began to incorporate more of this aesthetic into his own music, playing over loops of his own performances and riffing on angular juxtapositions of noise, rhythm and melody.\u003cbr data-mce-fragment=\"1\"\u003e The resulting sonic stew is a kind of futuristic sci-fi funk with an appropriately melted production aesthetic - instruments and samples jumping to the forefront then disappearing in the manner of the best dub records.\u003cbr data-mce-fragment=\"1\"\u003e ‘Further Fictions’ is a double CD anthology of the music on the vinyl editions, with a disc devoted to each album in hardbound book style spot gloss packaging, and an extensive booklet containing sleevenotes and archival images.\u003cbr data-mce-fragment=\"1\"\u003e ‘The Living City’ captures the Jon Hassell Group in September 1989, performing as part of an audio-visual installation inside the World Financial Center Winter Garden in New York City, with Brian Eno mixing the band live.\u003cbr data-mce-fragment=\"1\"\u003e ‘Psychogeography’ is a situationist re-thinking of the 1990 ‘City: Works Of Fiction’ album, a carefully edited sequence of alternate takes, demos and studio jams put together by Jon Hassell in 2014 using Debordian philosophy as his guide.\u003cbr data-mce-fragment=\"1\"\u003e ‘The Living City’ and ‘Psychogeography’ are being made on vinyl for the first time, each album cut across four sides by Stefan Betke aka Pole and presented as deluxe gatefold vinyl editions with spot gloss covers and printed inner sleeves containing commentary from Hassell, Eno and new interviews with some of the other musicians involved, alongside archival images from the period and download card for the full album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003e‘The Living City’ \u003cbr data-mce-fragment=\"1\"\u003eIturi\u003cbr data-mce-fragment=\"1\"\u003eAlchemistry\u003cbr data-mce-fragment=\"1\"\u003eAdedara Rising\u003cbr data-mce-fragment=\"1\"\u003eMashujaa\u003cbr data-mce-fragment=\"1\"\u003eParadise Now\u003cbr data-mce-fragment=\"1\"\u003eNightsky\u003c\/span\u003e\u003c\/p\u003e","brand":"Ndeya","offers":[{"title":"Default Title","offer_id":42294811263132,"sku":"NDEYA8LP","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_dd32497f-7577-48a3-9b1e-6815f2c9feff.jpg?v=1674244151"},{"product_id":"jon-hassell-psychogeography-zones-of-feeling","title":"Jon Hassell - Psychogeography [Zones Of Feeling]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 2LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: NDEYA9LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060263728900\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Ambient\/Drone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Three new archival releases from Ndeya that showcase Jon Hassell and group in the late 1980s exploring a radical tangent on his Fourth World sensibility.\u003cbr data-mce-fragment=\"1\"\u003e During this period Hassell was inspired by the increasingly innovative production techniques being used in hip-hop, in particular the hyper-collaged sampledelic barrage of the Bomb Squad’s work with Public Enemy, hearing it as a kind of extension of the tape splicing that Teo Macero brought to his work with Miles Davis. He began to incorporate more of this aesthetic into his own music, playing over loops of his own performances and riffing on angular juxtapositions of noise, rhythm and melody.\u003cbr data-mce-fragment=\"1\"\u003e The resulting sonic stew is a kind of futuristic sci-fi funk with an appropriately melted production aesthetic - instruments and samples jumping to the forefront then disappearing in the manner of the best dub records.\u003cbr data-mce-fragment=\"1\"\u003e ‘Further Fictions’ is a double CD anthology of the music on the vinyl editions, with a disc devoted to each album in hardbound book style spot gloss packaging, and an extensive booklet containing sleevenotes and archival images.\u003cbr data-mce-fragment=\"1\"\u003e ‘The Living City’ captures the Jon Hassell Group in September 1989, performing as part of an audio-visual installation inside the World Financial Center Winter Garden in New York City, with Brian Eno mixing the band live.\u003cbr data-mce-fragment=\"1\"\u003e ‘Psychogeography’ is a situationist re-thinking of the 1990 ‘City: Works Of Fiction’ album, a carefully edited sequence of alternate takes, demos and studio jams put together by Jon Hassell in 2014 using Debordian philosophy as his guide.\u003cbr data-mce-fragment=\"1\"\u003e ‘The Living City’ and ‘Psychogeography’ are being made on vinyl for the first time, each album cut across four sides by Stefan Betke aka Pole and presented as deluxe gatefold vinyl editions with spot gloss covers and printed inner sleeves containing commentary from Hassell, Eno and new interviews with some of the other musicians involved, alongside archival images from the period and download card for the full album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘Psychogeography’ \u003cbr data-mce-fragment=\"1\"\u003eAerial View\u003cbr data-mce-fragment=\"1\"\u003eNeon Night (Rain)\u003cbr data-mce-fragment=\"1\"\u003eCityism Superdub\u003cbr data-mce-fragment=\"1\"\u003eHarambe\u003cbr data-mce-fragment=\"1\"\u003eFreeway\u003cbr data-mce-fragment=\"1\"\u003eCuba Libre\u003cbr data-mce-fragment=\"1\"\u003eMidnight\u003cbr data-mce-fragment=\"1\"\u003eWaterfront District\u003cbr data-mce-fragment=\"1\"\u003eFavela\u003cbr data-mce-fragment=\"1\"\u003eEmerald City\u003cbr data-mce-fragment=\"1\"\u003eCloud-Shaped Time\u003c\/span\u003e\u003c\/p\u003e","brand":"Ndeya","offers":[{"title":"Default Title","offer_id":42294812541084,"sku":"NDEYA9LP","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_c8a72d16-1d2b-49ee-862f-ca9206f427b4.jpg?v=1674244177"},{"product_id":"lowly-keep-up-the-good-work-cd","title":"Lowly - Keep Up The Good Work [CD]","description":"\u003cp\u003eFormat: CD \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BELLA1400CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863086381\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e Lowly, the internationally acclaimed quintet from Denmark, continue to develop their creative process, embracing other people’s affection and letting it blend into their songwriting. The result of this journey is ‘Keep Up The Good Work’, the band’s most sincere work to date.\u003cbr\u003e Sometimes the support we need doesn’t lie in complex answers. Sometimes it can be found in the simplest encouragement. This reflection is embodied throughout ‘Keep Up The Good Work’, their third album.\u003cbr\u003e This music has been forged within a maelstrom of lockdown restrictions and critical life events; often working together virtually, and eventually being together physically and writing as a group.\u003cbr\u003e “We know each other really well after 8 years as friends, colleagues and collective creators. We  know what we’re each going through in life, and we can hear it in the music we make together; it’s always a personal reflection of us in the given moment. You can hear that we’ve become older, that we have more to tell.\u003cbr\u003e “During the pandemic we experienced both the joys of having children and the sorrow of losing people we cared for. Life and death struck us, you could say, which maybe seems rather banal or\u003cbr\u003ecliché to be writing about. But for that reason, we think this record speaks universally, and has the potential of resonating with many people.”\u003cbr\u003e LP pressed onto 140g white vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eWhat A Day\u003cbr\u003eSeasons\u003cbr\u003eKeep Up The Good Work\u003cbr\u003eHappen\u003cbr\u003eFeel Someone\u003cbr\u003eThe Fish\u003cbr\u003eYagaily\u003cbr\u003eYou Are Good And I Love You\u003cbr\u003eLead Me\u003cbr\u003e1321\u003cbr\u003eNothing Much\u003cbr\u003eTook A Day Off Feeling \u003cbr\u003eSad\u003cbr\u003eThe We The You The I\u003cbr\u003eMouth\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":42294854844572,"sku":"BELLA1400CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/2_81c5f876-98af-48ff-9ac4-62245f326c57.webp?v=1674247355"},{"product_id":"lowly-keep-up-the-good-work-white-coloured-vinyl","title":"Lowly - Keep Up The Good Work [White coloured vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Coloured Vinyl LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BELLA1400V\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863086367\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Lowly, the internationally acclaimed quintet from Denmark, continue to develop their creative process, embracing other people’s affection and letting it blend into their songwriting. The result of this journey is ‘Keep Up The Good Work’, the band’s most sincere work to date.\u003cbr data-mce-fragment=\"1\"\u003e Sometimes the support we need doesn’t lie in complex answers. Sometimes it can be found in the simplest encouragement. This reflection is embodied throughout ‘Keep Up The Good Work’, their third album.\u003cbr data-mce-fragment=\"1\"\u003e This music has been forged within a maelstrom of lockdown restrictions and critical life events; often working together virtually, and eventually being together physically and writing as a group.\u003cbr data-mce-fragment=\"1\"\u003e “We know each other really well after 8 years as friends, colleagues and collective creators. We  know what we’re each going through in life, and we can hear it in the music we make together; it’s always a personal reflection of us in the given moment. You can hear that we’ve become older, that we have more to tell.\u003cbr data-mce-fragment=\"1\"\u003e “During the pandemic we experienced both the joys of having children and the sorrow of losing people we cared for. Life and death struck us, you could say, which maybe seems rather banal or\u003cbr data-mce-fragment=\"1\"\u003ecliché to be writing about. But for that reason, we think this record speaks universally, and has the potential of resonating with many people.”\u003cbr data-mce-fragment=\"1\"\u003e LP pressed onto 140g white vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eWhat A Day\u003cbr data-mce-fragment=\"1\"\u003eSeasons\u003cbr data-mce-fragment=\"1\"\u003eKeep Up The Good Work\u003cbr data-mce-fragment=\"1\"\u003eHappen\u003cbr data-mce-fragment=\"1\"\u003eFeel Someone\u003cbr data-mce-fragment=\"1\"\u003eThe Fish\u003cbr data-mce-fragment=\"1\"\u003eYagaily\u003cbr data-mce-fragment=\"1\"\u003eYou Are Good And I Love\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eYou\u003cbr data-mce-fragment=\"1\"\u003eLead Me\u003cbr data-mce-fragment=\"1\"\u003e1321\u003cbr data-mce-fragment=\"1\"\u003eNothing Much\u003cbr data-mce-fragment=\"1\"\u003eTook A Day Off Feeling\u003cbr data-mce-fragment=\"1\"\u003eSad\u003cbr data-mce-fragment=\"1\"\u003eThe We The You The I\u003cbr data-mce-fragment=\"1\"\u003eMouth\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":42294854942876,"sku":"BELLA1400V","price":23.04,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_889431bd-4037-4c6d-b7df-fd650a7218b3.webp?v=1674247366"},{"product_id":"mf-tomlinson-we-are-still-wild-horses","title":"MF Tomlinson - We Are Still Wild Horses","description":"\u003cp\u003eFormat: LP \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PRAH058LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060918152180\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e “A pleasing baritone allied to intricate fingerpicking and interweaving trumpets, cornets and flutes elevates candid storytelling to a higher plane” - Mojo\u003cbr\u003e London-based, Brisbane Meanjin-born singer-songwriter MF Tomlinson returns with a new project, We Are Still Wild Horses, released via PRAH Recordings (the Umlauts, Pozi, Donna Thompson).\u003cbr\u003e Where MF Tomlinson’s breakthrough debut full length, ‘Strange Time’, documented a world in turmoil, with Tomlinson feeling cautiously optimistic about what was to come, EP ‘We Are Still Wild Horses’ finds him lost in isolation, embarking on a journey into the self in search of hope and catharsis.\u003cbr\u003e The carefully plucked notes that introduce ‘Winter Time Blues’ are the songwriter’s first tentative steps into his psyche. Like a Leonard Cohen or Richard Thompson completely shorn of hope, Tomlinson describes his daily drudgery, his voice audibly sagging at his powerlessness to carry the weight of the world’s issues. Spooky synth swells, tense strings and twirling brass leer up out of the shadows like psychedelic spectres welcoming him into the\u003cbr\u003egrotto of his unconscious - as he sinks into a depression caused by the cold and lack of light - “After all, for Christ’s sake I’m an Australian.”\u003cbr\u003e Uniting the symphonic complexity and lyrical acumen of Lee Hazlewood, the freedom and sonic exploration of Tortoise and Yo La Tengo and the high concept edge of David Byrne, the album draws on a swathe of psych influences - from his contemporary heroes Cate Le Bon and Weyes Blood, to acid folk legends Trees and the Canterbury folk scene (Robert Wyatt, Kevin Ayers), and the equivalent movement in Japan (Haruomi Hosono) - all welded together, forming arrangements that blend progressive rock and jazz á la King Crimson, making the eventual leap towards modern composition and ambient music in the vein of Brian Eno and Phillip Glass.\u003cbr\u003e Available to independent retailers on black vinyl LP.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eCloud\u003cbr\u003eWinter Time Blues\u003cbr\u003eEnd of the Road\u003cbr\u003eWe Are Still Wild Horses\u003c\/p\u003e","brand":"PRAH Recordings","offers":[{"title":"Default Title","offer_id":42294857040028,"sku":"PRAH058LP","price":17.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/w.jpg?v=1674247479"},{"product_id":"moonchild-sanelly-phases-2lp","title":"Moonchild Sanelly - Phases [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: TRANS600X\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863081461\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Hip Hop\/R\u0026amp;B\u003c\/p\u003e\n\u003cp\u003e Moonchild Sanelly - real name Sanelisiwe Twisha - announces a vinyl edition of her long-awaited second album. The trailblazing South African musician signed to Transgressive Records in 2020, kicking off with diverse mini-LP ‘Nüdes’. She returned to the international label with her genre-crossing second album, ‘Phases’.\u003cbr\u003e Forming a sonic foundation that veers between Amapiano, Gqom, grime, pop, house and R\u0026amp;B, while showcasing her vocal talents on more downtempo songs, ‘Phases’’ 19-tracks document the varying chapters of a toxic relationship and subsequent freedom. A double album, the first side is a journey through the relationship with production reflecting those different moods and aspects of her personality; the second side, meanwhile, leads into a clubbier Amapiano space.\u003cbr\u003e Collaboration has always been core to Moonchild’s alternate world. Since her 2015-released award-winning first album ‘Rabulpha!’ put her on the global map, she has collaborated with local favourites Maphorisa, Sho Madjozi and Thandiswa Mazwai. In the years that followed, she caught the attention of a host of international superstars, leading to high-profile collaborations with artists including Wizkid, Beyonce (featuring on ‘MY POWER’) and Gorillaz (on ‘With Love To An Ex’).\u003cbr\u003e ‘Phases’ is a highly collaborative record too, with production and guest features from Sad Night Dynamite (their track ‘Demon’ is already a huge hit), Wesley Joseph, Xavier Thomas (Débruit), TOKiMONSTA, HOLLY and Aramboa.\u003cbr\u003e The album’s title takes on a multitude of meanings: via the range of genres covered across its runtime, the different sounds and styles that it encompasses and the personal journey that Sanelisiwe Twisha has taken to get to this point. But, for Moonchild Sanelly, it’s more literal than that: “I think that, with this album, I’ve managed to piece all the different parts of me together, because I’m known for different things in different parts of the world. I think you get to know me better with Phases - all the different sides of me.”\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eUndumpable\u003cbr\u003eDemon (Moonchild Sanelly and Sad Night Dynamite)\u003cbr\u003eCute (Ft. Trillary Banks)\u003cbr\u003eApril Fool’s Day\u003cbr\u003eStrip Club (Ft. Ghetts)\u003cbr\u003eLet It Rip\u003cbr\u003eOver You\u003cbr\u003eMoney Tree\u003cbr\u003eFavourite Regret\u003cbr\u003eToo Late\u003cbr\u003eULi (Ft. Blxckie)\u003cbr\u003eCovivi\u003cbr\u003eSoyenza (Ft. Sir Trill)\u003cbr\u003eYebo Teacher (Extended version)\u003cbr\u003eChicken\u003cbr\u003eJiva Juluka\u003cbr\u003eBad Bitch Budget\u003cbr\u003eJump\u003cbr\u003eBird So Bad\u003c\/p\u003e","brand":"Transgressive","offers":[{"title":"Default Title","offer_id":42294859595932,"sku":"TRANS600X","price":25.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_2b1dac7b-cba0-4ad1-9b8e-15ab4c705041.jpg?v=1674247630"},{"product_id":"oan-kim-oan-kim-the-dirty-jazz-cd","title":"Oan Kim - Oan Kim \u0026 the Dirty Jazz [CD]","description":"\u003cp\u003eFormat: CD \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: ARTR2201CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863094713\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003e Oan Kim, the revelation that transcends jazz. Oan Kim is a French Korean awarded saxophonist, filmmaker and photographer.\u003cbr\u003e As a film director, he recently won awards for his documentary about his father: the famous Korean painter Kim Tschang-Yeul (Silver Horn prize in Poland and the Emerging Documentary Filmmaker Award at the DMZ International Festival in Korea).\u003cbr\u003e As a musician, experienced with numerous bands (Film Noir, Chinese Army), it was during lockdown that he composed and recorded his first solo album, ‘Oan Kim \u0026amp; The Dirty Jazz’.\u003cbr\u003e This project immediately got the attention of JeanPhilippe Allard through Artwork Records, a new label created with [PIAS].\u003cbr\u003e Oan Kim is a multi-faceted contemporary artist, as comfortable in galleries as in concert halls, who plays a unique music beyond the boundaries of jazz.\u003cbr\u003e Oan Kim has been described in the French media as “The missing link between Portishead and Che Baker.” \u003cbr\u003e Now available on CD.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eWhispers\u003cbr\u003eAgony\u003cbr\u003eMambo\u003cbr\u003eSymphony for the Lost at Sea\u003cbr\u003eWong Kar Why\u003cbr\u003eCaravane Mélancolique\u003cbr\u003eFight Club\u003cbr\u003eFuzzy Landscape\u003cbr\u003eThe Interzone\u003cbr\u003eThe Judge\u003cbr\u003eSmoking Gun\u003cbr\u003eThelonious\u003cbr\u003eBlue Skies Never Die (feat. 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This self-taught musical wizard recorded at home and produced two barely released albums, 1990’s dreamlike\u003cbr\u003e‘Acceptance’ and 1992’s synth pop ‘What Kind Of World’, winning over the few who heard them.\u003cbr\u003e But fame outside his small circle was not to be, and Barclay was lost in the late-90s crest of the AIDS epidemic. 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The song of a man, more powerful than that of the\u003cbr\u003ewaters, rises to the tops of the ancient trees. Polobi, balanced on a rock, launches a melody towards the infinity of the sky.\u003cbr\u003e Drawing inspiration from the heart of the tropical forest, the mystical character of Polobi and his musicians collaborate with idiosyncratic producer Doctor L (Les Amazones d’Afrique, Mbongwana Star), forging a radical new take on the Gwo Ka\u003cbr\u003emusical tradition from the Caribbean Island of Guadeloupe. 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Equally suitable for the mosh pit or Coachella, the Swedish band - Markus Videsäter (vocals), David ‘Viking’ Vikingsson\u003cbr data-mce-fragment=\"1\"\u003e(drums), David Strääf (guitar) and Johan Swärd (keys) - rally around a familial energy meant to be shared as loudly as possible.\u003cbr data-mce-fragment=\"1\"\u003e After quietly generating north of 200 million streams and counting, they welcome everyone closer on their third full length offering and Hopeless Records debut, ‘Hope Is A Cult’, with more to come.\u003cbr data-mce-fragment=\"1\"\u003e “We want to build up this family around positivity, hope, and the belief you can change things,” notes Markus. “We want you to forget everything that bothers you when you listen to this album. If we’re doing our job, audiences feel like they’re a part of it. When you go to a Solence show, you have a good time, so hope is a cult for us.”\u003cbr data-mce-fragment=\"1\"\u003e For fans of Shinedown, Black Veil Brides, Volbeat, Three Days Grace.\u003cbr data-mce-fragment=\"1\"\u003e LP on Electric Blue coloured vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eRain Down\u003cbr data-mce-fragment=\"1\"\u003eBest For You\u003cbr data-mce-fragment=\"1\"\u003eDemons\u003cbr data-mce-fragment=\"1\"\u003eWaves\u003cbr data-mce-fragment=\"1\"\u003eAntidote\u003cbr data-mce-fragment=\"1\"\u003eClaustrophobia\u003cbr data-mce-fragment=\"1\"\u003e_hope is a cult_\u003cbr data-mce-fragment=\"1\"\u003eBetter This Way\u003cbr data-mce-fragment=\"1\"\u003enuBlood (feat. Fame On Fire)\u003cbr data-mce-fragment=\"1\"\u003eLife Goes On\u003cbr data-mce-fragment=\"1\"\u003eEndless\u003cbr data-mce-fragment=\"1\"\u003e_a new hope_\u003cbr data-mce-fragment=\"1\"\u003eBlood Sweat Tears\u003c\/p\u003e","brand":"Hopeless","offers":[{"title":"Default Title","offer_id":42294910714012,"sku":"HR6677-1","price":21.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_8b78d0c7-56bd-4824-adf6-2594652441e3.webp?v=1674248976"},{"product_id":"sunroof-electronic-music-improvisations-vol-2-cd","title":"Sunroof - Electronic Music Improvisations, Vol. 2 [CD]","description":"\u003cp\u003eFormat: CD \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: CDPSST6\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863090821\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp\u003e ‘Electronic Music Improvisations Vol. 2’ is the second collection of improvised modular pieces recorded by Sunroof, aka Daniel Miller, the Founder and Chairman of Mute, and Gareth Jones, a producer and engineer, notable for working with Depeche Mode, Einstürzende Neubauten, Erasure and Yann Tiersen. The album was recorded through 2022.\u003cbr\u003e Praise for ‘Vol. 1’: “The music itself speaks to the history of both participants and the history of electronic music.” - The Quietus; “It manages to be both modern and sleek and yet fuzzy and nostalgic all at the same time.” - Joyzine\u003cbr\u003e CD in eco card pack with spot gloss varnish.\u003cbr\u003e LP pressed on white vinyl in spot gloss outer sleeve with digital download code.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eJanuary #2\u003cbr\u003eJuly #2\u003cbr\u003eNovember\u003cbr\u003eJuly #3\u003cbr\u003eOctober\u003cbr\u003eSeptember\u003cbr\u003eJuly #1\u003cbr\u003eJanuary #1\u003c\/p\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":42294913630364,"sku":"CDPSST6","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_b8517c3c-a9f5-48bb-8f33-1ee5d8b6fb44.jpg?v=1674249080"},{"product_id":"sunroof-electronic-music-improvisations-vol-2-white-coloured-vinyl","title":"Sunroof - Electronic Music Improvisations, Vol. 2 [White coloured vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Coloured Vinyl LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PSST6\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863090838\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e ‘Electronic Music Improvisations Vol. 2’ is the second collection of improvised modular pieces recorded by Sunroof, aka Daniel Miller, the Founder and Chairman of Mute, and Gareth Jones, a producer and engineer, notable for working with Depeche Mode, Einstürzende Neubauten, Erasure and Yann Tiersen. The album was recorded through 2022.\u003cbr data-mce-fragment=\"1\"\u003e Praise for ‘Vol. 1’: “The music itself speaks to the history of both participants and the history of electronic music.” - The Quietus; “It manages to be both modern and sleek and yet fuzzy and nostalgic all at the same time.” - Joyzine\u003cbr data-mce-fragment=\"1\"\u003e CD in eco card pack with spot gloss varnish.\u003cbr data-mce-fragment=\"1\"\u003e LP pressed on white vinyl in spot gloss outer sleeve with digital download code.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eJanuary #2\u003cbr data-mce-fragment=\"1\"\u003eJuly #2\u003cbr data-mce-fragment=\"1\"\u003eNovember\u003cbr data-mce-fragment=\"1\"\u003eJuly #3\u003cbr data-mce-fragment=\"1\"\u003eOctober\u003cbr data-mce-fragment=\"1\"\u003eSeptember\u003cbr data-mce-fragment=\"1\"\u003eJuly #1\u003cbr data-mce-fragment=\"1\"\u003eJanuary #1\u003c\/p\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":42294913925276,"sku":"PSST6","price":23.04,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_a0aa4060-f16c-4333-a6fc-377bd7e077d6.jpg?v=1674249093"},{"product_id":"unthank-smith-nowhere-and-everywhere-cd","title":"Unthank : Smith - Nowhere And Everywhere [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BRUS004CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863091934\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Two North-Eastern Mercury Prize-nominated artists from different musical worlds find common ground with an exploratory merging of voices and acoustic sounds. After first meeting backstage at an Africa Express show in Middlesbrough Town Hall, Paul approached Rachel to see if she would like to sing together, given his interest in folk music and their regional connections.\u003cbr data-mce-fragment=\"1\"\u003e With ‘Nowhere And Everywhere’, Unthank : Smith, foremost talents in their respective fields, set out to collect songs and pen originals that claw at the beating heart of the region.\u003cbr data-mce-fragment=\"1\"\u003e Though Rachel Unthank has been immersed in the folk world from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003echildhood, Paul Smith’s route towards folk began in his teens with a love of Martin Carthy, Karen Dalton, Nick Drake and Bert Jansch, especially their fingerstyle guitar-playing.\u003cbr data-mce-fragment=\"1\"\u003e Echoes of that approach can be heard throughout this album, albeit simplified and merged with a more direct sound akin to US avant-rock acolytes of the 60s folk revival like Gastr Del Sol and David Pajo.\u003cbr data-mce-fragment=\"1\"\u003e As one of two lead singers of The Unthanks, Rachel Unthank has\u003cbr data-mce-fragment=\"1\"\u003ededicated much of her career to celebrating folk songs by writers little known beyond the North East, such as Graeme Miles, whose\u003cbr data-mce-fragment=\"1\"\u003e‘Horumarye’ appears on the album. Rachel’s knowledge of traditional song allowed them to quickly add material to the original songs Paul was writing, in addition to ‘Seven Tears’, a rare Unthank original, inspired by Norse mythology.\u003cbr data-mce-fragment=\"1\"\u003e Co-produced by David Brewis of Field Music, this raw and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eatmospheric album features Faye MacCalman of emerging avant-jazz group Archipelago on clarinet, and exploratory drums by Bonnie\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e‘Prince’ Billy \/ Alasdair Roberts collaborator Alex Neilson, of Trembling Bells (cult) fame.\u003cbr data-mce-fragment=\"1\"\u003e UK \/ Ireland tour announced in 13 towns and cities across the UK,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eahead of a headline UK show including a London Roundhouse show.\u003cbr data-mce-fragment=\"1\"\u003e Tourdates - March 26 Glasgow St Luke’s, 27 Belfast The Empire, 28 Dublin\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLiberty Hall Theatre, 29 Liverpool Jimmy’s, 30 Birmingham Hare \u0026amp; Hounds, 31 Leeds Howard Assembly Hall, April 2 Newcastle Wylam Brewery, 4 London Bush Hall, 5 Brighton Komedia, 6 Bristol Trinity Centre (Fyfe Hall), 7 Manchester Band On The Wall.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eCaptain Bover\u003cbr data-mce-fragment=\"1\"\u003eThe Natural Urge\u003cbr data-mce-fragment=\"1\"\u003eSeven Tears\u003cbr data-mce-fragment=\"1\"\u003eO Mary, Will You Go?\u003cbr data-mce-fragment=\"1\"\u003eWhat Maks Makems\u003cbr data-mce-fragment=\"1\"\u003eRed Wine Promises\u003cbr data-mce-fragment=\"1\"\u003eRobert Kay\u003cbr data-mce-fragment=\"1\"\u003eLord Bateman\u003cbr data-mce-fragment=\"1\"\u003eHorumarye\u003cbr data-mce-fragment=\"1\"\u003eThe King\u003c\/p\u003e","brand":"Billingham Records","offers":[{"title":"Default Title","offer_id":42294925230236,"sku":"BRUS004CD","price":9.72,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_f7c9c949-daf5-484a-b09b-ff273b72e5d1.webp?v=1674249691"},{"product_id":"unthank-smith-nowhere-and-everywhere-lp","title":"Unthank : Smith - Nowhere And Everywhere [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: BRUS004V\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5400863091927\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk\/Americana\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Two North-Eastern Mercury Prize-nominated artists from different musical worlds find common ground with an exploratory merging of voices and acoustic sounds. After first meeting backstage at an Africa Express show in Middlesbrough Town Hall, Paul approached Rachel to see if she would like to sing together, given his interest in folk music and their regional connections.\u003cbr data-mce-fragment=\"1\"\u003e With ‘Nowhere And Everywhere’, Unthank : Smith, foremost talents in their respective fields, set out to collect songs and pen originals that claw at the beating heart of the region.\u003cbr data-mce-fragment=\"1\"\u003e Though Rachel Unthank has been immersed in the folk world from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003echildhood, Paul Smith’s route towards folk began in his teens with a love of Martin Carthy, Karen Dalton, Nick Drake and Bert Jansch, especially their fingerstyle guitar-playing.\u003cbr data-mce-fragment=\"1\"\u003e Echoes of that approach can be heard throughout this album, albeit simplified and merged with a more direct sound akin to US avant-rock acolytes of the 60s folk revival like Gastr Del Sol and David Pajo.\u003cbr data-mce-fragment=\"1\"\u003e As one of two lead singers of The Unthanks, Rachel Unthank has\u003cbr data-mce-fragment=\"1\"\u003ededicated much of her career to celebrating folk songs by writers little known beyond the North East, such as Graeme Miles, whose\u003cbr data-mce-fragment=\"1\"\u003e‘Horumarye’ appears on the album. Rachel’s knowledge of traditional song allowed them to quickly add material to the original songs Paul was writing, in addition to ‘Seven Tears’, a rare Unthank original, inspired by Norse mythology.\u003cbr data-mce-fragment=\"1\"\u003e Co-produced by David Brewis of Field Music, this raw and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eatmospheric album features Faye MacCalman of emerging avant-jazz group Archipelago on clarinet, and exploratory drums by Bonnie\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e‘Prince’ Billy \/ Alasdair Roberts collaborator Alex Neilson, of Trembling Bells (cult) fame.\u003cbr data-mce-fragment=\"1\"\u003e UK \/ Ireland tour announced in 13 towns and cities across the UK,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eahead of a headline UK show including a London Roundhouse show.\u003cbr data-mce-fragment=\"1\"\u003e Tourdates - March 26 Glasgow St Luke’s, 27 Belfast The Empire, 28 Dublin\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLiberty Hall Theatre, 29 Liverpool Jimmy’s, 30 Birmingham Hare \u0026amp; Hounds, 31 Leeds Howard Assembly Hall, April 2 Newcastle Wylam Brewery, 4 London Bush Hall, 5 Brighton Komedia, 6 Bristol Trinity Centre (Fyfe Hall), 7 Manchester Band On The Wall.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eCaptain Bover\u003cbr data-mce-fragment=\"1\"\u003eThe Natural Urge\u003cbr data-mce-fragment=\"1\"\u003eSeven Tears\u003cbr data-mce-fragment=\"1\"\u003eO Mary, Will You Go?\u003cbr data-mce-fragment=\"1\"\u003eWhat Maks Makems\u003cbr data-mce-fragment=\"1\"\u003eRed Wine Promises\u003cbr data-mce-fragment=\"1\"\u003eRobert Kay\u003cbr data-mce-fragment=\"1\"\u003eLord Bateman\u003cbr data-mce-fragment=\"1\"\u003eHorumarye\u003cbr data-mce-fragment=\"1\"\u003eThe King\u003c\/p\u003e","brand":"Billingham Records","offers":[{"title":"Default Title","offer_id":42294925394076,"sku":"BRUS004V","price":16.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_d9225deb-b85d-4999-93cc-8fd1841cda11.webp?v=1674249702"},{"product_id":"va-soul-jazz-records-presents-space-energy-light-experimental-electronic-and-acoustic-soundscapes-1961-88-yellow-coloured-vinyl-edition","title":"VA \/ Soul Jazz Records Presents - Space, Energy \u0026 Light: Experimental Electronic And Acoustic Soundscapes 1961-88 [yellow coloured vinyl edition]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Coloured Vinyl 3LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SJRLP392C\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5026328403922\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental\/Electronic\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e New edition of this Soul Jazz Records out-of-print classic album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eavailable as a one-off pressing special yellow CD edition and yellow\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etriple vinyl album (plus digital download code).\u003cbr data-mce-fragment=\"1\"\u003e Soul Jazz Records’ ‘Space, Energy \u0026amp; Light’ is a collection of music by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eearly electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla DIY cassette-era electronic artists, spanning in total over a near 30-year time frame. These artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future but also of looking inwards to the soul and of creating music in harmony with the natural world.\u003cbr data-mce-fragment=\"1\"\u003e From computer software and hardware experimentalists and sound pioneers such as Laurie Spiegel and Kevin Braheny, as well as Mother Mallard’s Portable Masterpiece Company - the first\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esynthesizer ensemble created in collaboration with Robert Moog -\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethrough to the earliest musique concrète experimentation of Tod\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDockstader, the album shows how technological advancements and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecreative artistic expression went hand in hand.\u003cbr data-mce-fragment=\"1\"\u003e In the mid-1970s artists Steven Halpern and Iaxos were instrumental\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein creating proto-new age music, experimenting in both the healing properties of sound and its relationship with the natural world. These artists also pioneered a new self-contained and underground DIY approach to music, creating their own record labels, forming new distribution networks (with albums sold in meditation centres, health food stores and ashrams) far away from the commercialism of the mainstream music industry. In the early 1980s after the revolution of punk, these DIY attitudes and ideas appeared once more in the growth of the distinctly anti-commercial and underground cassette-only careers of artists such as Germany’s Stratis and Carl Matthews\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein Britain.\u003cbr data-mce-fragment=\"1\"\u003e Album artwork includes some of the earliest photography of the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePlieades star cluster dating from the 1880s.\u003cbr data-mce-fragment=\"1\"\u003e “Listening to ‘Space, Energy \u0026amp; Light’ in one sitting is a bit like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eexperiencing constellations exploding within constellations inside\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eyour brain.” - Record Collector\u003cbr data-mce-fragment=\"1\"\u003e Press - Reviews \u0026amp; features in Mojo, The Wire, The Guardian, The Times,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe Telegraph, Pitchfork, Irish Times, The Observer, Clash, Vice, Metro, Record Collector, Uncut, Independent, Q.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eJ.B. 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These artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future but also of looking inwards to the soul and of creating music in harmony with the natural world. \u003cbr\u003e From computer software and hardware experimentalists and sound pioneers such as Laurie Spiegel and Kevin Braheny, as well as Mother Mallard’s Portable Masterpiece Company - the first synthesizer ensemble created in collaboration with Robert Moog - through to the earliest musique concrète experimentation of Tod Dockstader, the album shows how technological advancements and creative artistic expression went hand in hand. \u003cbr\u003e In the mid-1970s artists Steven Halpern and Iaxos were instrumental in creating proto-new age music, experimenting in both the healing properties of sound and its relationship with the natural world. These artists also pioneered a new self-contained and underground DIY approach to music, creating their own record labels, forming new distribution networks (with albums sold in meditation centres, health food stores and ashrams) far away from the commercialism of the mainstream music industry. In the early 1980s after the revolution of punk, these DIY attitudes and ideas appeared once more in the growth of the distinctly anti-commercial and underground cassette-only careers of artists such as Germany’s Stratis and Carl Matthews in Britain. \u003cbr\u003e Album artwork includes some of the earliest photography of the Plieades star cluster dating from the 1880s. \u003cbr\u003e “Listening to ‘Space, Energy \u0026amp; Light’ in one sitting is a bit like experiencing constellations exploding within constellations inside your brain.” - Record Collector \u003cbr\u003e Press - Reviews \u0026amp; features in Mojo, The Wire, The Guardian, The Times, The Telegraph, Pitchfork, Irish Times, The Observer, Clash, Vice, Metro, Record Collector, Uncut, Independent, Q.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eJ.B. Banfi - Gang (For The Rock Industry)\u003cbr\u003eMichael Garrison - To The Other Side Of The Sky\u003cbr\u003eIasos - Lueena Coast\u003cbr\u003eCarl Matthews - As Above, So Below\u003cbr\u003eTim Blake - Midnight\u003cbr\u003eStratis - By Water\u003cbr\u003eLaurie Spiegel - Improvisation On A ‘Concerto Generator’\u003cbr\u003eMother Mallard’s Portable Masterpiece Company - Ceres Motion\u003cbr\u003eMichael Stearns - In The Beginning\u003cbr\u003eBeverly Glenn-Copeland - Ever New\u003cbr\u003eRichard Pinhas - Variations VII Sur Le Thème Des Bene Gesserit\u003cbr\u003eTod Dockstader - Piece #1\u003cbr\u003eKevin Braheny - Ancient Stars\u003cbr\u003eSteven Halpern - Starborn Suite (Part 1)\u003c\/p\u003e","brand":"Soul Jazz Records","offers":[{"title":"Default Title","offer_id":42294930964636,"sku":"SJRCD392C","price":12.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_c75110d2-b607-4950-903e-8e2fcd2869f4.jpg?v=1674250025"},{"product_id":"the-wonder-years-suburbia-ive-given-you-all-and-now-im-nothing-transparent-blue-vinyl","title":"The Wonder Years - Suburbia I've Given You All and Now I'm Nothing\t[Transparent Blue vinyl]","description":"\u003cp\u003eFormat: Coloured Vinyl LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: HR2965-1 \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0790692296514\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: \u003cspan data-mce-fragment=\"1\"\u003ePunk\/Hardcore\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Originally released in 2011, ‘Suburbia I’ve Given You All And Now I’m Nothing’, the sophomore full length from Philadelphia pop punk legends The Wonder Years, is considered one of the best pop punk albums of all time. After years of being out of print, this breakthrough album by The Wonder Years is finally available again on vinyl.\u003cbr\u003e If ‘The Upsides’ was the exciting debut promising greatness to come, ‘Suburbia I’ve Given You All And Now I’m Nothing’ was the supernova that catapulted the band into a world that didn’t know what hit them. \u003cbr\u003e Inspired by an Allen Ginsberg poem, and containing as much allegory as personal introspective observations, ‘Suburbia I’ve Given You All And Now I’m Nothing’ cemented The Wonder Years as the thinking person’s pop punk and a genre all their own.\u003cbr\u003e With magazine covers at Alternative Press, headlining slots on the Vans Warped Tour, Kerrang! Tour, and the  Glamour Kills Tour, the band toured the world incessantly and anchored a growing community of artists and fans navigating through self-doubt and young adulthood.\u003cbr\u003e Headlined the 2021 Slam Dunk Festival, playing ‘The Upsides’ in its entirety to celebrate the 11 year anniversary. Recently completed ‘The Upsides’ \/ ‘Suburbia’ Anniversary Tour in US \/ UK 2022.\u003cbr\u003e Ranked #5 on RockSound’s The 51 Most Essential Pop Punk Records Of All Time list.\u003cbr\u003e Ranked #32 on Buzzfeed’s 36 Pop Punk Albums You Need To Hear Before You F---ing Die list.\u003cbr\u003e Features fan favourite singles ‘Came Out Swinging’ and ‘Local Man Ruins Everything’.\u003cbr\u003e For fans of Manchester Orchestra, Fireworks, Title Fight.\u003cbr\u003e Transparent blue vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklisting\u003cbr\u003eCame Out Swinging\u003cbr\u003eWoke Up Older\u003cbr\u003eLocal Man Ruins Everything\u003cbr\u003eSuburbia\u003cbr\u003eMy Life as a Pigeon\u003cbr\u003eSummers in PA\u003cbr\u003eI Won’t Say the Lord’s Prayer\u003cbr\u003eCoffee Eyes\u003cbr\u003eI’ve Given You All\u003cbr\u003eDon’t Let Me Cave In\u003cbr\u003eYou Made Me Want to be a Saint\u003cbr\u003eHoodie Weather\u003cbr\u003eAnd Now I’m Nothing\u003c\/span\u003e\u003c\/p\u003e","brand":"Hopeless","offers":[{"title":"Default Title","offer_id":42294934274204,"sku":"HR2965-1","price":21.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_55088cdd-e4d7-48c7-bd7d-23cd791c494b.jpg?v=1674250153"},{"product_id":"the-wonder-years-the-upsides-transparent-blue-vinyl","title":"The Wonder Years - The Upsides [Transparent Blue vinyl]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: Coloured Vinyl LP \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: HR2964-1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 0790692296415\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 17 Feb 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePunk\/Hardcore\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Originally released in 2010, ‘The Upsides’, the debut full length from Philadelphia pop punk legends The Wonder Years, is considered one of the best pop punk albums of the 2010’s.\u003cbr\u003e After years of being out of print, the fan favourite coming of age album for The Wonder Years is finally available again on vinyl.\u003cbr\u003e ‘The Upsides’ saw the band at a crossroads - shedding the synth pop sound that characterized their early work, they embraced a more lyrically driven, storytelling, name dropping, relatable sound that moved toward pop punk with feelings while maintaining the strong DIY work ethic of the punk \/ hardcore scene.\u003cbr\u003e Culminating in marquee events, like playing three shows in 24 hours across the country for their album release, and touring with scene heavyweights like New Found Glory and Set Your Goals, The Wonder Years built a reputation for big ideas and creative marketing.\u003cbr\u003e Fast forward to 2021, 11 years after the band released the album that would change their lives, the band would play a global anniversary tour celebrating ‘The Upsides’ and prove to the world that you don’t have to be defeated at 23 - life is worth fighting back for.\u003cbr\u003e Headlined the 2021 Slam Dunk Festival, playing ‘The Upsides’ in its entirety to celebrate the 11 year anniversary. Recently completed ‘The Upsides’ \/ ‘Suburbia’ Anniversary Tour in US \/ UK 2022.\u003cbr\u003e Named as #24 on RockSound’s The 51 Most Essential Pop Punk Records Of All Time.\u003cbr\u003e The music video for hit single ‘Melrose Diner’ featured actor\u003cbr\u003eCharlie Saxton.\u003cbr\u003e Features fan favourite singles ‘Washington Square Park’ and ‘Logan Circle’.\u003cbr\u003e For fans of Manchester Orchestra, Fireworks, Title Fight.\u003cbr\u003e Transparent blue vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklisting\u003cbr\u003eMy Last Semester\u003cbr\u003eLogan Circle\u003cbr\u003eEverything I Own Fits In This \u003cbr\u003eBackpack\u003cbr\u003eDynamite Shovel\u003cbr\u003eNew Years With Carl \u003cbr\u003eWeathers\u003cbr\u003eIt's Never Sunny In South \u003cbr\u003ePhiladelphia\u003cbr\u003eHostels \u0026amp; Brothels\u003cbr\u003eMelrose Diner\u003cbr\u003eThis Party Sucks\u003cbr\u003eHey Thanks\u003cbr\u003eWashington Square Park\u003cbr\u003eAll My Friends Are In Bar Bands\u003c\/span\u003e\u003c\/p\u003e","brand":"Hopeless","offers":[{"title":"Default Title","offer_id":42294936207516,"sku":"HR2964-1","price":21.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_18f4e453-d262-4539-9a96-866c6713a0b1.jpg?v=1674250239"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/int0423.oembed?page=2","provider":"Horizons Music","version":"1.0","type":"link"}