{"title":"Ian carr","description":"","products":[{"product_id":"ian-carr-belladonna-cd","title":"IAN CARR - BELLADONNA [CD]","description":"\u003cp\u003eLabel: MR BONGO\u003cbr data-mce-fragment=\"1\"\u003eCat. no: MRBCD229\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 7119691272429\u003cbr\u003eRelease Date: 30th April 2021\u003cbr\u003eGenre: Jazz-Rock-Fusion\u003c\/p\u003e\n\u003cp\u003eOfficial half-speed mastered re-issue of British trumpeter and bandleader Ian Carr's iconic jazz-fusion-rock hybrid 'Belladonna' from 1972\u003c\/p\u003e\n\u003cp\u003eOriginally released on the Vertigo label, complete with collectable 'swirl' record centre design, this sought-after jazz-rock-fusion rarity features some of the cream of the UK jazz musicians of the 70's. Comprised from groups such as Nucleus, Brian Auger's band, Soft Machine, Stan Tracy group, the players included Brian Smith (tenor and soprano saxophones, alto and bamboo flutes), legendary guitarist Allan Holdsworth, Dave MacRae (Fender electric piano), and bassist Roy Babbington, to name but a few.\u003cbr\u003e\u003cbr\u003eSeen as a benchmark point in Ian Carr's career, 'Belladonna' is awash with atmospheric excursions and ethereal qualities, as well as a darker fusion aesthetic and prog-rock sensibility from Holdsworth's exceptional guitar playing. The moody, yet funky, vibe of the album has echoes of Miles Davis' electronic era à la 'In A Silent Way'.\u003cbr\u003e\u003cbr\u003eThe album is best enjoyed played in its entirety. There are ebbs and flows with certain tracks shining along the way. Standouts include the beautiful down-tempo track 'Summer Rain', which has a soundtrack \/ library style brilliance and emotional electric piano soloing.\u003cbr\u003e\u003cbr\u003eThough recorded in the 70's, the track has a timeless sound, a melancholic funk so often used in hip-hop and beat tape productions to this day. 'Mayday's Shaft-like long extended intro builds the drama until the percussive release when the drums drop at over three minutes in.\u003cbr\u003e\u003cbr\u003eTo give a record of such quality the treatment it deserves, we have once again been lucky to enlist the service of mastering and lacquer cutting engineering don Miles Showell at Abbey Road Studios, to cut a brand-new half-speed master and let the music speak for itself.\u003cbr\u003e\u003cbr\u003eTracklisting:\u003cbr\u003e1. Belladonna\u003cbr\u003e2. Summer Rain\u003cbr\u003e3. Remadione\u003cbr\u003e4. Mayday\u003cbr\u003e5. Suspension\u003cbr\u003e6. Hector’s House\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/CgDgM2sJe24\" height=\"360\" width=\"640\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ciframe width=\"629\" height=\"374\" src=\"https:\/\/www.youtube.com\/embed\/1o7YKjOcx98\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/rVk4WK9XZDk\" height=\"374\" width=\"629\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"MR BONGO","offers":[{"title":"Default Title","offer_id":37867639832732,"sku":"MRBCD229","price":10.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/IANCARR-BELLADONNA.jpg?v=1614100873"},{"product_id":"ian-carr-belladonna-lp","title":"IAN CARR - BELLADONNA [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eLabel: MR BONGO\u003cbr data-mce-fragment=\"1\"\u003eCat. no: MRBLP229\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 7119691272313\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 1 Apr 22 (repress)\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz-Rock-Fusion\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOfficial half-speed mastered re-issue of British trumpeter and bandleader Ian Carr's iconic jazz-fusion-rock hybrid 'Belladonna' from 1972\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginally released on the Vertigo label, complete with collectable 'swirl' record centre design, this sought-after jazz-rock-fusion rarity features some of the cream of the UK jazz musicians of the 70's. Comprised from groups such as Nucleus, Brian Auger's band, Soft Machine, Stan Tracy group, the players included Brian Smith (tenor and soprano saxophones, alto and bamboo flutes), legendary guitarist Allan Holdsworth, Dave MacRae (Fender electric piano), and bassist Roy Babbington, to name but a few.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSeen as a benchmark point in Ian Carr's career, 'Belladonna' is awash with atmospheric excursions and ethereal qualities, as well as a darker fusion aesthetic and prog-rock sensibility from Holdsworth's exceptional guitar playing. The moody, yet funky, vibe of the album has echoes of Miles Davis' electronic era à la 'In A Silent Way'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is best enjoyed played in its entirety. There are ebbs and flows with certain tracks shining along the way. Standouts include the beautiful down-tempo track 'Summer Rain', which has a soundtrack \/ library style brilliance and emotional electric piano soloing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough recorded in the 70's, the track has a timeless sound, a melancholic funk so often used in hip-hop and beat tape productions to this day. 'Mayday's Shaft-like long extended intro builds the drama until the percussive release when the drums drop at over three minutes in.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo give a record of such quality the treatment it deserves, we have once again been lucky to enlist the service of mastering and lacquer cutting engineering don Miles Showell at Abbey Road Studios, to cut a brand-new half-speed master and let the music speak for itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e1. Belladonna\u003cbr data-mce-fragment=\"1\"\u003e2. Summer Rain\u003cbr data-mce-fragment=\"1\"\u003e3. Remadione\u003cbr data-mce-fragment=\"1\"\u003e4. Mayday\u003cbr data-mce-fragment=\"1\"\u003e5. Suspension\u003cbr data-mce-fragment=\"1\"\u003e6. Hector’s House\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/CgDgM2sJe24\" height=\"360\" width=\"640\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"629\" height=\"374\" src=\"https:\/\/www.youtube.com\/embed\/1o7YKjOcx98\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/rVk4WK9XZDk\" height=\"374\" width=\"629\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"MR BONGO","offers":[{"title":"Default Title","offer_id":37867639963804,"sku":"MRBLP229","price":15.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/IANCARR-BELLADONNA_06992f3d-2099-4bf0-bfd3-ccefdfad57a8.jpg?v=1614100874"},{"product_id":"ian-carr-s-nucleus-roots-1","title":"Ian Carr’s Nucleus - Roots","description":"\u003cp\u003eFormat: LP \u003cbr\u003eCatalogue No.: BEWITH102LP \u003cbr data-mce-fragment=\"1\"\u003eEAN: 4251804125376\u003cbr\u003eRelease Date: 20 Sep 2024\u003cbr\u003eGenre: Jazz\/Funk\/Prog\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e5\/5 REVIEW IN MOJO : ‘’CARR IS JUST ONE OF SEVEN STARS ON A SENSATIONAL PROTO HIP-HOP UK JAZZ-ROCK JAMBOREE’’\u003c\/p\u003e\n\u003cp\u003e⅘ REVIEW IN RECORD COLLECTOR: ‘NUCLEUS WERE THE UK COUNTERPOINT TO MILES DAVIS’ JAZZ-ROCK EXPERIMENTS’\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFormat Notes: 2021 re-issue, 140g vinyl, remastered from the original analogue tapes.\u003c\/p\u003e\n\u003cp\u003eWhat an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records.\u003c\/p\u003e\n\u003cp\u003eMaybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.\u003c\/p\u003e\n\u003cp\u003eGenius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.\u003c\/p\u003e\n\u003cp\u003eUnder bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.\u003c\/p\u003e\n\u003cp\u003eWorking together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet.\u003c\/p\u003e\n\u003cp\u003eThe spellbinding title track immediately renders the album indispensable. Riding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop \/ beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition.\u003c\/p\u003e\n\u003cp\u003eThe soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis. \u003c\/p\u003e\n\u003cp\u003eSide two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns.\u003c\/p\u003e\n\u003cp\u003eThe album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming.\u003c\/p\u003e\n\u003cp\u003eAnd of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian\/utopian living-room party scene. Consider this your chemical flashback trigger warning.\u003c\/p\u003e\n\u003cp\u003eFront-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey.\u003c\/p\u003e\n\u003cp\u003eThis Be With edition of Roots has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.\u003c\/p\u003e\n\u003cp\u003e* Tracklist:      \u003cbr\u003e1 A1 : Roots (9:24)\u003cbr\u003e2 A2 : Images (4:55)\u003cbr\u003e3 A3 : Caliban (4:35)\u003cbr\u003e4 B1 : Whapatiti (3:22)\u003cbr\u003e5 B2 : Capricorn (4:00)\u003cbr\u003e6 B3 : Odokamona (3:24)\u003cbr\u003e7 B4 : Southern Roots And Celebration (7:45)\u003cbr\u003e\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":43714616885404,"sku":"BEWITH102LP","price":23.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BEWITH102LP_c54be503-259f-4480-b050-9c2969aad811.jpg?v=1716058518"},{"product_id":"ian-carr-with-nucleus-labyrinth-lp-gatefold-1","title":"Ian Carr With Nucleus - Labyrinth (LP \/ Gatefold)","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: bewith103lp\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 4251804125383\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e09 Sep\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 2022\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Soul \/ Funk\u003c\/p\u003e\n\u003cp\u003eTrack List:\u003cbr\u003eA1 : Origins (2:57)\u003cbr\u003eA2 : Bull Dance (8:17)\u003cbr\u003eA3 : Ariadne (7:47)\u003cbr\u003eA4 : Arena Part I (1:49)\u003cbr\u003eB1 : Arena Part II (5:12)\u003cbr\u003eB2 : Exultation (6:02)\u003cbr\u003eB3 : Naxos (12:22)\u003cbr\u003e\u003cbr\u003eLabyrinth is dark, brooding, beat-heavy, melancholic mood music courtesy of Ian Carr and the Nucleus crew. A favourite of Madlib, it goes without saying that this is one magnificent record. Originally released on Vertigo in 1973, Labyrinth was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.\u003cbr\u003e\u003cbr\u003eGenius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.\u003cbr\u003e\u003cbr\u003eUnder bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.\u003cbr\u003e\u003cbr\u003eAt this point Carr had parted ways with guitarist Alan Holdsworth and as a result the Nucleus sound found itself returning to the core elements of groove and melody. Carr had become bolder and more self-confident in his compositions and it shows in the sheer ambition of Labyrinth. Composed by Carr, and with lyrics written by his wife Sandy, Labyrinth was the result of a commission from the Park Lane Group and funded by the Arts Council of Great Britain. Originally a live performance by an augmented Nucleus, some of the expanded cast were brought back for the recording sessions, including vocalist Norma Winstone. So as the front cover of the finished album says, this is literally “Nucleus Plus”.\u003cbr\u003e\u003cbr\u003eLabyrinth is presented as a suite, based on the ancient Greek legend of the Minotaur with musical instruments representing the various elements of the mythology. According to the LP’s original sleeve notes, the bass clarinet represents the tragic element, the trumpet represents the heroic element and the voice represents the human element. The rest of the musicians represent the two societies of Athens and Crete and their comments on the story as it unfolds.\u003cbr\u003e\u003cbr\u003eThe album opens with the experimental, sumptuously dissonant “Origins”. Teasing strands of atmospheric bass clarinet introduce the first theme before swiftly fading out with a startling blast of staccato fanfares and big drums. Heavy. The album soon finds its rhythm as it alights on the spell-binding and groove-friendly “Bull-Dance”, showing off the best Nucleus has to offer: subtle trumpet melodies, compelling rhythms, a psych-rock vibe and tight soloing. And of course there’s Norma Winstone’s stunning wordless vocals, that also take the lead in the next track “Ariadne”, a spacey-jazz song with beautiful piano, flute and clarinet, and the only recognisable lyrics on the album. You might recognise a snatch of it being looped by Madlib on Quasimoto’s “Astro Travellin”. The first part of the improvised “Arena” closes out the first side of the album, a short experimental piece with piano and horns.\u003cbr\u003e\u003cbr\u003eOver on the flip-side, the powerful second part of “Arena” introduces a new theme. It swiftly builds, with vocal melodies, piano and horns all pronounced over the thick drums snapping your neck. It comes on like an alternate take on “Bull-Dance”, noisier, with a looser rhythm. The triumphant, shuffling Latin-jam “Exultation” leans on more scintillating vocals from Winstone, and a chunky counter melody from the rhythm section. It’ll get you moving.\u003cbr\u003e\u003cbr\u003eThe final track, the haunting, twelve minute “Naxos”, is an incredible way to close out this remarkable record. A circling bass guitar loop inspiring the group to a meditative psychedelic jazz rock improvisation in a silent, Miles kind of way, with a great flugelhorn solo from Carr and an ace synth climax.\u003cbr\u003e\u003cbr\u003eThis Be With edition of Labyrinth has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. Another great Keith Davis sleeve has been restored in all its airbrushed Golden Age of comics, gatefold splendour. Complete with Minotaur of course.\u003c\/p\u003e","brand":"BE WITH RECORDS","offers":[{"title":"Default Title","offer_id":43714616918172,"sku":"bewith103lp","price":30.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BEWITH103LP.jpg?v=1716058562"},{"product_id":"neil-ardley-ian-carr-don-rendell-greek-variations-other-aegean-exercises","title":"Neil Ardley, Ian Carr, Don Rendell - Greek Variations \u0026 Other Aegean Exercises","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: 8808400\u003cbr\u003eBarcode: 602488084000\u003cbr\u003eRelease Date: 27 Mar 2026\u003cbr\u003eGenre: Classical\/Jazz\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1970, and now much sought after by collectors and connoisseurs, original copies sell for upwards of £600.\u003cbr\u003eConsidered one of Neil Ardley’s best compositions, 'Greek Variations \u0026amp; Other Aegean Exercises' ranks as not only one of the finest expressions of British progressive modern jazz but also one of the very best recordings to emerge from Denis Preston’s celebrated Lansdowne Studios, home to some of the most highly-regarded British modern jazz of the era. It’s also an important junction point in the careers of the Ardley, Carr and Rendell, showing three distinct pathways that British jazz would follow in the subsequent years: Ardley’s orchestrated and expanded explorations; Carr’s jazz rock, and Rendell’s more orthodox acoustic approach.\u003c\/p\u003e","brand":"Decca","offers":[{"title":"Default Title","offer_id":46481665294492,"sku":"8808400","price":29.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_6c3f6411-2525-4218-a47a-6d6ab6a13c3e.webp?v=1772823323"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/ian-carr.oembed","provider":"Horizons Music","version":"1.0","type":"link"}