{"title":"FAR OUT RECORDINGS","description":"","products":[{"product_id":"azymuth-azimuth","title":"AZYMUTH - AZIMUTH","description":"\u003cp\u003eFormat: Gatefold LP\u003cbr\u003eCatalogue No.: FARO117LPX\u003cbr\u003eBarcode: 5060211502767\u003cbr\u003eRelease Date: 07 Jun 2024 (Repress)\u003cbr\u003eGenre: Jazz-Funk \/ Latin\u003c\/p\u003e\n\u003cp\u003eSide A: A1. Linha  Do Horizonte |  A2. Melô Dos Dois Bicudos | A3. Brazil | A4. Seems Like This | A5. Caça A Raposa\u003c\/p\u003e\n\u003cp\u003eSide B B1. Estrada  Dos Deuses | B2. Wait for my turn | B3. Montreal City | B4. Morning | B5. Periscópio\u003c\/p\u003e\n\u003cp\u003eAzymuth – Jose Roberto Bertrami, Ivan Conti, and Alex Malheiros \u0026amp; Ariovaldo - formed in the late 60s just as Os Mutantes released their debut record.  Whilst Mutantes were honing a psychedelic 'Amazonian' version of western pop music, Azymuth were creating a futuristic, electric interpretation of US Jazz - also driven by the same rootsy Brazilian 'swing' that Mutantes had harnessed.\u003c\/p\u003e\n\u003cp\u003eThe original line up of Azymuth consisted of José Roberto Bertrami on keyboards and synths, Alex Malheiros on bass, Ivan Conti (aka Mamão) on drums and  timbalas, plus Ariovaldo Contesini on percussion. Bertrami was the drive behind Azymuth's sound - a control freak and musical genius obsessed with the latest technology who wanted to use it to push the boundaries of music in a way that no one else in Brazil  had done. His use of keyboards has drawn comparisons between Azymuth's work and Herbie Hancock's early 70s output, yet with it's Brazilian swing Azymuth's electric jazz sound is unmistakeably their own. Conti is an impulsive and an incredibly energetic drummer,  and the real hardcore Carioca of the trio. Alex Malheiros, who learned his trade playing with the master of Brazilian swing, Ed Lincoln. Alex is respected in Brazil as one of the original groove masters.\u003c\/p\u003e\n\u003cp\u003eBertrami rose to fame as an arranger in the mid-60s and by the late 60s he was arranging for the queen of Brazilian music, Elis Regina. This pushed him  into the major league and by the early 1970s he was arranging for the burgeoning TV novella scene. When he was not working, Bertrami made trips to New York to buy the latest keyboards and synths, ensuring he had the most up to date range of keyboards in Brazil.  His work in TV Novellas meant Bertrami knew most of the A\u0026amp;R people in the Brazilian music industry, yet when he shipped the demos that became the core of this album round to them in 1973, they didn't share his vision - one label even going as far as to say  that the music was 'wrong'.\u003c\/p\u003e\n\u003cp\u003eReleased in summer 1975, the album was a minor commercial success selling 200,000 copies. Opening track 'Linha do Horizonte' – a sublime piece of melancholic  electronic saudade where deep cinematic synths melt into gently strummed acoustic jazz guitar  - was chosen for a TV Novella and went on to sell half a million, propelling Azymuth onto the Brazilian music scene.\u003c\/p\u003e\n\u003cp\u003eThe rest of the album doesn't disappoint – track 2, 'Melô dos dois bicudos', sees Azymuth plugging them into the Brazilian national grid for a slice  of electrified psyched out samba funk with crashing military drums, shrieking sirens and psych synths. Track 3 'Brazil' is a lolloping bass led groover with Bertrami's melody giving the track a charming, innocent naivety, and track 5 'Caça A Raposa' is a boogie  jazz funk groover with Bertrami adding a Flora Purim style vocal melody.\u003c\/p\u003e\n\u003cp\u003eAzymuth went on to become one of the best-selling jazz artists of the 80s with their future albums for Milestones, unquestionably the biggest jazz label  of that decade. 'Azimuth' is the album that kickstarted it all for them, the record that was the blue print and definition of their 'samba doido \/ crazy samba' sound.\u003c\/p\u003e\n\u003cp\u003eCredits:\u003c\/p\u003e\n\u003cp\u003eJosé Roberto Bertrami: Fender piano, piano ácustico, Arp. Sintetizador 2600, moog satellite, arpo soloist, clavinet, Arp Strings (violinos electrônicos) Harmmond, órgão  M. 102 Bells \u0026amp; vocal\u003c\/p\u003e\n\u003cp\u003eAriovaldo Contesini: congos, surdo, cuícas, tamborim, bongõ, triguilhes \u0026amp; vocal\u003c\/p\u003e\n\u003cp\u003eIvan Conti (Mamão): timbalas, tímpano, triguilhes, Rogers \u0026amp; Ludwig Drums\u003c\/p\u003e\n\u003cp\u003eJosé Alexandre Malheiros: guitarra, violão, triguilhes, vocal, Ryckenbacker, vocal \u0026amp; eco bass\u003c\/p\u003e\n\u003cp\u003eSpecial guests: \u003c\/p\u003e\n\u003cp\u003eJoão Américo (Paranã): acoustic guitar on ‘Linha do Horizonte’ and vocals and percussion on other songs\u003c\/p\u003e\n\u003cp\u003eMárcio Lott: Vocals on ‘Linha do Horizonte’, ‘Esperando Minha Vez’ and ‘Manhã’\u003c\/p\u003e\n\u003cp\u003eProduction credits:\u003c\/p\u003e\n\u003cp\u003eSound Engineers: Ari Carvalhaes, Luís Cláudio, Luigi e Eugenio\u003c\/p\u003e\n\u003cp\u003eAssistants: Jairo Gualberto, Zé Guilherme, Borrachinha\u003c\/p\u003e\n\u003cp\u003eRecorded at Estudios Hawai Phonogram in Rio de Janeiro between the period of October ’74 and February ’75. Originally mastered by Vison. Re-mastered by John Dent @ Loud  Mastering. \u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":35945614868636,"sku":"FARO117LPX","price":28.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/AZYMUTH-AZIMUTH.jpg?v=1599762029"},{"product_id":"milton-nascimento-ultimo-trem-rsd-2020-rsd-2020","title":"MILTON NASCIMENTO - ULTIMO TREM RSD 2020 (RSD 2020)","description":"Format: limited red vinyl 2xLP\u003cbr data-mce-fragment=\"1\"\u003eCat: FARO217DLP\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 7th September 2020\u003cbr data-mce-fragment=\"1\"\u003eGenre: International","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":35971697049756,"sku":"FARO217DLP","price":28.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/MILTONNASCIMENTO-ULTIMOTREMRSD2020_RSD2020.jpg?v=1599933468"},{"product_id":"ivan-conti-poison-fruit-rsd-2020","title":"IVAN CONTI - POISON FRUIT (RSD 2020)","description":"Format: limited splattered vinyl LP + orange vinyl 7\"\u003cbr data-mce-fragment=\"1\"\u003eCat: FARO208XLP\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 7th September 2020\u003cbr data-mce-fragment=\"1\"\u003eGenre: Dance","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":35971861512348,"sku":"FARO208XLP","price":28.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/IVANCONTI-POISONFRUIT_RSD2020.jpg?v=1599934953"},{"product_id":"daniel-maunick-musica-encantada-ep","title":"DANIEL MAUNICK - MUSICA ENCANTADA EP","description":"\u003cp\u003eCat. no: JD50\u003cbr data-mce-fragment=\"1\"\u003eFormat: 12EP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114368781\u003cbr\u003eRelease Date: 6th November 2020\u003cbr data-mce-fragment=\"1\"\u003eGenre: Dance\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDaniel Maunick returns with a new EP, Musica Encantada via Far Out Recordings.\u003c\/p\u003e\n\u003cp\u003eContinuing the theme of his debut album Macumba Quebrada - which saw support from the likes of Moodymann, Ron Trent, Gilles Peterson, and Benji B - Maunick draws on the deep-rooted Brazilian influences from the many year he has spent in the country, producing records with Azymuth, Marcos Valle, Sabrina Malheiros and Ivan ‘Mam o’ Conti.\u003c\/p\u003e\n\u003cp\u003eThe bossa-jazz house smash ‘Black Magic’ stays exclusive to the vinyl, while the percussive deep-house roller ‘A Chance To See Again’, the tight and groovy ‘Hurt Feelings’, and the slow-mo Brazilian Balearic ‘Africana’ will all see a limited vinyl and digital release on the 23rd October 2020.\u003c\/p\u003e\n\u003cp\u003eTracks: Hurt Feelings \/ Black Magic \/ A Chance To See Again \/ Africana\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":36600016306332,"sku":"JD50","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/DANIELMAUNICK-MUSICAENCANTADAEP.jpg?v=1603546339"},{"product_id":"antonio-neves-a-pegada-agora-e-essa-the-sway-now-lp","title":"ANTONIO NEVES -A PEGADA AGORA É ESSA (THE SWAY NOW) [LP]","description":"\u003cp\u003eLabel: FAR OUT RECORDINGS\u003cbr data-mce-fragment=\"1\"\u003eCat. no: FARO221LP\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114368910\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 19th February 2021\u003cbr\u003eGenre: Funk, Jazz\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFrom samba and bossa nova through to baile funk, with carioca expressions of jazz, rock and hip hop in between, the sound of Rio de Janeiro, while continually evolving, has always held an unnameable quality which reflects the magic and mystique of the city itself. Multi-instrumentalist and arranger Antonio Neves is the city’s newest trailblazer: the enfant-terrible of Rio’s music scene, leading a vital and diverse constellation of both emerging and well-known artists advancing the city’s musical legacy.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e“It all started one sleepless night, after watching a Quincy Jones documentary”. Inspired by the legendary music magnate, Neves began writing a list of artists residing in Rio de Janeiro “people that I admire, that I consider geniuses of their instruments, who share with me affinities, anxieties and projects.” The list included some of Brazil’s most revered living musicians who Neves has worked with in recent years: Hamilton de Holanda, Leo Gandelman and Dorival Caymmi.\u003cbr\u003e\u003cbr\u003eNeves also called on some of Brazil's most exciting emerging talents including Alice Cayymii and Ana Frango Eletrico.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA Pegada Agora É Essa (The Sway Now) is Neves’ second album: a vibrant portrait of the current Brazilian music scene. From the regional to universal, popular to erudite, samba to rap, Latin rhythms to jazz, MPB and pop to good old rock'n'roll, Neves walks with fluency and mastery amongst all the musical genres that Brazil has to offer.\u003cbr\u003e\u003cbr\u003e“My offer to the musicians was complete freedom to express themselves through the songs I proposed – classics like “Summertime”, “Luz Negra” and “Noite de Temporal”, and compositions of my own – creating a space of authorship for the band and the guests. A space for inventions, purges, delusions, laughter. The idea was to bring the freedom of jazz crossed by Brazilian rhythms, such as the traditionals Partido Alto (A Pegada Agora É Essa) and Jongo (Jongo no Feudo and Luz Negra); rhythms of African-Brazilian religions like Candomblé (Noite de Temporal) and Umbanda (Forte Apache); and a tribute to newest Rio de Janeiro’s contribution to Brazilian music, the Funk Carioca (Simba)”.\u003cbr\u003e\u003cbr\u003eComing from a musical family, Antonio’s father, Eduardo Neves, was a renowned conductor and a professor at Juilliard School of Music and the California Jazz Conservatory. In the bohemian neighbourhood of Lapa, aged 14, Antonio began his career as a drummer, before experimenting with brass. He would soon become a skilled trombonist and arranger achieving the recognition of his teachers and peers. It wasn’t long before he would be playing with some of the biggest names in Brazilian music, such as Hamilton de Holanda, Leo Gandelman, Moreno Veloso, Kassin and Elza Soares.\u003cbr\u003e\u003cbr\u003eHis debut album as a trombonist was PA7 (2017, Rock It), released at the same time he was travelling the world playing with artists like Moreno Veloso, Kassin and Leo Gandelman, and recording the albums Jobim, Orquestra e Convidados (2017, Biscoito Fino), with Mário Adnet and Paulo Jobim; and Elza Soares, Canta e Chora Lupi (2017, Coqueiro Verde Records). More recently, Neves was the arranger for the acclaimed Little Electric Chicken Heart album, by Ana Frango Elétrico, which has been nominated for a Latin Grammy and voted 2019’s ‘Brazilian Music Revelation’ by The Art Critics Association of São Paulo.\u003cbr\u003e\u003cbr\u003eTracklisting:\u003cbr\u003e1. Simba (Feat. Leda)\u003cbr\u003e2. A Pegada Agora é Essa (Feat. Esguleba)\u003cbr\u003e3. Noite De Temporal (Feat. Alice Caymmi)\u003cbr\u003e4. Luz Negra (Feat. Ana Frango Elétrico)\u003cbr\u003e5. Forte Apache (Feat. Hamilton De Holanda)\u003cbr\u003e6. Lamento De Um Perplexo (Feat. Leo Gandelman)\u003cbr\u003e7. Summertime\u003cbr\u003e8. Jongo No Feudo (Feat. Edu Neves)\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":37185949237404,"sku":"FARO221LP","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/ANTONIONEVES-APEGADAAGORAEESSA_THESWAYNOW.jpg?v=1607703697"},{"product_id":"antonio-neves-a-pegada-agora-e-essa-the-sway-now-cd","title":"ANTONIO NEVES -A PEGADA AGORA É ESSA (THE SWAY NOW) [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eLabel: FAR OUT RECORDINGS\u003cbr data-mce-fragment=\"1\"\u003eCat. no: FARO221CD\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114368927\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 19th February 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Funk, Jazz\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom samba and bossa nova through to baile funk, with carioca expressions of jazz, rock and hip hop in between, the sound of Rio de Janeiro, while continually evolving, has always held an unnameable quality which reflects the magic and mystique of the city itself. Multi-instrumentalist and arranger Antonio Neves is the city’s newest trailblazer: the enfant-terrible of Rio’s music scene, leading a vital and diverse constellation of both emerging and well-known artists advancing the city’s musical legacy.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“It all started one sleepless night, after watching a Quincy Jones documentary”. Inspired by the legendary music magnate, Neves began writing a list of artists residing in Rio de Janeiro “people that I admire, that I consider geniuses of their instruments, who share with me affinities, anxieties and projects.” The list included some of Brazil’s most revered living musicians who Neves has worked with in recent years: Hamilton de Holanda, Leo Gandelman and Dorival Caymmi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNeves also called on some of Brazil's most exciting emerging talents including Alice Cayymii and Ana Frango Eletrico.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA Pegada Agora É Essa (The Sway Now) is Neves’ second album: a vibrant portrait of the current Brazilian music scene. From the regional to universal, popular to erudite, samba to rap, Latin rhythms to jazz, MPB and pop to good old rock'n'roll, Neves walks with fluency and mastery amongst all the musical genres that Brazil has to offer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“My offer to the musicians was complete freedom to express themselves through the songs I proposed – classics like “Summertime”, “Luz Negra” and “Noite de Temporal”, and compositions of my own – creating a space of authorship for the band and the guests. A space for inventions, purges, delusions, laughter. The idea was to bring the freedom of jazz crossed by Brazilian rhythms, such as the traditionals Partido Alto (A Pegada Agora É Essa) and Jongo (Jongo no Feudo and Luz Negra); rhythms of African-Brazilian religions like Candomblé (Noite de Temporal) and Umbanda (Forte Apache); and a tribute to newest Rio de Janeiro’s contribution to Brazilian music, the Funk Carioca (Simba)”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComing from a musical family, Antonio’s father, Eduardo Neves, was a renowned conductor and a professor at Juilliard School of Music and the California Jazz Conservatory. In the bohemian neighbourhood of Lapa, aged 14, Antonio began his career as a drummer, before experimenting with brass. He would soon become a skilled trombonist and arranger achieving the recognition of his teachers and peers. It wasn’t long before he would be playing with some of the biggest names in Brazilian music, such as Hamilton de Holanda, Leo Gandelman, Moreno Veloso, Kassin and Elza Soares.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHis debut album as a trombonist was PA7 (2017, Rock It), released at the same time he was travelling\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethe world playing with artists like Moreno Veloso, Kassin and Leo Gandelman, and recording the albums Jobim, Orquestra e Convidados (2017, Biscoito Fino), with Mário Adnet and Paulo Jobim; and Elza Soares, Canta e Chora Lupi (2017, Coqueiro Verde Records). More recently, Neves was the arranger for the acclaimed Little Electric Chicken Heart album, by Ana Frango Elétrico, which has been nominated for a Latin Grammy and voted 2019’s ‘Brazilian Music Revelation’ by The Art Critics\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAssociation of São Paulo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e1. Simba (Feat. Leda)\u003cbr data-mce-fragment=\"1\"\u003e2. A Pegada Agora é Essa (Feat. Esguleba)\u003cbr data-mce-fragment=\"1\"\u003e3. Noite De Temporal (Feat. Alice Caymmi)\u003cbr data-mce-fragment=\"1\"\u003e4. Luz Negra (Feat. Ana Frango Elétrico)\u003cbr data-mce-fragment=\"1\"\u003e5. Forte Apache (Feat. Hamilton De Holanda)\u003cbr data-mce-fragment=\"1\"\u003e6. Lamento De Um Perplexo (Feat. Leo Gandelman)\u003cbr data-mce-fragment=\"1\"\u003e7. Summertime\u003cbr data-mce-fragment=\"1\"\u003e8. Jongo No Feudo (Feat. Edu Neves)\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":37185949499548,"sku":"FARO221CD","price":11.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/ANTONIONEVES-APEGADAAGORAEESSA_THESWAYNOW_e5e70dcd-7004-4d47-9e9c-3c7cfee472fc.jpg?v=1607703701"},{"product_id":"marcos-resende-index-marcos-resende-index-lp","title":"MARCOS RESENDE \u0026 INDEX - MARCOS RESENDE \u0026 INDEX [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eLabel: FAR OUT RECORDINGS\u003cbr data-mce-fragment=\"1\"\u003eCat. no: FARO220LP\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114368958\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 29th January 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeyond their highly sought after 1978 album Festa Para Um Novo Rei­ - home to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethe mystical jazz-funk classic ‘Vidigal’ and released on Philips’ iconic Musica Popular\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBrasileira Contemporanea series (MPBC) - little is known about Marcos\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eResende \u0026amp; Index, even to aficionados of obscure Brazilian music. Far Out\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eRecordings is immensely proud to present their previously unreleased self-titled\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edebut album from 1976, contributing a crucial missing work from the glory\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edays of progressive Brazilian instrumental music.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Cachoeiro de Itapemirim, Brazil in 1947, Marcos Resende was a prodigious child who learned to play the accordion at the age of two, and the piano aged six. In spite of his immense musical potential, he travelled to Lisbon in the 60s to study medicine. Yet continuing to explore his musical passion on the side, he formed a trio which went on to open for Dexter Gordon at the Cascais Jazz Festival in 1971. From here he formed the electronic oriented prog-jazz group Status, who opened shows for the likes of Elton John, Phil Woods, Stan Getz, Art Blakey \u0026amp; The Jazz Messengers, but in spite of their relative live success they have no known recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow established as a highly regarded keyboardist, composer, and innovative electronic musician, Resende returned home to Brazil following Portugal’s Revolução dos Cravos in 1974. Inspired by US jazz and British progressive rock he’d experienced while residing in Europe, Resende went all out acquiring a keyboard arsenal to be reckoned with, which included the Prophet 5, Yamaha CP-708 and Mini Moog. Determined to integrate his newfound inspirations with Brazilian rhythms and jazz traditions, he formed a new quartet with Rubão Sabino (bass), Claudio Caribé (drums) and the late great Oberdan Magalhães, of Banda Black Rio and Cry Babies fame. Marcos Resende \u0026amp; Index recorded their self-titled debut at Sonoviso Studios with the legendary sound engineer Toninho Barbosa, known as the ‘Brazilian Rudy Van Gelder’ whose impressive resumé includes the era defining classics Light As A Feather by Azymuth, Previsão Do Tempo by Marcos Valle, and Quem É Quem by João Donato. Marcos Resende \u0026amp; Index fits perfectly amongst these masterpieces, sharing both the timeless ethereal qualities as well as the progressive and futuristic ideals of Light As A Feather in particular.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt the time of recording, Resende had hoped to release the album on the famed CTI Records, and although a deal with the label almost came to fruition, it fell through and the album was shelved by Marcos who had other priorities working with the likes of Gilberto Gil, Edu Lobo, Gal Costa and Carlos Dafé, as well as making music for TV and film.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThankfully Marcos kept the tapes from the Sonoviso sessions safe and presented them to Far Out’s Joe Davis at his home in Lisbon in 2018, but only after 25 years of Joe pleading to hear them. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMarcos has worked closely with Far Out towards restoring these recordings over the last two\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eyears, but tragically passed away after a battle with stomach cancer on 12th November 2020 at the age of 73, only a matter of weeks before the album was due to be unveiled to the world. With the blessing of his family who wish to honour his memory by ensuring these historic recordings see the light of day, Marcos Resende \u0026amp; Index will be available on vinyl, CD and digital formats from 29th January 2021.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e1. My Heart\u003cbr data-mce-fragment=\"1\"\u003e2. Nina Neném\u003cbr data-mce-fragment=\"1\"\u003e3. Praça Da Alegria\u003cbr data-mce-fragment=\"1\"\u003e4. Nergal\u003cbr data-mce-fragment=\"1\"\u003e5. Martina\u003cbr data-mce-fragment=\"1\"\u003e6. Behind The Moon\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":37185968963740,"sku":"FARO220LP","price":21.58,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/MARCOSRESENDE_INDEX-MARCOSRESENDE_INDEX.jpg?v=1607704245"},{"product_id":"marcos-resende-index-marcos-resende-index-cd","title":"MARCOS RESENDE \u0026 INDEX - MARCOS RESENDE \u0026 INDEX [CD]","description":"\u003cp\u003eLabel: FAR OUT RECORDINGS\u003cbr data-mce-fragment=\"1\"\u003eCat. no: FARO220CD\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114368965\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 29th January 2021\u003cbr\u003eGenre: Jazz\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeyond their highly sought after 1978 album Festa Para Um Novo Rei­ - home to the mystical jazz-funk classic ‘Vidigal’ and released on Philips’ iconic Musica Popular Brasileira Contemporanea series (MPBC) - little is known about Marcos Resende \u0026amp; Index, even to aficionados of obscure Brazilian music. Far Out Recordings is immensely proud to present their previously unreleased self-titled debut album from 1976, contributing a crucial missing work from the glory days of progressive Brazilian instrumental music.\u003c\/p\u003e\n\u003cp\u003eBorn in Cachoeiro de Itapemirim, Brazil in 1947, Marcos Resende was a prodigious child who learned to play the accordion at the age of two, and the piano aged six. In spite of his immense musical potential, he travelled to Lisbon in the 60s to study medicine. Yet continuing to explore his musical passion on the side, he formed a trio which went on to open for Dexter Gordon at the Cascais Jazz Festival in 1971. From here he formed the electronic oriented prog-jazz group Status, who opened shows for the likes of Elton John, Phil Woods, Stan Getz, Art Blakey \u0026amp; The Jazz Messengers, but in spite of their relative live success they have no known recordings.\u003cbr\u003e\u003cbr\u003eNow established as a highly regarded keyboardist, composer, and innovative electronic musician, Resende returned home to Brazil following Portugal’s Revolução dos Cravos in 1974. Inspired by US jazz and British progressive rock he’d experienced while residing in Europe, Resende went all out acquiring a keyboard arsenal to be reckoned with, which included the Prophet 5, Yamaha CP-708 and Mini Moog. Determined to integrate his newfound inspirations with Brazilian rhythms and jazz traditions, he formed a new quartet with Rubão Sabino (bass), Claudio Caribé (drums) and the late great Oberdan Magalhães, of Banda Black Rio and Cry Babies fame. Marcos Resende \u0026amp; Index recorded their self-titled debut at Sonoviso Studios with the legendary sound engineer Toninho Barbosa, known as the ‘Brazilian Rudy Van Gelder’ whose impressive resumé includes the era defining classics Light As A Feather by Azymuth, Previsão Do Tempo by Marcos Valle, and Quem É Quem by João Donato. Marcos Resende \u0026amp; Index fits perfectly amongst these masterpieces, sharing both the timeless ethereal qualities as well as the progressive and futuristic ideals of Light As A Feather in particular.\u003cbr\u003e\u003cbr\u003eAt the time of recording, Resende had hoped to release the album on the famed CTI Records, and although a deal with the label almost came to fruition, it fell through and the album was shelved by Marcos who had other priorities working with the likes of Gilberto Gil, Edu Lobo, Gal Costa and Carlos Dafé, as well as making music for TV and film.\u003cbr\u003e\u003cbr\u003eThankfully Marcos kept the tapes from the Sonoviso sessions safe and presented them to Far Out’s Joe Davis at his home in Lisbon in 2018, but only after 25 years of Joe pleading to hear them. \u003c\/p\u003e\n\u003cp\u003eMarcos has worked closely with Far Out towards restoring these recordings over the last two years, but tragically passed away after a battle with stomach cancer on 12th November 2020 at the age of 73, only a matter of weeks before the album was due to be unveiled to the world. With the blessing of his family who wish to honour his memory by ensuring these historic recordings see the light of day, Marcos Resende \u0026amp; Index will be available on vinyl, CD and digital formats from 29th January 2021.\u003cbr\u003e\u003cbr\u003eTracklisting:\u003cbr\u003e1. My Heart\u003cbr\u003e2. Nina Neném\u003cbr\u003e3. Praça Da Alegria\u003cbr\u003e4. Nergal\u003cbr\u003e5. Martina\u003cbr\u003e6. Behind The Moon\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":37185970110620,"sku":"FARO220CD","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/MARCOSRESENDE_INDEX-MARCOSRESENDE_INDEX_4e6ab50e-dc28-4cf1-8485-3ffc581f5914.jpg?v=1607704299"},{"product_id":"arthur-verocai-encore-lp","title":"ARTHUR VEROCAI - ENCORE [LP]","description":"\u003cp\u003eLabel: FAR OUT RECORDINGS\u003cbr data-mce-fragment=\"1\"\u003eCat. no: FARO122LPX\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060211503399\u003cbr\u003eRelease Date: December 2020\u003cbr\u003eGenre: World, Brazilian\u003c\/p\u003e\n\u003cp\u003eRemastered from the original tapes, Encore features 11 original compositions from Arthur with guest musicians including Azymuth, Ivan Lins and a nine-piece string section. The highly anticipated follow up to Arthur’s eponymous debut album from 1972, Encore saw Arthur joining the dots over 35 years to create a modern classic of Brazilian music that, like his debut, combined Brazilian influences with his take on American soul and cinematic experimentation, and shows Arthur’s sound is as poignant now as it ever was.\u003c\/p\u003e\n\u003cp\u003eIn the mid-2000’s, following on from Marcos Valle, Joyce and of course Azymuth, Arthur Verocai joined the long-line of Brazilian musicians whose music was to be introduced to a whole new legion of fans by Far Out. The story of ‘Encore’ of course begins with Joe Davis, Far Out’s head honcho who stumbled upon Arthur’s debut in a dusty record store in downtown Rio in the late 80s.\u003cbr\u003e\u003cbr\u003eAt the time of its release in 1972 critics panned Arthur’s debut and both the album and artist subsequently vanished into obscurity. Fast forward to winter 2004 and Joe’s at the studio of Far Out Recording artists Harmonic 313 – aka production duo Mark ‘Troubleman’ Pritchard and Dave Brinkworth – playing them some of his favourite Brazilian albums. Dave recalls the moment Joe put on Arthur’s debut, “As soon as the needle hit the record and we heard the fantastic arrangements,\u003cbr\u003e\u003cbr\u003esongs and sounds, Arthur completely blew our minds”.\u003cbr\u003e\u003cbr\u003eThree months later and Dave was in Brazil with Arthur Verocai, and the plans for what was to become ‘Encore’ were being laid down. Produced by Dave, ‘Encore’ sees Arthur on incredible form, the 35 plus years between the recording of his debut and this the follow-up just melting away as Arthur picked up the (conductor’s) baton once again to create 11 epic tracks of stirring samba-soul and experimental cinematic movements that sees him creating a record to rival his debut.\u003c\/p\u003e\n\u003cp\u003e“A really good album.”\u003cbr\u003eGILLES PETERSON\u003cbr\u003e\u003cbr\u003e“is a genius, one of the finest”\u003cbr\u003eQUANTIC\u003cbr\u003e\u003cbr\u003e“Blown away immediately….music of the highest order”\u003cbr\u003eJUSTIN CRAWFORD (ELECTRONS\/UNABOMBERS)\u003cbr\u003e\u003cbr\u003e“Wicked album, as expected”\u003cbr\u003eMARC MAC (4hero)\u003cbr\u003e\u003cbr\u003e“His sound is crazy – incredible album”\u003cbr\u003eDJ SPINNA\u003cbr\u003e\u003cbr\u003e“Enjoying the Arthur Verocai album a lot, super stuff”\u003cbr\u003eMR SCRUFF\u003cbr\u003e\u003cbr\u003e“Loveeeelllllyy”\u003cbr\u003eLAURENT GARNIER\u003cbr\u003e\u003cbr\u003e“Particularly liking the instrumentals on Arthur’s album, thanks”\u003cbr\u003eHENRIK SCHWARZ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Tasty stuff and will feature this week on the Solid Steel Radio show”\u003cbr\u003eDK (NINJA TUNE)\u003cbr\u003e\u003cbr\u003e“I am a great fan of Arthur and this is great as always”\u003cbr\u003eOSUNLADE\u003cbr\u003e\u003cbr\u003e“Yessssssss”\u003cbr\u003eALEX ATTIAS\u003cbr\u003e\u003cbr\u003e“I’ve already put Arthur’s album on my list for best album of 2007,it's great!”\u003cbr\u003eTOSHIO MATSUURA (U.F.O)\u003cbr\u003e\u003cbr\u003e“Absolute masterpiece! It’s been on repeat for a week now and it’s incredible! I only knew his debut LP before but I think this almost hits those dizzy heights of the first one. On another level.”\u003cbr\u003eJIMPSTER\u003cbr\u003e\u003cbr\u003e“I'm really impressed with the sound of the album. There are truly some beautiful moments on their”\u003cbr\u003eMAD MATS\u003cbr\u003e\u003cbr\u003e“Different to what I expected but definitely dope!”\u003cbr\u003eEGON (Stones Throw\/ Now Again)\u003cbr\u003e\u003cbr\u003eTracklisting:\u003cbr\u003eTupã Tupi \/ Amor Na Contra Mão \/ Sucuri \/ Abertura \/ Bis \/ Dona Das Meninas \/ Filhos \/ Tudo De Bom \/Eu Quero Paz \/ Caminho Da Roça \/ Preludio\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":37284299604124,"sku":"FARO122LPX","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image001_c5f0b782-8db8-4dbf-8c37-05ca492c6607.jpg?v=1608801487"},{"product_id":"francisco-mora-catlett-mora-i-ii-cd","title":"FRANCISCO MORA CATLETT MORA! I \u0026 II [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eLabel: FAR OUT RECORDINGS\u003cbr data-mce-fragment=\"1\"\u003eCat. no: FARO222CD\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114369092\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 16th April 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFar Out Recordings is delighted to present Mora!, and for the first time ever on vinyl Mora! II.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReleased as album I \u0026amp; II on separate LPs and both albums on 1 CD\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMexican-American percussionist and former member of the Sun Ra Arkestra, Francisco Mora Catlett originally recorded and released his debut solo LP as a private press in 1987, but the sequel he recorded over the course of the next few years with an expanded Detroit jazz brass section was shelved for decades to follow. A pan-American melting pot of hypnotic afro-cuban rhythms, frenetic batucadas and fiery sambas, Mora I \u0026amp; II are holy grails of latin jazz, masterminded by an unsung hero of the genre.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn in Washington DC, 1947, Francisco Mora Jr is the eldest child of two highly prominent Mexican artists, Francisco Mora Sr and Elizabeth Catlett, to whom this project was dedicated. Being born into a mixed heritage bohemian family provided Mora Jr with what he called a \"creative, progressive, and healthy arts environment\", building the foundations for a fascinating career journey ahead. Mora grew up in Mexico City where he began working as a session musician for Capitol Records in 1968, before moving to study at Berklee Music College in Boston, MA in 1970. Once he'd completed his studies in 1973, he very briefly returned to Mexico City with the best intentions of cultivating an avant-garde movement in the city, but when the Sun Ra Arkestra came to perform, Mora ended up leaving with the band to tour the world for the next seven years, a decent innings within a group famous for its constantly evolving line up \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSettling in Detroit after his years with the Arkestra, Francisco set to work on his self-titled debut, gathering an ensemble of musicians that included keyboardist Kenny Cox, founder of the legendary Strata Records, esteemed bassist Rodney Whitaker of the Roy Hargrove Quintet and percussionists Jerome Le Duff, Alberto Nacif, and Emile Borde. The album openly embraces and unites the broad spectrum of improvisation, rhythm, and jazz that has thrived throughout the American continents for centuries. In Mora's own words the album intended to \"manifest the African heritage presence in the American continent.\" Epitomising this outlook, album opener 'Afra Jum' deploys a melody based on Haitian, African and Native American motifs, which is expanded upon by the soulful excellence of the Detroit veterans Cox and Whitaker, amidst a backdrop of afro-cuban inspired percussion.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sequel Mora II was recorded shortly after with an expanded line up that included trumpet legend Marcus Belgrave, famed for his work with Ray Charles, Charles Mingus, Hank Crawford, Eddie\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRuss and Wendell Harrison. Continuing the concept of the first album, the follow up moves deeper\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003einto South America with the samba jazz dance belter 'Amazona', led by the rich vocals of Francisco's wife Teresa Mora. The 'Afra Jum' concept is further explored, with the original motifs beefed up by the additional horns, and interspersions of Sun Ra inspired rumbling free improvisations. This follow up album remained shelved until 2005, when Mora put it out as a now obscure CD titled River Drum, but only now has it been given the high quality vinyl treatment it so deserves, presented as the s equel to Mora! as originally intended.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough the 90s and into the the 21st century Mora would continue his Pan-American explorations, moving toward a more electronic afro-futurist direction as part of Detroit techno pioneer Carl Craig's Innerzone Orchestra. Mora also worked with Carl Craig, moog synth wizard Craig Taborn, and his former Arkestra colleague, the legendary Marshall Allen, to form the Innerzone Orchestra spin-off Outerzone, released in 2007 on Premier Cru Records.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eMORA I\u003cbr data-mce-fragment=\"1\"\u003ePrelude “Welcome”\/Afra Jum\/Rumba Morena\/Five A.M.\/Samba De Amor\/Cultural Warrior\/\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEpilogue - Conga “Hasta La Vista”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMORA II\u003cbr data-mce-fragment=\"1\"\u003eAfra Jum\/Amazona\/Amazona Prelude-Dawn\/Samba Conga Do Amor\/Por Que Paro\/Afra Jum\/\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eOld Man Joe\/El Morro\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":37804066439324,"sku":"FARO222CD","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/FARO222CD.jpg?v=1613502331"},{"product_id":"francisco-mora-catlett-mora-i-lp","title":"FRANCISCO MORA CATLETT - MORA! I [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eLabel: FAR OUT RECORDINGS\u003cbr data-mce-fragment=\"1\"\u003eCat. no: FARO222LP\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114369085\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 30th April 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFar Out Recordings is delighted to present Mora!, and for the first time ever on vinyl Mora! II.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReleased as album I \u0026amp; II on separate LPs and both albums on 1 CD\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMexican-American percussionist and former member of the Sun Ra Arkestra, Francisco Mora Catlett originally recorded and released his debut solo LP as a private press in 1987, but the sequel he recorded over the course of the next few years with an expanded Detroit jazz brass section was shelved for decades to follow. A pan-American melting pot of hypnotic afro-cuban rhythms, frenetic batucadas and fiery sambas, Mora I \u0026amp; II are holy grails of latin jazz, masterminded by an unsung hero of the genre.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn in Washington DC, 1947, Francisco Mora Jr is the eldest child of two highly prominent Mexican artists, Francisco Mora Sr and Elizabeth Catlett, to whom this project was dedicated. Being born into a mixed heritage bohemian family provided Mora Jr with what he called a \"creative, progressive, and healthy arts environment\", building the foundations for a fascinating career journey ahead. Mora grew up in Mexico City where he began working as a session musician for Capitol Records in 1968, before moving to study at Berklee Music College in Boston, MA in 1970. Once he'd completed his studies in 1973, he very briefly returned to Mexico City with the best intentions of cultivating an avant-garde movement in the city, but when the Sun Ra Arkestra came to perform, Mora ended up leaving with the band to tour the world for the next seven years, a decent innings within a group famous for its constantly evolving line up \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSettling in Detroit after his years with the Arkestra, Francisco set to work on his self-titled debut, gathering an ensemble of musicians that included keyboardist Kenny Cox, founder of the legendary Strata Records, esteemed bassist Rodney Whitaker of the Roy Hargrove Quintet and percussionists Jerome Le Duff, Alberto Nacif, and Emile Borde. The album openly embraces and unites the broad spectrum of improvisation, rhythm, and jazz that has thrived throughout the American continents for centuries. In Mora's own words the album intended to \"manifest the African heritage presence in the American continent.\" Epitomising this outlook, album opener 'Afra Jum' deploys a melody based on Haitian, African and Native American motifs, which is expanded upon by the soulful excellence of the Detroit veterans Cox and Whitaker, amidst a backdrop of afro-cuban inspired percussion.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sequel Mora II was recorded shortly after with an expanded line up that included trumpet legend Marcus Belgrave, famed for his work with Ray Charles, Charles Mingus, Hank Crawford, Eddie\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRuss and Wendell Harrison. Continuing the concept of the first album, the follow up moves deeper\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003einto South America with the samba jazz dance belter 'Amazona', led by the rich vocals of Francisco's wife Teresa Mora. The 'Afra Jum' concept is further explored, with the original motifs beefed up by the additional horns, and interspersions of Sun Ra inspired rumbling free improvisations. This follow up album remained shelved until 2005, when Mora put it out as a now obscure CD titled River Drum, but only now has it been given the high quality vinyl treatment it so deserves, presented as the s equel to Mora! as originally intended.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough the 90s and into the the 21st century Mora would continue his Pan-American explorations, moving toward a more electronic afro-futurist direction as part of Detroit techno pioneer Carl Craig's Innerzone Orchestra. Mora also worked with Carl Craig, moog synth wizard Craig Taborn, and his former Arkestra colleague, the legendary Marshall Allen, to form the Innerzone Orchestra spin-off Outerzone, released in 2007 on Premier Cru Records.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eMORA I\u003cbr data-mce-fragment=\"1\"\u003ePrelude “Welcome”\/Afra Jum\/Rumba Morena\/Five A.M.\/Samba De Amor\/Cultural Warrior\/\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEpilogue - Conga “Hasta La Vista”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMORA II\u003cbr data-mce-fragment=\"1\"\u003eAfra Jum\/Amazona\/Amazona Prelude-Dawn\/Samba Conga Do Amor\/Por Que Paro\/Afra Jum\/\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eOld Man Joe\/El Morro\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":39771845886108,"sku":"FARO222LP","price":20.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/FARO222CD_42bde1ac-537e-4ee8-b9a4-6ce2824f9e10.jpg?v=1619462578"},{"product_id":"francisco-mora-catlett-mora-ii-lp","title":"FRANCISCO MORA CATLETT - MORA! II [LP]","description":"\u003cp\u003eLabel: FAR OUT RECORDINGS\u003cbr data-mce-fragment=\"1\"\u003eCat. no: FARO223LP\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114369108\u003cbr\u003eRelease Date: 30th April 2021\u003cbr\u003eGenre: Jazz\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFar Out Recordings is delighted to present Mora!, and for the first time ever on vinyl Mora! II.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReleased as album I \u0026amp; II on separate LPs and both albums on 1 CD\u003c\/p\u003e\n\u003cp\u003eMexican-American percussionist and former member of the Sun Ra Arkestra, Francisco Mora Catlett originally recorded and released his debut solo LP as a private press in 1987, but the sequel he recorded over the course of the next few years with an expanded Detroit jazz brass section was shelved for decades to follow. A pan-American melting pot of hypnotic afro-cuban rhythms, frenetic batucadas and fiery sambas, Mora I \u0026amp; II are holy grails of latin jazz, masterminded by an unsung hero of the genre.\u003cbr\u003e\u003cbr\u003eBorn in Washington DC, 1947, Francisco Mora Jr is the eldest child of two highly prominent Mexican artists, Francisco Mora Sr and Elizabeth Catlett, to whom this project was dedicated. Being born into a mixed heritage bohemian family provided Mora Jr with what he called a \"creative, progressive, and healthy arts environment\", building the foundations for a fascinating career journey ahead. Mora grew up in Mexico City where he began working as a session musician for Capitol Records in 1968, before moving to study at Berklee Music College in Boston, MA in 1970. Once he'd completed his studies in 1973, he very briefly returned to Mexico City with the best intentions of cultivating an avant-garde movement in the city, but when the Sun Ra Arkestra came to perform, Mora ended up leaving with the band to tour the world for the next seven years, a decent innings within a group famous for its constantly evolving line up \u003c\/p\u003e\n\u003cp\u003eSettling in Detroit after his years with the Arkestra, Francisco set to work on his self-titled debut, gathering an ensemble of musicians that included keyboardist Kenny Cox, founder of the legendary Strata Records, esteemed bassist Rodney Whitaker of the Roy Hargrove Quintet and percussionists Jerome Le Duff, Alberto Nacif, and Emile Borde. The album openly embraces and unites the broad spectrum of improvisation, rhythm, and jazz that has thrived throughout the American continents for centuries. In Mora's own words the album intended to \"manifest the African heritage presence in the American continent.\" Epitomising this outlook, album opener 'Afra Jum' deploys a melody based on Haitian, African and Native American motifs, which is expanded upon by the soulful excellence of the Detroit veterans Cox and Whitaker, amidst a backdrop of afro-cuban inspired percussion.\u003cbr\u003e\u003cbr\u003eThe sequel Mora II was recorded shortly after with an expanded line up that included trumpet legend Marcus Belgrave, famed for his work with Ray Charles, Charles Mingus, Hank Crawford, Eddie\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRuss and Wendell Harrison. Continuing the concept of the first album, the follow up moves deeper into South America with the samba jazz dance belter 'Amazona', led by the rich vocals of Francisco's wife Teresa Mora. The 'Afra Jum' concept is further explored, with the original motifs beefed up by the additional horns, and interspersions of Sun Ra inspired rumbling free improvisations. This follow up album remained shelved until 2005, when Mora put it out as a now obscure CD titled River Drum, but only now has it been given the high quality vinyl treatment it so deserves, presented as the s equel to Mora! as originally intended.\u003cbr\u003e\u003cbr\u003eThrough the 90s and into the the 21st century Mora would continue his Pan-American explorations, moving toward a more electronic afro-futurist direction as part of Detroit techno pioneer Carl Craig's Innerzone Orchestra. Mora also worked with Carl Craig, moog synth wizard Craig Taborn, and his former Arkestra colleague, the legendary Marshall Allen, to form the Innerzone Orchestra spin-off Outerzone, released in 2007 on Premier Cru Records.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eMORA I\u003cbr\u003ePrelude “Welcome”\/Afra Jum\/Rumba Morena\/Five A.M.\/Samba De Amor\/Cultural Warrior\/ Epilogue - Conga “Hasta La Vista”\u003cbr\u003e\u003cbr\u003eMORA II\u003cbr\u003eAfra Jum\/Amazona\/Amazona Prelude-Dawn\/Samba Conga Do Amor\/Por Que Paro\/Afra Jum\/ Old Man Joe\/El Morro\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":39771851751580,"sku":"FARO223LP","price":20.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/FARO223LP_ca12150e-2dec-400d-b130-66cfcaf91955.jpg?v=1619462623"},{"product_id":"jose-mauro-a-viagem-das-horas-cd","title":"Jose Mauro - A Viagem Das Horas [CD]","description":"\u003cp\u003eCat. no: FARO224CD\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114369177\u003cbr\u003eRelease Date: 28th May 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: World Music\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAfter years of trying to track him down (with many twists and turns along the way), Far Out Recordings is overjoyed to finally present, with the blessing of the man himself, the long-awaited release of José Mauro’s forgtten masterpiece A Viagem Das Horas, featuring three previously unreleased and unheard tracks from the original studio sessions.\u003c\/p\u003e\n\u003cp\u003eRecorded in 1970 at Odeon studios in Rio de Janeiro: the same time and place as all the music he ever recorded, José Mauro’s A Viagem Das Horas wasn’t released until six years later, when label owner and producer Roberto Quartin licensed the tracks to fellow Brazilian label Tapecar, who curiously released the album with several tracks already released on Obnoxius. Finally, over half a century on, A Viagem Das Horas will be released with three never before heard tracks, “Rua Dois”, “Moenda’’ and “Variação Sobre Um Antigo Tema”, as Mauro and Quartin had originally intended.\u003c\/p\u003e\n\u003cp\u003e2 page Guardian interview feature lined up around the release date of Jose Mauro’s album! Andrew Male interviewed Jose himself, his co-writer Ana Maria Baiano and Joe.\u003cbr\u003e“Album Of The Week” on BBC Radio 1 (Benji B)\u003c\/p\u003e\n\u003cp\u003eQuotes:\u003cbr\u003e“So beautiful” Flying Lotus\u003cbr\u003e“Incredible” Gilles Peterson\u003cbr\u003e“this album is INSANE… mind blown… what a grail” Benji B (BBC Radio 1)\u003cbr\u003e“GREAT!!!!” Antal (Rush Hour)\u003cbr\u003e“another sublime collection of songs with the haunting and reflective performances to match.” *****Shindig!\u003cbr\u003e“uhh nice!” Coco Maria (Worldwide FM)\u003cbr\u003e“This is great” Marcus J Moore (Bandcamp Daily, NY Times, Pitchfork)\u003cbr\u003e“I’m all over this, love it! Great discovery!” Volcov (Neroli)\u003cbr\u003e“WOW beautiful ” Severino (Horsemeat Disco)\u003cbr\u003e“Heavy!!! Full support given!” Softrocks\u003cbr\u003e“A stunning and hugely memorable album.” Grahame Bent (Shindig!)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePRESS\u003cbr\u003eTHE GUARDIAN (UK) Two page Interview feature confirmed (Andrew Male)\u003cbr\u003eNEW YORK TIMES (USA) Interview feature pitched (Marcus J Moore)\u003cbr\u003eBILLBOARD LATIN (USA) Feature pitched (Martin Guttridge-Hewitt)\u003cbr\u003eGLOBO (BR) Interview feature confirmed (Silvio Essenger)\u003cbr\u003eBANDCAMP DAILY Interview Feature confirmed (Andy Beta)\u003cbr\u003eTHE WIRE (UK) Interview feature (Tom Tidnam)\u003cbr\u003eMOJO (UK) Review confirmed (David Katz)\u003cbr\u003eLIBERATION (FR) Review confirmed (Jacques Denis)\u003cbr\u003eSHINDIG (UK) Review ***** (Grahame Bent)\u003cbr\u003ePASTE MAGAZINE (USA) Review (Robert Miller)\u003cbr\u003eSOUNDS \u0026amp; COLOURS (UK) Review (Mark Samspson)\u003cbr\u003eHHV (DE) Review confirmed (Tim Caspar Boehm)\u003cbr\u003eBLOW UP (IT) Review confirmed (Carlo Babando)\u003cbr\u003eJAZZ DA GAMA (CA) Review confirmed (Raul Da Gama)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRADIO\u003cbr\u003eBBC 6 MUSIC (Gilles Peterson) World Premiere of “Moenda” (20th March)\u003cbr\u003eBBC 6 MUSIC (Gilles Peterson) “A Viagem Das Horas” (27th March)\u003cbr\u003eBBC RADIO 1 (Benji B) Album of the week + World Premiere of “Rua Dois” (24th\u003cbr\u003eMarch)\u003cbr\u003eNTS RADIO (Marshmellow) ‘Rua Dois’ (March)\u003cbr\u003eNTS RADIO (Mafalda) ‘Rua Dois’ (April)\u003cbr\u003eWORLDWIDE FM (Global Oats) ‘Rua Dois’(March)\u003c\/p\u003e\n\u003cp\u003eTracks: A Viagem Das Horas \/ Escada De Ferro \/ A Oitava Morada \/ Varia o Sobre Um Antigo Tema \/ Morango Encantado \/ Luz Lil s \/ Rua Dois \/ Moenda \/ O Cavaleiro De Antonina \/ Romanza \/ O Ninho\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":39866962935964,"sku":"FARO224CD","price":11.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JoseMauro-AViagemDasHoras.jpg?v=1620619283"},{"product_id":"amaro-freitas-sankofa-cd","title":"Amaro Freitas - Sankofa [CD]","description":"\u003cp\u003eCat. no: FARO225CD\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114369238\u003cbr\u003eRelease Date: 25th June 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLike all Amaro’s albums, Sankofa has taken around two years to make, with the trio spending eight hours a day, four days a week in the studio.\u003c\/p\u003e\n\u003cp\u003e“We treasure the creative process. We know it takes time to reach a different place, and then it takes time to understand that place, to translate it. When we want to leave our comfort zone, the most important factors are time, dedication, discipline and wisdom. Months pass and ideas start falling into place.\u003c\/p\u003e\n\u003cp\u003eTime is the most important thing. We cannot make it to where we want to be without it. So, I also want to transmit this message to future generations: Let’s slow down, let’s give ourselves more time, let’s do deeper things. Let’s stop swimming in the surface, let’s dive.”\u003c\/p\u003e\n\u003cp\u003eFrom the slums of Recife in Brazil’s North-East to international jazz icon, Amaro Freitas has worked tirelessly to become the artist he is today. Gaining international attention for “an approach to the keyboard so unique that it’s startling” (Downbeat), his debut and second albums Sangue Negro (2016) and Rasif (2018) arrived on a wave of instant acclaim. His new album Sankofa - a spiritual quest into the forgotten stories, ancient philosophies and inspirational figures of Black Brazil - is his most stunning and sincere work to date\u003c\/p\u003e\n\u003cp\u003eTracks: Sankofa \/ Ayeye \/ Baquaqua \/ Vila Bela \/ Cazumb \/ Batucada \/ Malakoff \/ Nascimento\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":40061143449756,"sku":"FARO225CD","price":11.68,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/AmaroFreitas-Sankofa_70cad827-1b7a-4979-af84-21a7c6893bcb.jpg?v=1622702752"},{"product_id":"ricardo-bomba-eu-sei-flutuando","title":"Ricardo Bomba - Eu Sei\/ Flutuando","description":"\u003cp\u003eCat. no: JD051\u003cbr data-mce-fragment=\"1\"\u003eFormat: 7”\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114369337\u003cbr\u003eRelease Date: 2nd July 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: World Music\u003c\/p\u003e\n\u003cp\u003eFar Out Recordings proudly presents two previously unreleased tracks of glorious Brazilian sunshine music.\u003c\/p\u003e\n\u003cp\u003eWritten and recorded in 1978 by pianist, composer, sound engineer, studio owner and former amateur skateboarding champion Ricardo Bomba, ‘Eu Sei’ and ‘Flutuando’ were almost doomed to total obscurity when the master tapes were binned following a ruthless studio clear out. Luckily Bomba kept a cassette tape copy from which Far Out has remastered the release for 7” vinyl\/ digital.\u003c\/p\u003e\n\u003cp\u003eThroughout a varied career, which included a four year stint as bandleader of Jorge Ben’s live show (78-82), Ricardo Bomba had a string of idiosyncratic, underground pop hits throughout the 80s, including ‘Voc Vai Se Lembrar’ which recently featured on Soundway’s Onda De Amor (Synthesized Brazilian Hits That Never Were 1984-94) compilation, as well as his then award-winning, now\u003cbr\u003eobscure solo album Ultralight (1988). \u003c\/p\u003e\n\u003cp\u003eWith the stunning vocals of Mariana Couto (the first wife of Chicago percussionist Laudir de Oliveira), legendary drummer Peninha who has recorded with the likes of Jorge Ben, Quarteto Em Cy, Lincoln Olivetti, Tony Bizarro and Gal Costa, and Brazilian guitarist Blimba Buarque, “Eu Sei” and “Flutuando” truly are lost gems of the late ‘70s Rio de Janeiro MPB scene.\u003c\/p\u003e\n\u003cp\u003e*Disclaimer! This release was mastered from cassette tape, so the sound quality may differ from other releases on Far Out Recordings. We advise listening to sound clips before buying where possible... The music was simply too good to not release!\u003c\/p\u003e\n\u003cp\u003eCredits: Ricardo Bomba - Piano, Soprano saxophone, Vocals Roberto Lee - Bass, Vocals Peninha - Drums Mariana Couto - Vocals on “Eu Sei” Blimba - Guitar Compositions by Ricardo Bomba Produced by Ricardo Bomba Recorded at Transam rica Studios in 1978 Engineered by Vanderlei Loureiro and Toninho Barbosa\u003c\/p\u003e\n\u003cp\u003eTracks: Eu Sei \/ Flutuando\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":40128335151260,"sku":"JD051","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JD051.jpg?v=1623422482"},{"product_id":"vasconcelos-sentimento-furto-lp","title":"Vasconcelos Sentimento - Furto [LP]","description":"\u003cp\u003eCat. no: FARO226LP\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114369313\u003cbr\u003eRelease Date: 30 Jul 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental \/ Electronic\u003c\/p\u003e\n\u003cp\u003eResiding in Rio de Janeiro, Vasconcelos Sentimento is a self-taught composer, producer and multi-instrumentalist.\u003c\/p\u003e\n\u003cp\u003eA mosaic of lo-fi breaks, cosmic ambient jazz and wonky chromatic funk, the eccentric Brazilian DIY wizard’s debut album Furto beautifully pieces together a huge range of seemingly disparate sonic elements. Calling himself an “amateur euphoric sound researcher”, he has no formal training in either music theory or production, and it’s simply by following his ear that has led him to creating his debut album for Far Out Recordings.\u003c\/p\u003e\n\u003cp\u003eIt was his fascination with his fellow countryman, the enigmatic, psychedelic 70s folk artist Jose Mauro, that led the young Vasconcelos Sentimento (real name Guilherme Esteves) to first make contact with Far Out. Coincidentally living in the same region as Mauro, Sentimento managed to track him down and put label boss Joe Davis in touch, after Davis had spent years of what felt like hopeless searching for the man many assumed dead.\u003c\/p\u003e\n\u003cp\u003eWhen Joe and the Far Out team heard Guilhermes’ own music, there was a sense of shock. “It was unlike anything we’d heard before, but it also sounded curiously at home Far Out. Like it had taken little pieces of different releases from the catalogue, and all the music from the ‘60s wards that influences everything we do, and recreated all that magic in such an exciting new way”.\u003c\/p\u003e\n\u003cp\u003eIndeed, Sentimento is not afraid to admit what he himself sees as acts of theft. (Furto=Theft in Portuguese). But while the debate surrounding the ethics of sampling is a never ending one, Sentimento’s music - while it does contain the odd sample, including an interview with Joe Davis himself, “One For The Masta Digga”) - steals in an entirely different way. His creative process involves an intensive period, in which he’ll listen to just one artist or song over and over, for days and weeks on end.\u003c\/p\u003e\n\u003cp\u003eThen he’ll head to his rudimentary bedroom studio, which, as he puts it, is “built for speed”, hit record and “blurt” whatever comes out. “I never spend more than a day working on any one song idea”... Picasso once said “lesser artists borrow; great artists steal”. And it’s through this process of ‘Furto’ that Vasconcelos Sentimento has somewhat ironically cultivated a sound that is unmistakably his own.\u003c\/p\u003e\n\u003cp\u003eTracks: Velhas Maos Novos Tapas \/ Ai Meu Deus \/ Passarinho \/ Cama Do Estoque \/ Movimento \/ Burkina \/ Lucca \/ Novo Velho \/ Atraso Granular \/ Tender Strings \/ Marvin Jorge \/ Quebra Coco \/ Doutor Contrafacc 807;a 771;o \/ Jazzlofi Da Morte \/ Batebate \/ Geraldo \/ Brazileiro Com Z \/ Amig o \/ Decepcionado \/ Samora\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":40382238949532,"sku":"FARO226LP","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_7c42d71e-abdd-423d-9c46-6a808540dbf2.jpg?v=1625982939"},{"product_id":"vasconcelos-sentimento-furto-cd","title":"Vasconcelos Sentimento - Furto [CD]","description":"\u003cp\u003eCat. no: FARO226CD\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114369320\u003cbr\u003eRelease Date: 30 Jul 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Experimental \/ Electronic\u003c\/p\u003e\n\u003cp\u003eResiding in Rio de Janeiro, Vasconcelos Sentimento is a self-taught composer, producer and multi-instrumentalist.\u003cbr\u003e\u003cbr\u003eA mosaic of lo-fi breaks, cosmic ambient jazz and wonky chromatic funk, the eccentric Brazilian DIY wizard’s debut album Furto beautifully pieces together a huge range of seemingly disparate sonic elements. Calling himself an “amateur euphoric sound researcher”, he has no formal training in either music theory or production, and it’s simply by following his ear that has led him to creating his debut album for Far Out Recordings.\u003cbr\u003e\u003cbr\u003eIt was his fascination with his fellow countryman, the enigmatic, psychedelic 70s folk artist Jose Mauro, that led the young Vasconcelos Sentimento (real name Guilherme Esteves) to first make contact with Far Out. Coincidentally living in the same region as Mauro, Sentimento managed to track him down and put label boss Joe Davis in touch, after Davis had spent years of what felt like hopeless searching for the man many assumed dead.\u003cbr\u003e\u003cbr\u003eWhen Joe and the Far Out team heard Guilhermes’ own music, there was a sense of shock. “It was unlike anything we’d heard before, but it also sounded curiously at home Far Out. Like it had taken little pieces of different releases from the catalogue, and all the music from the ‘60s wards that influences everything we do, and recreated all that magic in such an exciting new way”.\u003cbr\u003e\u003cbr\u003eIndeed, Sentimento is not afraid to admit what he himself sees as acts of theft. (Furto=Theft in Portuguese). But while the debate surrounding the ethics of sampling is a never ending one, Sentimento’s music - while it does contain the odd sample, including an interview with Joe Davis himself, “One For The Masta Digga”) - steals in an entirely different way. His creative process involves an intensive period, in which he’ll listen to just one artist or song over and over, for days and weeks on end.\u003cbr\u003e\u003cbr\u003eThen he’ll head to his rudimentary bedroom studio, which, as he puts it, is “built for speed”, hit record and “blurt” whatever comes out. “I never spend more than a day working on any one song idea”... Picasso once said “lesser artists borrow; great artists steal”. And it’s through this process of ‘Furto’ that Vasconcelos Sentimento has somewhat ironically cultivated a sound that is unmistakably his own.\u003cbr\u003e\u003cbr\u003eTracks: Velhas Maos Novos Tapas \/ Ai Meu Deus \/ Passarinho \/ Cama Do Estoque \/ Movimento \/ Burkina \/ Lucca \/ Novo Velho \/ Atraso Granular \/ Tender Strings \/ Marvin Jorge \/ Quebra Coco \/ Doutor Contrafacc 807;a 771;o \/ Jazzlofi Da Morte \/ Batebate \/ Geraldo \/ Brazileiro Com Z \/ Amig o \/ Decepcionado \/ Samora\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":40382239211676,"sku":"FARO226CD","price":11.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_95c78b8b-00fe-4cfb-9b34-446a58f9ab13.jpg?v=1625982975"},{"product_id":"amaro-freitas-sankofa-lp","title":"Amaro Freitas - Sankofa [LP]","description":"\u003cp\u003eCat. no: FARO225LP\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060114369221\u003cbr\u003eRelease Date: 24 Aug 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRepress: 10 Nov 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLike all Amaro’s albums, Sankofa has taken around two years to make, with the trio spending eight hours a day, four days a week in the studio.\u003cbr\u003e\u003cbr\u003e“We treasure the creative process. We know it takes time to reach a different place, and then it takes time to understand that place, to translate it. When we want to leave our comfort zone, the most important factors are time, dedication, discipline and wisdom. Months pass and ideas start falling into place.\u003cbr\u003e\u003cbr\u003eTime is the most important thing. We cannot make it to where we want to be without it. So, I also want to transmit this message to future generations: Let’s slow down, let’s give ourselves more time, let’s do deeper things. Let’s stop swimming in the surface, let’s dive.”\u003cbr\u003e\u003cbr\u003eFrom the slums of Recife in Brazil’s North-East to international jazz icon, Amaro Freitas has worked tirelessly to become the artist he is today. Gaining international attention for “an approach to the keyboard so unique that it’s startling” (Downbeat), his debut and second albums Sangue Negro (2016) and Rasif (2018) arrived on a wave of instant acclaim. His new album Sankofa - a spiritual quest into the forgotten stories, ancient philosophies and inspirational figures of Black Brazil - is his most stunning and sincere work to date\u003cbr\u003e\u003cbr\u003eTracks: Sankofa \/ Ayeye \/ Baquaqua \/ Vila Bela \/ Cazumb \/ Batucada \/ Malakoff \/ Nascimento\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":40747878645916,"sku":"FARO225LP","price":26.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/AmaroFreitas-Sankofa_85d3c96a-3ae3-4ce1-9082-06484c38f99c.jpg?v=1629828204"},{"product_id":"agustin-pereyra-lucena-quartet-la-rana-1980","title":"AGUSTIN PEREYRA LUCENA QUARTET - LA RANA (1980)","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO227LP\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 15 Oct 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eTRACKS\u003cbr\u003e3 Horas Da Manha\u003cbr\u003eSamba Do Aviao\u003cbr\u003eTema Medieval\u003cbr\u003eDespues De Las Seis\u003cbr\u003eTema Barroco\u003cbr\u003eLa Rana\u003cbr\u003ePra Que Chorar\u003cbr\u003eEncuentro De Sombras\u003cbr\u003e \u003cbr\u003eRepres from Argentinian guitarist Agustín Pereyra Lucena’s 1980 album La Rana. Recorded in Oslo, La Rana features Agustín’s stunning takes on compositions by Ivan Lins, Antonio Carlos Jobim and Agustín’s friend and musical hero Baden Powell.\u003cbr\u003e\u003cbr\u003eIn addition to these, and a number of Agustín’s own compositions including the fifteen-minute masterpiece “Encuentro De Sombras”, the album’s title track is an idiosyncratic version of Joao Donato’s “A Rã” (Eng: The Frog\/ Esp: La Rana) from his 1973 album Quem É Quem.\u003cbr\u003e\u003cbr\u003eForming the rest of the quartet are two fellow Argentinians who were also Agustin’s bandmates from the group Candeias: bassist and multi-instrumentalist Guillermo Reuter and flautist Ruben Izarrualde; with Norweigan drummer Finn Sletten on drums and percussion.\u003cbr\u003e\u003cbr\u003eThroughout La Rana we hear not only Agustín’s fabled guitar playing, which ascended him to share stages with the likes of Vinicius de Moraes, Dorival Cayymi, Toquinho, Maria Bethania, Chico Buarque and Quarteto Em Cy, but also his talent as a vocalist. He also provided the heartening illustration for the cover art, which perfectly fits the cordial, inviting tone of the music. Inspired in equal measure by South American rhythms and Norweigan glaciers, mountains and waterfalls, La Rana is filled with the warmth, humility and sincerity of a man seizing a joyful moment in life through music.\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":40924018868380,"sku":"FARO227LP","price":28.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_de2de14b-5ff1-4b39-934f-4076176b6ca0.jpg?v=1631882963"},{"product_id":"jose-mauro-a-viagem-das-horas-lp","title":"Jose Mauro - A Viagem Das Horas [LP]","description":"\u003cp\u003eCat. no: FARO224LP\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eBarcode: 5060114369160\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRelease Date: 28th May 2021\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eBack in stock: 20 Sept 2021\u003c\/p\u003e\n\u003cp\u003eGenre: World Music\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAfter years of trying to track him down (with many twists and turns along the way), Far Out Recordings is overjoyed to finally present, with the blessing of the man himself, the long-awaited release of José Mauro’s forgtten masterpiece A Viagem Das Horas, featuring three previously unreleased and unheard tracks from the original studio sessions.\u003cbr\u003e\u003cbr\u003eRecorded in 1970 at Odeon studios in Rio de Janeiro: the same time and place as all the music he ever recorded, José Mauro’s A Viagem Das Horas wasn’t released until six years later, when label owner and producer Roberto Quartin licensed the tracks to fellow Brazilian label Tapecar, who curiously released the album with several tracks already released on Obnoxius. Finally, over half a century on, A Viagem Das Horas will be released with three never before heard tracks, “Rua Dois”, “Moenda’’ and “Variação Sobre Um Antigo Tema”, as Mauro and Quartin had originally intended.\u003cbr\u003e\u003cbr\u003e2 page Guardian interview feature lined up around the release date of Jose Mauro’s album! Andrew Male interviewed Jose himself, his co-writer Ana Maria Baiano and Joe.\u003cbr\u003e“Album Of The Week” on BBC Radio 1 (Benji B)\u003cbr\u003e\u003cbr\u003eQuotes:\u003cbr\u003e“So beautiful” Flying Lotus\u003cbr\u003e“Incredible” Gilles Peterson\u003cbr\u003e“this album is INSANE… mind blown… what a grail” Benji B (BBC Radio 1)\u003cbr\u003e“GREAT!!!!” Antal (Rush Hour)\u003cbr\u003e“another sublime collection of songs with the haunting and reflective performances to match.” *****Shindig!\u003cbr\u003e“uhh nice!” Coco Maria (Worldwide FM)\u003cbr\u003e“This is great” Marcus J Moore (Bandcamp Daily, NY Times, Pitchfork)\u003cbr\u003e“I’m all over this, love it! Great discovery!” Volcov (Neroli)\u003cbr\u003e“WOW beautiful ” Severino (Horsemeat Disco)\u003cbr\u003e“Heavy!!! Full support given!” Softrocks\u003cbr\u003e“A stunning and hugely memorable album.” Grahame Bent (Shindig!)\u003cbr\u003e\u003cbr\u003ePRESS\u003cbr\u003eTHE GUARDIAN (UK) Two page Interview feature confirmed (Andrew Male)\u003cbr\u003eNEW YORK TIMES (USA) Interview feature pitched (Marcus J Moore)\u003cbr\u003eBILLBOARD LATIN (USA) Feature pitched (Martin Guttridge-Hewitt)\u003cbr\u003eGLOBO (BR) Interview feature confirmed (Silvio Essenger)\u003cbr\u003eBANDCAMP DAILY Interview Feature confirmed (Andy Beta)\u003cbr\u003eTHE WIRE (UK) Interview feature (Tom Tidnam)\u003cbr\u003eMOJO (UK) Review confirmed (David Katz)\u003cbr\u003eLIBERATION (FR) Review confirmed (Jacques Denis)\u003cbr\u003eSHINDIG (UK) Review ***** (Grahame Bent)\u003cbr\u003ePASTE MAGAZINE (USA) Review (Robert Miller)\u003cbr\u003eSOUNDS \u0026amp; COLOURS (UK) Review (Mark Samspson)\u003cbr\u003eHHV (DE) Review confirmed (Tim Caspar Boehm)\u003cbr\u003eBLOW UP (IT) Review confirmed (Carlo Babando)\u003cbr\u003eJAZZ DA GAMA (CA) Review confirmed (Raul Da Gama)\u003cbr\u003e\u003cbr\u003eRADIO\u003cbr\u003eBBC 6 MUSIC (Gilles Peterson) World Premiere of “Moenda” (20th March)\u003cbr\u003eBBC 6 MUSIC (Gilles Peterson) “A Viagem Das Horas” (27th March)\u003cbr\u003eBBC RADIO 1 (Benji B) Album of the week + World Premiere of “Rua Dois” (24th\u003cbr\u003eMarch)\u003cbr\u003eNTS RADIO (Marshmellow) ‘Rua Dois’ (March)\u003cbr\u003eNTS RADIO (Mafalda) ‘Rua Dois’ (April)\u003cbr\u003eWORLDWIDE FM (Global Oats) ‘Rua Dois’(March)\u003cbr\u003e\u003cbr\u003eTracks: A Viagem Das Horas \/ Escada De Ferro \/ A Oitava Morada \/ Varia o Sobre Um Antigo Tema \/ Morango Encantado \/ Luz Lil s \/ Rua Dois \/ Moenda \/ O Cavaleiro De Antonina \/ Romanza \/ O Ninho\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":40924427288732,"sku":"FARO224LP","price":32.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JoseMauro-AViagemDasHoras_51f872a6-3a86-4bae-9e9a-569f3105b1a1.jpg?v=1631889458"},{"product_id":"freeez-keep-in-touch-pinky-1","title":"FREEEZ - KEEP IN TOUCH (PINKY 1)","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: PINKY1\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 12 Nov 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Funk \/ Soul\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKS\u003cbr\u003eKeep In Touch\u003cbr\u003eKeep In Touch (Edit)\u003cbr\u003e\u003cbr\u003eFar Out Recordings presents a double bill of two monumental Brit funk classics. Keep In Touch and Stay were the first two 12” singles by the iconic Freeez, both self-funded passion projects of its founding member John Rocca, for his own Pink Rhythm imprint.\u003cbr\u003e\u003cbr\u003eIt all started over the counter at Derek’s Records on Petticoat Lane, London in the mid-70s. Rocca - at the time a budding teenage percussionist - met the prolific guitarist, composer, producer and all round brit funk fixer Jean-Paul “Bluey” Maunick (also the father of Far Out producer Daniel Maunick). Best known as the founding member of Light of the World, Incognito, and more recently Str4ta, Bluey’s involvement in the origins of Freeez are lesser known, but no less crucial. Bluey invited Rocca to a weekly jam session in an East London basement, where they would develop their craft, form their first band Freeez and develop the idea for ‘Keep In Touch’: “Back in the basement there was this one particular track we were playing that I really loved. It had a groove that I thought I could sell” Rocca reminisces.\u003cbr\u003e\u003cbr\u003eGoing against the advice of all the musicians involved, who thought he was mad and set to lose all his money, John decided to go full DIY, hire out a high end studio in the West End to record ‘Keep In Touch’ and release it as a private press, birthing his now famed Pink Rhythm label. Featuring Bluey on guitar, Peter Maas on bass, Paul Morgan on drums, Jason Wright on keyboards, and John Rocca on percussion, Keep In Touch was a surprise underground hit selling over 5000 copies and reaching #49 in the UK, leading Freeez into a record deal with Pye \/ Calibre.\u003cbr\u003e\u003cbr\u003eStill giddy from the experience of having produced and pressed his first record at the age of just 19, John set out to do it all again with ‘Stay’ and ‘Hot Footing It’, enlisting Bluey \u0026amp; co once again. This time Rocca attempted to take things to the next level by adding vocals into the mix. Though this new arrangement initially backfired and cost John the deal with Pye \/ Calibre who weren’t feeling the slight change of vibe, original copies of the Stay 12” have become one of the most in demand from the brit funk canon.\u003cbr\u003e\u003cbr\u003eThese foundational DIY 12” singles paved the way for Freeez to become a household name in the history of British funk who went on to record hits like ‘Southern Freeze’ and ‘IOU’ as well as underground cult classics like ‘Melodies of Love’ and ‘India’ as Pink Rhythm, John Rocca’s later formation of Freeez named after his imprint.\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":40966362071196,"sku":"PINKY1","price":16.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_bcc5681d-8d62-4fc6-bbdd-bfa526497abd.jpg?v=1632476505"},{"product_id":"freeez-stay-pinky-2","title":"FREEEZ - STAY (PINKY 2)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 12\" Vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: PINKY2\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e12 Nov 2021\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Funk \/ Soul\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKS\u003cbr\u003eStay\u003cbr\u003eHot Footing It\u003cbr\u003e\u003cbr\u003eFar Out Recordings presents a double bill of two monumental Brit funk classics. Keep In Touch and Stay were the first two 12” singles by the iconic Freeez, both self-funded passion projects of its founding member John Rocca, for his own Pink Rhythm imprint.\u003cbr\u003e\u003cbr\u003eIt all started over the counter at Derek’s Records on Petticoat Lane, London in the mid-70s. Rocca - at the time a budding teenage percussionist - met the prolific guitarist, composer, producer and all round brit funk fixer Jean-Paul “Bluey” Maunick (also the father of Far Out producer Daniel Maunick). Best known as the founding member of Light of the World, Incognito, and more recently Str4ta, Bluey’s involvement in the origins of Freeez are lesser known, but no less crucial. Bluey invited Rocca to a weekly jam session in an East London basement, where they would develop their craft, form their first band Freeez and develop the idea for ‘Keep In Touch’: “Back in the basement there was this one particular track we were playing that I really loved. It had a groove that I thought I could sell” Rocca reminisces.\u003cbr\u003e\u003cbr\u003eGoing against the advice of all the musicians involved, who thought he was mad and set to lose all his money, John decided to go full DIY, hire out a high end studio in the West End to record ‘Keep In Touch’ and release it as a private press, birthing his now famed Pink Rhythm label. Featuring Bluey on guitar, Peter Maas on bass, Paul Morgan on drums, Jason Wright on keyboards, and John Rocca on percussion, Keep In Touch was a surprise underground hit selling over 5000 copies and reaching #49 in the UK, leading Freeez into a record deal with Pye \/ Calibre.\u003cbr\u003e\u003cbr\u003eStill giddy from the experience of having produced and pressed his first record at the age of just 19, John set out to do it all again with ‘Stay’ and ‘Hot Footing It’, enlisting Bluey \u0026amp; co once again. This time Rocca attempted to take things to the next level by adding vocals into the mix. Though this new arrangement initially backfired and cost John the deal with Pye \/ Calibre who weren’t feeling the slight change of vibe, original copies of the Stay 12” have become one of the most in demand from the brit funk canon.\u003cbr\u003e\u003cbr\u003eThese foundational DIY 12” singles paved the way for Freeez to become a household name in the history of British funk who went on to record hits like ‘Southern Freeze’ and ‘IOU’ as well as underground cult classics like ‘Melodies of Love’ and ‘India’ as Pink Rhythm, John Rocca’s later formation of Freeez named after his imprint.\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":40966362923164,"sku":"PINKY2","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/2_e853ce12-02c8-434f-8e92-d2699f0f048a.jpg?v=1632476517"},{"product_id":"manfredo-fest-brazilian-dorian-dream-1976","title":"Manfredo Fest - Brazilian Dorian Dream (1976) [Black Vinyl]","description":"\u003cp\u003eFormat: 180g Vinyl LP, Black Vinyl\u003cbr\u003eCatalogue No.: FARO219LP  \u003cbr\u003eBarcode: 5060114368453 \u003cbr\u003eRelease Date: 19 Oct 2021\u003cbr\u003eGenre: Samba\/Latin\/Jazz\u003c\/p\u003e\n\u003cp\u003e“The album stands out from the crowd thanks to Fest’s redoubtable songwriting, some innovative (and slightly bonkers) keyboard experimentation and the brilliant vocals of jazz singer Roberta Davis.” ★★★★ Record Collector\u003c\/p\u003e\n\u003cp\u003eLegally blind from birth, Brazilian keyboard player, composer and bandleader Manfredo Fest learnt to read music in braille and began studying classical music at a young age. By 17 he had fallen in love with jazz (particularly the music of fellow blind pianist George Shearing) before becoming swept up in Rio's emergent bossa nova movement in the sixties. Moving to the States in 1967 where he would go on to work with fellow countryman Sergio Mendes, Fest recorded and self-released Brazilian Dorian Dream in 1976, enlisting Thomas Kini (bass), Alejo Poveda (drums, percussion) and Roberta Davis (vocals).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a turbo-powered, intergalactic elevator ride, Brazilian Dorian Dream builds on the principle of the modal diatonic scales of the Dorian mode, with influences of Brazilian rhythms, North American jazz and funk, and music of the European baroque and romantic era. The coming together of these intergenerational and intercontinental styles coupled with Fest's visionary use of the Fender Rhodes, Clavinet, Arp and Moog synthesizers (plus a whole load of effects units), makes for an album light years ahead of its time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe miraculous wordless vocals of American jazz singer Roberta Davis are nailed so tightly alongside Manfredo's keys and mind-bending synths that it sounds almost alien. On the album's liner notes, Fest preaches Davis' ability highlighting how hard it is to sing such precise intervals so accurately. One of the tracks on which the vocals shine brightest is space funk stepper \"Jungle Cat\", which features hard funky drums, freaky synth lines and expert Rhodes comping. The track builds up and up before releasing into the unmistakable scat melody in the chorus.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA few years after releasing Brazilian Dorian Dream, Fest recorded and released his Manifestations album in 1979, featuring 'Jungle Kitten'': a new dancefloor focused variation on \"Jungle Cat\". At around 140 BPM 'Jungle Kitten' was possibly deemed too fast for statside dance floors, which explains why it never got a US 12\" release. But the track became something of an underground hit at jazz dance clubs and all-dayers across the UK in the 80s and as a result it has probably become Fest's most well known track since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eManfredo passed away in Florida in 1999, and his music never quite reached the audiences it deserved. Due to the independent nature and limited run of the original release, Brazilian Dorian Dream has to this day remained almost impossible to find on vinyl. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist \u003cbr data-mce-fragment=\"1\"\u003eA1.Brazilian Dorian Dream\u003cbr data-mce-fragment=\"1\"\u003eA2. Facing East\u003cbr data-mce-fragment=\"1\"\u003eA3. Jungle Cat\u003cbr data-mce-fragment=\"1\"\u003eA4. That's What She Says\u003cbr data-mce-fragment=\"1\"\u003eB1. Slaughter On Tenth Avenue\u003cbr data-mce-fragment=\"1\"\u003eB2. Who Needs It\u003cbr data-mce-fragment=\"1\"\u003eB3. Brazilian No. 1\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9j7ufDwygyQ\" height=\"374\" width=\"665\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41066811981980,"sku":"FARO219LP","price":26.1,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/MafredoFest_BrazilianDorianDream_vinylwhite.jpg?v=1634023001"},{"product_id":"ana-mazzotti-o-filho-do-homem","title":"Ana Mazzotti - O Filho Do Homem","description":"\u003cp\u003eFormat: 7\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: JD52\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965047\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 10 Dec 2021 (recorded circa 1983) \u003cbr data-mce-fragment=\"1\"\u003eGenre: Brazilian\/Jazz\u003c\/p\u003e\n\u003cp\u003eBelieved to have been recorded in 1983, ‘O Filho Do Homem’ is a newly discovered and previously unreleased single by the late Brazilian composer and keyboardist Ana Mazzotti. Though it’s her only known studio recording of the decade, ‘O Filho Do Homem’ is one of several unreleased compositions Mazzotti and her band performed on TV Cultura and Programa MPB during the 80s.*\u003cbr\u003e\u003cbr\u003eThese performances showed Mazzotti had transitioned towards a harder edged and more daringly experimental sound in this period, while keeping the core components of samba, jazz and funk that characterised her two studio albums from the 1970s, Ninguem Vai Me Segurar (1974) and the self titled Ana Mazzotti (1977). This evolved 80s sound had evidently taken a similar path to that of her contemporaries and mentors, like Azymuth, whose keyboardist José Roberto Bertrami arranged her debut album, and Hermeto Pascoal who described her as “a super musician.” \u003cbr\u003e\u003cbr\u003eFollowing the resurgence in appreciation for Ana’s music that arose from the 2019 reissues of her two studio albums, her son Toni Mazzotti was compelled to re-examine the archive of artefacts he’d inherited from his parents. Amongst the LPs, chord sheets, photos and VHS recordings, Toni stumbled upon a mysterious reel of tape, which he swiftly dispatched to the Far Out office in London. Toni and the Far Out team were delighted to discover the mystery tape was a hazy jazz-funk gem recorded by his mother (and father, drummer Romildo Santos) during the twilight of her short career; Ana Mazzotti sadly passed away in 1988 from lung cancer at the age of just 37. Aside from Ana on keyboards and vocals and Romildo who produced and played drums on all of Ana’s recordings, the line-up for the quartet is unknown.\u003cbr\u003e\u003cbr\u003e“O Filho Do Homem” will be released on 7” vinyl on the 10th December 2021 via Far Out Recordings.\u003cbr\u003e\u003cbr\u003e * Live performances of these tracks have been ripped from VHS recordings by Toni Mazzotti and can be viewed on his Ana Mazzotti Youtube channel, albeit in less than ideal audio-visual quality\u003cbr\u003e \u003cbr\u003eTracklist: \u003cbr\u003eSIDE A \/ O Filho Do Homem (Vocal)\u003cbr\u003eSIDE B \/ O Filho Do Homem (Instrumental)\u003cbr\u003e\u003cbr\u003eCredits:\u003cbr\u003eVocals \u0026amp; Keyboards: Ana Mazzotti\u003cbr\u003eDrums: Romildo T. Santos\u003cbr\u003eGuitar: Unknown\u003cbr\u003eBass Guitar: Unknown\u003cbr\u003eProduced by Romildo T. Santos\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NgrWSnAaUJU?list=PLOZYbYEYUmchTkPKQNHupwg4DqHtD7C9O\" height=\"360\" width=\"640\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41131057840284,"sku":"JD52","price":14.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image002_cc866e72-f68a-455d-8f78-2b423096d0b3.jpg?v=1635183801"},{"product_id":"alex-malheiros-tempos-futuros-cd","title":"Alex Malheiros - Tempos Futuros [CD]","description":"\u003cp\u003eCat. no: FARO228CD\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965061\u003cbr\u003eRelease Date: 26 Nov 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eStargazing from the sands of the Niterói beach, Tempos Futuros is lowend-led Brazilian futurism from one of Brazil's most prolific and influential bassmen\u003c\/p\u003e\n\u003cp\u003eAs one third of legendary trio Azymuth, Alex Malheiros has pioneered a unique fusion of space-funk, samba and jazz since the early seventies. His playing can be heard on the records of Jorge Ben, Milton Nascimento, Roberto Carlos, Marcos Valle, and Mark Murphy (to name a few), and he's performed and toured with everyone from Stevie Wonder to Chick Corea.Written and recorded in Niterói, Brazil, overlooking Guanabara and the beaches, mountains and forests of Rio de Janeiro, Tempos Futuros has deep roots in Brazilian soil. The rhythms of Malheiros' homeland have always permeated his music. But just like the Oscar Niemeyer designed Niterói Contemporary Art Museum which stands spaceshiplike over the water, Tempos Futuros - while inspired by terrestrial forms, reaches out, deep into the great unknown.\u003c\/p\u003e\n\u003cp\u003eProduced by acclaimed London-based producer Daniel Maunick, who has worked with Marcos Valle, Azymuth, Terry Callier, and Ivan Conti, the funk comes full circle. Daniel's father Jean- Paul \"Bluey\" Maunick and Alex Malheiros shared a reciprocal stream of influence throughout the 80s, between London and Rio; Azymuth and Incognito; brit- funk and samba- funk. But just as with Azymuth's music, you can also hear the influence of stateside jazz- funk masters like Roy Ayers, Weather Report, Lonnie Liston Smith, Mtume and Pleasure.\u003c\/p\u003e\n\u003cp\u003eTempos Futuros features Alex's daughter, a Brazilian star in her own right, vocalist\u003cspan\u003e \u003c\/span\u003eSabrina Malheiros, Brazilian percussion master Sidinho Moreira, London based saxophonist Sean Khan, Marcos Valle's go- to drummer Massa, and Brazilian keyboard player Dudu Viana. Featuring the late Azymuth keyboard maestro Jose Roberto Bertami on Fender Rhodes, the title track \"Tempos Futuros\" was\u003cspan\u003e \u003c\/span\u003eoriginally recorded as a demo in 1995. On this finished version, Alex Malheiros\u003cspan\u003e \u003c\/span\u003eused Bertami's original keyboard take, explaining the posthumous release.Tempos Futuros will be released via Far Out Recordings on vinyl LP, CD\u003cspan\u003e \u003c\/span\u003eand digitally on the 26th November 2021.\u003c\/p\u003e\n\u003cp\u003e CD Tracks: The Razor's Edge \/ Telegramas Para Arp \/ Retrato (feat. Sean Khan) \/ Prece (feat. Sabrina Malheiros) \/ Nikiti \/ Kuarup \/ O Temporal \/ Alto Verão (feat. Sabrina Malheiros) \/ Sereno \/ Marcinha \/ Tempos Futuros (feat. José Roberto Bertrami) \/ Requiem For A Storm\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41201932042396,"sku":"FARO228CD","price":11.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_f941c5aa-a48d-4b3b-aab5-7959a7838e72.jpg?v=1636616404"},{"product_id":"alex-malheiros-tempos-futuros-lp","title":"Alex Malheiros - Tempos Futuros [LP]","description":"\u003cp\u003eCat. no: FARO228LP\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965054\u003cbr\u003eRelease Date: 26 Nov 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eStargazing from the sands of the Niterói beach, Tempos Futuros is lowend-led Brazilian futurism from one of Brazil's most prolific and influential bassmen\u003c\/p\u003e\n\u003cp\u003eAs one third of legendary trio Azymuth, Alex Malheiros has pioneered a unique fusion of space-funk, samba and jazz since the early seventies. His playing can be heard on the records of Jorge Ben, Milton Nascimento, Roberto Carlos, Marcos Valle, and Mark Murphy (to name a few), and he's performed and toured with everyone from Stevie Wonder to Chick Corea.Written and recorded in Niterói, Brazil, overlooking Guanabara and the beaches, mountains and forests of Rio de Janeiro, Tempos Futuros has deep roots in Brazilian soil. The rhythms of Malheiros' homeland have always permeated his music. But just like the Oscar Niemeyer designed Niterói Contemporary Art Museum which stands spaceshiplike over the water, Tempos Futuros - while inspired by terrestrial forms, reaches out, deep into the great unknown.\u003c\/p\u003e\n\u003cp\u003eProduced by acclaimed London-based producer Daniel Maunick, who has worked with Marcos Valle, Azymuth, Terry Callier, and Ivan Conti, the funk comes full circle. Daniel's father Jean- Paul \"Bluey\" Maunick and Alex Malheiros shared a reciprocal stream of influence throughout the 80s, between London and Rio; Azymuth and Incognito; brit- funk and samba- funk. But just as with Azymuth's music, you can also hear the influence of stateside jazz- funk masters like Roy Ayers, Weather Report, Lonnie Liston Smith, Mtume and Pleasure.\u003c\/p\u003e\n\u003cp\u003eTempos Futuros features Alex's daughter, a Brazilian star in her own right, vocalist Sabrina Malheiros, Brazilian percussion master Sidinho Moreira, London based saxophonist Sean Khan, Marcos Valle's go- to drummer Massa, and Brazilian keyboard player Dudu Viana. Featuring the late Azymuth keyboard maestro Jose Roberto Bertami on Fender Rhodes, the title track \"Tempos Futuros\" was originally recorded as a demo in 1995. On this finished version, Alex Malheiros used Bertami's original keyboard take, explaining the posthumous release.Tempos Futuros will be released via Far Out Recordings on vinyl LP, CD and digitally on the 26th November 2021.\u003c\/p\u003e\n\u003cp\u003eLP Tracks: The Razor's Edge \/ Telegramas Para Arp \/ Retrato (feat. Sean Khan) \/ Prece (feat. Sabrina Malheiros) \/ Nikiti \/ Kuarup \/ O Temporal \/ Alto Verão (feat. Sabrina Malheiros) \/ Sereno \/ Marcinha \/ Tempos Futuros (feat. José Roberto Bertrami) \/ Requiem For A Storm\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41201932337308,"sku":"FARO228LP","price":23.38,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_a7584633-330a-44b0-9ef0-2d97e3845f11.jpg?v=1636616417"},{"product_id":"hermeto-pascoal-e-grupo-live-at-planatario-da-gavea-2lp","title":"Hermeto Pascoal E Grupo - Live At Planatario Da Gavea [2LP]","description":"\u003cp\u003eCat. no: FARO229DLP\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP2\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965078\u003cbr\u003eRelease Date: 04 Feb 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eOn a balmy Brazilian night in February, 1981, a crowd gathered in Rio de Janeiro's Gávea neighbourhood under the iconic dome of the city's Planetário (Planetarium) - Alongside musicians like Helio Delmiro and Milton Nascimento (who were in the audience that night), they were there to see the great \"Bruxo\" (sorcerer) Hermeto Pascoal live in concert, with his new band formation which would become known simply as \"O Grupo\" (The Group)\u003c\/p\u003e\n\u003cp\u003eGrowing up on a farm in Brazil's northeastern state of Alagoas, Hermeto has always been deeply in tune with, and inspired by nature. In his youth he would make his own flutes to play call and response with the birds and frogs. He would build scrap- metal instruments in his blacksmith grandfather's forge, and sit for hours by the lake listening to the sounds of nature. On the Planetário Da Gávea recordings though, Hermeto is cast as the \"sorcerer\" or the \"cosmic emissary\" (as the great Brazilian guitarist Guinga once called him), exhibiting an intuitive sense of harmony and melody beyond that of our own world.\"Tudo e Som\" (All is Sound). It's a phrase Hermeto regularly returns to, and it points to the fact that not only can music be made from anything, but also alludes to something much more profound. It's an understanding of the universe as being in a state of constant movement, forever vibrating at the quantum level, like the string of a guitar, or a saxophone's reed. \"Tudo e Som\" is a declaration of the mystical and spiritual power of sound, as a fundamentally vibrational force.\u003c\/p\u003e\n\u003cp\u003eThe series of concerts at the Planetário marked the birth of \"O Grupo\" which would last with the same line- up (apart from Zé Eduardo Nazário) for the next eleven years. Every member of O Grupo was a phenomenal musician in their own right. It was one of saxophonist\/flautist Carlos Malta's first gigs with the group, and the concert unusually featured two drummers, Zé Eduardo Nazário and Marcio Bahia. Nazário, from São Paulo, had played with Hermeto during the mid-70s (as well as with Milton Nascimento, Egberto Gismonti and Toninho Horta, to name a few). Bahia though had just joined the group. Acclaimed keyboard player Jovino Santos Neto was on keyboards, piano and organ, and the great Itiberê Zwarg (who remains in Hermeto's band to this day), played bass. Rounding the group off was the percussionist Pernambuco. During this period (up until the early 90s) the group would rehearse for hours on end, virtually seven days a week, with a total dedication to music and Hermeto's musical vision.Most of the compositions performed that night at the Planetário had never been recorded before, and many are unique to this album, including the wild 'Homônimo Sintróvio', the exaltant 'Samba Do Belaqua', 'Vou Pra Lá e Pra Cá' and 'Bombardino', which features Hermeto's wonderfully absurd call and response mouthpiece soliloquy. Then there's the stunning 7\/4 Samba 'Jegue' which builds with inventive dissonance, before releasing yet another celestially colourful, celebratory refrain. The show also features the first recorded performances of 'Era Pra Ser e Não Foi' and 'Ilza na Feijoada' (inspired by Hermetos' wife Ilza's famed black bean and meat stew), which Hermeto later recorded on his 1984 studio album \"Lagoa Da Canoa Município De Arapiraca\". Dubbed by Miles Davis as \"one of the most important musicians on the planet\", a Hermeto Pascoal live show was (and still is) an experience like no other. Across the recording of the Planetário concert, wild improvisation meets groovy, virtuosic vamping on progressive, extended psychedelic jams. The tracks are generally built around a beautiful, transcendent melody; instantly recognisable as being Hermeto's, and for the most part, the musicians then solo over extended two chord vamps. There's a plethora of powerfully delivered rhythms, wild solos and the performances are punctuated by Hermeto's unpredictable, at times comical sonic antics.\u003c\/p\u003e\n\u003cp\u003eLP2 Tracks: Paz Amor E Esperança \/ Homônimo Sintróvio \/ Samba Do Belaqua \/ Vou Pra Lá E Pra Cá \/ Bombardino \/ Era Pra Ser E Na 771;o Foi \/ São Jorge \/ Ilza Na Feijoada \/ Duo De Bateras \/ Duo De Bateras II \/ Ferragens \/ Jegue\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6Ns3l6gYqIQ\" height=\"374\" width=\"665\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41334330851484,"sku":"FARO229DLP","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_8002c9e2-055c-4e98-91ff-fcde443135b9.jpg?v=1641741154"},{"product_id":"hermeto-pascoal-e-grupo-live-at-planatario-da-gavea-2cd","title":"Hermeto Pascoal E Grupo - Live At Planatario Da Gavea [2CD]","description":"\u003cp\u003eCat. no: FARO229DCD\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD2\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965085\u003cbr\u003eRelease Date: 04 Feb 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eOn a balmy Brazilian night in February, 1981, a crowd gathered in Rio de Janeiro's Gávea neighbourhood under the iconic dome of the city's Planetário (Planetarium) - Alongside musicians like Helio Delmiro and Milton Nascimento (who were in the audience that night), they were there to see the great \"Bruxo\" (sorcerer) Hermeto Pascoal live in concert, with his new band formation which would become known simply as \"O Grupo\" (The Group)\u003c\/p\u003e\n\u003cp\u003eGrowing up on a farm in Brazil's northeastern state of Alagoas, Hermeto has always been deeply in tune with, and inspired by nature. In his youth he would make his own flutes to play call and response with the birds and frogs. He would build scrap- metal instruments in his blacksmith grandfather's forge, and sit for hours by the lake listening to the sounds of nature. On the Planetário Da Gávea recordings though, Hermeto is cast as the \"sorcerer\" or the \"cosmic emissary\" (as the great Brazilian guitarist Guinga once called him), exhibiting an intuitive sense of harmony and melody beyond that of our own world.\"Tudo e Som\" (All is Sound). It's a phrase Hermeto regularly returns to, and it points to the fact that not only can music be made from anything, but also alludes to something much more profound. It's an understanding of the universe as being in a state of constant movement, forever vibrating at the quantum level, like the string of a guitar, or a saxophone's reed. \"Tudo e Som\" is a declaration of the mystical and spiritual power of sound, as a fundamentally vibrational force.\u003c\/p\u003e\n\u003cp\u003eThe series of concerts at the Planetário marked the birth of \"O Grupo\" which\u003cspan\u003e \u003c\/span\u003ewould last with the same line- up (apart from Zé Eduardo Nazário) for the next eleven years. Every member of O Grupo was a phenomenal musician in their own right. It was one of saxophonist\/flautist Carlos Malta's first gigs with the group, and the concert unusually featured two drummers, Zé Eduardo Nazário and Marcio Bahia. Nazário, from São Paulo, had played with Hermeto during the mid-70s (as well as with Milton Nascimento, Egberto Gismonti and Toninho Horta, to name a few). Bahia though had just joined the group. Acclaimed keyboard player Jovino Santos Neto was on keyboards, piano and organ, and the\u003cspan\u003e \u003c\/span\u003egreat Itiberê Zwarg (who remains in Hermeto's band to this day), played bass.\u003cspan\u003e \u003c\/span\u003eRounding the group off was the percussionist Pernambuco. During this period (up until the early 90s) the group would rehearse for hours on end, virtually seven days a week, with a total dedication to music and Hermeto's musical vision.Most\u003cspan\u003e \u003c\/span\u003eof the compositions performed that night at the Planetário had never been recorded before, and many are unique to this album, including the wild 'Homônimo Sintróvio', the exaltant 'Samba Do Belaqua', 'Vou Pra Lá e Pra Cá' and 'Bombardino', which features Hermeto's wonderfully absurd call and response mouthpiece soliloquy. Then there's the stunning 7\/4 Samba 'Jegue' which builds with inventive dissonance, before releasing yet another celestially colourful, celebratory refrain. The show also features the first recorded performances of 'Era Pra Ser e Não Foi' and 'Ilza na Feijoada' (inspired by Hermetos' wife Ilza's famed black bean and meat stew), which Hermeto later recorded on his 1984 studio album \"Lagoa Da Canoa Município De Arapiraca\". Dubbed by Miles Davis as \"one of the most important musicians on the planet\", a Hermeto Pascoal live show was (and still is) an experience like no other. Across the recording of the Planetário concert, wild improvisation meets groovy, virtuosic vamping on\u003cspan\u003e \u003c\/span\u003eprogressive, extended psychedelic jams. The tracks are generally built around a\u003cspan\u003e \u003c\/span\u003ebeautiful, transcendent melody; instantly recognisable as being Hermeto's, and for the most part, the musicians then solo over extended two chord vamps.\u003cspan\u003e \u003c\/span\u003eThere's a plethora of powerfully delivered rhythms, wild solos and the\u003cspan\u003e \u003c\/span\u003eperformances are punctuated by Hermeto's unpredictable, at times comical sonic\u003cspan\u003e \u003c\/span\u003eantics.\u003c\/p\u003e\n\u003cp\u003eCD2 Tracks: Paz Amor E Esperança \/ Homônimo Sintróvio \/ Samba Do Belaqua \/ Vou Pra Lá E Pra Cá \/ Bombardino \/ Era Pra Ser E Na 771;o Foi \/ São Jorge \/ Ilza Na Feijoada \/ Duo De Bateras \/ Duo De Bateras II \/ Ferragens \/ Jegue \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6Ns3l6gYqIQ\" height=\"374\" width=\"665\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41334330982556,"sku":"FARO229DCD","price":16.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_6c9485f3-5a0a-451d-a2a6-836c452c7ca0.jpg?v=1641741172"},{"product_id":"os-tatuis-os-tatuis-lp","title":"OS  TATUIS - OS TATUIS [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO232LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965146\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 18 Mar 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: International\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJOSÉ ROBERTO BERTAMI: THE AZYMUTH KEYBOARDIST\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEARLIEST RECORDINGS REISSUED FOR THE FIRST TIME\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBest known as the keyboardist and bandleader of legendary trio Azymuth, the late José Roberto Bertrami also wrote for, arranged for and performed with Elis Regina, George Duke, Sarah Vaughn, Jorge Ben, Eddie Palmieri, Milton Nascimento, Flora Purim and Erasmo Carlos, among countless others - But before all of that, in 1965, at the age of just nineteen, Zé Roberto recorded his first studio album with his group Os Tatuís, and the José Roberto Trio in the following year.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese largely slept-on albums of beautiful, expressive samba jazz and bossa nova stand as a testament to the prodigious genius of one of the most important musicians in Brazil's history.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn in 1946 in Tatuí - a small city in the Brazilian state of São Paulo, José Roberto was the eldest of seven children, four of whom became musicians. His father Lázaro was a classical violinist and a professor at Tatuí's public conservatory, the largest music school in Latin America - for which the city is nicknamed \"Music City\". After two years of piano lessons from the age of seven, Bertrami began losing interest, spending more time playing football and what he himself referred to as \"professional vagabondage\". At thirteen, as his mother was despairing that her son was going off the rails, Zé Roberto enrolled at the conservatory. \"In my two years there, I did seven years' work and then I was expelled. The conservatory was almost entirely a classical music situation, and I'd begun to break some rules—like holding a jam session at school.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth Os Tatuís and José Roberto Trio will be reissued on vinyl, CD and digitally via Far Out Recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross both of these historic albums, Bertrami's stunningly performed compositions are rich with harmonic complexity and rhythmic ingenuity, providing a precursor to some of Bertrami's futuristic fusion with Azymuth later in his career.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e1. Vivo Sonhando\u003cbr data-mce-fragment=\"1\"\u003e2. Nuvens\u003cbr data-mce-fragment=\"1\"\u003e3. Inutil Paisagem\u003cbr data-mce-fragment=\"1\"\u003e4. Você\u003cbr data-mce-fragment=\"1\"\u003e5. A Morte De Um Deus De Sal\u003cbr data-mce-fragment=\"1\"\u003e6. Insensatez\u003cbr data-mce-fragment=\"1\"\u003e7. A Bossa Do Ze Roberto\u003cbr data-mce-fragment=\"1\"\u003e8. Primavera\u003cbr data-mce-fragment=\"1\"\u003e9. Samba Do Avião\u003cbr data-mce-fragment=\"1\"\u003e10. Sou Sem Paz\u003cbr data-mce-fragment=\"1\"\u003e11. Minha Namorada\u003cbr data-mce-fragment=\"1\"\u003e12. O Menino Das Laranjas\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41387828773020,"sku":"FARO232LP","price":23.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image005_3f116def-126d-411d-8deb-1305ed9cefd6.jpg?v=1643811698"},{"product_id":"jose-roberto-bertrami-jose-roberto-trio-cd","title":"JOSÉ ROBERTO BERTRAMI - JOSÉ ROBERTO TRIO [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO231CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965139\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 18 Mar 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Broken Beat\/Nu Jazz\u003c\/p\u003e\n\u003cp\u003eIn 1966, Bertrami went back into the studio, but this time stripping the format back to a trio set up. Again featuring Claudio Henrique Betrami on double bass, and with Jovito Coluna on drums, the José Roberto Trio recorded their one and only album, featuring compositions by Baden Powell, Manfredo Fest, and Marcos Valle. The album also featured three of Betrami's own compositions: the wistful \"Lilos Watts\", the groovy \"Kebar\" and the dazzling \"Talhuama\". In the vein of the pioneering Tamba Trio who had so inspired Bertrami in the few years prior, the José Roberto Trio typified an emerging movement within bossa nova in the mid-sixties, with a distinctively Brazilian reimagining of the piano jazz trio sound conceived by the likes of Nat King Cole, Oscar Peterson and Ahmad Jamal, and further developed by Bill Evans. Following on from Tamba Trio, in Brazil, the mid-sixties saw a number of great Brazilian bossa jazz trios recording around this time, such as Bossa Três, Milton Banana Trio, Tenório Jr, and Bossa Jazz Trio, the latter another group helmed by Betrami.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. O Canto De Ossanha\u003cbr\u003e2. Da-Me\u003cbr\u003e3. Impulso\u003cbr\u003e4. Dorme Profundo\u003cbr\u003e5. Lilos Walts\u003cbr\u003e6. So Tinha Que Ser Voce\u003cbr\u003e7. Kebar\u003cbr\u003e8. Chuva\u003cbr\u003e9. Mar Amar\u003cbr\u003e10. Flor De Manha\u003cbr\u003e11. Balansamba\u003cbr\u003e12. Taluhama\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41387839520924,"sku":"FARO231CD","price":13.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image006_30de8f6f-56ad-4c6c-87df-0990423a8a82.jpg?v=1643812082"},{"product_id":"jose-roberto-bertrami-jose-roberto-trio-lp","title":"JOSÉ ROBERTO BERTRAMI - JOSÉ ROBERTO TRIO [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO231LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965122\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 18 Mar\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Broken Beat\/Nu Jazz\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1966, Bertrami went back into the studio, but this time stripping the format back to a trio set up. Again featuring Claudio Henrique Betrami on double bass, and with Jovito Coluna on drums, the José Roberto Trio recorded their one and only album, featuring compositions by Baden Powell, Manfredo Fest, and Marcos Valle. The album also featured three of Betrami's own compositions: the wistful \"Lilos Watts\", the groovy \"Kebar\" and the dazzling \"Talhuama\". In the vein of the pioneering Tamba Trio who had so inspired Bertrami in the few years prior, the José Roberto Trio typified an emerging movement within bossa nova in the mid-sixties, with a distinctively Brazilian reimagining of the piano jazz trio sound conceived by the likes of Nat King Cole, Oscar Peterson and Ahmad Jamal, and further developed by Bill Evans. Following on from Tamba Trio, in Brazil, the mid-sixties saw a number of great Brazilian bossa jazz trios recording around this time, such as Bossa Três, Milton Banana Trio, Tenório Jr, and Bossa Jazz Trio, the latter another group helmed by Betrami.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003e1. O Canto De Ossanha\u003cbr data-mce-fragment=\"1\"\u003e2. Da-Me\u003cbr data-mce-fragment=\"1\"\u003e3. Impulso\u003cbr data-mce-fragment=\"1\"\u003e4. Dorme Profundo\u003cbr data-mce-fragment=\"1\"\u003e5. Lilos Walts\u003cbr data-mce-fragment=\"1\"\u003e6. So Tinha Que Ser Voce\u003cbr data-mce-fragment=\"1\"\u003e7. Kebar\u003cbr data-mce-fragment=\"1\"\u003e8. Chuva\u003cbr data-mce-fragment=\"1\"\u003e9. Mar Amar\u003cbr data-mce-fragment=\"1\"\u003e10. Flor De Manha\u003cbr data-mce-fragment=\"1\"\u003e11. Balansamba\u003cbr data-mce-fragment=\"1\"\u003e12. Taluhama\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41387840372892,"sku":"FARO231LP","price":23.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image006_6d9422ff-7309-4c49-b33c-fbafa2f40190.jpg?v=1643812116"},{"product_id":"daniel-maunick-persistence-2lp","title":"DANIEL MAUNICK - PERSISTENCE [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO230DLP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965177\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 04 Apr 2022\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003eBetween producing landmark albums with the likes of Azymuth, Marcos Valle, and Sabrina Malheiros, recent years have seen Daniel Maunick flourishing as a solo artist with acclaimed releases on Eglo Records, Mother Tongue, Visions, AKO Beatz (under his Dokta Venom alias), and of course, Far Out Recordings.\u003c\/p\u003e\n\u003cp\u003eHis sophomore solo album Persistence is an exemplary culmination of the momentum Maunick has built since his 2019 debut Macumba Quebrada, which earned support from Moodymann, Benji B, Gilles Peterson, Ron Trent, Palms Trax, Derrick Carter and Moxie to name just a few.\u003cbr\u003e\u003cbr\u003eSince collaborating with Shy FX for his first ever release at the age of fifteen (a now impossible to find single sided jungle acetate), Maunick has remained embedded in the fabric of the culture, from early work for the legendary Talkin' Loud label to notching credits with Terry Caliier, Paul Weller, Ski Oakenfull, Brenda Russell, and his father's legendary brit-funk outfit Incognito. And for almost two decades he's served as producer for a long string of classic and future-classic Far Out albums, most recently Alex Malheiros' Tempos Futuros.\u003cbr\u003e\u003cbr\u003eAs on his previous Far Out opuses (most recently the Musica Encantada EP), Persistence sees Maunick continue to playfully use foundations of traditional afro- brazilian rhythms, heard in the sultry samba swing of 'Arraiá', the pulsating batucada enveloping the bassy synth stabs in \"Remnants of Joy\", and spectral cuicas throughout the blissfully bumping 'Illusions'. But going beyond his trademark nods to Brazil, he reflects on his junglist roots with the emotionally charged 'Love Is Gone', and flexes his deep house muscles with the late night magic of 'Just Deserts' and 'Addicted'. \u003cbr\u003e\u003cbr\u003eThe sheer variety on show is testament to the wide scope of influences and experiences Maunick has accumulated and absorbed in his career to date. It's also evident that after years spent with jazz funk masters like Azymuth and Incognito, as well as hitmakers like Marcos Valle, Maunick has reached a new calibre with his compositional prowess alongside his astoundingly accomplished studio skills. Persistence is a modern classic by a veteran at the peak of their powers. \u003cbr\u003e\u003cbr\u003eTracks:\u003cbr\u003e1. Arraia\u003cbr\u003e2. Persistence (Keep On)\u003cbr\u003e3. Bitter Regret\u003cbr\u003e4. Illusions\u003cbr\u003e5. The Love Has Gone\u003cbr\u003e6. Reflections\u003cbr\u003e7. Remnants Of Joy\u003cbr\u003e8. Just Deserts\u003cbr\u003e9. Shadow Boxer\u003cbr\u003e10. Addicted (2 U)\u003cbr\u003e11. A Second Chance\u003cbr\u003e12. Promessa\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41463775821980,"sku":"FARO230DLP","price":28.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image005_d48f09c9-de8a-457f-9a52-7887f882b2dd.jpg?v=1645428646"},{"product_id":"daniel-maunick-persistence-cd","title":"DANIEL MAUNICK - PERSISTENCE [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO230CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965184\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 04 Apr 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBetween producing landmark albums with the likes of Azymuth, Marcos Valle, and Sabrina Malheiros, recent years have seen Daniel Maunick flourishing as a solo artist with acclaimed releases on Eglo Records, Mother Tongue, Visions, AKO Beatz (under his Dokta Venom alias), and of course,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFar Out Recordings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHis sophomore solo album Persistence is an exemplary culmination of the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emomentum Maunick has built since his 2019 debut Macumba Quebrada, which earned support from Moodymann, Benji B, Gilles Peterson, Ron Trent, Palms Trax, Derrick Carter and Moxie to name just a few.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince collaborating with Shy FX for his first ever release at the age of fifteen (a now\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eimpossible to find single sided jungle acetate), Maunick has remained embedded in the fabric of the culture, from early work for the legendary Talkin' Loud label to notching credits with Terry Caliier, Paul Weller, Ski Oakenfull, Brenda Russell, and his father's legendary brit-funk outfit Incognito. And for almost two decades he's served as producer for a long string of classic and future-classic Far Out albums, most\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erecently Alex Malheiros' Tempos Futuros.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs on his previous Far Out opuses (most recently the Musica Encantada EP), Persistence sees Maunick continue to playfully use foundations of traditional afro- brazilian rhythms, heard in the sultry samba swing of 'Arraiá', the pulsating batucada enveloping the bassy synth stabs in \"Remnants of Joy\", and spectral cuicas\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethroughout the blissfully bumping 'Illusions'. But going beyond his trademark nods to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBrazil, he reflects on his junglist roots with the emotionally charged 'Love Is Gone', and flexes his deep house muscles with the late night magic of 'Just Deserts' and 'Addicted'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sheer variety on show is testament to the wide scope of influences and experiences Maunick has accumulated and absorbed in his career to date. It's also evident that after years spent with jazz funk masters like Azymuth and Incognito, as well as hitmakers like Marcos Valle, Maunick has reached a new calibre with his compositional prowess alongside his astoundingly accomplished studio skills. Persistence is a modern classic by a veteran at the peak of their powers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracks:\u003cbr data-mce-fragment=\"1\"\u003e1. Arraia\u003cbr data-mce-fragment=\"1\"\u003e2. Persistence (Keep On)\u003cbr data-mce-fragment=\"1\"\u003e3. Bitter Regret\u003cbr data-mce-fragment=\"1\"\u003e4. Illusions\u003cbr data-mce-fragment=\"1\"\u003e5. The Love Has Gone\u003cbr data-mce-fragment=\"1\"\u003e6. Reflections\u003cbr data-mce-fragment=\"1\"\u003e7. Remnants Of Joy\u003cbr data-mce-fragment=\"1\"\u003e8. Just Deserts\u003cbr data-mce-fragment=\"1\"\u003e9. Shadow Boxer\u003cbr data-mce-fragment=\"1\"\u003e10. Addicted (2 U)\u003cbr data-mce-fragment=\"1\"\u003e11. A Second Chance\u003cbr data-mce-fragment=\"1\"\u003e12. Promessa\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41463776542876,"sku":"FARO230CD","price":13.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image005_e1ce50fc-a17e-4908-a088-e61de3c8cf45.jpg?v=1645428673"},{"product_id":"hermeto-pascoal-hermeto-cd","title":"HERMETO PASCOAL - HERMETO [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FORDIS07CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965214\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 20 May 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eFar Out Recordings proudly presents Hermeto Pascoal's remarkable self-titled debut album - Recorded in 1970 at A\u0026amp;R studios in New York, the album features certifed North American titans including Ron Carter, Hubert Laws, Joe Farrel and Googie Coppola, and Brazilian stars Airto Moreira and Flora Purim (who also produced the album)\u003c\/p\u003e\n\u003cp\u003eWhile it was Hermeto's frst album released under his own name, he had spent the decade or so prior making a name for himself in Brazil and internationally as a composer, arranger and instrumentalist with groups including Sambrassa Trio, Quarteto Novo and Brazilian Octopus, before going on to work with (amongst countless others) Edu Lobo, Antonio Carlos Jobim, Donald Byrd, Airto Moreira and Miles Davis, who allegedly called Hermeto \"one of the most important musicians on the planet\".\u003cbr\u003e\u003cbr\u003eWith Hermeto's otherworldly orchestral arrangements, ghostly vocal performances from Flora Purim and Googie Coppola, and the inimitable drumming and percussion stylings of Airto Moreira, Hermeto easily rivals some of the oft- celebrated MPB albums of the early 1970s, sitting somewhere between the string-heavy magic of Arthur Verocai's 1972 debut and the unplacable early experimentalism of Pedro Santos' 1968 album Krishnanda.\u003cbr\u003e\u003cbr\u003eWith his phenomenal natural musical genius and a ceaseless sense of creative freedom, Hermeto is widely known for using unconventional objects to make music. In the album's sleeve notes, Airto highlights the track \"Velório (Mourning)\" explaining how Heremto filled 36 apple juice bottles with different amounts of water and tuned them to precise pitches in order to create the beguiling harmonies heard.\u003cbr\u003e\u003cbr\u003eThe reissue of Hermeto Pascoal's Hermeto, follow's Far Out's recent unveiling of a previously unheard Hermeto Pascoal live concert Planetario da Gavea from 1981, and 2017's release of Hermeto Pascoal's lost 1976 studio album: Viajando Com O Som.\u003cbr\u003e\u003cbr\u003eTracks:\u003cbr\u003e1. Coalhada (Yogurt)\u003cbr\u003e2. Hermeto\u003cbr\u003e3. Guizos (Bells)\u003cbr\u003e4. Flor Do Amor\u003cbr\u003e5. Alicate (Pliers)\u003cbr\u003e6. Velório (Mourning)\u003cbr\u003e7. As Marianas (The Marianas)\u003cbr\u003e8. Fabiola\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IhbX54kGwRU\" height=\"360\" width=\"640\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41547711643804,"sku":"FORDIS07CD","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image004_4c010c40-3e3e-490f-a4be-b479d1905b03.jpg?v=1648566552"},{"product_id":"bruno-berle-no-reino-dos-afetos","title":"BRUNO BERLE - NO REINO DOS AFETOS","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO233LP\u003cbr\u003eBarcode: 5065007965245\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 01 Jul 2022 \u003cbr data-mce-fragment=\"1\"\u003eGenre: Brazil \/ MPB\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRepress: 10 Nov 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTRACKS\u003cbr\u003eAté Meu Violão\u003cbr\u003eQuero Dizer\u003cbr\u003eGuardo Em Tuas Mãos Estrelas\u003cbr\u003eBeat 1\u003cbr\u003eO Nome Do Meu Amor\u003cbr\u003eSom Nyame\u003cbr\u003eVirginia Talk\u003cbr\u003eSó O Amor\u003cbr\u003eSó Nós Dois\u003cbr\u003eArraiada\u003cbr\u003eSereno\u003cbr\u003eÉ Preciso Ter Amor\u003cbr\u003e \u003cbr\u003eWith a voice of pure gold and a startling sensitivity for heartfelt pop songwriting, on No Reino Dos Afetos (In the Realm of Affections), Berle firmly embraces earnestness, through starry-eyed Brazilian love songs, ambient vignettes, warm, home-cooked beats and gentle strokes of MPB genius.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YvRNqLmKjoM\" height=\"360\" width=\"640\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41659331018908,"sku":"FARO233LP","price":26.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_06c12204-56e4-4a17-970c-57116a56accc.jpg?v=1653465417"},{"product_id":"bruno-berle-no-reino-dos-afetos-cd","title":"BRUNO BERLE - NO REINO DOS AFETOS [CD]","description":"\u003cp\u003eFormat: CD \u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO233CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965252\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 01 Jul 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Brazil \/ MPB\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eWith a voice of pure gold and a startling sensitivity for heartfelt pop song writing, on No Reino Dos Afetos (In the Realm of Affections), Berle frmly embraces earnestness, through starry-eyed Brazilian love songs, ambient vignettes, warm, home-cooked beats and gentle strokes of MPB genius.\u003cbr\u003e\u003cbr\u003e\"It's an album that was built from my desire to fnd beauty\", Berle explains - his simple, graceful words mirroring the graceful simplicity in his music. But amongst the simplicity, the compositions, arrangements and productions on No Reino Dos Afetos tingle with nuance and detail.\u003cbr\u003e\u003cbr\u003eOn the contemporary R\u0026amp;B inspired lead single \"Quero Dizer\" - produced by Berle and long-time friend and collaborator Batata Boy - the swirling, lo-f, kalimba and guitar-fronted beat is turned into a feel-good hit by the ingenuity of Berle's honey soaked vocal melody. Powerfully intimate, \"O Nome Do Meu Amor\" (My Love's Name) is a guaranteed tearjerker, with Berle's stunning voice soaring over gently plucked acoustic guitar and the textural futter of soft movement, as if we hear him writing the song in the moment.\u003cbr\u003e\u003cbr\u003eDrawing upon a close-knit, collaborative scene of Maceió artists and musicians, (of which Berle and Batata Boy are vital members), Berle also recorded some of his friends songs on the album, including João Menezes' \"Até Meu Violao\", the album's beautifully laid back sunshine soul opener, which has all the charm of early-70s João Donato.\u003cbr\u003e\u003cbr\u003eHaving cut his teeth in soft-rock group Troco em Bala, and more recently fnding himself embedded in both Rio and Sao Paulo's contemporary music scenes - collaborating with the likes of Ana Frango Eletrico, who took the photo for the album cover - No Reino Dos Afetos is as musically diverse as Bruno himself. It's hazy indie rock (\"É Preciso Ter Amor\"), calming ambient and feld recording (\"Virginia Talk\") as well as Berle's own take on West African High Life (\"Som Nyame\").\u003cbr\u003e\u003cbr\u003eInstantly recognisable as a truly special artist, Berle's character flls every corner of the sound, which is unsurprising considering he played most of the instruments. \u003cbr\u003e\u003cbr\u003eTracks:\u003cbr\u003e1. Até Meu Violão\u003cbr\u003e2. Quero Dizer\u003cbr\u003e3. Guardo Em Tuas Mãos Estrelas\u003cbr\u003e4. Beat 1\u003cbr\u003e5. O Nome Do Meu Amor\u003cbr\u003e6. Som Nyame\u003cbr\u003e7. Virginia Talk\u003cbr\u003e8. Só O Amor\u003cbr\u003e9. Só Nós Dois\u003cbr\u003e10. Arraiada\u003cbr\u003e11. Sereno\u003cbr\u003e12. É Preciso Ter Amor\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YvRNqLmKjoM\" height=\"360\" width=\"640\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41661676421276,"sku":"FARO233CD","price":12.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image005_8026f2b9-a15d-48de-9277-67db18eb149b.jpg?v=1653576156"},{"product_id":"dudu-lima-joao-bosco-o-ronco-da-cuica","title":"DUDU LIMA \u0026 JOAO BOSCO - O RONCO DA CUíCA","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: 12\" Vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: JD054\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 5065007965108\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: Jun 2022\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: World Music\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"O Ronco Da Cuica\" (9:08)\u003cbr\u003eSide 2\u003cbr\u003e1. \"Incompatibilidade De Genios\" (3:56)\u003c\/span\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":41733953487004,"sku":"JD054","price":12.71,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_f19ab541-ed52-4c22-a702-bfc203282610.jpg?v=1656695429"},{"product_id":"joyce-with-mauricio-maestro-feminina-rsd-2023","title":"JOYCE WITH MAURICIO MAESTRO - FEMININA (RSD 2022)","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eCatalogue No.: JD53\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eBarcode: 5065007965092\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eRelease Date: Jun 2022\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eBack in stock: 25 Nov 2022\u003c\/p\u003e\n\u003cp\u003eGenre: World Music\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"Feminina\" (11:26)\u003cbr\u003eSide 2\u003cbr\u003e1. \"Joyce Interviewed By Joe Davis (4th November 2021)\" (20:53)\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":42194354339996,"sku":"JD53","price":15.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_fab1fe20-e1ec-4d00-8e4d-483ea23a344d.jpg?v=1669398925"},{"product_id":"grupo-um-starting-point-cd","title":"Grupo Um - Starting Point [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eCat. no: FARO235CD\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965344\u003cbr\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe previously unreleased debut album from 1975\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1975, under the oppressive air of military dictatorship in Brazil, brothers Lelo and Z Eduardo Nazario invited bassist Zeca Assumpcao to join their musical experiments in a basement under Sao Paulo's Teodoro Sampaio Street - As teenagers, the trio had already been playing together in Hermeto Pascoal's Grupo, alongside guitarist Toninho Horta and saxophonist Nivaldo Ornelas, and it was while working together under Hermeto's direction that the Paulista rhythm section (as they were then known) began to realise their own potential.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith many nightclubs and venues closed in the mid-70s and government censors dictating the output of radio, TV and art galleries, many Brazilian artists fed during the years of dictatorship. But underground, Grupo Um were fusing avant garde ideals with contemporary jazz and Afro Brazilian rhythm; making phenomenally free and expressive music - in stark contrast to the sterile, conservative conditions being imposed above ground.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJust like Hermeto Pascoal's Viajando Com O Som from the following year, Starting Point was recorded over two days at Vice- Versa Studios, by revered engineer Renato Viola. The studio was one of the best in Sao Paulo and musicians communicated with engineers through cameras and a monitor, allowing the group complete immersion in the process. They also made use of the studio's hemispherical tiled room, which served as an acoustic reverberation chamber.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCD Tracks: Por o da Teodoro \/ Onze por Oito \/ Organica \/ Suite Orquidea Negra \/ Jardim Candida \/ Cortejo dos Reis Negros\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":42288636690588,"sku":"FARO235CD","price":14.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_b6ea58b8-4957-42e7-b24a-37855e30dba2.webp?v=1673981155"},{"product_id":"grupo-um-starting-point-lp","title":"Grupo Um - Starting Point [LP]","description":"\u003cp\u003eCat. no: FARO235LP\u003cbr data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965337\u003cbr\u003eRelease Date: 17 Feb 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eThe previously unreleased debut album from 1975\u003c\/p\u003e\n\u003cp\u003eIn 1975, under the oppressive air of military dictatorship in Brazil, brothers Lelo and Z Eduardo Nazario invited bassist Zeca Assumpcao to join their musical experiments in a basement under Sao Paulo's Teodoro Sampaio Street - As teenagers, the trio had already been playing together in Hermeto Pascoal's Grupo, alongside guitarist Toninho Horta and saxophonist Nivaldo Ornelas, and it was while working together under Hermeto's direction that the Paulista rhythm section (as they were then known) began to realise their own potential.\u003c\/p\u003e\n\u003cp\u003eWith many nightclubs and venues closed in the mid-70s and government censors dictating the output of radio, TV and art galleries, many Brazilian artists fed during the years of dictatorship. But underground, Grupo Um were fusing avant garde ideals with contemporary jazz and Afro Brazilian rhythm; making phenomenally free and expressive music - in stark contrast to the sterile, conservative conditions being imposed above ground.\u003c\/p\u003e\n\u003cp\u003eJust like Hermeto Pascoal's Viajando Com O Som from the following year, Starting Point was recorded over two days at Vice- Versa Studios, by revered engineer Renato Viola. The studio was one of the best in Sao Paulo and musicians communicated with engineers through cameras and a monitor, allowing the group complete immersion in the process. They also made use of the studio's hemispherical tiled room, which served as an acoustic reverberation chamber.\u003c\/p\u003e\n\u003cp\u003eLP Tracks: Por o da Teodor \/ Onze por Oito \/ Organica \/ Suite Orquidea Negra \/ Jardim Candida \/ Cortejo dos Reis Negros\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":42288638296220,"sku":"FARO235LP","price":30.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_dfdfbaa2-089e-4565-9e9e-cac47db8b2a5.webp?v=1673981180"},{"product_id":"hermeto-pascoal-hermeto-lp","title":"HERMETO PASCOAL - HERMETO [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FORDIS07\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965207\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 31 Mar 23\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFar Out Recordings proudly presents Hermeto Pascoal's remarkable self-titled debut album - Recorded in 1970 at A\u0026amp;R studios in New York, the album features certifed North American titans including Ron Carter, Hubert Laws, Joe Farrel and Googie Coppola, and Brazilian stars Airto Moreira and Flora Purim (who also produced the album)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile it was Hermeto's frst album released under his own name, he had spent the decade or so prior making a name for himself in Brazil and internationally as a composer, arranger and instrumentalist with groups including Sambrassa Trio, Quarteto Novo and Brazilian Octopus, before going on to work with (amongst countless others) Edu Lobo, Antonio Carlos Jobim, Donald Byrd, Airto Moreira and Miles Davis, who allegedly called Hermeto \"one of the most important musicians on the planet\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith Hermeto's otherworldly orchestral arrangements, ghostly vocal performances from Flora Purim and Googie Coppola, and the inimitable drumming and percussion stylings of Airto Moreira, Hermeto easily rivals some of the oft- celebrated MPB albums of the early 1970s, sitting somewhere between the string-heavy magic of Arthur Verocai's 1972 debut and the unplacable early experimentalism of Pedro Santos' 1968 album Krishnanda.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his phenomenal natural musical genius and a ceaseless sense of creative freedom, Hermeto is widely known for using unconventional objects to make music. In the album's sleeve notes, Airto highlights the track \"Velório (Mourning)\" explaining how Heremto filled 36 apple juice bottles with different amounts of water and tuned them to precise pitches in order to create the beguiling harmonies heard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe reissue of Hermeto Pascoal's Hermeto, follow's Far Out's recent unveiling of a previously unheard Hermeto Pascoal live concert Planetario da Gavea from 1981, and 2017's release of Hermeto Pascoal's lost 1976 studio album: Viajando Com O Som.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracks:\u003cbr data-mce-fragment=\"1\"\u003e1. Coalhada (Yogurt)\u003cbr data-mce-fragment=\"1\"\u003e2. Hermeto\u003cbr data-mce-fragment=\"1\"\u003e3. Guizos (Bells)\u003cbr data-mce-fragment=\"1\"\u003e4. Flor Do Amor\u003cbr data-mce-fragment=\"1\"\u003e5. Alicate (Pliers)\u003cbr data-mce-fragment=\"1\"\u003e6. Velório (Mourning)\u003cbr data-mce-fragment=\"1\"\u003e7. As Marianas (The Marianas)\u003cbr data-mce-fragment=\"1\"\u003e8. Fabiola\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IhbX54kGwRU\" height=\"360\" width=\"640\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.youtube.com\/embed\/IhbX54kGwRU\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":42338642067612,"sku":"FORDIS07","price":27.88,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/image004_1256fbcd-7b64-45b0-93e9-8f7df4a1c001.jpg?v=1676118211"},{"product_id":"joyce-nana-vasconcelos-mauricio-maestro-visions-of-dawn-paris-1976-project-clear-vinyl","title":"Joyce, Nana Vasconcelos, Mauricio Maestro - Visions of Dawn (Paris 1976 Project) [Clear Vinyl]","description":"\u003cp\u003eFormat: LP, Clear Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO138LPX\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965368  \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 22 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Latin \/ Folk\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003eA1 Banana | A2 Clareana | A3 Metralhadeira | A4 Nacional Kid | A5 Tudo Bonito \u003cbr\u003e\u003cbr\u003eB1 Suite: Part 1 - Memorias Do Porvir Suite: Part 2. Visões Do Amanhecer (Visions Of Dawn) | B2 Suite: Part 3: Carnavalzinho (Little Carnaval) | B3 Jardim Dos Deuses | B4 Chegada \u003cbr\u003e\u003cbr\u003eFar Out Recordings proudly presents the limited clear vinyl edition of the in-demand Visions of Dawn album by Joyce, Nana Vasconcelos and Mauricio Maestro.\u003cbr\u003e\u003cbr\u003eRecorded in Paris, in 1976, Visions of Dawn is the stunning 'lost' Brazilian acid-folk masterpiece. First uncovered and released in 2009, the record transfixed Brazilian music lovers and fans of otherworldly psych-folk alike. Led by the sharp lyrics and gorgeous, voice of a young Joyce Moreno, the trio is completed by the late great Brazilian percussion legend Nana Vasconcelos, and master arranger, producer and bassist Mauricio Maestro.\u003cbr\u003e\u003cbr\u003eThese beautiful recordings offer a unique opportunity to sit in on the original sessions of tracks that would later become Brazilian cult-classics, like swinging samba-jazz opener 'Banana' and 'Clareana', a lullaby named after Joyce's daughters Clara and Ana. The trippiest moments come from 'Jardim Dos Deuces' (one of Frank Ocean's favourite tracks of all time) and the orgasmic album closer 'Chegeda'.\u003cbr\u003e\u003cbr\u003e“Lost classic” MOJO ****\u003cbr\u003e\u003cbr\u003e“Wonderfully lucid” Telegraph ****\u003cbr\u003e\u003cbr\u003e“A work of sensual beauty to treasure” Metro ****\u003cbr\u003e\u003cbr\u003e“Compelling…impeccable” Songlines ****\u003cbr\u003e\u003cbr\u003e“Acid-folk Masterpiece. People don’t dare make records like this, you owe it to yourself to celebrate a time when they did” WORD\u003cbr\u003e\u003cbr\u003e“It’s astonishing that the music on Visions of Dawn sat in the can for 33 years, because this intimate session by these Brazilian greats has “classic” written all over it” Signal to Noise\u003cbr\u003e\u003cbr\u003e“A fine record” UNCUT ***\u003cbr\u003e\u003cbr\u003e“A lovely slice of acoustic pop” Q ***\u003cbr\u003e\u003cbr\u003e“Gorgeous…Visions of Dawn is illuminating the past.” Waxpoetics\u003cbr\u003e \u003cbr\u003e“A great Brazilian\/Parisian classic” Dazed \u0026amp; Confused Digital \u003cbr\u003e\u003cbr\u003e“Phenomenal voice of Joyce, elaborate beautiful acoustic guitar and percussion” Playboy\u003cbr\u003e\u003cbr\u003e“An intriguing and entertaining slice of Brazilian music history” The Guardian ***\u003cbr\u003e\u003cbr\u003e“Magnificent rediscovery” BBC.co.uk\u003cbr\u003e\u003cbr\u003e“Sublime…wonderfully catchy” The Independent\u003cbr\u003e\u003cbr\u003e“Joyously infectious…highly recommended” AU 8\/10\u003cbr\u003e\u003cbr\u003e“A little classic” Gilles Peterson - Radio 1\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Joyce Moreno - Visions Of Dawn (Full Album Stream)\" src=\"https:\/\/www.youtube.com\/embed\/CG-kR6fj4Eg\" height=\"480\" width=\"691\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Far Out Recordings","offers":[{"title":"Default Title","offer_id":42351551676572,"sku":"FARO138LPX","price":29.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/FARO138LPX_3000x3000_b151cf84-fb89-49e9-bb9a-af1437f25dc0.jpg?v=1676644633"},{"product_id":"joao-donato-e-donatinho-sintetizamor-rsd-2023","title":"Joao Donato E Donatinho - Sintetizamor (RSD 2023)","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO238LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965351\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 22 Apr 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Latin \/ Funk\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003eA1 De Toda Maneira | A2 Surreal | A3 Quem É Quem | A4 Interstellar | A5 Lei Do Amor\u003cbr\u003e \u003cbr\u003eB1 Clima de Poquera | B2 Luz Negra | B3 Vamos Sair Á Francesa | B4 Ilusão de Nós | B5 Hao Chi\u003cbr\u003e\u003cbr\u003eFar Out Recordings proudly presents laid back Brazilian groove maestro Joao Donato’s synth-heavy collaboration with his son Donatinho. Sintetizamor sees the father-son duo jovially hurtle through space and time across ten tracks of sparkling pop, Brazilian boogie and club friendly disco-funk.\u003cbr\u003e \u003cbr\u003eJoao Donato has been a hugely influential figure in the development of Brazilian music since the mid-1950’s. He’s played and recorded with virtually every one of his fellow Brazilian masters. Many of his own albums (of which he’s recorded over three-dozen) are regarded with such adulation that ‘cult-favourites’ doesn’t quite cut it. \u003cbr\u003e\u003cbr\u003eAged 82 at the time, Donato’s collaboration with his prodigious, synth obsessed son Donatinho - whose keyboard talents have been called on by the likes of the late Gal Costa, Djavan and Donatinho’s contemporaries such as Diogo Strausz - was originally released back in 2017, as a limited Brazil-only release. \u003cbr\u003e\u003cbr\u003eFor Record Store Day 2023, Sintetizamor will be available on vinyl (for the first time outside of Brazil) from participating stores.\u003c\/p\u003e","brand":"Far Out Recordings","offers":[{"title":"Default Title","offer_id":42351560589468,"sku":"FARO238LP","price":27.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/JOAODONATOEDONATINHO_SINTETIZAMOR_1440X1440_cf0837d5-dcef-45a4-9565-042d8e262db8.jpg?v=1676644803"},{"product_id":"ivan-mamao-conti-katmandu","title":"IVAN 'MAMAO' CONTI - Katmandu","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: JD48\u003cbr\u003eBarcode: 5060114368309\u003cbr\u003eRelease Date: 26 Mar 2020\u003cbr data-mce-fragment=\"1\"\u003eGenre: Deep House\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"Katmandu\" (6:11)\u003cbr\u003e2. \"Katmandu\" (Pablo Valentino remix) (5:12)\u003cbr\u003eSide 2\u003cbr\u003e1. \"Katmandu\" (Jazzanova remix) (5:31)\u003cbr\u003e2. \"Katmandu\" (Eddy Ramich feat Jan Kincl \u0026amp; Regis Kattie remix) (7:31)\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":42512421486748,"sku":"JD48","price":11.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_f4322922-e46e-42d4-bbec-be3a74a63c64.jpg?v=1685989792"},{"product_id":"joyce-nana-vasconcelos-mauricio-maestro-visions-of-dawn-paris-1976-project-cd","title":"Joyce, Nana Vasconcelos, Mauricio Maestro - Visions of Dawn (Paris 1976 Project) [CD]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCat. no: FARO138CDX\u003cbr data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965382 \u003cbr\u003eRelease Date: 16 Jun 2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded in Paris, in 1976, Visions of Dawn is the stunning 'lost' Brazilian acid-folk masterpiece - First uncovered and released in 2009, the record transfxed Brazilian music lovers and fans of otherworldly psych-folk alike\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLed by the sharp lyrics and gorgeous, voice of a young Joyce Moreno, the trio is completed by the late great Brazilian percussion legend Nana Vasconcelos, and master arranger, producer and bassist Mauricio Maestro.These beautiful recordings offer a unique opportunity to sit in on the original sessions of tracks that would later become Brazilian cult-classics, like swinging samba-jazz opener 'Banana' and 'Clareana', a lullaby named after Joyce's daughters Clara and Ana. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe trippiest moments come from 'Jardim Dos Deuces' (one of Frank Ocean's favourite tracks of all time) and the orgasmic album closer 'Chegeda'.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracks: Banana \/ Clareana \/ Metralhadeira \/ Nacional Kid \/ Tudo Bonito \/ Memorias Do Porvir\/ part2 Visoes Do Amanhecer \/ Carnavalzinho (Little Carnaval) \/ Jardim Dos Deuses \/ Chegada \u003c\/span\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":42523830124700,"sku":"FARO138CDX","price":12.22,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_9f5d485d-4ff5-4b6e-8e6a-f632345724b3.webp?v=1686828337"},{"product_id":"nicola-conte-umoja-cd-1","title":"Nicola Conte - Umoja [CD]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO239CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965436\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 07 Jul 2023\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExpressing unity, oneness and harmony in Swahili, Umoja coalesces universal feelings through the multifaceted global music Conte has spent his life studying and researching.\u003cbr\u003e\u003cbr\u003eHaving released music with Blue Note, Impulse! and Schema records, Nicola Conte's relationship with Far Out began over a shared love of hard-edged bossanova and swinging samba-jazz. Between 2009-2013 Nicola Conte compiled five volumes of forgotten 60s Brazilian music for his Viagem series. He then released his critically acclaimed Natural album: a collaboration with vocalist Steffania Dippiero, featuring jazz standards alongside covers of lesser known Brazilian gems.\u003cbr\u003e\u003cbr\u003eThe music of Umoja draws on the deep-dug 70's independent spiritual and free jazz sounds, private-press soul records, and African and Afro Caribbean rhythms in Conte's collection. But he equally recognises his debt to many of the decade's more celebrated musical icons, such as North American cosmic jazz masters Lonnie Liston Smith and Gary Bartz, and Afrobeat originators Fela Kuti and Tony Allen.\u003cbr\u003e\u003cbr\u003eSince founding the Bari-based bohemian cultural movement and club night Fez at the dawn of the nineties, Conte has proven to be a pillar of the contemporary, international soul-jazz scene. Composed alongside his long-time friend, guitarist Alberto Parmegiani, Conte brings together a dazzling host of guests from around the world, including award winning British vocalist Zara Mcfarlane, acclaimed Finnish saxophonist Timo Lassy, french vibes player Simon Mullier, US vocalist Myles Sanko, rising South African drummer Fernando Damon, former Roy Hargrove bassist Ameen Saleem and Serbian fute sensation Milena Jancuric.\u003cbr\u003e\u003cbr\u003eProudly revivalist, Umoja was recorded direct to analog tape, with just two takes for each track. \u003cbr\u003e\u003cbr\u003eCD Tracks:\u003cbr\u003e1. Arise (feat. Zara McFarlane)\u003cbr\u003e2. Dance Of Love And Peace Part 1 (feat. Bridgette Amofah)\u003cbr\u003e3. Life Forces (feat. Zara McFarlane)\u003cbr\u003e4. Flying Circles (feat. Bridgette Amofah)\u003cbr\u003e5. Freedom \u0026amp; Progress (feat. Zara McFarlane)\u003cbr\u003e6. Soul Of The People (feat. Bridgette Amofah)\u003cbr\u003e7. Heritage\u003cbr\u003e8. Into The Light Of Love (feat. Miles Sanko)\u003cbr\u003e9. Umoja Unity\u003cbr\u003e10. Dance Of Love \u0026amp; Peace Part. 2 (feat. Bridgette Amofah)\u003cbr\u003e11. Arise (Instrumental)\u003cbr\u003e12. Into The Light Of Love (Instrumental)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"Nicola Conte - Arise (feat. Zara McFarlane)\" src=\"https:\/\/www.youtube.com\/embed\/DIwR5xtCu-8\" height=\"360\" width=\"640\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.youtube.com\/embed\/DIwR5xtCu-8\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":42553088999580,"sku":"FARO239CD","price":12.22,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/image002_1_0526c3ee-5539-4950-97cd-cd0bf4b30c4f.jpg?v=1688414967"},{"product_id":"antonio-adolfo-viralata","title":"ANTONIO ADOLFO - VIRALATA","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: LPA003\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5060211503504\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 15 Sep 2017\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. Cascavel\u003cbr\u003e2. Paraiba Do Sul\u003cbr\u003e3. Brincadeira Em Ré\u003cbr\u003e4. Brincadeira Em Mi Bemol\u003cbr\u003e5. Caminhada\u003cbr\u003e6. Vermelhinho\u003cbr\u003eSide 2\u003cbr\u003e1. Nordeste\u003cbr\u003e2. Alegria De Carnaval\u003cbr\u003e3. Diana E Paulo\u003cbr\u003e4. Viralata\u003cbr\u003e5. Assanhada\u003cbr\u003e6. A Marcha\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":42891103371420,"sku":"LPA003","price":30.76,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/2_405092f9-e3ce-482c-a584-e608521085cb.jpg?v=1702326344"},{"product_id":"azymuth-outubro-deep-aqua-blue-colour-vinyl","title":"Azymuth - Outubro [Deep Aqua Blue Colour Vinyl]","description":"\u003cp\u003eFormat: LP, Coloured\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: FARO190LPX\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 5065007965511\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 16 Feb 2024\u003cbr data-mce-fragment=\"1\"\u003eGenre: Jazz\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eSide 1\u003cbr\u003e1. \"Papasong\"\u003cbr\u003e2. \"500 Miles High\"\u003cbr\u003e3. \"Pantanal\"\u003cbr\u003e4. \"Dear Limmertz\"\u003cbr\u003e5. \"Carta Pro Airto (Letter To Airto)\"\u003cbr\u003eSide 2\u003cbr\u003e1. \"Outubro (October)\"\u003cbr\u003e2. \"Maracana\"\u003cbr\u003e3. \"Un Amigo (A Friend)\"\u003cbr\u003e4. \"Dear Limmertz\" (prelude)\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":43030196420764,"sku":"FARO190LPX","price":39.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_6feddde1-c79f-462a-9dc8-913a75084fe5.jpg?v=1706036226"},{"product_id":"opa-back-home-lp","title":"OPA - BACK HOME [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FARO243LP\u003cbr\u003eBarcode: 5065007965504\u003cbr\u003eRelease Date: 15 Mar 2024\u003cbr\u003eGenre: Jazz \/ Latin Music \u003c\/p\u003e\n\u003cp\u003eMeaning 'Hi' in Uruguayan slang, Opa are a South American jazz-funk phenomenon - Fusing Uruguay's native Candombe rhythms with North American jazz and pop music, Opa's space-age synthesizers, boisterous grooves and compositional magic expressed a distinctive Afro-Uruguayan voice within the global jazz vernacular: a voice which remains as vital and unique today as when it was recorded, almost half a century ago.\u003cbr\u003e-------------------------------------------------\u003cbr\u003e\u003cbr\u003eFor fans of Azymuth, Weather Report, Cortex and The Headhunters.\u003cbr\u003eSampled by Captain Murphy (aka Flying Lotus)and Madlib.\u003c\/p\u003e\n\u003cp\u003eHaving migrated to New York from Montevideo in the early seventies, Opa were heard playing in a nightclub by renowned producer and label owner Larry Rosen. At Holly Place Studios between July and August 1975, Rosen oversaw Opa's frst recordings using a four track TEAC 3340. The album would become home to some of Opa's hardest hitting funk jams, with moments of songwriting wonderment and soulful pop and rock progressions combining with the jazz-funk fusion Opa would become known for.\u003cbr\u003e\u003cbr\u003eMysteriously (for reasons unknown to the band), Opa's debut was shelved and remained so until the mid-1990s. But the Back Home recordings were used as demos, gaining Opa a record deal with Milestone Records and the subsequent release of two cult- favourite albums: Goldenwings (1976) and Magic Time (1977).\u003cbr\u003e\u003cbr\u003eOpa would also collaborate with North American titans including bassist Ron Carter, producer Creed Taylor and Brazilian icons Airto Moreira, Flora Purim, Hermeto Pascoal and Milton Nascimento. In more recent years Opa's music has found new audiences after being sampled by Captain Murphy (aka Flying Lotus) and Madlib. \u003cbr\u003e\u003cbr\u003eTracks:\u003cbr\u003e1. Goldenwings\u003cbr\u003e2. Brooklynville\u003cbr\u003e3. Brother Rada\u003cbr\u003e4. African Bird\u003cbr\u003e5. One+One+One Is Two\u003cbr\u003e6. Corre Nina\u003cbr\u003e7. Casa Forte\u003cbr\u003e8. Never Can Say Goodbye\u003cbr\u003e9. Back Home (The Inner Cry)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"910\" height=\"367\" src=\"https:\/\/www.youtube.com\/embed\/8iugFPS5euM?list=OLAK5uy_nhB218qotTezq0AaQ8f_c_m9a35Vy_bVE\" title=\"Back Home (The Inner Cry)\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Goldenwings\" src=\"https:\/\/www.youtube.com\/embed\/taxPsp6w1MM?list=OLAK5uy_nhB218qotTezq0AaQ8f_c_m9a35Vy_bVE\" height=\"367\" width=\"910\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FAR OUT RECORDINGS","offers":[{"title":"Default Title","offer_id":43137685848220,"sku":"FARO243LP","price":25.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/image002_2_3e573e14-8852-4026-a906-23a087066eb6.jpg?v=1709148550"},{"product_id":"opa-back-home-cd","title":"OPA - BACK HOME [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: FARO243CD\u003cbr\u003eBarcode: 5065007965528\u003cbr\u003eRelease Date: 15 Mar 2024\u003cbr\u003eGenre: Jazz \/ Latin Music \u003c\/p\u003e\n\u003cp\u003eMeaning 'Hi' in Uruguayan slang, Opa are a South American jazz-funk phenomenon - Fusing Uruguay's native Candombe rhythms with North American jazz and pop music, Opa's space-age synthesizers, boisterous grooves and compositional magic expressed a distinctive Afro-Uruguayan voice within the global jazz vernacular: a voice which remains as vital and unique today as when it was recorded, almost half a century ago.\u003cbr\u003e-------------------------------------------------\u003cbr\u003e\u003cbr\u003eFor fans of Azymuth, Weather Report, Cortex and The Headhunters.\u003cbr\u003eSampled by Captain Murphy (aka Flying Lotus)and Madlib.\u003c\/p\u003e\n\u003cp\u003eHaving migrated to New York from Montevideo in the early seventies, Opa were heard playing in a nightclub by renowned producer and label owner Larry Rosen. At Holly Place Studios between July and August 1975, Rosen oversaw Opa's frst recordings using a four track TEAC 3340. The album would become home to some of Opa's hardest hitting funk jams, with moments of songwriting wonderment and soulful pop and rock progressions combining with the jazz-funk fusion Opa would become known for.\u003cbr\u003e\u003cbr\u003eMysteriously (for reasons unknown to the band), Opa's debut was shelved and remained so until the mid-1990s. But the Back Home recordings were used as demos, gaining Opa a record deal with Milestone Records and the subsequent release of two cult- favourite albums: Goldenwings (1976) and Magic Time (1977).\u003cbr\u003e\u003cbr\u003eOpa would also collaborate with North American titans including bassist Ron Carter, producer Creed Taylor and Brazilian icons Airto Moreira, Flora Purim, Hermeto Pascoal and Milton Nascimento. In more recent years Opa's music has found new audiences after being sampled by Captain Murphy (aka Flying Lotus) and Madlib. \u003cbr\u003e\u003cbr\u003eTracks:\u003cbr\u003e1. Goldenwings\u003cbr\u003e2. Brooklynville\u003cbr\u003e3. Brother Rada\u003cbr\u003e4. African Bird\u003cbr\u003e5. One+One+One Is Two\u003cbr\u003e6. Corre Nina\u003cbr\u003e7. Casa Forte\u003cbr\u003e8. Never Can Say Goodbye\u003cbr\u003e9. 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