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In the Area (What a La La) — Johnny Osbourne\u003cbr\u003e02. Good Morning Teacher — Nitty Gritty\u003cbr\u003e03. The Exit — Dennis Brown\u003cbr\u003e04. My Lord My God — Wayne Smith\u003cbr\u003e05. Don't Touch the Crack — Little Kirk\u003cbr\u003e06. In Thing — Wayne Smith\u003cbr\u003e07. Icky All Over — Wayne Smith\u003cbr\u003e08. Life Story — Tonto Irie\u003cbr\u003e09. Original Kuff — Chaka Demus\u003cbr\u003e10. We Rule the Dancehall — Chuck Turner\u003cbr\u003e11. Come Now — Robert Lee\u003cbr\u003e12. E20 — Wayne Smith\u003cbr\u003e13. Jack Slick — Junior Murvin\u003cbr\u003e14. Dancehall Vibes — Anthony Johnson\u003cbr\u003e15. Rock Them One by One — Eccleton Jarrett\u003cbr\u003e16. Midnight Hour — Robert Lee \u0026amp; Bunny General\u003cbr\u003e17. Jam Down Posse — Red Dragon\u003cbr\u003e18. We Gonna Rock It Tonight (Dub Plate Playing) — Johnny Osbourne\u003cbr\u003e19. Ram Dance Man — Leslie Thunder\u003cbr\u003e20. Love Me Stylee — Robert Lee\u003cbr\u003e21. In the Area (Version) — King Jammys\u003cbr\u003e22. The Exit (Version) — King Jammys\u003cbr\u003e23. Don't Touch the Crack (Version) — King Jammys\u003cbr\u003e24. In Thing (Version) — King Jammys\u003cbr\u003e25. Icky All Over (Version) — King Jammys\u003cbr\u003e26. We Rule the Dancehall (Version) — King Jammys\u003cbr\u003e27. Original Kuff (Version) — King Jammys\u003cbr\u003e28. Come Now (Version) — King Jammys\u003cbr\u003e29. E20 (Version) — King Jammys\u003cbr\u003e30. Jack Slick (Version) — King Jammys\u003cbr\u003e31. Rock Them One by One (Version) — King Jammys\u003cbr\u003e32. Midnight Hour (Version) — King Jammys\u003cbr\u003e33. Jam Down Posse (Version) — King Jammys\u003cbr\u003e34. We Gonna Rock It Tonight (Version) — King Jammys\u003cbr\u003e35. Love Me Stylee (Version) — King Jammys\u003c\/p\u003e\n\u003cp\u003eDub Store Records presents King Jammys Dancehall 1985-89, Part 1.\u003cbr\u003e\u003cbr\u003eThe \"Digital Revolution\" occurred in the Jamaican music industry by a single rhythm called \"Sleng Teng\". The responsible person for the rhythm was King Jammy who was the owner and producer of the Jammys label. The label dominated the scene between 1985 and 1989, and released a vast number of material. Dub Store Records compiles the best of the 80's heavyweight Dancehall from the Jammys catalogue. The collection consists of \"Disc One: Vocals \u0026amp; Deejays\" and \"Disc Two: Instrumental Dub Version\". Each disc features popular songs and instrumental dub versions on the \"Heavenless\", \"Love Punanny Bad\" and \"Far East\" rhythms, among others. 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These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now...;\u003cbr\u003e\u003cbr\u003eIt is next to impossible to ever overstate the importance of The Wailers to the history of Jamaican music and, as the last surviving member of the group, Bunny Wailer rightly regards himself as the sole keeper of their history ever mindful of the group's exalted position in the story of reggae music and the importance of their legacy. In 2010 Dub Store were proud to be able to work with Bunny on re-releasing a selection of his earliest recordings for the Solomonic label, lovingly restored and presented in reproduction sleeves and labels, on limited edition seven and twelve inch singles. Now, taking another step forward, we are more than proud to present Bunny's timeless music on two beautifully packaged CD's and double LP's. Bunny's first solo album, 'Blackheart Man' originally released in 1976 on his own Solomonic label in Jamaica and on Island in the UK, is one of the undisputed all time classics of Jamaican music and established Bunny Wailer as a highly respected, world renowned artist in his own right. During this period Bunny also produced a series of singles released in Jamaica and the UK in strictly limited quantities without the benefit of international distribution, that are every bit as good and, in some cases, even better than this awesome debut long player. Original copies have subsequently become highly prized, and highly priced, collector's items. \"Classic rarities\" is an overused and abused term too often employed to describe average records that failed to sell on their initial release but both 'Tread Along' and 'Rise \u0026amp; Shine' are packed from beginning to end with a searing selection of some of the greatest and hardest to find reggae records ever produced. 'Tread Along' opens, naturally enough, with 'Tread Along' from 1969, one of the last singles for The Wailers' own Wail N Soul M label, and runs through the first release on the Solomonic label, 'Searching For Love' also known as 'Search For I', 'Bide Up' released as 1974 drew to a close, a radical reworking of 'Pass It On' and a marked contrast to the version on The Wailers' 'Burnin'', album, 'Life Line' and the prophetic 'Arabs Oil Weapon' kept the pressure on as Bunny began outlining the flawless 'Blackheart Man' album. Each release was a certified classic in its own right. Peter Tosh's melodica version to Bunny's 'Amagideon' ('Armageddon'), the first track on 'Rise \u0026amp; Shine', is followed by 'Love Fire', an update of another Wail N Soul M track, 'Fire Fire'\/'Babylon Burning', through to one of the deepest roots records ever created, 'Rise \u0026amp; Shine', on to 'Riding' from the 'Bunny Wailer Sings The Wailers' sessions (but not featured on the album) and a huge hit in the UK in 1981, and closing with 'Rule Dance Hall' from 1985. No idle boast...; The liner notes feature the story of The Wailers, as told to Dub Store by Bunny himself in Kingston in an enlightening 2012 interview, and rarely seen contemporary photographs complete these essential releases. The music of Bunny Wailer was not only a medium for change and protest but also to elucidate and educate and 'Tread Along' and 'Rise \u0026amp; Shine' finally complete the canon of un-compiled Wailers music. \"I'm quite satisfied, you know, reggae music is the kind of music that although sometimes you would look at it and say...; boy, it's hard...; then again you look at what it has done for the people of the world you know that that couldn't be locked up in a little place like Jamaica!\" Bunny Wailer\u003c\/p\u003e","brand":"Solomonic\/Dub Store Japan","offers":[{"title":"Default Title","offer_id":37634202697884,"sku":"DSRLP011","price":50.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_556872b3-861e-4c93-b9d4-2301a519bbe3.jpg?v=1711491398"},{"product_id":"bunny-wailer-solomonic-singles-1-tread-along-1969-1976","title":"Bunny WAILER - Solomonic Singles 1: Tread Along 1969-1976","description":"\u003cp\u003eFormat: gatefold 2xLP\u003cbr data-mce-fragment=\"1\"\u003eCat: DSRLP010\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 30th June 2016\u003cbr data-mce-fragment=\"1\"\u003eGenre: Roots\/Lovers Rock\u003c\/p\u003e\n\u003cp\u003eA1 Bunny Wailer– Tread Along 2:51\u003cbr\u003eA2 Bunny Wailer– Bide Up 2:26\u003cbr\u003eA3 Bunny Wailer– Searching For Love 3:26\u003cbr\u003eA4 Tuff Gong All Stars– Must Skank 3:15\u003cbr\u003eA5 The Wailers– Life Line 2:20\u003cbr\u003eB1 The Wailers– Pass It On 3:39\u003cbr\u003eB2 Solomonic All Stars– Trod On 3:04\u003cbr\u003eB3 The Wailers– Arabs Oil Weapon 3:36\u003cbr\u003eB4 Solomonic All Stars– Dubd 3:45\u003cbr\u003eC1 Bunny Wailer– Amagideon 6:24\u003cbr\u003eC2 Solomonic All Stars– Amagideon Dub 6:19\u003cbr\u003eC3 Bunny Wailer– Dream Land 2:41\u003cbr\u003eD1 Bunny Wailer– Battering Down Sentence 4:42\u003cbr\u003eD2 Solomonic All Stars– Battering Down Sentence Version 4:20\u003cbr\u003eD3 Bunny Wailer– Rasta Man 4:00\u003c\/p\u003e","brand":"Solomonic\/Dub Store Japan","offers":[{"title":"Default Title","offer_id":37634204336284,"sku":"DSRLP010","price":50.38,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BunnyWAILER-SolomonicSingles1TreadAlong1969-1976.jpg?v=1611925481"},{"product_id":"derrick-harriott-various-reggae-funk-soul-1969-1975","title":"Derrick HARRIOTT \/ VARIOUS - Reggae Funk \u0026 Soul 1969-1975","description":"\u003cp\u003eFormat: gatefold 2xLP\u003cbr data-mce-fragment=\"1\"\u003eCat: DSRLP009\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 13th October 2016\u003cbr data-mce-fragment=\"1\"\u003eGenre: Classics\/Ska\u003c\/p\u003e\n\u003cp\u003e01: Black Moses - Preacher\u003cbr\u003e02: People Makes the World Go Round - Chosen Few\u003cbr\u003e03: Psychedelic Train - Derrick Harriott\u003cbr\u003e04: Stranger in Town - Crystalites\u003cbr\u003e05: Slippery - Karl Bryan \u0026amp; Crystalites\u003cbr\u003e06: Message from a Black Man - Derrick Harriott\u003cbr\u003e07: Am I Black Enough - Chosen Few\u003cbr\u003e08: Home Sweet Home - Bongo Herman \u0026amp; Les\u003cbr\u003e09: Hail I - Bongo Herman \u0026amp; Les\u003cbr\u003e10: A Handful of Friends - Pat Satchmo\u003cbr\u003e11: Tougher Than Tough - I Roy\u003cbr\u003e12: Brown Baby - Derrick Harriott\u003cbr\u003e13: Hell Below - Crystal Generation\u003cbr\u003e14: Golden Chickens - Ramon \u0026amp; Crystalites\u003cbr\u003e15: Going Back Home - Chosen Few\u003cbr\u003e16: Phoenix - Noel Brown\u003cbr\u003e17: Right from Wrong - Kingstonians\u003cbr\u003e18: I'm Sorry - Chosen Few\u003cbr\u003e19: Just Want to Be Your Joy - Kim Harriott\u003cbr\u003e20: Rescue the Children - Junior Murvin\u003c\/p\u003e\n\u003cp\u003eThe premier exponent of soul inspired reggae presents a perceptive set of early seventies recordings\u003cbr\u003e\u003cbr\u003eBlack, proud and saying it loud, Derrick Harriott, interprets the music of the American black consciousness movement in Kingston, Jamaica for this sophisticated collection\u003cbr\u003e\u003cbr\u003eAfter an incredible sixty years in the Jamaican music business the ever youthful Derrick Harriott is still actively involved in making music, reissuing classics from his copious catalogue, performing stage shows that would exhaust a man half his age and continuing to run his record shop in Half Way Tree, Kingston, Jamaica.\u003cbr\u003e\u003cbr\u003eDerrick Harriott first entered the musical arena in 1955 through Vere Johns Junior's Opportunity Hour talent contest where his solo renditions of 'When You Dance' proved very popular with one of the most demanding audiences in the world. After teaming up with a school friend, Claude Sang Jnr., in 1957 they began to practise on a \"captured piano in the main assembly hall during breaks\" and the duo sailed through the opening rounds of the Opportunity Hour talent contests before eventually coming second in the finals with 'I'm In Love'.\u003cbr\u003e\u003cbr\u003eSang \u0026amp; Harriott began to appear on Vere Johns Junior's 'Opportunity Knocks' radio show and Bim \u0026amp; Bam's live concerts around the island covering the hottest current American rhythm \u0026amp; blues records on Kingston's sound system circuit. Their next move was down to Stanley Motta's Recording Studio on Hanover Street, Kingston to record a self-financed acetate of the duo's own composition, 'Lollipop Girl', and the transcription disc, or dub plate, then became one of the hottest hits on said circuit. The following year Derrick formed the original Jiving Juniors with Derrick on lead tenor and falsetto, Claude's younger brother Herman Sang on piano, Maurice Wynter on tenor and Eugene Dwyer on bass.\u003cbr\u003e\u003cbr\u003eAfter emigrating to New York in 1959 Derrick met with Claude Sang Jnr. And formed the second incarnation of the group with Jimmy Mudahy, Winston Service and Valmont Burke. Derrick returned to Kingston and re-recorded 'Lollipop Girl' for Duke Reid, which was a huge hit, and The Jiving Juniors began to record a string of hits for Duke Reid, Coxsone Dodd and Chris Blackwell's R\u0026amp;B label. The group also recorded at the prestigious Mirasound Recording Studios in New York but, despite their success, The Jiving Juniors disbanded in 1962 when Derrick made his first solo recording, an adaptation of Donnie Elbert's 'What Can I Do?', which he released on his own Crystal label. This first release went straight into the Top Five and after 'I Care' reached Number Two and 'Sugar Dandy' reached Number Three on the Jamaican Hit Parade there was no looking back for Derrick Harriott.\u003cbr\u003e\u003cbr\u003e1966 proved to be a landmark year for Derrick as he opened his own record shop and distribution at 125 King Street in downtown Kingston and, like so many other Jamaican vocalists, he began to come into his own artistically with the gentler, more reflective rocksteady beat. Although heavily influenced by the music then emanating from America rocksteady proved to be an exciting and authentically new wholly Jamaican style and Derrick Harriott proved to be one its greatest exponents. A perfectionist who was never satisfied to accept the first, second or third take Derrick became well known as a painstaking task master in the studio… in the nicest possible way.\u003cbr\u003e\u003cbr\u003eA stunning selection of some of his rocksteady classics from between 1966 and 1969 is featured on this release ranging from Derrick's biggest hits such as 'Solomon' and 'Do I Worry' and the legendary Keith \u0026amp; Tex with 'Stop That Train' and 'Tonight' to sought after obscurities including Junior Soul's 'Glendevon Special' and 'Magic Touch' and instrumentals from Bobby Ellis.\u003cbr\u003e\u003cbr\u003eJunior Soul would later find international fame and fortune as Junior Murvin with 'Police \u0026amp; Thieves' and, by moving (and grooving) with the ever evolving styles and fashions, Derrick's copious catalogue of rocksteady classics began to form the backdrop to a slew of reggae classics from 1969 onwards. These included many of his spaghetti western themed instrumental records and pioneering deejay excursions with deejay Scotty on a series of hits. In 1972 Scotty's update of 'Stop That Train', entitled 'Draw Your Brakes', played over the opening credits of the seminal 'The Harder They Come' film and The Beastie Boys and Vanilla Ice later sampled　Derrick's original version. The rhythms were returned to once again for Derrick's two classic dub LP's 'Scrub A Dub' and 'More Scrubbin' The Dub' and Derrick became the first producer to work with Dennis Brown after hearing him singing 'Solomon' on Byron Lee's stage shows.\u003cbr\u003e\u003cbr\u003eHis classic catalogue continues to exert a profound international influence and the timeless music of Derrick Harriott and his Musical Chariot, forerunners in Jamaican music from its very beginning, will always outdistance the opposition.\u003c\/p\u003e","brand":"Dub Store Japan","offers":[{"title":"Default Title","offer_id":37634204893340,"sku":"DSRLP009","price":28.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_b33e4d6b-814e-480f-b1f7-0e64c95e5e1e.jpg?v=1651296964"},{"product_id":"derrick-harriott-various-rock-steady-1966-1969","title":"Derrick HARRIOTT \/ VARIOUS - Rock Steady 1966-1969","description":"Format: gatefold 2xLP\u003cbr data-mce-fragment=\"1\"\u003eCat: DSRLP008\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 13th July 2016\u003cbr data-mce-fragment=\"1\"\u003eGenre: Classics\/Ska\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Dub Store","offers":[{"title":"Default Title","offer_id":37634205253788,"sku":"DSRLP008","price":28.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/DerrickHARRIOTTVARIOUS-RockSteady1966-1969.jpg?v=1611925518"},{"product_id":"lynn-taitt-the-jets-sounds-rock-steady","title":"Lynn TAITT \u0026 THE JETS - 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