{"title":"Dead Oceans","description":"","products":[{"product_id":"bright-eyes-down-in-the-weeds-where-the-world-once-was","title":"BRIGHT EYES - Down In The Weeds Where The World Once Was","description":"\u003cp\u003eFormat: 2xLP\u003cbr\u003eCat: DOC 210LP\u003cbr\u003eBarcode: 656605151014\u003cbr\u003eReleased: 21st August 2020\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eA1 Pageturners Rag\u003cbr\u003eA2 Dance And Sing\u003cbr\u003eA3 Just Once In The World\u003cbr\u003eA4 Mariana Trench\u003cbr\u003eB1 One And Done\u003cbr\u003eB2 Pan And Broom\u003cbr\u003eB3 Stairwell Song\u003cbr\u003eB4 Persona Non Grata\u003cbr\u003eB5 Tilt-A-Whirl\u003cbr\u003eB6 Hot Car In The Sun\u003cbr\u003eC1 Forced Convalescence\u003cbr\u003eC2 To Death's Heart (In Three Parts)\u003cbr\u003eC3 Calais To Dover\u003cbr\u003eC4 Comet Song\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":35208201437340,"sku":"DOC210LP","price":25.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/BRIGHTEYES-DownInTheWeedsWhereTheWorldOnceWas.jpg?v=1595781923"},{"product_id":"fenne-lily-breach-cd","title":"Fenne Lily - BREACH [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DOC208CD\u003cbr\u003eBarcode: 0656605150826\u003cbr\u003eRelease Date: 18th September 2020\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003e Isolation is nothing new for Fenne Lily - in fact, she’s written an album of songs all about it. “It’s kind of like writing a letter, and leaving it in a book that you know you’ll get out when you’re sad - like a message to yourself in the future,” she says, referring to ‘BREACH’, her Dead Oceans debut she wrote during a period of self-enforced isolation pre-epidemic.\u003cbr\u003e It’s an expansive, diaristic, frequently sardonic record that deals with the mess and the catharsis of entering your 20s and finding peace while being alone. “I think this record is proof that I can be emotionally stable, even if right now I feel a little bit up and down,” says Fenne. “There’s the ability to find clarity in that. It’s sobering, weirdly.”\u003cbr\u003e Fenne was born in London and moved to Dorset as a toddler, where she grew up in the picturesque English countryside. She was a ‘free range kid’, as she calls it, after her parents took her out of school for a period at the age of seven. Over the following year, they taught her while the family travelled Europe in a live-in bus. Even after she returned to traditional school at 9, her home education never ended, extending to music. Her mother gifted Fenne with her old record collection, through which she discovered her love for T-Rex and the Velvet Underground and Nico. Soon after she fell for the strange genius of PJ Harvey and came to worship Nick Drake, Joni Mitchell and the richly crafted worlds of Feist, which inspired Fenne to pick up a guitar.\u003cbr\u003e It’s that journey to find peace inside herself that underpins the whole of Fenne’s second album. Its title, ‘BREACH’, occurred to Fenne after deep conversations with her mum about her birth, during which she was breech, or upside down in the womb. The slippery double-sidedness of the word - which, spelled with an ‘A’, means to ‘break through’ - drew her in. “That feels like what I was doing in this record; I was breaking through a wall that I built for myself, keeping myself safe, and dealing with the downside of feeling lonely and alone. I realized that I am comfortable in myself, and I don’t need to fixate on relationships to make myself feel like I have something to talk about. I felt like I broke through a mental barrier in that respect.” Even though it also carries implications of awkwardness, rebellion and breakage, it’s a wide-reaching word, representing new beginnings and birth.\u003cbr\u003e Available to independent retailers on coloured vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eTo Be a Woman Pt. 1\u003cbr\u003eAlapathy\u003cbr\u003eBerlin\u003cbr\u003eElliott\u003cbr\u003eI, Nietzsche\u003cbr\u003eBirthday\u003cbr\u003eBlood Moon\u003cbr\u003eSolipsism\u003cbr\u003eI Used To Hate My Body\u003cbr\u003eBut Now I Just Hate You\u003cbr\u003e‘98\u003cbr\u003eSomeone Else’s Trees\u003cbr\u003eLaundry And Jet Lag\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":35704728715420,"sku":"DOC208CD","price":12.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/FenneLily-BREACH.jpg?v=1598439431"},{"product_id":"fenne-lily-breach-coloured-vinyl","title":"Fenne Lily - BREACH [Coloured Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.:\u003cspan\u003e DOC208LP-C2\u003c\/span\u003e\u003cbr\u003eBarcode:\u003cspan\u003e \u003c\/span\u003e0656605150840\u003cbr\u003eRelease Date: 18th September 2020\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003e Isolation is nothing new for Fenne Lily - in fact, she’s written an album of songs all about it. “It’s kind of like writing a letter, and leaving it in a book that you know you’ll get out when you’re sad - like a message to yourself in the future,” she says, referring to ‘BREACH’, her Dead Oceans debut she wrote during a period of self-enforced isolation pre-epidemic.\u003cbr\u003e It’s an expansive, diaristic, frequently sardonic record that deals with the mess and the catharsis of entering your 20s and finding peace while being alone. “I think this record is proof that I can be emotionally stable, even if right now I feel a little bit up and down,” says Fenne. “There’s the ability to find clarity in that. It’s sobering, weirdly.”\u003cbr\u003e Fenne was born in London and moved to Dorset as a toddler, where she grew up in the picturesque English countryside. She was a ‘free range kid’, as she calls it, after her parents took her out of school for a period at the age of seven. Over the following year, they taught her while the family travelled Europe in a live-in bus. Even after she returned to traditional school at 9, her home education never ended, extending to music. Her mother gifted Fenne with her old record collection, through which she discovered her love for T-Rex and the Velvet Underground and Nico. Soon after she fell for the strange genius of PJ Harvey and came to worship Nick Drake, Joni Mitchell and the richly crafted worlds of Feist, which inspired Fenne to pick up a guitar.\u003cbr\u003e It’s that journey to find peace inside herself that underpins the whole of Fenne’s second album. Its title, ‘BREACH’, occurred to Fenne after deep conversations with her mum about her birth, during which she was breech, or upside down in the womb. The slippery double-sidedness of the word - which, spelled with an ‘A’, means to ‘break through’ - drew her in. “That feels like what I was doing in this record; I was breaking through a wall that I built for myself, keeping myself safe, and dealing with the downside of feeling lonely and alone. I realized that I am comfortable in myself, and I don’t need to fixate on relationships to make myself feel like I have something to talk about. I felt like I broke through a mental barrier in that respect.” Even though it also carries implications of awkwardness, rebellion and breakage, it’s a wide-reaching word, representing new beginnings and birth.\u003cbr\u003e Available to independent retailers on coloured vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eTo Be a Woman Pt. 1\u003cbr\u003eAlapathy\u003cbr\u003eBerlin\u003cbr\u003eElliott\u003cbr\u003eI, Nietzsche\u003cbr\u003eBirthday\u003cbr\u003eBlood Moon\u003cbr\u003eSolipsism\u003cbr\u003eI Used To Hate My Body\u003cbr\u003eBut Now I Just Hate You\u003cbr\u003e‘98\u003cbr\u003eSomeone Else’s Trees\u003cbr\u003eLaundry And Jet Lag\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":35704797954204,"sku":"DOC208LP-C2","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/FenneLily-BREACH_37f32472-ee49-4b72-860d-7493abbb0244.jpg?v=1598439764"},{"product_id":"fenne-lily-breach-lp","title":"Fenne Lily - BREACH [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.:\u003cspan\u003e DOC208LP\u003c\/span\u003e\u003cbr\u003eBarcode:\u003cspan\u003e 0656605150819 \u003c\/span\u003e\u003cbr\u003eRelease Date: 18th September 2020\u003cbr\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003e Isolation is nothing new for Fenne Lily - in fact, she’s written an album of songs all about it. “It’s kind of like writing a letter, and leaving it in a book that you know you’ll get out when you’re sad - like a message to yourself in the future,” she says, referring to ‘BREACH’, her Dead Oceans debut she wrote during a period of self-enforced isolation pre-epidemic.\u003cbr\u003e It’s an expansive, diaristic, frequently sardonic record that deals with the mess and the catharsis of entering your 20s and finding peace while being alone. “I think this record is proof that I can be emotionally stable, even if right now I feel a little bit up and down,” says Fenne. “There’s the ability to find clarity in that. It’s sobering, weirdly.”\u003cbr\u003e Fenne was born in London and moved to Dorset as a toddler, where she grew up in the picturesque English countryside. She was a ‘free range kid’, as she calls it, after her parents took her out of school for a period at the age of seven. Over the following year, they taught her while the family travelled Europe in a live-in bus. Even after she returned to traditional school at 9, her home education never ended, extending to music. Her mother gifted Fenne with her old record collection, through which she discovered her love for T-Rex and the Velvet Underground and Nico. Soon after she fell for the strange genius of PJ Harvey and came to worship Nick Drake, Joni Mitchell and the richly crafted worlds of Feist, which inspired Fenne to pick up a guitar.\u003cbr\u003e It’s that journey to find peace inside herself that underpins the whole of Fenne’s second album. Its title, ‘BREACH’, occurred to Fenne after deep conversations with her mum about her birth, during which she was breech, or upside down in the womb. The slippery double-sidedness of the word - which, spelled with an ‘A’, means to ‘break through’ - drew her in. “That feels like what I was doing in this record; I was breaking through a wall that I built for myself, keeping myself safe, and dealing with the downside of feeling lonely and alone. I realized that I am comfortable in myself, and I don’t need to fixate on relationships to make myself feel like I have something to talk about. I felt like I broke through a mental barrier in that respect.” Even though it also carries implications of awkwardness, rebellion and breakage, it’s a wide-reaching word, representing new beginnings and birth.\u003cbr\u003e Available to independent retailers on coloured vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eTo Be a Woman Pt. 1\u003cbr\u003eAlapathy\u003cbr\u003eBerlin\u003cbr\u003eElliott\u003cbr\u003eI, Nietzsche\u003cbr\u003eBirthday\u003cbr\u003eBlood Moon\u003cbr\u003eSolipsism\u003cbr\u003eI Used To Hate My Body\u003cbr\u003eBut Now I Just Hate You\u003cbr\u003e‘98\u003cbr\u003eSomeone Else’s Trees\u003cbr\u003eLaundry And Jet Lag\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":35704813846684,"sku":"DOC208LP","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/FenneLily-BREACH_70e30f95-8554-48a6-97dc-38099d6cc1dc.jpg?v=1598439830"},{"product_id":"kevin-morby-sundowner-cd","title":"Kevin Morby - Sundowner [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DOC231CD\u003cbr\u003eRelease Date: 16th October 2020\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eIn the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn’t help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own.\u003c\/p\u003e\n\u003cp\u003eAs the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o’clock in the summer, when the sunsets are warm and abstract.\u003c\/p\u003e\n\u003cp\u003eLanding back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it’s nickname, The Little Los Angeles.\u003c\/p\u003e\n\u003cp\u003eIn January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and\u003cbr\u003einspired me to play almost everything else. All lead guitar, proper drums (save the drums on “A Night At The Little Los Angeles”), mellotron and what I believe to be the albums secret weapon - a WWII era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit.\u003c\/p\u003e\n\u003cp\u003eOn the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance.\u003c\/p\u003e\n\u003cp\u003eAlmost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished.\u003c\/p\u003e\n\u003cp\u003eSongs, like sunsets, are fleeting, and it’s only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight -- it’s beauty profound, though not always immediate -- into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky’s proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. -- Kevin Morby, Kansas, 2020.\u003c\/p\u003e\n\u003cp\u003e~ Exclusive UK \/ EU initial pressing on limited edition Clear Pink Vinyl and additional limited edition retail pressing on Opaque Yellow Vinyl.\u003cbr\u003e~ Produced by Brad Cook (Bon Iver, Waxahatchee, Whitney, Hand Habits, Bruce Hornsby + more)\u003cbr\u003e~ Multiple singles over 10M streams; “BeautifuL Strangers” over 20M\u003cbr\u003e~ ATD over 115,000 c onsumption to date US w\/ strong physical, over 55,000\u003cbr\u003e~ Last Year’s ‘Oh My God’ approaching 10,000 Consumption US w\/ strong physical, over 7,500\u003cbr\u003e~ Social: 13.5k Twitter, 62.5k Instagram, 17.7k Youtube\u003c\/p\u003e\n\u003cp\u003eSIDE A:\u003cbr\u003e1. Valley\u003cbr data-mce-fragment=\"1\"\u003e2. Brother, Sister\u003cbr data-mce-fragment=\"1\"\u003e3. Sundowner\u003cbr data-mce-fragment=\"1\"\u003e4. Campfire\u003cbr data-mce-fragment=\"1\"\u003e5. Wander\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE B:\u003cbr\u003e6. Don’t Underestimate Midwest American Sun\u003cbr\u003e7.A Night At The Little Los Angeles\u003cbr\u003e8. Jamie\u003cbr\u003e9. Velvet Highway\u003cbr\u003e10. Provisions\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":35804736225436,"sku":"DOC231CD","price":13.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc231.km.sundowner.fc.3000.jpg?v=1598988037"},{"product_id":"kevin-morby-sundowner-lp","title":"Kevin Morby - Sundowner [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: DOC231LP\u003cbr\u003eRelease Date: 16th October 2020\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eIn the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn’t help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own.\u003c\/p\u003e\n\u003cp\u003eAs the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o’clock in the summer, when the sunsets are warm and abstract.\u003c\/p\u003e\n\u003cp\u003eLanding back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it’s nickname, The Little Los Angeles.\u003c\/p\u003e\n\u003cp\u003eIn January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and\u003cbr\u003einspired me to play almost everything else. All lead guitar, proper drums (save the drums on “A Night At The Little Los Angeles”), mellotron and what I believe to be the albums secret weapon - a WWII era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit.\u003c\/p\u003e\n\u003cp\u003eOn the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance.\u003c\/p\u003e\n\u003cp\u003eAlmost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished.\u003c\/p\u003e\n\u003cp\u003eSongs, like sunsets, are fleeting, and it’s only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight -- it’s beauty profound, though not always immediate -- into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky’s proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. -- Kevin Morby, Kansas, 2020.\u003c\/p\u003e\n\u003cp\u003e~ Exclusive UK \/ EU initial pressing on limited edition Clear Pink Vinyl and additional limited edition retail pressing on Opaque Yellow Vinyl.\u003cbr\u003e~ Produced by Brad Cook (Bon Iver, Waxahatchee, Whitney, Hand Habits, Bruce Hornsby + more)\u003cbr\u003e~ Multiple singles over 10M streams; “BeautifuL Strangers” over 20M\u003cbr\u003e~ ATD over 115,000 c onsumption to date US w\/ strong physical, over 55,000\u003cbr\u003e~ Last Year’s ‘Oh My God’ approaching 10,000 Consumption US w\/ strong physical, over 7,500\u003cbr\u003e~ Social: 13.5k Twitter, 62.5k Instagram, 17.7k Youtube\u003c\/p\u003e\n\u003cp\u003eSIDE A:\u003cbr\u003e1. Valley\u003cbr data-mce-fragment=\"1\"\u003e2. Brother, Sister\u003cbr data-mce-fragment=\"1\"\u003e3. Sundowner\u003cbr data-mce-fragment=\"1\"\u003e4. Campfire\u003cbr data-mce-fragment=\"1\"\u003e5. Wander\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE B:\u003cbr\u003e6. Don’t Underestimate Midwest American Sun\u003cbr\u003e7.A Night At The Little Los Angeles\u003cbr\u003e8. Jamie\u003cbr\u003e9. Velvet Highway\u003cbr\u003e10. Provisions\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":35804741632156,"sku":"DOC231LP","price":21.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc231.km.sundowner.fc.3000_a30e96ac-371a-4e32-8396-be85b499b255.jpg?v=1598988069"},{"product_id":"kevin-morby-sundowner-pink-vinyl","title":"Kevin Morby - Sundowner [Pink Vinyl]","description":"\u003cp\u003eFormat: LP-C3\u003cbr\u003eCatalogue No.:\u003cspan\u003e DOC231LP-C3\u003c\/span\u003e\u003cbr\u003eRelease Date: 16th October 2020\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eIn the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn’t help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own.\u003c\/p\u003e\n\u003cp\u003eAs the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o’clock in the summer, when the sunsets are warm and abstract.\u003c\/p\u003e\n\u003cp\u003eLanding back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it’s nickname, The Little Los Angeles.\u003c\/p\u003e\n\u003cp\u003eIn January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and\u003cbr\u003einspired me to play almost everything else. All lead guitar, proper drums (save the drums on “A Night At The Little Los Angeles”), mellotron and what I believe to be the albums secret weapon - a WWII era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit.\u003c\/p\u003e\n\u003cp\u003eOn the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance.\u003c\/p\u003e\n\u003cp\u003eAlmost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished.\u003c\/p\u003e\n\u003cp\u003eSongs, like sunsets, are fleeting, and it’s only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight -- it’s beauty profound, though not always immediate -- into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky’s proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. -- Kevin Morby, Kansas, 2020.\u003c\/p\u003e\n\u003cp\u003e~ Exclusive UK \/ EU initial pressing on limited edition Clear Pink Vinyl and additional limited edition retail pressing on Opaque Yellow Vinyl.\u003cbr\u003e~ Produced by Brad Cook (Bon Iver, Waxahatchee, Whitney, Hand Habits, Bruce Hornsby + more)\u003cbr\u003e~ Multiple singles over 10M streams; “BeautifuL Strangers” over 20M\u003cbr\u003e~ ATD over 115,000 c onsumption to date US w\/ strong physical, over 55,000\u003cbr\u003e~ Last Year’s ‘Oh My God’ approaching 10,000 Consumption US w\/ strong physical, over 7,500\u003cbr\u003e~ Social: 13.5k Twitter, 62.5k Instagram, 17.7k Youtube\u003c\/p\u003e\n\u003cp\u003eSIDE A:\u003cbr\u003e1. Valley\u003cbr data-mce-fragment=\"1\"\u003e2. Brother, Sister\u003cbr data-mce-fragment=\"1\"\u003e3. Sundowner\u003cbr data-mce-fragment=\"1\"\u003e4. Campfire\u003cbr data-mce-fragment=\"1\"\u003e5. Wander\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE B:\u003cbr\u003e6. Don’t Underestimate Midwest American Sun\u003cbr\u003e7.A Night At The Little Los Angeles\u003cbr\u003e8. Jamie\u003cbr\u003e9. Velvet Highway\u003cbr\u003e10. Provisions\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":35804745367708,"sku":"DOC231LP-C3","price":19.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc231.km.sundowner.fc.3000_6cb0e390-f726-4438-99e4-7d0b816db0b8.jpg?v=1598988095"},{"product_id":"shame-all-the-hits","title":"SHAME - ALL THE HITS","description":"Format: VL\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC187LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605148717\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 16th November 2018\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":36413983162524,"sku":"DOC187LP","price":8.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/SHAME-ALLTHEHITS.jpg?v=1602346453"},{"product_id":"shame-songs-of-praise-cd","title":"SHAME - SONGS OF PRAISE [CD]","description":"Format: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC144CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605144429\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 12th January 2018\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":36414037131420,"sku":"DOC144CD","price":7.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/SHAME-SONGSOFPRAISE_CD.jpg?v=1602346704"},{"product_id":"shame-songs-of-praise-vl","title":"SHAME - SONGS OF PRAISE [VL]","description":"\u003cp\u003eFormat: VL\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC144LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605144412\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 12th January 2018\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eA1 Dust On Trial\u003cbr\u003eA2 Concrete\u003cbr\u003eA3 One Rizla\u003cbr\u003eA4 The Lick\u003cbr\u003eA5 Tasteless\u003cbr\u003eB1 Donk\u003cbr\u003eB2 Gold Hole\u003cbr\u003eB3 Friction\u003cbr\u003eB4 Lampoon\u003cbr\u003eB5 Angie\u003cbr\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":36414045520028,"sku":"DOC144LP","price":15.1,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/SHAME-SONGSOFPRAISE_LP.jpg?v=1602346759"},{"product_id":"aaron-frazer-introducing-cd","title":"Aaron Frazer - Introducing [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC220CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605152028 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 8th January 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Blues\u003c\/p\u003e\n\u003cp\u003e Soft-spoken with the look of a slightly disaffected 1950s matinee idol, Aaron Frazer possesses a unique voice that’s both contemporary and timeless. On ‘Introducing...’ - his debut solo album produced by The Black Keys’ Dan Auerbach - Aaron melds mid-60s soul with Auerbach’s particular sensibilities (‘Over You’), songs with a message\u003cbr\u003ein the key of Gil Scott-Heron (‘Bad News’) and uplifting tales of love told through a blend of disco, gospel and doowop (‘Have Mercy’).\u003cbr\u003e The Brooklyn-based, Baltimore-raised songwriter first came into the international spotlight as multiinstrumentalist and co-lead singer of Durand Jones \u0026amp; The Indications but he’s more than a revivalist act. “I didn’t want ‘Introducing...’ to be an exact recreation of an era or a style,” Frazer says. “I’m excited to keep breaking some of the expectations around what exactly I’m supposed to be artistically and musically, or what this scene as a whole can be.” On ‘Introducing...’, Aaron expertly calibrates consciousness-raising and the desire to be enveloped by love.\u003cbr\u003e Where previous records were written in a partial state of turmoil, Aaron’s debut LP shows maturation and range.\u003cbr\u003e‘Introducing...’ is both loving and gracious, critical without losing hope and a showcase of a young artist on a seriously soulful ascent.\u003cbr\u003e ‘Introducing…’ features an all-star ensemble including players with the likes of Bruno Mars, Mark Ronson, Dolly Parton and Charles Bradley.\u003cbr\u003e Available to independent retailers on ‘Translucent Pink Glass’ coloured vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eYou Don’t Wanna Be My Baby\u003cbr\u003eIf I Got It (Your Love Brought It)\u003cbr\u003eCan’t Leave It Alone\u003cbr\u003eBad News\u003cbr\u003eHave Mercy\u003cbr\u003eDone Lyin’\u003cbr\u003eLover Girl\u003cbr\u003eRide with Me\u003cbr\u003eGirl on the Phone\u003cbr\u003eLove Is\u003cbr\u003eOver You\u003cbr\u003eLeanin’ on Your Everlasting Love\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":37008734486684,"sku":"DOC220CD","price":8.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/AaronFrazer-Introducing....jpg?v=1606503554"},{"product_id":"shame-drunk-tank-pink-cd","title":"Shame - Drunk Tank Pink [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC204CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605150420 \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 15th January 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003e Shame follow up their wildly acclaimed debut with a James Fordproduced peek into the riddled mind of the band’s frontman, Charlie Steen.\u003cbr\u003e There are moments on ‘Drunk Tank Pink’ where you almost have to reach for the sleeve to check this is the same band who made 2018’s ‘Songs Of Praise’. Such is the jump Shame have made from the riotous post-punk of their debut to the sprawling adventurism and twitching anxieties laid out here.\u003cbr\u003e The South Londoner’s blood and guts spirit, that wink and grin of devious charm, is still present, it’s just that it’s grown into something bigger, something deeper, more ambitious and unflinchingly honest.\u003cbr\u003e The genius of ‘Drunk Tank Pink’ is how these lyrical themes dovetail with the music. Opener ‘Alphabet’ dissects the premise of performance over a siren call of nervous, jerking guitars, its chorus thrown out like a beer bottle across a mosh pit.\u003cbr\u003e Songs spin off and lurch into unexpected directions throughout here, be it ‘March Day’s escalating aural panic attack or the shapeshifting darkness of ‘Snow Day’. There’s a Berlin era Bowie beauty to the lovelorn ‘Human For A Minute’ while closer ‘Station Wagon’ weaves from a downbeat mooch into a souring, soul lifting climax in which Steen elevates himself beyond the clouds and into the heavens. Or at least that’s what it sounds like. From the womb to the clouds (sort of), Shame are currently very much in the pink.\u003cbr\u003e Coloured vinyl LP pressed on opaque pink vinyl.\u003cbr\u003e Also available to independent retailers on deluxe ‘Galaxy Pink’ coloured vinyl.\u003cbr\u003e Further Marketing - Livestreams, holiday songs, virtual instores \u0026amp; multiple episodes of the already much-spoken about ShameStation (which has featured the likes of Black Midi, Fat White Family \u0026amp; Mel B.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eAlphabet\u003cbr\u003eNigel Hitter\u003cbr\u003eBorn in Luton\u003cbr\u003eMarch Day\u003cbr\u003eWater in the Well\u003cbr\u003eSnow Day\u003cbr\u003eHuman\u003cbr\u003eGreat Dog\u003cbr\u003e6\/1\u003cbr\u003eHarsh Degrees\u003cbr\u003eStation Wagon\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":37113895682204,"sku":"DOC204CD","price":8.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Shame-DrunkTankPinkCD.jpg?v=1607179505"},{"product_id":"shame-drunk-tank-pink-galaxy-pink-coloured-vinyl","title":"Shame - Drunk Tank Pink [Galaxy Pink Coloured Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat:\u003cspan data-mce-fragment=\"1\"\u003e Galaxy Pink Coloured Vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.:\u003cspan data-mce-fragment=\"1\"\u003e DOC204LP-C3\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003eBarcode:\u003cspan data-mce-fragment=\"1\"\u003e 0656605150406 \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003eRelease Date: 15th January 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Shame follow up their wildly acclaimed debut with a James Fordproduced peek into the riddled mind of the band’s frontman,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCharlie Steen.\u003cbr data-mce-fragment=\"1\"\u003e There are moments on ‘Drunk Tank Pink’ where you almost have to reach for the sleeve to check this is the same band who made 2018’s ‘Songs Of Praise’. Such is the jump Shame have made from the riotous post-punk of their debut to the sprawling adventurism and twitching anxieties laid out here.\u003cbr data-mce-fragment=\"1\"\u003e The South Londoner’s blood and guts spirit, that wink and grin of devious charm, is still present, it’s just that it’s grown into something bigger, something deeper, more ambitious and unflinchingly honest.\u003cbr data-mce-fragment=\"1\"\u003e The genius of ‘Drunk Tank Pink’ is how these lyrical themes dovetail with the music. Opener ‘Alphabet’ dissects the premise of performance over a siren call of nervous, jerking guitars, its chorus thrown out like a beer bottle across a mosh pit.\u003cbr data-mce-fragment=\"1\"\u003e Songs spin off and lurch into unexpected directions throughout here, be it ‘March Day’s escalating aural panic attack or the shapeshifting darkness of ‘Snow Day’. There’s a Berlin era Bowie beauty to the lovelorn ‘Human For A Minute’ while closer ‘Station Wagon’ weaves from a downbeat mooch into a souring, soul lifting climax in which Steen elevates himself beyond the clouds and into the heavens. Or at least that’s what it sounds like. 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There’s a Berlin era Bowie beauty to the lovelorn ‘Human For A Minute’ while closer ‘Station Wagon’ weaves from a downbeat mooch into a souring, soul lifting climax in which Steen elevates himself beyond the clouds and into the heavens. Or at least that’s what it sounds like. 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Such is the jump Shame have made from the riotous post-punk of their debut to the sprawling adventurism and twitching anxieties laid out here.\u003cbr data-mce-fragment=\"1\"\u003e The South Londoner’s blood and guts spirit, that wink and grin of devious charm, is still present, it’s just that it’s grown into something bigger, something deeper, more ambitious and unflinchingly honest.\u003cbr data-mce-fragment=\"1\"\u003e The genius of ‘Drunk Tank Pink’ is how these lyrical themes dovetail with the music. Opener ‘Alphabet’ dissects the premise of performance over a siren call of nervous, jerking guitars, its chorus thrown out like a beer bottle across a mosh pit.\u003cbr data-mce-fragment=\"1\"\u003e Songs spin off and lurch into unexpected directions throughout here, be it ‘March Day’s escalating aural panic attack or the shapeshifting darkness of ‘Snow Day’. There’s a Berlin era Bowie beauty to the lovelorn ‘Human For A Minute’ while closer ‘Station Wagon’ weaves from a downbeat mooch into a souring, soul lifting climax in which Steen elevates himself beyond the clouds and into the heavens. Or at least that’s what it sounds like. From the womb to the clouds (sort of), Shame are currently very much in the pink.\u003cbr data-mce-fragment=\"1\"\u003e Coloured vinyl LP pressed on opaque pink vinyl.\u003cbr data-mce-fragment=\"1\"\u003e Also available to independent retailers on deluxe ‘Galaxy Pink’\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecoloured vinyl.\u003cbr data-mce-fragment=\"1\"\u003e Further Marketing - Livestreams, holiday songs, virtual instores \u0026amp; multiple\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eepisodes of the already much-spoken about ShameStation (which has\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeatured the likes of Black Midi, Fat White Family \u0026amp; Mel B.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eAlphabet\u003cbr data-mce-fragment=\"1\"\u003eNigel Hitter\u003cbr data-mce-fragment=\"1\"\u003eBorn in Luton\u003cbr data-mce-fragment=\"1\"\u003eMarch Day\u003cbr data-mce-fragment=\"1\"\u003eWater in the Well\u003cbr data-mce-fragment=\"1\"\u003eSnow Day\u003cbr data-mce-fragment=\"1\"\u003eHuman\u003cbr data-mce-fragment=\"1\"\u003eGreat Dog\u003cbr data-mce-fragment=\"1\"\u003e6\/1\u003cbr data-mce-fragment=\"1\"\u003eHarsh Degrees\u003cbr data-mce-fragment=\"1\"\u003eStation Wagon\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":37113902366876,"sku":"DOC204LP","price":21.37,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Shame-DrunkTankPink_LP.jpg?v=1607179575"},{"product_id":"shame-drunk-tank-pink-mc","title":"Shame Drunk Tank Pink [MC]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat:\u003cspan data-mce-fragment=\"1\"\u003e MC\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.:\u003cspan data-mce-fragment=\"1\"\u003e DOC204CASS\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003eBarcode:\u003cspan data-mce-fragment=\"1\"\u003e 0656605375892 \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003eRelease Date: 15th January 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Shame follow up their wildly acclaimed debut with a James Fordproduced peek into the riddled mind of the band’s frontman,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCharlie Steen.\u003cbr data-mce-fragment=\"1\"\u003e There are moments on ‘Drunk Tank Pink’ where you almost have to reach for the sleeve to check this is the same band who made 2018’s ‘Songs Of Praise’. Such is the jump Shame have made from the riotous post-punk of their debut to the sprawling adventurism and twitching anxieties laid out here.\u003cbr data-mce-fragment=\"1\"\u003e The South Londoner’s blood and guts spirit, that wink and grin of devious charm, is still present, it’s just that it’s grown into something bigger, something deeper, more ambitious and unflinchingly honest.\u003cbr data-mce-fragment=\"1\"\u003e The genius of ‘Drunk Tank Pink’ is how these lyrical themes dovetail with the music. Opener ‘Alphabet’ dissects the premise of performance over a siren call of nervous, jerking guitars, its chorus thrown out like a beer bottle across a mosh pit.\u003cbr data-mce-fragment=\"1\"\u003e Songs spin off and lurch into unexpected directions throughout here, be it ‘March Day’s escalating aural panic attack or the shapeshifting darkness of ‘Snow Day’. There’s a Berlin era Bowie beauty to the lovelorn ‘Human For A Minute’ while closer ‘Station Wagon’ weaves from a downbeat mooch into a souring, soul lifting climax in which Steen elevates himself beyond the clouds and into the heavens. Or at least that’s what it sounds like. From the womb to the clouds (sort of), Shame are currently very much in the pink.\u003cbr data-mce-fragment=\"1\"\u003e Coloured vinyl LP pressed on opaque pink vinyl.\u003cbr data-mce-fragment=\"1\"\u003e Also available to independent retailers on deluxe ‘Galaxy Pink’\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecoloured vinyl.\u003cbr data-mce-fragment=\"1\"\u003e Further Marketing - Livestreams, holiday songs, virtual instores \u0026amp; multiple\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eepisodes of the already much-spoken about ShameStation (which has\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeatured the likes of Black Midi, Fat White Family \u0026amp; Mel B.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003cbr data-mce-fragment=\"1\"\u003eAlphabet\u003cbr data-mce-fragment=\"1\"\u003eNigel Hitter\u003cbr data-mce-fragment=\"1\"\u003eBorn in Luton\u003cbr data-mce-fragment=\"1\"\u003eMarch Day\u003cbr data-mce-fragment=\"1\"\u003eWater in the Well\u003cbr data-mce-fragment=\"1\"\u003eSnow Day\u003cbr data-mce-fragment=\"1\"\u003eHuman\u003cbr data-mce-fragment=\"1\"\u003eGreat Dog\u003cbr data-mce-fragment=\"1\"\u003e6\/1\u003cbr data-mce-fragment=\"1\"\u003eHarsh Degrees\u003cbr data-mce-fragment=\"1\"\u003eStation Wagon\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":37113904136348,"sku":"DOC204CASS","price":7.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Shame-DrunkTankPink_MC.jpg?v=1607179596"},{"product_id":"claud-super-monster-cd","title":"Claud - Super Monster [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SAD001CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605373577\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 12th February 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003e From beginning to end, the sparkling pop tunes off Claud Mintz’s magnetic first album, ‘Super Monster’, capture the assorted stages of a relationship’s delight and dejection - the giddy sensation of a first kiss during the beaming ‘Overnight’, the heartsick longing of a pending rejection during the yearning ‘Jordan’, the reluctant call for a requisite breakup during the smoldering ‘Ana’.\u003cbr\u003e “I’d write about how I felt in the moment, then two months later, a year later. My perspective evolved on one relationship with the same person,” Claud says. “I changed so much that it feels like a different person writing some of these songs - but it’s just me.”\u003cbr\u003e The debut release on Phoebe Bridgers’ Saddest Factory Records (through Dead Oceans), ‘Super Monster’ is a vertiginous but joyous coming-of-age reckoning with such young love. Claud sees relationships as games of endless wonder, intrigue and secondguesses, a roller-coaster thrilling you even when it’s terrifying. If ‘Gold’ turns the tension and indecision of a bad match into an undeniable bit of lithe disco, ‘That’s Mr. Bitch To You’ uses a spurt of righteous indignation to fuse a little soul and emo into one breathless hook.\u003cbr\u003e ‘Super Monster’ is like a compulsive compilation that Claud culled from a lifetime of musical enthusiasms - the arcing alt-rock of 90s airwaves, the rapturous pop of 00s chart-toppers, the diligent genre-hopping of modern online life. Claud emerges as the chameleonic mastermind of this mélange, channelling all of love’s emotions into songs so sharp they make even the hardest times feel fun.\u003cbr\u003e Perhaps you are in the throes of one of these romantic moments yourself right now, resentful of a frustrating paramour like Claud during ‘Pepsi’ or indulging in lust like ‘In or In Between’. Or maybe\u003cbr\u003ethese songs recall those wild days and tough situations. Incisive, instant and addictive, ‘Super Monster’ works on either level - to remind us of love’s wild ups and downs or to help us deal with them in real time.\u003cbr\u003e Available on CD, split blue \/ green coloured vinyl and black vinyl.\u003cbr\u003e\u003cbr\u003eTracklisting:\u003cbr\u003eOvernight\u003cbr\u003eGold\u003cbr\u003eSoft Spot\u003cbr\u003eIn or In-Between\u003cbr\u003eCuff Your Jeans\u003cbr\u003eAna ft. Nick Hakim\u003cbr\u003eGuard Down\u003cbr\u003eThis Town\u003cbr\u003eJordan\u003cbr\u003eThat’s Mr. Bitch To You\u003cbr\u003eft. Melanie Faye\u003cbr\u003ePepsi\u003cbr\u003eRocks At Your Window\u003cbr\u003eFalling With The Rain ft.\u003cbr\u003eShelly\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":37507098149020,"sku":"SAD001CD","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Claud-SuperMonster.jpg?v=1610740071"},{"product_id":"claud-super-monster-lp","title":"Claud - Super Monster [LP]","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SAD001LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605373584\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 12th February 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003e From beginning to end, the sparkling pop tunes off Claud Mintz’s magnetic first album, ‘Super Monster’, capture the assorted stages of a relationship’s delight and dejection - the giddy sensation of a first kiss during the beaming ‘Overnight’, the heartsick longing of a pending rejection during the yearning ‘Jordan’, the reluctant call for a requisite breakup during the smoldering ‘Ana’.\u003cbr\u003e “I’d write about how I felt in the moment, then two months later, a year later. My perspective evolved on one relationship with the same person,” Claud says. “I changed so much that it feels like a different person writing some of these songs - but it’s just me.”\u003cbr\u003e The debut release on Phoebe Bridgers’ Saddest Factory Records (through Dead Oceans), ‘Super Monster’ is a vertiginous but joyous coming-of-age reckoning with such young love. Claud sees relationships as games of endless wonder, intrigue and secondguesses, a roller-coaster thrilling you even when it’s terrifying. If ‘Gold’ turns the tension and indecision of a bad match into an undeniable bit of lithe disco, ‘That’s Mr. Bitch To You’ uses a spurt of righteous indignation to fuse a little soul and emo into one breathless hook.\u003cbr\u003e ‘Super Monster’ is like a compulsive compilation that Claud culled from a lifetime of musical enthusiasms - the arcing alt-rock of 90s airwaves, the rapturous pop of 00s chart-toppers, the diligent genre-hopping of modern online life. Claud emerges as the chameleonic mastermind of this mélange, channelling all of love’s emotions into songs so sharp they make even the hardest times feel fun.\u003cbr\u003e Perhaps you are in the throes of one of these romantic moments yourself right now, resentful of a frustrating paramour like Claud during ‘Pepsi’ or indulging in lust like ‘In or In Between’. Or maybe\u003cbr\u003ethese songs recall those wild days and tough situations. Incisive, instant and addictive, ‘Super Monster’ works on either level - to remind us of love’s wild ups and downs or to help us deal with them in real time.\u003cbr\u003e Available on CD, split blue \/ green coloured vinyl and black vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eOvernight\u003cbr\u003eGold\u003cbr\u003eSoft Spot\u003cbr\u003eIn or In-Between\u003cbr\u003eCuff Your Jeans\u003cbr\u003eAna ft. Nick Hakim\u003cbr\u003eGuard Down\u003cbr\u003eThis Town\u003cbr\u003eJordan\u003cbr\u003eThat’s Mr. Bitch To You\u003cbr\u003eft. Melanie Faye\u003cbr\u003ePepsi\u003cbr\u003eRocks At Your Window\u003cbr\u003eFalling With The Rain ft.\u003cbr\u003eShelly\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":37507103129756,"sku":"SAD001LP","price":19.42,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Claud-SuperMonster_ec72859f-77ec-43be-bac3-fa064d7e7b54.jpg?v=1610740094"},{"product_id":"khruangbin-leon-bridges-texas-sun","title":"KHRUANGBIN \/ LEON BRIDGES - Texas Sun","description":"\u003cp\u003eFormat: 12\"\u003cbr data-mce-fragment=\"1\"\u003eCat: DOC 214LP\u003cbr\u003eBarcode: 656605151410\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 7th February 2020\u003cbr data-mce-fragment=\"1\"\u003eGenre: Psych\/Garage Rock.\u003c\/p\u003e\n\u003cp\u003eA1 Texas Sun\u003cbr\u003eA2 Midnight\u003cbr\u003eB1 C-Side\u003cbr\u003eB2 Conversion\u003cbr\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":37632846725276,"sku":"DOC214LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/KHRUANGBINLEONBRIDGES-TexasSun.jpg?v=1611912598"},{"product_id":"slowdive-slowdive","title":"SLOWDIVE - Slowdive","description":"\u003cp\u003eFormat: gatefold LP + MP3 download code\u003cbr data-mce-fragment=\"1\"\u003eCat: DOC 132LP\u003cbr\u003eBarcode: 0656605143217\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 5th May 2017\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eA1 Slomo\u003cbr\u003eA2 Star Roving\u003cbr\u003eA3 Don't Know Why\u003cbr\u003eA4 Sugar For The Pill\u003cbr\u003eB1 Everyone Knows\u003cbr\u003eB2 No Longer Making Time\u003cbr\u003eB3 Go Get It\u003cbr\u003eB4 Falling Ashes\u003cbr\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":37715624788124,"sku":"DOC132LP","price":29.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/SLOWDIVE-Slowdive.jpg?v=1612623219"},{"product_id":"routine-and-other-things-coloured-vinyl","title":"Routine - And Other Things [Coloured Vinyl]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat: Coloured Vinyl 12”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue No.: DOC229LP-C1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode: 0656605152936\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRelease Date: 12th March 2021\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e When the pandemic hit the US, Chastity Belt’s Annie Truscott descended into a state of mourning. Her plan had been to join her partner, Jay Som’s Melina Duterte, as violinist on tour, a privilege rarely afforded since both maintain busy road schedules and for Truscott the prospect of spending most of the year in a van wasn’t met with exhaustion so much as exhilaration. At long last, she’d be making a living playing music, no side hustle needed. The cancellation of the tour represented a sidelined dream.\u003cbr\u003e Routine was born of this disappointment. Like the phoenix rising from the ashes, Truscott and Duterte’s collaborative project offers a glimpse of the creative possibilities that can emerge from a state of defeat.\u003cbr\u003e Written and recorded over the course of a month in Joshua Tree, Routine’s lush debut EP ‘And Other Things’ finds the couple trying on new roles. Truscott, who plays bass in Chastity Belt, wrote the bulk of the material and sings on the EP, while Duterte, normally a band leader, used the project as an opportunity to, in her words, “Take the backseat,” as accompanist, producer, and engineer.\u003cbr\u003e Duterte describes the making of the EP as “seamless.” In the mornings, Truscott sat outside of the cabin in the not-yet-blazing sun and worked out chord progressions on guitar while Duterte slept in. Staring out at the horizon, Truscott could see a smattering of houses and the sharp outline of a mountain range but overall the property felt remote, far removed from home in Los Angeles. On long walks Truscott admired the recently bloomed spring flowers and pondered the legacy of friendships and experiences that made her. “I spend a lot of my time thinking about the people who’ve impacted my life,”\u003cbr\u003eshe says. “‘Routine’ gave me an opportunity to explore those relationships through music.”\u003cbr\u003e It was on one of these walks that Truscott began writing ‘Cady Road’, a contemplative, country-tinged pop song that urges listeners to sit in the discomfort of the present moment. “Relax\/ It’s fine\/ You don’t have to know this time,” Truscott sings on the chorus, reflecting on the unsuredness that gripped her in those early days of the pandemic. Duterte joins in harmony, giving a song about being alone with your thoughts a collaborative dimension. “In Annie’s songs I hear a yearning for something just out of reach, something unachievable,” Duterte says. “She’s such a great singer, so it felt good\u003cbr\u003eto just layer instruments to make her vision for it feel fully fleshed out.” That impulse is heard vividly on ‘Cady Road’, where an abundant arrangement accompanies Truscott, replete with the spry notes of a banjolele.\u003cbr\u003e A true collaboration requires trust, intimacy and patience, three elements that cohered almost mystically in the process of making this EP. “Melina is the most calming presence. She’s so good at sitting with silences in a conversation and just observing,” Truscott says.\u003cbr\u003eThe quality not only makes Duterte a good partner, but also a good bandmate and producer. ‘Calm And Collected’ is a tribute to that enviable ability to maintain serenity amidst the chaos of experience. Though it was written in Joshua Tree, Duterte and Truscott recorded it in the attic of their home in LA, where Duterte set up a studio in the\u003cbr\u003efree time afforded by the pandemic. The song is the quietest of the collection, a gentle ode underscored by atmospheric swaths of synth that swaddle the listener.\u003cbr\u003e “I think of ‘And Other Things’ as a series of vignettes,” Truscott says. “We aren’t telling one story here, we’re telling a series of short stories that people can hopefully relate to.” Asked how it feels to offer the EP up to the world during a time of major uncertainty in the music industry, Truscott offers only one word: “Cathartic.”\u003cbr\u003e First pressing on Coke Bottle Clear vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eCady Road\u003cbr\u003eNumb Enough\u003cbr\u003eSong 5\u003cbr\u003eAnd Other Things\u003cbr\u003eCalm And Collected\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":37769118482588,"sku":"DOC229LP-C1","price":14.56,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/Routine-AndOtherThings.jpg?v=1613138196"},{"product_id":"japanese-breakfast-jubilee-audio-cassette","title":"Japanese Breakfast - Jubilee [Audio Cassette]","description":"\u003cp\u003eFormat: Audio Cassette\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC225CASS\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656605152592\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 4th June 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e\n\u003cp\u003eFrom the moment she began writing her new album, Japanese Breakfast’s Michelle Zauner knew that she wanted to call it Jubilee. 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Pushing beyond the boundaries of the funk and soul on their previous releases, Private Space unlocks the door to a wider range of sounds and launches boldly into a world of synthy modern soul and disco beats dotted with strings. It’s an organic, timeless record that’s as fresh as clean kicks and familiar as your favorite well-worn LP. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Its 10 tracks are both an escapist fantasy and a much-needed recentering after a tumultuous 2020. Throughout, The Indications highlight a collective resiliency – as well as the power of a good song to be a light in the darkness.\u003c\/p\u003e\n\u003cp\u003eDurand Jones and The Indications have long provided the soulful soundtrack for such deep thoughts, both on stage and on your turntable. 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Refuge is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal. But while it was recorded in 2020 its roots go back much further — all the way to the start of their friendship and, beyond that, to the shared sounds and ethics of their childhoods.\u003c\/p\u003e\n\u003cp\u003eDevendra grew up in Venezuela while Noah, six years older, is a native of Nevada City, California. But as they got to know each other, they realised that they had a similar history in the New Age subculture of the 1980s: a world of meditation, Eastern music, the Bhagavad Gita and The Whole Earth Catalog. Childhood memories were coloured by the aromas of health food stores and the sound of New Age labels like Windham Hill Records. Noah, whose production and mixing credits include Joanna Newsom and the Strokes, came on board as co-producer of Devendra’s 2005 album Cripple Crow and they have been working together ever since.\u003c\/p\u003e\n\u003cp\u003eIt was while making Devendra’s 2019 album Ma that the pair finally decided to make their ambient record. Despite complicating logistics, 2020 created an emotional craving for music with this contemplative, therapeutic quality. Inspired by both memories of the past and the needs of the present, Refuge is an act of companionship and generosity which gives the listener room to breathe. “We’re hoping to create a sense of comfort and coming back to the moment,” Devendra says. “It’s really important to have a little bit of space between us and our anxieties and impulses. What you do with that space is up to you.”\u003c\/p\u003e\n\u003cp\u003eDorian Lynskey\u003cbr\u003eMay 2021\u003c\/p\u003e\n\u003cp\u003eSIDE A: \u003cbr\u003e1. Book of Bringhi\u003cbr\u003e2. A Cat\u003cbr\u003e3. Rise From Your Wave\u003cbr\u003e4. Peloponnese Lament\u003c\/p\u003e\n\u003cp\u003eSIDE B:\u003cbr\u003e5. In a Cistern\u003cbr\u003e6. Into Clouds\u003cbr\u003e7. For Em\u003c\/p\u003e\n\u003cp\u003eSIDE C: \u003cbr\u003e8. Three Gates\u003cbr\u003e9. Horn in Deep Night\u003cbr\u003e10. Sky Burial\u003c\/p\u003e\n\u003cp\u003eSIDE D:\u003cbr\u003e11. Asura Cave\u003cbr\u003e12. Aran in Repose\u003cbr\u003e13. Lament Return\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":40253994860700,"sku":"DOC262cd","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc262.db.ng.refuge.fc.hr.jpg?v=1624534350"},{"product_id":"devendra-banhart-noah-georgeson-refuge-2lp-blue-seaglass-wave-translucent-vinyl","title":"Devendra Banhart \u0026 Noah Georgeson - Refuge [2LP Blue Seaglass Wave Translucent Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 2xLP Colour - Blue Seaglass Wave Translucent Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC262lp-C1 \/ 0656606156230PMI\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656606156230  \u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 13th August 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLast spring, Devendra Banhart and Noah Georgeson started to make a record that was like nothing they had made before — an ambient album that would be both a haven from a suddenly terrified world and a heartfelt musical dialogue between two artists who have been friends and collaborators for over two decades. Refuge is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal. But while it was recorded in 2020 its roots go back much further — all the way to the start of their friendship and, beyond that, to the shared sounds and ethics of their childhoods.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDevendra grew up in Venezuela while Noah, six years older, is a native of Nevada City, California. But as they got to know each other, they realised that they had a similar history in the New Age subculture of the 1980s: a world of meditation, Eastern music, the Bhagavad Gita and The Whole Earth Catalog. Childhood memories were coloured by the aromas of health food stores and the sound of New Age labels like Windham Hill Records. Noah, whose production and mixing credits include Joanna Newsom and the Strokes, came on board as co-producer of Devendra’s 2005 album Cripple Crow and they have been working together ever since.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt was while making Devendra’s 2019 album Ma that the pair finally decided to make their ambient record. Despite complicating logistics, 2020 created an emotional craving for music with this contemplative, therapeutic quality. Inspired by both memories of the past and the needs of the present, Refuge is an act of companionship and generosity which gives the listener room to breathe. “We’re hoping to create a sense of comfort and coming back to the moment,” Devendra says. “It’s really important to have a little bit of space between us and our anxieties and impulses. What you do with that space is up to you.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDorian Lynskey\u003cbr data-mce-fragment=\"1\"\u003eMay 2021\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1. Book of Bringhi\u003cbr data-mce-fragment=\"1\"\u003e2. A Cat\u003cbr data-mce-fragment=\"1\"\u003e3. Rise From Your Wave\u003cbr data-mce-fragment=\"1\"\u003e4. Peloponnese Lament\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e5. In a Cistern\u003cbr data-mce-fragment=\"1\"\u003e6. Into Clouds\u003cbr data-mce-fragment=\"1\"\u003e7. For Em\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE C: \u003cbr data-mce-fragment=\"1\"\u003e8. Three Gates\u003cbr data-mce-fragment=\"1\"\u003e9. Horn in Deep Night\u003cbr data-mce-fragment=\"1\"\u003e10. Sky Burial\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE D:\u003cbr data-mce-fragment=\"1\"\u003e11. Asura Cave\u003cbr data-mce-fragment=\"1\"\u003e12. Aran in Repose\u003cbr data-mce-fragment=\"1\"\u003e13. Lament Return\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":40253998563484,"sku":"DOC262lp-C1","price":17.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc262.db.ng.refuge.fc.hr_d5d6793b-808c-4cf4-aeb5-17b3bfc2a7ac.jpg?v=1624534384"},{"product_id":"devendra-banhart-noah-georgeson-refuge-lp","title":"Devendra Banhart \u0026 Noah Georgeson - Refuge [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC262lp\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656606156216\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 13th August 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLast spring, Devendra Banhart and Noah Georgeson started to make a record that was like nothing they had made before — an ambient album that would be both a haven from a suddenly terrified world and a heartfelt musical dialogue between two artists who have been friends and collaborators for over two decades. Refuge is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal. But while it was recorded in 2020 its roots go back much further — all the way to the start of their friendship and, beyond that, to the shared sounds and ethics of their childhoods.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDevendra grew up in Venezuela while Noah, six years older, is a native of Nevada City, California. But as they got to know each other, they realised that they had a similar history in the New Age subculture of the 1980s: a world of meditation, Eastern music, the Bhagavad Gita and The Whole Earth Catalog. Childhood memories were coloured by the aromas of health food stores and the sound of New Age labels like Windham Hill Records. Noah, whose production and mixing credits include Joanna Newsom and the Strokes, came on board as co-producer of Devendra’s 2005 album Cripple Crow and they have been working together ever since.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt was while making Devendra’s 2019 album Ma that the pair finally decided to make their ambient record. Despite complicating logistics, 2020 created an emotional craving for music with this contemplative, therapeutic quality. Inspired by both memories of the past and the needs of the present, Refuge is an act of companionship and generosity which gives the listener room to breathe. “We’re hoping to create a sense of comfort and coming back to the moment,” Devendra says. “It’s really important to have a little bit of space between us and our anxieties and impulses. What you do with that space is up to you.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDorian Lynskey\u003cbr data-mce-fragment=\"1\"\u003eMay 2021\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1. Book of Bringhi\u003cbr data-mce-fragment=\"1\"\u003e2. A Cat\u003cbr data-mce-fragment=\"1\"\u003e3. Rise From Your Wave\u003cbr data-mce-fragment=\"1\"\u003e4. Peloponnese Lament\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e5. In a Cistern\u003cbr data-mce-fragment=\"1\"\u003e6. Into Clouds\u003cbr data-mce-fragment=\"1\"\u003e7. For Em\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE C: \u003cbr data-mce-fragment=\"1\"\u003e8. Three Gates\u003cbr data-mce-fragment=\"1\"\u003e9. Horn in Deep Night\u003cbr data-mce-fragment=\"1\"\u003e10. Sky Burial\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSIDE D:\u003cbr data-mce-fragment=\"1\"\u003e11. Asura Cave\u003cbr data-mce-fragment=\"1\"\u003e12. Aran in Repose\u003cbr data-mce-fragment=\"1\"\u003e13. Lament Return\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":40253998694556,"sku":"DOC262lp","price":27.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc262.db.ng.refuge.fc.hr_35b01920-0dec-4e79-8699-d19f22dcd4c8.jpg?v=1624534395"},{"product_id":"phoebe-bridgers-punisher-galaxy-red-blue-colour-lp-limited-release-one-per-person","title":"Phoebe Bridgers - Punisher [Galaxy Red \u0026 Blue Colour LP] (LIMITED RELEASE - ONE PER PERSON)","description":"\u003cp\u003eLIMITED RELEASE - ONE PER PERSON\u003c\/p\u003e\n\u003cp\u003eFormat: Galaxy Red \u0026amp; Blue Colour 1xLP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC200LP-C9\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605375250\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 26th June 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":40267895865500,"sku":"DOC200LP-C9","price":60.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/PhoebeBridgers_d4c0f754-3b85-4260-9853-6beeff5e1f60.jpg?v=1624725381"},{"product_id":"kevin-morby-a-night-at-the-little-los-angeles-sundowner-4-track-demos","title":"Kevin Morby - A Night At The Little Los Angeles (Sundowner 4-Track Demos)","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC265LP \u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605156514\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 08 Oct 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp\u003e “Friends! I am so pleased to announce ‘A Night At The Little Los Angeles’ - the 4-track version of ‘Sundowner’. Recorded at home and in my back shed - aka The Little Los Angeles - in suburban Kansas during the summer and winter seasons of 2017 and 2018. This is quite simply the sound of me alone in a room with a fourtrack to catch my songs as they fell out of my mouth. When I later went into a proper studio to make ‘Sundowner’ my goal was to capture the essence of these initial recordings, and here you will now have access to the very essence I was chasing.\u003cbr\u003e “In many ways, this feels like a proper album to me, as it’s my initial attempt to capture the Kansas sunset and put it into sound, whereas ‘Sundowner’ was an attempt of an attempt. I love and am proud of them both, of course, but am happy to - for the first time - share this vulnerable side of my songwriting process with the public. Many of my favorite recordings have been made inside of an artist’s home without regard of the outside world, but instead deep in their own world that they’re creating in real time. And with that - I’d like to invite you into my own little world here and now and ask you to please... step inside of... and spend ‘A Night At The Little Los Angeles’!” - Kevin Morby\u003cbr\u003e Released in 2020 on Dead Oceans, ‘Sundowner’, with Morby’s distinctively conversational and reflective writing style, was received with open arms and was beloved by fans and critics alike. Pitchfork lauded it as “a vision of the Midwest that feels mythical and enormous.” ‘Sundowner’’s vision was further fleshed out in comprehensive features in Vanity Fair, New York Magazine,\u003cbr\u003eStereogum, The FADER, Vice, Aquarium Drunkard, and more.\u003cbr\u003e In addition to traditional music publications, Morby appeared on Adult Swim’s Fishcenter and Office Hours with Tim Heidecker.\u003cbr\u003eMorby also made his network television debut on CBS This Morning, where he performed the songs ‘Campfire’ and ‘Sundowner’ as part of a special joint performance with his partner and fellow songwriter Katie Crutchfield, aka Waxahatchee.\u003cbr\u003e Available to independent retailers on ‘Silver Metallic’ vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eCampfire (4-Track Demo)\u003cbr\u003eSundowner (4-Track\u003cbr\u003eDemo)\u003cbr\u003eA Night At The Little Los\u003cbr\u003eAngeles (4-Track Demo)\u003cbr\u003eWander (4-Track Demo)\u003cbr\u003eVelvet Highway (4-Track\u003cbr\u003eDemo)\u003cbr\u003eValley (4-Track Demo)\u003cbr\u003eBrother, Sister (4-Track\u003cbr\u003eDemo)\u003cbr\u003eDon’t Underestimate\u003cbr\u003eMidwest American Sun (4-\u003cbr\u003eTrack Demo)\u003cbr\u003eProvisions (4-Track Demo)\u003cbr\u003eU.S. Mail (4-Track Demo)\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41044216447132,"sku":"DOC265LP","price":22.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_8d5b3924-203b-4891-be91-f2364acfa2a9.jpg?v=1633627156"},{"product_id":"kevin-morby-a-night-at-the-little-los-angeles-sundowner-4-track-demos-silver-metallic-vinyl","title":"Kevin Morby - A Night At The Little Los Angeles (Sundowner 4-Track Demos) [Silver Metallic Vinyl]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Coloured Vinyl LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC265LP-C1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605156538\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 08 Oct 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e “Friends! I am so pleased to announce ‘A Night At The Little Los Angeles’ - the 4-track version of ‘Sundowner’. Recorded at home and in my back shed - aka The Little Los Angeles - in suburban Kansas during the summer and winter seasons of 2017 and 2018. This is quite simply the sound of me alone in a room with a fourtrack to catch my songs as they fell out of my mouth. When I later went into a proper studio to make ‘Sundowner’ my goal was to capture the essence of these initial recordings, and here you will now have access to the very essence I was chasing.\u003cbr data-mce-fragment=\"1\"\u003e “In many ways, this feels like a proper album to me, as it’s my initial attempt to capture the Kansas sunset and put it into sound, whereas ‘Sundowner’ was an attempt of an attempt. I love and am proud of them both, of course, but am happy to - for the first time - share this vulnerable side of my songwriting process with the public. Many of my favorite recordings have been made inside of an artist’s home without regard of the outside world, but instead deep in their own world that they’re creating in real time. And with that - I’d like to invite you into my own little world here and now and ask you to please... step inside of... and spend ‘A Night At The Little Los Angeles’!” - Kevin Morby\u003cbr data-mce-fragment=\"1\"\u003e Released in 2020 on Dead Oceans, ‘Sundowner’, with Morby’s distinctively conversational and reflective writing style, was received with open arms and was beloved by fans and critics alike. Pitchfork lauded it as “a vision of the Midwest that feels mythical and enormous.” ‘Sundowner’’s vision was further fleshed out in comprehensive features in Vanity Fair, New York Magazine,\u003cbr data-mce-fragment=\"1\"\u003eStereogum, The FADER, Vice, Aquarium Drunkard, and more.\u003cbr data-mce-fragment=\"1\"\u003e In addition to traditional music publications, Morby appeared on Adult Swim’s Fishcenter and Office Hours with Tim Heidecker.\u003cbr data-mce-fragment=\"1\"\u003eMorby also made his network television debut on CBS This Morning, where he performed the songs ‘Campfire’ and ‘Sundowner’ as part of a special joint performance with his partner and fellow songwriter Katie Crutchfield, aka Waxahatchee.\u003cbr data-mce-fragment=\"1\"\u003e Available to independent retailers on ‘Silver Metallic’ vinyl.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003eCampfire (4-Track Demo)\u003cbr data-mce-fragment=\"1\"\u003eSundowner (4-Track\u003cbr data-mce-fragment=\"1\"\u003eDemo)\u003cbr data-mce-fragment=\"1\"\u003eA Night At The Little Los\u003cbr data-mce-fragment=\"1\"\u003eAngeles (4-Track Demo)\u003cbr data-mce-fragment=\"1\"\u003eWander (4-Track Demo)\u003cbr data-mce-fragment=\"1\"\u003eVelvet Highway (4-Track\u003cbr data-mce-fragment=\"1\"\u003eDemo)\u003cbr data-mce-fragment=\"1\"\u003eValley (4-Track Demo)\u003cbr data-mce-fragment=\"1\"\u003eBrother, Sister (4-Track\u003cbr data-mce-fragment=\"1\"\u003eDemo)\u003cbr data-mce-fragment=\"1\"\u003eDon’t Underestimate\u003cbr data-mce-fragment=\"1\"\u003eMidwest American Sun (4-\u003cbr data-mce-fragment=\"1\"\u003eTrack Demo)\u003cbr data-mce-fragment=\"1\"\u003eProvisions (4-Track Demo)\u003cbr data-mce-fragment=\"1\"\u003eU.S. Mail (4-Track Demo)\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41044217299100,"sku":"DOC265LP-C1","price":22.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_969cf193-91fd-4e9a-94ce-76610166450a.jpg?v=1633627170"},{"product_id":"sloppy-jane-madison-lp","title":"Sloppy Jane - Madison [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SAD004lp\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656605386577\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Nov 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Punk\/Hardcore\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“A big part of the project and why I did it,” says Sloppy Jane’s Haley Dahl of her Saddest Factory debut Madison, “Was because it felt similar to being a little kid and buying an outfit that was too big that I’d have to grow into. I really valued from the start that making Madison gave me someone I had to become.” The record, which Dahl first conceived of back in late 2017, is a grand gesture, a statement about big love, and about growing into yourself in the process.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDahl and her 21 bandmates recorded all of Madison at the Lost World Caverns in West Virginia from 3pm to 8:30am each day over the course of two weeks (they also made four music videos on location during this time). To access the space, they’d enter through the back of a gift shop, down a long tunnel where they’d walk down 200 feet of stairs to reach the entrance. Dahl and her bandmates did this steep walk with a piano. The ceiling of Lost World Caverns is massively high and is a perfect dome. The inside was also 98 percent\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehumidity, leading to both stellar sound and also problems with tuning and gear. Engineer\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eRyan Howe sat in his parents Subaru above the cave with his mixing board and computer, and threaded cables down 90 feet through a hole in the ground to the ceiling of the cave.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s the first time someone has ever recorded an entire album in a cave, and the results are pretty sonically stunning. That alone is a marvelous thing. Madison is an astounding, glorious record of melodrama of the highest order\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003e1. Overture\u003cbr data-mce-fragment=\"1\"\u003e2. Party Anthem\u003cbr data-mce-fragment=\"1\"\u003e3. Jesus and Your Living Room Floor\u003cbr data-mce-fragment=\"1\"\u003e4. Judy’s Bedroom\u003cbr data-mce-fragment=\"1\"\u003e5. Bianca Castafiore\u003cbr data-mce-fragment=\"1\"\u003e6. Lullaby Formica\u003cbr data-mce-fragment=\"1\"\u003e7. Madison\u003cbr data-mce-fragment=\"1\"\u003e8. Wilt\u003cbr data-mce-fragment=\"1\"\u003e9. Wonderama\u003cbr data-mce-fragment=\"1\"\u003e10. The Constable\u003cbr data-mce-fragment=\"1\"\u003e11. Epilogue\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41070305214620,"sku":"SAD004lp","price":12.74,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/sad004.sj.madison.3k.jpg?v=1634057456"},{"product_id":"sloppy-jane-madison-cd","title":"Sloppy Jane - Madison [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SAD004cd\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656605386553\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Nov 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Punk\/Hardcore\u003c\/p\u003e\n\u003cp\u003e“A big part of the project and why I did it,” says Sloppy Jane’s Haley Dahl of her Saddest Factory debut Madison, “Was because it felt similar to being a little kid and buying an outfit that was too big that I’d have to grow into. I really valued from the start that making Madison gave me someone I had to become.” The record, which Dahl first conceived of back in late 2017, is a grand gesture, a statement about big love, and about growing into yourself in the process.\u003cbr\u003e\u003cbr\u003eDahl and her 21 bandmates recorded all of Madison at the Lost World Caverns in West Virginia from 3pm to 8:30am each day over the course of two weeks (they also made four music videos on location during this time). To access the space, they’d enter through the back of a gift shop, down a long tunnel where they’d walk down 200 feet of stairs to reach the entrance. Dahl and her bandmates did this steep walk with a piano. The ceiling of Lost World Caverns is massively high and is a perfect dome. The inside was also 98 percent humidity, leading to both stellar sound and also problems with tuning and gear. Engineer Ryan Howe sat in his parents Subaru above the cave with his mixing board and computer, and threaded cables down 90 feet through a hole in the ground to the ceiling of the cave.\u003cbr\u003e\u003cbr\u003eIt’s the first time someone has ever recorded an entire album in a cave, and the results are pretty sonically stunning. That alone is a marvelous thing. Madison is an astounding, glorious record of melodrama of the highest order\u003cbr\u003e\u003cbr\u003eTracklisting\u003cbr\u003e1. Overture\u003cbr\u003e2. Party Anthem\u003cbr\u003e3. Jesus and Your Living Room Floor\u003cbr\u003e4. Judy’s Bedroom\u003cbr\u003e5. Bianca Castafiore\u003cbr\u003e6. Lullaby Formica\u003cbr\u003e7. Madison\u003cbr\u003e8. Wilt\u003cbr\u003e9. Wonderama\u003cbr\u003e10. The Constable\u003cbr\u003e11. Epilogue\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41070306820252,"sku":"SAD004cd","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/sad004.sj.madison.3k_28a8418a-07d3-4e71-ac6e-f043db17347c.jpg?v=1634057467"},{"product_id":"charlie-hickey-count-the-stairs-lp","title":"Charlie Hickey - Count the Stairs [LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: 12\" Vinyl\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: SAD006LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605386492\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 12 Nov 2021\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Born in 1999, Charlie Hickey grew up in South Pasadena, just minutes from Downtown Los Angeles. Raised by two singer-songwriter parents, Charlie’s second language was music since day one. As early as grade school, he was making sense of the world through songwriting, and by middle school he was writing, recording and performing songs that attracted a community of collaborators and could silence a room.\u003cbr data-mce-fragment=\"1\"\u003e A turning point for Charlie came at around the age of thirteen, when he covered a song by then up-and-coming artist Phoebe Bridgers, who was still in high school herself. The two quickly became friends and collaborators, setting Charlie on an exciting new musical path. Years later, Bridgers introduced Charlie to songwriter, drummer, producer and her bandmate Marshall Vore, who noticed something special about Charlie. The two began writing and recording songs together, and soon Charlie dropped out of school to work on his music full-time.\u003cbr data-mce-fragment=\"1\"\u003e Charlie Hickey’s first proper single was ‘No Good at Lying’ and it’s the first track on ‘Count The Stairs’. The Marshall Vore-produced track introduces us to Charlie’s evocative storytelling and features Phoebe Bridgers on backing vocals. “I’m no good at lying \/ on my back or through my teeth \/ but I’m good at dreaming \/ I can do it in my sleep,” he sings over hushed guitars and a whimsical banjo, searching for truth as his unconscious mind runs wild and bleeds into reality. 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KEN","description":"Format: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC140LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605144016\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 20 Oct 2017\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41107327516828,"sku":"DOC140LP","price":21.37,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_de035843-d663-4e97-8f3d-499b858839f3.jpg?v=1634741932"},{"product_id":"destroyer-five-spanish-songs","title":"DESTROYER - FIVE SPANISH SONGS","description":"Format: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC088LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605138817\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 02 Dec 2013\u003cbr data-mce-fragment=\"1\"\u003eGenre: Indie\/Alternative","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41107329908892,"sku":"DOC088LP","price":14.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_6dec8b29-0a00-4f8d-b0cd-75122be2a603.jpg?v=1634741998"},{"product_id":"dub-thompson-9-songs","title":"DUB THOMPSON - 9 SONGS","description":"Format: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC092LP-C1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605139234\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 09 Jun 2014\u003cbr data-mce-fragment=\"1\"\u003eGenre: Punk\/Hardcore","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41117745971356,"sku":"DOC092LP-C1","price":17.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_b3c96060-a83b-4606-bc30-f031fe1b25c4.jpg?v=1634906908"},{"product_id":"durand-jones-the-indications-american-love-call","title":"DURAND JONES \u0026 THE INDICATIONS - AMERICAN LOVE CALL","description":"\u003cp\u003eFormat: LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC177LP\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 0656605147710\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 05 Apr 2019\u003cbr data-mce-fragment=\"1\"\u003eGenre: Soul\u003c\/p\u003e\n\u003cp\u003eA1 Morning In America\u003cbr\u003eA2 Don't Know You\u003cbr\u003eA3 Circles\u003cbr\u003eA4 Court Of Love\u003cbr\u003eA5 Long Way Home\u003cbr\u003eA6 Too Many Tears\u003cbr\u003eB1 Walk Away\u003cbr\u003eB2 What I Know About You\u003cbr\u003eB3 Listen To Your Heart\u003cbr\u003eB4 Sea Gets Hotter\u003cbr\u003eB5 How Can I Be Sure\u003cbr\u003eB6 True Love\u003cbr\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41117782966428,"sku":"DOC177LP","price":24.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/1_12b4f259-d704-4d1e-8062-dfebd187b09a.jpg?v=1634907393"},{"product_id":"bill-fay-still-some-light-part-1-cd","title":"Bill Fay - Still Some Light: Part 1 [CD]","description":"\u003cp\u003eFormat: CD\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC224CD\u003cbr data-mce-fragment=\"1\"\u003eBarcode: \u003cspan data-mce-fragment=\"1\"\u003e656605152424\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 14 Jan 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Folk Rock\u003c\/p\u003e\n\u003cp\u003eBill Fay has always sung about attempting to understand the most universal questions: those of nature, spirituality, humanity. His songs are “calming hymns for another chaotic time”, he says. His influence can be traced through many artist’s work, and so it only seemed right to celebrate this with a collection of newer voices interpreting his timeless tracks. Originally released in 2010 by David Tibet (Current 93), Still Some Light was released as a double CD, made up of 70’s album demos (Disc One) and 2009 home recordings (Disc Two). This year, for the first time, this collection of recordings will be pressed to vinyl and released digitally, presented alongside contemporary reimaginings of the tracks by Kevin Morby, Steve Gunn, Julia Jacklin and Mary Lattimore. Bill Fay’s words and melodies remain unaffected by the passing of time and changing trends; and here alongside the original recordings, these reinvented versions still calmly guide us through another moment of chaos.\u003c\/p\u003e\n\u003cp\u003eBill Fay’s Still Some Light was originally released on compact disc as a two CD collection in 2010. Reimagined with new artwork and available for the first time ever on vinyl, Dead Oceans is pleased to present Still Some Light Pt. 1, collecting Fay’s archival recordings from 1970 and 1971. Many of the songs are intimate sketches which were eventually re-recorded for Fay’s self-titled debut and for his landmark album, Time of the Last Persecution. This double LP set includes heart wrenching versions of some of his timeless works, such as “I Hear You Calling” and “Pictures of Adolf Again”, and features equally powerful songs like “Arnold is a Simple Man” and “Love is the Tune,” which only appear in this collection.\u003c\/p\u003e\n\u003cp\u003eSIDE A: 14:00\u003cbr\u003e1. Backwoods Maze\u003cbr\u003e2. The Sun Is Bored\u003cbr\u003e3. There's A Price Upon My Head\u003cbr\u003e4. Time Of The Last Persecution\u003c\/p\u003e\n\u003cp\u003eSIDE B: 12:00\u003cbr\u003e1.Plan D\u003cbr\u003e2. Sing Us One of Your Songs May\u003cbr\u003e3. I Will Find My Own Way Back\u003cbr\u003e4. 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But occasionally, an artist proves the form more malleable and capacious than we knew. With Laurel Hell, Mitski cements her reputation as an artist in possession of such power - capable of using her talent to perform the alchemy that turns our most savage and alienated experiences into the very elixir that cures them. Her critically beloved last album, Be the Cowboy, built on the breakout acclaim of 2016’s Puberty 2 and launched her from cult favorite to indie star. She ascended amid a fever of national division, and the grind of touring and pitfalls of increased visibility influenced her music as much as her spirit. Like the mountain laurels for this new album is named, public perception, like the intoxicating prism of the internet, can offer an alluring façade that obscures a deadly trap—one that tightens the more you struggle. Exhausted by this warped mirror, and our addiction to false binaries, she began writing songs that stripped\u003cbr\u003eaway the masks and revealed the complex and often contradictory realities behind them. She wrote many of these songs during or before 2018, while the album finished mixing in May 2021. It is the longest span of time Mitski has ever spent on a record, and a process that concluded amid a radically changed world. She recorded Laurel Hell with her longtime producer Patrick Hyland throughout the isolation of a global pandemic, during which some of the songs “slowly took on new forms\u003cbr\u003eand meanings, like seed to flower.” Sometimes it’s hard to see the change when you’re the agent of it, but for the lucky rest of us, Mitski has written a soundtrack for transformation, a map to the place where vulnerability and resilience, sorrow and delight, error and transcendence can all sit within our humanity, can all be seen as worthy of acknowledgment, and ultimately, love.\u003c\/p\u003e\n\u003cp\u003eTracks:\u003cbr\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1. Valentine, Texas\u003cbr data-mce-fragment=\"1\"\u003e2. Working for the Knife\u003cbr data-mce-fragment=\"1\"\u003e3. Stay Soft\u003cbr data-mce-fragment=\"1\"\u003e4. Everyone\u003cbr data-mce-fragment=\"1\"\u003e5. Heat Lightning\u003cbr\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6. 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But occasionally, an artist proves the form more malleable and capacious than we knew. With Laurel Hell, Mitski cements her reputation as an artist in possession of such power - capable of using her talent to perform the alchemy that turns our most savage and alienated experiences into the very elixir that cures them. Her critically beloved last album, Be the Cowboy, built on the breakout acclaim of 2016’s Puberty 2 and launched her from cult favorite to indie star. She ascended amid a fever of national division, and the grind of touring and pitfalls of increased visibility influenced her music as much as her spirit. Like the mountain laurels for this new album is named, public perception, like the intoxicating prism of the internet, can offer an alluring façade that obscures a deadly trap—one that tightens the more you struggle. Exhausted by this warped mirror, and our addiction to false binaries, she began writing songs that stripped\u003cbr data-mce-fragment=\"1\"\u003eaway the masks and revealed the complex and often contradictory realities behind them. She wrote many of these songs during or before 2018, while the album finished mixing in May 2021. It is the longest span of time Mitski has ever spent on a record, and a process that concluded amid a radically changed world. She recorded Laurel Hell with her longtime producer Patrick Hyland throughout the isolation of a global pandemic, during which some of the songs “slowly took on new forms\u003cbr data-mce-fragment=\"1\"\u003eand meanings, like seed to flower.” Sometimes it’s hard to see the change when you’re the agent of it, but for the lucky rest of us, Mitski has written a soundtrack for transformation, a map to the place where vulnerability and resilience, sorrow and delight, error and transcendence can all sit within our humanity, can all be seen as worthy of acknowledgment, and ultimately, love.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracks:\u003cbr data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1. Valentine, Texas\u003cbr data-mce-fragment=\"1\"\u003e2. Working for the Knife\u003cbr data-mce-fragment=\"1\"\u003e3. Stay Soft\u003cbr data-mce-fragment=\"1\"\u003e4. Everyone\u003cbr data-mce-fragment=\"1\"\u003e5. Heat Lightning\u003cbr data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6. The Only Heartbreaker\u003cbr data-mce-fragment=\"1\"\u003e7. Love Me More\u003cbr data-mce-fragment=\"1\"\u003e8. There’s Nothing Left for You\u003cbr data-mce-fragment=\"1\"\u003e9. Should’ve Been Me\u003cbr data-mce-fragment=\"1\"\u003e10. I Guess\u003cbr data-mce-fragment=\"1\"\u003e11. That’s Our Lamp\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41194018635932,"sku":"DOC250lp","price":28.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc250.mitski.lp.black.jpg?v=1636458595"},{"product_id":"mitski-laurel-hell-opaque-red-lp","title":"Mitski - Laurel Hell [Opaque Red LP]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Opaque Red LP\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC250lp-C1\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656605155036\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 27 Jan 23 [back in]\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe don’t typically look to pop albums to answer our cultural moment, let alone to meet the soul hunger left in the wake of global catastrophe. But occasionally, an artist proves the form more malleable and capacious than we knew. With Laurel Hell, Mitski cements her reputation as an artist in possession of such power - capable of using her talent to perform the alchemy that turns our most savage and alienated experiences into the very elixir that cures them. Her critically beloved last album, Be the Cowboy, built on the breakout acclaim of 2016’s Puberty 2 and launched her from cult favorite to indie star. She ascended amid a fever of national division, and the grind of touring and pitfalls of increased visibility influenced her music as much as her spirit. Like the mountain laurels for this new album is named, public perception, like the intoxicating prism of the internet, can offer an alluring façade that obscures a deadly trap—one that tightens the more you struggle. Exhausted by this warped mirror, and our addiction to false binaries, she began writing songs that stripped\u003cbr data-mce-fragment=\"1\"\u003eaway the masks and revealed the complex and often contradictory realities behind them. She wrote many of these songs during or before 2018, while the album finished mixing in May 2021. It is the longest span of time Mitski has ever spent on a record, and a process that concluded amid a radically changed world. She recorded Laurel Hell with her longtime producer Patrick Hyland throughout the isolation of a global pandemic, during which some of the songs “slowly took on new forms\u003cbr data-mce-fragment=\"1\"\u003eand meanings, like seed to flower.” Sometimes it’s hard to see the change when you’re the agent of it, but for the lucky rest of us, Mitski has written a soundtrack for transformation, a map to the place where vulnerability and resilience, sorrow and delight, error and transcendence can all sit within our humanity, can all be seen as worthy of acknowledgment, and ultimately, love.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracks:\u003cbr data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1. Valentine, Texas\u003cbr data-mce-fragment=\"1\"\u003e2. Working for the Knife\u003cbr data-mce-fragment=\"1\"\u003e3. Stay Soft\u003cbr data-mce-fragment=\"1\"\u003e4. Everyone\u003cbr data-mce-fragment=\"1\"\u003e5. Heat Lightning\u003cbr data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6. The Only Heartbreaker\u003cbr data-mce-fragment=\"1\"\u003e7. Love Me More\u003cbr data-mce-fragment=\"1\"\u003e8. There’s Nothing Left for You\u003cbr data-mce-fragment=\"1\"\u003e9. Should’ve Been Me\u003cbr data-mce-fragment=\"1\"\u003e10. I Guess\u003cbr data-mce-fragment=\"1\"\u003e11. That’s Our Lamp\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41194019422364,"sku":"DOC250lp-C1","price":25.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc250.mitski.lp.red.jpg?v=1636458609"},{"product_id":"mitski-laurel-hell-audio-cassette","title":"Mitski - Laurel Hell [Audio Cassette]","description":"\u003cp data-mce-fragment=\"1\"\u003eFormat: Audio Cassette\u003cbr data-mce-fragment=\"1\"\u003eCatalogue No.: DOC250cass\u003cbr data-mce-fragment=\"1\"\u003eBarcode: 656605155005\u003cbr data-mce-fragment=\"1\"\u003eRelease Date: 04 Feb 2022\u003cbr data-mce-fragment=\"1\"\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe don’t typically look to pop albums to answer our cultural moment, let alone to meet the soul hunger left in the wake of global catastrophe. But occasionally, an artist proves the form more malleable and capacious than we knew. With Laurel Hell, Mitski cements her reputation as an artist in possession of such power - capable of using her talent to perform the alchemy that turns our most savage and alienated experiences into the very elixir that cures them. Her critically beloved last album, Be the Cowboy, built on the breakout acclaim of 2016’s Puberty 2 and launched her from cult favorite to indie star. She ascended amid a fever of national division, and the grind of touring and pitfalls of increased visibility influenced her music as much as her spirit. Like the mountain laurels for this new album is named, public perception, like the intoxicating prism of the internet, can offer an alluring façade that obscures a deadly trap—one that tightens the more you struggle. Exhausted by this warped mirror, and our addiction to false binaries, she began writing songs that stripped\u003cbr data-mce-fragment=\"1\"\u003eaway the masks and revealed the complex and often contradictory realities behind them. She wrote many of these songs during or before 2018, while the album finished mixing in May 2021. It is the longest span of time Mitski has ever spent on a record, and a process that concluded amid a radically changed world. She recorded Laurel Hell with her longtime producer Patrick Hyland throughout the isolation of a global pandemic, during which some of the songs “slowly took on new forms\u003cbr data-mce-fragment=\"1\"\u003eand meanings, like seed to flower.” Sometimes it’s hard to see the change when you’re the agent of it, but for the lucky rest of us, Mitski has written a soundtrack for transformation, a map to the place where vulnerability and resilience, sorrow and delight, error and transcendence can all sit within our humanity, can all be seen as worthy of acknowledgment, and ultimately, love.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracks:\u003cbr data-mce-fragment=\"1\"\u003eSIDE A: \u003cbr data-mce-fragment=\"1\"\u003e1. Valentine, Texas\u003cbr data-mce-fragment=\"1\"\u003e2. Working for the Knife\u003cbr data-mce-fragment=\"1\"\u003e3. Stay Soft\u003cbr data-mce-fragment=\"1\"\u003e4. Everyone\u003cbr data-mce-fragment=\"1\"\u003e5. Heat Lightning\u003cbr data-mce-fragment=\"1\"\u003eSIDE B:\u003cbr data-mce-fragment=\"1\"\u003e6. The Only Heartbreaker\u003cbr data-mce-fragment=\"1\"\u003e7. Love Me More\u003cbr data-mce-fragment=\"1\"\u003e8. There’s Nothing Left for You\u003cbr data-mce-fragment=\"1\"\u003e9. Should’ve Been Me\u003cbr data-mce-fragment=\"1\"\u003e10. I Guess\u003cbr data-mce-fragment=\"1\"\u003e11. That’s Our Lamp\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":41194020438172,"sku":"DOC250cass","price":9.14,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/products\/doc250.mitski.cassette.jpg?v=1636458622"}],"url":"https:\/\/www.horizonsmusic.co.uk\/collections\/dead-oceans.oembed?page=5","provider":"Horizons Music","version":"1.0","type":"link"}