{"title":"Cargo WK39 2025","description":"","products":[{"product_id":"chelsea-wolfe-abyss-10th-anniversary-edition-2lp","title":"Chelsea Wolfe - Abyss (10th Anniversary Edition) [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: SH141LP10B\u003cbr\u003eBarcode: 0634457220102\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003e• Celebrating 10 years of Chelsea Wolfe’s album Abyss with a 10th anniversary edition 2xLP in foil jacket with both black and a limited Blue\/Black\/Silver Insomnia vinyl option available.\u003c\/p\u003e\n\u003cp\u003e“Her darkest, heaviest and most personal album yet . . . a haunting, doomy exercise in loud-quiet dynamics.” Rolling Stone \/\/ Sleep paralysis plagues singer\/songwriter Chelsea Wolfe, and that strange intersection of the conscious and the unconscious has inadvertently manifested itself within her work. Across the span of her first four albums, there is an underlying tension, a distorted and nebulous territory where dark shadows hover along the edges of the sublime and the graceful. But until now, Wolfe’s trials and tribulations with the boundaries between dreams and reality have only been a subconscious influence on her work. With her fifth album, Abyss, she deliberately confronts those boundaries and crafts a score to that realm she describes as the “hazy afterlife… an inverted thunderstorm… the dark backward… the abyss of time.” Chelsea Wolfe’s material has always felt intensely private, from the almost voyeuristic bedroom-production aesthetic of her debut album The Grime and the Glow to the stark themes and atmospheres of 2013’s Pain Is Beauty. “Abyss is meant to have the feeling of when you’re dreaming, and you briefly wake up, but then fall back asleep into the same dream, diving quickly into your own subconscious,” says Wolfe. To conjure this in-between world, Wolfe continued her ongoing collaboration with multi-instrumentalist and co-writer Ben Chisholm and drummer Dylan Fujioka, with Ezra Buchla brought on board to play viola and Mike Sullivan (Russian Circles) enlisted to contribute guitar. The ensemble traveled to Dallas, TX to record with producer John Congleton (Swans, St. Vincent). In the back of her mind burned the words of designer Yohji Yamamoto: \"Perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion.” The resulting eleven songs reflect that philosophy as they smoulder with human frailty, intimacy, quiet passion, anxiety, and deep longing. “Sleep and dream issues have followed me my whole life,” remarks Wolfe as she revisits notes from the writing and recording sessions. In a way, these issues have become a part of Chelsea Wolfe’s identity, for whom the notion of sleep as an escape has been subverted. Abyss captures this dichotomy, this battle between the soothing and the upsetting, and demonstrates why Chelsea Wolfe has become one of the most intriguing songwriters of the decade.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Carrion Flowers\u003cbr\u003e2. Iron Moon\u003cbr\u003e3. Dragged Out\u003cbr\u003e4. Maw\u003cbr\u003e5. Grey Days\u003cbr\u003e6. After the Fall\u003cbr\u003e7. Crazy Love\u003cbr\u003e8. Simple Death\u003cbr\u003e9. Survive 1\u003cbr\u003e0. Color of Blood\u003cbr\u003e11. 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Across the span of her first four albums, there is an underlying tension, a distorted and nebulous territory where dark shadows hover along the edges of the sublime and the graceful. But until now, Wolfe’s trials and tribulations with the boundaries between dreams and reality have only been a subconscious influence on her work. With her fifth album, Abyss, she deliberately confronts those boundaries and crafts a score to that realm she describes as the “hazy afterlife… an inverted thunderstorm… the dark backward… the abyss of time.” Chelsea Wolfe’s material has always felt intensely private, from the almost voyeuristic bedroom-production aesthetic of her debut album The Grime and the Glow to the stark themes and atmospheres of 2013’s Pain Is Beauty. “Abyss is meant to have the feeling of when you’re dreaming, and you briefly wake up, but then fall back asleep into the same dream, diving quickly into your own subconscious,” says Wolfe. To conjure this in-between world, Wolfe continued her ongoing collaboration with multi-instrumentalist and co-writer Ben Chisholm and drummer Dylan Fujioka, with Ezra Buchla brought on board to play viola and Mike Sullivan (Russian Circles) enlisted to contribute guitar. The ensemble traveled to Dallas, TX to record with producer John Congleton (Swans, St. Vincent). In the back of her mind burned the words of designer Yohji Yamamoto: \"Perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion.” The resulting eleven songs reflect that philosophy as they smoulder with human frailty, intimacy, quiet passion, anxiety, and deep longing. “Sleep and dream issues have followed me my whole life,” remarks Wolfe as she revisits notes from the writing and recording sessions. In a way, these issues have become a part of Chelsea Wolfe’s identity, for whom the notion of sleep as an escape has been subverted. Abyss captures this dichotomy, this battle between the soothing and the upsetting, and demonstrates why Chelsea Wolfe has become one of the most intriguing songwriters of the decade.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Carrion Flowers\u003cbr\u003e2. Iron Moon\u003cbr\u003e3. Dragged Out\u003cbr\u003e4. Maw\u003cbr\u003e5. Grey Days\u003cbr\u003e6. After the Fall\u003cbr\u003e7. Crazy Love\u003cbr\u003e8. Simple Death\u003cbr\u003e9. Survive 1\u003cbr\u003e0. Color of Blood\u003cbr\u003e11. 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Helmed by Maisie Everett (guitar, keys, vox) and fleshed out by a talented trio of musicians in Mike Bradvica (guitars), Jimmy Droughton (bass) and Daniel Devvlin (drums), it was recorded with producer Joe White of Rolling Blackout Coastal Fever. (‘Again’ cements the Lip Bombs as a long-term fixture in the current indie scene). “Hey You\", the first single to be taken from the record, captures the band's widescreen songwriting and innate knack for soaring melodies.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSide A\u003cbr\u003e1. Again and Again\u003cbr\u003e2. Don’t Let Them Tell You (It’s Fair)\u003cbr\u003e3. Another World\u003cbr\u003e4. Cinema\u003cbr\u003e5. Back Of My Hand\u003cbr\u003eSide B\u003cbr\u003e1. Hey You\u003cbr\u003e2. If You’ve Got The\u003cbr\u003e3. Time\u003cbr\u003e4. Smiling\u003cbr\u003e5. Burning Up\u003cbr\u003e6. 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Curse\u003c\/p\u003e","brand":"JAGJAGUWAR","offers":[{"title":"Default Title","offer_id":45203250249884,"sku":"JAG483LP","price":23.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/8_c36ca1ca-bf7b-4894-be62-1e3394e6c848.jpg?v=1755519458"},{"product_id":"keiyaa-hookes-law-cd","title":"keiyaA - hookes law [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: XL1561CD\u003cbr\u003eBarcode: 0191404156124\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: R\u0026amp;B\/Soul\u003c\/p\u003e\n\u003cp\u003eChicago-born, NYC-based singer-songwriter, multi-instrumentalist, and producer keiyaA announces the details of her highly anticipated, sophomore album hooke’s law, out October 31st on XL Recordings. Written and produced over five years, hooke’s law is keiyaA’s document of survival through self-interrogation. The album deconstrusts and rebuilds her ego on her own terms, offering a safe space to process conflicting roles she faced growing up as a queer Black woman. Embracing discomfort and contradiction, keiyaA rejects the demand for neat resolution, instead honoring multivalence - allowing all her past, present and future selves to coexist in harmony, friction and confusion across a genre-defying blend of jazz, R\u0026amp;B, hip-hop, electronic, and experimental music. Today keiyaA shares the project's second single “take it,” accompanied by a second self-co-directed music video with Caity Arthur, which follows last month’s “stupid prizes.”\u003c\/p\u003e\n\u003cp\u003eKnown for her penetrating explorations of Black womanhood and liberation, keiyaA reemerges post her 2020 debut Forever, Ya Girl with greater intensity and unbound experimentation. In the wake of her first theatrical stage play, milk thot, keiyaA arrives to present hooke’s law, which she explains is:\u003c\/p\u003e\n\u003cp\u003e “an album about the journey of self love, from an angle that isn’t all affirmations and capitalistic self-care. it’s not a linear story with a moral at the end. It's more of a cycle, a spiral - it’s Hooke's law.\u003c\/p\u003e\n\u003cp\u003e With this work i aim to interrogate and embrace anger and conflict, disappointment and dissatisfaction, about not being docile and about rejecting mammyism and traditional expectations of fat black brown and dark skinned women in our communities. i speak about desire + longing, about examining maladaptive tendencies, conflict avoidance - the eternal relationship with the self.”\u003c\/p\u003e\n\u003cp\u003eWith milk thot, an experimental play staged at Abron’s Art Center in Brooklyn in January, keiyaA offered a prelude to hooke’s law by confronting her shadow self in a ritual of deconstruction and rebirth. Blurring the boundaries between actor and audience, the play continually remade itself, dissolving the idea of a fixed character of linear narrative. In doing so, milk thot set the stage for the radical self-interrogation and multiplicity that drive hooke’s law.\u003c\/p\u003e\n\u003cp\u003e In 2020, keiyaA released her self-produced debut album Forever, Ya Girl, which earned widespread critical acclaim. The project went on to receive Pitchfork’s “Best New Music” designation, landed on year-end best-of lists from The New York Times, NPR, Rolling Stone, and The Guardian, and was later named to Pitchfork’s Best of the Decade So Far list. It also drew praise from artists including Solange, Jay-Z, Earl Sweatshirt, Blood Orange, Kimberly Drew, and Moses Sumney. The album announced keiyaA as one of music’s most vital new voices and producers, and the attention it garnered gave her the access to expand on her creative vision—one that has since grown into a thriving garden of projects, performances, and collaborations, each distinct but rooted in her singular artistry.\u003c\/p\u003e\n\u003cp\u003eSince Forever, Ya Girl, keiyaA showcased her dynamism through a Tiny Desk concert, high-profile performances at Solange’s El Dorado Ballroom show at BAM, Wales Bonner’s Togetherness presentation at the Guggenheim, ESSENSE’s Girls United Summit, Bourse de Commerce in Paris, Theaster Gates’ Kenwood Garden community space and MoMA PS1, as well as collaborations with Telfar and Nike. All of these milestones culminated earlier this year in milk thot, her first full-length state production - a multidisciplinary work of music, poetry, acting, choreography - that marked a bold new evolution in keiyaA’s storytelling.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003e1. waltz d'hethert\u003cbr\u003e2. i h8 u\u003cbr\u003e3. stupid prizes\u003cbr\u003e4. take it\u003cbr\u003e5. be quiet!!!\u003cbr\u003e6. think about it\/what u think?\u003cbr\u003e7. k.i.s.s.\u003cbr\u003e8. make good\u003cbr\u003e9. this time (feat. Rahrah Gabor)\u003cbr\u003e10. lateeee\u003cbr\u003e11. get close 2 me\u003cbr\u003e12. fire sign oath\u003cbr\u003e13. motions\u003cbr\u003e14. motions (reprise)\u003cbr\u003e15. break it\u003cbr\u003e16. thirsty\u003cbr\u003e17. devotions\u003cbr\u003e18. nobody show\u003cbr\u003e19. until we meet again\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":45324731056284,"sku":"XL1561CD","price":11.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/KeiyaA_Hooke_sLaw_CD_Front.jpg?v=1758134385"},{"product_id":"keiyaa-hookes-law-lp","title":"keiyaA - hookes law [LP]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: XL1561LP\u003cbr\u003eBarcode: 0191404156117\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: R\u0026amp;B\/Soul\u003c\/p\u003e\n\u003cp\u003eChicago-born, NYC-based singer-songwriter, multi-instrumentalist, and producer keiyaA announces the details of her highly anticipated, sophomore album hooke’s law, out October 31st on XL Recordings. Written and produced over five years, hooke’s law is keiyaA’s document of survival through self-interrogation. The album deconstrusts and rebuilds her ego on her own terms, offering a safe space to process conflicting roles she faced growing up as a queer Black woman. Embracing discomfort and contradiction, keiyaA rejects the demand for neat resolution, instead honoring multivalence - allowing all her past, present and future selves to coexist in harmony, friction and confusion across a genre-defying blend of jazz, R\u0026amp;B, hip-hop, electronic, and experimental music. Today keiyaA shares the project's second single “take it,” accompanied by a second self-co-directed music video with Caity Arthur, which follows last month’s “stupid prizes.”\u003c\/p\u003e\n\u003cp\u003eKnown for her penetrating explorations of Black womanhood and liberation, keiyaA reemerges post her 2020 debut Forever, Ya Girl with greater intensity and unbound experimentation. In the wake of her first theatrical stage play, milk thot, keiyaA arrives to present hooke’s law, which she explains is:\u003c\/p\u003e\n\u003cp\u003e “an album about the journey of self love, from an angle that isn’t all affirmations and capitalistic self-care. it’s not a linear story with a moral at the end. It's more of a cycle, a spiral - it’s Hooke's law.\u003c\/p\u003e\n\u003cp\u003e With this work i aim to interrogate and embrace anger and conflict, disappointment and dissatisfaction, about not being docile and about rejecting mammyism and traditional expectations of fat black brown and dark skinned women in our communities. i speak about desire + longing, about examining maladaptive tendencies, conflict avoidance - the eternal relationship with the self.”\u003c\/p\u003e\n\u003cp\u003eWith milk thot, an experimental play staged at Abron’s Art Center in Brooklyn in January, keiyaA offered a prelude to hooke’s law by confronting her shadow self in a ritual of deconstruction and rebirth. Blurring the boundaries between actor and audience, the play continually remade itself, dissolving the idea of a fixed character of linear narrative. In doing so, milk thot set the stage for the radical self-interrogation and multiplicity that drive hooke’s law.\u003c\/p\u003e\n\u003cp\u003e In 2020, keiyaA released her self-produced debut album Forever, Ya Girl, which earned widespread critical acclaim. The project went on to receive Pitchfork’s “Best New Music” designation, landed on year-end best-of lists from The New York Times, NPR, Rolling Stone, and The Guardian, and was later named to Pitchfork’s Best of the Decade So Far list. It also drew praise from artists including Solange, Jay-Z, Earl Sweatshirt, Blood Orange, Kimberly Drew, and Moses Sumney. The album announced keiyaA as one of music’s most vital new voices and producers, and the attention it garnered gave her the access to expand on her creative vision—one that has since grown into a thriving garden of projects, performances, and collaborations, each distinct but rooted in her singular artistry.\u003c\/p\u003e\n\u003cp\u003eSince Forever, Ya Girl, keiyaA showcased her dynamism through a Tiny Desk concert, high-profile performances at Solange’s El Dorado Ballroom show at BAM, Wales Bonner’s Togetherness presentation at the Guggenheim, ESSENSE’s Girls United Summit, Bourse de Commerce in Paris, Theaster Gates’ Kenwood Garden community space and MoMA PS1, as well as collaborations with Telfar and Nike. All of these milestones culminated earlier this year in milk thot, her first full-length state production - a multidisciplinary work of music, poetry, acting, choreography - that marked a bold new evolution in keiyaA’s storytelling.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003e1. waltz d'hethert\u003cbr\u003e2. i h8 u\u003cbr\u003e3. stupid prizes\u003cbr\u003e4. take it\u003cbr\u003e5. be quiet!!!\u003cbr\u003e6. think about it\/what u think?\u003cbr\u003e7. k.i.s.s.\u003cbr\u003e8. make good\u003cbr\u003e9. this time (feat. Rahrah Gabor)\u003cbr\u003e10. lateeee\u003cbr\u003e11. get close 2 me\u003cbr\u003e12. fire sign oath\u003cbr\u003e13. motions\u003cbr\u003e14. motions (reprise)\u003cbr\u003e15. break it\u003cbr\u003e16. thirsty\u003cbr\u003e17. devotions\u003cbr\u003e18. nobody show\u003cbr\u003e19. until we meet again\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":45324732891292,"sku":"XL1561LP","price":22.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/keiyaA_Vinyl_Front.jpg?v=1758134378"},{"product_id":"buffalo-tom-sleepy-eyed-expanded-edition-2lp","title":"Buffalo Tom - Sleepy Eyed (Expanded Edition) [2LP]","description":"\u003cp\u003eFormat: 2 x LP\u003cbr\u003eCatalogue No.: BBQ2703LP\u003cbr\u003eBarcode: 0607618270315\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eBeggars Banquet is happy to release an expanded edition of Buffalo Tom’s fifth album Sleepy Eyed, celebrating it’s 30th Anniversary this year.\u003c\/p\u003e\n\u003cp\u003eSet for release on October 31st, on 2XLP\/CD, the album has been expanded to include six demos that the band unearthed specifically for this release. All home recordings, “Hold Me Up” and “Don’t Blow Your Wind” are gorgeous completely unheard songs that somehow didn’t make it any further than a demo. “Tangerine”, “Summer”, “Kitchen Door” and “Clobbered” are a window into how these Buffalo Tom classics got their start.\u003c\/p\u003e\n\u003cp\u003eSleepy Eyed has been expanded into a double LP, and the refreshed artwork includes new photos and images of ephemera plus notes written by the band and producer John Agnello about the recording of the album.\u003c\/p\u003e\n\u003cp\u003eSleepy Eyed marked a turning point for the band. Their previous album, 1993’s Big Red Letter Day was a huge album for them, landing on the Billboard charts and bringing them to new levels of fame when “Late At Night” was heavily featured in a pivotal scene of the short-lived mid-90s cult TV show \"My So Called Life” which starred Claire Danes and Jared Leto. The song was not only in the episode, but the band was also shown performing it.\u003c\/p\u003e\n\u003cp\u003eThe making of that album was a massive, glossy undertaking, recorded in LA with huge producers, and as Bill Janovitz noted “It was a full-on, old-school peak-analog record production”. The band’s inclination for their follow-up was to bring it back to a more stripped down and raw recording situation. Bill said, “I was thinking of Some Girls and Tonight's the Night, and those electric Dylan records like Highway 61 Revisited and Blonde on Blonde, where you could hear instruments bleeding into each other, snare drum rattling from the guitars and bass, and off-microphone stuff, and even mistakes, where it just felt like you were in the room with the band.”\u003c\/p\u003e\n\u003cp\u003eThey found the perfect partner in this plan with producer John Agnello and the perfect place to make it – at Dreamland Recordings Studio in upstate New York. Tom Maginnis noted that “there were really no distractions, and we ended up spending long days into the night at the studio and just crashing at the house to sleep. We would do take after take to get the right basic track, so it felt like playing many live sets in a single day.”\u003c\/p\u003e\n\u003cp\u003eThe songs on Sleepy Eyed, which include an impressive opening trio of three of their most popular - “Tangerine”, “Summer” and “Kitchen Door” are amongst many fan favorites. Their trademark harmonies, timeless songwriting and guitar fueled passion is perfectly exemplified on this release.\u003c\/p\u003e\n\u003cp\u003eBuffalo Tom (Bill Janovitz, Chris Colbourn and Tom Maginnis) formed at the University of Massachusetts at Amherst in 1986 - a breeding ground of post punk guitar bands like Dinosaur Jr. and Pixies. The three longstanding bandmates recognize the achievement of their longevity as a creative unit - 10 albums, 40 years as a band. Nice work if you can get it!\u003c\/p\u003e\n\u003cp\u003e2LP Tracklisting\u003cbr\u003e \u003cbr\u003eA1. Tangerine\u003cbr\u003eA2. Summer\u003cbr\u003eA3. Kitchen Door\u003cbr\u003eA4. Rules\u003cbr\u003eA5. It's You\u003cbr\u003eA6. When You Discover\u003cbr\u003eB1. Sunday Night\u003cbr\u003eB2. Your Stripes\u003cbr\u003eB3. Sparklers\u003cbr\u003eB4. Clobbered\u003cbr\u003eC1. Sundress\u003cbr\u003eC2. Twenty-Points (The Ballad of Sexual Dependency)\u003cbr\u003eC3. Souvenir\u003cbr\u003eC4. Crueler\u003cbr\u003eD1. Tangerine\u003cbr\u003eD2. Summer\u003cbr\u003eD3. Kitchen Door\u003cbr\u003eD4. Clobbered\u003cbr\u003eD5. Hold Me Up\u003cbr\u003eD6. Don't Blow Your Wind\u003c\/p\u003e","brand":"BEGGARS BANQUET","offers":[{"title":"Default Title","offer_id":45326061011100,"sku":"BBQ2703LP","price":30.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BuffaloTom-SleepyEyedExpandedfront1x1_0d9a83e3-4124-4abf-a87c-7fb10d945cff.jpg?v=1758179961"},{"product_id":"buffalo-tom-sleepy-eyed-expanded-edition-cd","title":"Buffalo Tom - Sleepy Eyed (Expanded Edition) [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: BBQ2703CD\u003cbr\u003eBarcode: 0607618270322\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eBeggars Banquet is happy to release an expanded edition of Buffalo Tom’s fifth album Sleepy Eyed, celebrating it’s 30th Anniversary this year.\u003c\/p\u003e\n\u003cp\u003eSet for release on October 31st, on 2XLP\/CD, the album has been expanded to include six demos that the band unearthed specifically for this release. All home recordings, “Hold Me Up” and “Don’t Blow Your Wind” are gorgeous completely unheard songs that somehow didn’t make it any further than a demo. “Tangerine”, “Summer”, “Kitchen Door” and “Clobbered” are a window into how these Buffalo Tom classics got their start.\u003c\/p\u003e\n\u003cp\u003eSleepy Eyed has been expanded into a double LP, and the refreshed artwork includes new photos and images of ephemera plus notes written by the band and producer John Agnello about the recording of the album.\u003c\/p\u003e\n\u003cp\u003eSleepy Eyed marked a turning point for the band. Their previous album, 1993’s Big Red Letter Day was a huge album for them, landing on the Billboard charts and bringing them to new levels of fame when “Late At Night” was heavily featured in a pivotal scene of the short-lived mid-90s cult TV show \"My So Called Life” which starred Claire Danes and Jared Leto. The song was not only in the episode, but the band was also shown performing it.\u003c\/p\u003e\n\u003cp\u003eThe making of that album was a massive, glossy undertaking, recorded in LA with huge producers, and as Bill Janovitz noted “It was a full-on, old-school peak-analog record production”. The band’s inclination for their follow-up was to bring it back to a more stripped down and raw recording situation. Bill said, “I was thinking of Some Girls and Tonight's the Night, and those electric Dylan records like Highway 61 Revisited and Blonde on Blonde, where you could hear instruments bleeding into each other, snare drum rattling from the guitars and bass, and off-microphone stuff, and even mistakes, where it just felt like you were in the room with the band.”\u003c\/p\u003e\n\u003cp\u003eThey found the perfect partner in this plan with producer John Agnello and the perfect place to make it – at Dreamland Recordings Studio in upstate New York. Tom Maginnis noted that “there were really no distractions, and we ended up spending long days into the night at the studio and just crashing at the house to sleep. We would do take after take to get the right basic track, so it felt like playing many live sets in a single day.”\u003c\/p\u003e\n\u003cp\u003eThe songs on Sleepy Eyed, which include an impressive opening trio of three of their most popular - “Tangerine”, “Summer” and “Kitchen Door” are amongst many fan favorites. Their trademark harmonies, timeless songwriting and guitar fueled passion is perfectly exemplified on this release.\u003c\/p\u003e\n\u003cp\u003eBuffalo Tom (Bill Janovitz, Chris Colbourn and Tom Maginnis) formed at the University of Massachusetts at Amherst in 1986 - a breeding ground of post punk guitar bands like Dinosaur Jr. and Pixies. The three longstanding bandmates recognize the achievement of their longevity as a creative unit - 10 albums, 40 years as a band. Nice work if you can get it!\u003c\/p\u003e\n\u003cp\u003e1. Tangerine\u003cbr\u003e2. Summer\u003cbr\u003e3. Kitchen Door\u003cbr\u003e4. Rules\u003cbr\u003e5. It's You\u003cbr\u003e6. When You Discover\u003cbr\u003e7. Sunday Night\u003cbr\u003e8. Your Stripes\u003cbr\u003e9. Sparklers\u003cbr\u003e10. Clobbered\u003cbr\u003e11. Sundress\u003cbr\u003e12. Twenty-Points (The Ballad of Sexual Dependency)\u003cbr\u003e13. Souvenir\u003cbr\u003e14. Crueler\u003cbr\u003e15. Tangerine\u003cbr\u003e16. Summer\u003cbr\u003e17. Kitchen Door\u003cbr\u003e18. Clobbered\u003cbr\u003e19. Hold Me Up\u003cbr\u003e20. Don't Blow Your Wind\u003c\/p\u003e","brand":"BEGGARS BANQUET","offers":[{"title":"Default Title","offer_id":45326064877724,"sku":"BBQ2703CD","price":11.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/BuffaloTom-SleepyEyedExpandedCDfront1x1.jpg?v=1758179943"},{"product_id":"brown-angel-pure-brown-energy","title":"BROWN ANGEL - Pure Brown Energy","description":"\u003cp\u003eFormat: 12\" Vinyl\u003cbr\u003eCatalogue No.: DE351\u003cbr\u003eRelease Date: 25 Oct 2025\u003cbr\u003eGenre: Funky\/Club House\u003c\/p\u003e\n\u003cp\u003eSan Francisco producer and Hard French member Brown Angel lands on Dark Entries with a superb six-track EP created with an original Roland TR-808 received shortly before the passing of their father. Because of that genesis, the record channels grief, identity and joy into club-ready forms that Brown Angel calls a reflection of their \"gay tio side, Latin goth side, boulevard cruising side, and soft vulnerable side.\" From ballroom house and cumbia-freestyle hybrids to Miami bass-infused electro and reggaeton-inspired grooves, these tunes throng with the endlessly excellent pulse of the 808 with a special sleeve that echoes Teen Angels magazine's bold Chicano iconography.\u003c\/p\u003e\n\u003cp\u003e1. \"Miel\"\u003cbr\u003e2. \"Maya\"\u003cbr\u003e3. \"Dame Mas\"\u003cbr\u003e4. \"En Movimiento\"\u003cbr\u003e5. \"PBE\"\u003cbr\u003e6. \"Love Me Right\"\u003c\/p\u003e","brand":"Dark Entries","offers":[{"title":"Default Title","offer_id":45328549183644,"sku":"DE351","price":18.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_b0637f60-ee5f-461d-8594-3852c6fad1a8.jpg?v=1758287133"},{"product_id":"chelsea-wolfe-abyss-10th-anniversary-edition-cd","title":"Chelsea Wolfe - Abyss (10th Anniversary Edition) [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: SH140CD10\u003cbr\u003eBarcode: 0634457231993\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock \/ Gothic\u003c\/p\u003e\n\u003cp\u003eCelebrating 10 years of Chelsea Wolfe’s album Abyss with a 10th anniversary edition 2xLP in foil jacket with both black and a limited Blue\/Black\/Silver Insomnia vinyl option available.\u003cbr\u003eCD Packaging: Silver Foil Digipak with 16-page booklet.\u003cbr\u003eIncludes updated artwork and new vinyl colour variants.\u003cbr\u003eImmense support from Press, including features, reviews and ‘Best of 2015’ lists in Pitchfork, Rolling Stone, NPR, Cosmopolitan, NYLON, FADER, Decibel, Under The Radar and much more\u003cbr\u003eVinyl download card includes demo version of previously unreleased bonus track “The Eye”, recorded during the Abyss album sessions.\u003cbr\u003eSongs from Abyss were featured in numerous notable syncs including Beauty \u0026amp; The Beast, How to Get Away with Murder, American Horror Story, Good Girls, Rainbow Siege Six + much more\u003c\/p\u003e\n\u003cp\u003eChelsea Wolfe’s album \"Abyss\" deliberately confronts the boundaries between dreams and reality to craft a score to that realm she describes as the “hazy afterlife… an inverted thunderstorm… the dark backward… the abyss of time.” As Wolfe notes “Abyss is meant to have the feeling of when you’re dreaming, and you briefly wake up, but then fall back asleep into the same dream, diving quickly into your own subconscious.” To conjure this in-between world, Wolfe continued her ongoing collaboration with multi-instrumentalist and co-writer Ben Chisholm with drummer Dylan Fujioka, Ezra Buchla brought on board to play viola, Mike Sullivan (Russian Circles) enlisted to contribute guitar, plus slide guitar contributions from D.H. Phillips (True Widow). The ensemble travelled to Dallas, TX to record with producer John Congleton (Swans, St. Vincent). In the back of her mind burned the words of designer Yohji Yamamoto: \"Perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion.” The resulting eleven songs reflect that philosophy as they smoulder with human frailty, intimacy, quiet passion, anxiety, and deep longing.\u003c\/p\u003e\n\u003cp\u003eIn celebration of its 10th anniversary, Sargent House is set to release a limited-edition re-issue of Abyss with new vinyl colour variants in a silver foil gatefold jacket and CD in silver foil digipak with 16-page booklet.\u003c\/p\u003e\n\u003cp\u003eHer heaviest (and best) collection to date…a bleak, beautiful masterpiece. – PITCHFORK\u003c\/p\u003e\n\u003cp\u003eGorgeously devastating…heartbreak and darkness are the threads that run through Wolfe's diverse-yet-distinctive discography. – NPR\u003c\/p\u003e\n\u003cp\u003eHer darkest, heaviest and most personal album…a haunting, doomy exercise in loud-quiet dynamics. – ROLLING STONE\u003c\/p\u003e\n\u003cp\u003eShe has a nontraditional imagination paired with a very traditional gift: a full, expressive voice that sometimes recalls Feist’s – NEW YORK TIMES\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003e1. Carrion Flowers\u003cbr\u003e2. Iron Moon\u003cbr\u003e3. Dragged Out\u003cbr\u003e4. Maw\u003cbr\u003e5. Grey Days\u003cbr\u003e6. After the Fall\u003cbr\u003e7. Crazy Love\u003cbr\u003e8. Simple Death\u003cbr\u003e9. Survive\u003cbr\u003e10. Color of Blood\u003cbr\u003e11. The Abyss\u003c\/p\u003e","brand":"SARGENT HOUSE","offers":[{"title":"Default Title","offer_id":45344159858844,"sku":"SH140CD10","price":16.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChelseaWolfe_Abyss_a9c4028a-7169-4b60-aea1-a8aac9abe778.jpg?v=1758450980"},{"product_id":"evelyne-masao-testpattern-cd","title":"EVELYNE \/ MASAO - Testpattern [CD]","description":"\u003cp\u003eFormat: CD\u003cbr\u003eCatalogue No.: DE330CD\u003cbr\u003eBarcode: 0794811516071\u003cbr\u003eRelease Date: 29 Sep 2025\u003cbr\u003eGenre: Coldwave\/Synth\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTestpattern is a new album of old music that marks the wonderful Dark Entries label's first step into vintage Japanese electronics. Recorded in 1984 by Masao Hiruma who is formerly of the synth outfit from which this album takes its name, and French-American poet-vocalist Evelyne Bennu, these 17 tracks were captured in Hiruma's home studio but never released until now. Building on the refined synthpop of 1982's Apres-Midi, the album drifts from Hosono-inspired melodies to oddball DIY experiments on the standout 'Alien Go Home' and a skewed 'Singin' in the Rain'. Bennu's vocals shift from New Wave cool to chanson theatrics, which unifies this wonderful collection. 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With a burgeoning reputation built on a series of concept singles that delve into the complexities and paradoxes of a society entwined with social media, the talented lyricist has quickly become a beacon for those seeking truth in artistry. With a keen ear for beats and a delivery that's both smooth and deliberate, he crafts each verse with care, allowing his words the space to breathe. 1up Tee jumpstarted his current momentum with the release of his 2023 solo debut Upper. Blending message-driven content with contemporary rhythms and flows, the album resonated deeply with listeners, establishing Tee as a vital voice in tumultuous times.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Spoiled Rotten\u003cbr\u003e2. Pu**y Whipped\u003cbr\u003e3. Made Me This Way\u003cbr\u003e4. Gossip\u003cbr\u003e5. VS1 Interlude\u003cbr\u003e6. VS1\u003cbr\u003e7. Double Life (feat. G.T. and 1up)\u003cbr\u003e8. 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His music serves as a mirror to the contradictions of our digital age, offering a soundtrack for those wrestling with the realities of identity, success, and expectation in a connected world. With co-signs from Meek Mill, Dej Loaf, BabyTron, and more, the Detroit rapper has established himself as an ascendant star. On the new album Childhood Trauma, 1up Tee continues to refine his voice and explore the depths of his artistry. Delving into a wide range of themes with impressive lyrical ingenuity, the collection solidifies Tee’s status as a storyteller for our times, whose chapters are still being written\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTRACKLISTING\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1. Sick Talk\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2. Suspension (feat. 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Although lots of their songs aren’t overtly political, each track has an undercurrent driving at radical change. There’s a lot to see red about at the moment, and growing up, many of us have been conditioned to snap, lash out and hurt those closest to us. According to the band: “over time, we’ve learnt from people around us that it’s possible to grow and change. People aren’t disposable, and working on how we respond to harm is vital for building a better world.”\u003cbr\u003eThe singles from the album show adults at their frenetic, hook-filled and optimistic best: flag (flailing wildly somewhere between Fugazi and Supermilk, being silly with time signatures whilst despairing about late stage capitalism), crying (a simple indie pop song about trying to manage conflict with someone you love, but really just getting into arguments with the other person in your head) and patterns (a shoegazy, dream pop song about death and the aftermath). The fast and scrappy side of adults are on display on chest pains and partner song pest chains, complete with a glam-rock solo harmony at the end.\u003cbr\u003eadults are a fast silly indie punk band of four long term pals (carl, joe, joely and tom) who love indie-pop, diy and burgess park. Containing members from various UK diy bands (Fresh, New Starts, Wolf Girl, Tomboy Grandpa, Top Deck) they write noisy awkward pop songs with crunching guitars, speedy drums and yelping dual vocals. Based in south London and firmly established in the UKs indie-pop scene, adults released their debut single ‘MSN’ with Art is Hard records (Bristol, UK), an EP with Caballito Records (Madrid, Spain) and their debut album ‘for everything, always’ came out in 2022 on Fika Recordings (London, UK). 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This creative surge marked the beginning of a serious rise, as the talented rapper grew a devoted following, highlighted by a 2024 UK tour with Rome Streetz. Brooklyn-based artist Chuck Strangers first emerged as the sonic backbone of the legendary rap collective Pro Era, crafting classic tracks for members like Joey Bada$$ and the late Capital STEEZ before expanding into a successful solo career and production work for Roc Marciano, Mick Jenkins, Boldy James, and more. Released via GoodTalk, Affordable Luxuries is collaborative album from Milc and Chuck Strangers, joining forces under the name Bad Tofu. The 12-track project delivers a blend of sharp lyricism and lo-fi boom-bap beats, offering a nostalgic yet fresh take on underground hip-hop. With tracks like \"Earl The Pearl Monroe\" and \"Vegetarian Mezza,\" Affordable Luxuries showcases Milc's charismatic flow and Chuck Strangers' signature production style, reminiscent of New York rap’s golden age. 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Keeping its original sleeve design by Chris Bigg (v23), featuring photography by Christopher Gorman and Stephen DiRado, this long demanded repress is now available on black vinyl with the album having been remastered by Kevin Vanbergen.\u003cbr\u003eBelly found themselves at something of a crossroads when it came to following up their 1993 debut album Star – a wildly successful record that earned the band two GRAMMY nominations including the coveted Best New Artist award. With bassist Gail Greenwood having joined the ranks in between, she plus the trio of Tanya Donelly and brothers Chris and Tom Gorman rented a house in rural Rhode Island to write collaboratively before heading to Nassau in the Bahamas to record in Island Records founder Chris Blackwell’s legendary studio Compass Point (a place famed for where AC\/DC, Grace Jones, Tom Tom Club, and countless others recorded major works). Away from industry pressure and guided by veteran producer Glyn Johns (Led Zeppelin, The Rolling Stones, The Who), they made the most of the relaxed surroundings, recording live in the room and minimising overdubs so to capture as much of the band’s chemistry on tape as they could.\u003cbr\u003eFeaturing singles ‘Now They'll Sleep’, ‘Seal My Fate’, and ‘Super-Connected’, the resultant King was a step on, a deceptively complex album where the quartet had chosen artistic growth over commerciality. Their lyrics took more of a political and personal bent, while musically it was heavier, in part due to Gail's muscular playing style and more deft guitar interplay between Tanya and Tom. SPIN Magazine said at the time that it marked their evolution from “indie darlings to rock contenders”.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA1. Puberty\u003cbr\u003eA2. Seal My Fate\u003cbr\u003eA3. Red\u003cbr\u003eA4. Silverfish\u003cbr\u003eA5. Super-Connected\u003cbr\u003eA6. 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All that seemed clear was that over time it had assumed mystical significance, watching calmly over everything that ensued. Following a troubled – and by some accounts haunted – sojourn in a museum, Mike became the ultimate owner of this parrot. There once again it sat, in his room and overlooking his home studio, as he sculpted music that took on unforeseen new dimensions. He pursued these uncanny vibrations right through to the creation of Bruise Blood’s debut You Run Through This World Like An Open Razor. The consequence is an album very much driven by supernatural forces – spectral influence moving through machine form to summon grandeur and abjection both. Whilst Bourne’s work with Teeth Of The Sea might give dystopian signposts to some, the soundscapes and explorations here – channelling techno, industrial, post-punk, minimalism and beyond – function to sculpt one singular vision. Recorded and mixed by Bourne himself and mastered by Amir Shoat (Dean Blunt, Klein, John T.Gast) it’s an audial realm as redolent of the disorientating world of a Harlan Ellison short story as bathing in the relentless strobe light of a 3AM dancefloor epiphany. Perhaps Bruise Blood’s vibrant, excoriating debut is the sound of humanity moving with slow inevitability towards darker times, alchemically transmuted into cinematic serendipity and beauty. Perhaps it’s merely the inspired work of one man, driven by forces he doesn’t entirely understand.\u003cbr\u003ePerhaps only the parrot - the spirit animal still standing sentinel as we embark on an uncertain new aeon – really knows.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. The Pressure\u003cbr\u003e2. Cede\u003cbr\u003e3. You're in Control\u003cbr\u003e4. Mindseye\u003cbr\u003e5. Until the Sun Breaks Down\u003cbr\u003e6. Oh But You Can, Oh But You Will\u003cbr\u003e7. 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Where her earlier work explored quiet textures and gestural nuance, Tulpa is visceral and immediate, merging raw vocal power with dense layers of analog and digital processing.\u003cbr\u003eDrawing inspiration from the physicality of '70s rock and the esoteric qualities of high-voltage tube gear, Lee crafts a sonic world that is both feral and futuristic. Tulpa pulses with saturated overtones, microscopic detail, and dynamic shifts in scale—zooming between intimacy and immensity.\u003cbr\u003eProduced and recorded by Randall Dunn (SUNN O))), Kali Malone, Anna von Hausswolff), Tulpa was created using a unique spatial technique: Lee’s voice was split into direct signal and multiple vintage tube amplifiers used as speakers, creating a feedback-rich, dimensional environment. The result is a recording that feels tactile and immersive—simultaneously grounded and spectral.\u003cbr\u003e“I was drawn to that '70s sound—how it felt alive and unpredictable, yet deeply embodied,” says Lee. “Tulpa is about dissolving boundaries: between body and machine, space and perception, sound and illusion.”\u003cbr\u003eThe title refers to a concept from Tibetan mysticism: a tulpa is a being conjured through focused thought. Lee invokes this idea as metaphor for her practice—where sound becomes a material act of imagination, shape-shifting between presence and apparition.\u003cbr\u003eThe record closes with a meditative duo featuring world-renowned reed player Ned Rothenberg on bass clarinet, a sparse and spacious track inspired by Noh theatre. It offers a moment of stillness that echoes long after the album ends\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA:\u003cbr\u003e1. The Loading Zone\u003cbr\u003e2. HGT\u003cbr\u003e3. Little Rascals\u003cbr\u003e4. Overlevered\u003cbr\u003eB:\u003cbr\u003e1. Water Margin\u003cbr\u003e2. Live Long\u003cbr\u003e3. Moebius\u003cbr\u003e4. Noh Age\u003c\/p\u003e","brand":"KOU RECORDS (IDEOLOGIC ORGAN)","offers":[{"title":"Default Title","offer_id":45417066791068,"sku":"KOU002LP","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CharmaineLee-Tulpa.jpg?v=1760455633"},{"product_id":"chat-pile-god-s-country-purple-vinyl","title":"Chat Pile - God’s Country (Purple Vinyl)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: FR129LPX\u003cbr\u003eBarcode: 0657628451358\u003cbr\u003eRelease Date: 24 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eDebut full-length from Oklahoma-based noise rock band. Multiple vinyl pressing of the band’s EPs on cult noise rock label Reptilian Records have quickly sold out. There’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept. Having lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album. Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fueled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it. Within its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1 Slaughterhouse\u003cbr\u003e2 Why\u003cbr\u003e3 Pamela\u003cbr\u003e4 Wicked Puppet Dance\u003cbr\u003e5 Anywhere\u003cbr\u003e6 Tropical Beaches, Inc.\u003cbr\u003e7 The Mask\u003cbr\u003e8 I Don't Care If I Burn\u003cbr\u003e9 grimace_smoking_weed\u003c\/p\u003e","brand":"FLENSER","offers":[{"title":"Default Title","offer_id":45417120759964,"sku":"FR129LPX","price":35.13,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPile_God_sCountry.jpg?v=1760458045"},{"product_id":"chat-pile-and-hayden-pedigo-in-the-earth-again-cd","title":"Chat Pile and Hayden Pedigo - In the Earth Again [CD]","description":"\u003cp\u003eFormat: Digisleeve + Poster\u003cbr\u003eCatalogue No.: CS013CDP\u003cbr\u003eBarcode: \u003cspan\u003e3700604769101 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City’s noise rock institution Chat Pile with Texas\/Oklahoma’s visionary guitarist and composer Hayden Pedigo.\u003cbr\u003eWhat began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new.\u003cbr\u003ePedigo’s panoramic, primitive guitar, meets Chat Pile’s industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere.\u003cbr\u003eInstead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland.\u003cbr\u003eIn The Earth Again will be released through innovative label Computer Students- on October 31, 2025.\u003cbr\u003eThe album will be released in multiple formats featuring a cover art by Malcom Byers.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Outside\u003cbr\u003e2. Demon Time\u003cbr\u003e3. Never Say Die\u003cbr\u003e4. Behold a Pale Horse\u003cbr\u003e5. Magic of the World\u003cbr\u003e6. Fission\/Fusion\u003cbr\u003e7. The Matador\u003cbr\u003e8. I’ve Got My Own Blunt to Smoke\u003cbr\u003e9. Radioactive Dreams\u003cbr\u003e10. Inside\u003cbr\u003e11. A Tear for Lucas\u003c\/p\u003e","brand":"COMPUTER STUDENTS","offers":[{"title":"Default Title","offer_id":45417320775836,"sku":"CS013CDP","price":19.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPileandHaydenPedigo-IntheEarthAgain.jpg?v=1760458545"},{"product_id":"chat-pile-and-hayden-pedigo-in-the-earth-again-gold-tape","title":"Chat Pile and Hayden Pedigo - In the Earth Again [Gold Tape]","description":"\u003cp\u003eFormat: Gold Tape\u003cbr\u003eCatalogue No.: \u003cspan\u003eCS013T \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e3700604769132 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City’s noise rock institution Chat Pile with Texas\/Oklahoma’s visionary guitarist and composer Hayden Pedigo.\u003cbr\u003eWhat began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new.\u003cbr\u003ePedigo’s panoramic, primitive guitar, meets Chat Pile’s industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere.\u003cbr\u003eInstead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland.\u003cbr\u003eIn The Earth Again will be released through innovative label Computer Students- on October 31, 2025.\u003cbr\u003eThe album will be released in multiple formats featuring a cover art by Malcom Byers.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Outside\u003cbr\u003e2. Demon Time\u003cbr\u003e3. Never Say Die\u003cbr\u003e4. Behold a Pale Horse\u003cbr\u003e5. Magic of the World\u003cbr\u003e6. Fission\/Fusion\u003cbr\u003e7. The Matador\u003cbr\u003e8. I’ve Got My Own Blunt to Smoke\u003cbr\u003e9. Radioactive Dreams\u003cbr\u003e10. Inside\u003cbr\u003e11. A Tear for Lucas\u003c\/p\u003e","brand":"COMPUTER STUDENTS","offers":[{"title":"Default Title","offer_id":45417321791644,"sku":"CS013T","price":19.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPileandHaydenPedigo-IntheEarthAgain-MockupCassette.jpg?v=1760464214"},{"product_id":"chat-pile-and-hayden-pedigo-in-the-earth-again-deluxe-edition-black-180gr-vinyl-with-poster-and-aluminium-sleeve","title":"Chat Pile and Hayden Pedigo - In the Earth Again [Deluxe Edition Black 180gr Vinyl With Poster And Aluminium Sleeve]","description":"\u003cp\u003eFormat: Deluxe Edition Black 180gr Vinyl With Poster And Aluminium Sleeve\u003cbr\u003eCatalogue No.: \u003cspan\u003eCS013B \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e3700604769125 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City’s noise rock institution Chat Pile with Texas\/Oklahoma’s visionary guitarist and composer Hayden Pedigo.\u003cbr\u003eWhat began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new.\u003cbr\u003ePedigo’s panoramic, primitive guitar, meets Chat Pile’s industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere.\u003cbr\u003eInstead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland.\u003cbr\u003eIn The Earth Again will be released through innovative label Computer Students- on October 31, 2025.\u003cbr\u003eThe album will be released in multiple formats featuring a cover art by Malcom Byers.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Outside\u003cbr\u003e2. Demon Time\u003cbr\u003e3. Never Say Die\u003cbr\u003e4. Behold a Pale Horse\u003cbr\u003e5. Magic of the World\u003cbr\u003e6. Fission\/Fusion\u003cbr\u003e7. The Matador\u003cbr\u003e8. I’ve Got My Own Blunt to Smoke\u003cbr\u003e9. Radioactive Dreams\u003cbr\u003e10. Inside\u003cbr\u003e11. A Tear for Lucas\u003c\/p\u003e","brand":"COMPUTER STUDENTS","offers":[{"title":"Default Title","offer_id":45417321824412,"sku":"CS013B","price":47.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPileandHaydenPedigo-IntheEarthAgain-mockupDeluxe.jpg?v=1760458608"},{"product_id":"chat-pile-and-hayden-pedigo-in-the-earth-again-oxblood-colour-180gr-vinyl","title":"Chat Pile and Hayden Pedigo - In the Earth Again [Oxblood Colour 180gr Vinyl]","description":"\u003cp\u003eFormat: Oxblood Colour 180gr Vinyl\u003cbr\u003eCatalogue No.: \u003cspan\u003eCS013O \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e3700604774426 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City’s noise rock institution Chat Pile with Texas\/Oklahoma’s visionary guitarist and composer Hayden Pedigo.\u003cbr\u003eWhat began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new.\u003cbr\u003ePedigo’s panoramic, primitive guitar, meets Chat Pile’s industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere.\u003cbr\u003eInstead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland.\u003cbr\u003eIn The Earth Again will be released through innovative label Computer Students- on October 31, 2025.\u003cbr\u003eThe album will be released in multiple formats featuring a cover art by Malcom Byers.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Outside\u003cbr\u003e2. Demon Time\u003cbr\u003e3. Never Say Die\u003cbr\u003e4. Behold a Pale Horse\u003cbr\u003e5. Magic of the World\u003cbr\u003e6. Fission\/Fusion\u003cbr\u003e7. The Matador\u003cbr\u003e8. I’ve Got My Own Blunt to Smoke\u003cbr\u003e9. Radioactive Dreams\u003cbr\u003e10. Inside\u003cbr\u003e11. A Tear for Lucas\u003c\/p\u003e","brand":"COMPUTER STUDENTS","offers":[{"title":"Default Title","offer_id":45417321857180,"sku":"CS013O","price":36.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPileandHaydenPedigo-IntheEarthAgain-MockUP-OxBloodVInyl.jpg?v=1760458597"},{"product_id":"chat-pile-and-hayden-pedigo-in-the-earth-again-silver-180gr-vinyl","title":"Chat Pile and Hayden Pedigo - In the Earth Again [Silver 180gr Vinyl]","description":"\u003cp\u003eFormat: Silver 180gr Vinyl\u003cbr\u003eCatalogue No.: \u003cspan\u003eCS013S \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e3700604774402 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City’s noise rock institution Chat Pile with Texas\/Oklahoma’s visionary guitarist and composer Hayden Pedigo.\u003cbr\u003eWhat began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new.\u003cbr\u003ePedigo’s panoramic, primitive guitar, meets Chat Pile’s industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere.\u003cbr\u003eInstead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland.\u003cbr\u003eIn The Earth Again will be released through innovative label Computer Students- on October 31, 2025.\u003cbr\u003eThe album will be released in multiple formats featuring a cover art by Malcom Byers.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Outside\u003cbr\u003e2. Demon Time\u003cbr\u003e3. Never Say Die\u003cbr\u003e4. Behold a Pale Horse\u003cbr\u003e5. Magic of the World\u003cbr\u003e6. Fission\/Fusion\u003cbr\u003e7. The Matador\u003cbr\u003e8. I’ve Got My Own Blunt to Smoke\u003cbr\u003e9. Radioactive Dreams\u003cbr\u003e10. Inside\u003cbr\u003e11. A Tear for Lucas\u003c\/p\u003e","brand":"COMPUTER STUDENTS","offers":[{"title":"Default Title","offer_id":45417321889948,"sku":"CS013S","price":36.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPileandHaydenPedigo-IntheEarthAgain-MockupSilverVinyl.jpg?v=1760458592"},{"product_id":"chat-pile-and-hayden-pedigo-in-the-earth-again-180gr-black-vinyl","title":"Chat Pile and Hayden Pedigo - In the Earth Again [180gr Black Vinyl]","description":"\u003cp\u003eFormat: 180gr Black Vinyl\u003cbr\u003eCatalogue No.: \u003cspan\u003eCS013 \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e3700604769118 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eA collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City’s noise rock institution Chat Pile with Texas\/Oklahoma’s visionary guitarist and composer Hayden Pedigo.\u003cbr\u003eWhat began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new.\u003cbr\u003ePedigo’s panoramic, primitive guitar, meets Chat Pile’s industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere.\u003cbr\u003eInstead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland.\u003cbr\u003eIn The Earth Again will be released through innovative label Computer Students- on October 31, 2025.\u003cbr\u003eThe album will be released in multiple formats featuring a cover art by Malcom Byers.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Outside\u003cbr\u003e2. Demon Time\u003cbr\u003e3. Never Say Die\u003cbr\u003e4. Behold a Pale Horse\u003cbr\u003e5. Magic of the World\u003cbr\u003e6. Fission\/Fusion\u003cbr\u003e7. The Matador\u003cbr\u003e8. I’ve Got My Own Blunt to Smoke\u003cbr\u003e9. Radioactive Dreams\u003cbr\u003e10. Inside\u003cbr\u003e11. A Tear for Lucas\u003c\/p\u003e","brand":"COMPUTER STUDENTS","offers":[{"title":"Default Title","offer_id":45417321922716,"sku":"CS 013","price":32.47,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChatPileandHaydenPedigo-IntheEarthAgain-MockupBlackVinyl.jpg?v=1760458589"},{"product_id":"chino-amobi-eroica-ii-christian-nihilism","title":"Chino Amobi - Eroica II: Christian Nihilism","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eDBL40LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e5056688849900 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Dance \u0026amp; Electronic\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\"Genius is an African who dreams up snow.\" — Vladimir Nabokov\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAmerican musician, painter, director, and graphic designer Chino Amobi will release his second full-length album, 'Eroica II: Christian Nihilism', on 31st October via Drowned By Locals. Amobi's acclaimed 2017 debut, 'Paradiso', immersed listeners in the sweltering, volatile soundscapes of the global South - clashing rhythms, dense noise, and militant textures that evoked postcolonial heat, displacement, and resistance. With 'Eroica II', Amobi shifts into colder terrain, embracing a more minimal and introspective sonic palette shaped by folky drones, glacial ambient, spectral trap, and the hushed echoes of sacred music traditions. If 'Paradiso' was a burning world in flux, 'Eroica II' is its haunted aftermath - a descent into memory, exile, and transcendence. Less about confrontation, more about reckoning, the album explores silence, voids, and spiritual upheaval with stark, contemplative force. When Eroica briefly leaked in 2024, it was immediately recognized by The FADER as “an epic collage masterpiece” and one of the most essential albums of the year.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\"In a world teetering on the brink of despair, where the echoes of nihilism seem to drown out every glimmer of hope, comes an album that dares to confront the void. This musical journey is a profound meditation on the very essence of Christianity in the face of such overwhelming darkness. It is an honest and vulnerable exploration of my own path as a Christian, grappling with the disquieting shadows that lurk within sacred texts, alongside the radiant, enduring light.\" — Chino Amobi\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBorn in Tuscaloosa, Alabama to Nigerian parents and raised in Virginia, Chino Amobi began making art and music at an early age, informed by frequent trips to Nigeria to visit family. He first experimented with rap alongside his brother (now known as Chichi The Eternal), before emerging in the early 2010s under the alias Diamond Black Hearted Boy - releasing raw, conceptual internet music rooted in futurism and emotional dissonance. His influences range from Nas, Radiohead, and video game music to painters like Hieronymus Bosch. Amobi graduated cum laude with a BFA from Virginia Commonwealth University in 2009, and in 2015 he co-founded influential label and art collective NON Worldwide alongside Angel-Ho and Nkisi. Dedicated to artists of the African diaspora, NON quickly gained international recognition for its politically radical ethos and sound-shattering aesthetic. In 2016, the label released Amobi's 'Airport Music for Black Folk', and later that year, Red Bull Music Academy presented a NON showcase at New York's New Museum.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAmobi's work has extended into fashion and film, including a commissioned score for a Kenzo short film and a 2018 visual accompaniment to 'Paradiso', directed by Rick Farin of Actual Objects. In addition to his music and design practice, Amobi is an accomplished visual artist, with his paintings represented by Meredith Rosen Gallery (New York), Robby Fitzpatrick Gallery (Paris), and Von Ammon Co. (Washington, D.C.) In 2023, he released two new musical works: the blistering, politically charged 'French Extremism' EP and the haunting single 'Labyrinth' - expanding his sonic vocabulary while setting the stage for this next chapter. A work of spiritual upheaval, haunted minimalism, and transcendent intent, 'Eroica II: Christian Nihilism' marks a pivotal moment in Amobi's evolving, multidisciplinary practice.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTRACKLISTING\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1. The Triumph of the Cross\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2. Alpha and Omega\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3. Space City view\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4. Hand of God\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5. The Eroica Mystery School\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6. I Love Beauty, I Am a Nihilist, but I Love Beauty\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7. I Wouldn't Be Alive Without You\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8. 777\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9. 222\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10. Wicked City\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11. Aristides\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12. This Is the Best of Seth Price\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13. Gallerina\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14. Legend \u003c\/span\u003e\u003c\/div\u003e","brand":"DROWNED BY LOCALS","offers":[{"title":"Default Title","offer_id":45417328410780,"sku":"DBL40LP","price":22.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CHINOAMOBI-EROICAIICHRISTIANNIHILISM.jpg?v=1760464975"},{"product_id":"chloe-kim-ratsnake","title":"Chloe Kim - Ratsnake","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eKOU003LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0850077743054 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eRaised in Korea and now based in Sydney, percussionist Chloe Kim has emerged as a singular voice in contemporary drumming—blending fearless improvisation with compositional clarity and cross-cultural depth. Ratsnake marks her bold entry into the canon of solo drum records, pairing visceral power with precision and imagination.\u003cbr\u003eKim’s international profile rose in 2023 following her “Herculean” (The Guardian) 100-hour solo drum performance over 10 days. On Ratsnake, she channels that same stamina and vision into a deeply personal studio work that explores the full sonic potential of the drum kit—treating it as a melodic and sculptural instrument.\u003cbr\u003eThe album’s title comes from a dream Kim’s mother had before her birth, invoking the ratsnake—a Korean symbol of resilience, transformation, and rare fortune. This symbolic inheritance threads through the record, as Kim unfolds complex rhythmic ideas with elegance and force.\u003cbr\u003e“Being in New York for the first time, I felt the city’s energy pull new ideas out of me,” says Kim. “Each track highlights a facet of my solo language—from extended percussion and long-form rhythmic cycles to textures I’ve never used live.”\u003cbr\u003eAcross the record, Kim draws on years of personal motifs: a two-bar phrase refined over time in the title track, intricate structures in “The First Gift,” and expansive setups in “Birth Dream.” Each piece builds on her ongoing inquiry into rhythm, form, and embodied sound.\u003cbr\u003eProduced and recorded by Randall Dunn (SUNN O))), Annea Lockwood, Kali Malone), Ratsnake captures Kim’s dynamic phrasing with spatial richness and detail. It’s a powerful, nuanced debut that redefines the possibilities of solo percussion.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA:\u003cbr\u003e1. Ratsnake\u003cbr\u003e2. Birth Dream\u003cbr\u003e3. Tail Dance\u003cbr\u003e4. Hello, Guston\u003cbr\u003eB:\u003cbr\u003e1. Secret Wish\u003cbr\u003e2. Twilight Zone\u003cbr\u003e3. The First Gift\u003c\/p\u003e","brand":"KOU RECORDS (IDEOLOGIC ORGAN)","offers":[{"title":"Default Title","offer_id":45417328672924,"sku":"KOU003LP","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/ChloeKim-Ratsnake.jpg?v=1760465063"},{"product_id":"cryptworm-oozing-radioactive-vomition","title":"Cryptworm - Oozing Radioactive Vomition","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: MSUO174LP \u003cbr\u003eBarcode: \u003cspan\u003e5056688801786 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Rock\u003c\/p\u003e\n\u003cp\u003eFollowing the huge success of their debut album last year, Cryptworm are back with its follow-up. Promising to be another rancid affair of true Death Metal abhorrence…\u003cbr\u003ePacking a punch of putrescence, Cryptworm’s annihilating grooves and offal-drenched soundscapes fit the nastiest niches of Death Metal’s darkest depths. Their new record instantly picks up where the previous left off with the fetid filth spraying forth from every element. The riffs bounce like a corpse being molested in the dead of night while the pulverising drums punish with equally sadistic force. Gruesome vocals spew atop these instrumental violations and altogether the sound on “Oozing Radioactive Vomition” contort into the most hostile and hideous vision from the band to date.\u003cbr\u003eEach mangled moment will have you feeling quite unwell with the disgusting delivery as unrelenting as you should already expect, being that any real Death Metal lover will already be engrossed in the grotesque sounds of Cryptworm by now. Their new offering injects even more fury and unpleasantries into the already crushing sound they had carefully built, taking things even further into the abyssal murk of the underground for all real maniacs to revel in the molten rot on display. If the song titles such as “Miasmatic Foetid Odour” and “Engulfed by Gurgling Purge Fluids” don’t already give you an idea of what to expect, than allow your ears to fall victim to the sonic suppuration of Cryptworm’s most malformed release to date…\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Oozing Radioactive Vomition\u003cbr\u003e2. Organ Snatcher\u003cbr\u003e3. Miasmatic Foetid Odour\u003cbr\u003e4. Necrophagous (Postmortal Devourment)\u003cbr\u003e5. Engulfed by Gurgling Purge Fluids\u003cbr\u003e6. Submerged into Vile Repugnance\u003c\/p\u003e","brand":"ME SACO UN OJO","offers":[{"title":"Default Title","offer_id":45417351217308,"sku":"MSUO174LP","price":26.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Cryptworm-oozing.jpg?v=1760465182"},{"product_id":"cuzzin-howie-goin-nowhere-fast","title":"Cuzzin Howie - Goin' Nowhere Fast","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eGT0007LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0822720790715 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Hip-Hop \u0026amp; Rap\u003c\/p\u003e\n\u003cp\u003eCuzzin Howie is a laid-back, purple dog who lives for doin drugs, making music, and cracking jokes. The pup was found swimming in a mysterious purple substance before being adopted by GoodTalk founder Jonnyshipes. Legend has it the shimmering goo contributed to Howie’s uncanny intellect and ability to communicate with humans. This purple fur ball wasted no time moving into Shipes’ crib, befriending all his homies, and becoming an important part of the GoodTalk crew. After hanging out with so many talented artists, Howie quickly developed an impeccable ear for music and proved to be a budding producer and tastemaker. Now, Jonnyshipes is finally giving Cuzzin Howie his chance to shine with Goin Nowhere Fast, a new album featuring appearances by Mavi, Rome Streetz, Smoke DZA, Rowdy Rebel, Lefty Gunplay, and more. An ideal platform for a host of trendsetting artists, the collection is the latest triumph from the burgeoning GoodTalk movement. This purple colored vinyl pressing includes special edition packaging with vibrant colors, unique inserts, hidden details, and a collectible design, capturing Cuzzin Howie’s carefree attitude and love for creativity.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Going Nowhere Fast\u003cbr\u003e2. Make Sure The Fam Straight (feat. Rowdy Rebel)\u003cbr\u003e3. Namaste (feat.Rome Streetz)\u003cbr\u003e4. Verbals (feat. Mavi)\u003cbr\u003e5. Woosah (feat.Milc)\u003cbr\u003e6. Grieving (feat. Rowdy Rebel and Mark J)\u003cbr\u003e7. Be Good (feat.1up Tee)\u003cbr\u003e8. Jamaica Good, Jamaica Very Good (feat. Smoke DZA)\u003cbr\u003e9. Trials \u0026amp; Tribulations (feat. Lefty Gunplay and Cho)\u003cbr\u003e10. Home Alone (Outro\u003c\/p\u003e","brand":"GOODTALK","offers":[{"title":"Default Title","offer_id":45417396568220,"sku":"GT0007LP","price":36.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CUZZINHOWIEGoin_NowhereFastLP.jpg?v=1760465808"},{"product_id":"cxbxt-after","title":"CxBxT - .After","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eCN12LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e5056688844011 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Dance \u0026amp; Electronic\u003c\/p\u003e\n\u003cp\u003eCxBxT is a new collaborative project consisting of Japanese singer, songwriter, and filmmaker Tujiko Noriko, musician and composer Adrian Corker, and percussionist George Barton.\u003cbr\u003eStepping into the studio for the first time together last summer in London, the emerging six tracks that form new album ‘.After,’ were recorded in a day and a half with some material later overdubbed.\u003cbr\u003ePrimarily recorded live with multiple mics and chains of effects by Ben Lockett, the improvised music came out of instruments which were already in the studio including piano, percussion, various synths and also instruments brought in including shakuhachi, melodica, bass, guitar and sounds recorded on and played off acetates. Corker and Tujiko originally recorded as a duo and Barton later added tuned percussion, drums and musical saw. Corker further added fields recordings made with sound recordist Chris Watson. The music twists and turns sometimes sounding like a modernised Bauhaus, other times it has loose dub influences, shades of Japanese folk music and the motorik beats of a German band from the 70s., ‘.After’ is a thrilling journey both organic and imperfect whilst also fused with machine and mechanical processes.\u003cbr\u003eCorker first met Tujiko when he co-founded the Constructive label in 2020, and released the OST for the British film ‘Surge’ starring Ben Whishaw, written by Tujiko and eminent British sound designer Paul Davies. “It was our first time making music together and there was no plan,” adds Tujiko. “Most of the tracks were built from the first take but we recorded the tracks layer by layer, listening carefully to the sounds that were already there. It wasn’t like doing an improvised live session where everyone just plays together. It was something more quieter and nuanced.”\u003cbr\u003eFor ‘Aurora Sagashi,’ Corker built the track around harmonium, strings and Tujiko’s lo-fi vocals with Barton adding percussion. “It was the first time in my music-making life that a project came together like this. I think the way we made this record reflects Adrian’s simplicity – the kind that comes from his ability to grasp the essence probably intuitively. I’m kind of intuitive too, and….it’s just chaos,” continues Tujiko. “Ben was also a truly huge part of the album. He created such a beautiful and open sonic space – without Ben, we would have just been tangled up in cables, far from being focused or intuitive. I remember him using the word “magic” several times during the recording. I hope there’s a little bit of that magic in this record to share.”\u003cbr\u003eTujiko Noriko is a Japanese singer, songwriter, and filmmaker based in Paris. Since the early 2000s, she has released several albums of experimental pop, singing bittersweet melodies in Japanese and English over glitchy, downtempo electronics and electro-acoustic arrangements. Early releases such as ‘Shojo Toshi’ (2001) and ‘From Tokyo to Naiagara’ (2003) were critically acclaimed, attracting attention from IDM and indie pop audiences alike. She has collaborated with several experimental electronic musicians, including Peter 'Pita' Rehberg as DACM, French artist Saâdane Afif and Lawrence English and John Chantler on ‘U’ (2008). Having worked on numerous experimental short films throughout her career, Tujiko released her first full-length instrumental soundtrack ‘Kuro’ in 2019. The expansive ambient work ‘Crépuscule I \u0026amp; II’ was released in 2023 which Pitchfork described as “intimate yet cinematic.”\u003cbr\u003eAdrian Corker is a musician and composer who has written extensively to picture, alongside releasing music both as a solo artist and in collaboration. His first score, Antonia Bird's cult classic ‘Face’ (1998) starred Robert Carlyle and Ray Winstone and most recently, he scored Rowan Joffe’s drama series ‘Tin Star’ (Sky Atlantic\/Amazon). Other notable film scores include ‘Three Degrees Colder’ (2006), ‘The Have-Nots’ (2016) by cinemotographer\/director Florian Hoffmeister( Tár’ (2023).\u003cbr\u003eIn summer 2023, he completed an installation for Mode’s 2023 Tokyo Festival in collaboration with Japanese film composer Takuma Watanabe. The same year, he curated a project titled ‘Utopia or Oblivion’ based on the work of Buckminster Fuller, featuring work from Ale Hop, Robert Lippok and Silvia Kastel. He has also curated events at the ICA London, Unsound Festival and the Gagosian Gallery. Recent curation includes Chris Watson’s ‘Namib in the Octagon’ at Queen Mary in London.\u003cbr\u003eHe has released numerous albums as a solo artist including his 2022 album ‘Since it Turned Out Something Else,’ which was described by Electronic Sound Magazine as ‘Intensely and startlingly brilliant’. His final season score for Tin Star came second in \u003c\/p\u003e\n\u003cp\u003eMojo Magazine’s Soundtrack of the Year, pipped only by Warren Ellis. He has collaborated with musicians including Chris Watson, Jack Wyllie and Richard Skelton.\u003cbr\u003eCorker also runs the groundbreaking labels SN Variations and Constructive which together have released music by John Cage, Lucy Railton, Kit Downes, Oliver Leith, Takuma Watanabe, conductor\/composer Jack Sheen and most recently, Tujiko Noriko and sound designer Paul Davies’ score to Aneil Karia’s debut feature ‘Surge’ starring Ben Whishaw.\u003cbr\u003ePercussionist George Barton has been described by BBC Radio 3’s Tom Service as “a boundless musical explorer,” and regularly works in the fields of chamber music, solo playing, film sessions, free improvisation, and orchestral work, as well as arranging and conducting.\u003cbr\u003eWith pianist Siwan Rhys, Barton forms GBSR Duo, whose repertoire ranges from Stockhausen and Ustvolskaya to Aphex Twin and Harold Budd, and whose collaborators range from the LA Philharmonic to experimental artists Angharad Davies and CHAINES. In 2025 GBSR Duo won the Royal Philharmonic Society's Young Artist Award. He is also a member of both the Colin Currie Group and Riot Ensemble.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Yasashii Sayonara\u003cbr\u003e2. Shakou\u003cbr\u003e3. Hoshi o Atsumete\u003cbr\u003e4. Tōku no Minato\u003cbr\u003e5. N0\u003cbr\u003e6. Aurora Sagashi\u003c\/p\u003e","brand":"CONSTRUCTIVE","offers":[{"title":"Default Title","offer_id":45417495134364,"sku":"CN12LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/CxBxT_.after.jpg?v=1760466103"},{"product_id":"cyprien-gaillard-retinal-rivalry-picture-disc","title":"Cyprien Gaillard - Retinal Rivalry [PICTURE DISC]","description":"\u003cp\u003eFormat: LP, PICTURE DISC\u003cbr\u003eCatalogue No.: \u003cspan\u003ePAN157LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0756029613218 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Dance \u0026amp; Electronic\u003c\/p\u003e\n\u003cp\u003eRetinal Rivalry is the soundtrack to Cyprien Gaillard’s new stereoscopic film, Retinal Rivalry (2024). It is an entrancing journey through Germany’s urban landscape and its layers of historical and social significance.\u003cbr\u003eBuilding on his previous exploration of the sculptural qualities of three-dimensional moving images, the work extends beyond the confines of the screen. By harnessing cutting-edge technology to its full potential, Gaillard offers an expanded, sharpened and deeply affecting novel view of the world around us. Retinal Rivalry is named after the visual perception phenomenon that occurs when the brain receives two conflicting images at the same time. Instead of blending into one 3D image, the neural system alternates between prioritising one image while suppressing the other, causing confusion and discomfort for the viewer. Gaillard’s film engages with these complexities of visual processing and the limitations of technology, collating visual information through exceptional, often tongue-in-cheek, shots that intertwine the inside and outside, the contained and dispersed, and the natural and built. His camera adopts unusual viewpoints, shifting from smooth aerial perspectives to a rodent’s low gaze to the dizzying darting in and out on the bulbous nose of a sculpture, or a long shot of a train moving through a landscape, drawing us into a layered experience that teeters between a bad trip and unexpected beauty providing solace.\u003cbr\u003eThroughout Retinal Rivalry, various stairs, spirals and lifts allude to a state of constant ascent and descent, emphasising the interplay between distance and closeness, chasmic depth and vivid sculptural representation. The film rhythmically pulses with images that swell and contract, inflate and deflate. Manipulating viewers’ sense of depth, scale and texture, it renders familiar materials and locations uncanny, highlighting the inherent inaccuracies and distortions of representation. Recording the ordinary world in magnificent detail while aiming to look beneath the surface of things, Retinal Rivalry is a depiction of space and time, destabilising modes of representation and offering a new hyper-vision version of reality. Shot at 120 frames per second and projected at the same rate—five times the standard rate in cinema—Gaillard captures more than the human eye can naturally perceive.\u003cbr\u003eAn early scene places us inside a glass recycling bin, up close between discarded bottles that stretch deep behind the screen and flies buzzing around our heads—Gaillard’s objects materialise in space. Vignettes of collectable Meissen porcelain animal figurines appear like strange scavengers among the rubbish. The bottlenecks and broken glass call to mind the composition of Caspar David Friedrich’s The Sea of Ice (1823–24), with its sharp step-like layers of sheets of ice. When the container opens, the “sea” of spirit and wine bottles spills into a dump far below, performing a kind of ritualistic libation in remembrance of the dead. Gaillard has made alcohol and its deteriorative and amnesic effects the subject of previous works, such as his anti-monument Recovery of Discovery (2011), a pyramid made of beer bottles, which touches on the paradox of (self-)destructive behaviour driven by the instinct for (self-)preservation. Retinal Rivalry evokes moments of intoxication and disorientation as we are enveloped inside the head of Bavaria, a nineteenth-century female personification of the Bavarian state, the first colossal bronze statue made since classical antiquity. A shaky shot slowly draws us towards an opening, revealing a view of the Oktoberfest’s big wheel turning above Munich. At the feet of “Mama Bavaria” lies what is known as Kotzhügel (vomit hill) on the fringe of the beer festival, where an inebriated young man sleeps off his hangover. Back inside the statue’s head, the camera moves nervously from side to side as if to ask: how did we get here?\u003cbr\u003eFull of extraordinary clashes, Retinal Rivalry embodies the dynamics of memory and endless cycles of both literal and figurative destruction and construction. One notable example features a drunkenly misplaced iPhone, which displays a colourful animated psychedelic wheel before tumbling through a stairwell. We land below ground, beneath the Cologne Cathedral, where the remains of a Roman city wall are integrated into a 1970s car park, a corner of which shows traces of drug use. In another striking scene, the camera scans several posters advertising an immersive Van Gogh exhibition, before aligning itself with the painter’s eye, pushing into the graffiti-covered wall and scraping along its length for a true immersive experience. A later sequence portrays the misty views of Saxon Switzerland and its iconic rock formation, the Bastei, a well-developed tourist attraction, shaped by invasive alterations over the years. Once more, Gaillard’s lens intervenes, penetrating the stone that lies behind a protective glass covering, making us forget what we are looking at. Gaillard’s techniques evoke an atmosphere of delusion—an expedition into the irrational, a realm where seeing is hallucinating and viewers navigate between heaven and abyss, between a heightened reality and the loss of a sense of reality.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe spectral images scrutinise our relationship with public space as a common good, prompting questions about our navigation of the present and the intricacies of the inheritances that surround us. A Burger King occupies a former electric substation for the Nazi rally grounds in Nuremberg; an open-mouthed mascaron on a Weimar Art Nouveau building now crowns a cash machine, creating a jarring portal that connects the digital and physical worlds. Elsewhere, a barely-there glossy cellophane wrapper shimmers, and the sticky tape plastered across an improvised Michael Jackson memorial (originally a statue of Renaissance composer Orlando di Lasso) glistens iridescently, transforming the ethereal into the palpable. The film’s keen awareness of the interconnectedness of time transforms the settings, phenomena and objects typically regarded as peripheral into mind-bending sculpted light, leaving an indelible impression that continues to reverberate long after it has been experienced.\u003cbr\u003eThe film’s score draws from diverse sonic elements, bolstering its exploration of dissonance and synchrony. Indonesian instrumental music is reworked and combined with field recordings of heavy machinery rumbling and strangely melodic retching. The soundtrack also incorporates the opening lines to Werner Herzog’s Aguirre, the Wrath of God (1972), along with its accompanying overture by German band Popol Vuh. The soundscape of Retinal Rivalry contrasts its images—what we see is often at odds with what we hear. Only one section lets sound and image converge: a fractured leg pumps the pedal of an interactive organ to play a piece by Johann Sebastian Bach that repeatedly falters.\u003cbr\u003eThe film Retinal Rivalry will be on view at Haus der Kunst in Munich from October 17, 2025, to March 8, 2026\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e01. Retinal Rivalry\u003cbr\u003eSIDE B\u003cbr\u003e02. Retinal Rivalry\u003c\/p\u003e","brand":"PAN","offers":[{"title":"Default Title","offer_id":45417497723036,"sku":"PAN157LP","price":51.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/1_86f4ba3c-3837-476f-a6e4-e0f52441ef37.jpg?v=1760469209"},{"product_id":"dilemastronauta-y-la-tripulacion-cosmica-sleepwalk","title":"DILEMASTRONAUTA y La Tripulación Cósmica - SLEEPWALK","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eFG016LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0637609880865 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Latin\u003c\/p\u003e\n\u003cp\u003eDILEMASTRONAUTA y La Tripulación Cósmica - led by Combo Chimbita-drummer Andres Jimenez - present their second band offering featuring a new line up that adds Carlos Rienzo, the sole millo flute player in the US. “To me there’s no one like him in the city,” says Jiménez. “It really wouldn’t be what it is without Carlos,” who sings, plays percussion, gaita and the millo, a high-pitched wind instrument, “a flute that is meant to play Colombian music and we’re putting it in a different context. To me it’s one of the most unique lineups that I work with.” The group also features NY-Bogotá mainstays Ricardo Gallo (Los ALiENs) on synthesizers and Juan Ospina (M.A.K.U. Soundsystem) on bass.\u003cbr\u003e“This project was born out of a musical residency down in Bushwick at this place called Sleepwalk. I wanted to understand and play with the millo flute. I was interested in the way it’s played and how it would sound in a non-traditional context. So we had the luck to have Carlos Rienzo, and we were trying to find common grounds as to how to interact musically. We started exploring these traditional songs and that led to the creation of two original songs. But these songs and the way we played it really was born from playing it live in front of people.\"\u003cbr\u003eTo document and celebrate the group's new line up, DILEMASTRONAUTA y La Tripulación Cósmica are releasing a limited edition 12-inch vinyl EP comprising three traditionals and two original songs, featuring cover art by Bogotano artist Mateo Rivano. “Most times we have to look back to different sources to understand how to move forward. And in this case, I hope that this we’re doing is some kind of reference as to what I was about musically and how I feel about the world,” says DILEMASTRONAUTA, who sees the EP as “a diary for my daughter.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Cumbia Valentina\u003cbr\u003e2. Las Mañanitas de Diciembre\u003cbr\u003e3. Mi Sentimiento\u003cbr\u003e4. Donde Canta La Paloma\u003cbr\u003e5. Asino\u003c\/p\u003e","brand":"Figure \u0026 Ground","offers":[{"title":"Default Title","offer_id":45417522987164,"sku":"FG016LP","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/DILEMASTRONAUTAyLaTripulacionCosmica-SLEEPWALK.jpg?v=1760466138"},{"product_id":"dillon-batsauce-what-have-we-done-dance-floor-remixes","title":"Dillon \u0026 Batsauce - What Have We Done (Dance Floor Remixes)","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eFP032DFR \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0628425430167 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Dance \u003c\/p\u003e\n\u003cp\u003eAfter asking the world, 'What Have We Done' in 2024, Underground Hip hop veterans, Dillon \u0026amp; Batsauce celebrate the anniversary of their recent album with a brand new remix project fit for the DANCE FLOOR.\u003cbr\u003eThat's right, even though neither of them can dance, Dillon \u0026amp; Batsauce reached out to some of their favorite beat makers in the hip hop \/ house world to rework their songs to a whole new groove including: DJ Spinna, Kai Alcé, Byron the Aquarius, J. Rawls, \u0026amp; Supa Dave West.\u003cbr\u003eNot only did they enlist the production talents of five elite dance floor dominators, but they also added the trumpet of in demand-Atlanta bandleader, Dashill Smith + fierce wielder of the spoken word, Dungeon Family's Big Rube.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e1. Make History (DJ Spinna Dance Remix)\u003cbr\u003e2. Yoga Flame (Kai Alcé Dance Remix)\u003cbr\u003e3. Mind Made ft. Big Rube (Byron the Aquarius Dance Remix)\u003cbr\u003e4. Rock Bottom ft. Dashill Smith (J. Rawls Dance Remix)\u003cbr\u003e5. Goin' Viral (Supa Dave West Dance Remix)\u003c\/p\u003e","brand":"Full Plate","offers":[{"title":"Default Title","offer_id":45417524101276,"sku":"FP032DFR","price":24.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/Dillon_Batsauce-WhatHaveWeDone_DanceFloorRemixes_-FP032DFR_mockup.jpg?v=1760469992"},{"product_id":"dominie-hooper-in-this-body-lives-genre-alternative-midnight-forest-green-translucent-vinyl","title":"Dominie Hooper - In This Body Lives [ Genre: Alternative  Midnight Forest Green Translucent Vinyl]","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eLAT045LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e5056321698193 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eMidnight Forest Green Translucent Vinyl (shop exclusive - 200 only!) with printed insert and download code\u003c\/p\u003e\n\u003cp\u003eIn This Body Lives is the breathtaking debut album by Dartmoor-raised, London-based singer, songwriter and multi-instrumentalist Dominie Hooper. Produced and mixed by Ben Hillier (Depeche Mode, Blur, Nadine Shah), the album is steeped in memory, the search for self and the timeless power of voices raised in ritualistic union. It’s a dramatic, intimate and electrifying record that channels the ruggedness of Dominie’s upbringing through textured layers of cello and guitar, anchored by a blistering live band. Set for release on 12” vinyl and digital platforms on October 31, 2025 – the date of the ancient Celtic festival Samhain – the album promises to establish Dominie as a compelling new voice in alt-folk. Influences range from the brooding swagger of Richard and Linda Thompson to the raw energy of Magnolia Electric Co. and PJ Harvey.\u003cbr\u003eThe 10-track album includes singles ‘Land’, ‘Hurricane’, ‘Weaver’, and ‘Animal’ – each exploring themes of transformation, identity and place. Dominie’s compositions are fleshed out by a core trio of trusted collaborators – drummer Dave Hamblett, guitarist Phil Self, and bassist Twm Dylan – while choral voices recur throughout, linking the album to ancient traditions of communal song. Completed over a transformative summer at Hillier’s studio on a Sussex farm, In This Body Lives is what Dominie calls “an origin story – pictures that I hope people will find themselves inside.”\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A:\u003cbr\u003e1. Sheep’s Eye\u003cbr\u003e2. Hurricane\u003cbr\u003e3. Land\u003cbr\u003e4. Vanishing Maybe\u003cbr\u003e5. Animal\u003cbr\u003eSIDE B:\u003cbr\u003e6. No Name\u003cbr\u003e7. Fiction\u003cbr\u003e8. Weaver\u003cbr\u003e9. Soft Reckoning\u003cbr\u003e10. Join Me To This Earth\u003c\/p\u003e","brand":"LOST MAP RECORDS","offers":[{"title":"Default Title","offer_id":45417531801756,"sku":"LAT045LP","price":25.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/itbl-mockup-square-large-green.jpg?v=1760470285"},{"product_id":"elway-nobodys-going-to-heaven","title":"Elway - Nobody's Going To Heaven","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eCCCP264LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0187223026410 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Alternative\u003c\/p\u003e\n\u003cp\u003eElway is an indie-punk act that has been consistently lauded for poetic and clever lyrics, but on this latest record, singer Tim is fresh outta fucks to give and his patience with Earthlings has run out. Sounds like these emo nerds ­finally grew up to be proper punk rockers! But don't expect purple mohawks and slogans from Elway, these guys go deeper and get downright brutal with their assessment of America and capitalism. Elway fans will gobble that stuff up, but we're still gonna need you guys to buy the record. Bah, who are we kidding, you dirtballs ain't contributing to any sorta economy, so I guess we've done our part in the fo­ght against The Man. Speaking of indomitable, omnipresent institutions, the band got so ­red up about the project that they conscripted The Man over at The Blasting Room (Propagandhi, Broadway Calls, Hot Water Music) to mix and master these eleven songs. This album is bursting with melody and scrutiny, and Elway has aimed this catchy, cathartic think-piece directly at these troubled times.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e01. Turner Joy\u003cbr\u003e02. Years Of Lead\u003cbr\u003e03. Laugh Track\u003cbr\u003e04. The Cost! The Price!\u003cbr\u003e05. Down The Lane And Far Away\u003cbr\u003e06. Superpositions\u003cbr\u003e07. Look At What We've Done\u003cbr\u003e08. Unspilled Blood\u003cbr\u003e09. Nobody's Going To Heaven\u003cbr\u003e10. The Rot\u003cbr\u003e11. 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But don't expect purple mohawks and slogans from Elway, these guys go deeper and get downright brutal with their assessment of America and capitalism. Elway fans will gobble that stuff up, but we're still gonna need you guys to buy the record. Bah, who are we kidding, you dirtballs ain't contributing to any sorta economy, so I guess we've done our part in the fo­ght against The Man. Speaking of indomitable, omnipresent institutions, the band got so ­red up about the project that they conscripted The Man over at The Blasting Room (Propagandhi, Broadway Calls, Hot Water Music) to mix and master these eleven songs. This album is bursting with melody and scrutiny, and Elway has aimed this catchy, cathartic think-piece directly at these troubled times.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003e01. Turner Joy\u003cbr\u003e02. Years Of Lead\u003cbr\u003e03. Laugh Track\u003cbr\u003e04. The Cost! The Price!\u003cbr\u003e05. Down The Lane And Far Away\u003cbr\u003e06. 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It's a fully immersive experience that re-contextualizes the trio's years of work in extreme experimental music by concentrating on texture, atmosphere and sensory overload. The noise itself is used to provoke a refined level of focus; 'Nocturnal Rainforest' is mediative in its own way, enveloping listeners with waves of distortion, phantasmic unmetered rhythms and perplexing processed field recordings, but it's not intended for passive listening. Made using a fusion of bespoke techniques the trio have been developing for decades, it exists in a raw and mystifying liminal zone between the organic realm and the digital world - a place that's too hauntingly familiar to be ignored.\u003cbr\u003eOne of the world's most notorious and most prolific noise artists, Akita has release acclaimed genre-defining albums on labels as diverse as Relapse, Important Records, Tzadik, Cold Spring and Soleilmoon, and collaborated with a diverse spread of artists, from Keiji Haino and Mike Patton to Melt-Banana and Boris. Since 1979, he's released over 500 Merzbow records, including 1984's tape experiment 'Pornoise\/1kg Vol.1', 1996's noise wall milestone 'Pulse Demon' and 2005's dubby 'Merzbuddha'. Meanwhile, Cavalera is best known for co-founding Brazilian metal act Sepultura, and since leaving the band in 2006, he's been constantly re-examining his relationship with underground experimental music, working alongside artists like Laima Leyton, Ninos Du Brasil, Raven Chacon, Linekraft, Petbrick, Pig Destroyer, Soulwax, Dwid Hellion, Shane Embury, amongst others. Bernocchi started his journey in the '70s playing in various punk bands, and came of age in the '80s when he co-founded post-industrial collective Sigillum S and making connections that stretched across the entire global underground. An active member of the influential illbient movement, he worked with some of the genre's crucial figures such as Spectre, Bill Laswell and DJ Olive, recording for WordSound as well as cult hip-hop imprint Rawkus. And Bernocchi has continued to innovate, working as SIMM with Grammy-winning grime MC Flowdan and recording with Harold Budd, Cocteau Twins' Robin Guthrie, Gaudi Nils Petter Molvaer, Hoshiko Yamane and many others.\u003cbr\u003e'Nocturnal Rainforest' is a product of each artist's ongoing musical evolution, powered by extreme music but tempered by deep listening techniques that expect presence rather than dissociation. On 'Swietnenia Macrophylla', evocative humid soundscapes provide a precarious sense of security at first, blurred at the edges by purring oscillations that mimic the jungle's fauna. And that peace is quickly ruptured by percussive, foghorn-like distortions that mark out the scale of the trio's vision. Not just raw noise, the rougher elements are cut with subtle waves of billowing ambience and muggy low-end drones before the track launches into a symphony of computerized stutters. There's a constant push and pull between organic and artificial sounds - before there's been time to acclimatize to the DAW-corrupted noise, collaged tape saturations and slashed amplifier hum muddies the atmosphere, purposefully confusing the senses and obfuscating the sources. And the thought is continued on 'Ceiba Pentandra' when the trio follow the jungle's teeming sonics with growling, whirring electronics and dense interference. What starts as birdsong and an choir of insects mutates into a wall of deafening, transcendent full-spectrum texture that cracks open like a slow-moving storm over a shadowy wilderness.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSIDE A\u003cbr\u003e01. Swietenia Macrophylla\u003cbr\u003eSIDE B\u003cbr\u003e02. 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While Hiruma and Ichimura parted ways following Apres-Midi, Hiruma’s musical endeavors would continue after meeting French\/American model and vocalist Evelyne Bennu in 1984 at a café bar where she would sit and write poetry. Their collaborative efforts as Evelyne\/Masao were fruitful, and the duo first performed together in June 1984 on a television program called TOKYO ROCK TV. The album TESTPATTERN comprises seventeen songs recorded in Hiruma’s home studio, which have never been released previously. The Evelyne\/Masao duo continues building on the soundworld of Apres-Midi: lush, sophisticated electronics with intricate yet minimalist production. Tracks like “Sakuramochi” and “Bird Island” bear influence from Hosono most clearly, their soaring melodies revealing a subtly ironic redeployment of East Asian musical tropes. But TESTPATTERN is more than homage to Yellow Magic Orchestra. “Tabac” and “Le Soleil Se Leve” display oddball sensibilities closer to Sky Records icons Asmus Tietchens or Cluster. Elsewhere, the project shows affinity for the punkier ethos of continental DIY electronics, like on the quirky “Alien Go Home” and a positively skewed cover of “Singin’ in the Rain.” Bennu’s vocals provide a common thread through these explorations, as she alternates deftly between New Wave deadpan and unhinged chanson singer—check her waxing maximally Francophone on “Au Clair de Lune,” based on an 18th century French song. TESTPATTERN will be available on both double LP as well as CD, and includes a fold-out poster with liner notes with lyrics. This album is dedicated to Masao Hiruma, who passed away in 2011.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTRACKLISTING\u003cbr\u003e1 Ich Weiss Nicht Mehr\u003cbr\u003e2 Watashino Shonen\u003cbr\u003e3 Paradis Perdu\u003cbr\u003e4 Sakuramochi\u003cbr\u003e5 Le Soleil Se Leve\u003cbr\u003e6 La Jungle En Folie\u003cbr\u003e7 Au Clair De La Lune\u003cbr\u003e8. 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On Riparian, he offers one of his most intimate and focused works to date: two longform pieces for viola d’amore, improvised within microtonal systems he developed during the pandemic.\u003cbr\u003eKang refers to this improvisational method as “Riparian,” evoking the image of a river crossed in multiple directions—fluid, nonlinear, and alive with subtle variation. “I thought of pizzicato and arco like stepping from rock to rock in a stream,” he says. “There’s a grounded randomness, like a frog or turtle moving between land and water.”\u003cbr\u003eEach piece on Riparian is a first take, recorded in the studio as part of what Kang calls “a kind of storytelling among like-minded friends.” The result is music that flows with quiet intensity and emotional clarity, unfolding melodies that feel both ancient and vividly present.\u003cbr\u003eProduced and recorded by Randall Dunn (SUNN O))), Omar Souleyman, Kali Malone), Riparian captures the full resonance of the viola d’amore in rich, dimensional sound. Dunn’s touch brings warmth and transparency to Kang’s lyrical phrasing, revealing subtle sonic textures that reward deep listening.\u003cbr\u003eAt once meditative and expressive, Riparian invites the listener into a space where time softens and sound becomes a mode of attunement.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eA:\u003cbr\u003eRiparian A\u003cbr\u003eB:\u003cbr\u003eRiparian B\u003c\/p\u003e","brand":"KOU RECORDS (IDEOLOGIC ORGAN)","offers":[{"title":"Default Title","offer_id":45417661300892,"sku":"KOU001LP","price":32.28,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8714\/6043\/files\/EyvindKang-Riparian.jpg?v=1760474683"},{"product_id":"farao-magical-thinking","title":"Farao - Magical Thinking","description":"\u003cp\u003eFormat: LP\u003cbr\u003eCatalogue No.: \u003cspan\u003eWV290LP \u003c\/span\u003e\u003cbr\u003eBarcode: \u003cspan\u003e0843563193952 \u003c\/span\u003e\u003cbr\u003eRelease Date: 31 Oct 2025\u003cbr\u003eGenre: Pop\u003c\/p\u003e\n\u003cp\u003eMagical Thinking, Farao’s third studio album, unfolds as a layered journey through loss, longing, and transformation. Evoking the title and spirit of Joan Didion’s The Year of Magical Thinking, it moves through the quiet terrain between denial and acceptance—where grief is not solved, but carried. These are songs of rebuilding and resilience, shaped by themes of grief, motherhood, and the essential rituals that sustain us when clarity fades.\u003cbr\u003eRecorded between Oslo and Berlin, the album pulses with ’90s R\u0026amp;B flair, ’80s disco shimmer, and the contemplative sweep of spiritual jazz—anchored throughout by Farao’s intimate vocals and intricate arrangements. From the opening shimmer of “Waiting for You,” where heartbreak is dressed in sequins and a groove evokes Robyn and Chaka Khan, the record invites us into a world where longing is made luminous.\u003cbr\u003eOn “Spiritual Garden,” named after a fleeting Janet Jackson lyric, Farao crafts a humid, narcotic R\u0026amp;B reverie. Timbaland-style percussion and silky basslines cradle her zither’s unexpected textures, conjuring a meditation on abandonment and the fragile reclamation of self-worth. When “Dreamy Ride” glides in—where Aaliyah’s cool meets Dorothy Ashby’s cosmic harp—the album slips into nocturnal motion, an R\u0026amp;B fantasia for 2 a.m. city drives, her zither weaving through the mix like a guiding star. The playful synth-jam “Hey Ladies” and a bold reinterpretation of Brandy’s “Full Moon” lighten the mood midway through. The former is a cheeky, one-minute homage to Destiny’s Child; the latter, a nighttime elegy that drapes a beloved classic in deep bass and glimmering synths. Then comes “Xiang Xiang,” an intimate interlude built around a whispered voice-note from a friend—reminding us of the real-world bonds grounding Farao’s lush sonic universe. At the album’s center is the title track “Magical Thinking,” which directly references Didion’s memoir. Here, pulsing synths and drifting vocals trace the blurred terrain between presence and dissociation. It’s followed by “Endelig” (“finally” in Norwegian), a deep exhale—a minimal, spiritual jazz interlude that offers the illusion of resolution. Farao then teams up with ambient pioneer Laraaji for “Voice Continues,” a spacious, fourth-world-inspired meditation where zither, layered vocals, and synth textures form a sonic tapestry mapping the lingering traces of maternal love across generations.\u003cbr\u003e“Tschüssi” (a breezy German goodbye) becomes a vessel for something far weightier: a farewell laced with looping memory and emotional disorientation, built around a ghostly fragment from Farao’s track “Marry Me.” The album closes on a hazy, merciful note with “Sleep It Off,” a lullaby for the overwhelmed—a final permission to rest, to let go, to simply lie down. 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Fusing elements of 90’s slacker rock, post-punk and beatmaking, Guitar accomplishes multitudes, challenging their audience to think harder about what they actually need from music. The answer is that they need more Guitar. In his book The Trial, Franz Kafka said, “From a certain point onward there is no longer any turning back. That is the point that must be reached.” These words ring true as Guitar releases their second and most powerful LP to date, We’re Headed to the Lake, available this fall from Julia’s War. With We’re Headed to The Lake, Kuli abandons modern shoegaze conventions and creates something much more akin to 90’s alternative groups like Teenage Fanclub and Guided By Voices. The song, “The Game Has Changed” sounds like a mushroom-fueled reimagining of a Weezer song with its deeply memorable hooks warped by oblong riffs and atonal harmonies. Songs like “Every Day Without Fail” are positively triumphant, urging listeners to bob their heads endlessly as the locked-in guitarmonies sail over the upbeat rhythms, only to dissolve into a twisted, hulking hardcore breakdown. “Chance To Win” features Kuli’s wife and feels like a love-induced fever dream with its elegant, orchestral arrangements. The rest of the album follows suit with densely arranged, compelling, and surprising tracks. We’re Headed to The Lake is a sprawling and invigorating leap for Kuli. The record is generally more lyrically and melodically positive, giving the Guitar audience something hopeful; a uniquely beautiful response to an often dark world. The record feels like a place that Kuli was headed all along, and now, he has finally arrived. He has finally arrived at the lake.\u003c\/p\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eside A\u003cbr\u003e1. A+ for the Rotting Team\u003cbr\u003e2. Chance to Win\u003cbr\u003e3. Cornerland\u003cbr\u003e4. 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The first CD The Wolf At The Door is a solo baritone guitar disc that pays a heartfelt tribute to the late science fiction author Gene Wolfe (May 7, 1931 - April 14, 2019). The album is a testament to the decades-long friendship and mutual appreciation\u003cbr\u003ebetween Wolfe and Kaiser, two creative minds who shared a passion for pushing the boundaries of their respective art forms. With novels often as complex and extraordinary as Cecil Taylor's best piano playing.Wolfe is one of Kaiser's favorite writers of all time.\u003cbr\u003eOn this disc, Kaiser's guitar storytelling and narratives were consciously and intentionally influenced by Wolfe's writing.The baritone guitar, with its longer scale length, typically larger body, and lower tuning than a regular guitar, is an intriguing instrument.It is often pitched halfway between the lowest note of a bass of a regular guitar, adding a unique depth and resonance to the sound.Henry Kaiser has been playing baritone guitars for over 30 years, and this is his second CD, after 2024's THE LOST CHORD, which is all baritone.\u003cbr\u003eThe solos here are free-improvised, live, in real time, with no overdubbing. Various extended techniques, both manual and electronic, were employed to create polyphonic and orchestral textures. Many of Kaiser's musical heroes - Terry Riley, Cecil Taylor, Derek Bailey, Iannis Xenakis, Rockette Morton, Conlon Nancarrow, Barry Guy, Rakotozafy, D'Gary, Evan Parker, and György Ligeti - inspired the solos on this disc. The second CD Sea Of Memories is a solo electronic disc by P.ST, created exclusively from Henry Kaiser's\u003cbr\u003eguitar playing. P.ST is a performer\/composer based in Prague. 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